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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Yves Netzhammer

Works

Die Gegenwart sucht ihren Mund in der Spiegelung der Suppe, 2014
formal conscience, 2013
Peripheries of bodies, 2012
Dialogical Abrasion, 2011
Das Reservat der Nachteile, 2010
Dialogical Abrasion, 2010
Adressen unmöglicher Orte, 2009
Adresses of impossible places, 2009
The alleged wind loads, 2009
Furniture of Proportions, 2008
Furniture of proportions, 2008
The subjectivization of repetition, project A, 2007
The subjectivization of repetition, project A, 2007
The subjectivization of repetition, project A, 2007
The subjectivization of repetition, project B, 2007
The subjectivization of repetition, project B, 2007
Nesting Places for Touching, 2006
The imprecise bodies, 2006
The arrangement of two opposites . . ., 2005
The arrangement of two opposites . . ., 2005
Wall drawing with four video stories, 2005
Sweet wind in ones face, 2004
Alles Sichtbare gleicht sich, 2003
Am Horizont können wir unsere Sinne ablesen, 2003
Das Gefühl präziser Haltlosigkeit . . ., 2003
Die Faltenlinie einer Gestalt, . . ., 2003
Die Möglichkeit nicht mehr haben . . ., 2003
Die Zeit bis eine Form entsteht, . . ., 2003
May all creatures have a good time, 2003
Produktionsgeräusche, . ., 2003
The world is bigger in summer, 2003
Wir gehören unseren Organen . . ., 2003
Alte Narben um frische Verletzungen, 2002
The reversed armory, 2002
Training zur Verschnellerung . . ., 2001
Grosse Spiegel werden verloren . . ., 2000
Übungen machen Meister, . . ., 2000
Junge Äste ahmen alte Geweihe nach . . ., 1999
Wenn man etwas gegen seine Eigenschaften benützt . . ., 1999

Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

Born 1970 in Schaffhausen, Switzerland
Raised in Diessenhofen and Schaffhausen
Lives and works in Zurich
www.netzhammer.com

Solo exhibitions (Selection)

2015
„The School of Kyiv“, Kiew Biennale, Kiew
„Tage ohne Stunden“, Galerie Christinger de Mayo
„Der Gefangene Floh“, Kunst und Bau, EWZ, Zürich

2014 „Die Sprache spielt Zeit“ Kunst und Bau, Affoltern am Albis
„Zeitimporte“ Kunst und Bau, Siedlung Grünmatt, Zürich
„Partitur der Blicke“, Raiffeisenbank Diessenhofen

2013
„Alte Verstecke in neuen Räumen“, the view, Salenstein
„Tableau“ Plakatprojekt Stadtraum Zürich

2012
„Gerichte, Gesichte, Gewichte“, Galerie Christinger De Mayo, Zürich
„Seoulsquare“, Seoul, Südkorea

2011
Filmfestival Venedig: World premiere „Dialogical Abrasion“
Eres Stiftung, München, Deutschland
Tanzprojekt (Dance-project) mit Anna Huber, Internationale Tanztage, Dampfzentrale, Bern,
Kunstmuseum Luzern (im Rahmen des Fumetto-Festivals)
Minsheng Art Museum, Shanghai
„Schattendicken“, Paracelsus-Quelle St. Moritz, Art Masters St. Moritz

2010
„Open Score“ mit Su-Mei Tse, 16. Juli, beaumontpublic, Luxenburg, LUX
„Das Reservat der Nachteile“, Kunstmuseum Bern, Bern, CH

2009
Palazzo Strozzi, Strozzina, Florence, IT
Kunsthalle Winterthur, CH

2008
"Room for Thought", SFMOMA, San Francisco, USA

2007
Biennale Venedig, Schweizer Pavillion / Venice Biennial, Swiss Pavillion, IT
"Vision Audition", Karlskirche, Kassel (supporting programme Documenta 2007), GER

2006
"Gefährdete Liebschaften. Illustrierte Liebesgedichte aus Indien / Endangered Amours. Illustrated love poems from India" Museum Rietberg, Zürich / Zurich / CH
"Yves Netzhammer Personale ", arge Kunst Galerie, Bozen / Bozens, CH

2005
"Die Anordnungsweise zweier Gegenteile bei der Erzeugung ihres Berührungsmaximums / The Arrangement of two Opposites while their maximum Contact is under Generation", Kunsthalle Bremen, GER
"White Cube", Umeå, SE

2004
Gandy Gallery, Prag, CZ
"Video- und Bildarbeiten" Museum Chasa Jaura, Valchava, CH

2003
"Die überraschende Verschiebung der Sollbruchstelle eines in optimalen Verhältnissen aufgewachsenen Astes" / "The surprising displacement of the predetermined breaking point of a branch grown under optimal conditions", Helmhaus Museum, Zürich/ Zurich, CH
"Das Gefühl präziser Haltlosigkeit beim Festhalten der Dinge",
Teil 1 / Part 1: Foundation Wilhelm Lehmbruck Museum, Duisburg, GER
Teil 2 / Part 2: Kaiser Wilhelm Museum, Krefeld, GER
"The surprising displacement of the predetermined breaking point of a branch grown under optimal conditions", Württembergischer Kunstverein, Stuttgart, GER

2001
"Übungen machen Meister, die sich nicht an ihre Anfänge erinnern",
Galerie Sima, Nürnberg / Nuremberg, GER

2000
"Statements IV", KW Kunstwerke, Berlin, GER
"Aber Freunde, die Muskeln tauschen? / But friends who exchange muscles?"
Installation with Zuzana Ponicanova and Tim Zulauf, Kunstraum Aarau, CH

1999
"Wenn man etwas gegen seine Eigenschaften benützt, muss man dafür einen anderen Namen finden", Manor - Art Prize, Museum zu Allerheiligen, Schaffhausen, CH
"Die begehbare Falle", Vebikus (with Zuzana Ponicanova), Schaffhausen, CH

1998
"Was man frisst, wird zum Inhalt", Galerie Stähli, Zürich / Zurich, CH

Group shows (selection)

2015
B3, Biennale des bewegten Bildes, Frankfurt
„Inhabitations“, Aargauer Kunsthaus
„VideoArte“, Castelmur, Bergell
Volta NY, New York

2014
„Gastspiel“ Museum Rietberg, Zürich
„Artissima“, Solopräsentation, Turin, Italien
„Skulpturenausstellung“, epfl, école politechnique Lausanne
„Bex&Arts“, Skulpturenpark, Bex
„Gegenwelten“, Schloss Ambras Innsbruck
„Apocalypse Now“, mpk, Kaiserslautern

2013
„The red queen“, MONA, Tasmania
„Moving Sculptures“ Lembruck Museum, Duisburg
„Smell of animal“, K11, Shanghai
"Vermessene Dinge" , Eres Stiftung. München
"Vororte der Körper", 48. Solothurner Filmtage, Solothurn
"Behaglich ist anderswo", Kunst(zeug)haus Rapperswil

2012
"Zeitgespenster“, Museum Morsbroich, Leverkusen, Deutschland
“töten”, Kunstpalais, Erlangen, Deutschland
„Click or Clash”, Galleria Bianconi, Milano
"Magie der Dinge" Museum für Gestaltung, Zürich
100 Jahre Schweizer Grafik, Museum für Gestaltung Zürich
A Touch of Live, Galerie Anita Beckers Frankfurt

2011
“Anonoyme Skulpturen” Galerie im Taxispalais, Innsbruck, A
Voici un dessin Suisse”, Teil 2, Aargauer Kunsthaus, Aarau
“Café des reves”, Eine Videoausstellung, Helmhaus Zürich

2010
Liverpool Biennale, Liverpool, UK
Twilights - Ruhrlights, Ruhr 2010, GER
„Dont look back“, Kunstmuseum Bern, CH
“Voici un dessin Suisse” Musee Rath, Genf / CH
"Milieux Sonores" mit / with Bernd Schurer, Grey Area Foundation of the Arts,
San Francisco, USA
“Simply video”, Kunstmuseum Stuttgart, GER

2009
"CELLA - Strukturen der Ausgrenzung und Disziplinierung", Complesso Monumentale di San Michele a Ripa, Rome / Rom, IT
"Aesthetics of Terror", Akademie der Künste, Berlin, GER
Moscow Biennale (Film aus 52. Biennale Venedig Projekt), Moskau / Moscow, RU

2008
"Time Square", beaumontpublic, Luxemburg, LU
"Multitasking", Wanderausstellung / travelling exhibition: NGBK, Berlin; Stedelijk Museum´s-Hertogenbosch; Overbeck-Gesellschaft, Lübeck, GER and NL
"Digitale Raumkunst", Stiftung Wilhelm Lehmbruck Museum Duisburg, GER
"SYTHETIC TIMES. China International New Media Arts Exhibition", National Art Museum of China, Beijing, CN

2007
"art_clips.ch.at.de“, ZKM, Karlsruhe, GER
"Was ist Plastik? 100 Jahre - 100 Köpfe“, Wilhelm Lehmbruck Museum, Duisburg, GER
"Moving – New Media Art", CB Collection, Tokyo, JP
"Swiss Made", Kunstmuseum Wolfsburg, GER
"Surrealités – Aspekte des Surrealen in der zeitgenössischen Kunst", CentrePasquArt, Biel, CH
"Vordemberge-Gildewart Stipendiaten 1997-2007", Museum Wiesbaden / Nassauischer Kunstverein, Wiesbaden, GER
"Emotion Field", Palazzo Strozzi, Florenz, IT

2006
"Flüchtiger Horizont", Kunstmuseum Solothurn, CH
"Vom Pferd erzählen", Kunsthalle Göppingen, GER
"Zwischen Körper und Objekt", MARTa Herford, GER
"Satellite of Love", Witte de With, Rotterdam and TENT Rotterdam, NL
"Das Jahrhundert moderner Skulptur in Duisburg", GER
Wilhelm-Lehmbruck-Museum, Duisburg, GER

2005
International Biennale of Contemporary Art 2005, National Gallery Prague, Prague, CZ

2004
"Game Art. Kunst, Bildschirmspiel und Wirklichkeit",
Europäisches Zentrum für Kunst-und Industriekultur, Völklinger Hütte, GER
"Wo Berge sich erheben", Palazzo Liestal, Basel, CH
"Die Wiedergeburt der Statuette", Europäische Triennale der Kleinplastik,
Murska Sobota, SLO
"Animaux", Kulturzentrum Pfäffikon, CH

2003
"glassafab. 9/empathy", 1. Prag Biennale, Prag / Prague, CZ
"Mursollaici", Centre Culturel Suisse, Paris, FR
"Lautloses irren, ways of worldmaking, too...",
Postbahnhof am Ostbahnhof, Podewil Kulturzentrum, Berlin, GER

2002
"Camouflage", Mu.dac., Lausanne, CH

2001
"Body as bite: Technokörper", Neues Kunstmuseum Luzern / Lucerne, CH
"Video ergo sum", Kunsthalle Göppingen, GER
"Analog-Dialog", Kunstmuseum Solothurn, CH

2000
BIG Torino 2000, International Biennial of young Creativity, Turin / Torino, IT
"Der anagrammatische Körper 2" / "The anagramatical body 2", ZKM Karlsruhe, GER
"Version 2000", Centre pour l´image contemporaine, Saint-Gervais, Genf / Geneve, CH
"Beyond Borders", Coninx Museum, Zürich / Zurich, CH

1999
"Curator`s Digest", Helmhaus, Zürich / Zurich, CH
"Digital Sunshine", Three Statements, Kunsthalle Brandts, Odense, DK
"Video Virtuale, Foto Fictionale", Museum Ludwig, Köln / Cologne, GER
"Der anagrammatische Körper 1" / "The anagramatical body 1", Steirischer Herbst, Graz, A

Works in public collections (selection)

Kunstsammlungen des Bundes
Sammlung Ketterer-Ertle, Bern
Kunstmuseum Bern
ERES Stiftung München
Kunsthalle Bremen
Collezione La Gaia, Busca
Stiftung Wilhelm Lehmbruck Museum, Duisburg
Museum für Kommunikation, Frankfurt
Kunstmuseum Heidenheim
Museum of Old and New Art (Mona), Hobard, Tasmanien / Tasmania
FRAC Marseille
West Collection, Paoli, Pennsylvania
Peter und Elisabeth Bosshard, Rapperswil
Museum zu Allerheiligen, Schaffhausen
CB Collection, Tokyo
Mori Collection, Tokyo
Kunsthaus Zürich, Zurich

Yves Netzhammer
Born 1970 in Schaffhausen, Switzerland Raised in Diessenhofen and Schaffhausen Lives and works in Zurichwww.netzhammer.com Solo exhibitions (Selection) 2015 „The School of Kyiv“, Kiew Biennale, Kiew „Tage ohne Stunden“, Galerie Christinger de Mayo „Der Gefangene Floh“, Kunst und Bau, EWZ, Zürich 2014 „Die Sprache spielt Zeit“ Kunst und Bau, Affoltern am Albis „Zeitimporte“ Kunst und Bau, Siedlung Grünmatt, Zürich „Partitur der Blicke“, Raiffeisenbank Diessenhofen 2013 „Alte Verstecke in neuen Räumen“, the view, Salenstein „Tableau“ Plakatprojekt Stadtraum Zürich 2012 „Gerichte, Gesichte, Gewichte“, Galerie Christinger De Mayo, Zürich „Seoulsquare“, Seoul, Südkorea 2011 Filmfestival Venedig: World premiere „Dialogical Abrasion“ Eres Stiftung, München, Deutschland Tanzprojekt (Dance-project) mit Anna Huber, Internationale Tanztage, Dampfzentrale, Bern, Kunstmuseum Luzern (im Rahmen des Fumetto-Festivals) Minsheng Art Museum, Shanghai „Schattendicken“, Paracelsus-Quelle St. Moritz, Art Masters St. Moritz 2010 „Open Score“ mit Su-Mei Tse, 16. Juli, beaumontpublic, Luxenburg, LUX „Das Reservat der Nachteile“, Kunstmuseum Bern, Bern, CH 2009 Palazzo Strozzi, Strozzina, Florence, IT Kunsthalle Winterthur, CH 2008 Room for Thought, SFMOMA, San Francisco, USA 2007 Biennale Venedig, Schweizer Pavillion / Venice Biennial, Swiss Pavillion, IT Vision Audition, Karlskirche, Kassel (supporting programme Documenta 2007), GER 2006 Gefährdete Liebschaften. Illustrierte Liebesgedichte aus Indien / Endangered Amours. Illustrated love poems from India Museum Rietberg, Zürich / Zurich / CH Yves Netzhammer Personale , arge Kunst Galerie, Bozen / Bozens, CH 2005 Die Anordnungsweise zweier Gegenteile bei der Erzeugung ihres Berührungsmaximums / The Arrangement of two Opposites while their maximum Contact is under Generation, Kunsthalle Bremen, GER White Cube, Umeå, SE 2004 Gandy Gallery, Prag, CZ Video- und Bildarbeiten Museum Chasa Jaura, Valchava, CH 2003 Die überraschende Verschiebung der Sollbruchstelle eines in optimalen Verhältnissen aufgewachsenen Astes / The surprising displacement of the predetermined breaking point of a branch grown under optimal conditions, Helmhaus Museum, Zürich/ Zurich, CH Das Gefühl präziser Haltlosigkeit beim Festhalten der Dinge, Teil 1 / Part 1: Foundation Wilhelm Lehmbruck Museum, Duisburg, GER Teil 2 / Part 2: Kaiser Wilhelm Museum, Krefeld, GER The surprising displacement of the predetermined breaking point of a branch grown under optimal conditions, Württembergischer Kunstverein, Stuttgart, GER 2001 Übungen machen Meister, die sich nicht an ihre Anfänge erinnern, Galerie Sima, Nürnberg / Nuremberg, GER 2000 Statements IV, KW Kunstwerke, Berlin, GER Aber Freunde, die Muskeln tauschen? / But friends who exchange muscles? Installation with Zuzana Ponicanova and Tim Zulauf, Kunstraum Aarau, CH 1999 Wenn man etwas gegen seine Eigenschaften benützt, muss man dafür einen anderen Namen finden, Manor - Art Prize, Museum zu Allerheiligen, Schaffhausen, CH Die begehbare Falle, Vebikus (with Zuzana Ponicanova), Schaffhausen, CH 1998 Was man frisst, wird zum Inhalt, Galerie Stähli, Zürich / Zurich, CH Group shows (selection) 2015 B3, Biennale des bewegten Bildes, Frankfurt „Inhabitations“, Aargauer Kunsthaus „VideoArte“, Castelmur, Bergell Volta NY, New York 2014 „Gastspiel“ Museum Rietberg, Zürich „Artissima“, Solopräsentation, Turin, Italien „Skulpturenausstellung“, epfl, école politechnique Lausanne „Bex&Arts“, Skulpturenpark, Bex „Gegenwelten“, Schloss Ambras Innsbruck „Apocalypse Now“, mpk, Kaiserslautern 2013 „The red queen“, MONA, Tasmania „Moving Sculptures“ Lembruck Museum, Duisburg „Smell of animal“, K11, Shanghai Vermessene Dinge , Eres Stiftung. München Vororte der Körper, 48. Solothurner Filmtage, Solothurn Behaglich ist anderswo, Kunst(zeug)haus Rapperswil 2012 Zeitgespenster“, Museum Morsbroich, Leverkusen, Deutschland “töten”, Kunstpalais, Erlangen, Deutschland „Click or Clash”, Galleria Bianconi, Milano Magie der Dinge Museum für Gestaltung, Zürich 100 Jahre Schweizer Grafik, Museum für Gestaltung Zürich A Touch of Live, Galerie Anita Beckers Frankfurt 2011 “Anonoyme Skulpturen” Galerie im Taxispalais, Innsbruck, A Voici un dessin Suisse”, Teil 2, Aargauer Kunsthaus, Aarau “Café des reves”, Eine Videoausstellung, Helmhaus Zürich 2010 Liverpool Biennale, Liverpool, UK Twilights - Ruhrlights, Ruhr 2010, GER „Dont look back“, Kunstmuseum Bern, CH “Voici un dessin Suisse” Musee Rath, Genf / CH Milieux Sonores mit / with Bernd Schurer, Grey Area Foundation of the Arts, San Francisco, USA “Simply video”, Kunstmuseum Stuttgart, GER 2009 CELLA - Strukturen der Ausgrenzung und Disziplinierung, Complesso Monumentale di San Michele a Ripa, Rome / Rom, IT Aesthetics of Terror, Akademie der Künste, Berlin, GER Moscow Biennale (Film aus 52. Biennale Venedig Projekt), Moskau / Moscow, RU 2008 Time Square, beaumontpublic, Luxemburg, LU Multitasking, Wanderausstellung / travelling exhibition: NGBK, Berlin; Stedelijk Museum´s-Hertogenbosch; Overbeck-Gesellschaft, Lübeck, GER and NL Digitale Raumkunst, Stiftung Wilhelm Lehmbruck Museum Duisburg, GER SYTHETIC TIMES. China International New Media Arts Exhibition, National Art Museum of China, Beijing, CN 2007 art_clips.ch.at.de“, ZKM, Karlsruhe, GER Was ist Plastik? 100 Jahre - 100 Köpfe“, Wilhelm Lehmbruck Museum, Duisburg, GER Moving – New Media Art, CB Collection, Tokyo, JP Swiss Made, Kunstmuseum Wolfsburg, GER Surrealités – Aspekte des Surrealen in der zeitgenössischen Kunst, CentrePasquArt, Biel, CH Vordemberge-Gildewart Stipendiaten 1997-2007, Museum Wiesbaden / Nassauischer Kunstverein, Wiesbaden, GER Emotion Field, Palazzo Strozzi, Florenz, IT 2006 Flüchtiger Horizont, Kunstmuseum Solothurn, CH Vom Pferd erzählen, Kunsthalle Göppingen, GER Zwischen Körper und Objekt, MARTa Herford, GER Satellite of Love, Witte de With, Rotterdam and TENT Rotterdam, NL Das Jahrhundert moderner Skulptur in Duisburg, GER Wilhelm-Lehmbruck-Museum, Duisburg, GER 2005 International Biennale of Contemporary Art 2005, National Gallery Prague, Prague, CZ 2004 Game Art. Kunst, Bildschirmspiel und Wirklichkeit, Europäisches Zentrum für Kunst-und Industriekultur, Völklinger Hütte, GER Wo Berge sich erheben, Palazzo Liestal, Basel, CH Die Wiedergeburt der Statuette, Europäische Triennale der Kleinplastik, Murska Sobota, SLO Animaux, Kulturzentrum Pfäffikon, CH 2003 glassafab. 9/empathy, 1. Prag Biennale, Prag / Prague, CZ Mursollaici, Centre Culturel Suisse, Paris, FR Lautloses irren, ways of worldmaking, too..., Postbahnhof am Ostbahnhof, Podewil Kulturzentrum, Berlin, GER 2002 Camouflage, Mu.dac., Lausanne, CH 2001 Body as bite: Technokörper, Neues Kunstmuseum Luzern / Lucerne, CH Video ergo sum, Kunsthalle Göppingen, GER Analog-Dialog, Kunstmuseum Solothurn, CH 2000 BIG Torino 2000, International Biennial of young Creativity, Turin / Torino, IT Der anagrammatische Körper 2 / The anagramatical body 2, ZKM Karlsruhe, GER Version 2000, Centre pour l´image contemporaine, Saint-Gervais, Genf / Geneve, CH Beyond Borders, Coninx Museum, Zürich / Zurich, CH 1999 Curator`s Digest, Helmhaus, Zürich / Zurich, CH Digital Sunshine, Three Statements, Kunsthalle Brandts, Odense, DK Video Virtuale, Foto Fictionale, Museum Ludwig, Köln / Cologne, GER Der anagrammatische Körper 1 / The anagramatical body 1, Steirischer Herbst, Graz, A Works in public collections (selection) Kunstsammlungen des Bundes Sammlung Ketterer-Ertle, Bern Kunstmuseum Bern ERES Stiftung München Kunsthalle Bremen Collezione La Gaia, Busca Stiftung Wilhelm Lehmbruck Museum, Duisburg Museum für Kommunikation, Frankfurt Kunstmuseum Heidenheim Museum of Old and New Art (Mona), Hobard, Tasmanien / Tasmania FRAC Marseille West Collection, Paoli, Pennsylvania Peter und Elisabeth Bosshard, Rapperswil Museum zu Allerheiligen, Schaffhausen CB Collection, Tokyo Mori Collection, Tokyo Kunsthaus Zürich, Zurich

Yves Netzhammer
Alles Sichtbare gleicht sich

Artist Yves Netzhammer
Year 2003
Duration 7:12 min
Edition 6 + 2 AP
Technical info DVD-Video/PAL
Contact
Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de
Yves Netzhammer - Alles Sichtbare gleicht sich

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