This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

Share your thoughts with the blinkvideo community.

Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Our Partners

Follow us on Instagram

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Dana Levy

Works


Biography

Dana Levy was born in Tel Aviv Israel and lives and works in New York.
She earned her MA in Electronic Imaging at Duncan of Jordanstone College of Art Dundee, Scotland and her BA from University of the Arts London: Camberwell college of Arts


Solo shows / Screenings

2021
Currents 119: Dana Levy Solo exhibition St. Louis Art Museum

2019
The Weight Of Things - media room/ Fridman Gallery NYC

2017
Impermanent Displays – 8 recent videos Dana Levy Guest of Honor Art Market Budapest
This Was Home screening Contemporary Jewish Museum at Kadist Foundation San Francisco This Was Home screening & discussion American Jewish University Los Angeles

2015
Literature of Storms, Israel Museum in Jerusalem solo project curated by Noam Gal

2014
Impermanent Display, Petach Tikva Museum of Art; Curated by Hila Cohen Schneiderman.

2013
The Wake, The Box at Wexner Art Center Columbus OH
The Wake & Dead World Order” ProjectSCREEN Oklahoma Museum of Art
Documentary Film by Dana Levy No Man's Language- Tranzitdisplay Gallery Prague

2012
World Order, Center for Contemporary Art Tel Aviv Israel curated by Maayan Shelef and Sergio Edelsztein.
The Fountain/The Wake- Ron Mandos Gallery Amsterdam,
The Fountain, Braverman Gallery Tel Aviv
The Wake Loop art fair Barcelona

2010
Wild Thing, Nicelle Beauchene gallery NYC

2008
Habitat Tavi Dresdner Gallery Tel Aviv;

2004

After The End Haifa Museum of Art curated by lIana Tenenbaum
Back to the Sea Rosenfeld Gallery Tel Aviv curated by Diana Dallal


Group shows / Screenings

2021
Oberhausen Film Festival
Life/Still Life Land -Museum On The Seam Jerusalem
This Is Not My Tree - Nars Foundation New York
Videonale KunstMuseum Bonn

2020
Interfilm Berlin
Natural Glitch Musrara New Gallery Jerusalem.
Ground Water New Gallery Ramat Hasharon Israel
Land Without Land Beit Hankin Gallery Israel
Ghosts Ashdod Museum of Art Israel
Last Man Bruno David gallery Media Room St. Louis MO
Vividus Petach Tikva Museum Of Art curated by Bar Yerushalmi
The World to Come: Art in the Age of the Anthropocene DePaul Art Museum

2019
Even The Trees Bleed Museum on The Seam Jerusalem Curated By Raphie Etgar
The World to Come: Art in the Age of the Anthropocene University of Michigan Museum of Art
Interior Monologues- Visual Arts Center of New Jersey curated by Mary Birmingham.

2018
The Jewish Museum Frankfurt
MACRO Asylum- The MACRO - Museum of Contemporary Art Rome Italy
The World to Come: Art in the Age of the Anthropocene Harn Museum Florida
Recent video works from Israel curated by Hadas Maor Musée de la Chasse et de la Nature, Pa-ris
New Video Works curated by Hadas Maor Petach Tikva Museum of Art
NURTUREart’s Single Channel: Anthology Film Archives NYC
“Intervention” Subte Gallery, Montevideo, Uruguay curated by Juan José Santos
To the End of Land National Gallery of Modern Art New Delhi India

2017
“Mage”-Organized by Roxana Fabius, Radiator Gallery NY
Screen City Biennial – Migrating Stories Stavanger, Norway
“Lives Between”- Center of Contemporary Art Tel Aviv curated by Joseph Del Pesco and Sergio Edelsztein
Oberhausen Film Festival Video Data Bank Distributors screening presented by Abina Manning “Almost Home: Between Staying and Leaving a Phantom Land” at Dorsky Gallery
“Deconstructing Borders”, curated by Maria Veits Student Palace, Dnipro, Ukraine
Terrace Thursdays: Multiple Multiples The Walker Art Center
Lives Between- Kadist San Francisco curated by Joseph Del Pesco and Sergio Edelsztein
Surface Unrest -Miyako Yoshinaga Gallery NYC curated by Alice Yi
Eccentric Spaces; Riccado Costanini Gallery; Turin Italy
Wax museum- Approaching celebrities Haifa Museum of Art Curated by Revital Silverman

2016
The 6th Biennale for Drawing in Jerusalem curated by Sally Heftel and Edna Moshenson
Residual Historical Haunting Johannes Vogt Gallery NYC
EFA + Middle East curated by Bill Carroll opens at Shirin Gallery NYC
Coup de Ville 2016 Triennial Sint-Niklaas, Belgium. Artistic director: Stef Van Bellingen
(Dis)Place Ashdod Museum of Art – curated by Yuval Beaton and Roni Cohen-Binyamini
Les Rencontres Internationales , Paris at Gaîté Lyrique

2015
Enchanted Space: Marilyn Minter, Dana Levy, Anna K.E Fridman Gallery NYC
Artissima Art Fair Braverman Gallery Torino, Italy
Imagining Eden Norton Museum, West Palm Beach, FL

2014
Auto Body Art Basel Miami week curated by Anthony Spinello
Recapturing the Scenic Wilds Wave Hill, NYC curated by Gabriel de Guzman
Repurposing the Wunderkammer: Harn Museum of Art
Flaherty NYC - Waste, and Other Forms of Management -Anthology Film Archives
International Biennial of Contemporary Art of Cartagena de Indias Columbia

2013
“The World And It’s Things In The Middle Of Their Intimacy” Fridman Gallery NYC
Collecting Dust Israel Museum Jerusalem.
The Compromised Land:Recent Photography & Video from Israel The Neuberger Museum, NY Tribeca Film Festival-Shorts: Let There Be Light: The Cycle of Life
International Festival for Art Tokyo Metropolitan Museum of Photography
Rotterdam Film Festival
Oberhausen Film Festival

2012
Collectors in Le Havre” Musee du Luxembourg, Nuit Blanche Paris curator : Annette Haudiquet
Rencontres Internationales Paris/Berlin/Madrid Palais de Tokyo Paris, France
"Unnatural" Bass Museum, Miami, Florida
"Cabinets of Wonder in Contemporary Art: From Astonishment to Disenchantment" Herzliya Museum of Contemporary Art Israel ;
"Art and Social Activism”: Curated by Nicholas Cohn in collaboration with Chashama
“Afterwards” Total Museum Seoul, Korea
“Magic Lantern: Recent Acquisitions in Contemporary Art” Israel Museum, Jerusalem.
Just What Is It About The End Of The World That Makes It So Appealing curated by Mathieu Borysevicz; V-Art Center Shanghai, China

2011
Rencontres Internationales Paris/Berlin/Madrid, at the Centre Pompidou
“One Two and ... Three” Mani house, Tel Aviv ArtTLV biennial
"Israel from Within and from Without"- Rubin-Frankel Gallery, Boston University curated by Rinat Harel

2010
Kassel Dokfest festival
LUSH LIFE Invisible Exports Gallery NYC
Seven Easy Steps: Artistic Masterpieces : Horton Gallery NYC
Rotterdam Film Festival
Trembling Time: Recent Videos from Israel- Tate Modern London
Homeless Home- Museum on the Seam Jerusalem
Shelf Life -Haifa Museum of Art curated by Tami Katz Freiman and Rotem Ruff
2009
Hugging and Wrestling: Israeli Contemporary Art MOCA Cleveland
Nuit Blanche Michel Rein Gallery Paris, France

2008
Open Plan Living Helena Rubinstein pavilion, curator: Andrew Renton
Media Forum, Moscow Film Festival, Russia;
Art of the State The Jewish Museum Amsterdam,& Brussels;
The Homes of Others Ticho House ,Israel museum Jerusalem
Dead End, The Leroy Neiman Gallery, Columbia University NYC
Seafaring-Route Artneuland Gallery, Berlin, Germany
Nuit Blanche Paris, France ;100% Tel Aviv

2006
Legal Aliens, Smack Melon Gallery, NY, Spaces Gallery, Cleveland ,Ohio Hamburg Short Film festival
Mediterranean Film Festival of Montpellier, France
Work/Slavery Museum On The Seam, Jerusalem curated by Rafi Etgar Disengagement Tel Aviv museum of Art, Israel
VideoZone- The exhibition; Israeli Biennale for Video Art;

2003
The Promise the Land ,OK Contemporary Art, Linz Austria curated by Stella Rolling


Awards Residencies

2020 NYSCA/NYFA Artist Fellow in Digital/Electronic Arts from The New York Foundation for the Arts
2019 -2020 The Freund Fellowship, St Louis Art Museum/Sam Fox School of Art and Design, Washington University in St Louis
2017 City of Budapest Talent Award
2014 AIRIE Everglades National Park Residency
2014 Wave Hill Winter Workspace residency New York, NY
2012-2013 LMCC Workspace NYC Residency
2013 Beatrice Kolliner Young Artist Award from the Israel Museum,
2011 Le Havre/ New York. Regards croisés Residency award
2011 Art Omi Residency
2011 I-park, Connecticut Residency
2009-2010 Triangle Arts Association NY 1 Year Residency
2010 Dumbo Arts Festival best studio award,
2008 Young Israeli Artist Award Ministry of Culture and Sport.
2007 A.I.R O'artoteca Residency Milan, Italy
2006 Hamburg Short Film festival jury award
2005 Hotel Pupik Residency Austria
2004 Museum Quartier Residency Vienna, Austria
2003- OK center for Contemporary Art, Linz, Austria Artist in Residence 2001 Atlantic Center for the Arts residency


Dana Levy
Dana Levy was born in Tel Aviv Israel and lives and works in New York.She earned her MA in Electronic Imaging at Duncan of Jordanstone College of Art Dundee, Scotland and her BA from University of the Arts London: Camberwell college of ArtsSolo shows / Screenings2021 Currents 119: Dana Levy Solo exhibition St. Louis Art Museum2019 The Weight Of Things - media room/ Fridman Gallery NYC 2017 Impermanent Displays – 8 recent videos Dana Levy Guest of Honor Art Market BudapestThis Was Home screening Contemporary Jewish Museum at Kadist Foundation San Francisco This Was Home screening & discussion American Jewish University Los Angeles2015 Literature of Storms, Israel Museum in Jerusalem solo project curated by Noam Gal2014 Impermanent Display, Petach Tikva Museum of Art; Curated by Hila Cohen Schneiderman. 2013The Wake, The Box at Wexner Art Center Columbus OHThe Wake & Dead World Order” ProjectSCREEN Oklahoma Museum of Art Documentary Film by Dana Levy No Man's Language- Tranzitdisplay Gallery Prague 2012 World Order, Center for Contemporary Art Tel Aviv Israel curated by Maayan Shelef and Sergio Edelsztein.The Fountain/The Wake- Ron Mandos Gallery Amsterdam,The Fountain, Braverman Gallery Tel AvivThe Wake Loop art fair Barcelona2010Wild Thing, Nicelle Beauchene gallery NYC2008 Habitat Tavi Dresdner Gallery Tel Aviv;2004After The End Haifa Museum of Art curated by lIana TenenbaumBack to the Sea Rosenfeld Gallery Tel Aviv curated by Diana DallalGroup shows / Screenings2021Oberhausen Film FestivalLife/Still Life Land -Museum On The Seam Jerusalem This Is Not My Tree - Nars Foundation New YorkVideonale KunstMuseum Bonn2020Interfilm BerlinNatural Glitch Musrara New Gallery Jerusalem.Ground Water New Gallery Ramat Hasharon IsraelLand Without Land Beit Hankin Gallery IsraelGhosts Ashdod Museum of Art IsraelLast Man Bruno David gallery Media Room St. Louis MOVividus Petach Tikva Museum Of Art curated by Bar YerushalmiThe World to Come: Art in the Age of the Anthropocene DePaul Art Museum2019Even The Trees Bleed Museum on The Seam Jerusalem Curated By Raphie EtgarThe World to Come: Art in the Age of the Anthropocene University of Michigan Museum of Art Interior Monologues- Visual Arts Center of New Jersey curated by Mary Birmingham.2018The Jewish Museum Frankfurt MACRO Asylum- The MACRO - Museum of Contemporary Art Rome ItalyThe World to Come: Art in the Age of the Anthropocene Harn Museum Florida Recent video works from Israel curated by Hadas Maor Musée de la Chasse et de la Nature, Pa-risNew Video Works curated by Hadas Maor Petach Tikva Museum of ArtNURTUREart’s Single Channel: Anthology Film Archives NYC “Intervention” Subte Gallery, Montevideo, Uruguay curated by Juan José SantosTo the End of Land National Gallery of Modern Art New Delhi India2017“Mage”-Organized by Roxana Fabius, Radiator Gallery NYScreen City Biennial – Migrating Stories Stavanger, Norway“Lives Between”- Center of Contemporary Art Tel Aviv curated by Joseph Del Pesco and Sergio EdelszteinOberhausen Film Festival Video Data Bank Distributors screening presented by Abina Manning “Almost Home: Between Staying and Leaving a Phantom Land” at Dorsky Gallery“Deconstructing Borders”, curated by Maria Veits Student Palace, Dnipro, UkraineTerrace Thursdays: Multiple Multiples The Walker Art CenterLives Between- Kadist San Francisco curated by Joseph Del Pesco and Sergio Edelsztein Surface Unrest -Miyako Yoshinaga Gallery NYC curated by Alice YiEccentric Spaces; Riccado Costanini Gallery; Turin Italy Wax museum- Approaching celebrities Haifa Museum of Art Curated by Revital Silverman2016The 6th Biennale for Drawing in Jerusalem curated by Sally Heftel and Edna Moshenson Residual Historical Haunting Johannes Vogt Gallery NYCEFA + Middle East curated by Bill Carroll opens at Shirin Gallery NYCCoup de Ville 2016 Triennial Sint-Niklaas, Belgium. Artistic director: Stef Van Bellingen(Dis)Place Ashdod Museum of Art – curated by Yuval Beaton and Roni Cohen-BinyaminiLes Rencontres Internationales , Paris at Gaîté Lyrique2015Enchanted Space: Marilyn Minter, Dana Levy, Anna K.E Fridman Gallery NYCArtissima Art Fair Braverman Gallery Torino, ItalyImagining Eden Norton Museum, West Palm Beach, FL2014Auto Body Art Basel Miami week curated by Anthony Spinello Recapturing the Scenic Wilds Wave Hill, NYC curated by Gabriel de GuzmanRepurposing the Wunderkammer: Harn Museum of ArtFlaherty NYC - Waste, and Other Forms of Management -Anthology Film Archives International Biennial of Contemporary Art of Cartagena de Indias Columbia2013“The World And It’s Things In The Middle Of Their Intimacy” Fridman Gallery NYC Collecting Dust Israel Museum Jerusalem.The Compromised Land:Recent Photography & Video from Israel The Neuberger Museum, NY Tribeca Film Festival-Shorts: Let There Be Light: The Cycle of LifeInternational Festival for Art Tokyo Metropolitan Museum of PhotographyRotterdam Film FestivalOberhausen Film Festival2012Collectors in Le Havre” Musee du Luxembourg, Nuit Blanche Paris curator : Annette HaudiquetRencontres Internationales Paris/Berlin/Madrid Palais de Tokyo Paris, France Unnatural Bass Museum, Miami, FloridaCabinets of Wonder in Contemporary Art: From Astonishment to Disenchantment Herzliya Museum of Contemporary Art Israel ;Art and Social Activism”: Curated by Nicholas Cohn in collaboration with Chashama“Afterwards” Total Museum Seoul, Korea“Magic Lantern: Recent Acquisitions in Contemporary Art” Israel Museum, Jerusalem.Just What Is It About The End Of The World That Makes It So Appealing curated by Mathieu Borysevicz; V-Art Center Shanghai, China2011Rencontres Internationales Paris/Berlin/Madrid, at the Centre Pompidou“One Two and ... Three” Mani house, Tel Aviv ArtTLV biennialIsrael from Within and from Without- Rubin-Frankel Gallery, Boston University curated by Rinat Harel2010Kassel Dokfest festivalLUSH LIFE Invisible Exports Gallery NYCSeven Easy Steps: Artistic Masterpieces : Horton Gallery NYCRotterdam Film FestivalTrembling Time: Recent Videos from Israel- Tate Modern LondonHomeless Home- Museum on the Seam JerusalemShelf Life -Haifa Museum of Art curated by Tami Katz Freiman and Rotem Ruff2009Hugging and Wrestling: Israeli Contemporary Art MOCA Cleveland Nuit Blanche Michel Rein Gallery Paris, France2008Open Plan Living Helena Rubinstein pavilion, curator: Andrew Renton Media Forum, Moscow Film Festival, Russia;Art of the State The Jewish Museum Amsterdam,& Brussels;The Homes of Others Ticho House ,Israel museum Jerusalem Dead End, The Leroy Neiman Gallery, Columbia University NYC Seafaring-Route Artneuland Gallery, Berlin, GermanyNuit Blanche Paris, France ;100% Tel Aviv2006 Legal Aliens, Smack Melon Gallery, NY, Spaces Gallery, Cleveland ,Ohio Hamburg Short Film festivalMediterranean Film Festival of Montpellier, FranceWork/Slavery Museum On The Seam, Jerusalem curated by Rafi Etgar Disengagement Tel Aviv museum of Art, Israel VideoZone- The exhibition; Israeli Biennale for Video Art;2003 The Promise the Land ,OK Contemporary Art, Linz Austria curated by Stella RollingAwards Residencies2020 NYSCA/NYFA Artist Fellow in Digital/Electronic Arts from The New York Foundation for the Arts 2019 -2020 The Freund Fellowship, St Louis Art Museum/Sam Fox School of Art and Design, Washington University in St Louis2017 City of Budapest Talent Award2014 AIRIE Everglades National Park Residency2014 Wave Hill Winter Workspace residency New York, NY2012-2013 LMCC Workspace NYC Residency2013 Beatrice Kolliner Young Artist Award from the Israel Museum,2011 Le Havre/ New York. Regards croisés Residency award2011 Art Omi Residency2011 I-park, Connecticut Residency2009-2010 Triangle Arts Association NY 1 Year Residency2010 Dumbo Arts Festival best studio award,2008 Young Israeli Artist Award Ministry of Culture and Sport. 2007 A.I.R O'artoteca Residency Milan, Italy2006 Hamburg Short Film festival jury award2005 Hotel Pupik Residency Austria2004 Museum Quartier Residency Vienna, Austria2003- OK center for Contemporary Art, Linz, Austria Artist in Residence 2001 Atlantic Center for the Arts residency

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.