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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.

Duration: 17.03. - 10.06.2018

image: © Richard Mosse

Anna Gaskell. Hide and Seek

Curated by Nadia Ismail

The Kunsthalle Gießen is pleased to present the first institutional solo-exhibition in Germany by the New York based artist Anna Gaskell (*1969 Des Moines/Iowa). The exhibition focuses on photographic and time-based works which have largely characterised the American artists Œuvre since 1996.

Duration: 27.01. - 08.04.2018

image: © Anna Gaskell and Light Manufacturing/Esto, Courtesy: Galerie Gisela Capitain, Köln

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective. Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

image: Jesper Just, Servitudes (2015)

Featured videos

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST

2017 a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Zanny Begg & Oliver Ressler

Works


Statement

Zanny Begg

is a Sydney based artist whose work focuses on political activism and community. Her work is often collaborative inviting engagement with key themes such as resilience, financial disobedience and unthinking borders. Zanny has an experimental and research driven practice that works across film, performance, installation, activism and drawing.

Oliver Ressler

is an artist and filmmaker who produces installations, projects in public space, and films on issues such as economics, democracy, global warming, forms of resistance and social alternatives.


Biography

Zanny Begg

selected exhibitions

2017
The National, The Museum of Contemporary Art, Sydney

2015
Little Baghdad, Powerhouse Youth Theatre, Fairfield
Württembergischer Kunstverein, Stuttgart

2014
Utopian Pulse – Flares in the Darkroom, the Secession, Vienna
The List, Cambelltown Arts Centre

2013
Ok Video Festival, Jakarta

2012
Things Fall Apart, Artspace Sydney
Social Networking, Queensland Gallery of Modern Art
Berlin Biennial
eva International, Limerick Biennial of Visual Art

2011
Sharjah Biennale, United Arab Emirates

2009
What Keeps Mankind Alive, Istanbul Biennale

2008
the Taipei Biennial

Oliver Ressler

selected solo exhibitions

Berkeley Art Museum, USA; Museum of Contemporary Art, Belgrade; Centro Cultural Conde Duque, Madrid; Alexandria Contemporary Arts Forum, Egypt; The Cube Project Space, Taipei and survey solo exhibitions in Wyspa Institute of Art, Gdansk; Lentos Kunstmuseum, Linz; Centro Andaluz de Arte Contemporaneo – CAAC, Seville; SALT Galata, Istanbul; and MNAC – National Museum of Contemporary Art, Bucharest.

selected group exhibitions

Museo Reina Sofía, Madrid; Van Abbe Museum, Eindhoven; MASSMoCA, North Adams, USA; Centre Pompidou, Paris; the biennials in Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Gyumri (2012), Venice (2013), Athens (2013, 2015), Quebec (2014), Jeju, Kyiv (2017) and at Documenta 14, Kassel, 2017 (as part of an exhibition organized by EMST). Ressler is the first prize winner of the newly established Prix Thun for Art and Ethics Award in 2016.

With Gregory Sholette he co-curated a travelling show on the financial crisis, “It’s the Political Economy, Stupid” that started at Open Space in Vienna in 2011 and has been presented at nine venues since then.

Project leader

of the research project “Utopian Pulse – Flares in the Darkroom” at Secession in Vienna in 2014, in collaboration with Ines Doujak, funded by the Austrian Science Fund.

Zanny Begg & Oliver Ressler
Zanny Beggselected exhibitions 2017The National, The Museum of Contemporary Art, Sydney 2015Little Baghdad, Powerhouse Youth Theatre, FairfieldWürttembergischer Kunstverein, Stuttgart 2014Utopian Pulse – Flares in the Darkroom, the Secession, ViennaThe List, Cambelltown Arts Centre 2013Ok Video Festival, Jakarta 2012Things Fall Apart, Artspace SydneySocial Networking, Queensland Gallery of Modern ArtBerlin Biennialeva International, Limerick Biennial of Visual Art 2011Sharjah Biennale, United Arab Emirates 2009What Keeps Mankind Alive, Istanbul Biennale 2008the Taipei Biennial Oliver Ressler selected solo exhibitions Berkeley Art Museum, USA; Museum of Contemporary Art, Belgrade; Centro Cultural Conde Duque, Madrid; Alexandria Contemporary Arts Forum, Egypt; The Cube Project Space, Taipei and survey solo exhibitions in Wyspa Institute of Art, Gdansk; Lentos Kunstmuseum, Linz; Centro Andaluz de Arte Contemporaneo – CAAC, Seville; SALT Galata, Istanbul; and MNAC – National Museum of Contemporary Art, Bucharest.selected group exhibitions Museo Reina Sofía, Madrid; Van Abbe Museum, Eindhoven; MASSMoCA, North Adams, USA; Centre Pompidou, Paris; the biennials in Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Gyumri (2012), Venice (2013), Athens (2013, 2015), Quebec (2014), Jeju, Kyiv (2017) and at Documenta 14, Kassel, 2017 (as part of an exhibition organized by EMST). Ressler is the first prize winner of the newly established Prix Thun for Art and Ethics Award in 2016. With Gregory Sholette he co-curated a travelling show on the financial crisis, “It’s the Political Economy, Stupid” that started at Open Space in Vienna in 2011 and has been presented at nine venues since then.Project leader of the research project “Utopian Pulse – Flares in the Darkroom” at Secession in Vienna in 2014, in collaboration with Ines Doujak, funded by the Austrian Science Fund.

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