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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Rachel Mayeri

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

Education

2000 M.F.A. Visual Arts University of California San Diego
1992 B.A. Media / Culture Brown University

Academic appointments

2002 Associate Professor of Media Studies, Harvey Mudd College
2012 Graduate Studio Instructor, California College of the Arts
2006 Extended Graduate Faculty Member, Art Department, Claremont Graduate University
2001 Adjunct Professor, University of California, San Diego

Exhibitions

2015
Videonale International Video Art competition, Bonn, Germany
Workshop at Corner College Collective, Zurich
Screening at Poetic Research Bureau, Los Angeles
Screenings at UCSD, Swarthmore, CalArts, Pitzer College

2014
Modern Animals, Curated by Stupid Pills, Hyperion Tavern, Los Angeles
Experiments on Film, Curated by Imagine Science Films, Exploratorium
Exile: A Living Forest, ONCA Gallery, Brighton, England
Art and Nature in Contemporary Culture, Sao Paulo, Brazil

2013
Cabaret Voltaire, Zurich, Switzerland
Festival on Wheels, various cities, Turkey
Bucharest International Experimental Film Festival, Romania
New Horizons International Film Festival, Wroclaw, Poland
Mediterranean Institute for Advanced Study, Marseille, France
Selections from the Permanent Collection, Sweeney Art Gallery, UC Riverside, USA
Transitio New Media Festival, Mexico City
Antimatter Film Festival, Victoria, Canada
Oak Cliff Film Festival, Texas
BAMcinemafest, Brooklyn
Los Angeles Film Festival
ArtiFACT Gallery, UC San Diego
One week theatrical screening at Cinefamily, Los Angeles
True/False Film Festival
Berlinale Film Festival, Germany
Sundance Film Festival
Glasgow Film Festival, Scotland
Kino der Kunst, Munich, Germany
Burning Ice Festival, Brussels
Transverse Film Festival, Michigan
Strelka Institute, Moscow
Web broadcast MUBI curated films

2012
**Solo show, Edinburgh College of Art, as part of Edinburgh Visual Arts Festival
Imagine Science Film Festival
dOCUMENTA (13), Kassel Germany (as part of Worldly House)
Broadcast in UK as part of Random Acts, Channel Four / BBC
Rome Film Festival
Underwire Film Festival, London
Gallery 516, Albuquerque New Mexico

2011
**Solo show, Arts Catalyst, London
Ars Electronica, Honorary Mention, Hybrid Art for work in progress
Abandon Normal Devices festival, Liverpool
Nottingham Contemporary

2009
**Solo show, Project Series 39, Pomona College Museum of Art, Claremont, CA
“Interspecies” exhibition, London, sponsored by Arts Catalyst
Cornerhouse Gallery, Manchester, sponsored by Arts Catalyst
Intelligent Design: Interspecies Art, Sweeney Art Gallery, University of California, Riverside
“Interspecies” exhibition, sponsored by Arts Catalyst, Cornerhouse Gallery, Manchester, England
“An Uncommon Eye: Diana Zlotnick Collection.” LA City College Gallery.

2008
**Solo show, TELIC Arts Exchange, Los Angeles, CA
The Public School at TELIC Arts Exchange, Los Angeles, CA
“Animalia,” Proctors Mainstage, NY
Aspect Magazine: The Chronicle of New Media Art. Volume 12: Vital. December 2008.
Multispecies Salon, Play Space Gallery, California College of the Arts
“Body-Art-Disease” Symposium screening, UCLA Art | Sci Center
Rencontres International Science Cinema Festival, Marseille, France
Darwin Bicentennial, Ohio State University, Hopkins Gallery
“Hotbed: Video Cultivation beside the Getty Gardens,” In conjunction with California Video, curated by Anne Bray, J. Paul Getty Museum, Los Angeles, CA (May 9, 10)
Cinemania Anthroidea, Documentary Film Series, UCSD
“Who is Our Inner Ape.” Southern California Primate Research Forum, CSU Fullerton

2007
E n t e r 3 Festival, Prague
Mill Valley Film Festival
Chicago Underground Film Festival
“Distant Relations,” Museum of Contemporary Art, Roskilde, Denmark.

Screenings and exhibitions beyond soft science compilation

2007
“UNnatural,” Cheekwood Museum of Art, Nashville, Tennesse
“Allegories of the Genome,” curated by Holly Longstaff, <www.genomic-art.com>
2006
“Close Encounters,” ScienceLiteratureArts Conference, Amsterdam
Course on Art and Technology, UC Davis
Pineapple Project Room, Malmo, Sweden
Kunstlerhaus Bethanien, Berlin, Germany
2005
“The Documentary Impulse,” Scripps Humanities Institute Series, Scripps College
“Intersections of Art and Science” Symposium, Pomona College
“Kloone 2004,” Conference and Exhibition, Amsterdam
Chicago Underground Film Festival
Wignall Gallery, Chaffey College, screening and installation with Critical Art Ensemble
2004
International Media Art Award 2004 Top 50 Nominee for “Science and Art Showing the Invisible,” programmed by ZKM and SWR (Southwest German TV) broadcast on
SUEDWEST TV, Swiss TV, ARTE in October 2004
Program curated by Steve Seid, University of Washington.
Critical Art Ensemble Benefit, Galapogos, NY
Critical Art Ensemble Benefit, Artists’ Television Access, San Francisco
“Do It Yourself DNA Day,” Curated by Heath Bunting, Bristol, UK
“Powering Up; Powering Down” Technica Radika Conference and Exhibition, University of California, San Diego
“DNA: Art and Science – The Double Helix,” University of South Florida, Contemporary Art Museum.
“The Genome and Society,” Freshman Seminar, taught by Dr Laura Garwin, Director of Research Affairs, Bauer Center for Genomics Research, Harvard University.
New York Underground Film Festival.
“InterMedia,” Cincinnati Art Museum, Screenings
2003
“Genetic Screenings: Recent Experimental Work about the Human Genome,” curated by Steve Seid, Aurora Picture Show, Houston, TX
“Genetic Screenings” film program in coordination with “Gene(sis): Contemporary Art Explores Human Genomics,” Pacific Film Archive, Berkeley, CA
Cinematexas International Short Film Festival, Austin, Texas
“Digital Improvisation,” California Museum of Photography, UC Riverside

Grants and awards

2015
Digital Humanities Course Development grant, Mellon Foundation
2014
Center for Environmental Studies research grant, HMC
Dean of Faculty Mid-Career Development Grant for Women in Gaming
2012
Howard Hughes Medical Institute Computational Biology Grant
Selected Participant, Digital Humanities Collaboratory Workshop
2011
Research Award, Harvey Mudd College
Honorary Mention, Ars Electronica
2010
Major Arts Award, Wellcome Trust
2009
Intercollegiate Science and Technology Studies Research Grant, Claremont Colleges
2008
Faculty Research Grant, Harvey Mudd College
Artist Resource for Completion Grant, Durfee Foundation
2007
Nominee, New Media Arts Fellowship, Rockefeller Foundation and Renew Media
Semifinalist honor, International Science and Engineering Visualization Challenge, National Science
Foundation and The Journal Science
Co-Production award, Banff New Media Institute
2006
Furthermore Grant for Writing and Publishing Museum of Jurassic Technology Catalogue
2005
Andrew W. Mellon Foundation Grant for Faculty Career Enhancement, New Venture Category
HMC Sabbatical Supplement Grant
2004
International Media Art prize, sponsored by ZKM
Faculty Research Grant, Harvey Mudd College
2003
Faculty Diversity Teaching Grant, Harvey Mudd College
Faculty Research Grant, Harvey Mudd College
2002
Fellowship, “Up Front and Personal/Intimate Technologies” Residency, Banff Arts Centre
2001
Creative Capital Media Grant for Stories from the Genome
United States Institute of Theatre Technology, Project Grant
2000
California Council for the Humanities, Major Project Grant for Baroque Opera
1999
Canada Arts Council, New media collaboration grant
Marin Arts Council, Individual artist grant in film/video
Getty Research Institute, Research support grant

Rachel Mayeri
Education 2000 M.F.A. Visual Arts University of California San Diego 1992 B.A. Media / Culture Brown University Academic appointments 2002 Associate Professor of Media Studies, Harvey Mudd College 2012 Graduate Studio Instructor, California College of the Arts 2006 Extended Graduate Faculty Member, Art Department, Claremont Graduate University 2001 Adjunct Professor, University of California, San Diego Exhibitions 2015 Videonale International Video Art competition, Bonn, Germany Workshop at Corner College Collective, Zurich Screening at Poetic Research Bureau, Los Angeles Screenings at UCSD, Swarthmore, CalArts, Pitzer College 2014 Modern Animals, Curated by Stupid Pills, Hyperion Tavern, Los Angeles Experiments on Film, Curated by Imagine Science Films, Exploratorium Exile: A Living Forest, ONCA Gallery, Brighton, England Art and Nature in Contemporary Culture, Sao Paulo, Brazil 2013 Cabaret Voltaire, Zurich, Switzerland Festival on Wheels, various cities, Turkey Bucharest International Experimental Film Festival, Romania New Horizons International Film Festival, Wroclaw, Poland Mediterranean Institute for Advanced Study, Marseille, France Selections from the Permanent Collection, Sweeney Art Gallery, UC Riverside, USA Transitio New Media Festival, Mexico City Antimatter Film Festival, Victoria, Canada Oak Cliff Film Festival, Texas BAMcinemafest, Brooklyn Los Angeles Film Festival ArtiFACT Gallery, UC San Diego One week theatrical screening at Cinefamily, Los Angeles True/False Film Festival Berlinale Film Festival, Germany Sundance Film Festival Glasgow Film Festival, Scotland Kino der Kunst, Munich, Germany Burning Ice Festival, Brussels Transverse Film Festival, Michigan Strelka Institute, Moscow Web broadcast MUBI curated films 2012 **Solo show, Edinburgh College of Art, as part of Edinburgh Visual Arts Festival Imagine Science Film Festival dOCUMENTA (13), Kassel Germany (as part of Worldly House) Broadcast in UK as part of Random Acts, Channel Four / BBC Rome Film Festival Underwire Film Festival, London Gallery 516, Albuquerque New Mexico 2011 **Solo show, Arts Catalyst, London Ars Electronica, Honorary Mention, Hybrid Art for work in progress Abandon Normal Devices festival, Liverpool Nottingham Contemporary 2009 **Solo show, Project Series 39, Pomona College Museum of Art, Claremont, CA “Interspecies” exhibition, London, sponsored by Arts Catalyst Cornerhouse Gallery, Manchester, sponsored by Arts Catalyst Intelligent Design: Interspecies Art, Sweeney Art Gallery, University of California, Riverside “Interspecies” exhibition, sponsored by Arts Catalyst, Cornerhouse Gallery, Manchester, England “An Uncommon Eye: Diana Zlotnick Collection.” LA City College Gallery. 2008 **Solo show, TELIC Arts Exchange, Los Angeles, CA The Public School at TELIC Arts Exchange, Los Angeles, CA “Animalia,” Proctors Mainstage, NY Aspect Magazine: The Chronicle of New Media Art. Volume 12: Vital. December 2008. Multispecies Salon, Play Space Gallery, California College of the Arts “Body-Art-Disease” Symposium screening, UCLA Art | Sci Center Rencontres International Science Cinema Festival, Marseille, France Darwin Bicentennial, Ohio State University, Hopkins Gallery “Hotbed: Video Cultivation beside the Getty Gardens,” In conjunction with California Video, curated by Anne Bray, J. Paul Getty Museum, Los Angeles, CA (May 9, 10) Cinemania Anthroidea, Documentary Film Series, UCSD “Who is Our Inner Ape.” Southern California Primate Research Forum, CSU Fullerton 2007 E n t e r 3 Festival, Prague Mill Valley Film Festival Chicago Underground Film Festival “Distant Relations,” Museum of Contemporary Art, Roskilde, Denmark. Screenings and exhibitions beyond soft science compilation 2007 “UNnatural,” Cheekwood Museum of Art, Nashville, Tennesse “Allegories of the Genome,” curated by Holly Longstaff, <www.genomic-art.com> 2006 “Close Encounters,” ScienceLiteratureArts Conference, Amsterdam Course on Art and Technology, UC Davis Pineapple Project Room, Malmo, Sweden Kunstlerhaus Bethanien, Berlin, Germany 2005 “The Documentary Impulse,” Scripps Humanities Institute Series, Scripps College “Intersections of Art and Science” Symposium, Pomona College “Kloone 2004,” Conference and Exhibition, Amsterdam Chicago Underground Film Festival Wignall Gallery, Chaffey College, screening and installation with Critical Art Ensemble 2004 International Media Art Award 2004 Top 50 Nominee for “Science and Art Showing the Invisible,” programmed by ZKM and SWR (Southwest German TV) broadcast on SUEDWEST TV, Swiss TV, ARTE in October 2004 Program curated by Steve Seid, University of Washington. Critical Art Ensemble Benefit, Galapogos, NY Critical Art Ensemble Benefit, Artists’ Television Access, San Francisco “Do It Yourself DNA Day,” Curated by Heath Bunting, Bristol, UK “Powering Up; Powering Down” Technica Radika Conference and Exhibition, University of California, San Diego “DNA: Art and Science – The Double Helix,” University of South Florida, Contemporary Art Museum. “The Genome and Society,” Freshman Seminar, taught by Dr Laura Garwin, Director of Research Affairs, Bauer Center for Genomics Research, Harvard University. New York Underground Film Festival. “InterMedia,” Cincinnati Art Museum, Screenings 2003 “Genetic Screenings: Recent Experimental Work about the Human Genome,” curated by Steve Seid, Aurora Picture Show, Houston, TX “Genetic Screenings” film program in coordination with “Gene(sis): Contemporary Art Explores Human Genomics,” Pacific Film Archive, Berkeley, CA Cinematexas International Short Film Festival, Austin, Texas “Digital Improvisation,” California Museum of Photography, UC Riverside Grants and awards 2015 Digital Humanities Course Development grant, Mellon Foundation 2014 Center for Environmental Studies research grant, HMC Dean of Faculty Mid-Career Development Grant for Women in Gaming 2012 Howard Hughes Medical Institute Computational Biology Grant Selected Participant, Digital Humanities Collaboratory Workshop 2011 Research Award, Harvey Mudd College Honorary Mention, Ars Electronica 2010 Major Arts Award, Wellcome Trust 2009 Intercollegiate Science and Technology Studies Research Grant, Claremont Colleges 2008 Faculty Research Grant, Harvey Mudd College Artist Resource for Completion Grant, Durfee Foundation 2007 Nominee, New Media Arts Fellowship, Rockefeller Foundation and Renew Media Semifinalist honor, International Science and Engineering Visualization Challenge, National Science Foundation and The Journal Science Co-Production award, Banff New Media Institute 2006 Furthermore Grant for Writing and Publishing Museum of Jurassic Technology Catalogue 2005 Andrew W. Mellon Foundation Grant for Faculty Career Enhancement, New Venture Category HMC Sabbatical Supplement Grant 2004 International Media Art prize, sponsored by ZKM Faculty Research Grant, Harvey Mudd College 2003 Faculty Diversity Teaching Grant, Harvey Mudd College Faculty Research Grant, Harvey Mudd College 2002 Fellowship, “Up Front and Personal/Intimate Technologies” Residency, Banff Arts Centre 2001 Creative Capital Media Grant for Stories from the Genome United States Institute of Theatre Technology, Project Grant 2000 California Council for the Humanities, Major Project Grant for Baroque Opera 1999 Canada Arts Council, New media collaboration grant Marin Arts Council, Individual artist grant in film/video Getty Research Institute, Research support grant

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