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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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JEN Liu

Works


Statement

Jen Liu's paintings on paper, videos and installations draw on diverse histories to construct fictions that connect with and interrogate contemporary society. For each inter-related series Liu develops texts that begin with a single line of enquiry, such as 'the environment gets worse', which metamorphosise into giant, abstract, dazzlingly seductive watercolours, shot through with sampling, salvaging and recycling from modernism to constructivism. In association with these she devises and produces all aspects of her films (rarely featuring dialogue), resulting in dream-like non-linear narratives with fantastical props and costumes, infused with a delicious reverie of music and the absurd, but which always retain a melancholia that subverts and enhances our observations in the work and the worlds we inhabit.


Biography

Lives: Brooklyn, New York, USA

Selected one- and two-person exhibitions

2011
SIX COLORFUL TALES: FROM THE EMOTIONAL SPECTRUM (WOMEN), Ceri Hand Gallery, Liverpool, UK

2010
Brody Condon and Jen Liu, On Stellar Rays, New York, USA

2009
The Last Alphabet/Pasta Belt Health, Upstream Gallery, Amsterdam, The Netherlands

2008
Drastic Measures, Unknown Pleasures, Ceri Hand Gallery, Liverpool, UK
Insurrection for a Million or One, Upstream Gallery, Amsterdam, The Netherlands

2007
An Innocent Revolution, DePauw University, Greencastle, IN
New Dawn Fades, Lizbeth Oliveria Gallery, Los Angeles
DM.0086: A Local Map of Broken Glass, Division Museum of Ceramics and Glassware, New York, in collaboration with Barb Choit

2006
Rotterdam Art Fair, solo booth (Upstream Gallery)
The Last Four Seasons, Upstream Gallery, Amsterdam, The Netherlands
Ready To Die!, Lizbeth Oliveria Gallery, Los Angeles
Friends Electric!: Jen Liu, Andrea Thal, Binz39 Foundation, Zurich
Videos van Jen Liu, Melkweg Media, Amsterdam, The Netherlands

2004
Jen Liu, Folkert de Jong, Upstream Gallery, Amsterdam

2001
Jen Liu, Katrin Jurati, Freezing Cold Gallery, Los Angeles, CA
World Domination Project: MFA Thesis Exhibition, California Institute for the Arts, Valencia, CA

Selected group exhibitions

2011
ESLOV WIDE SHUT, Blomsterberg’s Warehouse at Åkermans väg 17, Eslöv, Sweden
LOCALHOST, AZKM Contemporary Art Space, Mu¨nster, Germany
Memory of a Hope, Ceri Hand Gallery, Liverpool, UK
Space. About a Dream, Kunsthalle Wien, Switzerland
Utopian Structures, ALTEFABRIK, Berlin, Germany

2010
You Can Heal Your Life!, curated by Emma Gray, Circus Gallery, LA, USA
Never Can Say Goodbye (film programme), No Longer Empty, New York, USA
Black Hole Hums B Flat, Ceri Hand Gallery, London, UK

2009
The Fruits of Traumata, with Olaf Brzeski, Theresa Frolich, Czarna Gallery, Warsaw, Poland
Building Paradise, 7+Fig Art Space, LA, USA
NEWAGERIOT': Temporal, spatial, emotional and spiritual dislocation..., COUNTRY CLUB, LA, USA

2008
Agrifashionistas, Royal Academy, London
New Collections III, Centre PasquART, Biel/Bienne, Switzerland
Shifting Identities, Kunsthaus Zurich, Switzerland
The Violet Hour: Matthew Day Jackson, Jen Liu, and David Maljkovic, Henry Art Gallery, Seattle, WA
The Golden Record, Collective Gallery/Edinburgh Festival, Edinburgh, UK

2007
Dream of Today, curated by Amy Smith-Stewart, Steve Turner Contemporary, Los Angeles
An Aside, special exhibition of Zoo Art Fair 2007, London
NADA Art Fair (Upstream Gallery & Lizbeth Oliveria Gallery), Miami, FL
The Present Order is the Disorder of the Future, De Hallen Museum, curated by Xander Karstens, Haarlem, The Netherlands
Mind Hacking II, organized by Theresa Frölich and Antonia Lotz, Wewerka Pavilion, Münster, Germany, traveling
Artist Pension Trust, Today Art Museum, Beijing, China
Paper Bombs, curated by Bart Exposito, Jack Hanley Gallery, Los Angeles
M*A*S*H, curated by Amy Smith-Stewart and Omar Lopez-Chahoud, The Helena, New York
The Fit/Turtle, Nueans in collaboration with Michael Shamberg, Dusseldorf, DE
The Return of the Seven Samurai, Galerie Lucy Mackintosh, Lausanne, Switzerland

2006
Romer II, Akademie Schloss Solitude Romerstrasse Gallery, Stuttgart, DE
Flood Lit Wendy House, New York Rio Tokyo Gallery, Berlin
NADA Artfair (Upstream Gallery and Lizbeth Oliveria Gallery), Miami, FL
View (Eleven): Upstate, curated by Amy Smith-Stewart, Mary Boone Gallery, New York
Liverpool Biennial: Virtual Grizedale, A Foundation, Liverpool, UK
Big City Lab, Art Forum Berlin
Experiments in Pop, curated by Laura Hoptman, Zentrum Paul Klee, Bern, Switzerland
Liste Artfair Basel (Upstream Gallery), Basel, Switzerland
Peekskill Project 2006, Hudson Valley Center for Contemporary Art, Peekskill, NY
Trial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
Jen Liu + Bjorn Melhus + Claire Rojas, Lizbeth Oliveria Gallery, Los Angeles
Things We Saw in Holland, Kravets/Wehby Gallery, New York, NY

2005
Carlos Aires / Jen Liu / Melvin Moti / Elodie Pong, Galleria Laurin, Zurich, Switzerland
Explosive Compulsive: Reed Anderson, Adrianne Colburn & Jen Liu, Luggage Store Gallery, San Francisco
NADA Artfair Miami (Lizbeth Oliveria Gallery and Upstream Gallery), Miami, FL
Liste Artfair Basel (Upstream Gallery), Basel, Switzerland
Futurism, Melkweg, Amsterdam, The Netherlands
Fast Forward: A Passion for the New, curated by Scenic in affiliation with MOCA LA, House of Campari, Venice, CA
Videonale 10, Kunstmuseum Bonn, Germany
Open Video Call, Artists Space, New York

2004
100 Artists See God, Institute of Contemporary Art, London. Travelling exhibition through Independent Curators International. Jewish Museum, San Francisco; Laguna Beach Art Museum, California and Memorial Art Gallery, Rochester, NY; tours through

2006
LA Freewaves: Karaoke Boat, Los Angeles
Biennale Bonn: New York State of Mind, Bonn, Germany
Through the Gates: Brown vs. Board of Education, California African American Museum, Los Angeles
Futureways: The Middelburg Triennial 2304, curated by Rita McBride, Glen Rubsamen, and Rutger Wolfson, de Vleeshal, Middelburg, The Netherlands.
Homies, DianePruess Gallery, Los Angeles

2003
Nueva 2003 Tokyo, Laforet Museum Harajuku, Tokyo
Filmstock, Luton, England. Travelling to Oulu International Film Festival, Finland
An Interest in Life, curated by John Baldessari and Meg Cranston, Apex Art, New York2002 Selected Works on Paper, 4-F Gallery, Los Angeles
LA Freewaves: All You Can Eat, C-Level, Los Angeles
Sometimes It’s Dark, Practice Space, Los Angeles
2001
Cyberfem Spirit: The Spirit of Data, Edith-Russ Haus fur Medienkunst, Oldenburg, Germany
Have a Cool Summer, Keep in Touch, Track 16 Gallery, Santa Monica, CA
Ars Moralis, Galerie fur Gegenwartskunst, Bremen, Germany

Selected bibliography

2007
“Emma Gray on Jen Liu at Lizbeth Oliveria Gallery, LA”, Saatchi Online, November 10
“Top 10 Shows in Los Angeles This Month”, Saatchi Online, November 3

2006
“L.A. Confidential,” Emma Baker. Artnet¬, May 19, http://www.artnet.com/magazineus/reviews/gray/gray5-19- 06.asp
“Review: Globos Sondas”, Max Andrews. Frieze Online
“Explosive Compulsive at the Luggage Store”, Colin Berry, Artweek, February 2006. p13-14, illus.
“Focus Los Angeles: Jen Liu.” Flash Art, January-February 2006, p.72, illus.
“Who Are These People Showing So Much, And Why Do They Feel The Need To Be Seen?” Kenneth Baker. San Francisco Chronicle, January 7

2005
“Explosive ‘Compulsive’,” Hiya Swanhuyser, San Francisco Weekly, December 8
“20 Bright Young Things: Jen Liu,” ArtReview, December, illus.
"Jen Liu at Lizabeth Oliveria Gallery," Christopher Miles, Artforum, September, p. 312
“Jen Liu at Lizabeth Oliveria Gallery,” Shana Nys Dambrot, Artweek, June,
Volume 36, Issue 5, pg. 17, (cover image: detail of “Light as Air, Light As Love: Diamonds of the Earth”)
Knight, Christopher. “A Harsh Yet Enchanting World,” Los Angeles Times, May 6
2004
“A Powerful Atmosphere for New Ideas,” Los Angeles Times, Los Angeles, February 9 “Toekomst werpt licht op heden,” Provinciale Zeewuse Courant, The Netherlands, January 30

2003
“Highlight: 100 Artists See God,” Contemporary Magazine, Issue 57, December, p 24-25, illus.

2001
Reindl, Uta Maria “Cyberfem Spirit – Spirit of Data,” Kunstforum International, December 2001, p 326-327
Dogramaci, Burcu “Frauen, bits und bytes,” Suddeautsche Zeitung, Nr. 295, December 22/23
Gardill, Von Ingrid “Frauen und die Kunst im Netz,” Nordwest-Zeitung, Decmber 12

Catalogues

2007
“PROP” Proud to be a V.I.P., Nueans, Dusseldorf, Germany
Sommerakademie 2006 im Zentrum Paul Klee: Experiments in Pop, Zentrum Paul Klee, Bern, Switzerland

2006
Globos Sondas, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
Art Forum Berlin: Big City Lab

2005
Videonale 10 Kunstmuseum Bonn, Bonn Germany Friends Electric! Binz39 Foundation, Zurich, Switzerland
2004
100 Artists See God Independent Curators International (ICI), New York, 2004, p 14, illus.

2003
Futureways. Printed Matter, Inc., and Whitney Museum of American Art, 2003, p 64, illus.
Cyberfem Spirit: Spirit of Data. Helen von Oldenburg and Rosanne Altstatt (eds.), Edith-Russ-Haus fur Medienkunst, Oldenburg, pp 30-33, illus.Curatorial Projects
2008
The Others, Lizabeth Oliveria Gallery, Los Angeles, USA2007
I Could Be You, co-curated with Alexandra Blattler, in collaboration with Akademie Schloss Solitude, Fluctuating Images Galerie, and The Stuttgarter Filmwinter Film Festival, Germany

Grants / residencies

2008
Pollock-Krasner Grant

2007
ISCP, New York, USA
2006
Akademie Schloss Solitude, Stuttgart, Germany
Sommerakademie im Zentrum Paul Klee, Bern, Switzerland

2005
Grizedale Arts, Cumbria, UK

2003
De Ateliers, Amsterdam, The Netherlands

Education
1999 – 2001
MFA Fine Arts and Integrated Media, California Institute of the Arts, Valencia,

1994 – 1998
BA Creative Writing, BA Studio Art High Honors, Oberlin College, Oberlin Ohio.

JEN Liu
Lives: Brooklyn, New York, USASelected one- and two-person exhibitions2011SIX COLORFUL TALES: FROM THE EMOTIONAL SPECTRUM (WOMEN), Ceri Hand Gallery, Liverpool, UK2010Brody Condon and Jen Liu, On Stellar Rays, New York, USA2009The Last Alphabet/Pasta Belt Health, Upstream Gallery, Amsterdam, The Netherlands2008Drastic Measures, Unknown Pleasures, Ceri Hand Gallery, Liverpool, UKInsurrection for a Million or One, Upstream Gallery, Amsterdam, The Netherlands2007An Innocent Revolution, DePauw University, Greencastle, INNew Dawn Fades, Lizbeth Oliveria Gallery, Los AngelesDM.0086: A Local Map of Broken Glass, Division Museum of Ceramics and Glassware, New York, in collaboration with Barb Choit2006Rotterdam Art Fair, solo booth (Upstream Gallery)The Last Four Seasons, Upstream Gallery, Amsterdam, The NetherlandsReady To Die!, Lizbeth Oliveria Gallery, Los AngelesFriends Electric!: Jen Liu, Andrea Thal, Binz39 Foundation, ZurichVideos van Jen Liu, Melkweg Media, Amsterdam, The Netherlands2004Jen Liu, Folkert de Jong, Upstream Gallery, Amsterdam2001Jen Liu, Katrin Jurati, Freezing Cold Gallery, Los Angeles, CAWorld Domination Project: MFA Thesis Exhibition, California Institute for the Arts, Valencia, CASelected group exhibitions2011ESLOV WIDE SHUT, Blomsterberg’s Warehouse at Åkermans väg 17, Eslöv, SwedenLOCALHOST, AZKM Contemporary Art Space, Mu¨nster, GermanyMemory of a Hope, Ceri Hand Gallery, Liverpool, UKSpace. About a Dream, Kunsthalle Wien, SwitzerlandUtopian Structures, ALTEFABRIK, Berlin, Germany2010You Can Heal Your Life!, curated by Emma Gray, Circus Gallery, LA, USANever Can Say Goodbye (film programme), No Longer Empty, New York, USABlack Hole Hums B Flat, Ceri Hand Gallery, London, UK2009The Fruits of Traumata, with Olaf Brzeski, Theresa Frolich, Czarna Gallery, Warsaw, PolandBuilding Paradise, 7+Fig Art Space, LA, USANEWAGERIOT': Temporal, spatial, emotional and spiritual dislocation..., COUNTRY CLUB, LA, USA2008Agrifashionistas, Royal Academy, LondonNew Collections III, Centre PasquART, Biel/Bienne, SwitzerlandShifting Identities, Kunsthaus Zurich, SwitzerlandThe Violet Hour: Matthew Day Jackson, Jen Liu, and David Maljkovic, Henry Art Gallery, Seattle, WAThe Golden Record, Collective Gallery/Edinburgh Festival, Edinburgh, UK2007Dream of Today, curated by Amy Smith-Stewart, Steve Turner Contemporary, Los AngelesAn Aside, special exhibition of Zoo Art Fair 2007, LondonNADA Art Fair (Upstream Gallery & Lizbeth Oliveria Gallery), Miami, FLThe Present Order is the Disorder of the Future, De Hallen Museum, curated by Xander Karstens, Haarlem, The NetherlandsMind Hacking II, organized by Theresa Frölich and Antonia Lotz, Wewerka Pavilion, Münster, Germany, travelingArtist Pension Trust, Today Art Museum, Beijing, ChinaPaper Bombs, curated by Bart Exposito, Jack Hanley Gallery, Los AngelesM*A*S*H, curated by Amy Smith-Stewart and Omar Lopez-Chahoud, The Helena, New YorkThe Fit/Turtle, Nueans in collaboration with Michael Shamberg, Dusseldorf, DEThe Return of the Seven Samurai, Galerie Lucy Mackintosh, Lausanne, Switzerland2006Romer II, Akademie Schloss Solitude Romerstrasse Gallery, Stuttgart, DEFlood Lit Wendy House, New York Rio Tokyo Gallery, BerlinNADA Artfair (Upstream Gallery and Lizbeth Oliveria Gallery), Miami, FLView (Eleven): Upstate, curated by Amy Smith-Stewart, Mary Boone Gallery, New YorkLiverpool Biennial: Virtual Grizedale, A Foundation, Liverpool, UKBig City Lab, Art Forum BerlinExperiments in Pop, curated by Laura Hoptman, Zentrum Paul Klee, Bern, SwitzerlandListe Artfair Basel (Upstream Gallery), Basel, SwitzerlandPeekskill Project 2006, Hudson Valley Center for Contemporary Art, Peekskill, NYTrial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, Leon, SpainJen Liu + Bjorn Melhus + Claire Rojas, Lizbeth Oliveria Gallery, Los AngelesThings We Saw in Holland, Kravets/Wehby Gallery, New York, NY2005Carlos Aires / Jen Liu / Melvin Moti / Elodie Pong, Galleria Laurin, Zurich, Switzerland Explosive Compulsive: Reed Anderson, Adrianne Colburn & Jen Liu, Luggage Store Gallery, San FranciscoNADA Artfair Miami (Lizbeth Oliveria Gallery and Upstream Gallery), Miami, FLListe Artfair Basel (Upstream Gallery), Basel, SwitzerlandFuturism, Melkweg, Amsterdam, The NetherlandsFast Forward: A Passion for the New, curated by Scenic in affiliation with MOCA LA, House of Campari, Venice, CAVideonale 10, Kunstmuseum Bonn, Germany Open Video Call, Artists Space, New York2004100 Artists See God, Institute of Contemporary Art, London. Travelling exhibition through Independent Curators International. Jewish Museum, San Francisco; Laguna Beach Art Museum, California and Memorial Art Gallery, Rochester, NY; tours through2006 LA Freewaves: Karaoke Boat, Los Angeles Biennale Bonn: New York State of Mind, Bonn, GermanyThrough the Gates: Brown vs. Board of Education, California African American Museum, Los AngelesFutureways: The Middelburg Triennial 2304, curated by Rita McBride, Glen Rubsamen, and Rutger Wolfson, de Vleeshal, Middelburg, The Netherlands.Homies, DianePruess Gallery, Los Angeles2003Nueva 2003 Tokyo, Laforet Museum Harajuku, TokyoFilmstock, Luton, England. Travelling to Oulu International Film Festival, FinlandAn Interest in Life, curated by John Baldessari and Meg Cranston, Apex Art, New York

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