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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Katinka Bock

Works


Galleries

Galerie Joceln Wolff
Jocelyn Wolff
78, rue Julien-Lacroix
75020 Paris
France

Phone: +33 1 42 03 05 65
E-Mail: j.wolff@galeriewolff.com




Biography

Born 1976 in Frankfurt/Main (Germany)
Works and lives in Paris

Education

2005 Post-diploma Art, Ecole Nationale des Beaux-Arts de Lyon
2004 Meisterschülerabsolventin at Prof. Inge Mahn, Kunsthochschule Berlin-Weissensee
2002 Diploma of Freie Kunst/ Bildhauerei, Kunsthochschule Berlin-Weissensee

Solo exhibitions

2015
Kunstmuseum Luzern, Switzerland

2014
Städtische Kunsthalle Lüdenscheid, Germany
Populonia, Galerie Jocelyn Wolff, Paris, France
Februar, Meyer Riegger, Berlin, Germany
Tomorrows Sculpture, Parc de sculpture La Petite Escalère, France
A and I, cur. Luis Croquer, Henry Art Gallery, Seattle, USA

2013/2014
40 Räuber, MAMCO, Geneva, Switzerland

2012
Katinka Bock, Personne, Culturgest, Lisbon, Portugal

2011/2012
Les mots de demain, Rosascape, Paris, France

2011
Die blaue Stunde, Meyer Riegger, Karlsruhe, Germany

2010
Katinka Bock, Kunstmuseum Stuttgart, Stuttgart, Germany

2009/2010
Fondazione Pastificio Cerere, Rome, Italy

2009
A sculpture for two different ways of doing two different things, Galerie Jocelyn Wolff, Paris, France
Umland, Kaufhaus Joshke, Leipzig, Germany
Kunstverein Nürnberg, Nuremberg, Germany, curator: Kathleen Rahn
The sound of distance, de Vleeshal, Middelburg, Netherlands, curator: Lorenzo Benedetti

2008
Kanon, Centre d‘art contemporain de la Synagogue de Delme, Delme, France

2007
Volumes en extension, Centre d’art Passerelle, Brest, France
Bäume wachsen, Ströme fliessen: Wasser, Wärme, Monument, Galerie Jocelyn Wolff, Paris, France

2006
Gewissen, Galerie OÙ, Marseille, France

Group exhibitions

2015-2016
Ceramix, The Bonnefanten Museum, Maastricht, Netherlands

2014 - 2015
Nebenwege, KIOSK, Gent, Belgium
La petite escalère, Saint-Laurent de Gosse, France
The other sight, Contemporary Art Centre, Vilnius, Lithuania

2014
The Other Sight, CAC Vilnius, Lithuania
Camere #20, Distanze, RAM radioartemobile, Roma, Italy
Unstable Places, The Israel Museum, Jerusalem, Israel
Post / Postminimal, Die Sammlung Rolf Ricke im Dialog mit zeitgenössischen Kunstschaffenden, Kunst
museum St. Gallen, Suisse
Biennale de Marrakech
The Retired Architect, cur. by Nichole Caruso, Wallspace Gallery, New-York, USA

2013/2014
Risk Society - Individualization in Young Contemporary Art from Germany, MOCA, Taipei
De leur temps (4), 2010/2013, Regards croisés de 100 collectionneurs sur la jeune créartion, Centre
d’art Le hangar à Bananes, Nantes, France
Donation Guerlain, MNAM, Centre Georges Pompidou, Paris, France

2013
A drawing that illustrates my last show at Meyer Riegger Karlsruhe, Gallery Meyer Riegger, Karlsruhe, Germany
Upcoming Exhibiton with Bétonsalon & Castillo/Corrales, ABC Berlin, Germany
Private Choice, collection Candet, Paris, France
Shared letters Katinka Bock & Castillo Corrales, Béton salon, Paris, France
Adrastus Collection, Museo de Arte Carrillo Gil, Mexico City, Mexico
Egarements, quelques jalons... Domaine Château d’Avignon, Les Saintes Maries de la Mer, France
Constructions, EMERGENTgalerie&association, Veurne, Belgique
1966-79, IAC, Villeurbanne, France
Collection, Mudam, Luxembourg
Le musée éclaté, (Credac), l‘école supérieure d‘arts et médias de Caen/Cherbourg, France
Le retour du monde, MAMCO, Geneva, Switzerland
Collection du Frac Pays de la Loire, Nantes, France
A House of Leaves, David Robert Art Foundation, London, Great-Britain
La fabrique des possibles, Frac Paca, Marseille, France
Il dietro del manifesto, Villa Medici, Roma, Italy

2012/2013
Les artistes du Tramway, Hotel de Ville, Paris, France
Si j‘avais un marteau... Musée des Beaux-Arts de Nantes, France
Prix de la Fondation Ricard, Fondation Ricard, Paris, France, curator Elena Filipovic
Dorothea von Stetten Kunstpreis, Kunstmuseum Bonn, Bonn, Germany
Public Art Fund, New York, USA

2011/2013
Köln Skulptur #6, Skulpturenpark Köln, Cologne, Germany

2012
Nuit Blanche, Ecole d’architecture de Paris Val-de-Seine, Paris, France
Kaskade, Rathausgalerie - Kunsthalle München
Islands that sinks, Labor, Mexico city, Curator Vincent Normand
LandscapesCitiesPeople, Netwerk / Center for Contemporary Art, Aalst, Belgium
La Prairie, Biennale de Rennes, Rennes, France, curated by Anne Bonnin
La part de l’autre, Les moulins de Paillard, Poncé-sur-le Loir, France
Kaskade, Rathausgalerie – Kunsthalle München, Germany
Marrakech Biennale, Morocco
Archéologies contemporaines, musée du Chateau, Montbéliard, France
With the speed of a stone, Marianne Boesky Gallery, New York, USA, curated by Anthony Hubermann
Islands that sinks, Labor, Mexico city, curated by Vincent Normand
Aire de Lyon, Proa Fondation, Buenos Aires, Argentina, curated by Victoria Noorthoorn
Gutspark Kartzitz, Rügen, Germany

2011/2012
Pour un art pauvre, Carré d‘Art Musée d‘art contemporain de Nîmes, Nîmes, France

2011
Antidote 7, Galerie Lafayette, Paris, France
Une Terrible Beauté Est Née, Biennale de Lyon, Lyon, France
cross-check, Petra Rinck Gallery, Düsseldorf, Germany
échos, Musée Nissim de Camondo, Paris, France
To hug a snake, ENSBA, Lyon, France
Hello, Goodbye, Thank You curated by Anthony Huberman, again and again, Castillo/ Corrales, Paris, France
Hypothesis for an exhibition, PSM, Galerie, Berlin, Germany
Dorothea, Ancient and Modern, London, UK
Pour en art pauvre, Carré d‘Art Musée d‘art contemporain de Nîmes, Nîmes, France
Il n’y a que les montagnes qui ne se rencontrent pas, Agent Double, Geneva, Switzerland
08.01.2011-05.03.2011 William Anastasi, Billy Apple, Ben, Katinka Bock, Georges Brecht, Robert
Filliou, Ludwig Gosewitz, Tomas Schmit, Franz Erhard Walther, Galerie Jocelyn Wolff, Paris, France
Terrain sensible, module d’oeuvre en situation d’exposition, Villefragnan, FRAC Poitou-Charentes,
France

2010/2011
Stories and Stages, Frankfurter Kunstverein, Frankfurt, Germany
The Yvonne Rainer Project, BFI Gallery, London, UK
Neue Alchemie. Kunst der Gegenwart nach Beuys, LWL-Landesmuseum für Kunst und
Kulturgeschichte Westfälisches Landesmuseum, Münster, Germany, curator: Melanie Bono

2010
Simultan, Galerie Meyer Riegger, Berlin, Germany
Spatial city : an architecture of idealism, Mocad, Detroit, USA
Nos meilleurs souvenirs, Experience Pommery #8, Printemps de Septembre, Domaine de Pommery,
Reims, France
drawing time / le temps du dessin, FRAC Lorraine, Galeries Poirel, Nancy, France
Coup de ville, WARP, Sint Niklaas, Belgium, curator : Stef Van Bellingen, Jan Hoet
En presence, CEEAC, Strasbourg, France, curator : Bettina Klein
Elles, Centre Pompidou, Paris, France

2009/2010
An Audio Tour through Berlin by Karin Sander, Temporäre Kunsthalle, Berlin, Germany

2009
Pieter Vermeersch hosts…three artists from Galerie Wollff; Projecte SD, Barcelona, Spain
sauvagerie domestique, école municipale des Beaux-Arts, Genevilliers, France, curator : Anne Bonnin
Playtime, Bétonsalon, Paris, France, curators : Mélanie Bouteloup and Grégory Castera
Capturing time, Kadist Art Foundation, Paris, France, curator: Jérémy Levinson
CAC Les églises, Chelles, France
(Z)ART, Galerie Abtart, Stuttgart, Germany, curator : Jan Hoet
Playground, STUK, Leuven, Belgium
Leaves and lectures (to leaf through the space), art statement, Art 40 Basel, Basel, Switzerland
Le travail de rivière, centre d’art contemporain – Crédac, Ivry sur Seine, France,
curator : Claire Le Restif
Die Letzten Dinge, Platform Garanti, Istambul, Turkey, curator : Carina Plath
Les matériaux du possible, du pragmatisme au romantisme, fondation d’entreprise Ricard, Paris,
France, curator: Anne Bonnin
Colossal, Osnabrücker Land, Germany, curator Jan Hoet
Nous tournons dans la nuit, musée départemental d’art contemporain de Rochechouart, France,
curator : Olivier Michelon
La Notte, Kunsthalle Mulhouse – centre d’art contemporain La Fonderie, Mulhouse, France
Don’t expect anything, Francesca Minini Gallery, Milan, Italy
Das Bielefelder Gefühl, Bielefelder Kunstverein, Germany
Propos d’Europe. 8.0 Paris / Berlin, Fondation Hippocrène, Paris, France

2008
Playtime, Bétonsalon, Paris, France, curators : Mélanie Bouteloup and Grégory Castera
Effondrement de l’onde de probabilités, Zoo Galerie, Nantes, France
group show including Robert Filliou, Guillaume Leblon and Joëlle Tuerlinckx, Galerie Jocelyn Wolff,
Paris, France
A Town (Not a City), Kunsthalle Saint-Gallen, curators : Giovanni Carmine, Thomas Boutoux
Natural Relations (Naravni odnosi), Škuc Gallery, Ljubljana, Slovenia
Art Grandeur Nature, Biennale d’art contemporain Seine Saint Denis, CAC Noisy le Sec, France,
curators: Simon Boudvin and Marianne Lanavère
Introduction à la femme à la bûche, La Vitrine, Paris, France
Urbaines Ellipses, Galerie Fernand Léger, Centre d’art contemporain d’Ivry
Passenger, Glassbox sans les murs, Cité internationale universitaire de Paris
Here We Dance, Tate Modern, London, curators: Vanessa Desclaux, Ann Coxon

2007
Ein Koffer mit 7 Sachen. Y alzar velas, marte upmarket arte contemporaneo, Montevideo, Uruguay
Wheeeel, Le Printemps de Septembre, Toulouse, France
Ultramoderne, Halle Paul Wurth, Luxembourg, France
Resituation, La Box, Bourges, France
Protéger, Enfermer, Centre d’art contemporain la Synagogue de Delme, Marsal, France
Champ vert, la maison Neyrand, Lyon
Partners in crime – vol.3, with Martina Salzberger, Raum500, Munich, Germany

2006
wood, photographs, aluminium plate,..., Galerie Jocelyn Wolff, Paris, France
storylines, Centre d’Art Passerelle, Brest, France
This land is my land, Kunsthalle Nürnberg, Neue Gesellschaft für Bildende Kunst, Berlin, Germany
Territories - les lacets sont défaits, Kunstverein Tiergarten, Berlin, Germany
Videofoyer, Künstlerhaus Saar, Saarbrücken, Germany
Post-production, La suite, Château Thierry, France

2005
emerging artists: hot spots 05, Sammlung Essl, Vienna, Austria
Rendez-vous, Galerie des Terreaux, Musée d’Art Contemporain, Lyon, France
Urbane Realitäten: Fokus Istanbul, Martin-Gropius-Bau, Berlin, Germany Galerie Jocelyn Wolff
(K)eine ganz andere Welt, plattform, Berlin, Germany

2004
la rue aux artistes (avec Ulrike Mohr), project of Viacom and Serge Malik id, Billboard advertisements in France
Public Relations, Katinka Bock and Latifa Echakhch, Public, Paris, France
mit Bestimmung (with Ulrike Mohr), Haus des DGB Berlin-Brandenburg, Berlin, Germany
Heute hier, morgen dort… Ausstellungshalle zeitgenössische Kunst Münster, Germany

2003
Skulptur Biennale Münsterland 2003, Kreis Warendorf, Germany
Here we Come!, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany

2002
Marion Ermer Preis 2002, Hochschule für Grafik und Buchkunst, Leipzig, Germany
hell-gruen, Hofgarten, Kunstamt Düsseldorf, Germany

2001
Fünf Sterne – Fluchtwege, Galerie Weißer Elefant, Berlin, Germany

Screenings

2008 Hospitalités, tram, curators : contemporary art center’s directors
2007 FIAC Cinéma, Palais de Tokyo, Paris, France, curators: contemporary art center’s directors

Prices, scholarships, residents

2012/2013
Residency at Villa Medicis, Roma, Italy
2012
Prix de la Fondation d‘entreprise Ricard
Dorothea von Stetten Kunstpreis, Germany
2011
Residency at Gut Kartzitz, Rügen, Germany
2010
Residency at the Museum of Contemporary art, Detroit, USA
2007
Residency at the Cité internationale des Arts, Paris
Residency at La Suite, Château Thierry
2006
Residency at Lindre-Basse, centre d’art contemporain la Synagogue de Delme
Residency at Gallery La Box, Bourges
2004
NaFöG, Berlin (scholarship of the city of Berlin)
Galerie Jocelyn Wolff
2002
Price of the Marion Ermer Stiftung, Germany
2000/2002
Scholarship of the Studienstiftung des Deutschen Volkes, Germany

Bibliography/catalogues (selection)

2012
Projet pour l‘art contemporain, 10 ans d‘acquisitions, Société des amis du Musée National d‘Art Moder
-ne, Centre Pompidou, Somogy Editions d‘art, Paris, 2012. Text by Emma Lavigne.
2011
Antidote. Sept expositions ! une collection constituée entre 2005 et 2011 2011, édition JRP/Ringier, Zürich
2010
Works. Oeuvres. Werke Words. Mots. Worte Katinka Bock, 2010, Texts by: Kim West Natascha Sadr
Haghighi an, Sabeth Buchmann, Editor : Paraguay Press, Paris and Verlag für moderne Kunst Nürnberg
Carte Blanche, Mouvement, numéro 57, oct-dec 2010
Neue Alchemie, New Alchemy, contemporary Art after Beuys, Landesmuseum für Kunst und
Kulturgeschichte, Münster, (cat) 2010
2009
The Sound of Distance, de Vleeshal, Middelburg, Netherlands, texts by Lorenzo Benedetti, Thomas
Boutoux, Vanessa Clairet (monographic cat.)
2008
Katinka Bock, Synagogue de Delme, Joanna Fiduccia, artforum on line, August 2008
2007
Artistes : la nouvelle génération, Yann Chataigné, Beaux-Arts magazine,
September 2007
wheeeel, Le Printemps de Septembre à Toulouse, text by Guillaume Mansart (cat.)
Edition de l’Ecole nationale des beaux-arts de Lyon (solo cat.)
storylines, Passerelle Centre d’art de Brest (cat.)
2006
This land is my land (cat.), Kunsthalle Nürnberg, NGBK Berlin, text by Antje Weitzel
2005
Emerging artists: hot spots 05 (cat.)
Urbane Realitäten: Fokus Istanbul (cat.)
Heute hier, morgen dort,..., (cat.), text by Marcus Lütkemeyer
2004
Public Relations, Public Paris, Passagen 2004 by Office franco-allemand pour la jeunesse (cat.), text
by Marina Sobello
2003
Skulptur Biennale Münsterland 2003 (cat.), texts by Ulrike Kremeier and Saskia Bos
We have seen the future, text by Pablo Lafuente, Art Review 07/08 2003
2002
Marion Ermer Preis 2002, text by Inge Mahn (monographic cat.)
Hell-gruen, (cat.), 2002, text by Cosima Reiner

Press review (selection)

2014
Quelque part entre la clôture et l‘expansion : la sculpture aujourd‘hui, Sylvie Coellier, in : Espace, Spring-Summer 2014
RAM RadioArteMobile, Camere XX, Paolo Balmas, in : Segno #249, Summer 2014
RAM RadioArteMobile. Between intermedia modality and haptic gaze, Moira Chiavarini, in : Arte e Critica, July 2014
Katinka Bock : A and I at the Henry Art Gallery, Lindsey Rae Gjording, in : Vanguard Seattle online magazine, February 2014
Katinka Bock : A and I, in : Henry Art Gallery, January-April 2014
Facing North, Katinka Bock‘s Intimacy with the Faraway, Jen Graves, in : The Stranger, February 2014
2013
Katinka Bock - meet you at the statue in an hour, Isaline Vuille, in : Kunstbulletin, December 2013
Les scultputures de Toni Grand et Katinka Bock au coeur des nouvelles expositions du Mamco, Elisa
beth Chardon, in : Le Temps, October 2013
Art contemporain, les lueurs de l‘été, Agnès Violeau, in : Vogue, July 2013
Tenter l‘impossible, Exposition La Fabrique des possibles, Marion Estimbre, in : Mouvement.net, 15/05/2013
Magnifique Villa en pension complète, Eric Dahan, in : Libération, 08/02/2013
Katinka Bock, La sculpture comme don, Philippe Piguet, in : L‘oeil, Janv. 2013
2012
Les 10 artistes contemporains qui ont marqué l‘année 2012 en France, in: Huffington Post,18/12/2012
Les artistes et le tramway de Paris, Paris-art, December 2012
L‘esprit de la foire souffle hors du Grand Palais. Une expo, un lieu, une fête : Paris s‘éveille, Judicaël
Lavrador & Emmanuelle Lequeux, in: Beaux Arts Magazine, November 2012
Un prix Ricard tout en évocation, Julie Portier, Le Qutodien de l‘Art, N. 241, October 2012
Sinking Islands, Gabriela Jauregui, in : Frieze Magazine, 18/10/2012
"Je n'aime pas les miracles", Katinka Bock, lauréate du Prix Ricard 2012, Juliette Soulez, in : Blouin ArtInfo, October 2012
Katinka Bock, Prix Fondation d‘entreprise Ricard 2012, Jean-David Boussemaer, in : Artistik Rezo, October 2012
Katinka Bock, Entre trace et devenir, Joana Neves, in : Zéro Deux N.64, Winter 2012
Si j‘avais un marteau, in: Paris-art, October 2012
Sur le front des formes, Jean-Max Colard, in: Les Inrockuptibles, Sept.-Oct. 2012
Biennale Les Prairies : Finissons-en avec le modernisme, Julie Portier, in: Le Quotifdien de l‘Art N. 217, September 2012
Biennale Les Prairies - Les Ateliers de Rennes, in: Paris-art, September 2012
Pour un art pauvre, Inventaire du monde et de l‘atelier, Theodora Domenech, in: Art Press N. 385, January 2012
2011
Les riches idées de l‘ art pauvre, Emmanulle Lequeux, in : Le Monde, December 2011
Arte Povera, Patrice Joly, in: Zéro Deux N. 60, Winter 2011
11th Biennale de Lyon, Elisabeth Lebovici, in: ArtForum, December 2011
Les héritiers de l‘art pauvre, Emmanuelle Lequeux, in: Le Quotidien de l‘Art N.29, November 2011
Katinka Bock, in: FrankFurter Kunstverein, November 2011
Atelierbesuch Bei Katinka Bock, Alexandra Wach, in: Artnet, October 2011
Katinka Bock, in: Le Monde, September 2011
Kunst und Risiken nicht ausgeschlossen, Hans-Joachim Müller, in: Die Welt, September 2011
Le tout scultpure : la vie matérielle, Valérie Da Costa, in: Mouvement, July-September 2012
Wo die Metamorphosen blühn, Alexandra Wach, in: Monopol, May 2011
2010
Baüme Wandern auf dem Bürgersteig, Katharina Deschka-Hoeck, in: Frankfurter Allgemeine Zeitung, December 2010
Des bulles et des Arts, in: Direct Soir, September 2010
Katinka Bock, Vivian Rehberg, in: Art in America, March 2010
Katinka Bock, Cécilia Bezzan, in: ArtPress, January 2010
2009
Katinka Bock, Emmanuelle Lequeux, in: Le Monde, December 2009
A Rochechouart, des révolutions en exposition, Emmanuelle Lequeux, in: Le Monde, June 2009
Kunsthalle de Mulhouse, in: Zéro Deux, Summer 2009
Site Sensitive, Francesca di Nardo, in: Mousse issu 19, Summer 2009
Le travail de Rivière, Etienne Bernard, in: Zéro Deux, Spring 2009
Die Vermessung der Nürnberg Welt, in: Abendzeitung, April 2009
Vergängliche Kunst als Magie des Moments, Anna Schneider, in: Nürnberger Nachrichten, April 2009
Ja, was tröpfelt denn da, Christian Mückl, in: Nürnberger Zeitung, April 2009
Internationale ouvrière, Judicaël Lavrador, in: Les Inrockuptibles, January 2009
2008
Les matériaux du possible, Anne Bonnin, in: Zéro Deux, Winter 2008
Katinka Bock, Joanna Fiduccia, in: Art Forum, August 2008
Emergence de l‘archaïsme, Guillaume Gesvet, in: Mouvement online, June 2008
Here we dance, Coline Milliard, in: Art Monthly N. 316, May 2008
2007
Katinka Bock, L‘espace pour matière première, in: Beaux Arts Magazine, September 2007
Katinka Bock, Baüme wachsen und ströme fliessen : wasser, wärme, monument, Karen Tanguy, in: Semaines, May-June 2007
2006
A passerelle, le dessin à l‘honneur, in: Ouest France, November 2006
Le dessin du XXIè siècle, Marion Banvillet, in: Le Progrès, 2006

Katinka Bock
Born 1976 in Frankfurt/Main (Germany) Works and lives in Paris Education 2005 Post-diploma Art, Ecole Nationale des Beaux-Arts de Lyon 2004 Meisterschülerabsolventin at Prof. Inge Mahn, Kunsthochschule Berlin-Weissensee 2002 Diploma of Freie Kunst/ Bildhauerei, Kunsthochschule Berlin-Weissensee Solo exhibitions 2015 Kunstmuseum Luzern, Switzerland 2014 Städtische Kunsthalle Lüdenscheid, Germany Populonia, Galerie Jocelyn Wolff, Paris, France Februar, Meyer Riegger, Berlin, Germany Tomorrows Sculpture, Parc de sculpture La Petite Escalère, France A and I, cur. Luis Croquer, Henry Art Gallery, Seattle, USA 2013/2014 40 Räuber, MAMCO, Geneva, Switzerland 2012 Katinka Bock, Personne, Culturgest, Lisbon, Portugal 2011/2012 Les mots de demain, Rosascape, Paris, France 2011 Die blaue Stunde, Meyer Riegger, Karlsruhe, Germany 2010 Katinka Bock, Kunstmuseum Stuttgart, Stuttgart, Germany 2009/2010 Fondazione Pastificio Cerere, Rome, Italy 2009 A sculpture for two different ways of doing two different things, Galerie Jocelyn Wolff, Paris, France Umland, Kaufhaus Joshke, Leipzig, Germany Kunstverein Nürnberg, Nuremberg, Germany, curator: Kathleen Rahn The sound of distance, de Vleeshal, Middelburg, Netherlands, curator: Lorenzo Benedetti 2008 Kanon, Centre d‘art contemporain de la Synagogue de Delme, Delme, France 2007 Volumes en extension, Centre d’art Passerelle, Brest, France Bäume wachsen, Ströme fliessen: Wasser, Wärme, Monument, Galerie Jocelyn Wolff, Paris, France 2006 Gewissen, Galerie OÙ, Marseille, France Group exhibitions 2015-2016 Ceramix, The Bonnefanten Museum, Maastricht, Netherlands 2014 - 2015 Nebenwege, KIOSK, Gent, Belgium La petite escalère, Saint-Laurent de Gosse, France The other sight, Contemporary Art Centre, Vilnius, Lithuania 2014 The Other Sight, CAC Vilnius, Lithuania Camere #20, Distanze, RAM radioartemobile, Roma, Italy Unstable Places, The Israel Museum, Jerusalem, Israel Post / Postminimal, Die Sammlung Rolf Ricke im Dialog mit zeitgenössischen Kunstschaffenden, Kunst museum St. Gallen, Suisse Biennale de Marrakech The Retired Architect, cur. by Nichole Caruso, Wallspace Gallery, New-York, USA 2013/2014 Risk Society - Individualization in Young Contemporary Art from Germany, MOCA, Taipei De leur temps (4), 2010/2013, Regards croisés de 100 collectionneurs sur la jeune créartion, Centre d’art Le hangar à Bananes, Nantes, France Donation Guerlain, MNAM, Centre Georges Pompidou, Paris, France 2013 A drawing that illustrates my last show at Meyer Riegger Karlsruhe, Gallery Meyer Riegger, Karlsruhe, Germany Upcoming Exhibiton with Bétonsalon & Castillo/Corrales, ABC Berlin, Germany Private Choice, collection Candet, Paris, France Shared letters Katinka Bock & Castillo Corrales, Béton salon, Paris, France Adrastus Collection, Museo de Arte Carrillo Gil, Mexico City, Mexico Egarements, quelques jalons... Domaine Château d’Avignon, Les Saintes Maries de la Mer, France Constructions, EMERGENTgalerie&association, Veurne, Belgique 1966-79, IAC, Villeurbanne, France Collection, Mudam, Luxembourg Le musée éclaté, (Credac), l‘école supérieure d‘arts et médias de Caen/Cherbourg, France Le retour du monde, MAMCO, Geneva, Switzerland Collection du Frac Pays de la Loire, Nantes, France A House of Leaves, David Robert Art Foundation, London, Great-Britain La fabrique des possibles, Frac Paca, Marseille, France Il dietro del manifesto, Villa Medici, Roma, Italy 2012/2013 Les artistes du Tramway, Hotel de Ville, Paris, France Si j‘avais un marteau... Musée des Beaux-Arts de Nantes, France Prix de la Fondation Ricard, Fondation Ricard, Paris, France, curator Elena Filipovic Dorothea von Stetten Kunstpreis, Kunstmuseum Bonn, Bonn, Germany Public Art Fund, New York, USA 2011/2013 Köln Skulptur #6, Skulpturenpark Köln, Cologne, Germany 2012 Nuit Blanche, Ecole d’architecture de Paris Val-de-Seine, Paris, France Kaskade, Rathausgalerie - Kunsthalle München Islands that sinks, Labor, Mexico city, Curator Vincent Normand LandscapesCitiesPeople, Netwerk / Center for Contemporary Art, Aalst, Belgium La Prairie, Biennale de Rennes, Rennes, France, curated by Anne Bonnin La part de l’autre, Les moulins de Paillard, Poncé-sur-le Loir, France Kaskade, Rathausgalerie – Kunsthalle München, Germany Marrakech Biennale, Morocco Archéologies contemporaines, musée du Chateau, Montbéliard, France With the speed of a stone, Marianne Boesky Gallery, New York, USA, curated by Anthony Hubermann Islands that sinks, Labor, Mexico city, curated by Vincent Normand Aire de Lyon, Proa Fondation, Buenos Aires, Argentina, curated by Victoria Noorthoorn Gutspark Kartzitz, Rügen, Germany 2011/2012 Pour un art pauvre, Carré d‘Art Musée d‘art contemporain de Nîmes, Nîmes, France 2011 Antidote 7, Galerie Lafayette, Paris, France Une Terrible Beauté Est Née, Biennale de Lyon, Lyon, France cross-check, Petra Rinck Gallery, Düsseldorf, Germany échos, Musée Nissim de Camondo, Paris, France To hug a snake, ENSBA, Lyon, France Hello, Goodbye, Thank You curated by Anthony Huberman, again and again, Castillo/ Corrales, Paris, France Hypothesis for an exhibition, PSM, Galerie, Berlin, Germany Dorothea, Ancient and Modern, London, UK Pour en art pauvre, Carré d‘Art Musée d‘art contemporain de Nîmes, Nîmes, France Il n’y a que les montagnes qui ne se rencontrent pas, Agent Double, Geneva, Switzerland 08.01.2011-05.03.2011 William Anastasi, Billy Apple, Ben, Katinka Bock, Georges Brecht, Robert Filliou, Ludwig Gosewitz, Tomas Schmit, Franz Erhard Walther, Galerie Jocelyn Wolff, Paris, France Terrain sensible, module d’oeuvre en situation d’exposition, Villefragnan, FRAC Poitou-Charentes, France 2010/2011 Stories and Stages, Frankfurter Kunstverein, Frankfurt, Germany The Yvonne Rainer Project, BFI Gallery, London, UK Neue Alchemie. Kunst der Gegenwart nach Beuys, LWL-Landesmuseum für Kunst und Kulturgeschichte Westfälisches Landesmuseum, Münster, Germany, curator: Melanie Bono 2010 Simultan, Galerie Meyer Riegger, Berlin, Germany Spatial city : an architecture of idealism, Mocad, Detroit, USA Nos meilleurs souvenirs, Experience Pommery #8, Printemps de Septembre, Domaine de Pommery, Reims, France drawing time / le temps du dessin, FRAC Lorraine, Galeries Poirel, Nancy, France Coup de ville, WARP, Sint Niklaas, Belgium, curator : Stef Van Bellingen, Jan Hoet En presence, CEEAC, Strasbourg, France, curator : Bettina Klein Elles, Centre Pompidou, Paris, France 2009/2010 An Audio Tour through Berlin by Karin Sander, Temporäre Kunsthalle, Berlin, Germany 2009 Pieter Vermeersch hosts…three artists from Galerie Wollff; Projecte SD, Barcelona, Spain sauvagerie domestique, école municipale des Beaux-Arts, Genevilliers, France, curator : Anne Bonnin Playtime, Bétonsalon, Paris, France, curators : Mélanie Bouteloup and Grégory Castera Capturing time, Kadist Art Foundation, Paris, France, curator: Jérémy Levinson CAC Les églises, Chelles, France (Z)ART, Galerie Abtart, Stuttgart, Germany, curator : Jan Hoet Playground, STUK, Leuven, Belgium Leaves and lectures (to leaf through the space), art statement, Art 40 Basel, Basel, Switzerland Le travail de rivière, centre d’art contemporain – Crédac, Ivry sur Seine, France, curator : Claire Le Restif Die Letzten Dinge, Platform Garanti, Istambul, Turkey, curator : Carina Plath Les matériaux du possible, du pragmatisme au romantisme, fondation d’entreprise Ricard, Paris, France, curator: Anne Bonnin Colossal, Osnabrücker Land, Germany, curator Jan Hoet Nous tournons dans la nuit, musée départemental d’art contemporain de Rochechouart, France, curator : Olivier Michelon La Notte, Kunsthalle Mulhouse – centre d’art contemporain La Fonderie, Mulhouse, France Don’t expect anything, Francesca Minini Gallery, Milan, Italy Das Bielefelder Gefühl, Bielefelder Kunstverein, Germany Propos d’Europe. 8.0 Paris / Berlin, Fondation Hippocrène, Paris, France 2008 Playtime, Bétonsalon, Paris, France, curators : Mélanie Bouteloup and Grégory Castera Effondrement de l’onde de probabilités, Zoo Galerie, Nantes, France group show including Robert Filliou, Guillaume Leblon and Joëlle Tuerlinckx, Galerie Jocelyn Wolff, Paris, France A Town (Not a City), Kunsthalle Saint-Gallen, curators : Giovanni Carmine, Thomas Boutoux Natural Relations (Naravni odnosi), Škuc Gallery, Ljubljana, Slovenia Art Grandeur Nature, Biennale d’art contemporain Seine Saint Denis, CAC Noisy le Sec, France, curators: Simon Boudvin and Marianne Lanavère Introduction à la femme à la bûche, La Vitrine, Paris, France Urbaines Ellipses, Galerie Fernand Léger, Centre d’art contemporain d’Ivry Passenger, Glassbox sans les murs, Cité internationale universitaire de Paris Here We Dance, Tate Modern, London, curators: Vanessa Desclaux, Ann Coxon 2007 Ein Koffer mit 7 Sachen. Y alzar velas, marte upmarket arte contemporaneo, Montevideo, Uruguay Wheeeel, Le Printemps de Septembre, Toulouse, France Ultramoderne, Halle Paul Wurth, Luxembourg, France Resituation, La Box, Bourges, France Protéger, Enfermer, Centre d’art contemporain la Synagogue de Delme, Marsal, France Champ vert, la maison Neyrand, Lyon Partners in crime – vol.3, with Martina Salzberger, Raum500, Munich, Germany 2006 wood, photographs, aluminium plate,..., Galerie Jocelyn Wolff, Paris, France storylines, Centre d’Art Passerelle, Brest, France This land is my land, Kunsthalle Nürnberg, Neue Gesellschaft für Bildende Kunst, Berlin, Germany Territories - les lacets sont défaits, Kunstverein Tiergarten, Berlin, Germany Videofoyer, Künstlerhaus Saar, Saarbrücken, Germany Post-production, La suite, Château Thierry, France 2005 emerging artists: hot spots 05, Sammlung Essl, Vienna, Austria Rendez-vous, Galerie des Terreaux, Musée d’Art Contemporain, Lyon, France Urbane Realitäten: Fokus Istanbul, Martin-Gropius-Bau, Berlin, Germany Galerie Jocelyn Wolff (K)eine ganz andere Welt, plattform, Berlin, Germany 2004 la rue aux artistes (avec Ulrike Mohr), project of Viacom and Serge Malik id, Billboard advertisements in France Public Relations, Katinka Bock and Latifa Echakhch, Public, Paris, France mit Bestimmung (with Ulrike Mohr), Haus des DGB Berlin-Brandenburg, Berlin, Germany Heute hier, morgen dort… Ausstellungshalle zeitgenössische Kunst Münster, Germany 2003 Skulptur Biennale Münsterland 2003, Kreis Warendorf, Germany Here we Come!, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany 2002 Marion Ermer Preis 2002, Hochschule für Grafik und Buchkunst, Leipzig, Germany hell-gruen, Hofgarten, Kunstamt Düsseldorf, Germany 2001 Fünf Sterne – Fluchtwege, Galerie Weißer Elefant, Berlin, Germany Screenings 2008 Hospitalités, tram, curators : contemporary art center’s directors 2007 FIAC Cinéma, Palais de Tokyo, Paris, France, curators: contemporary art center’s directors Prices, scholarships, residents 2012/2013 Residency at Villa Medicis, Roma, Italy 2012 Prix de la Fondation d‘entreprise Ricard Dorothea von Stetten Kunstpreis, Germany 2011 Residency at Gut Kartzitz, Rügen, Germany 2010 Residency at the Museum of Contemporary art, Detroit, USA 2007 Residency at the Cité internationale des Arts, Paris Residency at La Suite, Château Thierry 2006 Residency at Lindre-Basse, centre d’art contemporain la Synagogue de Delme Residency at Gallery La Box, Bourges 2004 NaFöG, Berlin (scholarship of the city of Berlin) Galerie Jocelyn Wolff 2002 Price of the Marion Ermer Stiftung, Germany 2000/2002 Scholarship of the Studienstiftung des Deutschen Volkes, Germany Bibliography/catalogues (selection) 2012 Projet pour l‘art contemporain, 10 ans d‘acquisitions, Société des amis du Musée National d‘Art Moder -ne, Centre Pompidou, Somogy Editions d‘art, Paris, 2012. Text by Emma Lavigne. 2011 Antidote. Sept expositions ! une collection constituée entre 2005 et 2011 2011, édition JRP/Ringier, Zürich 2010 Works. Oeuvres. Werke Words. Mots. Worte Katinka Bock, 2010, Texts by: Kim West Natascha Sadr Haghighi an, Sabeth Buchmann, Editor : Paraguay Press, Paris and Verlag für moderne Kunst Nürnberg Carte Blanche, Mouvement, numéro 57, oct-dec 2010 Neue Alchemie, New Alchemy, contemporary Art after Beuys, Landesmuseum für Kunst und Kulturgeschichte, Münster, (cat) 2010 2009 The Sound of Distance, de Vleeshal, Middelburg, Netherlands, texts by Lorenzo Benedetti, Thomas Boutoux, Vanessa Clairet (monographic cat.) 2008 Katinka Bock, Synagogue de Delme, Joanna Fiduccia, artforum on line, August 2008 2007 Artistes : la nouvelle génération, Yann Chataigné, Beaux-Arts magazine, September 2007 wheeeel, Le Printemps de Septembre à Toulouse, text by Guillaume Mansart (cat.) Edition de l’Ecole nationale des beaux-arts de Lyon (solo cat.) storylines, Passerelle Centre d’art de Brest (cat.) 2006 This land is my land (cat.), Kunsthalle Nürnberg, NGBK Berlin, text by Antje Weitzel 2005 Emerging artists: hot spots 05 (cat.) Urbane Realitäten: Fokus Istanbul (cat.) Heute hier, morgen dort,..., (cat.), text by Marcus Lütkemeyer 2004 Public Relations, Public Paris, Passagen 2004 by Office franco-allemand pour la jeunesse (cat.), text by Marina Sobello 2003 Skulptur Biennale Münsterland 2003 (cat.), texts by Ulrike Kremeier and Saskia Bos We have seen the future, text by Pablo Lafuente, Art Review 07/08 2003 2002 Marion Ermer Preis 2002, text by Inge Mahn (monographic cat.) Hell-gruen, (cat.), 2002, text by Cosima Reiner Press review (selection) 2014 Quelque part entre la clôture et l‘expansion : la sculpture aujourd‘hui, Sylvie Coellier, in : Espace, Spring-Summer 2014 RAM RadioArteMobile, Camere XX, Paolo Balmas, in : Segno #249, Summer 2014 RAM RadioArteMobile. Between intermedia modality and haptic gaze, Moira Chiavarini, in : Arte e Critica, July 2014 Katinka Bock : A and I at the Henry Art Gallery, Lindsey Rae Gjording, in : Vanguard Seattle online magazine, February 2014 Katinka Bock : A and I, in : Henry Art Gallery, January-April 2014 Facing North, Katinka Bock‘s Intimacy with the Faraway, Jen Graves, in : The Stranger, February 2014 2013 Katinka Bock - meet you at the statue in an hour, Isaline Vuille, in : Kunstbulletin, December 2013 Les scultputures de Toni Grand et Katinka Bock au coeur des nouvelles expositions du Mamco, Elisa beth Chardon, in : Le Temps, October 2013 Art contemporain, les lueurs de l‘été, Agnès Violeau, in : Vogue, July 2013 Tenter l‘impossible, Exposition La Fabrique des possibles, Marion Estimbre, in : Mouvement.net, 15/05/2013 Magnifique Villa en pension complète, Eric Dahan, in : Libération, 08/02/2013 Katinka Bock, La sculpture comme don, Philippe Piguet, in : L‘oeil, Janv. 2013 2012 Les 10 artistes contemporains qui ont marqué l‘année 2012 en France, in: Huffington Post,18/12/2012 Les artistes et le tramway de Paris, Paris-art, December 2012 L‘esprit de la foire souffle hors du Grand Palais. Une expo, un lieu, une fête : Paris s‘éveille, Judicaël Lavrador & Emmanuelle Lequeux, in: Beaux Arts Magazine, November 2012 Un prix Ricard tout en évocation, Julie Portier, Le Qutodien de l‘Art, N. 241, October 2012 Sinking Islands, Gabriela Jauregui, in : Frieze Magazine, 18/10/2012 Je n'aime pas les miracles, Katinka Bock, lauréate du Prix Ricard 2012, Juliette Soulez, in : Blouin ArtInfo, October 2012 Katinka Bock, Prix Fondation d‘entreprise Ricard 2012, Jean-David Boussemaer, in : Artistik Rezo, October 2012 Katinka Bock, Entre trace et devenir, Joana Neves, in : Zéro Deux N.64, Winter 2012 Si j‘avais un marteau, in: Paris-art, October 2012 Sur le front des formes, Jean-Max Colard, in: Les Inrockuptibles, Sept.-Oct. 2012 Biennale Les Prairies : Finissons-en avec le modernisme, Julie Portier, in: Le Quotifdien de l‘Art N. 217, September 2012 Biennale Les Prairies - Les Ateliers de Rennes, in: Paris-art, September 2012 Pour un art pauvre, Inventaire du monde et de l‘atelier, Theodora Domenech, in: Art Press N. 385, January 2012 2011 Les riches idées de l‘ art pauvre, Emmanulle Lequeux, in : Le Monde, December 2011 Arte Povera, Patrice Joly, in: Zéro Deux N. 60, Winter 2011 11th Biennale de Lyon, Elisabeth Lebovici, in: ArtForum, December 2011 Les héritiers de l‘art pauvre, Emmanuelle Lequeux, in: Le Quotidien de l‘Art N.29, November 2011 Katinka Bock, in: FrankFurter Kunstverein, November 2011 Atelierbesuch Bei Katinka Bock, Alexandra Wach, in: Artnet, October 2011 Katinka Bock, in: Le Monde, September 2011 Kunst und Risiken nicht ausgeschlossen, Hans-Joachim Müller, in: Die Welt, September 2011 Le tout scultpure : la vie matérielle, Valérie Da Costa, in: Mouvement, July-September 2012 Wo die Metamorphosen blühn, Alexandra Wach, in: Monopol, May 2011 2010 Baüme Wandern auf dem Bürgersteig, Katharina Deschka-Hoeck, in: Frankfurter Allgemeine Zeitung, December 2010 Des bulles et des Arts, in: Direct Soir, September 2010 Katinka Bock, Vivian Rehberg, in: Art in America, March 2010 Katinka Bock, Cécilia Bezzan, in: ArtPress, January 2010 2009 Katinka Bock, Emmanuelle Lequeux, in: Le Monde, December 2009 A Rochechouart, des révolutions en exposition, Emmanuelle Lequeux, in: Le Monde, June 2009 Kunsthalle de Mulhouse, in: Zéro Deux, Summer 2009 Site Sensitive, Francesca di Nardo, in: Mousse issu 19, Summer 2009 Le travail de Rivière, Etienne Bernard, in: Zéro Deux, Spring 2009 Die Vermessung der Nürnberg Welt, in: Abendzeitung, April 2009 Vergängliche Kunst als Magie des Moments, Anna Schneider, in: Nürnberger Nachrichten, April 2009 Ja, was tröpfelt denn da, Christian Mückl, in: Nürnberger Zeitung, April 2009 Internationale ouvrière, Judicaël Lavrador, in: Les Inrockuptibles, January 2009 2008 Les matériaux du possible, Anne Bonnin, in: Zéro Deux, Winter 2008 Katinka Bock, Joanna Fiduccia, in: Art Forum, August 2008 Emergence de l‘archaïsme, Guillaume Gesvet, in: Mouvement online, June 2008 Here we dance, Coline Milliard, in: Art Monthly N. 316, May 2008 2007 Katinka Bock, L‘espace pour matière première, in: Beaux Arts Magazine, September 2007 Katinka Bock, Baüme wachsen und ströme fliessen : wasser, wärme, monument, Karen Tanguy, in: Semaines, May-June 2007 2006 A passerelle, le dessin à l‘honneur, in: Ouest France, November 2006 Le dessin du XXIè siècle, Marion Banvillet, in: Le Progrès, 2006

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  • Tunisia
  • Turkey
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  • Tuvalu
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  • United Arab Emirates
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  • United States
  • United States Minor Outlying Islands
  • Uruguay
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  • Vanuatu
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  • West Bank
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