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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Paulo Nazareth

Works


Galleries

Mendes Wood
Marcela Caruso
Rua da Consolação, 3358, Jardins
01416-000 Sao Paulo, SP
Brazil

Phone: + 55 11 3081 1735
E-Mail: liaisons@mendeswood.com




Biography

1977 born in Governador Valadares, BR
lives in Minas Gerais, BR

Education

2006-2010 Studies in Linguistics, Universidade Federal de Minas Gerais, BR
2005-2006 Bachelor of Fine Arts, Universidade Federal de Minas Gerais, BR
2003-2005 Master of Fine Arts, Universidade Federal de Minas Gerais, BR

Solo exhibitions (selection)

2015
Genocide in Americas, Meyer Riegger, Berlin, DE

2014
Banderas Rotas, Galleria Franco Noero, Torino, IT
Che Cherera, Mendes Wood DM, São Paulo, BR
The Journal, Institute for Contemporary Arts, London, UK

2013
Veneza Neves, Veneza, Ribeirão das Neves, BR

2012-2013
Premium Bananas, Museu de Arte de São Paulo - MASP, São Paulo, BR

2012
Noticias de America, Mendes Wood, São Paulo, BR

2010
Na impossibilidade de nomear, Muna Museu de Uberlândia, Uberlândia, BR

2008
Paulo Nazareth LTDA, Porto Alegre, BR

2007
Museu de Arte de Pampulha, Belo Horizonte, BR

2005
O Junta Dor de Coisas, Espaço Multimeios Mestre Orlando CCIR Lagoa do Nado
Clandestina, Galeria da Escola de Belas artes UFMG, Belo Horizonte, BR

2004
Gambiarreiro, Galeria de Arte do SESI MINAS, Minas Gerais, BR

Group exhibitions (selection)

2015
Walking Sculpture 1967–2015, deCordova Park and Museum, Lincol, US
All the World's Futures, 56 Biennale di Venezia, Venice, IT
Here There (Huna Hunak), QM Gallery Al Riwaq, Doha, QA
Alimentário, Museu da Cidade - OCA, São Paulo, BR

2014
Footnotes, Hessel Museum of Art, Annandale-on-Hudson, US
Imagine Brazil, Musée d'art contemporain de Lyon, Lyon, FR
Alimentário, Museu de Arte Moderna Rio de Janeiro, Rio de Janeiro, BR
Cães Sem Plumas, Museu de Arte Moderno Aloisio Magalhães, Recife, BR
Histórias Mestiças, Instituto Tomie Ohtake, São Paulo, BR
É Tudo Nordeste?, 3ª Bienal da Bahia, Salvador, BR
The Rise and Fall of Art Biennales, LATVIAN Center for Contemporary Art, Riga, LT
BRICS, OI Futuro Flamengo, Rio de Janeiro, Brasil

2013-2014
Imagine Brazil, Astrup Fearnley Museet, Oslo, NO
Entre-temps... Brusquement, et ensuite, 12e Biennale de Lyon, Lyon, FR

2013
Meanwhile…Suddenly and Then12th Biennale de Lyon, Lyon, FR
Il Palazzo Enciclopedico, curated by Massimiliano Gioni, 55. Biennale di Venezia, Venice, IT
The Encyclopedic Palace, 55 Biennale di Venezia, Venice, IT
Museum as Hub: Walking Drifting Dragging, New Museum, New York, USA
Conversation Pieces, Neuer Berliner Kunstverein, Berlin, DE
Chambres à Part, Edition VIII, La Réserve Paris, Paris, FR
Unstable Territory: Borders and identity in contemporary art, Centre for Contemporary Culture at
Palazzo Strozzi | CCC Strozzina, Florence, IT
avante brasil, Kunst Im Tunnel, Düsseldorf, DE
Coleção Itaú de Fotografia Brasileira, Instituto Tomie Ohtake, Sao Paulo, BR
The insides are on the outside - O interior está no exterior, Casa de Vidro, Sao Paulo, BR
Bienal de Montevideo, Montevideo, UY

2012
New Brasil, Bolivia Now, Memorial da América Latina, Sao Paulo, BR
City as a Process, Ekaterinburg Branch of the National Center for Contemporary Arts, Ekaterinburg, RU
Il va se passer quelque chose, Maison de l’Amérique Latine, Paris, FR

2011-2012
23°33’42′′_46°40’09′′ Mendes Wood at Torri, Galerie TORRI, Paris, FR

2011
Caos e Efeito, Itaú Cultural, São Paulo, BR
MYTHOLOGIES, Cité Internationale des Arts, Paris, FR
Meditation, Trance, Mendes Wood, São Paulo, BR

2010
Por aqui forma tornam-se attitudes, SESC Vila Mariana, São Paulo, BR
Entre Pontos, JACA – Jardim Canadá Art Center, Belo Horizonte, BR
Artistas de BH em Buenos Aires, Belizario Arte Contemporânea, Belo Horizonte, BR
12º Salão Nacional de Arte de Itajaí, Santa Catarina, BR
Diante da Duvida de Nomear o que Vejo..., MAC, Curitiba, BR
Interações Florestais Terra Una – Liberdade, Minas Gerais, BR
Intervenções do coletivo Kaza Vazia, Galeria de Arte Itinerante, BR

2009
Mll2 – 2nd annual manifestation of performance, Belo Horizonte, BR
Pesta Seni Performa CCCL, Surabaya, ID
Festival de Performance de Belo Horizonte, Belo Horizonte, BR
Na impossibilidade de nomear..., Muna Museu de Uberlândia, Uberlândia, BR
Belizario - Arte Contemporânea, Belo Horizonte, BR
Mercado de Arte: quem...Mercado de Banana, Centro Cultural São Paulo, São Paulo, BR

2008
Paulo Nazareth LTDA, DMAE Porto Alegre, Porto Alegre, BR
Sobre o Deslocamento de Coisas e Gente, Palácio das Artes, Belo Horizonte, BR
Sobremesa de Queijos, Museu Mineiro, Belo Horizonte, BR
Salão de Arte de Jataí, Jataí, BR

2007
Multiparidade, Palácio das Artes, FCS-MG, Belo Horizonte, BR
Individual, Museu de Arte da Pampulha, Belo Horizonte, BR

2006
Praradoxo Brasil Rumos, Itaú Cultural, São Paulo, BR
Praradoxo Brasil Rumos, Paço das Artes, Rio de Janeiro, BR

2005
Litholabor, Galeria da EBA - UFMG, Minas Gerais, BR
Bebados e Equilibristas, Coletiva Galeria da EBA - UFMG, Minas Gerais, BR
International Video-Performance Art Festival, Tallinn, EE
Coletiva Museu de Arte Contemporânea de Jataí, Jataí, BR
Escultura em expansão, Biblioteca Central da UFMG, Minas Gerais, BR

2004
Mostra da EBA-UFMG Galeria EBA e Escola Música, Minas Gerais, BR
Possíveis Escultura, Biblioteca Central da UFMG, Belo Horizonte, BR
Escultura, Coletiva Biblioteca Central UFMG, Belo Horizonte, BR
Novos Ilustradores, Biblioteca Central UFMG, Belo Horizonte, BR

Awards

2012
MASP de Artes Visuais – Mercedes-Benz Award, Sao Paulo, BR
2010
Prêmio 12º Salão Nacional de Arte de Itajaí, Santa Catarina, BR
2005
Special reference from the jury - 4º Salão de Artes Jataí, BR
Selected for Rumos Itaú Cultural
2004-2005
Bolsa Pampulha – 28º Salão de Arte de Belo Horizonte, BR

Paulo Nazareth
1977 born in Governador Valadares, BR lives in Minas Gerais, BR Education 2006-2010 Studies in Linguistics, Universidade Federal de Minas Gerais, BR 2005-2006 Bachelor of Fine Arts, Universidade Federal de Minas Gerais, BR 2003-2005 Master of Fine Arts, Universidade Federal de Minas Gerais, BR Solo exhibitions (selection) 2015 Genocide in Americas, Meyer Riegger, Berlin, DE 2014 Banderas Rotas, Galleria Franco Noero, Torino, IT Che Cherera, Mendes Wood DM, São Paulo, BR The Journal, Institute for Contemporary Arts, London, UK 2013 Veneza Neves, Veneza, Ribeirão das Neves, BR 2012-2013 Premium Bananas, Museu de Arte de São Paulo - MASP, São Paulo, BR 2012 Noticias de America, Mendes Wood, São Paulo, BR 2010 Na impossibilidade de nomear, Muna Museu de Uberlândia, Uberlândia, BR 2008 Paulo Nazareth LTDA, Porto Alegre, BR 2007 Museu de Arte de Pampulha, Belo Horizonte, BR 2005 O Junta Dor de Coisas, Espaço Multimeios Mestre Orlando CCIR Lagoa do Nado Clandestina, Galeria da Escola de Belas artes UFMG, Belo Horizonte, BR 2004 Gambiarreiro, Galeria de Arte do SESI MINAS, Minas Gerais, BR Group exhibitions (selection) 2015 Walking Sculpture 1967–2015, deCordova Park and Museum, Lincol, US All the World's Futures, 56 Biennale di Venezia, Venice, IT Here There (Huna Hunak), QM Gallery Al Riwaq, Doha, QA Alimentário, Museu da Cidade - OCA, São Paulo, BR 2014 Footnotes, Hessel Museum of Art, Annandale-on-Hudson, US Imagine Brazil, Musée d'art contemporain de Lyon, Lyon, FR Alimentário, Museu de Arte Moderna Rio de Janeiro, Rio de Janeiro, BR Cães Sem Plumas, Museu de Arte Moderno Aloisio Magalhães, Recife, BR Histórias Mestiças, Instituto Tomie Ohtake, São Paulo, BR É Tudo Nordeste?, 3ª Bienal da Bahia, Salvador, BR The Rise and Fall of Art Biennales, LATVIAN Center for Contemporary Art, Riga, LT BRICS, OI Futuro Flamengo, Rio de Janeiro, Brasil 2013-2014 Imagine Brazil, Astrup Fearnley Museet, Oslo, NO Entre-temps... Brusquement, et ensuite, 12e Biennale de Lyon, Lyon, FR 2013 Meanwhile…Suddenly and Then12th Biennale de Lyon, Lyon, FR Il Palazzo Enciclopedico, curated by Massimiliano Gioni, 55. Biennale di Venezia, Venice, IT The Encyclopedic Palace, 55 Biennale di Venezia, Venice, IT Museum as Hub: Walking Drifting Dragging, New Museum, New York, USA Conversation Pieces, Neuer Berliner Kunstverein, Berlin, DE Chambres à Part, Edition VIII, La Réserve Paris, Paris, FR Unstable Territory: Borders and identity in contemporary art, Centre for Contemporary Culture at Palazzo Strozzi | CCC Strozzina, Florence, IT avante brasil, Kunst Im Tunnel, Düsseldorf, DE Coleção Itaú de Fotografia Brasileira, Instituto Tomie Ohtake, Sao Paulo, BR The insides are on the outside - O interior está no exterior, Casa de Vidro, Sao Paulo, BR Bienal de Montevideo, Montevideo, UY 2012 New Brasil, Bolivia Now, Memorial da América Latina, Sao Paulo, BR City as a Process, Ekaterinburg Branch of the National Center for Contemporary Arts, Ekaterinburg, RU Il va se passer quelque chose, Maison de l’Amérique Latine, Paris, FR 2011-2012 23°33’42′′_46°40’09′′ Mendes Wood at Torri, Galerie TORRI, Paris, FR 2011 Caos e Efeito, Itaú Cultural, São Paulo, BR MYTHOLOGIES, Cité Internationale des Arts, Paris, FR Meditation, Trance, Mendes Wood, São Paulo, BR 2010 Por aqui forma tornam-se attitudes, SESC Vila Mariana, São Paulo, BR Entre Pontos, JACA – Jardim Canadá Art Center, Belo Horizonte, BR Artistas de BH em Buenos Aires, Belizario Arte Contemporânea, Belo Horizonte, BR 12º Salão Nacional de Arte de Itajaí, Santa Catarina, BR Diante da Duvida de Nomear o que Vejo..., MAC, Curitiba, BR Interações Florestais Terra Una – Liberdade, Minas Gerais, BR Intervenções do coletivo Kaza Vazia, Galeria de Arte Itinerante, BR 2009 Mll2 – 2nd annual manifestation of performance, Belo Horizonte, BR Pesta Seni Performa CCCL, Surabaya, ID Festival de Performance de Belo Horizonte, Belo Horizonte, BR Na impossibilidade de nomear..., Muna Museu de Uberlândia, Uberlândia, BR Belizario - Arte Contemporânea, Belo Horizonte, BR Mercado de Arte: quem...Mercado de Banana, Centro Cultural São Paulo, São Paulo, BR 2008 Paulo Nazareth LTDA, DMAE Porto Alegre, Porto Alegre, BR Sobre o Deslocamento de Coisas e Gente, Palácio das Artes, Belo Horizonte, BR Sobremesa de Queijos, Museu Mineiro, Belo Horizonte, BR Salão de Arte de Jataí, Jataí, BR 2007 Multiparidade, Palácio das Artes, FCS-MG, Belo Horizonte, BR Individual, Museu de Arte da Pampulha, Belo Horizonte, BR 2006 Praradoxo Brasil Rumos, Itaú Cultural, São Paulo, BR Praradoxo Brasil Rumos, Paço das Artes, Rio de Janeiro, BR 2005 Litholabor, Galeria da EBA - UFMG, Minas Gerais, BR Bebados e Equilibristas, Coletiva Galeria da EBA - UFMG, Minas Gerais, BR International Video-Performance Art Festival, Tallinn, EE Coletiva Museu de Arte Contemporânea de Jataí, Jataí, BR Escultura em expansão, Biblioteca Central da UFMG, Minas Gerais, BR 2004 Mostra da EBA-UFMG Galeria EBA e Escola Música, Minas Gerais, BR Possíveis Escultura, Biblioteca Central da UFMG, Belo Horizonte, BR Escultura, Coletiva Biblioteca Central UFMG, Belo Horizonte, BR Novos Ilustradores, Biblioteca Central UFMG, Belo Horizonte, BR Awards 2012 MASP de Artes Visuais – Mercedes-Benz Award, Sao Paulo, BR 2010 Prêmio 12º Salão Nacional de Arte de Itajaí, Santa Catarina, BR 2005 Special reference from the jury - 4º Salão de Artes Jataí, BR Selected for Rumos Itaú Cultural 2004-2005 Bolsa Pampulha – 28º Salão de Arte de Belo Horizonte, BR

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