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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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Ryan Gander

Works


Galleries

gb agency
Solene Guillier
18 rue des Quatre Fils
75003 Paris
France

Phone: + 33 1 44 78 00 60
E-Mail: gb@gbagency.fr




Biography

Born 1976, Chester, UK
Lives and works in Suffolk and London, UK

Education

2001- 2002 Post-Graduate Fine Art Participant
Rijksakademie van Beeldende Kunsten, Amsterdam, NL
1999 - 2000 Post-Graduate Fine Art Research Participant
Jan van Eyck Akademie, Maastricht, NL
1996 - 1999 First Class Degree, BA (Hons) Interactive Art
Manchester Metropolitan University, Manchester, UK

Awards and Prizes

(* catalogue)
2019
Pommery Prize Winner, Armory, New York, US
Hodder Fellowship, Princeton University, New Jersey, US
2017
Officer of the Order of the British Empire Award, UK
Award of Doctor of the University, University of Suffolk, UK
2015
Award of Doctor of Arts of the Manchester Metropolitan University, Honoris Causa, UK
2009
Nominee for The Times / South Bank Show Breakthrough Award, UK
Winner of the Zurich Art Prize, Haus Konstruktiv, CH*
2008 Paul Hamlyn Award, UK
2007
DENA Foundation Art Award, FR*
2006
ABN AMRO Prize, NL*
Baloise Art Statements Prize, Basel Art Fair, CH
2005
Beck’s Futures Shortlist, ICA, London, UK*
2004
Cocheme Fellowship, Byam Shaw School of Art, London, UK
2003
Prix De Rome for Sculpture, NL*
2001-2003
Arts Council of England International Fellowship, UK*

Solo Exhibitions

(*catalogue)
2020
‘Nick Lodgers invites Ryan Gander’, Museum of Contemporary Art, Antwerp, BE
2019
‘The 500 Million Year Collaboration’, Kunsthalle Bern, Bern, CH
‘To employ the mistress.... It's a French toff thing’, 2015, Eden Project, Cornwall, UK
‘Ghostwriter Subtext - (Towards a significantly more plausible interrobang)’, Sala Diaz,
Texas, US
Public commission - ‘The Green and the Gardens’, Cambridge Biomedical Park,
Cambridge, UK
Public sculpture presentation - ‘To Give Light (Northern Aspirational Charms)’, 2018,
Snape Maltings, Suffolk, UK
‘I see you’re making progress’, Lisson Gallery, Shanghai, CN
‘One-twelfth’, Merivale Model Village, Great Yarmouth, UK
‘Some Other Life’, Esther Schipper, Berlin, DE
Public sculpture presentation - ‘Het Spel (My neotonic ovoid contribution to
Modernism)’, Armory Art Fair, New York, US
2018
‘Good Heart', BASE / Progetti per l’arte, Florence, IT
‘Old Languages in very Modern Styles’, gb agency, Paris, FR
‘Ryan Gander: Chinese Whispers #1’, Meessen De Clerq, Brussels, BE
‘Moonlighting’, TARO NASU, Tokyo, JP*
‘From five minds of great vision (The Metropolitan Cathedral of Christ the King
disassembled and reassembled to conjure resting places
in the public realm)’, Beautiful world, where are you?, The Metropolitan Cathedral,
Liverpool Biennial, UK*
‘Time moves quickly’, The Bluecoat, Liverpool Biennial, UK*
‘To Give Light (Northern Aspirational Charms)’, Great Exhibition of the North, BALTIC,
Gateshead, UK
‘Other Places’, 21st Biennale of Sydney, Sydney, AU*
‘The Self Righting of All Things’, Lisson Gallery, London, UK
2017 ‘Dazaifu Tenmangu Collection works by Ryan Gander’, Dazaifu Shrine, Fukuoka, JP
‘These wings aren’t for flying’, National Museum of Art Osaka, Osaka, JP*
 ‘Ryan Gander & Jonathan Monk: I speak to people on the telephone’, Cristina Guerra
 Contemporary Art, Lisbon, PT
‘Soft modernism’, Hyundai Gallery, Seoul, SKR*
‘Human / non Human / Broken / non Broken’, Cc Foundation, Shanghai, CN
2016
‘Heterotopias. Avant-Gardes in Contemporary Art’, curated by Camille Giertler, Café
Aubette, Strasbourg, FR*
‘I can see straight through you’, Lisson Gallery, New York, US
‘An exhibition of early works by Ryan Gander at Joe's Gallery to coincide with The
Liverpool Biennial', Cactus, Liverpool, UK
‘In practice simplicity has never been a problem’, TARO NASU, Tokyo, JP
‘Connectivity Suite (and Other Places)’, Esther Schipper, Berlin, DE
‘Make every show like it's your last’, Musee d'art Contemporain de Montreal, Montreal,
CA
‘Creative play entails some risk taking’, curated by Rui Amaral, Scrap Metal Gallery,
Toronto, CA
‘To stand amongst the elements and to interpret what one knows’, Museum Dhondt
Dhaenens, Duerle, BE
2015
‘Make every show like it's your last’, Aspen Art Museum, Aspen, US
‘Jolly Grown Up’, in collaboration with Olive May Gander, Quartz Studio, Turin, IT
‘Fieldwork’, Lisson Gallery, London, UK
‘Make every show like it's your last’, Vancouver Art Gallery, Vancouver, CA
‘The Canter of Edward De Bono - An exhibition of new works by Spencer Anthony’,
David Risley Gallery, Copenhagen, DK
‘READ ONLY’, Australian Centre for Contemporary Art, Melbourne, AU
‘Portrait of a blind artist obscured by flowers’, Singapore Tyler Print Institute, Singapore,
SG
‘Make every show like it's your last’, OK Center for Contemporary Art, Linz, AT
‘Nobody Walks Away from True Collaboration Triumphant or Un-bruised’, collaboration
with Mario Garcia Torres, Proyectos Monclova, Mexico City, MX
2014
‘Make every show like it's your last’, Derry, UK
‘Retinal Accounts’, gb agency, Paris, FR
‘Make every show like it's your last’, Manchester Art Gallery, Manchester, UK
‘Explorers v's Pioneers’, TARO NASU, Tokyo, JP
2013
‘Incredibly shiny stuff that doesn't mean anything’, Okayama Kyokuto Hospital,
Okayama, JP
‘The artists have the keys’, 2 Willow Road, London, UK
‘Make every show like it's your last’, Frac île-de-France, Le Plateau, Paris, FR
‘Associative Photographs, 2004’, Zabludowicz Collection, New York, US
‘Once upon a bicycle, not so long ago’, Annet Gelink Gallery, Amsterdam, NL
‘Desktop Residency’, www.desktopresidency.com
2012
‘Boing boing squirt’, Museo Tamayo, Mexico, MX
‘These are the things that I don’t understand’, Daiwa Press Viewing Room, Hiroshima,
JP
‘Ryan Gander: An Exhibition of Recent Paintings’, David Risley Gallery, Copenhagen,
DK
‘Esperluette’, Palais de Tokyo, Paris, FR
‘The Fallout of Living’, Lisson Gallery, London, UK
‘Lost in my own recursive narrative’, Fondazione Morra Greco, Napoli, IT
‘An exercise in cultural semaphore’ gb agency, Paris, FR
2011
‘Really Shiny Things That Don't Mean Anything’, Trybuna Honorowa, Plac Defilad,
Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, PL
‘Ryan Gander’, Billboard for Edinburgh: Year 4, Ingleby Gallery, Edinburgh, UK
‘Icarus Falling – An Exhibition Lost’, Maison Hermès, Le Forum, Tokyo, JP
‘New Collisions in Culturefield’, Johnen Galerie, Berlin, DE
‘Locked Room Scenario’, The Depot, Commissioned by Artangel, London, UK
‘Meaning…surrounds me now’, 1223 Gendaikaiga, Tokyo, JP
‘Now there’s not enough of it to go around’, Annet Gelink Gallery, Amsterdam, NL
‘You have my word', Dazaifu Tenmangu, Fukuoka, JP
‘Attempting to remain light on ones feet: Work from Daiwa Collection’, Okinawa
Prefectural Museum, Okinawa, JP
‘Ftt, Ft, Ftt, Ftt, Ffttt, Ftt, or somewhere between a modern representation of how a
contemporary gesture came into being, an illustration of the physicality of an argument
between Theo and Piet regarding the dynamic aspect of the diagonal line and
attempting to produce a chroma-key set for a hundred cinematic scenes’, TARO NASU,
Tokyo, JP
2010
‘Saying something is made of something when it is actually made of something else’, YU-UN, Tokyo, JP
‘The Happy Prince’, Public Art Fund, Doris C. Freedman Plaza, Central Park, New Y US
‘Intervals: Ryan Gander’, Solomon R. Guggenheim Museum, New York, US
‘Approach it slowly from the left’, Haus Konstruktiv, Zurich, CH*
‘You walk into a space, any space’, Lisson Gallery, London UK
‘I am an Aurefilian’, TARO NASU, Tokyo, JP
‘A Whole Hole’, G-Tokyo, Tokyo, JP
2009
‘The die is cast’, Villa Arson, Nice, FR *
‘We Are Constant’, Frieze Art Fair Projects, London, UK
‘It’s a right Heath Robinson affair’, gb agency, Paris, FR
‘It’s a right Heath Robinson affair’, Kadist Art Foundation, Paris, FR
‘As it presents itself’, Picture This, Bristol, UK
‘Heralded as the new black’, Museum Boijmans Van Beuningen, Rotterdam, NL*
‘I let somebody get under my skin’, Annet Gelink Gallery, Amsterdam, NL
2008
‘Heralded as the new black’, Ikon Gallery, Birmingham, UK *
‘Heralded as the new black’, South London Gallery, London, UK *
‘Something Vague’, St Gallen Kunstverein, Switzerland, CH
‘Something Vague’, Bonner Kunstverein, Bonn, DE
‘How I learnt to use my senses, how I learnt to think and how I learnt to feel', TARO
NASU, Tokyo, JP
‘Championed by Rigour’ Tanya Bonakdar Gallery, New York, US
‘And it came to life’ Marz Galleria, Lisbon, PT
‘Basquiat’, STORE Gallery, London, UK
2007
‘Ghostwriter subtext (Towards a significantly more plausible interrobang)', TARO NASU,
Tokyo, JP
‘More than the weight of your shadow’ Daiwa Press Viewing Room, Hiroshima, JP
‘Passengers’, CCA Wattis Institute for Contemporary Arts, San Francisco, US
‘Short cut through the trees’ MUMOK, Vienna, AU *
‘The Last Work’, Stedelijk Museum, Amsterdam, NL
‘Of Any Actual Person, Living or Dead’ (with Aurélien Froment) STORE, London, UK
2006
‘Ryan Gander’, Massimo De Carlo, Milan, IT
‘Ghostwriter Subtext (Towards a significantly more plausible interrobang)’, Premier
Container, Art Basel Premier with STORE, Miami, US
‘Didactease’, Marc Foxx, Los Angeles, US
’Cinema Verso’, Whitechapel East Wing, London, UK
‘Spencer, forget about good’, Art Basel Unlimited with Annet Gelink Gallery, Basel,
‘The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman,
Zurich, CH
‘Is This Guilt In You Too – (The study of a car in a field)’, MUMOK, Vienna, AT
‘Your clumsiness is the next man’s stealth’, Annet Gelink Gallery, Amsterdam, NL
‘Nine Projects for the Pavilion de l’Esprit Nouveau, MAMbo, GAM, Bologna, IT
2005
‘But it was all green’, Artists Space, New York, US
‘Of Any Actual Person, Living or Dead’, Les Laboratoires d'Aubervilliers, (with Aurélien
Froment) F*
‘Is This Guilt in You Too’ – (The Study of a Car in a Field)’, Art Basel Statements with
Annet Gelink Gallery, Basel, CH
‘Is This Guilt in You Too’ – (The Study of a Car in a Field), Annet Gelink Gallery,
Amsterdam, NL
‘Somewhere between 1886 and 2030 (2005)’, Store, London, UK*
2004
‘An Incomplete History of Ideas’, Cornerhouse, Manchester, UK*
‘But it was all green’, Annet Gelink Gallery, Amsterdam, NL
‘La Galerie dans ma Poche’, Leeds and London, UK
2003
‘But it was all green’, STORE, London, UK
‘The Death of Abbé Faria’, Stedelijk Museum Bureau, Amsterdam, NL*
2002
‘Marie Aurore Sorry’, The International 3, Manchester, UK*
‘In Return’, (with Shahryar Nashat), Centre Pasquart, Bienne, CH

Group Exhibitions

(* catalogue)
2020
‘Grands soirs et Petits matins’, Perrotin Gallery, Paris, FR
‘Dance First, Think Later’, University of Lincoln, Lincoln, UK
PS81E, Esther Schipper, Berlin, DE
Hyundai 50 Part II, Gallery Hyundai, Seoul, KOR
Collection 1: Transgressing Line, National Museum of Art, Osaka, JP
‘Hippo Campus: Where we learn’, Newlyn Art Gallery & The Exchange, Penzance, UK
‘Brainwashed’, Haus der Kunst, Munich, DE
‘Scrivere disegnando, quand la langue cherche son autre’, Centre d’Art Contemporain
Genève, CH
‘Paper Works’, TARO NASU, Tokyo, JP
‘Momentum’, Voorlinden, The Hague, NL
2019
‘Department of Carving and Modeling Section II: Form and Volume’, Cristina Guerra
Contemporary Art, Lisbon, PT
‘De Expokoelkast 2’, Garage Noord, Amsterdam, NL
‘Playing Out’, Wellcome Collection, London, UK
‘THE ESTATE’, Kim? Contemporary Art Center, Riga, LV
‘Oversharing’, Friends Indeed, San Francisco, US
‘Museum’, MMK, Frankfurt, DE
‘THE ESTATE’, Kim? Contemporary Art Center, Salacgrīva, LV
‘Which Mirror Do You Want to Lick?’, Frans Masereel Centre, Kasterlee, BE
‘Intimate distance’, MOCO, Montpellier, FR
‘()’, Daniel Faria Gallery, Toronto, CA
‘Of Any Actual Person Living or Dead’, Marcelle Alix, Paris, FR
‘Time Kills – Time-based art from Julia Stoschek Collection’, Sesc Sao Paulo, Sao
Paulo, BR
‘Festival Performatik’, Kaaitheater, Brussels, BE
‘Jews, Money, Myth’, Jewish Museum, London, UK
‘Drawing Biennial 2019’, Drawing Room, London, UK
‘One artist / two films / one week’, Center Pomidou, Paris, FR
‘Hate Speech, Aggression and Intimacy’, Künstlerhaus Graz, Graz, AT
‘The Historian’s Craft’, ICA Milano, Milan, IT
‘In My Shoes: Art and the Self Since the 1990s’, Aberystwyth Arts Centre,
Aberystwyth, UK
2018
‘Winter Exhibition’, Austin/Desmond Fine Art, London, UK
‘Re:Collecting / Curatoren VBCN OPEN 2018’, Museum Singer, Laren, NL
‘Pacific Breeze’, White Conduit Projects, London, UK
‘TRACÉ’, Josée et Marc Gensollen, La Fabrique, Marseille, FR
‘Good Grief’, Charlie Brown!’, Somerset House, London, UK*
‘Performing Art’, Centre Pompidou, Paris, FR
‘Knock Knock’, South London Gallery, London, UK*
‘Open Call’, Atlas House, Annual Ipswich Biennial, UK
‘I’m just resting my eyes (Pavement encounter)’, MusMex Shoreditch, London, UK
‘Fleeting Exits’, Sursock Museum, Beirut, LBN
‘In My Shoes: Art and the Self Since the 1990s’, Attenborough Center, UK
‘Summer Exhibition 2018', Royal Academy of Art, London, UK*
‘Artists for Artangel’, Cork Street Galleries, London, UK
‘Dime-Store Alchemy’, FLAG Art Foundation, New York, US
‘Velvet Ropes’, David Risley Gallery, Copenhagen, DK
‘KADIST: General Rehearsal’, Moscow Museum of Modern Art, Moscow, RU
‘In My Shoes: Art and the Self Since the 1990s’, Yorkshire Sculpture Park, UK
‘Chair, Chair, Chair, Lamp, Table, Bed, Sofa’, David Risley Gallery, Copenhagen, DK
‘Triennial of Contemporary Art by Sea’, Beaufort Triennial, Koksijde, BE
‘GAUDIOPOLIS: Attempts at a Joyful Society’, Museum of Contemporary Art, Leipzig,
DE
‘RESONANCE by Frac Normande Rouen’, Musée des Beaux-arts de Rouen, FR
‘Degas: A Passion for Perfection’, Denver Art Museum, US
‘The Stories of Almost Everyone’, Hammer Museum, Los Angeles, US
’ZEIGEN. An Audio Tour through the Collection of NMAO’, National Museum of
Osaka, JP
‘Darbyshire, Gander, Pica, Starling’, Hayward Gallery, London, UK
‘The Land We Live In - The Land We Left Behind’, Hauser & Wirth, Somerset, UK
2017 ‘Ho Ho Ho’, Frutta, Rome, IT
‘Dance to the Music of Time – A Homage to Howard Hodgkin’, Dvir Gallery,
Brussels, BE
‘Push Play’, ICI, Vicki Myhren Gallery, University of Denver, US
‘De Fotokopie’, Irma Boom Studio, Amsterdam, NL
‘Iconoclash / Il conflitto delle immagini’, Museo di Castelvecchio, Verona, IT
‘Publishing as an Artistic Toolbox: 1989-2017’, Kunsthalle Wien, Vienna, AT*
‘A Year From Monday In Mexico’, Fifi Projects, Monterry, MX
‘Art Lesson’, Museo Thyssen-Bornemisza, Madrid, SP
‘Performing Art’, Centre Pompidou, Paris, FR
‘Art of the Postcard’, Handel Street Projects, London, UK
‘Field Guide’, Remai Modern, Saskatoon, CA*
‘We Are Not Alone’, Athr Gallery, Jeddah, SAU
‘Everything at Once’, The Store, London, UK*
‘Degas: A Passion for Perfection’, Fitzwilliam Museum, Oxford, UK
‘We Came Here to Conquer’, Norfolk Museum, Norwich, UK*
‘EXIT’, Galerie Rodolphe Janssen, Brussels, BE
‘Heart of the Tin Man’, M Woods, Beijing, CN
‘Dioramas’, Palais de Tokyo, Paris, FR
‘Magic Lantern Film Festival’, Cinema dei Piccoli, Rome, IT
‘Enjoy: Art Meets Amusement’, Bramante Cloister Gallery, Rome, IT
‘Synthetic landscapes, Reviewing the ‘ideal’ landscape: A Meadow Arts contemporary
art exhibition in two venues’, Shrewsbury Museum, Shrewsbury, UK
‘Perfectly Concocted Context by Jonathan Monk’, Cherry and Martin, Los Angeles, US
‘Het Zalig Nietsdoen’, Museum Kranrnburgh, Bergen, NO
‘Original Fake’, Galeria Maisterravalbuena, Madrid, ES
‘The Transported Man’, Eli and Edythe Broad Art Museum, East Lansing, US
‘The Greatest Story Ever Told’, The National Museum of Art Osaka, Osaka, JP
‘I want! I want! Art and Technology’, Birmingham Museum and Art Gallery, Birmingham,
UK
‘L’emozione dei COLORI nell’arte’, Galleria Civica D’Arte Moderna E Contemporanea,
Turin, IT
‘La doublure’, Villa Arson, Nice, FR
‘Colori’, Castello di Rivoli, Museo d’Arte Contemporanea, Torino, IT
‘Lisson Presents…11 Artists through time’, Lisson Gallery, London, UK
‘Night in the Museum’, curated by Ryan Gander, The Attenborough Centre, Leicester,
UK*
‘Pallaksh Pallaksh', Dvir Gallery, Tel Aviv, IL
‘Push Play’, ICI, Hendreen Gallery, Seattle University, US
Aichi Arts Center Temporary Exhibition, Aichi Arts Center, Aichi, JP
2016 ‘Night in the Museum’, curated by Ryan Gander, Birmingham Museum and Art Gallery,
Birmingham, UK*
‘Heterotopias. Avant-Gardes in Contemporary Art’, curated by Camille Giertler, Musée
d’art moderne et contemporain de Strasbourg, Strasbourg, FR*
‘Painters? Paintings?’ David Risley Gallery, Copenhagen, DK
‘Push Play’, ICI, Sheila C. Johnson Design Center, Parson School of Design, New York,
US
‘Time Lines: Ryan Gander, Cally Spooner, Mark Geffriaud’, gb agency at Independent
Regence, Brussels, BE
‘Multiplier’, Frans Masereel Centrum, Kasterlee, BE
‘Renaissances, Un Hommage Contemporain à Florence’, Foundation Etrilllard, Paris,
FR
‘開発/Development’, curated by Liam Gillick, Okayama Art Summit, Okayama, JP
‘British Art Show 8’, Southampton City Art Gallery, Southampton, UK
‘Sometimes you cannot fight it because you are part of it’ (performance), Nuit Blanche,
Paris, FR
‘The Last Word in Art?’, The Wilson, Cheltenham, UK
‘The Plaza’, curated by GLITCH Collective, Mostyn, Llandudno, UK
‘Wall to Wall. Carpets by Artists’, curated by Cornelia Lauf, Museum of Contemporary
Art, Cleveland, US
‘A Fair Land’, Irish Museum of Modern Art, Dublin, IR
‘Five / Fifty / Five Hundred’, Lisson Gallery, Milan, IT
‘SILLETEROS’, Kinman Gallery, London, UK
‘Performer/Audience/Mirror’, Lisson Gallery, London, UK
‘Night in the Museum’, curated by Ryan Gander, Longside Gallery, Yorkshire Sculpture
Park, Yorkshire, UK
‘British Art Show 8’, Norwich University of the Arts, Norwich, UK
‘Which Mirror Do You Want to Lick?’, BRNO Biennial, Brno, CZE
‘Welcome to my life’, Shanghai Himalayas Museum, Shanghai, CN
‘good things to come…’, Plymouth College of Art, Plymouth, UK
‘Portrait of the artist as ‘alter’, Frac Haute-Normandie, Sotteville-lès-Rouen, FR
‘Quand fondra la neige, où ira le blanc’, Palazzo Fortuny, Venice, IT
‘La collection Thea Westreich Wagner et Ethan Wagner [Collected by Thea Westreich
Wagner and Ethan Wagner]’, Centre Pompidou, Paris, FR
‘Not all that Falls Has Wings’, ARTER Space, Istanbul, TR
‘FOUND’, curated by Cornelia Parker, Foundling Museum, London, UK
 ‘Traces (From Mr and Mrs Lemaitre collection)’, Himalayas Museum, Shanghai, CN
‘Traces (From Mr and Mrs Lemaitre collection)’, Minsheng Art Museum, Beijing, CN
‘Good things come…’, curated by Kevin Hunt, The Gallery, Plymouth College of Art,
Plymouth, UK
‘This Is Your Replacement’, Sies + Höke, Dusseldorf, DE
‘Je Ne Sais What?’, curated by Francesco Paolo Francica, Carnelutti Firm Law, Milan,
IT
‘La collection mise à nu par ses artistes, même’, Maison de la Vache qui Rit (House of
the Laughing Cow), Lons-le-Saunier, FR
‘ME’, Schirn Kunsthalle Frankfurt, DE
‘Installation Views’, Mario Garcia Torres, Espacio de Arte Careyes, Careyes
‘Push Play’, ICI, The Rooms, Provincial Art Gallery Division, St. John’s, CA
‘Theatre Dreams of a Beautiful Afternoon’, Annet Gelink Gallery, Amsterdam, NL
‘Earnest Hawker’, Performance, Aspen Art Museum, Aspen, US
‘Prière de toucher, le tactile dans l'art’, Tinguely Museum, Basel, CH
‘ME’, Schirn Kunsthalle Frankfurt, Frankfurt, DE
‘The Coveter’, curated by Alex Glauber, Dickinson Roundell, New York, US
‘British Art Show 8’, Talbot Rice Gallery, Edinburgh, UK
‘La Collection mise à nue par ses artistes, même’, Maison de la Vache Qui Rit, Lons le Saunier,
Paris, FR
‘On the immense and the numberless’, David Risley Gallery, Copenhagen, DK
‘Push Play’, ICI, Museum London, London, CA
2015
‘Collateral Drawing’, Waterfront Gallery, University Campus Suffolk, Ipswich, UK
‘Banco, Mistral, Olive... Roger Excoffon et ses alphabets’, Library of Alcazar, Marseille, FR
‘A.N.T.H.RO.P.O.C.E.N.E’, Meessen De Clercq, Brussels, BE
‘Earnest Hawker’ Performance, in collaboration with Performa, Art Basel Miami, Miami, US
‘Duh?’, Focal Point Gallery, Southed-On-Sea, UK
‘Transparencies’, Bielefelder Kunstverein and the Kunstverein Nürnberg, Nürnberg, DE
‘Push Play’, ICI, Handwerker Gallery, Ithaca College, New York, US
‘Earnest Hawker’ Performance, Performa 15, New York, US
‘British Art Show 8’, Leeds Art Gallery, Leeds, UK
‘I Speak, Knowing It’s Not about Speaking’, CaixaForum, Barcelona, SP
‘IKEA’, Warrington Museum & Art Gallery, Warrington, UK
‘By Boat (Farewell)’, curated by Adam Carr, Jose Garcia, Mexico City, MX
‘Lisson Gallery & STPI present Collaborations: Richard Deacon, Ryan Gander, Shirazeh
‘Richard Deacon, Ryan Gander, Shirazeh Houshiary, Jason Martin and Jorinde Voigt
Collaborations’, Singapore Tyler Print Institute, Singapore, SG
‘CRU’, curated by Marcello Dantes, Centro Cultural Banco do Brasil, Rio de Janeiro, BR
‘Business as usual’, Turf Projects, Croydon, UK
‘Pequod’, Columbia 11, Monaco, MC
‘Art Festival Watou’, Watou, BE
‘Immateriality’, SESC Belenzinho, Sao Paulo, BR
‘TAVERNA – WE ARE OPEN’, Icastica 2015, Arezzo, IT
‘STATION TO STATION: A 30 Day Happening. A project by Doug Aitken’, Barbican, London, UK
‘Constellating Images’, Villa du Parc, Annemasse, FR
‘Open City’, Lublin, PL
‘Ryan Gander and A.FOUR present Brand Evangelism and The universe as I knew it aged 5,
collapsed and expanded several times or more (Reflector)’, Wild West Active Space, Maastricht,
NL
‘Sommer Kino’, Johnen Galerie, Berlin, DE
‘This Sentence’, curated by Public Fiction, China Art Objects, Los Angeles, US
‘Adventures In Bronze, Clay & Stone’, curated by Adam Carr, Arezzo Biennale Arts Festival,
Arezzo, IT
‘Art as a Verb’, Artspace, Sydney, AU
‘Between the Idea and Experience’, 12th Havana Biennial, Havana, CU
‘When I Give, I Give Myself', Van Gogh Museum, Amsterdam, NL
‘Panorama’, High Line, New York, US
‘Let’s start playing the game', De Brakke Grond, Amsterdam, NL
‘Business as Usual’, Set The Controls For The Heart Of The Sun, Leeds, UK
‘Push Play’, ICI, Art Gallery of Greater Victoria, Victoria, Canada
‘Back to the future’, Annet Gelink Gallery, Amsterdam, NL
‘Re-Corbusier. Sixteen contemporary works at Maison La Roche’, Fondation Le
Corbusier, Maison La Roche, Paris, FR
SCHLAFLOS', curated by Mario Codognato, 21er Haus, Vienna, AT
‘Considering Britain', curated by Simon Fujiwara, Hayward Gallery, London, UK
‘Private Utopia’, Okayama Museum of Art, Okayama, JP,
‘In __ We Trust: Art and Money’, Columbus Museum of Art, Ohio, US
‘Absence (Looking for Hammershøi, David Risley Gallery, Copenhagen, DK
‘Matters of Pattern’, Skarstedt Gallery, New York, US
‘Private Utopia’, Dunedin Public Art Gallery, Dunedin, NZ
‘Push Play’, ICI, College of Wooster Art Museum, Wooster, US
2014
‘Curatorial Open 2014: Listening’, with Haroon Mirza, Bluecoat, Liverpool, UK
‘SMALL’, curated by Adam Carr, Frutta Gallery, Rome, IT
‘Art Basel Miami Public Sector’, curated by Nicholas Baume, Miami, US
‘Private Utopia’, Museum of Art, Kochi, JP
‘SOME / THINGS’, Proyectos Monclova, Mexico, MX
‘Imagineering’, Okayama Castle, Okayama, JP
‘Selected by’, Limoncello Gallery, London, UK
‘L'Avenir / Looking Forward’, curated by Gregory Burke and Peggy Gale, La Biennale de
Montréal, Montréal, CA
‘Inside’, Palais de Tokyo, Paris, FR
‘The Peace One Day’, ICA, London, UK
‘Art as a Verb’, Monash University Museum of Art, Melbourne, AU
‘Exercises for a Revolution', in collaboration with Nomas Foundation, MAXXI Museum, Rome, IT
‘In __ We Trust: Art and Money’, curated by Tyler Cann, Columbus Museum of Art, Columbus,
US
‘A man walks into a bar…’, Landshuter Strasse 49, Mainburg, DE
‘and the stage darkens (or this voice is a big whale)’, curated by Hana Noorali and Lynton Talbot,
Hanway Place, London, UK
‘On the Devolution of Culture’, Rob Tufnell, London, UK
‘Curatorial Open 2014: Listening’, BALTIC's project space at B39, Newcastle, UK
‘Blue Times’, Kunsthalle Wien, Vienna, AT
‘S1 Salon Invites', with Cactus Gallery, Sheffield, UK
‘Cycle’, CCBB, São Paulo, BR
‘Wish you were here?’, Atkinson Art Gallery, Southport, UK
‘Là-bas’, curated by Saâdane Afif, Kunsthaus, Glarus, CH
‘Undertones’, Marres, House for Contemporary Culture, Maastricht, NL
‘I Would Like to Join a Club and Hit Myself with It’, Castlefield Gallery, Manchester, UK
‘The Human Factor’, Hayward Gallery, London, UK
‘18 Ausstellungen’, curated by Michael Müller, Galerie Thomas Schulte, Berlin, DE
‘NOUVELLE GÉNÉRATION’, Frac Nord-Pas de Calais, Dunkerque, FR
‘Black and White’ room at The Summer Exhibition, curated by Cornelia Parker, Royal
Academy of Arts, London, UK
‘Art Basel Unlimited’, Art 45 Basel, CH
‘Art Parcours’, Art 45 Basel, CH
‘Perduti Nel Paesaggio’, MART, Museo di arte moderna e contemporanea di Trento e
Rovereto corso Bettini, IT
‘Private Utopia’, Itami City Museum of Art, Itami, JP
‘Will happiness find me?’, Ishikawa Collection, Opera City Art Gallery, Tokyo, JP
‘Decorum’, Power Plant Station of Art, Shanghai, CN
‘Ici’, Berlin Biennial, Berlin, DE
‘Ici’, Leopold Hoesch Museum, Düren, DE
‘A guest without a host is a ghost’, Townhouse Gallery of Contemporary Art, Cairo, EG
‘Pierre Huyghe +/-’, curated by Jenny Jaskey & Florence Ostende, The Artist’s Institute,
New York, US
‘Push Play’, ICI, Arcadia University Art Gallery, Glenside, US
‘PER/FORM’, curated by Chantal Pontbriand, CA2M Centro de Arte Dos de Mayo,
Madrid, ES
‘Dans Cinquante Ans D'ici’, curated by Niekolaas Johannes Lekkerkerk, Les Territoires,
Montreal, CA
‘On the presence of fireflies’, Musée Carré d'Art, Nîmes, FR
‘Reading’, Leo Xu Projects, Shanghai, CN
‘d’Actions Artistiques Contemporaines’, Strasbourg, FR
‘Free Play’, curated by Melissa E. Feldman, Arcadia University Art Gallery, US
‘Un Nouveau festival’, Centre Pompidou, Paris, FR
‘END’, curated by Joe Orr, Cactus on Tour, TOAST, Manchester, UK
‘The Postcard is a Public Work of Art', Curated by Jeremy Cooper, X Marks the Bökship,
London, UK
‘Private Utopia’, Tokyo Station Gallery, Tokyo, JP
‘Return Journey’, curated by Adam Carr, Mostyn, Llandudno, UK
2013
‘The Parergon and The Gutter’, David Risley Gallery, Copenhagen, DK
‘Abstract Generation: Now in Print’, MoMA, New York, US
‘ROSE’, curated by Elodie Royer and Yoann Gourmel, Centre Européen
‘The Parergon and the Gutter’, David Risley Gallery, Copenhagen, DK
‘Wu Tang – Killa Beez’, Blip Blip Blip, Leeds, UK
‘Nostalgic for the Future’, Lisson Gallery, London, UK
‘ONE TORINO #1’, an appropriation by Santo Tolone, Castello Di Rovolio, Turin, IT
‘Mijn Derde Land' My Third Country’, curated by Carolyn H Drake, Frankendael
Foundation, Amsterdam, NL
‘De leur temps (4), Regards croisés sur la jeune création’, Le Hangar à Banane,
Nantes, FR
‘Reading the Surface’, David Zwirner, London, UK
‘TAPIS/TAPISSERIES’, curated by Anne Dressen, Musée d'Art Moderne de la Ville de
Paris, Paris, FR
‘El ojo en el tiempo: obras de la Colección Adrastus (The Eye on Time: Works from
Adrastus Collection)’, curated by Carlos Palacios, Museo de Arte Carrillo Gil, Mexico,
MX
‘Les apparitions’, curated by François Loustau, la Chapelle de la Pérsévérance, Pau,
FR
‘Why Not Live for Art? II’, Tokyo Opera City Art Gallery, Tokyo, JP
‘Dear Portrait', curated by Adam Carr, Mostyn, Llandudno, UK
‘Revealed', curated by Thea Westreich Art Advisory Services, Stonescape, California,
US
‘If you will it, it is not a dream’, Annet Gelink Gallery, Amsterdam, NL
‘Postscript’, curated by Nora Burnett Abrams and Andrea Andersson, The Power Plant
Contemporary Art Gallery, Toronto, CA
‘SNAP 2013: Art at the Aldeburgh Festival’, Snape Maltings, UK
‘Postscript’, curated by Nora Burnett Abrams and Andrea Andersson, The Eli & Edythe
Broad Art Museum, Michigan State University, Michigan, US
‘Snap 2012 - The Portfolio’, Paul Stolper, London, UK
‘The Magic of the State', curated by Silvia Sgualdini and Beirut (Sarah Rifky and Jens
Maier-Rothe), Beirut space, Cairo, EG
‘Broken Windows’, curated by Benoit Maire, New York Gallery, New Y
‘Cinematic Moments’, CCA Wattis Institute for Contemporary Arts, San Francisco, US
‘Superusurpedsupper’, a performance by jugedamos, Nomas Foundation, Rome, IT
‘An Arrangement In White’, curated by Doug Bowen, XO, Leeds, UK
‘Book Machine’, curated by Christophe Boutin & Melanie Scarciglia le Nouvelle Festival,
Centre Pompidou, Paris, FR
‘Artists‘ Artists’, CentrePasquArt Kunsthaus Centre d’Art, Biel, CH
‘Société Secrètes’, Musée Alfred Canel, Pont-Audemer, FR
‘Silence (& Sadness)’, curated by Gabriel Lester, Leo Xu Projects, Shanghai, CN
‘If you will, it is not a dream’, Annet Gelink Gallery, Amsterdam, NL
‘Storytelling’, bip bop, www.bipbop.org
‘I Think It Rains’, Burger Collection, Hong Kong, CN
‘BP Walk through British Art’, Tate Britain, London, UK
‘DLA Piper Series: Constellations’, Tate Liverpool, Liverpool, UK
‘Helicotrema, Recorded Audio Festival’, MACRO Museo d’Arte Contemporanea Roma,
Rome, IT
‘Dans Cinquante Ans D'ici', curated by Niekolaas Johannes Lekkerkerk, part of ‘Livre
Imaginé: Source Ouverte 2013, Les Territoires, Montreal, CA
‘TECTONIC', curated by Simon Sakhai, The Moving Museum, Dubai, AE
‘The Earth Turns and All Things Slip Away’ curated by Edith Jeřábková + Jiří Kovanda,
hunt kastner, Praha, CZ
‘Inventing a future’, gb agency, Paris, FR
‘A House of Leaves. Third Movement’, David Roberts Art Foundation, London, UK
‘Cast Recording’, PRISM, Hollywood, US
‘Testing Ground 2013’, Zabludowicz Collection, London, UK
2012
‘Chester’, CO2, Rome, IT
‘The Beginning’, Wild West Active Space, Maastricht, NL
‘They came out of nowhere he said, pointing to nowhere’, TARO NASU, Tokyo, JP
‘Go Deep or Go Home’, ASC Studios, London, UK
‘Postscript’, Museum of Contemporary Art, Denver, US
‘Moral Holiday’, Northern Gallery for Contemporary Art, Sunderland, UK
‘9th Shanghai Biennale', Shanghai, CN
‘Chekhov’s Gun’, g39, Cardiff, UK
‘Imagine the Imaginary’, Palais de Tokyo, Paris, FR
‘Artists of the No’, Projektraum Viktor Bucher, Vienna, AT
‘curated_by’, Galerie Martin Janda, Vienna, AT
‘Detective’, Galerie Andreas Huber, Vienna, AT
‘Without (Jonathan Monk)’, Meessen de Clerq, Brussels, BE
‘Drawing Alive’, Ipswich Museum, Ipswich, UK
‘Art by Telephone… Recalled’, CNEAI, Chatou, France Ministry of culture, FR; CAPC,
Bordeaux, FR; Emily Harvey Foundation, New York, US
‘When Attitudes Became Form Become Attitudes’, CCA Wattis, San Francisco, US
‘Documenta 13’, Kassel, DE
‘SNAP: Art at the Aldeburgh Festival’, Snape Maltings, UK
‘Glaze’, Galerie Chez Valentin, Paris, FR
‘Beyond Words’, GAK, Bremen, DE
‘British Group Exhibition’, The Arts Club, London, UK
‘An Incomplete History of Incomplete Works of Art’, Francesca Minini, Milan, IT
‘The eyes of the soul: A selection of works from the collection of Isabelle and JeanConrad Lemaitre’, Fundació Godia, Screen from Barcelona, Barcelona, SP
‘Accidentally on Purpose’, QUAD, Derby, UK
‘FOREIGNERS EVERYWHERE: Contemporary Art from the Pomeranz Collection’,
Jewish Museum Vienna, Vienna, AT
‘A common feeling’, gb agency, Paris, FR, in conjunction with Murray Guy, New York, US
‘The Artists’ Postcard Show’, Spike Island, Bristol, UK
‘Several Silences’, Knoxville Museum of Art, TN, US
‘MacLean 705’, MacLean 705, School of the Art Institute of Chicago, Chicago, IL, US
‘New presentation of the collection’, MNAM, Centre Georges Pompidou, Paris, FR
‘Blind Cut’, Marlborough Gallery, New York, US
‘Institute of Savages Archives’, Villa Arson, Nice, FR
‘Coup Double at Bordeaux’, FRAC Aquitaine, Bordeaux, FR
‘Rotary Connection’, Casey Kaplan, New York, US
2011
‘Slipped’, Wysing Arts Center, Cambridge, UK
‘There must be a 'right way', Gallery of the Art School of Brest, Brest, FR
‘Politics is Personal’, Stonescape, Calistoga, US
‘Image Transfer’, List Visual Arts Center, Massachusetts Institute of Technology,
Massachusetts, US
‘Le sentiment des choses’, Frac île-de-France, Le Plateau, Paris, FR
‘gesture, form, technique’, TARO NASU, Tokyo, JP
‘I know about creative block and I know not to call it by name’, Lisson Gallery, Milan, IT
‘Our Magic Hour’, Yokohama Triennale 2011, Yokohama, JP
‘5X5Castelló11 Premi Internacional d’art contemporani Diputació de Castelló’, Espai d’art
contemporani de Castelló, Castelló, SP
‘Round and Round and Round (Part 2): Ryan Gander, Francesco Gennari, Rodney Graham’, La
collection du Frac Île-de-France, Marne-la-Vallée, FR
‘The Collectors Show: Onderdeel van / part of VANUIT HIER – OUT OF HERE’, Van
Abbemuseum, Eindhoven, NL
‘KnowHow!’, Campbell Works N16, London, UK
‘Han Nefkens – 10 jaar mecenas’, Museum Boijmans van Beuningen, Rotterdam, NL
‘Invisibleness is visibleness’, MOCA Taipei, TW
‘The Object of Observation (Changes By Being Observed)’, curated by Tim Lee, Johnen Galerie,
Berlin, DE
‘Humid but cool, I think’, curated by Ryan Gander, TARO NASU, Tokyo, JP
‘Two versions of the imaginary’, curated by Maria Barnas, Annet Gelink Gallery, Amsterdam, NL
‘Glaze’, curated by George Henry Longly, Bischoff/Weiss, London, UK
‘Two Times Once – An exhibition by Mr Rossi’, London, UK
‘IllumiNATIONS’, curated by Giovanni Carmine & Bice Curiger, 54th International Art Exhibition of
the Venice Biennale, Venice, IT
‘Nul si Découvert/ Void if removed’, (Érudition concrète 4) curated by Guillaume Désanges, Le
Plateau, Frac Île-de-France, Paris, FR
Commercial Break’, presented by Garage Centre for Contemporary Culture, Moscow & POST,
54th International Venice Biennale, Venice, IT
‘The Lake of Fire’, Den Frei Udstillingsbygning, Copenhagen, DK
‘Ryan Gander & Michael Marriott’, The Russian Club, London, UK
‘Art Zuid’, Amsterdam, NL
‘The Aldeburgh Beach South Lookout’, Aldeburgh, UK
‘Le Slurm’, Haute Ecole d'art, Geneva University, Geneva, CH
‘Paysages Avec Objets Absents’, Centre d'art contemporain de Fribourg, Fribourg, CH
‘Fat Chance to Dream (Una oportunidad para soñar/ Tania Pardo’ Galeria Maisterra Valbuena,
Madrid, ES
‘Invocations of the blank page’, NICC, Antwerp, BE
‘Invocations of the blank page’, Spike Island, Bristol, UK
‘The Shape We're In’, Zabludowicz Collection, London, UK
‘The missing part’, La Sorbonne, Paris, FR
‘Art + Drama’, Whitechapel Gallery, London, UK
‘Radical Autonomy’, Netwerk, Aalst, BE
2010
‘I Believe in Miracles’, Collection Lambert en Avignon, FR
‘21st Century Outlook’, Frac Ile-De-France, Le Plateau, Paris, FR
‘Laocoon II’, COCO, Vienna, AT
‘Excoffon’, IFF, Marseille, FR
‘Publics and Counterpublics’, Centro Andaluz de Arte Contemporaneo CAAC, Seville, ES
‘Things slowly curve out of sight until they are gone. Afterwards only the curve remains.*’,
curated by Élodie Royer & Yoann Gourmel, Hermes Und Der Pfau, Stuttgart, DE
‘Propective XXIème siècle’, Frac Ile-de-France / Le Plateau / L’Antenne France, Paris, FR
‘Faint to Black’, Henninsen Contemporary, Copenhagen, DK
‘Manifesta 8’, Region of Murcia, ES*
‘The Art of Camo’, Cardi Black Box Gallery, Milan, IT
‘The Storyteller’, Salina Art Center, Salina, Kansas, US
‘Resonance' Suntory Museum [Tempozan], Osaka, JP
‘Auto-Kino!’, Berlinale, Kunsthalle Berlin, Berlin, DE
‘Hors d’Oeuvre’, Campagne Première, Berlin, DE
‘About us’, Johann König, Berlin, DE
‘Tatton Park Biennial’, Tatton Hall, Knutsford, UK
‘Sameness and difference’, Russian Club Gallery, London, UK
‘The Crystal Hypothesis’, GAMeC Art Centre, Bergamo. IT
‘Art Parcours’, Art 41 Basel, Basel, CH
‘Art Basel Unlimited’, Art 41 Basel, CH
‘Les Interlocuteurs’, Beaux Arts of Toulouse, Toulouse, FR
‘Hors d’Oeuvre’, Campagne Première, Berlin, DE
‘Ecce Homo Ludens’, Musée Régional d’Art Contemporain Languedoc-Roussillon, Sérignan, FR
‘Okay, I have had enough, what else can you show me?’, DOCVA, Milan, IT
‘It is it’, Espacio 1414, Santurce, PR
‘Alchemy Box’, Maison d'Art Bernard Anthonioz, Paris, FR*
‘The Storyteller’, Art Gallery of Ontario, Toronto, Ontario, CA
‘A performance cycle’, Nomas Foundation, Rome, IT
‘Double Bind’, Villa Arson, Nice, FR
‘Dark After After Dark’, Khastoo Gallery, Los Angeles, US
‘Che cosa sono le nuvole?’ Museion – Museum of modern and contemporary art Bolzano,
Bolzano, IT
The Library of Babel’, 176 Zabludowicz Collection, London, UK
‘The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty)’, gb agency, Paris, FR
‘Exhibition, Exhibition’, Castello di Rivoli – Museo d’Arte Contemporanea, Rivoli, IT
‘Les Belles Images: Second Scenario’, La Box, Bourges, FR
‘FAX’, Para/Site Art Space, Hong Kong, CN
‘Artprojx Presents’, Wimbledon College of Art, London, UK
‘The Library of Babel / In and Out of Place’, 176 Zabludowicz Collection, London, UK
‘Répétition dans l’Épilogue’, Super # 11, Galerie Lucile Corty, Paris, FR
‘Gallery, Galleria, Gallerie’, Norma Mangione Gallery, IT
‘Production Site: The Artist’s Studio Inside-Out’, MCA, Chicago, US
‘The Storyteller’, Sheila C. Johnson Design Center at Parsons The New School for Design, New
York, New York, US
2009
‘Lisson Presents 6’, Lisson Gallery, London, UK
‘Forms of Enquiry’, Architects Association, London, UK
‘British Subjects: Identity and Self-Fashioning’, Neuberger Museum, Westchester County, New
York, US
‘Where water comes together with other water’, Chapter 3, gb agency, Paris, FR
‘7 Words’, Am Nuden Da Session, London, UK
‘Double Bind’, Villa Arson, Nice, FR
‘Space as Medium’, Miami Art Museum, Miami, US
‘Can Art Save Us’, Millennium Galleries, Sheffield, UK
‘Mille e Tre’, Musée du Louvre, Paris, FR
‘The Store’, Artissima, IT
‘Radical Autonomy’, Le Grand Café, Saint Nazaire, FR
‘TV’, Mercer Union, Mercer Union, Toronto, US
‘The Storyteller’, Salina Art Centre, Kansas. US
‘Eleanor Antin, Marcel Broodthaers, Peter Friedl, Ryan Gander’, Erna Hecey Gallery Temporary
Space, Cologne, DE
‘Still Nacht’, Outlet, Manchester, UK
‘7a Bienal do Mercosul’, Porto Alegre, BR
‘Sculpture of the Space Age’, David Roberts Foundation, London, UK
‘Chasing Napolean’, Palais de Tokyo, Paris, FR
‘Assembly’, Yvon Lambert, Paris, FR
‘Richard Prince and the Revolution’, PROJECTE SD, Barcelona, ES
‘Era New Horizons Film Festival’, Warsaw, PL
‘Pete and Repeat’, 176 Zabludowicz Collection, London, UK *
‘Paper Show’, David Risley Gallery, Copenhagen, DK
‘Trying to cope with things that aren’t human’, Cell Projects Space, London, UK*
‘The Space of Words’, MUDAM, Luxembourg, LU*
‘Talk Show’, ICA, London, UK
‘The Happy Interval’, Tulips & Roses, Vilinus, LI
‘Fax’, The Drawing Center, New York, US*
‘Natural Wonders’, Baibakov Art Projects, Moscow, RU
‘Contested Ground’, 176 Zabludowicz Collection, London, UK
‘Trying to cope with things that aren’t human’, David Cunningham Projects, San Francisco, US*
‘The Malady of Writing’, Artissima 17, Torino, ES
‘The Malady of Writing’, MACBA, Museu d’Art Contemporani de Barcelona, Barcelona, ES
‘Younger than Jesus’, New Museum, New York, US
‘Lisson presents 4’, Lisson Gallery, London, UK
‘Places to be’, Annet Gelink Gallery, Amsterdam, NL
‘The Little Shop on Hoxton Street’, Limoncello Gallery, London, UK
‘Mirrors’, MARCO, Vigo, ES
‘Several Silences’, The Renaissance Society, Chicago, US
‘Desiring Necessities’, John Hansard Gallery, Southampton, UK
‘Trying to cope with things that aren’t human’, AirSpace Gallery, Stoke on Trent, UK*
‘The Making of Art’, Schirn Kunsthalle Frankfurt, Frankfurt, DE
‘The Storyteller’, ICI, New York, US
2008
‘Never let the truth get in the way of a good story’, Site Gallery, Sheffield, UK
‘A Recent History of Drawing & Writing’, ICA, London, UK
‘Playtime’, Betonsalon, Paris, FR
‘Panorámica ciclo de video, Bailando sin salir de casa’, Museo Tamayo arte contemporáneo,
Bosque de Chapultepec, Mexico, MX
‘Wouldn’t it be nice’, Somerset House, London, UK
‘Out of sight’, Proyectos Monclova, Mexico, MX
‘AWOL – Biennale of Young Artists’, META Cultural Foundation, Bucharest, RO
‘Wouldn’t it be nice’, Centre d’art Contemporain, Zurich, CH*
‘Self Storage’, Curatorial Industries, San Francisco, US
‘I desired what you were, I need what you are’, Galleria Maze, Torino, IT
‘Within the big Structure’, Megastructure, Berlin-Mitte, Berlin, DE
‘Delirious Beijing’, PKM Gallery, Beijing, CN
‘Life on Mars’, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US
‘Revolutions – forms that turn’, 16th Biennale of Sydney, AU
‘As it presents itself’, Whitstable Biennale, Whitstable, UK
‘Featuring’, Galerie Chez Valentin, Paris, FR
‘The flight of the Dodo’, Project Arts Centre, Dublin. IE
‘One of these things is not like other things’, Unosunove Gallery, Rome, IT
‘Art Now Curate’ Tate Modern, London, UK
‘Inaugural Show’, Marz Galleria, Lisbon. PT
‘The show is not a void’, Galeria Luisa Strina, Sao Paulo, BR
‘Future Landscape’, Royal Academy, London, UK
2007
‘Appendix Appendix Radio Play’, Performa 07, New York, US
‘In the Stream of Life’, Betonsalon, Paris, FR
‘For Sale’, Cristina Guerra Contemporary Art, Lisbon, PT*
‘Wouldn’t it be nice’, Centre d’art contemporain, Geneva, CH*
‘Words fail me’, MoCAD, Detroit, US
‘Projecktion’, Lentos Art Museum, Linz, AT
‘How soon is now’, Luis Seoane Foundation, Coruna, ES
‘Language of Vision’, mima Middlesborough Institute of Modern Art, UK
‘Without’, Yvon Lambert, Paris, FR
‘Zero, Zero, S’, Lyon Biennale, Lyon, FR
’Plankjes, tak’, Atelier als Spermedium, Artist Space for Contemporary Art, The Hague, NL
‘Twice told tales’, Galerie Michel Rein, Paris, FR
‘You have not been honest’, Museo D’Arte Donnaregina, Naples, IT
‘Whenever It Starts It Is The Right Time’, Frankfurter Kunstverein, Frankfurt, G
‘Blackberrying’, Christina Wilson Galerie, DK
‘Der Droste Effekt’, Esther Schipper, Berlin, DE
‘Prediction – Exhibition Trouble’, Paris, FR *
‘Untouchable’, Patio Herrianom - Museo de Arte Contemporáneo, Valladolid, ES
‘Some Time Waiting’, Kadist Art Foundation, Paris, FR
‘Kit Bashing’, Western Bridge, Seattle, US
‘On the Future of Art School’, STORE, London, UK
2006
‘Constellations’, Tanya Bonakdar, New York, US
‘Curating the Library’, de Singel, Antwerp, BE
‘Projektion’, Museum of Art Lucerne, CH*
‘Éclipses du Réel’, Centre d’art contemporain, Fribourg, CH*
‘How soon is now?’, Fundación Luís Seoane, Coruna, ES
‘Wrong’, Klosterfelde, Berlin, DE
‘The show will be open when the show will be closed’, STORE, London, UK
‘Radio Transmitted Time Capsule’, with Francesco Manacorda, Radio Gallery, London, UK
‘Whitstable Biennale’, Whitstable, UK
‘Le Confort Moderne’, La Space Station, Poitiers, FR
‘Le Spectre des Armatures’, Glassbox, Paris, FR
‘El Albergue, Holandés’, La Station, Nice, FR
‘Trial Balloons’, MUSAC, Musei de Arte Contemporáneo de Castillia y León, León, ES*
‘Don Quijote’, Witte de Witte, Rotterdam, NL
‘Objet a Part’, Centre d’art Contemporain, Noisy le sec, FR*
‘Group show: Pierre Bismuth, Ryan Gander, Karl Haendel and T. Kelly Mason’, Cohen and
Leslie, New York, US
‘Untouchable’, Villa Arson, Nice, FR
‘Tate Triennial’, Tate Britain, London, UK*
‘The Standard Hotel’, The Standard Hotel, Miami, US
2005
‘Spectator T’, Sheffield, UK*
‘T1 Triennial’, Castello di Rivoli Museo d'Arte Contemporanea, Turin, IT*
‘Free Library’, M + R Gallery, London, UK
‘Romance – A Novel’, Cristina Guerra Contemporary Art, Lisbon P
‘Jaybird’, ZERO... Milan, IT
‘Post No Bills’, White Columns, New York, US
‘An Exhibition Amongst Friends’, gb agency, Paris, FR
‘Invisible Script’, W139, Amsterdam, NL
‘Beck’s Futures’, CCA, Glasgow, UK*
‘In This Colony’, Kunstfort bij Vijfhuizen, NL*
‘Beck’s Futures’, ICA, London, UK*
‘A Show Without Works,’ Project Room, Spazio Lima, Milan, IT*
‘The World, Abridged’, Kettles Yard, Cambridge, UK*
‘Timeline’, The Store & Window 32, Paris, FR
2004
‘Romantic Detachment’, PS1, New York, US*
‘Romantic Detachment’, Chapter Arts, Cardiff, UK*
‘Romantic Detachment’, Q Arts, Derby, UK*
‘Romantic Detachment’, Folly Gallery, Lancaster, UK*
‘Making Public’, CBK, Dordrecht, NL
‘Summer Pursuits’, Store, London, UK
‘Loose Associations’, Centre Pompidou Beaubourg, Paris, FR
‘Loose Associations’, Foksal Gallery, Warsaw, PL
‘Artist House’, The Round Foundry, Leeds, UK
2003
‘Catch Me’, Onufri, National Gallery of Albania, AL
‘Tourette's’, W139, Amsterdam, NL*
‘RDV’, Résonance, Galerie des Terreaux, Lyon Biennale, Lyon, FR
‘Prix de Rome Winner’, Museum voor Actuele Kunst, Den Haag, NL*
‘Grizedale Artist in Residence’, Grizedale Arts, Cumbria, UK
2002
‘Unloaded’, (Disused Military Bunkers), Oberschan, CH*
2001
‘Record Collection’, Forde Gallery, Geneva, CH
‘In a language’, Project ruimte zuid en oost, Amsterdam, NL
‘On the trams’, The Lowry, Manchester, UK
2000
‘The Oriel Mostyn Open’, Llandudno, UK
‘Square City’, Holden Gallery, Manchester, UK
‘Goethe’s Oak Has Woodworm’, Static Gallery, Liverpool, UK
‘Unfortunately Last Sunday’, Museum Het Domain, Sittard, NL*
‘Free Space’, Nieuw Internationaal Cultureel Centrum, Antwerpen, BE*

Ryan Gander
Born 1976, Chester, UKLives and works in Suffolk and London, UKEducation2001- 2002 Post-Graduate Fine Art ParticipantRijksakademie van Beeldende Kunsten, Amsterdam, NL1999 - 2000 Post-Graduate Fine Art Research ParticipantJan van Eyck Akademie, Maastricht, NL1996 - 1999 First Class Degree, BA (Hons) Interactive ArtManchester Metropolitan University, Manchester, UKAwards and Prizes(* catalogue)2019Pommery Prize Winner, Armory, New York, USHodder Fellowship, Princeton University, New Jersey, US2017Officer of the Order of the British Empire Award, UKAward of Doctor of the University, University of Suffolk, UK2015Award of Doctor of Arts of the Manchester Metropolitan University, Honoris Causa, UK2009 Nominee for The Times / South Bank Show Breakthrough Award, UKWinner of the Zurich Art Prize, Haus Konstruktiv, CH*2008 Paul Hamlyn Award, UK2007 DENA Foundation Art Award, FR*2006 ABN AMRO Prize, NL*Baloise Art Statements Prize, Basel Art Fair, CH2005 Beck’s Futures Shortlist, ICA, London, UK*2004 Cocheme Fellowship, Byam Shaw School of Art, London, UK2003 Prix De Rome for Sculpture, NL*2001-2003 Arts Council of England International Fellowship, UK*Solo Exhibitions(*catalogue)2020 ‘Nick Lodgers invites Ryan Gander’, Museum of Contemporary Art, Antwerp, BE2019‘The 500 Million Year Collaboration’, Kunsthalle Bern, Bern, CH‘To employ the mistress.... It's a French toff thing’, 2015, Eden Project, Cornwall, UK‘Ghostwriter Subtext - (Towards a significantly more plausible interrobang)’, Sala Diaz,Texas, USPublic commission - ‘The Green and the Gardens’, Cambridge Biomedical Park,Cambridge, UKPublic sculpture presentation - ‘To Give Light (Northern Aspirational Charms)’, 2018,Snape Maltings, Suffolk, UK‘I see you’re making progress’, Lisson Gallery, Shanghai, CN‘One-twelfth’, Merivale Model Village, Great Yarmouth, UK‘Some Other Life’, Esther Schipper, Berlin, DEPublic sculpture presentation - ‘Het Spel (My neotonic ovoid contribution toModernism)’, Armory Art Fair, New York, US2018‘Good Heart', BASE / Progetti per l’arte, Florence, IT‘Old Languages in very Modern Styles’, gb agency, Paris, FR‘Ryan Gander: Chinese Whispers #1’, Meessen De Clerq, Brussels, BE‘Moonlighting’, TARO NASU, Tokyo, JP*‘From five minds of great vision (The Metropolitan Cathedral of Christ the Kingdisassembled and reassembled to conjure resting placesin the public realm)’, Beautiful world, where are you?, The Metropolitan Cathedral,Liverpool Biennial, UK*‘Time moves quickly’, The Bluecoat, Liverpool Biennial, UK*‘To Give Light (Northern Aspirational Charms)’, Great Exhibition of the North, BALTIC,Gateshead, UK‘Other Places’, 21st Biennale of Sydney, Sydney, AU*‘The Self Righting of All Things’, Lisson Gallery, London, UK2017 ‘Dazaifu Tenmangu Collection works by Ryan Gander’, Dazaifu Shrine, Fukuoka, JP‘These wings aren’t for flying’, National Museum of Art Osaka, Osaka, JP* ‘Ryan Gander & Jonathan Monk: I speak to people on the telephone’, Cristina Guerra Contemporary Art, Lisbon, PT‘Soft modernism’, Hyundai Gallery, Seoul, SKR*‘Human / non Human / Broken / non Broken’, Cc Foundation, Shanghai, CN2016 ‘Heterotopias. Avant-Gardes in Contemporary Art’, curated by Camille Giertler, CaféAubette, Strasbourg, FR*‘I can see straight through you’, Lisson Gallery, New York, US‘An exhibition of early works by Ryan Gander at Joe's Gallery to coincide with TheLiverpool Biennial', Cactus, Liverpool, UK‘In practice simplicity has never been a problem’, TARO NASU, Tokyo, JP‘Connectivity Suite (and Other Places)’, Esther Schipper, Berlin, DE‘Make every show like it's your last’, Musee d'art Contemporain de Montreal, Montreal,CA‘Creative play entails some risk taking’, curated by Rui Amaral, Scrap Metal Gallery,Toronto, CA‘To stand amongst the elements and to interpret what one knows’, Museum DhondtDhaenens, Duerle, BE2015‘Make every show like it's your last’, Aspen Art Museum, Aspen, US‘Jolly Grown Up’, in collaboration with Olive May Gander, Quartz Studio, Turin, IT‘Fieldwork’, Lisson Gallery, London, UK‘Make every show like it's your last’, Vancouver Art Gallery, Vancouver, CA‘The Canter of Edward De Bono - An exhibition of new works by Spencer Anthony’,David Risley Gallery, Copenhagen, DK‘READ ONLY’, Australian Centre for Contemporary Art, Melbourne, AU‘Portrait of a blind artist obscured by flowers’, Singapore Tyler Print Institute, Singapore,SG‘Make every show like it's your last’, OK Center for Contemporary Art, Linz, AT‘Nobody Walks Away from True Collaboration Triumphant or Un-bruised’, collaborationwith Mario Garcia Torres, Proyectos Monclova, Mexico City, MX2014 ‘Make every show like it's your last’, Derry, UK‘Retinal Accounts’, gb agency, Paris, FR‘Make every show like it's your last’, Manchester Art Gallery, Manchester, UK‘Explorers v's Pioneers’, TARO NASU, Tokyo, JP2013 ‘Incredibly shiny stuff that doesn't mean anything’, Okayama Kyokuto Hospital,Okayama, JP‘The artists have the keys’, 2 Willow Road, London, UK‘Make every show like it's your last’, Frac île-de-France, Le Plateau, Paris, FR‘Associative Photographs, 2004’, Zabludowicz Collection, New York, US‘Once upon a bicycle, not so long ago’, Annet Gelink Gallery, Amsterdam, NL‘Desktop Residency’, www.desktopresidency.com2012 ‘Boing boing squirt’, Museo Tamayo, Mexico, MX‘These are the things that I don’t understand’, Daiwa Press Viewing Room, Hiroshima,JP‘Ryan Gander: An Exhibition of Recent Paintings’, David Risley Gallery, Copenhagen,DK‘Esperluette’, Palais de Tokyo, Paris, FR‘The Fallout of Living’, Lisson Gallery, London, UK‘Lost in my own recursive narrative’, Fondazione Morra Greco, Napoli, IT‘An exercise in cultural semaphore’ gb agency, Paris, FR2011 ‘Really Shiny Things That Don't Mean Anything’, Trybuna Honorowa, Plac Defilad,Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, PL‘Ryan Gander’, Billboard for Edinburgh: Year 4, Ingleby Gallery, Edinburgh, UK‘Icarus Falling – An Exhibition Lost’, Maison Hermès, Le Forum, Tokyo, JP‘New Collisions in Culturefield’, Johnen Galerie, Berlin, DE‘Locked Room Scenario’, The Depot, Commissioned by Artangel, London, UK‘Meaning…surrounds me now’, 1223 Gendaikaiga, Tokyo, JP‘Now there’s not enough of it to go around’, Annet Gelink Gallery, Amsterdam, NL‘You have my word', Dazaifu Tenmangu, Fukuoka, JP‘Attempting to remain light on ones feet: Work from Daiwa Collection’, OkinawaPrefectural Museum, Okinawa, JP‘Ftt, Ft, Ftt, Ftt, Ffttt, Ftt, or somewhere between a modern representation of how acontemporary gesture came into being, an illustration of the physicality of an argumentbetween Theo and Piet regarding the dynamic aspect of the diagonal line andattempting to produce a chroma-key set for a hundred cinematic scenes’, TARO NASU,Tokyo, JP2010 ‘Saying something is made of something when it is actually made of something else’, YU-UN, Tokyo, JP‘The Happy Prince’, Public Art Fund, Doris C. Freedman Plaza, Central Park, New Y US‘Intervals: Ryan Gander’, Solomon R. Guggenheim Museum, New York, US‘Approach it slowly from the left’, Haus Konstruktiv, Zurich, CH*‘You walk into a space, any space’, Lisson Gallery, London UK‘I am an Aurefilian’, TARO NASU, Tokyo, JP‘A Whole Hole’, G-Tokyo, Tokyo, JP2009 ‘The die is cast’, Villa Arson, Nice, FR *‘We Are Constant’, Frieze Art Fair Projects, London, UK‘It’s a right Heath Robinson affair’, gb agency, Paris, FR‘It’s a right Heath Robinson affair’, Kadist Art Foundation, Paris, FR‘As it presents itself’, Picture This, Bristol, UK‘Heralded as the new black’, Museum Boijmans Van Beuningen, Rotterdam, NL*‘I let somebody get under my skin’, Annet Gelink Gallery, Amsterdam, NL2008 ‘Heralded as the new black’, Ikon Gallery, Birmingham, UK *‘Heralded as the new black’, South London Gallery, London, UK *‘Something Vague’, St Gallen Kunstverein, Switzerland, CH‘Something Vague’, Bonner Kunstverein, Bonn, DE‘How I learnt to use my senses, how I learnt to think and how I learnt to feel', TARONASU, Tokyo, JP‘Championed by Rigour’ Tanya Bonakdar Gallery, New York, US‘And it came to life’ Marz Galleria, Lisbon, PT‘Basquiat’, STORE Gallery, London, UK2007 ‘Ghostwriter subtext (Towards a significantly more plausible interrobang)', TARO NASU,Tokyo, JP‘More than the weight of your shadow’ Daiwa Press Viewing Room, Hiroshima, JP‘Passengers’, CCA Wattis Institute for Contemporary Arts, San Francisco, US‘Short cut through the trees’ MUMOK, Vienna, AU *‘The Last Work’, Stedelijk Museum, Amsterdam, NL‘Of Any Actual Person, Living or Dead’ (with Aurélien Froment) STORE, London, UK2006 ‘Ryan Gander’, Massimo De Carlo, Milan, IT‘Ghostwriter Subtext (Towards a significantly more plausible interrobang)’, PremierContainer, Art Basel Premier with STORE, Miami, US‘Didactease’, Marc Foxx, Los Angeles, US’Cinema Verso’, Whitechapel East Wing, London, UK‘Spencer, forget about good’, Art Basel Unlimited with Annet Gelink Gallery, Basel,‘The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman,Zurich, CH‘Is This Guilt In You Too – (The study of a car in a field)’, MUMOK, Vienna, AT‘Your clumsiness is the next man’s stealth’, Annet Gelink Gallery, Amsterdam, NL‘Nine Projects for the Pavilion de l’Esprit Nouveau, MAMbo, GAM, Bologna, IT2005 ‘But it was all green’, Artists Space, New York, US‘Of Any Actual Person, Living or Dead’, Les Laboratoires d'Aubervilliers, (with AurélienFroment) F*‘Is This Guilt in You Too’ – (The Study of a Car in a Field)’, Art Basel Statements withAnnet Gelink Gallery, Basel, CH‘Is This Guilt in You Too’ – (The Study of a Car in a Field), Annet Gelink Gallery,Amsterdam, NL‘Somewhere between 1886 and 2030 (2005)’, Store, London, UK*2004 ‘An Incomplete History of Ideas’, Cornerhouse, Manchester, UK*‘But it was all green’, Annet Gelink Gallery, Amsterdam, NL‘La Galerie dans ma Poche’, Leeds and London, UK2003 ‘But it was all green’, STORE, London, UK‘The Death of Abbé Faria’, Stedelijk Museum Bureau, Amsterdam, NL*2002 ‘Marie Aurore Sorry’, The International 3, Manchester, UK*‘In Return’, (with Shahryar Nashat), Centre Pasquart, Bienne, CHGroup Exhibitions(* catalogue)2020‘Grands soirs et Petits matins’, Perrotin Gallery, Paris, FR‘Dance First, Think Later’, University of Lincoln, Lincoln, UKPS81E, Esther Schipper, Berlin, DEHyundai 50 Part II, Gallery Hyundai, Seoul, KORCollection 1: Transgressing Line, National Museum of Art, Osaka, JP‘Hippo Campus: Where we learn’, Newlyn Art Gallery & The Exchange, Penzance, UK‘Brainwashed’, Haus der Kunst, Munich, DE‘Scrivere disegnando, quand la langue cherche son autre’, Centre d’Art ContemporainGenève, CH‘Paper Works’, TARO NASU, Tokyo, JP‘Momentum’, Voorlinden, The Hague, NL2019 ‘Department of Carving and Modeling Section II: Form and Volume’, Cristina GuerraContemporary Art, Lisbon, PT‘De Expokoelkast 2’, Garage Noord, Amsterdam, NL‘Playing Out’, Wellcome Collection, London, UK‘THE ESTATE’, Kim? Contemporary Art Center, Riga, LV‘Oversharing’, Friends Indeed, San Francisco, US‘Museum’, MMK, Frankfurt, DE‘THE ESTATE’, Kim? Contemporary Art Center, Salacgrīva, LV‘Which Mirror Do You Want to Lick?’, Frans Masereel Centre, Kasterlee, BE‘Intimate distance’, MOCO, Montpellier, FR‘()’, Daniel Faria Gallery, Toronto, CA‘Of Any Actual Person Living or Dead’, Marcelle Alix, Paris, FR‘Time Kills – Time-based art from Julia Stoschek Collection’, Sesc Sao Paulo, SaoPaulo, BR‘Festival Performatik’, Kaaitheater, Brussels, BE‘Jews, Money, Myth’, Jewish Museum, London, UK‘Drawing Biennial 2019’, Drawing Room, London, UK‘One artist / two films / one week’, Center Pomidou, Paris, FR‘Hate Speech, Aggression and Intimacy’, Künstlerhaus Graz, Graz, AT‘The Historian’s Craft’, ICA Milano, Milan, IT‘In My Shoes: Art and the Self Since the 1990s’, Aberystwyth Arts Centre,Aberystwyth, UK2018 ‘Winter Exhibition’, Austin/Desmond Fine Art, London, UK‘Re:Collecting / Curatoren VBCN OPEN 2018’, Museum Singer, Laren, NL‘Pacific Breeze’, White Conduit Projects, London, UK‘TRACÉ’, Josée et Marc Gensollen, La Fabrique, Marseille, FR‘Good Grief’, Charlie Brown!’, Somerset House, London, UK*‘Performing Art’, Centre Pompidou, Paris, FR‘Knock Knock’, South London Gallery, London, UK*‘Open Call’, Atlas House, Annual Ipswich Biennial, UK‘I’m just resting my eyes (Pavement encounter)’, MusMex Shoreditch, London, UK‘Fleeting Exits’, Sursock Museum, Beirut, LBN‘In My Shoes: Art and the Self Since the 1990s’, Attenborough Center, UK‘Summer Exhibition 2018', Royal Academy of Art, London, UK*‘Artists for Artangel’, Cork Street Galleries, London, UK‘Dime-Store Alchemy’, FLAG Art Foundation, New York, US‘Velvet Ropes’, David Risley Gallery, Copenhagen, DK‘KADIST: General Rehearsal’, Moscow Museum of Modern Art, Moscow, RU‘In My Shoes: Art and the Self Since the 1990s’, Yorkshire Sculpture Park, UK‘Chair, Chair, Chair, Lamp, Table, Bed, Sofa’, David Risley Gallery, Copenhagen, DK‘Triennial of Contemporary Art by Sea’, Beaufort Triennial, Koksijde, BE‘GAUDIOPOLIS: Attempts at a Joyful Society’, Museum of Contemporary Art, Leipzig,DE‘RESONANCE by Frac Normande Rouen’, Musée des Beaux-arts de Rouen, FR‘Degas: A Passion for Perfection’, Denver Art Museum, US‘The Stories of Almost Everyone’, Hammer Museum, Los Angeles, US’ZEIGEN. An Audio Tour through the Collection of NMAO’, National Museum ofOsaka, JP‘Darbyshire, Gander, Pica, Starling’, Hayward Gallery, London, UK‘The Land We Live In - The Land We Left Behind’, Hauser & Wirth, Somerset, UK2017 ‘Ho Ho Ho’, Frutta, Rome, IT‘Dance to the Music of Time – A Homage to Howard Hodgkin’, Dvir Gallery,Brussels, BE‘Push Play’, ICI, Vicki Myhren Gallery, University of Denver, US‘De Fotokopie’, Irma Boom Studio, Amsterdam, NL‘Iconoclash / Il conflitto delle immagini’, Museo di Castelvecchio, Verona, IT‘Publishing as an Artistic Toolbox: 1989-2017’, Kunsthalle Wien, Vienna, AT*‘A Year From Monday In Mexico’, Fifi Projects, Monterry, MX‘Art Lesson’, Museo Thyssen-Bornemisza, Madrid, SP‘Performing Art’, Centre Pompidou, Paris, FR‘Art of the Postcard’, Handel Street Projects, London, UK‘Field Guide’, Remai Modern, Saskatoon, CA*‘We Are Not Alone’, Athr Gallery, Jeddah, SAU‘Everything at Once’, The Store, London, UK*‘Degas: A Passion for Perfection’, Fitzwilliam Museum, Oxford, UK‘We Came Here to Conquer’, Norfolk Museum, Norwich, UK*‘EXIT’, Galerie Rodolphe Janssen, Brussels, BE‘Heart of the Tin Man’, M Woods, Beijing, CN‘Dioramas’, Palais de Tokyo, Paris, FR‘Magic Lantern Film Festival’, Cinema dei Piccoli, Rome, IT‘Enjoy: Art Meets Amusement’, Bramante Cloister Gallery, Rome, IT‘Synthetic landscapes, Reviewing the ‘ideal’ landscape: A Meadow Arts contemporaryart exhibition in two venues’, Shrewsbury Museum, Shrewsbury, UK‘Perfectly Concocted Context by Jonathan Monk’, Cherry and Martin, Los Angeles, US‘Het Zalig Nietsdoen’, Museum Kranrnburgh, Bergen, NO‘Original Fake’, Galeria Maisterravalbuena, Madrid, ES‘The Transported Man’, Eli and Edythe Broad Art Museum, East Lansing, US‘The Greatest Story Ever Told’, The National Museum of Art Osaka, Osaka, JP‘I want! I want! Art and Technology’, Birmingham Museum and Art Gallery, Birmingham,UK‘L’emozione dei COLORI nell’arte’, Galleria Civica D’Arte Moderna E Contemporanea,Turin, IT‘La doublure’, Villa Arson, Nice, FR‘Colori’, Castello di Rivoli, Museo d’Arte Contemporanea, Torino, IT‘Lisson Presents…11 Artists through time’, Lisson Gallery, London, UK‘Night in the Museum’, curated by Ryan Gander, The Attenborough Centre, Leicester,UK*‘Pallaksh Pallaksh', Dvir Gallery, Tel Aviv, IL‘Push Play’, ICI, Hendreen Gallery, Seattle University, USAichi Arts Center Temporary Exhibition, Aichi Arts Center, Aichi, JP2016 ‘Night in the Museum’, curated by Ryan Gander, Birmingham Museum and Art Gallery,Birmingham, UK* ‘Heterotopias. Avant-Gardes in Contemporary Art’, curated by Camille Giertler, Muséed’art moderne et contemporain de Strasbourg, Strasbourg, FR*‘Painters? Paintings?’ David Risley Gallery, Copenhagen, DK‘Push Play’, ICI, Sheila C. Johnson Design Center, Parson School of Design, New York,US‘Time Lines: Ryan Gander, Cally Spooner, Mark Geffriaud’, gb agency at IndependentRegence, Brussels, BE‘Multiplier’, Frans Masereel Centrum, Kasterlee, BE‘Renaissances, Un Hommage Contemporain à Florence’, Foundation Etrilllard, Paris,FR‘開発/Development’, curated by Liam Gillick, Okayama Art Summit, Okayama, JP‘British Art Show 8’, Southampton City Art Gallery, Southampton, UK‘Sometimes you cannot fight it because you are part of it’ (performance), Nuit Blanche,Paris, FR‘The Last Word in Art?’, The Wilson, Cheltenham, UK‘The Plaza’, curated by GLITCH Collective, Mostyn, Llandudno, UK‘Wall to Wall. Carpets by Artists’, curated by Cornelia Lauf, Museum of ContemporaryArt, Cleveland, US‘A Fair Land’, Irish Museum of Modern Art, Dublin, IR‘Five / Fifty / Five Hundred’, Lisson Gallery, Milan, IT‘SILLETEROS’, Kinman Gallery, London, UK‘Performer/Audience/Mirror’, Lisson Gallery, London, UK‘Night in the Museum’, curated by Ryan Gander, Longside Gallery, Yorkshire SculpturePark, Yorkshire, UK‘British Art Show 8’, Norwich University of the Arts, Norwich, UK‘Which Mirror Do You Want to Lick?’, BRNO Biennial, Brno, CZE‘Welcome to my life’, Shanghai Himalayas Museum, Shanghai, CN‘good things to come…’, Plymouth College of Art, Plymouth, UK‘Portrait of the artist as ‘alter’, Frac Haute-Normandie, Sotteville-lès-Rouen, FR‘Quand fondra la neige, où ira le blanc’, Palazzo Fortuny, Venice, IT‘La collection Thea Westreich Wagner et Ethan Wagner [Collected by Thea WestreichWagner and Ethan Wagner]’, Centre Pompidou, Paris, FR‘Not all that Falls Has Wings’, ARTER Space, Istanbul, TR‘FOUND’, curated by Cornelia Parker, Foundling Museum, London, UK ‘Traces (From Mr and Mrs Lemaitre collection)’, Himalayas Museum, Shanghai, CN‘Traces (From Mr and Mrs Lemaitre collection)’, Minsheng Art Museum, Beijing, CN‘Good things come…’, curated by Kevin Hunt, The Gallery, Plymouth College of Art,Plymouth, UK‘This Is Your Replacement’, Sies + Höke, Dusseldorf, DE‘Je Ne Sais What?’, curated by Francesco Paolo Francica, Carnelutti Firm Law, Milan,IT‘La collection mise à nu par ses artistes, même’, Maison de la Vache qui Rit (House ofthe Laughing Cow), Lons-le-Saunier, FR‘ME’, Schirn Kunsthalle Frankfurt, DE‘Installation Views’, Mario Garcia Torres, Espacio de Arte Careyes, Careyes‘Push Play’, ICI, The Rooms, Provincial Art Gallery Division, St. John’s, CA‘Theatre Dreams of a Beautiful Afternoon’, Annet Gelink Gallery, Amsterdam, NL‘Earnest Hawker’, Performance, Aspen Art Museum, Aspen, US‘Prière de toucher, le tactile dans l'art’, Tinguely Museum, Basel, CH‘ME’, Schirn Kunsthalle Frankfurt, Frankfurt, DE‘The Coveter’, curated by Alex Glauber, Dickinson Roundell, New York, US‘British Art Show 8’, Talbot Rice Gallery, Edinburgh, UK‘La Collection mise à nue par ses artistes, même’, Maison de la Vache Qui Rit, Lons le Saunier,Paris, FR‘On the immense and the numberless’, David Risley Gallery, Copenhagen, DK‘Push Play’, ICI, Museum London, London, CA2015 ‘Collateral Drawing’, Waterfront Gallery, University Campus Suffolk, Ipswich, UK‘Banco, Mistral, Olive... Roger Excoffon et ses alphabets’, Library of Alcazar, Marseille, FR‘A.N.T.H.RO.P.O.C.E.N.E’, Meessen De Clercq, Brussels, BE‘Earnest Hawker’ Performance, in collaboration with Performa, Art Basel Miami, Miami, US‘Duh?’, Focal Point Gallery, Southed-On-Sea, UK‘Transparencies’, Bielefelder Kunstverein and the Kunstverein Nürnberg, Nürnberg, DE‘Push Play’, ICI, Handwerker Gallery, Ithaca College, New York, US‘Earnest Hawker’ Performance, Performa 15, New York, US‘British Art Show 8’, Leeds Art Gallery, Leeds, UK‘I Speak, Knowing It’s Not about Speaking’, CaixaForum, Barcelona, SP‘IKEA’, Warrington Museum & Art Gallery, Warrington, UK‘By Boat (Farewell)’, curated by Adam Carr, Jose Garcia, Mexico City, MX‘Lisson Gallery & STPI present Collaborations: Richard Deacon, Ryan Gander, Shirazeh‘Richard Deacon, Ryan Gander, Shirazeh Houshiary, Jason Martin and Jorinde Voigt Collaborations’, Singapore Tyler Print Institute, Singapore, SG‘CRU’, curated by Marcello Dantes, Centro Cultural Banco do Brasil, Rio de Janeiro, BR‘Business as usual’, Turf Projects, Croydon, UK‘Pequod’, Columbia 11, Monaco, MC‘Art Festival Watou’, Watou, BE‘Immateriality’, SESC Belenzinho, Sao Paulo, BR‘TAVERNA – WE ARE OPEN’, Icastica 2015, Arezzo, IT‘STATION TO STATION: A 30 Day Happening. A project by Doug Aitken’, Barbican, London, UK‘Constellating Images’, Villa du Parc, Annemasse, FR‘Open City’, Lublin, PL‘Ryan Gander and A.FOUR present Brand Evangelism and The universe as I knew it aged 5,collapsed and expanded several times or more (Reflector)’, Wild West Active Space, Maastricht,NL‘Sommer Kino’, Johnen Galerie, Berlin, DE‘This Sentence’, curated by Public Fiction, China Art Objects, Los Angeles, US‘Adventures In Bronze, Clay & Stone’, curated by Adam Carr, Arezzo Biennale Arts Festival,Arezzo, IT‘Art as a Verb’, Artspace, Sydney, AU‘Between the Idea and Experience’, 12th Havana Biennial, Havana, CU‘When I Give, I Give Myself', Van Gogh Museum, Amsterdam, NL‘Panorama’, High Line, New York, US‘Let’s start playing the game', De Brakke Grond, Amsterdam, NL‘Business as Usual’, Set The Controls For The Heart Of The Sun, Leeds, UK‘Push Play’, ICI, Art Gallery of Greater Victoria, Victoria, Canada‘Back to the future’, Annet Gelink Gallery, Amsterdam, NL‘Re-Corbusier. Sixteen contemporary works at Maison La Roche’, Fondation LeCorbusier, Maison La Roche, Paris, FRSCHLAFLOS', curated by Mario Codognato, 21er Haus, Vienna, AT‘Considering Britain', curated by Simon Fujiwara, Hayward Gallery, London, UK‘Private Utopia’, Okayama Museum of Art, Okayama, JP,‘In __ We Trust: Art and Money’, Columbus Museum of Art, Ohio, US‘Absence (Looking for Hammershøi, David Risley Gallery, Copenhagen, DK‘Matters of Pattern’, Skarstedt Gallery, New York, US‘Private Utopia’, Dunedin Public Art Gallery, Dunedin, NZ‘Push Play’, ICI, College of Wooster Art Museum, Wooster, US2014 ‘Curatorial Open 2014: Listening’, with Haroon Mirza, Bluecoat, Liverpool, UK‘SMALL’, curated by Adam Carr, Frutta Gallery, Rome, IT‘Art Basel Miami Public Sector’, curated by Nicholas Baume, Miami, US‘Private Utopia’, Museum of Art, Kochi, JP‘SOME / THINGS’, Proyectos Monclova, Mexico, MX‘Imagineering’, Okayama Castle, Okayama, JP‘Selected by’, Limoncello Gallery, London, UK‘L'Avenir / Looking Forward’, curated by Gregory Burke and Peggy Gale, La Biennale deMontréal, Montréal, CA‘Inside’, Palais de Tokyo, Paris, FR‘The Peace One Day’, ICA, London, UK‘Art as a Verb’, Monash University Museum of Art, Melbourne, AU‘Exercises for a Revolution', in collaboration with Nomas Foundation, MAXXI Museum, Rome, IT‘In __ We Trust: Art and Money’, curated by Tyler Cann, Columbus Museum of Art, Columbus,US‘A man walks into a bar…’, Landshuter Strasse 49, Mainburg, DE‘and the stage darkens (or this voice is a big whale)’, curated by Hana Noorali and Lynton Talbot,Hanway Place, London, UK ‘On the Devolution of Culture’, Rob Tufnell, London, UK‘Curatorial Open 2014: Listening’, BALTIC's project space at B39, Newcastle, UK‘Blue Times’, Kunsthalle Wien, Vienna, AT‘S1 Salon Invites', with Cactus Gallery, Sheffield, UK‘Cycle’, CCBB, São Paulo, BR‘Wish you were here?’, Atkinson Art Gallery, Southport, UK‘Là-bas’, curated by Saâdane Afif, Kunsthaus, Glarus, CH‘Undertones’, Marres, House for Contemporary Culture, Maastricht, NL‘I Would Like to Join a Club and Hit Myself with It’, Castlefield Gallery, Manchester, UK‘The Human Factor’, Hayward Gallery, London, UK‘18 Ausstellungen’, curated by Michael Müller, Galerie Thomas Schulte, Berlin, DE‘NOUVELLE GÉNÉRATION’, Frac Nord-Pas de Calais, Dunkerque, FR‘Black and White’ room at The Summer Exhibition, curated by Cornelia Parker, RoyalAcademy of Arts, London, UK‘Art Basel Unlimited’, Art 45 Basel, CH‘Art Parcours’, Art 45 Basel, CH‘Perduti Nel Paesaggio’, MART, Museo di arte moderna e contemporanea di Trento eRovereto corso Bettini, IT‘Private Utopia’, Itami City Museum of Art, Itami, JP‘Will happiness find me?’, Ishikawa Collection, Opera City Art Gallery, Tokyo, JP‘Decorum’, Power Plant Station of Art, Shanghai, CN‘Ici’, Berlin Biennial, Berlin, DE‘Ici’, Leopold Hoesch Museum, Düren, DE‘A guest without a host is a ghost’, Townhouse Gallery of Contemporary Art, Cairo, EG‘Pierre Huyghe +/-’, curated by Jenny Jaskey & Florence Ostende, The Artist’s Institute,New York, US‘Push Play’, ICI, Arcadia University Art Gallery, Glenside, US‘PER/FORM’, curated by Chantal Pontbriand, CA2M Centro de Arte Dos de Mayo,Madrid, ES‘Dans Cinquante Ans D'ici’, curated by Niekolaas Johannes Lekkerkerk, Les Territoires,Montreal, CA‘On the presence of fireflies’, Musée Carré d'Art, Nîmes, FR‘Reading’, Leo Xu Projects, Shanghai, CN‘d’Actions Artistiques Contemporaines’, Strasbourg, FR‘Free Play’, curated by Melissa E. Feldman, Arcadia University Art Gallery, US‘Un Nouveau festival’, Centre Pompidou, Paris, FR‘END’, curated by Joe Orr, Cactus on Tour, TOAST, Manchester, UK‘The Postcard is a Public Work of Art', Curated by Jeremy Cooper, X Marks the Bökship,London, UK‘Private Utopia’, Tokyo Station Gallery, Tokyo, JP‘Return Journey’, curated by Adam Carr, Mostyn, Llandudno, UK2013 ‘The Parergon and The Gutter’, David Risley Gallery, Copenhagen, DK‘Abstract Generation: Now in Print’, MoMA, New York, US‘ROSE’, curated by Elodie Royer and Yoann Gourmel, Centre Européen‘The Parergon and the Gutter’, David Risley Gallery, Copenhagen, DK‘Wu Tang – Killa Beez’, Blip Blip Blip, Leeds, UK‘Nostalgic for the Future’, Lisson Gallery, London, UK‘ONE TORINO #1’, an appropriation by Santo Tolone, Castello Di Rovolio, Turin, IT‘Mijn Derde Land' My Third Country’, curated by Carolyn H Drake, FrankendaelFoundation, Amsterdam, NL‘De leur temps (4), Regards croisés sur la jeune création’, Le Hangar à Banane,Nantes, FR‘Reading the Surface’, David Zwirner, London, UK‘TAPIS/TAPISSERIES’, curated by Anne Dressen, Musée d'Art Moderne de la Ville deParis, Paris, FR‘El ojo en el tiempo: obras de la Colección Adrastus (The Eye on Time: Works fromAdrastus Collection)’, curated by Carlos Palacios, Museo de Arte Carrillo Gil, Mexico,MX‘Les apparitions’, curated by François Loustau, la Chapelle de la Pérsévérance, Pau,FR‘Why Not Live for Art? II’, Tokyo Opera City Art Gallery, Tokyo, JP‘Dear Portrait', curated by Adam Carr, Mostyn, Llandudno, UK‘Revealed', curated by Thea Westreich Art Advisory Services, Stonescape, California,US‘If you will it, it is not a dream’, Annet Gelink Gallery, Amsterdam, NL‘Postscript’, curated by Nora Burnett Abrams and Andrea Andersson, The Power PlantContemporary Art Gallery, Toronto, CA‘SNAP 2013: Art at the Aldeburgh Festival’, Snape Maltings, UK‘Postscript’, curated by Nora Burnett Abrams and Andrea Andersson, The Eli & EdytheBroad Art Museum, Michigan State University, Michigan, US‘Snap 2012 - The Portfolio’, Paul Stolper, London, UK‘The Magic of the State', curated by Silvia Sgualdini and Beirut (Sarah Rifky and JensMaier-Rothe), Beirut space, Cairo, EG‘Broken Windows’, curated by Benoit Maire, New York Gallery, New Y‘Cinematic Moments’, CCA Wattis Institute for Contemporary Arts, San Francisco, US‘Superusurpedsupper’, a performance by jugedamos, Nomas Foundation, Rome, IT‘An Arrangement In White’, curated by Doug Bowen, XO, Leeds, UK‘Book Machine’, curated by Christophe Boutin & Melanie Scarciglia le Nouvelle Festival,Centre Pompidou, Paris, FR‘Artists‘ Artists’, CentrePasquArt Kunsthaus Centre d’Art, Biel, CH‘Société Secrètes’, Musée Alfred Canel, Pont-Audemer, FR‘Silence (& Sadness)’, curated by Gabriel Lester, Leo Xu Projects, Shanghai, CN‘If you will, it is not a dream’, Annet Gelink Gallery, Amsterdam, NL‘Storytelling’, bip bop, www.bipbop.org‘I Think It Rains’, Burger Collection, Hong Kong, CN‘BP Walk through British Art’, Tate Britain, London, UK‘DLA Piper Series: Constellations’, Tate Liverpool, Liverpool, UK‘Helicotrema, Recorded Audio Festival’, MACRO Museo d’Arte Contemporanea Roma,Rome, IT‘Dans Cinquante Ans D'ici', curated by Niekolaas Johannes Lekkerkerk, part of ‘LivreImaginé: Source Ouverte 2013, Les Territoires, Montreal, CA‘TECTONIC', curated by Simon Sakhai, The Moving Museum, Dubai, AE‘The Earth Turns and All Things Slip Away’ curated by Edith Jeřábková + Jiří Kovanda,hunt kastner, Praha, CZ‘Inventing a future’, gb agency, Paris, FR‘A House of Leaves. Third Movement’, David Roberts Art Foundation, London, UK‘Cast Recording’, PRISM, Hollywood, US‘Testing Ground 2013’, Zabludowicz Collection, London, UK2012 ‘Chester’, CO2, Rome, IT‘The Beginning’, Wild West Active Space, Maastricht, NL‘They came out of nowhere he said, pointing to nowhere’, TARO NASU, Tokyo, JP‘Go Deep or Go Home’, ASC Studios, London, UK‘Postscript’, Museum of Contemporary Art, Denver, US‘Moral Holiday’, Northern Gallery for Contemporary Art, Sunderland, UK‘9th Shanghai Biennale', Shanghai, CN‘Chekhov’s Gun’, g39, Cardiff, UK‘Imagine the Imaginary’, Palais de Tokyo, Paris, FR‘Artists of the No’, Projektraum Viktor Bucher, Vienna, AT‘curated_by’, Galerie Martin Janda, Vienna, AT‘Detective’, Galerie Andreas Huber, Vienna, AT‘Without (Jonathan Monk)’, Meessen de Clerq, Brussels, BE‘Drawing Alive’, Ipswich Museum, Ipswich, UK‘Art by Telephone… Recalled’, CNEAI, Chatou, France Ministry of culture, FR; CAPC,Bordeaux, FR; Emily Harvey Foundation, New York, US‘When Attitudes Became Form Become Attitudes’, CCA Wattis, San Francisco, US‘Documenta 13’, Kassel, DE‘SNAP: Art at the Aldeburgh Festival’, Snape Maltings, UK‘Glaze’, Galerie Chez Valentin, Paris, FR‘Beyond Words’, GAK, Bremen, DE‘British Group Exhibition’, The Arts Club, London, UK‘An Incomplete History of Incomplete Works of Art’, Francesca Minini, Milan, IT‘The eyes of the soul: A selection of works from the collection of Isabelle and JeanConrad Lemaitre’, Fundació Godia, Screen from Barcelona, Barcelona, SP‘Accidentally on Purpose’, QUAD, Derby, UK‘FOREIGNERS EVERYWHERE: Contemporary Art from the Pomeranz Collection’,Jewish Museum Vienna, Vienna, AT‘A common feeling’, gb agency, Paris, FR, in conjunction with Murray Guy, New York, US‘The Artists’ Postcard Show’, Spike Island, Bristol, UK‘Several Silences’, Knoxville Museum of Art, TN, US‘MacLean 705’, MacLean 705, School of the Art Institute of Chicago, Chicago, IL, US‘New presentation of the collection’, MNAM, Centre Georges Pompidou, Paris, FR‘Blind Cut’, Marlborough Gallery, New York, US‘Institute of Savages Archives’, Villa Arson, Nice, FR‘Coup Double at Bordeaux’, FRAC Aquitaine, Bordeaux, FR‘Rotary Connection’, Casey Kaplan, New York, US2011 ‘Slipped’, Wysing Arts Center, Cambridge, UK‘There must be a 'right way', Gallery of the Art School of Brest, Brest, FR‘Politics is Personal’, Stonescape, Calistoga, US‘Image Transfer’, List Visual Arts Center, Massachusetts Institute of Technology,Massachusetts, US‘Le sentiment des choses’, Frac île-de-France, Le Plateau, Paris, FR‘gesture, form, technique’, TARO NASU, Tokyo, JP‘I know about creative block and I know not to call it by name’, Lisson Gallery, Milan, IT‘Our Magic Hour’, Yokohama Triennale 2011, Yokohama, JP‘5X5Castelló11 Premi Internacional d’art contemporani Diputació de Castelló’, Espai d’artcontemporani de Castelló, Castelló, SP‘Round and Round and Round (Part 2): Ryan Gander, Francesco Gennari, Rodney Graham’, Lacollection du Frac Île-de-France, Marne-la-Vallée, FR‘The Collectors Show: Onderdeel van / part of VANUIT HIER – OUT OF HERE’, VanAbbemuseum, Eindhoven, NL‘KnowHow!’, Campbell Works N16, London, UK‘Han Nefkens – 10 jaar mecenas’, Museum Boijmans van Beuningen, Rotterdam, NL‘Invisibleness is visibleness’, MOCA Taipei, TW‘The Object of Observation (Changes By Being Observed)’, curated by Tim Lee, Johnen Galerie,Berlin, DE‘Humid but cool, I think’, curated by Ryan Gander, TARO NASU, Tokyo, JP‘Two versions of the imaginary’, curated by Maria Barnas, Annet Gelink Gallery, Amsterdam, NL‘Glaze’, curated by George Henry Longly, Bischoff/Weiss, London, UK‘Two Times Once – An exhibition by Mr Rossi’, London, UK‘IllumiNATIONS’, curated by Giovanni Carmine & Bice Curiger, 54th International Art Exhibition ofthe Venice Biennale, Venice, IT‘Nul si Découvert/ Void if removed’, (Érudition concrète 4) curated by Guillaume Désanges, LePlateau, Frac Île-de-France, Paris, FRCommercial Break’, presented by Garage Centre for Contemporary Culture, Moscow & POST,54th International Venice Biennale, Venice, IT‘The Lake of Fire’, Den Frei Udstillingsbygning, Copenhagen, DK‘Ryan Gander & Michael Marriott’, The Russian Club, London, UK‘Art Zuid’, Amsterdam, NL‘The Aldeburgh Beach South Lookout’, Aldeburgh, UK‘Le Slurm’, Haute Ecole d'art, Geneva University, Geneva, CH‘Paysages Avec Objets Absents’, Centre d'art contemporain de Fribourg, Fribourg, CH‘Fat Chance to Dream (Una oportunidad para soñar/ Tania Pardo’ Galeria Maisterra Valbuena,Madrid, ES‘Invocations of the blank page’, NICC, Antwerp, BE‘Invocations of the blank page’, Spike Island, Bristol, UK‘The Shape We're In’, Zabludowicz Collection, London, UK‘The missing part’, La Sorbonne, Paris, FR‘Art + Drama’, Whitechapel Gallery, London, UK‘Radical Autonomy’, Netwerk, Aalst, BE2010 ‘I Believe in Miracles’, Collection Lambert en Avignon, FR‘21st Century Outlook’, Frac Ile-De-France, Le Plateau, Paris, FR‘Laocoon II’, COCO, Vienna, AT‘Excoffon’, IFF, Marseille, FR‘Publics and Counterpublics’, Centro Andaluz de Arte Contemporaneo CAAC, Seville, ES‘Things slowly curve out of sight until they are gone. Afterwards only the curve remains.*’,curated by Élodie Royer & Yoann Gourmel, Hermes Und Der Pfau, Stuttgart, DE‘Propective XXIème siècle’, Frac Ile-de-France / Le Plateau / L’Antenne France, Paris, FR‘Faint to Black’, Henninsen Contemporary, Copenhagen, DK‘Manifesta 8’, Region of Murcia, ES*‘The Art of Camo’, Cardi Black Box Gallery, Milan, IT‘The Storyteller’, Salina Art Center, Salina, Kansas, US‘Resonance' Suntory Museum [Tempozan], Osaka, JP‘Auto-Kino!’, Berlinale, Kunsthalle Berlin, Berlin, DE‘Hors d’Oeuvre’, Campagne Première, Berlin, DE‘About us’, Johann König, Berlin, DE‘Tatton Park Biennial’, Tatton Hall, Knutsford, UK‘Sameness and difference’, Russian Club Gallery, London, UK‘The Crystal Hypothesis’, GAMeC Art Centre, Bergamo. IT‘Art Parcours’, Art 41 Basel, Basel, CH‘Art Basel Unlimited’, Art 41 Basel, CH‘Les Interlocuteurs’, Beaux Arts of Toulouse, Toulouse, FR‘Hors d’Oeuvre’, Campagne Première, Berlin, DE‘Ecce Homo Ludens’, Musée Régional d’Art Contemporain Languedoc-Roussillon, Sérignan, FR‘Okay, I have had enough, what else can you show me?’, DOCVA, Milan, IT‘It is it’, Espacio 1414, Santurce, PR‘Alchemy Box’, Maison d'Art Bernard Anthonioz, Paris, FR*‘The Storyteller’, Art Gallery of Ontario, Toronto, Ontario, CA‘A performance cycle’, Nomas Foundation, Rome, IT‘Double Bind’, Villa Arson, Nice, FR‘Dark After After Dark’, Khastoo Gallery, Los Angeles, US‘Che cosa sono le nuvole?’ Museion – Museum of modern and contemporary art Bolzano,Bolzano, ITThe Library of Babel’, 176 Zabludowicz Collection, London, UK‘The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty)’, gb agency, Paris, FR‘Exhibition, Exhibition’, Castello di Rivoli – Museo d’Arte Contemporanea, Rivoli, IT‘Les Belles Images: Second Scenario’, La Box, Bourges, FR‘FAX’, Para/Site Art Space, Hong Kong, CN‘Artprojx Presents’, Wimbledon College of Art, London, UK‘The Library of Babel / In and Out of Place’, 176 Zabludowicz Collection, London, UK‘Répétition dans l’Épilogue’, Super # 11, Galerie Lucile Corty, Paris, FR‘Gallery, Galleria, Gallerie’, Norma Mangione Gallery, IT‘Production Site: The Artist’s Studio Inside-Out’, MCA, Chicago, US‘The Storyteller’, Sheila C. Johnson Design Center at Parsons The New School for Design, NewYork, New York, US2009 ‘Lisson Presents 6’, Lisson Gallery, London, UK‘Forms of Enquiry’, Architects Association, London, UK ‘British Subjects: Identity and Self-Fashioning’, Neuberger Museum, Westchester County, NewYork, US‘Where water comes together with other water’, Chapter 3, gb agency, Paris, FR‘7 Words’, Am Nuden Da Session, London, UK‘Double Bind’, Villa Arson, Nice, FR‘Space as Medium’, Miami Art Museum, Miami, US‘Can Art Save Us’, Millennium Galleries, Sheffield, UK‘Mille e Tre’, Musée du Louvre, Paris, FR‘The Store’, Artissima, IT‘Radical Autonomy’, Le Grand Café, Saint Nazaire, FR‘TV’, Mercer Union, Mercer Union, Toronto, US‘The Storyteller’, Salina Art Centre, Kansas. US‘Eleanor Antin, Marcel Broodthaers, Peter Friedl, Ryan Gander’, Erna Hecey Gallery TemporarySpace, Cologne, DE‘Still Nacht’, Outlet, Manchester, UK‘7a Bienal do Mercosul’, Porto Alegre, BR‘Sculpture of the Space Age’, David Roberts Foundation, London, UK‘Chasing Napolean’, Palais de Tokyo, Paris, FR‘Assembly’, Yvon Lambert, Paris, FR‘Richard Prince and the Revolution’, PROJECTE SD, Barcelona, ES‘Era New Horizons Film Festival’, Warsaw, PL‘Pete and Repeat’, 176 Zabludowicz Collection, London, UK *‘Paper Show’, David Risley Gallery, Copenhagen, DK‘Trying to cope with things that aren’t human’, Cell Projects Space, London, UK*‘The Space of Words’, MUDAM, Luxembourg, LU*‘Talk Show’, ICA, London, UK‘The Happy Interval’, Tulips & Roses, Vilinus, LI‘Fax’, The Drawing Center, New York, US*‘Natural Wonders’, Baibakov Art Projects, Moscow, RU‘Contested Ground’, 176 Zabludowicz Collection, London, UK‘Trying to cope with things that aren’t human’, David Cunningham Projects, San Francisco, US*‘The Malady of Writing’, Artissima 17, Torino, ES‘The Malady of Writing’, MACBA, Museu d’Art Contemporani de Barcelona, Barcelona, ES‘Younger than Jesus’, New Museum, New York, US‘Lisson presents 4’, Lisson Gallery, London, UK‘Places to be’, Annet Gelink Gallery, Amsterdam, NL‘The Little Shop on Hoxton Street’, Limoncello Gallery, London, UK‘Mirrors’, MARCO, Vigo, ES‘Several Silences’, The Renaissance Society, Chicago, US‘Desiring Necessities’, John Hansard Gallery, Southampton, UK‘Trying to cope with things that aren’t human’, AirSpace Gallery, Stoke on Trent, UK*‘The Making of Art’, Schirn Kunsthalle Frankfurt, Frankfurt, DE‘The Storyteller’, ICI, New York, US2008 ‘Never let the truth get in the way of a good story’, Site Gallery, Sheffield, UK‘A Recent History of Drawing & Writing’, ICA, London, UK‘Playtime’, Betonsalon, Paris, FR‘Panorámica ciclo de video, Bailando sin salir de casa’, Museo Tamayo arte contemporáneo,Bosque de Chapultepec, Mexico, MX‘Wouldn’t it be nice’, Somerset House, London, UK‘Out of sight’, Proyectos Monclova, Mexico, MX‘AWOL – Biennale of Young Artists’, META Cultural Foundation, Bucharest, RO‘Wouldn’t it be nice’, Centre d’art Contemporain, Zurich, CH*‘Self Storage’, Curatorial Industries, San Francisco, US‘I desired what you were, I need what you are’, Galleria Maze, Torino, IT‘Within the big Structure’, Megastructure, Berlin-Mitte, Berlin, DE‘Delirious Beijing’, PKM Gallery, Beijing, CN‘Life on Mars’, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US‘Revolutions – forms that turn’, 16th Biennale of Sydney, AU‘As it presents itself’, Whitstable Biennale, Whitstable, UK‘Featuring’, Galerie Chez Valentin, Paris, FR‘The flight of the Dodo’, Project Arts Centre, Dublin. IE‘One of these things is not like other things’, Unosunove Gallery, Rome, IT‘Art Now Curate’ Tate Modern, London, UK‘Inaugural Show’, Marz Galleria, Lisbon. PT‘The show is not a void’, Galeria Luisa Strina, Sao Paulo, BR‘Future Landscape’, Royal Academy, London, UK2007 ‘Appendix Appendix Radio Play’, Performa 07, New York, US‘In the Stream of Life’, Betonsalon, Paris, FR‘For Sale’, Cristina Guerra Contemporary Art, Lisbon, PT*‘Wouldn’t it be nice’, Centre d’art contemporain, Geneva, CH*‘Words fail me’, MoCAD, Detroit, US‘Projecktion’, Lentos Art Museum, Linz, AT‘How soon is now’, Luis Seoane Foundation, Coruna, ES‘Language of Vision’, mima Middlesborough Institute of Modern Art, UK‘Without’, Yvon Lambert, Paris, FR‘Zero, Zero, S’, Lyon Biennale, Lyon, FR’Plankjes, tak’, Atelier als Spermedium, Artist Space for Contemporary Art, The Hague, NL‘Twice told tales’, Galerie Michel Rein, Paris, FR‘You have not been honest’, Museo D’Arte Donnaregina, Naples, IT‘Whenever It Starts It Is The Right Time’, Frankfurter Kunstverein, Frankfurt, G‘Blackberrying’, Christina Wilson Galerie, DK‘Der Droste Effekt’, Esther Schipper, Berlin, DE‘Prediction – Exhibition Trouble’, Paris, FR *‘Untouchable’, Patio Herrianom - Museo de Arte Contemporáneo, Valladolid, ES‘Some Time Waiting’, Kadist Art Foundation, Paris, FR‘Kit Bashing’, Western Bridge, Seattle, US‘On the Future of Art School’, STORE, London, UK2006 ‘Constellations’, Tanya Bonakdar, New York, US‘Curating the Library’, de Singel, Antwerp, BE‘Projektion’, Museum of Art Lucerne, CH*‘Éclipses du Réel’, Centre d’art contemporain, Fribourg, CH*‘How soon is now?’, Fundación Luís Seoane, Coruna, ES‘Wrong’, Klosterfelde, Berlin, DE‘The show will be open when the show will be closed’, STORE, London, UK‘Radio Transmitted Time Capsule’, with Francesco Manacorda, Radio Gallery, London, UK‘Whitstable Biennale’, Whitstable, UK‘Le Confort Moderne’, La Space Station, Poitiers, FR‘Le Spectre des Armatures’, Glassbox, Paris, FR‘El Albergue, Holandés’, La Station, Nice, FR‘Trial Balloons’, MUSAC, Musei de Arte Contemporáneo de Castillia y León, León, ES*‘Don Quijote’, Witte de Witte, Rotterdam, NL‘Objet a Part’, Centre d’art Contemporain, Noisy le sec, FR*‘Group show: Pierre Bismuth, Ryan Gander, Karl Haendel and T. Kelly Mason’, Cohen andLeslie, New York, US‘Untouchable’, Villa Arson, Nice, FR‘Tate Triennial’, Tate Britain, London, UK*‘The Standard Hotel’, The Standard Hotel, Miami, US2005 ‘Spectator T’, Sheffield, UK*‘T1 Triennial’, Castello di Rivoli Museo d'Arte Contemporanea, Turin, IT*‘Free Library’, M + R Gallery, London, UK‘Romance – A Novel’, Cristina Guerra Contemporary Art, Lisbon P‘Jaybird’, ZERO... Milan, IT‘Post No Bills’, White Columns, New York, US‘An Exhibition Amongst Friends’, gb agency, Paris, FR‘Invisible Script’, W139, Amsterdam, NL‘Beck’s Futures’, CCA, Glasgow, UK*‘In This Colony’, Kunstfort bij Vijfhuizen, NL*‘Beck’s Futures’, ICA, London, UK*‘A Show Without Works,’ Project Room, Spazio Lima, Milan, IT*‘The World, Abridged’, Kettles Yard, Cambridge, UK*‘Timeline’, The Store & Window 32, Paris, FR2004 ‘Romantic Detachment’, PS1, New York, US*‘Romantic Detachment’, Chapter Arts, Cardiff, UK*‘Romantic Detachment’, Q Arts, Derby, UK*‘Romantic Detachment’, Folly Gallery, Lancaster, UK*‘Making Public’, CBK, Dordrecht, NL‘Summer Pursuits’, Store, London, UK‘Loose Associations’, Centre Pompidou Beaubourg, Paris, FR‘Loose Associations’, Foksal Gallery, Warsaw, PL‘Artist House’, The Round Foundry, Leeds, UK2003 ‘Catch Me’, Onufri, National Gallery of Albania, AL‘Tourette's’, W139, Amsterdam, NL*‘RDV’, Résonance, Galerie des Terreaux, Lyon Biennale, Lyon, FR‘Prix de Rome Winner’, Museum voor Actuele Kunst, Den Haag, NL*‘Grizedale Artist in Residence’, Grizedale Arts, Cumbria, UK2002 ‘Unloaded’, (Disused Military Bunkers), Oberschan, CH*2001 ‘Record Collection’, Forde Gallery, Geneva, CH‘In a language’, Project ruimte zuid en oost, Amsterdam, NL‘On the trams’, The Lowry, Manchester, UK2000 ‘The Oriel Mostyn Open’, Llandudno, UK‘Square City’, Holden Gallery, Manchester, UK‘Goethe’s Oak Has Woodworm’, Static Gallery, Liverpool, UK‘Unfortunately Last Sunday’, Museum Het Domain, Sittard, NL*‘Free Space’, Nieuw Internationaal Cultureel Centrum, Antwerpen, BE*

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