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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Julika Rudelius

Works


Galleries

Galerie Reinhard Hauff
Patrick Zeh
Paulinenstrasse 47
70178 Stuttgart
Germany

Phone: +49 711 60 97 70
E-Mail: patrick@reinhardhauff.de




Biography

Born 1968 in Cologne, Germany.
Lives and works in New York, USA

Solo exhibitions

2013
UPCOMING - Total Access, Galerie Reinhard Hauff, Stuttgart, D
Julika Rudelius, Nieuwe Vide, Haarlem, NL

2012
Rituals of Capitalism, Leo Koenig Inc., New York
Julika Rudelius, Institute of Modern Art @Ksubi, Brisbane, AU
What is on the Outside, Museum for Arts and Design, New York City, USA

2011
Rites of Passage: A Work of Julika Rudelius, Borges Liberia, Guangzhou

2010
One of Us, Galerie Michael Janssen, Berlin
One of Us, Galerie Reinhard Hauff, Stuttgart
Soft Intrusion, Ursula Blickle Stiftung, Kraichtal
Julika Rudelius: Projections, Center for the Arts at Wesleyan University Middletown CT

2009
Study in Obedience, Galerie Diana Stigter, Amsterdam
Ecstatic Truth (with Jannicke Låker), Dumbo Arts Center, Brooklyn

2008
Rites of Passage, Galerie Reinhard Hauff, Stuttgart
Impakt Event: Julika Rudelius, Film Theater ‘t Hoogt, Utrecht

2007
Forever, Swiss Institute of Contemporary Art, New York

2006
Geld! Julika Rudelius, Grazer Kunstverein, Graz

2005
Julika Rudelius. Vijf videowerken 2001–2005, Frans Hals Museum/De Hallen, Haarlem (catalogue)
Studio Manuela Klerkx, Milan
Ansichten der Ökonomie/ Economic Primacy, Kunstraum Lakeside, Klagenfurt

2004
Your blood is as red as mine, Galerie Reinhard Hauff, Stuttgart
Plus ou moins jeunes, Centre Culturel Suisse, Paris
Feuilleton, deel vijf, Marres, centrum voor actuele kunst, Maastricht (catalogue)
BijlmAir: Your Blood is as Red as Mine, Stedelijk Museum Bureau Amsterdam/ Artotheek Zuidoost, Amsterdam

2003
You can’t stay in the 80s wearing cowboy boots while the whole world progresses, Kunsthaus Glarus (catalogue)
Galerie Diana Stigter, Amsterdam

2001
Talkshow, Stedelijk Museum Bureau Amsterdam (catalogue)

Selected group exhibitions

2013
Verguenza, La Casa Encendida, Madrid, ES
Gatsby Revisited in the Age of the One Percent, University of Connecticut, Storrs, USA
From Holland With Love, Netherlands Fotomuseum, Rotterdam, NL

2012
Sprache und Macht', Kunsthaus Baselland, Muttenz
De Nederlandse Identiteit?’ Tentoonstelling Museum De Paviljoens, Almere
Survival Techniques: Narratives of Resistance, Museum of Contemporary Photography, Chicago
Permiso Para Hacer La Revolución’, Off Limits, Madrid
8th International Biennial of Photography and Visual Arts’, Liège
Friendship, SHUNCK Museum of Contemporary Art, Heerlen
Remote Viewing, Kulturhuset Museum, Stockholm
Where Do We Migrate To?, Anna-Maria and Stephen Kellen Gallery, Sheila C. Johnson Design Center,
Parsons School, New York
Where Do We Migrate To?, Contemporary Art Center, New Orleans

2011
IKJIJWIJ. Rabo Kunstzone, Utrecht
Role Images – Role Playing, Museum der Moderne, Salzburg
She Devil 5, MACRO, Museo d’arte contemporanea di Roma, Rome
Where Do We Migrate To?, The Center for Design and Visual Arts, Baltimore
From Interaction to Micro-Sociology, Art Issues Projects, Beijing
Über die Metapher des Wachstums, Kunsthaus Baselland, Basel / Mutenz
Über die Metapher des Wachstums, Frankfurter Kunstverein, Frankfurt
Über die Metapher des Wachstums, Kunstverein Hannover, Hannover
A Portrait of the Artist as a Young Man, Galerie Reinhard Hauff, Stuttgart
Open Frame First Movement, Centre Régional d’Art Contemporain, Sète
Hors Pistes Festival, Centre Pompidou, Paris
Into the Eye of the Storm, The Israeli Center for Digital Art, Holon
Precarious Status, University of Florida Gallery, Gainesville

2010
Appkied Reality, Heden Contemporary Art, Den Haag
The 6th Seoul International Biennale of Media Art, Seoul Museum of Art, Seoul
Double Infinity: Last Two Decades Revisited, Dutch Culture Center, Shanghai
Saturday Sessions, P.S.1 Contemporary Art Center, New York
California Dreamin’, PortugalArte10, Lisbon
H Box, Fondation Beyeler, Basel
H BOX, New Museum, New York
H BOX, Laboratorio Arte Alameda, Mexico City
Das ist die Lebenswelt, Neuer Aachener Kunstverein, Aachen
And the moral of the story is..., apexart, Neyw York
The Morality Project Vl, Witte de With Center for Contemporary Art, Rotterdam
Niet Normaal * Difference on Display, Beurs van Berlage, Amsterdam

2009
Heartland, The Smart Museum of Art, Chicago
Images Recalled. 3. Foto Festival, Kunsthalle Mannheim, Mannheim
Actors and Extras, Argos Centre for Art and Media, Brussels
21st Century Exhibition, Incheon Women Artist Biennial, Incheon
The Third ICP Triennial of Photography and Video, International Center of Photography, New York
Golden Agers & Silver Surfers, Kunsthaus Baselland, Basel
Differences On Display, Niet Normaal, Amsterdam
BUTT IN ASS, Asia Song Society (ASS), New York
Images 22nd Festival, Images Festival, Toronto
talk talk. Das Interview als künstlerische Praxis, HGB Leipzig, travelling to Kunstverein Medienturm, Graz and Galerie 5020, Salzburg
Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst, Karlsruhe (catalogue)
Come in, friends, the house is yours!, Badischer Kunstverein, Karlsruhe
Das Bielefelder Gefühl, Bielefelder Kunstverein, Bielefeld
De Ideale Vrouw, Noorbradants Museum, Den Bosch
Strategies of Confidence, New International Cultural Centre (NICC), Antwerp
Looking at Others, Umjetnicki paviljon, Zagreb

2008
The Possibility of an Island, MOCA North Miami, Miami
De Samaritaan, Corveshof/ Hermitage, Amsterdam
Hollywould, 10th Biennale Film, Video & New Media Arts Festival, Hollywood
Vertrautes Terrain. Aktuelle Kunst in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (catalogue)
Heartland, Van Abbemuseum, Eindhoven
Dutch Dare, Fondazione Studio Marangoni, Florence
Bare Market, Thierry Goldberg Projects, New York
Courtesy Hans Kemmna, De Hallen Museum, Haarlem
Breaking Walls Festival, Brakke Grond, Amsterdam

2007
Art Summer University, (speech/ screening) Tate Modern, London
MachineRAUM – a biennale for video art and digital culture, Vejle Art Museum, Vejle
A Spectral Image of Self, Newcomb Art Gallery Tulane University, New Orleans
The Big Easy: Relocating the Myth of the West - First part, Halle 14, Leipzig
The Big Easy: Relocating the Myth of the West - Second part, ACC Galerie, Weimar
Elegance, Kölnischer Kunstverein, Cologne
Global Feminisms, Brooklyn Museum, Brooklyn (catalogue)
Ready Media, Montevideo/ Time based arts, Amsterdam
Nothing Else Matters, De Hallen/ Frans Hals Museum, Haarlem
Speakers, Aeroplastics Contemporary, Bruxelles
Dutch Dare, Erasmushuis, Jakarta
Role Model, Freymond-Guth & Co., Fine Arts/ THE JOHN INSTITUTE, Zurich
Temporarily Disconnected, Bard Museum, Annandale-on-Hudson
Energeia, Virtueel Museum Zuidas, Amsterdam

2006
Gwangju Biennale, Gwangju (catalogue)
Dutch Dare, ACP, Sidney
Monitoring, Kulturbahnhof Kassel, Kassel
The youth of today, Schirn Kunsthalle Frankfurt, Frankfurt (catalogue)
Eastern Neighbours, Cultural Center Babel, Utrecht
World Unlimited, Museum voor Moderne Kunst Arnhem, Arnhem
Domestic Affairs, PROJEKT 0047, Berlin
Momentum 2006, 4th Nordic Festival of Contemporary Art, Moss
Again for tomorrow' (screening 'economic primacy' + discussion) Royal College of Art Galleries, London
30th annual, 6th Biennial exhibition of Visual + Art: Give (a)way, Limerick (catalogue)

2005
Respect. Formes de cohabitation, Musée Dar Si Saïd, Marrakech (catalogue)
A Second Sight, International Biennale of Contemporary Art 2005, National Gallery, Prague (catalogue)
Recreating the Case, Kunsthaus Glarus
Migration, Kölnischer Kunstverein, Cologne (catalogue)
Populism, Stedelijk Museum Amsterdam
Populism, Frankfurter Kunstverein, Frankfurt a. M.
Populism, The Contemporary Art Center, Vilnius
Documentary Strategies, TENT. Centre for Visual Arts, Rotterdam (catalogue)
moving on, Handlungen an Grenzen, Neue Gesellschaft für Bildende Kunst, Berlin (catalogue)

2004
Untitled, Tate Modern, London
Rheinschau – Art Cologne Projects, Rheinforum, Cologne, organized by Stedelijk Museum Bureau Amsterdam
Histoire(s) Parallèle(s) création – confrontation France Pays-Bas, Institut Néerlandais, Paris (catalogue)
Over zee, land en gezicht, Museum Valkhof, Nijmegen
Grenzeloos Kijken, Film by the Sea Festival, Scheveningen
Revisie, Dutch Film Festival, Centraal Museum, Utrecht
Anonietta Peeters, Julika Rudelius en Lily van der Stokker, Stedelijk Museum, Schiedam
Verworpenen en zondagskinderen: Aanwinsten 2003, Frans Hals Museum, Haarlem
Teenage Kicks. Adolescence as subject, The Gallery, Royal Hibernian Academy, Dublin (catalogue)
Wirklich wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum, Essen (catalogue)
LISTE Basel, with Kunsthaus Glarus, Basel
Das zweite Bild, dreizehnzwei, Vienna / Galerie Olaf Stüber, Berlin (catalogue)

2003
Link, Stedelijk Museum Amsterdam (catalogue)
Contemporary Dutch Art, National Museum of Contemporary Art, Seoul (catalogue)
Strangers, The First ICP Triennial of Photography and Video, International Center of Photography, New York (catalogue)
Utopie van de periferie, Stedelijk Museum, Aalst
Turbulence, Centre for Contemporary Art, Kiev (catalogue)
Child in Time. Views of contemporary artists on youth and adolescence, Gemeentemuseum Helmond (catalogue)
Turbulence, Museum voor Moderne Kunst, Arnhem
Beyond beauty, Galerie Diana Stigter, Amsterdam

2002
Rendez-vous, Musée d'Art Contemporaine de Lyon, Lyon
Faces, people and society, Frans Hals Museum, Haarlem
There’s no accounting for other peoples relationships, Ormeau Baths Gallery, Belfast
Sold, Christie’s, Amsterdam (catalogue)
Non-Members only, Arti et Amicitiae, Amsterdam
Jong, with Rineke Dijkstra, De Beeldbank, TU Eindhoven, Eindhoven
Dark Spring, Ursula Blickle Stiftung, Kraichtal (catalogue)
Non Places, Frankfurter Kunstverein, Frankfurt a. M. (catalogue)
A'dam & Eve, De Appel, Amsterdam
The People’s Art, Witte de With, Rotterdam (catalogue)

2001
You never walk alone, Stroom, haags centrum voor beeldende kunst, The Hague
Commitment, een keuze uit drie jaar Fonds BKVB, Las Palmas, Rotterdam (catalogue)
From Here to Reality – a dutch show, Index The Swedish Contmporary Art Foundation, Stockholm (catalogue)
A Arte do Povo, Central Eléctrica do Freixo, Porto

2000
For Real, Stedelijk Museum, Amsterdam (catalogue)
Hellenistic, W139, Amsterdam
Scripted Spaces, Witte de With, Rotterdam
Man muss ganz schön viel lernen um hier zu funktionieren, Frankfurter Kunstverein, Frankfurt a. M.

Julika Rudelius
Born 1968 in Cologne, Germany. Lives and works in New York, USA Solo exhibitions 2013 UPCOMING - Total Access, Galerie Reinhard Hauff, Stuttgart, D Julika Rudelius, Nieuwe Vide, Haarlem, NL 2012 Rituals of Capitalism, Leo Koenig Inc., New York Julika Rudelius, Institute of Modern Art @Ksubi, Brisbane, AU What is on the Outside, Museum for Arts and Design, New York City, USA 2011 Rites of Passage: A Work of Julika Rudelius, Borges Liberia, Guangzhou 2010 One of Us, Galerie Michael Janssen, Berlin One of Us, Galerie Reinhard Hauff, Stuttgart Soft Intrusion, Ursula Blickle Stiftung, Kraichtal Julika Rudelius: Projections, Center for the Arts at Wesleyan University Middletown CT 2009 Study in Obedience, Galerie Diana Stigter, Amsterdam Ecstatic Truth (with Jannicke Låker), Dumbo Arts Center, Brooklyn 2008 Rites of Passage, Galerie Reinhard Hauff, Stuttgart Impakt Event: Julika Rudelius, Film Theater ‘t Hoogt, Utrecht 2007 Forever, Swiss Institute of Contemporary Art, New York 2006 Geld! Julika Rudelius, Grazer Kunstverein, Graz 2005 Julika Rudelius. Vijf videowerken 2001–2005, Frans Hals Museum/De Hallen, Haarlem (catalogue) Studio Manuela Klerkx, Milan Ansichten der Ökonomie/ Economic Primacy, Kunstraum Lakeside, Klagenfurt 2004 Your blood is as red as mine, Galerie Reinhard Hauff, Stuttgart Plus ou moins jeunes, Centre Culturel Suisse, Paris Feuilleton, deel vijf, Marres, centrum voor actuele kunst, Maastricht (catalogue) BijlmAir: Your Blood is as Red as Mine, Stedelijk Museum Bureau Amsterdam/ Artotheek Zuidoost, Amsterdam 2003 You can’t stay in the 80s wearing cowboy boots while the whole world progresses, Kunsthaus Glarus (catalogue) Galerie Diana Stigter, Amsterdam 2001 Talkshow, Stedelijk Museum Bureau Amsterdam (catalogue) Selected group exhibitions 2013 Verguenza, La Casa Encendida, Madrid, ES Gatsby Revisited in the Age of the One Percent, University of Connecticut, Storrs, USA From Holland With Love, Netherlands Fotomuseum, Rotterdam, NL 2012 Sprache und Macht', Kunsthaus Baselland, Muttenz De Nederlandse Identiteit?’ Tentoonstelling Museum De Paviljoens, Almere Survival Techniques: Narratives of Resistance, Museum of Contemporary Photography, Chicago Permiso Para Hacer La Revolución’, Off Limits, Madrid 8th International Biennial of Photography and Visual Arts’, Liège Friendship, SHUNCK Museum of Contemporary Art, Heerlen Remote Viewing, Kulturhuset Museum, Stockholm Where Do We Migrate To?, Anna-Maria and Stephen Kellen Gallery, Sheila C. Johnson Design Center, Parsons School, New York Where Do We Migrate To?, Contemporary Art Center, New Orleans 2011 IKJIJWIJ. Rabo Kunstzone, Utrecht Role Images – Role Playing, Museum der Moderne, Salzburg She Devil 5, MACRO, Museo d’arte contemporanea di Roma, Rome Where Do We Migrate To?, The Center for Design and Visual Arts, Baltimore From Interaction to Micro-Sociology, Art Issues Projects, Beijing Über die Metapher des Wachstums, Kunsthaus Baselland, Basel / Mutenz Über die Metapher des Wachstums, Frankfurter Kunstverein, Frankfurt Über die Metapher des Wachstums, Kunstverein Hannover, Hannover A Portrait of the Artist as a Young Man, Galerie Reinhard Hauff, Stuttgart Open Frame First Movement, Centre Régional d’Art Contemporain, Sète Hors Pistes Festival, Centre Pompidou, Paris Into the Eye of the Storm, The Israeli Center for Digital Art, Holon Precarious Status, University of Florida Gallery, Gainesville 2010 Appkied Reality, Heden Contemporary Art, Den Haag The 6th Seoul International Biennale of Media Art, Seoul Museum of Art, Seoul Double Infinity: Last Two Decades Revisited, Dutch Culture Center, Shanghai Saturday Sessions, P.S.1 Contemporary Art Center, New York California Dreamin’, PortugalArte10, Lisbon H Box, Fondation Beyeler, Basel H BOX, New Museum, New York H BOX, Laboratorio Arte Alameda, Mexico City Das ist die Lebenswelt, Neuer Aachener Kunstverein, Aachen And the moral of the story is..., apexart, Neyw York The Morality Project Vl, Witte de With Center for Contemporary Art, Rotterdam Niet Normaal * Difference on Display, Beurs van Berlage, Amsterdam 2009 Heartland, The Smart Museum of Art, Chicago Images Recalled. 3. Foto Festival, Kunsthalle Mannheim, Mannheim Actors and Extras, Argos Centre for Art and Media, Brussels 21st Century Exhibition, Incheon Women Artist Biennial, Incheon The Third ICP Triennial of Photography and Video, International Center of Photography, New York Golden Agers & Silver Surfers, Kunsthaus Baselland, Basel Differences On Display, Niet Normaal, Amsterdam BUTT IN ASS, Asia Song Society (ASS), New York Images 22nd Festival, Images Festival, Toronto talk talk. Das Interview als künstlerische Praxis, HGB Leipzig, travelling to Kunstverein Medienturm, Graz and Galerie 5020, Salzburg Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst, Karlsruhe (catalogue) Come in, friends, the house is yours!, Badischer Kunstverein, Karlsruhe Das Bielefelder Gefühl, Bielefelder Kunstverein, Bielefeld De Ideale Vrouw, Noorbradants Museum, Den Bosch Strategies of Confidence, New International Cultural Centre (NICC), Antwerp Looking at Others, Umjetnicki paviljon, Zagreb 2008 The Possibility of an Island, MOCA North Miami, Miami De Samaritaan, Corveshof/ Hermitage, Amsterdam Hollywould, 10th Biennale Film, Video & New Media Arts Festival, Hollywood Vertrautes Terrain. Aktuelle Kunst in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (catalogue) Heartland, Van Abbemuseum, Eindhoven Dutch Dare, Fondazione Studio Marangoni, Florence Bare Market, Thierry Goldberg Projects, New York Courtesy Hans Kemmna, De Hallen Museum, Haarlem Breaking Walls Festival, Brakke Grond, Amsterdam 2007 Art Summer University, (speech/ screening) Tate Modern, London MachineRAUM – a biennale for video art and digital culture, Vejle Art Museum, Vejle A Spectral Image of Self, Newcomb Art Gallery Tulane University, New Orleans The Big Easy: Relocating the Myth of the West - First part, Halle 14, Leipzig The Big Easy: Relocating the Myth of the West - Second part, ACC Galerie, Weimar Elegance, Kölnischer Kunstverein, Cologne Global Feminisms, Brooklyn Museum, Brooklyn (catalogue) Ready Media, Montevideo/ Time based arts, Amsterdam Nothing Else Matters, De Hallen/ Frans Hals Museum, Haarlem Speakers, Aeroplastics Contemporary, Bruxelles Dutch Dare, Erasmushuis, Jakarta Role Model, Freymond-Guth & Co., Fine Arts/ THE JOHN INSTITUTE, Zurich Temporarily Disconnected, Bard Museum, Annandale-on-Hudson Energeia, Virtueel Museum Zuidas, Amsterdam 2006 Gwangju Biennale, Gwangju (catalogue) Dutch Dare, ACP, Sidney Monitoring, Kulturbahnhof Kassel, Kassel The youth of today, Schirn Kunsthalle Frankfurt, Frankfurt (catalogue) Eastern Neighbours, Cultural Center Babel, Utrecht World Unlimited, Museum voor Moderne Kunst Arnhem, Arnhem Domestic Affairs, PROJEKT 0047, Berlin Momentum 2006, 4th Nordic Festival of Contemporary Art, Moss Again for tomorrow' (screening 'economic primacy' + discussion) Royal College of Art Galleries, London 30th annual, 6th Biennial exhibition of Visual + Art: Give (a)way, Limerick (catalogue) 2005 Respect. Formes de cohabitation, Musée Dar Si Saïd, Marrakech (catalogue) A Second Sight, International Biennale of Contemporary Art 2005, National Gallery, Prague (catalogue) Recreating the Case, Kunsthaus Glarus Migration, Kölnischer Kunstverein, Cologne (catalogue) Populism, Stedelijk Museum Amsterdam Populism, Frankfurter Kunstverein, Frankfurt a. M. Populism, The Contemporary Art Center, Vilnius Documentary Strategies, TENT. Centre for Visual Arts, Rotterdam (catalogue) moving on, Handlungen an Grenzen, Neue Gesellschaft für Bildende Kunst, Berlin (catalogue) 2004 Untitled, Tate Modern, London Rheinschau – Art Cologne Projects, Rheinforum, Cologne, organized by Stedelijk Museum Bureau Amsterdam Histoire(s) Parallèle(s) création – confrontation France Pays-Bas, Institut Néerlandais, Paris (catalogue) Over zee, land en gezicht, Museum Valkhof, Nijmegen Grenzeloos Kijken, Film by the Sea Festival, Scheveningen Revisie, Dutch Film Festival, Centraal Museum, Utrecht Anonietta Peeters, Julika Rudelius en Lily van der Stokker, Stedelijk Museum, Schiedam Verworpenen en zondagskinderen: Aanwinsten 2003, Frans Hals Museum, Haarlem Teenage Kicks. Adolescence as subject, The Gallery, Royal Hibernian Academy, Dublin (catalogue) Wirklich wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum, Essen (catalogue) LISTE Basel, with Kunsthaus Glarus, Basel Das zweite Bild, dreizehnzwei, Vienna / Galerie Olaf Stüber, Berlin (catalogue) 2003 Link, Stedelijk Museum Amsterdam (catalogue) Contemporary Dutch Art, National Museum of Contemporary Art, Seoul (catalogue) Strangers, The First ICP Triennial of Photography and Video, International Center of Photography, New York (catalogue) Utopie van de periferie, Stedelijk Museum, Aalst Turbulence, Centre for Contemporary Art, Kiev (catalogue) Child in Time. Views of contemporary artists on youth and adolescence, Gemeentemuseum Helmond (catalogue) Turbulence, Museum voor Moderne Kunst, Arnhem Beyond beauty, Galerie Diana Stigter, Amsterdam 2002 Rendez-vous, Musée d'Art Contemporaine de Lyon, Lyon Faces, people and society, Frans Hals Museum, Haarlem There’s no accounting for other peoples relationships, Ormeau Baths Gallery, Belfast Sold, Christie’s, Amsterdam (catalogue) Non-Members only, Arti et Amicitiae, Amsterdam Jong, with Rineke Dijkstra, De Beeldbank, TU Eindhoven, Eindhoven Dark Spring, Ursula Blickle Stiftung, Kraichtal (catalogue) Non Places, Frankfurter Kunstverein, Frankfurt a. M. (catalogue) A'dam & Eve, De Appel, Amsterdam The People’s Art, Witte de With, Rotterdam (catalogue) 2001 You never walk alone, Stroom, haags centrum voor beeldende kunst, The Hague Commitment, een keuze uit drie jaar Fonds BKVB, Las Palmas, Rotterdam (catalogue) From Here to Reality – a dutch show, Index The Swedish Contmporary Art Foundation, Stockholm (catalogue) A Arte do Povo, Central Eléctrica do Freixo, Porto 2000 For Real, Stedelijk Museum, Amsterdam (catalogue) Hellenistic, W139, Amsterdam Scripted Spaces, Witte de With, Rotterdam Man muss ganz schön viel lernen um hier zu funktionieren, Frankfurter Kunstverein, Frankfurt a. M.

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