This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

Follow us on Instagram

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Bjoern Schuelke

Works


Galleries

bitforms gallery
Steven Sacks
131 Allen Street
NY 10002 New York
United States

Phone: 212 366 6939
E-Mail: info@bitforms.com




Statement

Bjoern Schuelke pursues a creative style that is equally influenced by modern abstraction and instruments of scientific measurement. The slow deliberate movements in his sculptures spatially consider mass and weight of form. Also influenced by the Dadaist tradition and Jean Tinguely, the theme of an absurd machine is key in Schuelke's work. Playfully transforming live spatial energy into active responses, his objects experiment with solar panels, infrared surveillance, and propelled wind power. Many of his larger kinetic sculptures combine elements of surveillance technologies, robotics, interactive video and sound. Schuelke's active sculptures question the way in which we interact with modern technology: on entering the installation site, the audience becomes part of the 'system' as the works (some freestanding, others suspended) monitor or react to the human element. (bitforms)


Biography

Born 1967 in Cologne

Education

1997-2000 Research artist at the GMD- German National Research Center for Information Technology, Sankt Augustin
1996-1999 Postgraduate studies at the Academy of Media Art (KHM), Cologne, class Valie Export.
1988-1993 Studies and diploma in photo and film design, Bielefeld

Solo exhibitions

2014
Bjoern Schuelke, BCA, Burlington, Vermont, USA

2012
Luftraum, bitforms gallery, NYC, USA

2008
Ueberschall, bitforms gallery, NYC, USA

2006
Bjoern Schuelke: Kinetic-Interaction-Robotic, Kornhaus Gallery, Kirchheim/Teck, Germany

2003
Aerosalon, Galerie Rachel Haferkamp, Cologne, Germany
European Media Art Festival> Bjoern Schuelke: Video- and Soundsculptures, Gallery Anette Roehr, Osnabrueck, Germany

2001
Controlled Voltage, Gallery Rachel Haferkamp, Cologne, Germany

1999
Modulator #1 y otras installaciones, Circulo de Bellas Artes, Madrid, Spain

1998
Bjoern Schuelke - Medieninstallationen, Gallery 68elf, Cologne, Germany

1996
bar jeder Zeit, 10th International Photo - Scene, Cologne, Germany

1995
Zoetrope and other works, Gallery "Artists Unlimited", Bielefeld, Germany

1994
In Progress, Exit Art, Cologne, Germany
Landung, KAOS-Gallery, Cologne, Germany

Group exhibitions (selection)

2014
thingWORLD, International Triennial of New Media Art, NAMOC, Beijing, China
Szenarien des Unheimlichen, Kunstverein Neuhausen

2013
Kinesthetics: Art Imitating Life, Pratt Gallery Manhattan, New York, USA
Transposition: Motion is Action, National Art Museum, Beijing, China.

2012
Segment#3, Borusan Contemporary, Istanbul, Turkey
Dankmal an Wagner, Kunstverein Worms
Klang, Künstlerverein Walkmühle, Wiesbaden
Art HK 11, bitforms gallery, Hong Kong

2011
Segment#1, Borusan Contemporary, Istanbul, Turkey
PULSE: Art and Technology Festival, Telfair Museum Savannah, USA

2009
Sound and Tone in the Contemporary Art, Museum Villa Rot, Burgrieden-Rot
tech-no-tech, Martin-Mullen Gallery, SUNY Oneonta, New York

2008
Vision in Motion - Motion in Vision, Verbeke Foundation, Stekene, Belgium

2007
chapter2, gallery think21, Brussels, Belgium
Summer Group Show, bitforms gallery, New York, USA
ART COLOGNE, Gallery Brigitte Schenk, Germany

2006
War in the world: Artists respond to the last five years, Hunterdon Museum of Art, Clinton, USA
Cybernetic Sensibility, Daelim Contemporary Art Museum, Seoul, Korea
Peter Vogel/Bjoern Schuelke, bitforms gallery, Seoul, Korea
Sound of Music, Maison Eclusiere, Toulouse, France
Dubois/Schuelke, bitforms gallery, New York, USA
STRP,Strijp-S, Eindhoven, Netherlands
ARCO, with bitforms gallery NYC, Spain

2005
ART COLOGNE, with Gallery Brigitte Schenk, Germany
Roboter, Opelvillen, Ruesselsheim, Germany
ArtBots, Saints Michael and John Church, Dublin, Ireland
Field Research, Gallery Brigitte Schenk, Cologne, Germany

2004
TAINMENT, NGBK, Berlin, Germany
Sequences, Peterborough Art Museum, Peterborough, England
BEAP 2004, Biennale of Electronic Arts Perth, Australia
Rauma Biennale Balticum, Rauma, Finland
Privatgruen, Fuhrwerkswaage Kunstraum, Cologne, Germany
FEEL, tactile media art, Z33, Hasselt, Belgium
Deutsche Video Kunst, Kunsthalle Erfurt, Germany
Ohlo Ciclico (cyclic eye), Museu Paulista/Ipiranga, Sao Paulo, Brazil

2003
Monitoring, Kulturbahnhof, Kassel, Germany
jeune creation, exposition internationale d'art contemporain, Paris, France

2002
Sentient Cog, 5th. Gallery, Dublin, Ireland

2001
Koeln Quartett 01, Kunstraum Fuhrwerkswaage, Cologne, Germany
Skif-5, Sergey Kuryokhin International Festival, St.Petersburg, Russia

2000
Biennale Arte Emergente, Torino, Italy
Stein der Weisen, Bonn, Germany

1998
Edison-Station, Leipzig, Germany
Licht, Museum Jena
Brueckengang, Container-Project, Art Cologne, Germany

1997
Gute und Boese Maschinen, KHM, Cologne, Germany
1997...., Cologne, Germany

1996
International Symposium of Shadows, London, England
Bewegtes Licht, Atelier Soemmering, Cologne, Germany

1995
Essen und Trinken, KAOS-Gallery, Cologne, Germany

Awards

2002
German Video-Installation-Award for "Drone#2", Marl
2000
Biennale Arte Emergente Torino, Italy, Amica Special Award for "Modulator #1

Collections

Borusan Art Collection, Turkey
City of San Jose, USA
Bank of America, USA
21c Museum, Louisville, KY, USA
Progressive, USA
Neiman Marcus, USA
Sharjah Art Museum, United Arab Emirates
Sculpturemuseum Glaskasten, Marl, Germany
Research Center Juelich, Germany
Private collections in Europe and the United States

Bjoern Schuelke
Born 1967 in Cologne Education 1997-2000 Research artist at the GMD- German National Research Center for Information Technology, Sankt Augustin 1996-1999 Postgraduate studies at the Academy of Media Art (KHM), Cologne, class Valie Export. 1988-1993 Studies and diploma in photo and film design, Bielefeld Solo exhibitions 2014 Bjoern Schuelke, BCA, Burlington, Vermont, USA 2012 Luftraum, bitforms gallery, NYC, USA 2008 Ueberschall, bitforms gallery, NYC, USA 2006 Bjoern Schuelke: Kinetic-Interaction-Robotic, Kornhaus Gallery, Kirchheim/Teck, Germany 2003 Aerosalon, Galerie Rachel Haferkamp, Cologne, Germany European Media Art Festival> Bjoern Schuelke: Video- and Soundsculptures, Gallery Anette Roehr, Osnabrueck, Germany 2001 Controlled Voltage, Gallery Rachel Haferkamp, Cologne, Germany 1999 Modulator #1 y otras installaciones, Circulo de Bellas Artes, Madrid, Spain 1998 Bjoern Schuelke - Medieninstallationen, Gallery 68elf, Cologne, Germany 1996 bar jeder Zeit, 10th International Photo - Scene, Cologne, Germany 1995 Zoetrope and other works, Gallery Artists Unlimited, Bielefeld, Germany 1994 In Progress, Exit Art, Cologne, Germany Landung, KAOS-Gallery, Cologne, Germany Group exhibitions (selection) 2014 thingWORLD, International Triennial of New Media Art, NAMOC, Beijing, China Szenarien des Unheimlichen, Kunstverein Neuhausen 2013 Kinesthetics: Art Imitating Life, Pratt Gallery Manhattan, New York, USA Transposition: Motion is Action, National Art Museum, Beijing, China. 2012 Segment#3, Borusan Contemporary, Istanbul, Turkey Dankmal an Wagner, Kunstverein Worms Klang, Künstlerverein Walkmühle, Wiesbaden Art HK 11, bitforms gallery, Hong Kong 2011 Segment#1, Borusan Contemporary, Istanbul, Turkey PULSE: Art and Technology Festival, Telfair Museum Savannah, USA 2009 Sound and Tone in the Contemporary Art, Museum Villa Rot, Burgrieden-Rot tech-no-tech, Martin-Mullen Gallery, SUNY Oneonta, New York 2008 Vision in Motion - Motion in Vision, Verbeke Foundation, Stekene, Belgium 2007 chapter2, gallery think21, Brussels, Belgium Summer Group Show, bitforms gallery, New York, USA ART COLOGNE, Gallery Brigitte Schenk, Germany 2006 War in the world: Artists respond to the last five years, Hunterdon Museum of Art, Clinton, USA Cybernetic Sensibility, Daelim Contemporary Art Museum, Seoul, Korea Peter Vogel/Bjoern Schuelke, bitforms gallery, Seoul, Korea Sound of Music, Maison Eclusiere, Toulouse, France Dubois/Schuelke, bitforms gallery, New York, USA STRP,Strijp-S, Eindhoven, Netherlands ARCO, with bitforms gallery NYC, Spain 2005 ART COLOGNE, with Gallery Brigitte Schenk, Germany Roboter, Opelvillen, Ruesselsheim, Germany ArtBots, Saints Michael and John Church, Dublin, Ireland Field Research, Gallery Brigitte Schenk, Cologne, Germany 2004 TAINMENT, NGBK, Berlin, Germany Sequences, Peterborough Art Museum, Peterborough, England BEAP 2004, Biennale of Electronic Arts Perth, Australia Rauma Biennale Balticum, Rauma, Finland Privatgruen, Fuhrwerkswaage Kunstraum, Cologne, Germany FEEL, tactile media art, Z33, Hasselt, Belgium Deutsche Video Kunst, Kunsthalle Erfurt, Germany Ohlo Ciclico (cyclic eye), Museu Paulista/Ipiranga, Sao Paulo, Brazil 2003 Monitoring, Kulturbahnhof, Kassel, Germany jeune creation, exposition internationale d'art contemporain, Paris, France 2002 Sentient Cog, 5th. Gallery, Dublin, Ireland 2001 Koeln Quartett 01, Kunstraum Fuhrwerkswaage, Cologne, Germany Skif-5, Sergey Kuryokhin International Festival, St.Petersburg, Russia 2000 Biennale Arte Emergente, Torino, Italy Stein der Weisen, Bonn, Germany 1998 Edison-Station, Leipzig, Germany Licht, Museum Jena Brueckengang, Container-Project, Art Cologne, Germany 1997 Gute und Boese Maschinen, KHM, Cologne, Germany 1997...., Cologne, Germany 1996 International Symposium of Shadows, London, England Bewegtes Licht, Atelier Soemmering, Cologne, Germany 1995 Essen und Trinken, KAOS-Gallery, Cologne, Germany Awards 2002 German Video-Installation-Award for Drone#2, Marl 2000 Biennale Arte Emergente Torino, Italy, Amica Special Award for Modulator #1 Collections Borusan Art Collection, Turkey City of San Jose, USA Bank of America, USA 21c Museum, Louisville, KY, USA Progressive, USA Neiman Marcus, USA Sharjah Art Museum, United Arab Emirates Sculpturemuseum Glaskasten, Marl, Germany Research Center Juelich, Germany Private collections in Europe and the United States

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.