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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Bjoern Schuelke

Works


Galleries

bitforms gallery
Steven Sacks
131 Allen Street
NY 10002 New York
United States

Phone: 212 366 6939
E-Mail: info@bitforms.com




Statement

Bjoern Schuelke pursues a creative style that is equally influenced by modern abstraction and instruments of scientific measurement. The slow deliberate movements in his sculptures spatially consider mass and weight of form. Also influenced by the Dadaist tradition and Jean Tinguely, the theme of an absurd machine is key in Schuelke's work. Playfully transforming live spatial energy into active responses, his objects experiment with solar panels, infrared surveillance, and propelled wind power. Many of his larger kinetic sculptures combine elements of surveillance technologies, robotics, interactive video and sound. Schuelke's active sculptures question the way in which we interact with modern technology: on entering the installation site, the audience becomes part of the 'system' as the works (some freestanding, others suspended) monitor or react to the human element. (bitforms)


Biography

Born 1967 in Cologne

Education

1997-2000 Research artist at the GMD- German National Research Center for Information Technology, Sankt Augustin
1996-1999 Postgraduate studies at the Academy of Media Art (KHM), Cologne, class Valie Export.
1988-1993 Studies and diploma in photo and film design, Bielefeld

Solo exhibitions

2014
Bjoern Schuelke, BCA, Burlington, Vermont, USA

2012
Luftraum, bitforms gallery, NYC, USA

2008
Ueberschall, bitforms gallery, NYC, USA

2006
Bjoern Schuelke: Kinetic-Interaction-Robotic, Kornhaus Gallery, Kirchheim/Teck, Germany

2003
Aerosalon, Galerie Rachel Haferkamp, Cologne, Germany
European Media Art Festival> Bjoern Schuelke: Video- and Soundsculptures, Gallery Anette Roehr, Osnabrueck, Germany

2001
Controlled Voltage, Gallery Rachel Haferkamp, Cologne, Germany

1999
Modulator #1 y otras installaciones, Circulo de Bellas Artes, Madrid, Spain

1998
Bjoern Schuelke - Medieninstallationen, Gallery 68elf, Cologne, Germany

1996
bar jeder Zeit, 10th International Photo - Scene, Cologne, Germany

1995
Zoetrope and other works, Gallery "Artists Unlimited", Bielefeld, Germany

1994
In Progress, Exit Art, Cologne, Germany
Landung, KAOS-Gallery, Cologne, Germany

Group exhibitions (selection)

2014
thingWORLD, International Triennial of New Media Art, NAMOC, Beijing, China
Szenarien des Unheimlichen, Kunstverein Neuhausen

2013
Kinesthetics: Art Imitating Life, Pratt Gallery Manhattan, New York, USA
Transposition: Motion is Action, National Art Museum, Beijing, China.

2012
Segment#3, Borusan Contemporary, Istanbul, Turkey
Dankmal an Wagner, Kunstverein Worms
Klang, Künstlerverein Walkmühle, Wiesbaden
Art HK 11, bitforms gallery, Hong Kong

2011
Segment#1, Borusan Contemporary, Istanbul, Turkey
PULSE: Art and Technology Festival, Telfair Museum Savannah, USA

2009
Sound and Tone in the Contemporary Art, Museum Villa Rot, Burgrieden-Rot
tech-no-tech, Martin-Mullen Gallery, SUNY Oneonta, New York

2008
Vision in Motion - Motion in Vision, Verbeke Foundation, Stekene, Belgium

2007
chapter2, gallery think21, Brussels, Belgium
Summer Group Show, bitforms gallery, New York, USA
ART COLOGNE, Gallery Brigitte Schenk, Germany

2006
War in the world: Artists respond to the last five years, Hunterdon Museum of Art, Clinton, USA
Cybernetic Sensibility, Daelim Contemporary Art Museum, Seoul, Korea
Peter Vogel/Bjoern Schuelke, bitforms gallery, Seoul, Korea
Sound of Music, Maison Eclusiere, Toulouse, France
Dubois/Schuelke, bitforms gallery, New York, USA
STRP,Strijp-S, Eindhoven, Netherlands
ARCO, with bitforms gallery NYC, Spain

2005
ART COLOGNE, with Gallery Brigitte Schenk, Germany
Roboter, Opelvillen, Ruesselsheim, Germany
ArtBots, Saints Michael and John Church, Dublin, Ireland
Field Research, Gallery Brigitte Schenk, Cologne, Germany

2004
TAINMENT, NGBK, Berlin, Germany
Sequences, Peterborough Art Museum, Peterborough, England
BEAP 2004, Biennale of Electronic Arts Perth, Australia
Rauma Biennale Balticum, Rauma, Finland
Privatgruen, Fuhrwerkswaage Kunstraum, Cologne, Germany
FEEL, tactile media art, Z33, Hasselt, Belgium
Deutsche Video Kunst, Kunsthalle Erfurt, Germany
Ohlo Ciclico (cyclic eye), Museu Paulista/Ipiranga, Sao Paulo, Brazil

2003
Monitoring, Kulturbahnhof, Kassel, Germany
jeune creation, exposition internationale d'art contemporain, Paris, France

2002
Sentient Cog, 5th. Gallery, Dublin, Ireland

2001
Koeln Quartett 01, Kunstraum Fuhrwerkswaage, Cologne, Germany
Skif-5, Sergey Kuryokhin International Festival, St.Petersburg, Russia

2000
Biennale Arte Emergente, Torino, Italy
Stein der Weisen, Bonn, Germany

1998
Edison-Station, Leipzig, Germany
Licht, Museum Jena
Brueckengang, Container-Project, Art Cologne, Germany

1997
Gute und Boese Maschinen, KHM, Cologne, Germany
1997...., Cologne, Germany

1996
International Symposium of Shadows, London, England
Bewegtes Licht, Atelier Soemmering, Cologne, Germany

1995
Essen und Trinken, KAOS-Gallery, Cologne, Germany

Awards

2002
German Video-Installation-Award for "Drone#2", Marl
2000
Biennale Arte Emergente Torino, Italy, Amica Special Award for "Modulator #1

Collections

Borusan Art Collection, Turkey
City of San Jose, USA
Bank of America, USA
21c Museum, Louisville, KY, USA
Progressive, USA
Neiman Marcus, USA
Sharjah Art Museum, United Arab Emirates
Sculpturemuseum Glaskasten, Marl, Germany
Research Center Juelich, Germany
Private collections in Europe and the United States

Bjoern Schuelke
Born 1967 in Cologne Education 1997-2000 Research artist at the GMD- German National Research Center for Information Technology, Sankt Augustin 1996-1999 Postgraduate studies at the Academy of Media Art (KHM), Cologne, class Valie Export. 1988-1993 Studies and diploma in photo and film design, Bielefeld Solo exhibitions 2014 Bjoern Schuelke, BCA, Burlington, Vermont, USA 2012 Luftraum, bitforms gallery, NYC, USA 2008 Ueberschall, bitforms gallery, NYC, USA 2006 Bjoern Schuelke: Kinetic-Interaction-Robotic, Kornhaus Gallery, Kirchheim/Teck, Germany 2003 Aerosalon, Galerie Rachel Haferkamp, Cologne, Germany European Media Art Festival> Bjoern Schuelke: Video- and Soundsculptures, Gallery Anette Roehr, Osnabrueck, Germany 2001 Controlled Voltage, Gallery Rachel Haferkamp, Cologne, Germany 1999 Modulator #1 y otras installaciones, Circulo de Bellas Artes, Madrid, Spain 1998 Bjoern Schuelke - Medieninstallationen, Gallery 68elf, Cologne, Germany 1996 bar jeder Zeit, 10th International Photo - Scene, Cologne, Germany 1995 Zoetrope and other works, Gallery Artists Unlimited, Bielefeld, Germany 1994 In Progress, Exit Art, Cologne, Germany Landung, KAOS-Gallery, Cologne, Germany Group exhibitions (selection) 2014 thingWORLD, International Triennial of New Media Art, NAMOC, Beijing, China Szenarien des Unheimlichen, Kunstverein Neuhausen 2013 Kinesthetics: Art Imitating Life, Pratt Gallery Manhattan, New York, USA Transposition: Motion is Action, National Art Museum, Beijing, China. 2012 Segment#3, Borusan Contemporary, Istanbul, Turkey Dankmal an Wagner, Kunstverein Worms Klang, Künstlerverein Walkmühle, Wiesbaden Art HK 11, bitforms gallery, Hong Kong 2011 Segment#1, Borusan Contemporary, Istanbul, Turkey PULSE: Art and Technology Festival, Telfair Museum Savannah, USA 2009 Sound and Tone in the Contemporary Art, Museum Villa Rot, Burgrieden-Rot tech-no-tech, Martin-Mullen Gallery, SUNY Oneonta, New York 2008 Vision in Motion - Motion in Vision, Verbeke Foundation, Stekene, Belgium 2007 chapter2, gallery think21, Brussels, Belgium Summer Group Show, bitforms gallery, New York, USA ART COLOGNE, Gallery Brigitte Schenk, Germany 2006 War in the world: Artists respond to the last five years, Hunterdon Museum of Art, Clinton, USA Cybernetic Sensibility, Daelim Contemporary Art Museum, Seoul, Korea Peter Vogel/Bjoern Schuelke, bitforms gallery, Seoul, Korea Sound of Music, Maison Eclusiere, Toulouse, France Dubois/Schuelke, bitforms gallery, New York, USA STRP,Strijp-S, Eindhoven, Netherlands ARCO, with bitforms gallery NYC, Spain 2005 ART COLOGNE, with Gallery Brigitte Schenk, Germany Roboter, Opelvillen, Ruesselsheim, Germany ArtBots, Saints Michael and John Church, Dublin, Ireland Field Research, Gallery Brigitte Schenk, Cologne, Germany 2004 TAINMENT, NGBK, Berlin, Germany Sequences, Peterborough Art Museum, Peterborough, England BEAP 2004, Biennale of Electronic Arts Perth, Australia Rauma Biennale Balticum, Rauma, Finland Privatgruen, Fuhrwerkswaage Kunstraum, Cologne, Germany FEEL, tactile media art, Z33, Hasselt, Belgium Deutsche Video Kunst, Kunsthalle Erfurt, Germany Ohlo Ciclico (cyclic eye), Museu Paulista/Ipiranga, Sao Paulo, Brazil 2003 Monitoring, Kulturbahnhof, Kassel, Germany jeune creation, exposition internationale d'art contemporain, Paris, France 2002 Sentient Cog, 5th. Gallery, Dublin, Ireland 2001 Koeln Quartett 01, Kunstraum Fuhrwerkswaage, Cologne, Germany Skif-5, Sergey Kuryokhin International Festival, St.Petersburg, Russia 2000 Biennale Arte Emergente, Torino, Italy Stein der Weisen, Bonn, Germany 1998 Edison-Station, Leipzig, Germany Licht, Museum Jena Brueckengang, Container-Project, Art Cologne, Germany 1997 Gute und Boese Maschinen, KHM, Cologne, Germany 1997...., Cologne, Germany 1996 International Symposium of Shadows, London, England Bewegtes Licht, Atelier Soemmering, Cologne, Germany 1995 Essen und Trinken, KAOS-Gallery, Cologne, Germany Awards 2002 German Video-Installation-Award for Drone#2, Marl 2000 Biennale Arte Emergente Torino, Italy, Amica Special Award for Modulator #1 Collections Borusan Art Collection, Turkey City of San Jose, USA Bank of America, USA 21c Museum, Louisville, KY, USA Progressive, USA Neiman Marcus, USA Sharjah Art Museum, United Arab Emirates Sculpturemuseum Glaskasten, Marl, Germany Research Center Juelich, Germany Private collections in Europe and the United States

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