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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

William Lamson

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Statement

William Lamson is a Brooklyn based artist who works in video, photography, performance and sculpture. His work addresses issues of masculinity, amateurism, science, play and the quixotic quest for personal heroism that accompanies these subjects. Lamson received his MFA from Bard in 2006 and his BA from Dartmouth in 2000. His work has been shown at P.S.1, The Brooklyn Museum, Pierogi Gallery and the Museum of Fine Arts in Santa Fe among others.


Biography

Born Arlington, Virginia.
Resides in Brooklyn, New York.

Education

2003 - 2006 Bard College, MFA.
1996 - 2000 Dartmouth College, BA.

Selected solo exhibitions

2015
In the Roaring Garden, Anita Beckers Gallery, Frankfurt, Germany

2014
Hydrologies, Utah Museum of Contemporary Art, Salt Lake City, UT
Action for the Delaware, Honor Fraser, Los Angeles, CA.
Between Now and Forever, Antenna, New Orleans, LA.

2013
A Certain Slant of Light, University Art Museum, State University at Albany, NY.
Action for the Delaware, Musuem of Contemporary Art, Denver, CO.
Action for the Paiva, Robishon Gallery, Denver, CO.
Mercy of the Waves, Whittier College, Los Angles, CA.

2012
Draw a Line and Follow It, New Mexico State University Gallery, Las Cruces, NM.
Action for the Delaware, Pierogi. Brooklyn, NY.
Architecture of the Invisible: Andrea Galvani William Lamson. Tatiana Kourochinkina, Barcelona, Spain.

2011
Divining Meteorology, Indianapolis Museum of Art, Indianapolis, IN.
A Line Describing The Sun, Honor Fraser, Los Angeles, CA.
A Line Describing The Sun, Texas State University, San Marcos, TX

2010
A Line Describing The Sun, Pierogi. Brooklyn, NY.
On Earth, Kunsthalle Erfurt, Germany.
In the Making, Roger William College, Bristol, RI.

2009
Time is Like The East River, Artspace. New Haven, CT.
Automatic, Marty Walker Gallery. Dallas, TX.
Work and Trade. Pierogi. Brooklyn, NY.
Selected Videos, Nieuwe Vide, Harleem, The Netherlands.

2008
Actions, Franklin Art Works, Minneapolis, MN.
Hunt and Gather, Vox Populi, Philadelphia, PA.
Actions, Marty Walker Gallery. Dallas, TX.
Experiment. Robischon Gallery. Denver, CO

2007
Sublunar, Pierogi. Leipzig, Germany.
Selected Videos, Crawl Space. Seattle.
Selected Videos, Stills Gallery. Sydney, Australia.

Group exhibitions

2015
Gatherings, Fergus McCaffrey, New York, NY.
Moving Pictures, Kunstverein Marburger, Germany.
POPart, New Media Gallery, Vancouver, Canada
Measuring the Immeasurable, Sabrina Amrani Gallery, Madrid, Spain
An Other Land, Prosjektrom Normanns, Stavanger, Norway

2014
Walden, Revisited. deCordova Sculpture Park and Museum, Lincoln MA
Crossing Brooklyn, Brooklyn Musuem, Brooklyn NY
Double Back, Photographic Reflexivity. University of Maryland Art Gallery, College Park.

2013
Video Art Series, Creative Time + Standard Hotel, New York, Miami, Los Angeles.
Maneuvers, Voorkamer, Lier, Belgium.
Mapping the Whole, Brigham Young University, Provo, Utah.

2012
Light and Landscape, Storm King Art Center, Mountainville, NY.
America in View: Landscape Photography 1865 Until Now. RISD Museum of Art, Providence, RI.
William Lamson, Jules Marquis and Jani Ruscica. Galerie West, The Hague. Netherlands.
Broken Desert-Land and Sea: Greg Lindquist, Chris McGinnis, Mary Mattingly, William Lamson, University
of Arizona Museum of Art, Tuscon, AZ.
Four by Four: Collector Series, Victoria H. Myhren Gallery, University of Denver, Denver, CO.
The Eye of the Collector, Villa delle Rose, Bolonga, Italy.
Glass Ceiling, Kate Werble Gallery, New York, NY.

2011
The Arthouse Squat - Moscow Biennale, Moscow, Russia.
No One Is An Island, LMCC Gallery at Governor’s Island. NY, NY.
Hohenrausch.2, OK Offenes Kulturhaus, Linz Austria.
Artists Tell Stories (mostly about themselves), Scottsdale Museum of Contemporary Art, Scottsdale, AZ
Subjective / Objective, Pierogi, Brooklyn NY

2010
Covering Ground, Robischon Gallery. Denver, CO.
No Show, Spencer Brownstone, New York, NY.

2009
Artist as Performer, Houston Center For Photography. Houston TX.
Crossing Lines, Delaware Center for the Contemporary Arts, Wilmington, DE.
Destroy Everything You Touch. Espai d’Art. Grandia, Spain.
I Like Winners: Sports and Selfhood. Sheppard Fine Art Gallery, University of Nevada. Reno.

2008
Space+Earth+Wo/men. ACC Weimar, Weimar, Germany.
Things Are Strange. New Century Artists. New York, NY.
Tension/Release. Caren Golden Fine Art. New York, NY.
Apocalyptic Summer. Pierogi, Brooklyn NY
Action.Stop.Action. Vox Populi. Philadelphia PA.
Summer Mix Tape Volume 1. Exit Art. New York, NY.
Specter. CRG, New York, NY.
New American Talent: 23. Arthouse. Austin, Texas.
Primary. Kendal College of Art and Design. Grand Rapids, MI.
Out Of Place, Robischon Gallery. Denver, CO.
Art on the Edge, Museum of Fine Arts. Santa Fe, NM.

2007
Exposure, Rotunda Gallery. Brooklyn, NY.
Shadow Show, Real Art Ways. Harford, CT.
Float, Socrates Sculpture Park. Long Island City, NY.
The Whole Sea Is Storming, Pierogi. Leipzig, Germany.
Orpheus Selection: In Search of Darkness, P.S.1. Long Island City, NY.
Easy Rider, Yancey Richardson Gallery. New York, NY.
Natural Selection, Pierogi. Brooklyn, NY.
Pierogi Flatfiling, Artnews Projects. Berlin, Germany.
Flight of Fancy, Museum of Fine Arts. Santa Fe, NM.
Young Portfolio Acquisition 2006, Kiyosato Museum of Photographic Arts. Kiyosato, Japan.

2006
Factitious, Pierogi. Leipzig, Germany.
Looking Back at Ground Zero, Brooklyn Museum. Brooklyn, NY.
Thesis Show, Bard MFA. Red Hook, NY..
Factitious, Pierogi. Brooklyn, NY.
Think Twice, Young American Photography, TH Inside. Milan. Italy.

Residencies, fellowships, awards

2014 Guggenheim Fellowship
2013 Shifting Foundation Grant
BOXO Residency, Joshua Tree California
2011 Finishing Funds Grant, Experimental Television Center
2010 Binaural Residency, Nodar Portugal
Center For Land Use Interpretation Residency. West Wendover, Nevada
2009 MacDowell Fellowship
2005 “New Photographers 2006” Cannes International Advertising Festival
“PDN’s 30 Emerging Photographers to Watch

Collections

Brooklyn Museum
Dallas Museum of Art
Indianapolis Museum of Art
Houston Museum of Fine Arts
Utah Museum of Fine Arts
West Collection

William Lamson
Born Arlington, Virginia. Resides in Brooklyn, New York. Education 2003 - 2006 Bard College, MFA. 1996 - 2000 Dartmouth College, BA. Selected solo exhibitions 2015 In the Roaring Garden, Anita Beckers Gallery, Frankfurt, Germany 2014 Hydrologies, Utah Museum of Contemporary Art, Salt Lake City, UT Action for the Delaware, Honor Fraser, Los Angeles, CA. Between Now and Forever, Antenna, New Orleans, LA. 2013 A Certain Slant of Light, University Art Museum, State University at Albany, NY. Action for the Delaware, Musuem of Contemporary Art, Denver, CO. Action for the Paiva, Robishon Gallery, Denver, CO. Mercy of the Waves, Whittier College, Los Angles, CA. 2012 Draw a Line and Follow It, New Mexico State University Gallery, Las Cruces, NM. Action for the Delaware, Pierogi. Brooklyn, NY. Architecture of the Invisible: Andrea Galvani William Lamson. Tatiana Kourochinkina, Barcelona, Spain. 2011 Divining Meteorology, Indianapolis Museum of Art, Indianapolis, IN. A Line Describing The Sun, Honor Fraser, Los Angeles, CA. A Line Describing The Sun, Texas State University, San Marcos, TX 2010 A Line Describing The Sun, Pierogi. Brooklyn, NY. On Earth, Kunsthalle Erfurt, Germany. In the Making, Roger William College, Bristol, RI. 2009 Time is Like The East River, Artspace. New Haven, CT. Automatic, Marty Walker Gallery. Dallas, TX. Work and Trade. Pierogi. Brooklyn, NY. Selected Videos, Nieuwe Vide, Harleem, The Netherlands. 2008 Actions, Franklin Art Works, Minneapolis, MN. Hunt and Gather, Vox Populi, Philadelphia, PA. Actions, Marty Walker Gallery. Dallas, TX. Experiment. Robischon Gallery. Denver, CO 2007 Sublunar, Pierogi. Leipzig, Germany. Selected Videos, Crawl Space. Seattle. Selected Videos, Stills Gallery. Sydney, Australia. Group exhibitions 2015 Gatherings, Fergus McCaffrey, New York, NY. Moving Pictures, Kunstverein Marburger, Germany. POPart, New Media Gallery, Vancouver, Canada Measuring the Immeasurable, Sabrina Amrani Gallery, Madrid, Spain An Other Land, Prosjektrom Normanns, Stavanger, Norway 2014 Walden, Revisited. deCordova Sculpture Park and Museum, Lincoln MA Crossing Brooklyn, Brooklyn Musuem, Brooklyn NY Double Back, Photographic Reflexivity. University of Maryland Art Gallery, College Park. 2013 Video Art Series, Creative Time + Standard Hotel, New York, Miami, Los Angeles. Maneuvers, Voorkamer, Lier, Belgium. Mapping the Whole, Brigham Young University, Provo, Utah. 2012 Light and Landscape, Storm King Art Center, Mountainville, NY. America in View: Landscape Photography 1865 Until Now. RISD Museum of Art, Providence, RI. William Lamson, Jules Marquis and Jani Ruscica. Galerie West, The Hague. Netherlands. Broken Desert-Land and Sea: Greg Lindquist, Chris McGinnis, Mary Mattingly, William Lamson, University of Arizona Museum of Art, Tuscon, AZ. Four by Four: Collector Series, Victoria H. Myhren Gallery, University of Denver, Denver, CO. The Eye of the Collector, Villa delle Rose, Bolonga, Italy. Glass Ceiling, Kate Werble Gallery, New York, NY. 2011 The Arthouse Squat - Moscow Biennale, Moscow, Russia. No One Is An Island, LMCC Gallery at Governor’s Island. NY, NY. Hohenrausch.2, OK Offenes Kulturhaus, Linz Austria. Artists Tell Stories (mostly about themselves), Scottsdale Museum of Contemporary Art, Scottsdale, AZ Subjective / Objective, Pierogi, Brooklyn NY 2010 Covering Ground, Robischon Gallery. Denver, CO. No Show, Spencer Brownstone, New York, NY. 2009 Artist as Performer, Houston Center For Photography. Houston TX. Crossing Lines, Delaware Center for the Contemporary Arts, Wilmington, DE. Destroy Everything You Touch. Espai d’Art. Grandia, Spain. I Like Winners: Sports and Selfhood. Sheppard Fine Art Gallery, University of Nevada. Reno. 2008 Space+Earth+Wo/men. ACC Weimar, Weimar, Germany. Things Are Strange. New Century Artists. New York, NY. Tension/Release. Caren Golden Fine Art. New York, NY. Apocalyptic Summer. Pierogi, Brooklyn NY Action.Stop.Action. Vox Populi. Philadelphia PA. Summer Mix Tape Volume 1. Exit Art. New York, NY. Specter. CRG, New York, NY. New American Talent: 23. Arthouse. Austin, Texas. Primary. Kendal College of Art and Design. Grand Rapids, MI. Out Of Place, Robischon Gallery. Denver, CO. Art on the Edge, Museum of Fine Arts. Santa Fe, NM. 2007 Exposure, Rotunda Gallery. Brooklyn, NY. Shadow Show, Real Art Ways. Harford, CT. Float, Socrates Sculpture Park. Long Island City, NY. The Whole Sea Is Storming, Pierogi. Leipzig, Germany. Orpheus Selection: In Search of Darkness, P.S.1. Long Island City, NY. Easy Rider, Yancey Richardson Gallery. New York, NY. Natural Selection, Pierogi. Brooklyn, NY. Pierogi Flatfiling, Artnews Projects. Berlin, Germany. Flight of Fancy, Museum of Fine Arts. Santa Fe, NM. Young Portfolio Acquisition 2006, Kiyosato Museum of Photographic Arts. Kiyosato, Japan. 2006 Factitious, Pierogi. Leipzig, Germany. Looking Back at Ground Zero, Brooklyn Museum. Brooklyn, NY. Thesis Show, Bard MFA. Red Hook, NY.. Factitious, Pierogi. Brooklyn, NY. Think Twice, Young American Photography, TH Inside. Milan. Italy. Residencies, fellowships, awards 2014 Guggenheim Fellowship 2013 Shifting Foundation Grant BOXO Residency, Joshua Tree California 2011 Finishing Funds Grant, Experimental Television Center 2010 Binaural Residency, Nodar Portugal Center For Land Use Interpretation Residency. West Wendover, Nevada 2009 MacDowell Fellowship 2005 “New Photographers 2006” Cannes International Advertising Festival “PDN’s 30 Emerging Photographers to Watch Collections Brooklyn Museum Dallas Museum of Art Indianapolis Museum of Art Houston Museum of Fine Arts Utah Museum of Fine Arts West Collection

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