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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.

image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Critics’ Pick: Loop Fair Barcelona 2018 by Nicole Büsing and Heiko Klaas

Barcelona. At the end of November 2018 the 16th edition of the video fair LOOP took place in Barcelona. Founded by the gallery owners Emilio Álvarez and Carlos Durán, the special fair is internationally regarded as the most important meeting of the video scene. During the three intensive days of the fair, embedded in the ten-day LOOP Festival, artistic director Carolina Ciuti succeeded in bringing important protagonists of the international video scene to the Catalan capital.
Image: © Hans Op de Beeck

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

64th International Short Film Festival Oberhausen 2018

In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events and in its 64th issue over 500 films were shown selected out of more than 7.000 films submitted.
Image: © Dimitri Venkov

Christoph Faulhaber: Revolution & Architecture

Kunsthalle Osnabrück / June 15 to October 2, 2018
With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.
image: © Richard Mosse

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Nate Harrison

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

Born 1972, Eugene, Oregon
Lives in Brooklyn, New York

Education

2014 PhD Art and Media History, Theory and Criticism, University of California, San Diego
dissertation: Appropriation Art and U.S. Intellectual Property Law Since 1976
2005 MFA, California Institute of the Arts
1994 BFA, University of Michigan

Residencies and extracurricular activities

2011 Whitney Museum of American Art Independent Study Program (Critical Studies track)
2010 VLA Art & Law Residency Program, New York
2008 Seminar in Experimental Critical Theory V, University of California, Irvine

Publications

2015
“Practicing Contradictions,” in Daniel McClean, ed., Timelines: Artistic Authorship and Legacy (Ridinghouse, forthcoming)
“Response to A Knight’s Heritage: Three Episodes in the Work of Karl Haendel,” Art Journal Open (forthcoming)
“What Is Transformative?,” The Enemy Reader, Volume II, Number II
“How to Sue Richard Prince and Win,” American Suburb X
2014
“Reflections on the Amen Break: A Continued History, An Unsettled Ethics,” in Navas, Gallagher and Burrough, eds., The Routledge Companion to Remix Studies (Routledge)
“Review: Copyfraud and Other Abuses of Intellectual Property Law, by Jason Mazzone,” Visual Resources: An International Journal of Documentation, Volume 30, Issue 1
2013
“Immanence of Intervention, Revival of Critique,” Untitled Magazine, Pacific Northwest College of Art
“In Fair Use, Freedom Does Not Equal Progress,” Antenna Blog, Department of Communication Arts, University of Wisconsin-Madison
2012
“Appropriation Art, Subjectivism, Crisis: The Battle for Fair Uses,” in Chris and Gerstner, eds., Media Authorship (Routledge)
“The Yes Men: Parody in Aesthetics and Protest,” in MATERIAL #3 (Material Press, Los Angeles)
“The Pictures Generation, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity,” art&education.net
2010
“Fared Use: A Political Economy of the Digitally Empowered Subject,” in The Sound of Downloading Makes Me

Selected exhibitions, screenings and performances

2013
MOVING_IMAGE, a contemporary ABC, Gaîté Lyrique, Paris, France
Le tamis et le Sable 1/3: Mélodies en sous-sol, La Maison Populaire, Montreuil, France

2012
VIDEOFEST2K12, Baja California, Mexico
Images Against Darkness: Video Art from the Archive of IMAI, KIT - Kunst im Tunnel, Düsseldorf, Germany
Twice - Told Tales, O'Born Contemporary, Toronto, Canada
Videonale: Dialogue in Contemporary Video Art, National Taiwan Museum of Fine Arts

2011
28th Kassel Documentary Film and Video Festival, Kunsthalle Fridericianum, Kassel, Germany
Mass Distractions & Cultural Decay, Mason Gross Galleries, Rutgers University, New Jersey
Videonale at GoMA, Gallery of Modern Art, Glasgow, Scotland
Timecoloured Place, Oonagh Young Gallery, Dublin, Ireland
Black Sound White Cube, Kunstquartier Bethanien/Studio 1, Berlin, Germany
Rencontres Internationales Paris/Madrid/Berlin, Haus der Kulturen der Welt, Berlin, Germany
Louie Louie, Cneai de Paris, Paris, France
Rencontres Internationales Paris/Berlin/Madrid, Filmoteca Española, Madrid, Spain
Videonale at Video Re:View Festival, BWA Contemporary Art Gallery, Katowice, Poland
Videonale 13, Kunstmuseum Bonn, Bonn, Germany
A Purpose On Image, Beton 7, Athens, Greece
LIVRET II, Galerie Art:Concept, Paris, France
I Like The Art World And The Art World Likes Me, EFA Project Space, New York

2010
21st Century Outlook, FRAC Ile de France/Le Plateau, Paris, France
Rencontres Internationales Paris/Berlin/Madrid at Centre Pompidou, Paris, France
Hard to Sell, Good to Have, Palais Sturany, Vienna, Austria
CopyClash, ROT(T)TERDAM project space, Rotterdam, The Netherlands
VLA Art & Law Residency Exhibition, Maccarone, New York
Home and Garden, The Museum of Jurrasic Technology, Los Angeles
Dub Shop, Kleio Priojects, New York
The Amen Break, Galerie Thomas Flor, Düsseldorf, Germany

2009
Mostra Kino Beat, Usina do Gasômetro, Porto Alegre, Brazil
After All, Everything Is Different In The End, Higher Institute for Fine Arts, Ghent, Belgium
Roughler TV at Portobello Film Festival, The Tabernacle, London

2008
California Biennial, Orange County Museum of Art, Newport Beach, California (as ESL)
Floteson: Sonic Sources, Courses and Rearrangements, KHM Gallery, Malmö, Sweden
HollyWould, Freewaves 11th Festival of New Media Arts, Los Angeles
Rencontres Internationales Paris/Berlin/Madrid 2008, Haus der Kulturen der Welt, Berlin, Germany
Anna Kournivkova Deleted by Memeright Trusted System, Hartware MedienKunstVerein, Dortmund, Germany
Gevonden/Found/Trouvé, Voorkamer VZW, Lier, Belgium
Rencontres Internationales Paris/Berlin/Madrid 2008, Auditorio del Ministerio de Cultura, Madrid, Spain
Medium Cool, 10th Annual Video Marathon, Art in General, New York

2007
6 Sessions (with Axel Stockburger), Secession, Vienna, Austria
Victory Virtual, Galerie Sara Guedj, Paris, France
Rencontres Internationales Paris/Berlin/Madrid 2007, Cinema l'Entrepôt, Paris, France
Rhythm From Wreckage, DIVA Center, Eugene, Oregon
Copy Your Idols!, Periferiak07 / Arteleku Audiolab, University of the Basque Country, Bilbao, Spain
Rainer Ganahl, Mario Garcia Torres, Nate Harrison, Hugo Hopping and John Menick have agreed to participate in
an exhibition organized by __________ at Sandroni Rey, April 14 through May 19, 2007, Sandroni Rey, Los Angeles
Rokolectiv Festival, National Museum of Contemporary Art, Bucharest, Romania
Our Distance From Things, TELIC Arts Exchange, Los Angeles
Building Space, Club Transmediale, Berlin, Germany

2006
Eat the Market, Los Angeles County Museum of Art, Los Angeles (as ESL)
Royal Alumni, Enjoy Public Art Gallery, Wellington, New Zealand
Music on Screen - Musikmaschinen und Videomusik, Galerie Olaf Stüber, Berlin, Germany
Project 101, Paris, France
Picturing Free Knowledge, TESLA Media Arts Laboratory, Berlin, Germany
Drei Geschäfte: Mode, Musik & Bücher, Kunstverein in Hamburg, Hamburg, Germany
EASTInternational 06, Norwich Gallery, Norwich, United Kingdom
Bring the War Home, Elizabeth Dee Gallery, New York / QED, Los Angeles
RIP IT! - Reappropriate Popular Culture, International Video and Music Festival, 103 Club, Berlin, Germany
Object Lessons, Gigantic Art Space, New York
Spark Festival, Frederick R. Weisman Art Museum, Minneapolis, Minnesota

2005
Fluctuating Images, Stuttgart, Germany
Hands On, Armory Center for the Arts, Pasadena, California
no heroics please, REDCAT, Los Angeles
TELIC Arts Exchange, Los Angeles
Sweet Substitute, Virginia Commonwealth University, Richmond, Virgina
Festa di Cane Bastardo, Kunstraum Innsbruck, Austria

2004
STATION, Los Angeles County Museum of Art
Festa di Cane Bastardo, Timbrespace, Los Angeles
Digitally Propelled Ideas, CalPoly, Pomona, California

2003
A:D:A:P:T Festival, Denver Museum of Contemporary Art, Denver, Colorado
BIAS Sound Collective, Taiwan
Audio Nimbus, KUCI, Irvine, California

2002
Halcyon, Brooklyn, New York
Soundcheck, Whitney Museum of American Art, New York
Tribeca Film Festival, New York

2001
Rhizome/SoundLab Open Mouse, FUN, New York
Bitstreams, Whitney Museum of American Art, New York
The Genomic Revolution, American Museum of Natural History, New York (sound design for exhibit)

2000
SIN Festival, Walker Stage, New York
Invisible Cities, Knitting Factory, New York
SoundLab/Jam Session III, DUMBO, Brooklyn, New York

1999
Artist and Computer, Collective Unconscious, New York
Invisible Cities, Brownies, New York

Awards, honors and grants

2013
The Hannah Arendt Prize in Critical Theory and Creative Research, Pacific Northwest College of Art
2011
SMFA Faculty Travel Grant
VIDEONALE Prize KfW 2011, Kunstmuseum Bonn
2007
Russell Grant, Russell Foundation
Audi Art Award, "Progress Imperative," DC Art Fair, Düsseldorf, Germany (as ESL)

Nate Harrison
Born 1972, Eugene, Oregon Lives in Brooklyn, New York Education 2014 PhD Art and Media History, Theory and Criticism, University of California, San Diego dissertation: Appropriation Art and U.S. Intellectual Property Law Since 1976 2005 MFA, California Institute of the Arts 1994 BFA, University of Michigan Residencies and extracurricular activities 2011 Whitney Museum of American Art Independent Study Program (Critical Studies track) 2010 VLA Art & Law Residency Program, New York 2008 Seminar in Experimental Critical Theory V, University of California, Irvine Publications 2015 “Practicing Contradictions,” in Daniel McClean, ed., Timelines: Artistic Authorship and Legacy (Ridinghouse, forthcoming) “Response to A Knight’s Heritage: Three Episodes in the Work of Karl Haendel,” Art Journal Open (forthcoming) “What Is Transformative?,” The Enemy Reader, Volume II, Number II “How to Sue Richard Prince and Win,” American Suburb X 2014 “Reflections on the Amen Break: A Continued History, An Unsettled Ethics,” in Navas, Gallagher and Burrough, eds., The Routledge Companion to Remix Studies (Routledge) “Review: Copyfraud and Other Abuses of Intellectual Property Law, by Jason Mazzone,” Visual Resources: An International Journal of Documentation, Volume 30, Issue 1 2013 “Immanence of Intervention, Revival of Critique,” Untitled Magazine, Pacific Northwest College of Art “In Fair Use, Freedom Does Not Equal Progress,” Antenna Blog, Department of Communication Arts, University of Wisconsin-Madison 2012 “Appropriation Art, Subjectivism, Crisis: The Battle for Fair Uses,” in Chris and Gerstner, eds., Media Authorship (Routledge) “The Yes Men: Parody in Aesthetics and Protest,” in MATERIAL #3 (Material Press, Los Angeles) “The Pictures Generation, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity,” art&education.net 2010 “Fared Use: A Political Economy of the Digitally Empowered Subject,” in The Sound of Downloading Makes Me Selected exhibitions, screenings and performances 2013 MOVING_IMAGE, a contemporary ABC, Gaîté Lyrique, Paris, France Le tamis et le Sable 1/3: Mélodies en sous-sol, La Maison Populaire, Montreuil, France 2012 VIDEOFEST2K12, Baja California, Mexico Images Against Darkness: Video Art from the Archive of IMAI, KIT - Kunst im Tunnel, Düsseldorf, Germany Twice - Told Tales, O'Born Contemporary, Toronto, Canada Videonale: Dialogue in Contemporary Video Art, National Taiwan Museum of Fine Arts 2011 28th Kassel Documentary Film and Video Festival, Kunsthalle Fridericianum, Kassel, Germany Mass Distractions & Cultural Decay, Mason Gross Galleries, Rutgers University, New Jersey Videonale at GoMA, Gallery of Modern Art, Glasgow, Scotland Timecoloured Place, Oonagh Young Gallery, Dublin, Ireland Black Sound White Cube, Kunstquartier Bethanien/Studio 1, Berlin, Germany Rencontres Internationales Paris/Madrid/Berlin, Haus der Kulturen der Welt, Berlin, Germany Louie Louie, Cneai de Paris, Paris, France Rencontres Internationales Paris/Berlin/Madrid, Filmoteca Española, Madrid, Spain Videonale at Video Re:View Festival, BWA Contemporary Art Gallery, Katowice, Poland Videonale 13, Kunstmuseum Bonn, Bonn, Germany A Purpose On Image, Beton 7, Athens, Greece LIVRET II, Galerie Art:Concept, Paris, France I Like The Art World And The Art World Likes Me, EFA Project Space, New York 2010 21st Century Outlook, FRAC Ile de France/Le Plateau, Paris, France Rencontres Internationales Paris/Berlin/Madrid at Centre Pompidou, Paris, France Hard to Sell, Good to Have, Palais Sturany, Vienna, Austria CopyClash, ROT(T)TERDAM project space, Rotterdam, The Netherlands VLA Art & Law Residency Exhibition, Maccarone, New York Home and Garden, The Museum of Jurrasic Technology, Los Angeles Dub Shop, Kleio Priojects, New York The Amen Break, Galerie Thomas Flor, Düsseldorf, Germany 2009 Mostra Kino Beat, Usina do Gasômetro, Porto Alegre, Brazil After All, Everything Is Different In The End, Higher Institute for Fine Arts, Ghent, Belgium Roughler TV at Portobello Film Festival, The Tabernacle, London 2008 California Biennial, Orange County Museum of Art, Newport Beach, California (as ESL) Floteson: Sonic Sources, Courses and Rearrangements, KHM Gallery, Malmö, Sweden HollyWould, Freewaves 11th Festival of New Media Arts, Los Angeles Rencontres Internationales Paris/Berlin/Madrid 2008, Haus der Kulturen der Welt, Berlin, Germany Anna Kournivkova Deleted by Memeright Trusted System, Hartware MedienKunstVerein, Dortmund, Germany Gevonden/Found/Trouvé, Voorkamer VZW, Lier, Belgium Rencontres Internationales Paris/Berlin/Madrid 2008, Auditorio del Ministerio de Cultura, Madrid, Spain Medium Cool, 10th Annual Video Marathon, Art in General, New York 2007 6 Sessions (with Axel Stockburger), Secession, Vienna, Austria Victory Virtual, Galerie Sara Guedj, Paris, France Rencontres Internationales Paris/Berlin/Madrid 2007, Cinema l'Entrepôt, Paris, France Rhythm From Wreckage, DIVA Center, Eugene, Oregon Copy Your Idols!, Periferiak07 / Arteleku Audiolab, University of the Basque Country, Bilbao, Spain Rainer Ganahl, Mario Garcia Torres, Nate Harrison, Hugo Hopping and John Menick have agreed to participate in an exhibition organized by __________ at Sandroni Rey, April 14 through May 19, 2007, Sandroni Rey, Los Angeles Rokolectiv Festival, National Museum of Contemporary Art, Bucharest, Romania Our Distance From Things, TELIC Arts Exchange, Los Angeles Building Space, Club Transmediale, Berlin, Germany 2006 Eat the Market, Los Angeles County Museum of Art, Los Angeles (as ESL) Royal Alumni, Enjoy Public Art Gallery, Wellington, New Zealand Music on Screen - Musikmaschinen und Videomusik, Galerie Olaf Stüber, Berlin, Germany Project 101, Paris, France Picturing Free Knowledge, TESLA Media Arts Laboratory, Berlin, Germany Drei Geschäfte: Mode, Musik & Bücher, Kunstverein in Hamburg, Hamburg, Germany EASTInternational 06, Norwich Gallery, Norwich, United Kingdom Bring the War Home, Elizabeth Dee Gallery, New York / QED, Los Angeles RIP IT! - Reappropriate Popular Culture, International Video and Music Festival, 103 Club, Berlin, Germany Object Lessons, Gigantic Art Space, New York Spark Festival, Frederick R. Weisman Art Museum, Minneapolis, Minnesota 2005 Fluctuating Images, Stuttgart, Germany Hands On, Armory Center for the Arts, Pasadena, California no heroics please, REDCAT, Los Angeles TELIC Arts Exchange, Los Angeles Sweet Substitute, Virginia Commonwealth University, Richmond, Virgina Festa di Cane Bastardo, Kunstraum Innsbruck, Austria 2004 STATION, Los Angeles County Museum of Art Festa di Cane Bastardo, Timbrespace, Los Angeles Digitally Propelled Ideas, CalPoly, Pomona, California 2003 A:D:A:P:T Festival, Denver Museum of Contemporary Art, Denver, Colorado BIAS Sound Collective, Taiwan Audio Nimbus, KUCI, Irvine, California 2002 Halcyon, Brooklyn, New York Soundcheck, Whitney Museum of American Art, New York Tribeca Film Festival, New York 2001 Rhizome/SoundLab Open Mouse, FUN, New York Bitstreams, Whitney Museum of American Art, New York The Genomic Revolution, American Museum of Natural History, New York (sound design for exhibit) 2000 SIN Festival, Walker Stage, New York Invisible Cities, Knitting Factory, New York SoundLab/Jam Session III, DUMBO, Brooklyn, New York 1999 Artist and Computer, Collective Unconscious, New York Invisible Cities, Brownies, New York Awards, honors and grants 2013 The Hannah Arendt Prize in Critical Theory and Creative Research, Pacific Northwest College of Art 2011 SMFA Faculty Travel Grant VIDEONALE Prize KfW 2011, Kunstmuseum Bonn 2007 Russell Grant, Russell Foundation Audi Art Award, Progress Imperative, DC Art Fair, Düsseldorf, Germany (as ESL)

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