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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective.  Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST 2017

a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Featured videos

Anita Beckers selection of videos for Independent Collector

In an exclusive interview with IC she talks about the technological progress that keeps reinventing the genre and her different roles she faces as a collector, gallerist and curator.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

"Ajonjolí y otros moles"
Chance, Observation and a Poetics of the Personal

A series of pieces which deal with chance and observation of the every day; that which in our perception is hidden unless we slow down and take a closer look.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Nate Harrison

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

Born 1972, Eugene, Oregon
Lives in Brooklyn, New York

Education

2014 PhD Art and Media History, Theory and Criticism, University of California, San Diego
dissertation: Appropriation Art and U.S. Intellectual Property Law Since 1976
2005 MFA, California Institute of the Arts
1994 BFA, University of Michigan

Residencies and extracurricular activities

2011 Whitney Museum of American Art Independent Study Program (Critical Studies track)
2010 VLA Art & Law Residency Program, New York
2008 Seminar in Experimental Critical Theory V, University of California, Irvine

Publications

2015
“Practicing Contradictions,” in Daniel McClean, ed., Timelines: Artistic Authorship and Legacy (Ridinghouse, forthcoming)
“Response to A Knight’s Heritage: Three Episodes in the Work of Karl Haendel,” Art Journal Open (forthcoming)
“What Is Transformative?,” The Enemy Reader, Volume II, Number II
“How to Sue Richard Prince and Win,” American Suburb X
2014
“Reflections on the Amen Break: A Continued History, An Unsettled Ethics,” in Navas, Gallagher and Burrough, eds., The Routledge Companion to Remix Studies (Routledge)
“Review: Copyfraud and Other Abuses of Intellectual Property Law, by Jason Mazzone,” Visual Resources: An International Journal of Documentation, Volume 30, Issue 1
2013
“Immanence of Intervention, Revival of Critique,” Untitled Magazine, Pacific Northwest College of Art
“In Fair Use, Freedom Does Not Equal Progress,” Antenna Blog, Department of Communication Arts, University of Wisconsin-Madison
2012
“Appropriation Art, Subjectivism, Crisis: The Battle for Fair Uses,” in Chris and Gerstner, eds., Media Authorship (Routledge)
“The Yes Men: Parody in Aesthetics and Protest,” in MATERIAL #3 (Material Press, Los Angeles)
“The Pictures Generation, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity,” art&education.net
2010
“Fared Use: A Political Economy of the Digitally Empowered Subject,” in The Sound of Downloading Makes Me

Selected exhibitions, screenings and performances

2013
MOVING_IMAGE, a contemporary ABC, Gaîté Lyrique, Paris, France
Le tamis et le Sable 1/3: Mélodies en sous-sol, La Maison Populaire, Montreuil, France

2012
VIDEOFEST2K12, Baja California, Mexico
Images Against Darkness: Video Art from the Archive of IMAI, KIT - Kunst im Tunnel, Düsseldorf, Germany
Twice - Told Tales, O'Born Contemporary, Toronto, Canada
Videonale: Dialogue in Contemporary Video Art, National Taiwan Museum of Fine Arts

2011
28th Kassel Documentary Film and Video Festival, Kunsthalle Fridericianum, Kassel, Germany
Mass Distractions & Cultural Decay, Mason Gross Galleries, Rutgers University, New Jersey
Videonale at GoMA, Gallery of Modern Art, Glasgow, Scotland
Timecoloured Place, Oonagh Young Gallery, Dublin, Ireland
Black Sound White Cube, Kunstquartier Bethanien/Studio 1, Berlin, Germany
Rencontres Internationales Paris/Madrid/Berlin, Haus der Kulturen der Welt, Berlin, Germany
Louie Louie, Cneai de Paris, Paris, France
Rencontres Internationales Paris/Berlin/Madrid, Filmoteca Española, Madrid, Spain
Videonale at Video Re:View Festival, BWA Contemporary Art Gallery, Katowice, Poland
Videonale 13, Kunstmuseum Bonn, Bonn, Germany
A Purpose On Image, Beton 7, Athens, Greece
LIVRET II, Galerie Art:Concept, Paris, France
I Like The Art World And The Art World Likes Me, EFA Project Space, New York

2010
21st Century Outlook, FRAC Ile de France/Le Plateau, Paris, France
Rencontres Internationales Paris/Berlin/Madrid at Centre Pompidou, Paris, France
Hard to Sell, Good to Have, Palais Sturany, Vienna, Austria
CopyClash, ROT(T)TERDAM project space, Rotterdam, The Netherlands
VLA Art & Law Residency Exhibition, Maccarone, New York
Home and Garden, The Museum of Jurrasic Technology, Los Angeles
Dub Shop, Kleio Priojects, New York
The Amen Break, Galerie Thomas Flor, Düsseldorf, Germany

2009
Mostra Kino Beat, Usina do Gasômetro, Porto Alegre, Brazil
After All, Everything Is Different In The End, Higher Institute for Fine Arts, Ghent, Belgium
Roughler TV at Portobello Film Festival, The Tabernacle, London

2008
California Biennial, Orange County Museum of Art, Newport Beach, California (as ESL)
Floteson: Sonic Sources, Courses and Rearrangements, KHM Gallery, Malmö, Sweden
HollyWould, Freewaves 11th Festival of New Media Arts, Los Angeles
Rencontres Internationales Paris/Berlin/Madrid 2008, Haus der Kulturen der Welt, Berlin, Germany
Anna Kournivkova Deleted by Memeright Trusted System, Hartware MedienKunstVerein, Dortmund, Germany
Gevonden/Found/Trouvé, Voorkamer VZW, Lier, Belgium
Rencontres Internationales Paris/Berlin/Madrid 2008, Auditorio del Ministerio de Cultura, Madrid, Spain
Medium Cool, 10th Annual Video Marathon, Art in General, New York

2007
6 Sessions (with Axel Stockburger), Secession, Vienna, Austria
Victory Virtual, Galerie Sara Guedj, Paris, France
Rencontres Internationales Paris/Berlin/Madrid 2007, Cinema l'Entrepôt, Paris, France
Rhythm From Wreckage, DIVA Center, Eugene, Oregon
Copy Your Idols!, Periferiak07 / Arteleku Audiolab, University of the Basque Country, Bilbao, Spain
Rainer Ganahl, Mario Garcia Torres, Nate Harrison, Hugo Hopping and John Menick have agreed to participate in
an exhibition organized by __________ at Sandroni Rey, April 14 through May 19, 2007, Sandroni Rey, Los Angeles
Rokolectiv Festival, National Museum of Contemporary Art, Bucharest, Romania
Our Distance From Things, TELIC Arts Exchange, Los Angeles
Building Space, Club Transmediale, Berlin, Germany

2006
Eat the Market, Los Angeles County Museum of Art, Los Angeles (as ESL)
Royal Alumni, Enjoy Public Art Gallery, Wellington, New Zealand
Music on Screen - Musikmaschinen und Videomusik, Galerie Olaf Stüber, Berlin, Germany
Project 101, Paris, France
Picturing Free Knowledge, TESLA Media Arts Laboratory, Berlin, Germany
Drei Geschäfte: Mode, Musik & Bücher, Kunstverein in Hamburg, Hamburg, Germany
EASTInternational 06, Norwich Gallery, Norwich, United Kingdom
Bring the War Home, Elizabeth Dee Gallery, New York / QED, Los Angeles
RIP IT! - Reappropriate Popular Culture, International Video and Music Festival, 103 Club, Berlin, Germany
Object Lessons, Gigantic Art Space, New York
Spark Festival, Frederick R. Weisman Art Museum, Minneapolis, Minnesota

2005
Fluctuating Images, Stuttgart, Germany
Hands On, Armory Center for the Arts, Pasadena, California
no heroics please, REDCAT, Los Angeles
TELIC Arts Exchange, Los Angeles
Sweet Substitute, Virginia Commonwealth University, Richmond, Virgina
Festa di Cane Bastardo, Kunstraum Innsbruck, Austria

2004
STATION, Los Angeles County Museum of Art
Festa di Cane Bastardo, Timbrespace, Los Angeles
Digitally Propelled Ideas, CalPoly, Pomona, California

2003
A:D:A:P:T Festival, Denver Museum of Contemporary Art, Denver, Colorado
BIAS Sound Collective, Taiwan
Audio Nimbus, KUCI, Irvine, California

2002
Halcyon, Brooklyn, New York
Soundcheck, Whitney Museum of American Art, New York
Tribeca Film Festival, New York

2001
Rhizome/SoundLab Open Mouse, FUN, New York
Bitstreams, Whitney Museum of American Art, New York
The Genomic Revolution, American Museum of Natural History, New York (sound design for exhibit)

2000
SIN Festival, Walker Stage, New York
Invisible Cities, Knitting Factory, New York
SoundLab/Jam Session III, DUMBO, Brooklyn, New York

1999
Artist and Computer, Collective Unconscious, New York
Invisible Cities, Brownies, New York

Awards, honors and grants

2013
The Hannah Arendt Prize in Critical Theory and Creative Research, Pacific Northwest College of Art
2011
SMFA Faculty Travel Grant
VIDEONALE Prize KfW 2011, Kunstmuseum Bonn
2007
Russell Grant, Russell Foundation
Audi Art Award, "Progress Imperative," DC Art Fair, Düsseldorf, Germany (as ESL)

Nate Harrison
Born 1972, Eugene, Oregon Lives in Brooklyn, New York Education 2014 PhD Art and Media History, Theory and Criticism, University of California, San Diego dissertation: Appropriation Art and U.S. Intellectual Property Law Since 1976 2005 MFA, California Institute of the Arts 1994 BFA, University of Michigan Residencies and extracurricular activities 2011 Whitney Museum of American Art Independent Study Program (Critical Studies track) 2010 VLA Art & Law Residency Program, New York 2008 Seminar in Experimental Critical Theory V, University of California, Irvine Publications 2015 “Practicing Contradictions,” in Daniel McClean, ed., Timelines: Artistic Authorship and Legacy (Ridinghouse, forthcoming) “Response to A Knight’s Heritage: Three Episodes in the Work of Karl Haendel,” Art Journal Open (forthcoming) “What Is Transformative?,” The Enemy Reader, Volume II, Number II “How to Sue Richard Prince and Win,” American Suburb X 2014 “Reflections on the Amen Break: A Continued History, An Unsettled Ethics,” in Navas, Gallagher and Burrough, eds., The Routledge Companion to Remix Studies (Routledge) “Review: Copyfraud and Other Abuses of Intellectual Property Law, by Jason Mazzone,” Visual Resources: An International Journal of Documentation, Volume 30, Issue 1 2013 “Immanence of Intervention, Revival of Critique,” Untitled Magazine, Pacific Northwest College of Art “In Fair Use, Freedom Does Not Equal Progress,” Antenna Blog, Department of Communication Arts, University of Wisconsin-Madison 2012 “Appropriation Art, Subjectivism, Crisis: The Battle for Fair Uses,” in Chris and Gerstner, eds., Media Authorship (Routledge) “The Yes Men: Parody in Aesthetics and Protest,” in MATERIAL #3 (Material Press, Los Angeles) “The Pictures Generation, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity,” art&education.net 2010 “Fared Use: A Political Economy of the Digitally Empowered Subject,” in The Sound of Downloading Makes Me Selected exhibitions, screenings and performances 2013 MOVING_IMAGE, a contemporary ABC, Gaîté Lyrique, Paris, France Le tamis et le Sable 1/3: Mélodies en sous-sol, La Maison Populaire, Montreuil, France 2012 VIDEOFEST2K12, Baja California, Mexico Images Against Darkness: Video Art from the Archive of IMAI, KIT - Kunst im Tunnel, Düsseldorf, Germany Twice - Told Tales, O'Born Contemporary, Toronto, Canada Videonale: Dialogue in Contemporary Video Art, National Taiwan Museum of Fine Arts 2011 28th Kassel Documentary Film and Video Festival, Kunsthalle Fridericianum, Kassel, Germany Mass Distractions & Cultural Decay, Mason Gross Galleries, Rutgers University, New Jersey Videonale at GoMA, Gallery of Modern Art, Glasgow, Scotland Timecoloured Place, Oonagh Young Gallery, Dublin, Ireland Black Sound White Cube, Kunstquartier Bethanien/Studio 1, Berlin, Germany Rencontres Internationales Paris/Madrid/Berlin, Haus der Kulturen der Welt, Berlin, Germany Louie Louie, Cneai de Paris, Paris, France Rencontres Internationales Paris/Berlin/Madrid, Filmoteca Española, Madrid, Spain Videonale at Video Re:View Festival, BWA Contemporary Art Gallery, Katowice, Poland Videonale 13, Kunstmuseum Bonn, Bonn, Germany A Purpose On Image, Beton 7, Athens, Greece LIVRET II, Galerie Art:Concept, Paris, France I Like The Art World And The Art World Likes Me, EFA Project Space, New York 2010 21st Century Outlook, FRAC Ile de France/Le Plateau, Paris, France Rencontres Internationales Paris/Berlin/Madrid at Centre Pompidou, Paris, France Hard to Sell, Good to Have, Palais Sturany, Vienna, Austria CopyClash, ROT(T)TERDAM project space, Rotterdam, The Netherlands VLA Art & Law Residency Exhibition, Maccarone, New York Home and Garden, The Museum of Jurrasic Technology, Los Angeles Dub Shop, Kleio Priojects, New York The Amen Break, Galerie Thomas Flor, Düsseldorf, Germany 2009 Mostra Kino Beat, Usina do Gasômetro, Porto Alegre, Brazil After All, Everything Is Different In The End, Higher Institute for Fine Arts, Ghent, Belgium Roughler TV at Portobello Film Festival, The Tabernacle, London 2008 California Biennial, Orange County Museum of Art, Newport Beach, California (as ESL) Floteson: Sonic Sources, Courses and Rearrangements, KHM Gallery, Malmö, Sweden HollyWould, Freewaves 11th Festival of New Media Arts, Los Angeles Rencontres Internationales Paris/Berlin/Madrid 2008, Haus der Kulturen der Welt, Berlin, Germany Anna Kournivkova Deleted by Memeright Trusted System, Hartware MedienKunstVerein, Dortmund, Germany Gevonden/Found/Trouvé, Voorkamer VZW, Lier, Belgium Rencontres Internationales Paris/Berlin/Madrid 2008, Auditorio del Ministerio de Cultura, Madrid, Spain Medium Cool, 10th Annual Video Marathon, Art in General, New York 2007 6 Sessions (with Axel Stockburger), Secession, Vienna, Austria Victory Virtual, Galerie Sara Guedj, Paris, France Rencontres Internationales Paris/Berlin/Madrid 2007, Cinema l'Entrepôt, Paris, France Rhythm From Wreckage, DIVA Center, Eugene, Oregon Copy Your Idols!, Periferiak07 / Arteleku Audiolab, University of the Basque Country, Bilbao, Spain Rainer Ganahl, Mario Garcia Torres, Nate Harrison, Hugo Hopping and John Menick have agreed to participate in an exhibition organized by __________ at Sandroni Rey, April 14 through May 19, 2007, Sandroni Rey, Los Angeles Rokolectiv Festival, National Museum of Contemporary Art, Bucharest, Romania Our Distance From Things, TELIC Arts Exchange, Los Angeles Building Space, Club Transmediale, Berlin, Germany 2006 Eat the Market, Los Angeles County Museum of Art, Los Angeles (as ESL) Royal Alumni, Enjoy Public Art Gallery, Wellington, New Zealand Music on Screen - Musikmaschinen und Videomusik, Galerie Olaf Stüber, Berlin, Germany Project 101, Paris, France Picturing Free Knowledge, TESLA Media Arts Laboratory, Berlin, Germany Drei Geschäfte: Mode, Musik & Bücher, Kunstverein in Hamburg, Hamburg, Germany EASTInternational 06, Norwich Gallery, Norwich, United Kingdom Bring the War Home, Elizabeth Dee Gallery, New York / QED, Los Angeles RIP IT! - Reappropriate Popular Culture, International Video and Music Festival, 103 Club, Berlin, Germany Object Lessons, Gigantic Art Space, New York Spark Festival, Frederick R. Weisman Art Museum, Minneapolis, Minnesota 2005 Fluctuating Images, Stuttgart, Germany Hands On, Armory Center for the Arts, Pasadena, California no heroics please, REDCAT, Los Angeles TELIC Arts Exchange, Los Angeles Sweet Substitute, Virginia Commonwealth University, Richmond, Virgina Festa di Cane Bastardo, Kunstraum Innsbruck, Austria 2004 STATION, Los Angeles County Museum of Art Festa di Cane Bastardo, Timbrespace, Los Angeles Digitally Propelled Ideas, CalPoly, Pomona, California 2003 A:D:A:P:T Festival, Denver Museum of Contemporary Art, Denver, Colorado BIAS Sound Collective, Taiwan Audio Nimbus, KUCI, Irvine, California 2002 Halcyon, Brooklyn, New York Soundcheck, Whitney Museum of American Art, New York Tribeca Film Festival, New York 2001 Rhizome/SoundLab Open Mouse, FUN, New York Bitstreams, Whitney Museum of American Art, New York The Genomic Revolution, American Museum of Natural History, New York (sound design for exhibit) 2000 SIN Festival, Walker Stage, New York Invisible Cities, Knitting Factory, New York SoundLab/Jam Session III, DUMBO, Brooklyn, New York 1999 Artist and Computer, Collective Unconscious, New York Invisible Cities, Brownies, New York Awards, honors and grants 2013 The Hannah Arendt Prize in Critical Theory and Creative Research, Pacific Northwest College of Art 2011 SMFA Faculty Travel Grant VIDEONALE Prize KfW 2011, Kunstmuseum Bonn 2007 Russell Grant, Russell Foundation Audi Art Award, Progress Imperative, DC Art Fair, Düsseldorf, Germany (as ESL)

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