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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Torsten Bruch

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born 1973 in Hannover, Germany

Education

2005 - 2007 Le Fresnoy – Studio National des Arts Contemporains, Tourcoing - France
two year Post-Diploma for free art in the major of new media
studied with André S. Labarthe, Chantal Akerman, Ryoji Ikeda, Christoph Kim
Production scolarship
1995 – 2003 Hochschule für Bildende Künste Braunschweig
Diploma with excellence in the major of free art
1995 – 1999 teaching studies for art and English at a grammar school, intermediate examination
Studies of free art at: Prof. Hartmut Neumann, Prof. Raimund Kummer, Prof. David Lamelas,
Prof. Paul Etienne Lincoln, Prof. Johannes Brus
1994 – 1995 Spielmobil of the Arbeiterwohlfahrt, Hannover - alternative civilian service
until 1994 Georg-Büchner Gymnasium (grammar school), Letter near Hannover – Universitiy entrance diploma
1991 - 1992 Exchange year in La Crosse, Kansas U.S.A. – graduated from High School

Exhibitions

2013
Fligende Engel, Die Bedürfnisanstalt, Hamburg (SE)
Niveau de la mer, l'Atelier National, Marseille, France (GE)

2012
Nishinomiya-Funasaka Biennale 2012, near Osaka, Japan (GA) group exhibition with about 53 artists
Pi – p Verwandlungen des Kreises, Landdrostei near Pinneberg near Hamburg, Germany (GA)
Kunst im Schaufenster – Altonale 13, Hamburg
A as A Project 2012 - China-Japan Contemporary Art Exhibition Vol. 1 53 Art Museum - Guangzhou, China

2011
Interfilm 27. Internationales Kurzfilmfestival, Berlin Video „Laurentia“ in public competition „eject XIV – Long night of odd films", Volksbühne Berlin
Ach, so?! = Dort, so!? #4, Makii Masaru Fine Arts Gallery, Tokio, Japan Gruppenausstellung
CineFiesta 2011, Theater Raúl Juliá , Museum of Art of Puerto Rico, San Jose, Puerto Rico Filmfestival
2Apéro beim Sammler Wolfgang Schröder, Videoscreening, Buchholz i. d. Heide with J. Vallribera, R. Bergmeier, Kim Gordon, D. Josefsohn, Paul Roxi, Gavin Turk a.o.
Screen for Shorts, Filmfestival deutzkultur. e.V., Colonne
Internationales Kurzfilmfestival Hamburg 2011 Flotter Dreier competition with Video "Laurentia"
BS-VISITE, Braunschweig group exhibition
Nordlichter im Polarraum, Festival for contemporary music „Blurred Edges“, Hamburg Dodo Schielein and Torsten P Bruch, concert und video screening Gallery polarraum
ZEIT GESCHICHTE/N, Galerie IG BILDENDE KUNST – Vienna Group exhibition with Eva Brunner-Szabo, Torsten P Bruch, Stefan Moos, Christoph Rothmeier, Tim Sharp Wien

2010
Nishinomiya Funasaka Biennale, Osaka - Japan Group exhibition
RetroSlots, Frise – Künstlerhaus Hamburg, Group exhibition with the Gallery IG Bildende Kunst, Vienna - Austria
"Gegenliebe - Vastarakkaus" Group exhibition, Muu Gallery, Helsinki – Finland

2009
„BS-Visite“, Rebenpark-Braunschweig Group exhibition
„Dunkeldeutsch bierernst“, Dunk! (production gallery - Copenhagen - Denmark) Group exhibition
„Self organistion of artist and groups with the example Künstlerhaus Hamburg (artist house hamburg) Lecture by Torsten P Bruch and Sabine Mohr Goethe Institut , Wyoming House, New York, U.S.A.
„Last Call – Hamburg“, Le Petit Versailles, New York City, U.S.A. film screening and exhibition

2008
„Amour réciproque – Gegenliebe“, Galerie l‘ESBAM, Marseille Group Exhibition within the boundaries of the 50th year city friendship anniversary between Marseille and Hamburg
„Wir nennen es Hamburg“, Kunstverein Hamburg (Artist Association Hamburg) Group exhibition
„Polynymph“, Opera based on Marain Marais and Louis-Nicolas Clérambault in the Zeisehallen Hamburg
Director: Jörg Lillich, scene video: Torsten P Bruch, Youssef Tabti
„Die Innere Sicherheit“, Theaterpiece based on the film of Christian Petzold in the Nachtasyl of the Thalia Theater Hamburg
Director: Frank Abt, scene video: Torsten P Bruch

2007
“Panorama 8”, Le Fresnoy – Studio National des Arts Contemporains, Tourcoing – France Group exhibition with interactive video installation “Blaubart” (3 x 34min. dvd)

2006
„Panorama 7“, Le Fresnoy Studio National des Arts – Lille, France Group exhibtion with the video installation „Come Close Space“
„Dialogues d’exile“, short film by B. Brechts texts „Dialoge aus dem Exil“, director: Fanny Douarche (28 min., HD, Le Fresnoy - France) main part of Kalle
„IZL – Initiative Zukünftiger Lebensformen“, Rainer Maria Matysik, Künstlerhaus Bethanien, Berlin Group exhibition with video film „Indianer vs. Ingenieure“
„Auto Chronographe“, Festival Pocket Films, Centre Pompidou, Paris 4:23min., short choosen for competition
„Stadtnotizen 1 – Die Bitteren Tränen der Grossen Bergstraße“, theatre play in the Nachtasyl of the Thalia Theater Hamburg, director: Frank Abt, Scene video: Torsten P Bruch

2005
TAZ Hamburg, freelance for a newspaper, Short articles about the Off-Scene in Hamburg
„Kolunse - Feuer in der Begegnung“, Einstellungsraum, Hamburg, Single exhibition with video installation
„Wechselstrom“, Motorenhalle - 7.Stock Dresden, Group exhibition with „Waffelbäckerinstallation“
„Liebeskonzil“, Autorentheatertage - Gaußstr. Thalia Theater Hamburg Group exhibition with two installations
„Late Night St.Pauli“, St.Pauli Theater Hamburg, director: Katrin Spranger Premiere the 29th of April 2005 – scene design and video: Torsten P Bruch
„Huddersfield“, Volksbühne Berlin, director: Katrin Spranger Premiere the 21st of January 2005 – scene design: Torsten P Bruch
„Wer will hier? - Ein Abend für Egoisten“, Thalia Theater in the Gaußstr., director: Corinna Sommerhäuser, Premiere the 10th of April 2005, main part: Torsten P Bruch
„Die Möwe“, theatre play im Malersaal Schauspielhaus Hamburg, director: Martin Baierlein Premiere the 24th of march 2005, part: the servant

2004
„Watch the Body needs“, video installation, Group exhibition for the official opening of FRISE – Künstlerhaus Hamburg
„Smoke on the Water“, artist Open Air, Kopenhagen Denmark, Group exhibition
„Wunsch | Konzert | Samurai“ theatre play by F.X. Kroetz and Dea Loher Premiere the 14th of Sept. 2004, Nachtasyl in the Thalia Theater Hamburg, director: Frank Abt – main part: Torsten P Bruch
„Auto-Single“, Frise - Künstlerhaus Hamburg, Single exhibition about masculine egocentricity
„Das Leben auf der Praça Roosevelt”, touring Brasil with the Thalia Theater, director: Andreas Kriegenburg, technische assistence: Torsten P Bruch

2003
„Das Fest“, theatre play at the Thalia Theater, director: Stefan Kimmig Premiere the 31st of Mai 2003, scene video: Torsten P Bruch
„Lantana“, theatre play at Thalia Theater, director: Stefan Kimmig Premiere the 25th of Oct. 2003, scene video: Torsten P Bruch
„Sollbruch“, theatre play in the Zeisehallen Hamburg, director: Katrin Spranger Premiere the 26th of June 2003 – scene design: Torsten P Bruch
„Phaidra’s Liebe“, theatre play in the Zeisehallen Hamburg, director: Marta Gil Polo Premiere the 28th of June 2003 – scene design: Torsten P Bruch
From Nov. 2003 FRISE - Künstlerhaus Hamburg, Member, studio, public relations and curating exhibitions

2002
„irrlichtern“, art show in the castle of Agathenburg near Stade Group exhibition with performance „Für Aurora“

2001
Erasmus Scolarship at the École Supérieure des Beaux Arts Toulouse, France

2000
„Transfer“, Bahnhof Braunschweig - Group exhibition with installation

1998
„Zwischenräume I“, Kunstverein Hannover - Group exhibition

Torsten Bruch
Born 1973 in Hannover, Germany Education 2005 - 2007 Le Fresnoy – Studio National des Arts Contemporains, Tourcoing - France two year Post-Diploma for free art in the major of new media studied with André S. Labarthe, Chantal Akerman, Ryoji Ikeda, Christoph Kim Production scolarship 1995 – 2003 Hochschule für Bildende Künste Braunschweig Diploma with excellence in the major of free art 1995 – 1999 teaching studies for art and English at a grammar school, intermediate examination Studies of free art at: Prof. Hartmut Neumann, Prof. Raimund Kummer, Prof. David Lamelas, Prof. Paul Etienne Lincoln, Prof. Johannes Brus 1994 – 1995 Spielmobil of the Arbeiterwohlfahrt, Hannover - alternative civilian service until 1994 Georg-Büchner Gymnasium (grammar school), Letter near Hannover – Universitiy entrance diploma 1991 - 1992 Exchange year in La Crosse, Kansas U.S.A. – graduated from High School Exhibitions 2013 Fligende Engel, Die Bedürfnisanstalt, Hamburg (SE) Niveau de la mer, l'Atelier National, Marseille, France (GE) 2012 Nishinomiya-Funasaka Biennale 2012, near Osaka, Japan (GA) group exhibition with about 53 artists Pi – p Verwandlungen des Kreises, Landdrostei near Pinneberg near Hamburg, Germany (GA) Kunst im Schaufenster – Altonale 13, Hamburg A as A Project 2012 - China-Japan Contemporary Art Exhibition Vol. 1 53 Art Museum - Guangzhou, China 2011 Interfilm 27. Internationales Kurzfilmfestival, Berlin Video „Laurentia“ in public competition „eject XIV – Long night of odd films, Volksbühne Berlin Ach, so?! = Dort, so!? #4, Makii Masaru Fine Arts Gallery, Tokio, Japan Gruppenausstellung CineFiesta 2011, Theater Raúl Juliá , Museum of Art of Puerto Rico, San Jose, Puerto Rico Filmfestival 2Apéro beim Sammler Wolfgang Schröder, Videoscreening, Buchholz i. d. Heide with J. Vallribera, R. Bergmeier, Kim Gordon, D. Josefsohn, Paul Roxi, Gavin Turk a.o. Screen for Shorts, Filmfestival deutzkultur. e.V., Colonne Internationales Kurzfilmfestival Hamburg 2011 Flotter Dreier competition with Video Laurentia BS-VISITE, Braunschweig group exhibition Nordlichter im Polarraum, Festival for contemporary music „Blurred Edges“, Hamburg Dodo Schielein and Torsten P Bruch, concert und video screening Gallery polarraum ZEIT GESCHICHTE/N, Galerie IG BILDENDE KUNST – Vienna Group exhibition with Eva Brunner-Szabo, Torsten P Bruch, Stefan Moos, Christoph Rothmeier, Tim Sharp Wien 2010 Nishinomiya Funasaka Biennale, Osaka - Japan Group exhibition RetroSlots, Frise – Künstlerhaus Hamburg, Group exhibition with the Gallery IG Bildende Kunst, Vienna - Austria Gegenliebe - Vastarakkaus Group exhibition, Muu Gallery, Helsinki – Finland 2009 „BS-Visite“, Rebenpark-Braunschweig Group exhibition „Dunkeldeutsch bierernst“, Dunk! (production gallery - Copenhagen - Denmark) Group exhibition „Self organistion of artist and groups with the example Künstlerhaus Hamburg (artist house hamburg) Lecture by Torsten P Bruch and Sabine Mohr Goethe Institut , Wyoming House, New York, U.S.A. „Last Call – Hamburg“, Le Petit Versailles, New York City, U.S.A. film screening and exhibition 2008 „Amour réciproque – Gegenliebe“, Galerie l‘ESBAM, Marseille Group Exhibition within the boundaries of the 50th year city friendship anniversary between Marseille and Hamburg „Wir nennen es Hamburg“, Kunstverein Hamburg (Artist Association Hamburg) Group exhibition „Polynymph“, Opera based on Marain Marais and Louis-Nicolas Clérambault in the Zeisehallen Hamburg Director: Jörg Lillich, scene video: Torsten P Bruch, Youssef Tabti „Die Innere Sicherheit“, Theaterpiece based on the film of Christian Petzold in the Nachtasyl of the Thalia Theater Hamburg Director: Frank Abt, scene video: Torsten P Bruch 2007 “Panorama 8”, Le Fresnoy – Studio National des Arts Contemporains, Tourcoing – France Group exhibition with interactive video installation “Blaubart” (3 x 34min. dvd) 2006 „Panorama 7“, Le Fresnoy Studio National des Arts – Lille, France Group exhibtion with the video installation „Come Close Space“ „Dialogues d’exile“, short film by B. Brechts texts „Dialoge aus dem Exil“, director: Fanny Douarche (28 min., HD, Le Fresnoy - France) main part of Kalle „IZL – Initiative Zukünftiger Lebensformen“, Rainer Maria Matysik, Künstlerhaus Bethanien, Berlin Group exhibition with video film „Indianer vs. Ingenieure“ „Auto Chronographe“, Festival Pocket Films, Centre Pompidou, Paris 4:23min., short choosen for competition „Stadtnotizen 1 – Die Bitteren Tränen der Grossen Bergstraße“, theatre play in the Nachtasyl of the Thalia Theater Hamburg, director: Frank Abt, Scene video: Torsten P Bruch 2005 TAZ Hamburg, freelance for a newspaper, Short articles about the Off-Scene in Hamburg „Kolunse - Feuer in der Begegnung“, Einstellungsraum, Hamburg, Single exhibition with video installation „Wechselstrom“, Motorenhalle - 7.Stock Dresden, Group exhibition with „Waffelbäckerinstallation“ „Liebeskonzil“, Autorentheatertage - Gaußstr. Thalia Theater Hamburg Group exhibition with two installations „Late Night St.Pauli“, St.Pauli Theater Hamburg, director: Katrin Spranger Premiere the 29th of April 2005 – scene design and video: Torsten P Bruch „Huddersfield“, Volksbühne Berlin, director: Katrin Spranger Premiere the 21st of January 2005 – scene design: Torsten P Bruch „Wer will hier? - Ein Abend für Egoisten“, Thalia Theater in the Gaußstr., director: Corinna Sommerhäuser, Premiere the 10th of April 2005, main part: Torsten P Bruch „Die Möwe“, theatre play im Malersaal Schauspielhaus Hamburg, director: Martin Baierlein Premiere the 24th of march 2005, part: the servant 2004 „Watch the Body needs“, video installation, Group exhibition for the official opening of FRISE – Künstlerhaus Hamburg „Smoke on the Water“, artist Open Air, Kopenhagen Denmark, Group exhibition „Wunsch | Konzert | Samurai“ theatre play by F.X. Kroetz and Dea Loher Premiere the 14th of Sept. 2004, Nachtasyl in the Thalia Theater Hamburg, director: Frank Abt – main part: Torsten P Bruch „Auto-Single“, Frise - Künstlerhaus Hamburg, Single exhibition about masculine egocentricity „Das Leben auf der Praça Roosevelt”, touring Brasil with the Thalia Theater, director: Andreas Kriegenburg, technische assistence: Torsten P Bruch 2003 „Das Fest“, theatre play at the Thalia Theater, director: Stefan Kimmig Premiere the 31st of Mai 2003, scene video: Torsten P Bruch „Lantana“, theatre play at Thalia Theater, director: Stefan Kimmig Premiere the 25th of Oct. 2003, scene video: Torsten P Bruch „Sollbruch“, theatre play in the Zeisehallen Hamburg, director: Katrin Spranger Premiere the 26th of June 2003 – scene design: Torsten P Bruch „Phaidra’s Liebe“, theatre play in the Zeisehallen Hamburg, director: Marta Gil Polo Premiere the 28th of June 2003 – scene design: Torsten P Bruch From Nov. 2003 FRISE - Künstlerhaus Hamburg, Member, studio, public relations and curating exhibitions 2002 „irrlichtern“, art show in the castle of Agathenburg near Stade Group exhibition with performance „Für Aurora“ 2001 Erasmus Scolarship at the École Supérieure des Beaux Arts Toulouse, France 2000 „Transfer“, Bahnhof Braunschweig - Group exhibition with installation 1998 „Zwischenräume I“, Kunstverein Hannover - Group exhibition

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