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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Katia Kameli

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for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Katia Kameli is a French Algerian artist, director and producer based in Paris. Kameli’s work is closely linked to her personal experience of dual identities, exploring multiplicity and the ‘in-between’. Through video, photography, installation and drawing, she investigates intercultural spaces, intersecting identities and their construction. Thus she positions herself as a hybrid, using a ‘third space’ to enables the emergence of other visions, forms and positions. This ‘third space’ questions historical accounts and can generate a critical stance that allows the rewriting of history and narratives.
In 2006 and 20011, Kameli directed and produced ‘Bledi in Progress’ and‘Trans-Maghreb’ video platforms for young filmmakers from Algeria, Marroco and Tunisia in Algiers.
In 2007-08, she was the winner of the program Paris-New York, CulturesFrance and participated in a residency at Location One, NY. Her work has found an audience and gained recognition on the national and international artistic and cinematographic scene such as: Centre Georges Pompidou (2008), French Cine- matheque (2007), Manifesta 8 (2010), Center for Contemporary Art in Tel Aviv (2008), Galerie Anne Villepoix (2008), Paris, Rotunda Gallery, New York (2008), Seville Biennale (2008), Cornerhouse, Manshester (2011), Bamako Encounters (2011), Marrakech Biennale (2012), Dakar Biennale (2012). She is curently working on a new project for Marseille-Provence Capital of the Culture 2013.


Biography

Born 26.05.1973

Solo shows

2012
7 Acts of Love in 7 days of Boredom, curator, J.Cotinet-Alphaize, Contemporary art center, Transpalette, Bourges
Duty Free, curator Berenice Saliou, Vidéochroniques, Marseille

2009
Dislocation et champ de contrainte élastique, Synesthésie, St-Denis, Paris

Group shows

2012
Shifting Cards, curator Cecile Bourne, Les bains douches, Marseille
De Paso en la Tierra, curators F.Adamsbaum, W.Jeffett, Institut Francais Seville and Madrid
Dak’Art, curators, C.Eyene, N.Laggoune, R. Naidoo, Dakar Biennale
Higher Atlas, curators Carson Chan, Nadim Sammam, Marrakech Biennale
C’était pas gai mais pas non plus triste, c’était beau. Sextant et plus, Van Gogh Foundation, Arles

2011
Pour un Monde Durable, Bamako Encounters, Mali
De la Neige en Eté, Parking de sculptures, Confort Moderne, Poitiers, France
New Carthographies, CornerHouse, Manchester
Human Frames, KIT-Kunst-im-Tunnel, Düsseldorf, Germany
Here&There, Amelie A. Wallace Gallery, New-York
ZOOM Art Fair, curator November Paynter, Miami

2010
Capturing North African Sunbeams, curator, Macu Moran, Manifesta 8, Murcia, Spain
Vidéo sur L’Ile # 2, curator, Célia Crétien, Ouessant, France
In Between: Displaced Harmonies / Dissonant States, Pécs2010 European Cultural Capital, Hungary
Here & There, Oonagh Young Gallery, Dublin
Les Multiples Désirs, Galerie Eponyme, Bordeaux, France
Festival International de films de Femmes, Maison des Arts, Créteil, France
Profondeurs de Champs, curator, Bérénice Saliou, Galerie FJ, Casablanca, Marroco

2009
3X2, TransatVideo, Pavillon de Normandie, Caen, France
SLICK, Foire d’art contemporain, 104, Paris
Panafricain, curator, Nadira Laggoun, Algiers
La Force de l'art 02, Les Virtuels, Grand Palais, Paris
Borders, curator, Hyewon Yi, Amelie A. Wallace Gallery, New York
This is now 2, curator, Cecile Bourne, Appartement 22, Rabat, Marroco

2008
Videozone4, The 4th International Video Art Biennal, Center for Contemporary Art, Tel Aviv, Israel
Cinemed, monography, Musée Fabre, Montpellier, France
Iconoclastes : Les territoires de l’esprit, curator, Kader Attia, Galerie Anne de Villepoix, Paris
This is now, commissaire Cecile Bourne, Johannesbourg Contemporary Art Fair, South Africa
Ethnographies of the future, commissaire Sara Reisman, Rotunda Gallery, New-York
Vidéo et après, curator, Chantal Pontbriand, Centre Pompidou, Paris

2007
Draft, project room, Location One, New York
Frontiere(s), curator, V. Vaucrecy, Musée d’Art et d’Histoire, Saint-Brieuc
Bienal de Jafre, curator, Mario Flecha, Espagne

2006
Bledi in Progress, Sort films festival of Clermont-Fd, Clermont-Ferrand, France
Cosa Nostra, Glassbox, Paris
Bienal Internacional de Arte de Sevilla, programm by Cinémathèque de Tanger, Sevilla, Spain
Bledi a possible scenario, Cinémathèque Française, programmation Nicole Brenez, Paris
The Photographer’s Gallery, program by Cinémathèque de Tanger, London
Festival de l’Oh, Conseil Général du Val-de-Marne, Joinville-le-Pont, France
Bledi in Progress, Filmathèque Zinet, Algiers
Paris is Burning, curator, Rashaad Newsome, Rush Arts Gallery, New York

2005
Ici Rever ici, curator, Sylvain Rousseau ESBAT, Tours, France
Inner island art of survival, The Third Paradise, curator, Achille Bonito Oliva, Michelangelo Pistoletto, Island
of San Servolo, Venise, Italy

2004
Prosismic, curator, Evelyne Jouanno, Espace Paul Ricard, Paris
Fuxing Park & BizArt Art Center, Shanghaï, China
Buy-sellf, Ateliers d’Artistes de la ville de Marseille, Marseille, France
Troubled Times, curator, Maria Campitelli, Museo Diego de Henriquez, Trieste, Italy
Populaire, Maison folie Wazemmes, curator, Cecile Paris, Lille 2004, France
Living library, curators, Michelangelo Pistoletto, Judith Wilander, Cittadellarte, Biella, Italy
Art grandeur Nature 2004, Biennale d’art contemporain en Seine-Saint-Denis, France

2003
Bandits-Mages, Video Festival, Bourges, France
Festival Acces(s), Pau, France
EchoparK+Wolfgang Capellari, Secession, Vienna, Austria

2002
Unidee in progress, Cittadellarte, fondation Pistoletto, Biella, Italy
+/_ Epicerie, Biennale de Cetinie IV, Montenegro
Villette Emergences, O/O meets V/S La Villette, Paris
Club Club Club, commissaire Yann Chevalier, Confort Moderne, Poitiers, France

2001
Bandits-Mages, video festival, Bourges, France
+/- Épicerie, Épicerie midi minuit, Paris
Partez sous les Topiques, Lavotopique Tour, Ergo, ERBAN, Nantes, France
Werkstatt 2001, Palais Clam Gallas, Institut Français, Vienna, Austria
Progetto Arte, curator, Michelangelo Pistoletto, Semper Depot, Vienna, Austria

Residencies

2012
Delfina Foundation, London
2011-12
Atelier Euroméditéranée, Marseille-Provence 2013
2009-11
Point Ephémère, Paris
2008
Cuts and Burn, The Outpost, Williamsburg, New-York
2007
Location One, Culture France et Ville de Paris, New-York
2002
Programme Unidee, Cittedellarte, Fondation Pistoletto, Biella, Italy

Grants

2009
Dicream, CNC, Paris
2006
Aide à l’installation, DRAC Ile de France, Paris
2004
Aide à la création, DRAC Ile de France, Paris


Katia Kameli
Born 26.05.1973 Solo shows 2012 7 Acts of Love in 7 days of Boredom, curator, J.Cotinet-Alphaize, Contemporary art center, Transpalette, Bourges Duty Free, curator Berenice Saliou, Vidéochroniques, Marseille 2009 Dislocation et champ de contrainte élastique, Synesthésie, St-Denis, Paris Group shows 2012 Shifting Cards, curator Cecile Bourne, Les bains douches, Marseille De Paso en la Tierra, curators F.Adamsbaum, W.Jeffett, Institut Francais Seville and Madrid Dak’Art, curators, C.Eyene, N.Laggoune, R. Naidoo, Dakar Biennale Higher Atlas, curators Carson Chan, Nadim Sammam, Marrakech Biennale C’était pas gai mais pas non plus triste, c’était beau. Sextant et plus, Van Gogh Foundation, Arles 2011 Pour un Monde Durable, Bamako Encounters, Mali De la Neige en Eté, Parking de sculptures, Confort Moderne, Poitiers, France New Carthographies, CornerHouse, Manchester Human Frames, KIT-Kunst-im-Tunnel, Düsseldorf, Germany Here&There, Amelie A. Wallace Gallery, New-York ZOOM Art Fair, curator November Paynter, Miami 2010 Capturing North African Sunbeams, curator, Macu Moran, Manifesta 8, Murcia, Spain Vidéo sur L’Ile # 2, curator, Célia Crétien, Ouessant, France In Between: Displaced Harmonies / Dissonant States, Pécs2010 European Cultural Capital, Hungary Here & There, Oonagh Young Gallery, Dublin Les Multiples Désirs, Galerie Eponyme, Bordeaux, France Festival International de films de Femmes, Maison des Arts, Créteil, France Profondeurs de Champs, curator, Bérénice Saliou, Galerie FJ, Casablanca, Marroco 2009 3X2, TransatVideo, Pavillon de Normandie, Caen, France SLICK, Foire d’art contemporain, 104, Paris Panafricain, curator, Nadira Laggoun, Algiers La Force de l'art 02, Les Virtuels, Grand Palais, Paris Borders, curator, Hyewon Yi, Amelie A. Wallace Gallery, New York This is now 2, curator, Cecile Bourne, Appartement 22, Rabat, Marroco 2008 Videozone4, The 4th International Video Art Biennal, Center for Contemporary Art, Tel Aviv, Israel Cinemed, monography, Musée Fabre, Montpellier, France Iconoclastes : Les territoires de l’esprit, curator, Kader Attia, Galerie Anne de Villepoix, Paris This is now, commissaire Cecile Bourne, Johannesbourg Contemporary Art Fair, South Africa Ethnographies of the future, commissaire Sara Reisman, Rotunda Gallery, New-York Vidéo et après, curator, Chantal Pontbriand, Centre Pompidou, Paris 2007 Draft, project room, Location One, New York Frontiere(s), curator, V. Vaucrecy, Musée d’Art et d’Histoire, Saint-Brieuc Bienal de Jafre, curator, Mario Flecha, Espagne 2006 Bledi in Progress, Sort films festival of Clermont-Fd, Clermont-Ferrand, France Cosa Nostra, Glassbox, Paris Bienal Internacional de Arte de Sevilla, programm by Cinémathèque de Tanger, Sevilla, Spain Bledi a possible scenario, Cinémathèque Française, programmation Nicole Brenez, Paris The Photographer’s Gallery, program by Cinémathèque de Tanger, London Festival de l’Oh, Conseil Général du Val-de-Marne, Joinville-le-Pont, France Bledi in Progress, Filmathèque Zinet, Algiers Paris is Burning, curator, Rashaad Newsome, Rush Arts Gallery, New York 2005 Ici Rever ici, curator, Sylvain Rousseau ESBAT, Tours, France Inner island art of survival, The Third Paradise, curator, Achille Bonito Oliva, Michelangelo Pistoletto, Island of San Servolo, Venise, Italy 2004 Prosismic, curator, Evelyne Jouanno, Espace Paul Ricard, Paris Fuxing Park & BizArt Art Center, Shanghaï, China Buy-sellf, Ateliers d’Artistes de la ville de Marseille, Marseille, France Troubled Times, curator, Maria Campitelli, Museo Diego de Henriquez, Trieste, Italy Populaire, Maison folie Wazemmes, curator, Cecile Paris, Lille 2004, France Living library, curators, Michelangelo Pistoletto, Judith Wilander, Cittadellarte, Biella, Italy Art grandeur Nature 2004, Biennale d’art contemporain en Seine-Saint-Denis, France 2003 Bandits-Mages, Video Festival, Bourges, France Festival Acces(s), Pau, France EchoparK+Wolfgang Capellari, Secession, Vienna, Austria 2002 Unidee in progress, Cittadellarte, fondation Pistoletto, Biella, Italy +/_ Epicerie, Biennale de Cetinie IV, Montenegro Villette Emergences, O/O meets V/S La Villette, Paris Club Club Club, commissaire Yann Chevalier, Confort Moderne, Poitiers, France 2001 Bandits-Mages, video festival, Bourges, France +/- Épicerie, Épicerie midi minuit, Paris Partez sous les Topiques, Lavotopique Tour, Ergo, ERBAN, Nantes, France Werkstatt 2001, Palais Clam Gallas, Institut Français, Vienna, Austria Progetto Arte, curator, Michelangelo Pistoletto, Semper Depot, Vienna, Austria Residencies 2012 Delfina Foundation, London 2011-12 Atelier Euroméditéranée, Marseille-Provence 2013 2009-11 Point Ephémère, Paris 2008 Cuts and Burn, The Outpost, Williamsburg, New-York 2007 Location One, Culture France et Ville de Paris, New-York 2002 Programme Unidee, Cittedellarte, Fondation Pistoletto, Biella, Italy Grants 2009 Dicream, CNC, Paris 2006 Aide à l’installation, DRAC Ile de France, Paris 2004 Aide à la création, DRAC Ile de France, Paris

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  • Tuvalu
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  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

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