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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Katia Kameli

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Katia Kameli is a French Algerian artist, director and producer based in Paris. Kameli’s work is closely linked to her personal experience of dual identities, exploring multiplicity and the ‘in-between’. Through video, photography, installation and drawing, she investigates intercultural spaces, intersecting identities and their construction. Thus she positions herself as a hybrid, using a ‘third space’ to enables the emergence of other visions, forms and positions. This ‘third space’ questions historical accounts and can generate a critical stance that allows the rewriting of history and narratives.
In 2006 and 20011, Kameli directed and produced ‘Bledi in Progress’ and‘Trans-Maghreb’ video platforms for young filmmakers from Algeria, Marroco and Tunisia in Algiers.
In 2007-08, she was the winner of the program Paris-New York, CulturesFrance and participated in a residency at Location One, NY. Her work has found an audience and gained recognition on the national and international artistic and cinematographic scene such as: Centre Georges Pompidou (2008), French Cine- matheque (2007), Manifesta 8 (2010), Center for Contemporary Art in Tel Aviv (2008), Galerie Anne Villepoix (2008), Paris, Rotunda Gallery, New York (2008), Seville Biennale (2008), Cornerhouse, Manshester (2011), Bamako Encounters (2011), Marrakech Biennale (2012), Dakar Biennale (2012). She is curently working on a new project for Marseille-Provence Capital of the Culture 2013.


Biography

Born 26.05.1973

Solo shows

2012
7 Acts of Love in 7 days of Boredom, curator, J.Cotinet-Alphaize, Contemporary art center, Transpalette, Bourges
Duty Free, curator Berenice Saliou, Vidéochroniques, Marseille

2009
Dislocation et champ de contrainte élastique, Synesthésie, St-Denis, Paris

Group shows

2012
Shifting Cards, curator Cecile Bourne, Les bains douches, Marseille
De Paso en la Tierra, curators F.Adamsbaum, W.Jeffett, Institut Francais Seville and Madrid
Dak’Art, curators, C.Eyene, N.Laggoune, R. Naidoo, Dakar Biennale
Higher Atlas, curators Carson Chan, Nadim Sammam, Marrakech Biennale
C’était pas gai mais pas non plus triste, c’était beau. Sextant et plus, Van Gogh Foundation, Arles

2011
Pour un Monde Durable, Bamako Encounters, Mali
De la Neige en Eté, Parking de sculptures, Confort Moderne, Poitiers, France
New Carthographies, CornerHouse, Manchester
Human Frames, KIT-Kunst-im-Tunnel, Düsseldorf, Germany
Here&There, Amelie A. Wallace Gallery, New-York
ZOOM Art Fair, curator November Paynter, Miami

2010
Capturing North African Sunbeams, curator, Macu Moran, Manifesta 8, Murcia, Spain
Vidéo sur L’Ile # 2, curator, Célia Crétien, Ouessant, France
In Between: Displaced Harmonies / Dissonant States, Pécs2010 European Cultural Capital, Hungary
Here & There, Oonagh Young Gallery, Dublin
Les Multiples Désirs, Galerie Eponyme, Bordeaux, France
Festival International de films de Femmes, Maison des Arts, Créteil, France
Profondeurs de Champs, curator, Bérénice Saliou, Galerie FJ, Casablanca, Marroco

2009
3X2, TransatVideo, Pavillon de Normandie, Caen, France
SLICK, Foire d’art contemporain, 104, Paris
Panafricain, curator, Nadira Laggoun, Algiers
La Force de l'art 02, Les Virtuels, Grand Palais, Paris
Borders, curator, Hyewon Yi, Amelie A. Wallace Gallery, New York
This is now 2, curator, Cecile Bourne, Appartement 22, Rabat, Marroco

2008
Videozone4, The 4th International Video Art Biennal, Center for Contemporary Art, Tel Aviv, Israel
Cinemed, monography, Musée Fabre, Montpellier, France
Iconoclastes : Les territoires de l’esprit, curator, Kader Attia, Galerie Anne de Villepoix, Paris
This is now, commissaire Cecile Bourne, Johannesbourg Contemporary Art Fair, South Africa
Ethnographies of the future, commissaire Sara Reisman, Rotunda Gallery, New-York
Vidéo et après, curator, Chantal Pontbriand, Centre Pompidou, Paris

2007
Draft, project room, Location One, New York
Frontiere(s), curator, V. Vaucrecy, Musée d’Art et d’Histoire, Saint-Brieuc
Bienal de Jafre, curator, Mario Flecha, Espagne

2006
Bledi in Progress, Sort films festival of Clermont-Fd, Clermont-Ferrand, France
Cosa Nostra, Glassbox, Paris
Bienal Internacional de Arte de Sevilla, programm by Cinémathèque de Tanger, Sevilla, Spain
Bledi a possible scenario, Cinémathèque Française, programmation Nicole Brenez, Paris
The Photographer’s Gallery, program by Cinémathèque de Tanger, London
Festival de l’Oh, Conseil Général du Val-de-Marne, Joinville-le-Pont, France
Bledi in Progress, Filmathèque Zinet, Algiers
Paris is Burning, curator, Rashaad Newsome, Rush Arts Gallery, New York

2005
Ici Rever ici, curator, Sylvain Rousseau ESBAT, Tours, France
Inner island art of survival, The Third Paradise, curator, Achille Bonito Oliva, Michelangelo Pistoletto, Island
of San Servolo, Venise, Italy

2004
Prosismic, curator, Evelyne Jouanno, Espace Paul Ricard, Paris
Fuxing Park & BizArt Art Center, Shanghaï, China
Buy-sellf, Ateliers d’Artistes de la ville de Marseille, Marseille, France
Troubled Times, curator, Maria Campitelli, Museo Diego de Henriquez, Trieste, Italy
Populaire, Maison folie Wazemmes, curator, Cecile Paris, Lille 2004, France
Living library, curators, Michelangelo Pistoletto, Judith Wilander, Cittadellarte, Biella, Italy
Art grandeur Nature 2004, Biennale d’art contemporain en Seine-Saint-Denis, France

2003
Bandits-Mages, Video Festival, Bourges, France
Festival Acces(s), Pau, France
EchoparK+Wolfgang Capellari, Secession, Vienna, Austria

2002
Unidee in progress, Cittadellarte, fondation Pistoletto, Biella, Italy
+/_ Epicerie, Biennale de Cetinie IV, Montenegro
Villette Emergences, O/O meets V/S La Villette, Paris
Club Club Club, commissaire Yann Chevalier, Confort Moderne, Poitiers, France

2001
Bandits-Mages, video festival, Bourges, France
+/- Épicerie, Épicerie midi minuit, Paris
Partez sous les Topiques, Lavotopique Tour, Ergo, ERBAN, Nantes, France
Werkstatt 2001, Palais Clam Gallas, Institut Français, Vienna, Austria
Progetto Arte, curator, Michelangelo Pistoletto, Semper Depot, Vienna, Austria

Residencies

2012
Delfina Foundation, London
2011-12
Atelier Euroméditéranée, Marseille-Provence 2013
2009-11
Point Ephémère, Paris
2008
Cuts and Burn, The Outpost, Williamsburg, New-York
2007
Location One, Culture France et Ville de Paris, New-York
2002
Programme Unidee, Cittedellarte, Fondation Pistoletto, Biella, Italy

Grants

2009
Dicream, CNC, Paris
2006
Aide à l’installation, DRAC Ile de France, Paris
2004
Aide à la création, DRAC Ile de France, Paris


Katia Kameli
Born 26.05.1973 Solo shows 2012 7 Acts of Love in 7 days of Boredom, curator, J.Cotinet-Alphaize, Contemporary art center, Transpalette, Bourges Duty Free, curator Berenice Saliou, Vidéochroniques, Marseille 2009 Dislocation et champ de contrainte élastique, Synesthésie, St-Denis, Paris Group shows 2012 Shifting Cards, curator Cecile Bourne, Les bains douches, Marseille De Paso en la Tierra, curators F.Adamsbaum, W.Jeffett, Institut Francais Seville and Madrid Dak’Art, curators, C.Eyene, N.Laggoune, R. Naidoo, Dakar Biennale Higher Atlas, curators Carson Chan, Nadim Sammam, Marrakech Biennale C’était pas gai mais pas non plus triste, c’était beau. Sextant et plus, Van Gogh Foundation, Arles 2011 Pour un Monde Durable, Bamako Encounters, Mali De la Neige en Eté, Parking de sculptures, Confort Moderne, Poitiers, France New Carthographies, CornerHouse, Manchester Human Frames, KIT-Kunst-im-Tunnel, Düsseldorf, Germany Here&There, Amelie A. Wallace Gallery, New-York ZOOM Art Fair, curator November Paynter, Miami 2010 Capturing North African Sunbeams, curator, Macu Moran, Manifesta 8, Murcia, Spain Vidéo sur L’Ile # 2, curator, Célia Crétien, Ouessant, France In Between: Displaced Harmonies / Dissonant States, Pécs2010 European Cultural Capital, Hungary Here & There, Oonagh Young Gallery, Dublin Les Multiples Désirs, Galerie Eponyme, Bordeaux, France Festival International de films de Femmes, Maison des Arts, Créteil, France Profondeurs de Champs, curator, Bérénice Saliou, Galerie FJ, Casablanca, Marroco 2009 3X2, TransatVideo, Pavillon de Normandie, Caen, France SLICK, Foire d’art contemporain, 104, Paris Panafricain, curator, Nadira Laggoun, Algiers La Force de l'art 02, Les Virtuels, Grand Palais, Paris Borders, curator, Hyewon Yi, Amelie A. Wallace Gallery, New York This is now 2, curator, Cecile Bourne, Appartement 22, Rabat, Marroco 2008 Videozone4, The 4th International Video Art Biennal, Center for Contemporary Art, Tel Aviv, Israel Cinemed, monography, Musée Fabre, Montpellier, France Iconoclastes : Les territoires de l’esprit, curator, Kader Attia, Galerie Anne de Villepoix, Paris This is now, commissaire Cecile Bourne, Johannesbourg Contemporary Art Fair, South Africa Ethnographies of the future, commissaire Sara Reisman, Rotunda Gallery, New-York Vidéo et après, curator, Chantal Pontbriand, Centre Pompidou, Paris 2007 Draft, project room, Location One, New York Frontiere(s), curator, V. Vaucrecy, Musée d’Art et d’Histoire, Saint-Brieuc Bienal de Jafre, curator, Mario Flecha, Espagne 2006 Bledi in Progress, Sort films festival of Clermont-Fd, Clermont-Ferrand, France Cosa Nostra, Glassbox, Paris Bienal Internacional de Arte de Sevilla, programm by Cinémathèque de Tanger, Sevilla, Spain Bledi a possible scenario, Cinémathèque Française, programmation Nicole Brenez, Paris The Photographer’s Gallery, program by Cinémathèque de Tanger, London Festival de l’Oh, Conseil Général du Val-de-Marne, Joinville-le-Pont, France Bledi in Progress, Filmathèque Zinet, Algiers Paris is Burning, curator, Rashaad Newsome, Rush Arts Gallery, New York 2005 Ici Rever ici, curator, Sylvain Rousseau ESBAT, Tours, France Inner island art of survival, The Third Paradise, curator, Achille Bonito Oliva, Michelangelo Pistoletto, Island of San Servolo, Venise, Italy 2004 Prosismic, curator, Evelyne Jouanno, Espace Paul Ricard, Paris Fuxing Park & BizArt Art Center, Shanghaï, China Buy-sellf, Ateliers d’Artistes de la ville de Marseille, Marseille, France Troubled Times, curator, Maria Campitelli, Museo Diego de Henriquez, Trieste, Italy Populaire, Maison folie Wazemmes, curator, Cecile Paris, Lille 2004, France Living library, curators, Michelangelo Pistoletto, Judith Wilander, Cittadellarte, Biella, Italy Art grandeur Nature 2004, Biennale d’art contemporain en Seine-Saint-Denis, France 2003 Bandits-Mages, Video Festival, Bourges, France Festival Acces(s), Pau, France EchoparK+Wolfgang Capellari, Secession, Vienna, Austria 2002 Unidee in progress, Cittadellarte, fondation Pistoletto, Biella, Italy +/_ Epicerie, Biennale de Cetinie IV, Montenegro Villette Emergences, O/O meets V/S La Villette, Paris Club Club Club, commissaire Yann Chevalier, Confort Moderne, Poitiers, France 2001 Bandits-Mages, video festival, Bourges, France +/- Épicerie, Épicerie midi minuit, Paris Partez sous les Topiques, Lavotopique Tour, Ergo, ERBAN, Nantes, France Werkstatt 2001, Palais Clam Gallas, Institut Français, Vienna, Austria Progetto Arte, curator, Michelangelo Pistoletto, Semper Depot, Vienna, Austria Residencies 2012 Delfina Foundation, London 2011-12 Atelier Euroméditéranée, Marseille-Provence 2013 2009-11 Point Ephémère, Paris 2008 Cuts and Burn, The Outpost, Williamsburg, New-York 2007 Location One, Culture France et Ville de Paris, New-York 2002 Programme Unidee, Cittedellarte, Fondation Pistoletto, Biella, Italy Grants 2009 Dicream, CNC, Paris 2006 Aide à l’installation, DRAC Ile de France, Paris 2004 Aide à la création, DRAC Ile de France, Paris

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  • Western Sahara
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  • Zambia
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