This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

Share your thoughts with the blinkvideo community.

Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Our Partners

Follow us on Instagram

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Petra Lottje

Works


Galleries

Jarmuschek + Partner
Kristian Jarmuschek
Potsdammer Strasse 81A
10785 Berlin
Germany

Phone: +49 30 285 99 070
E-Mail: mail@jarmuschek.de




Statement

In Petra Lottje’s works, our smallest social units, rules and tensions in dealing with oneself, the neighbour, the partner and the family, are to be regarded as political key to the entirety.


Biography

born 1973 in Rheda Wiedenbrück
lives and works in Berlin since 2006

Education

1995-97 studies of social affairs, University of Applied Sciences Brunswick/Wolfenbüttel (prediloma)
1997–2004 Studies of der fine arts, Academy of Fine Arts Brunswick (HdK), Diploma with Prof. R. Kummer
2004 study visit in Canada and the USA
2005 master student with Prof. J. Armleder, Academy of Fine Arts Brunswick (HdK)

Solo exhibitions (selection)

2017
TIMECODE, Galerie Jarmuschek + Partner, Berlin (upcoming)
Fragen an den Mond, Lecture & Screening, Organhaus, Chongqing, China

2016
No Gloom. THANKS, Oberwelt e.V., Stuttgarter Filmwinter, Stuttgart

2015
Isomere, Galerie Jarmuschek + Partner, Berlin

2012
Daily, Kunstverein Buchholz Nordheide, Buchholz
Ist Sünde Ist Sünde, Dorfkirche Gr. Fredenwalde (with C. Berndt)

2011
Auf der Spur, Screening, Director`s Lounge, Screening, Berlin (with C. Burz)

2010
Greenscreen, Märkisches Stipendium, Städtische Galerie, Iserlohn
Understatement Hyperbole, SAVVY Contemporary, Berlin (with S. Ramaroson)

2009
Director`s Cut, Galerie Jarmuschek+Partner, Berlin
Episoden, Westwerk, Hamburg

2007
Pick Up, Kunstklub, Berlin

2006
Urlauf, Galerie 61, Bielefeld
Shake Well, Prima-Kunst-Container, Kiel (with L. Busche)

Group exhibitions (selection)
2017
private affair, urban research/directors lounge screening, Z-Bar, Berlin

2016
POSITIONS BERLIN, Galerie Jarmuschek+Partner, Berlin. Die Kunst ist eine Tochter der Freiheit, Burgwedel. C.A.R Contemporary Art Ruhr, Essen. If Not Where, Süptitzvilla, Hamburg. directors lounge a la carte, 48h Neukölln, Berlin. Volta Basel, Galerie Jarmuschek + Partner, Berlin. Paper Positions, Bikini Haus, Berlin. Lucky Absage, Kreuzberg Pavillon, Berlin. Volta NY, Galerie Jarmuschek + Partner, New York, USA. PROSPECT, Galerie Jarmuschek + Partner, Berlin

2015
C.A.R Contemporary Art Ruhr, Essen. LA CAMERA DEGLI OSPITI, Castello Colonna di Olevano Romano, curated by Ellen Kobe, Italy. POSITIONS BERLIN, Galerie Jarmuschek + Partner, Berlin. Berliner Liste, Medienwerkstatt Berlin, Berlin. Anonyme Zeichner, Kunstverein Tiergarten, Berlin. Adios Amigos, 48h Neukölln, Ostfriesland, Berlin.

2015
Havana Biennale, framing programme Screening, Havana, Cuba.
Screening Künstlerinnenprogramm (Senate of Berlin), Arsenal Cinema, Berlin. I AMsterdam YOU BErlin, Berlin. filmab, Screening, BBK Hanover. Große Kunstausstellung NRW, Dusseldorf.

2014
POSITIONS Berlin, Galerie Jarmuschek + Partner, Berlin.
I AMsterdam YOU BErlin, Berlin. 8. Bremer Kunstfrühling, Bremen.

2013
Betreff 28, Westwerk, Hamburg. Seventh Tashkent intern. biennale of contemporary art, Tashkent, Usbekistan. Überbleibsel, konnektor, Forum für Künste, Hanover. sub I kutan, 11. art prize of Tempelhof-Schöneberg 2013, Haus am Kleistpark, Berlin. Dismantling, Galerie Jarmuschek + Partner, Berlin. hochZEITEN!, Schloss Belvedere, Pfingstberg, Potsdam. 9. internat. mediaart & filmvestival Directors Lounge, Berlin. you should be, Galerie Petra Rietz, Berlin.

2012
Konstellationen - 10. art prize of Tempelhof-Schöneberg 2012, Haus am Kleistpark, Berlin. Video Project, Fei Contemporary Art Center, Shanghai, China. JETLAG, Kunsthalle Faust, Hanover. Urban Researches, 8. internat. mediaart & filmvestival Directors Lounge, Berlin. Movimiento, T27, Kunstverein Neukölln, Berlin. On fondness and other affections, 25 f/sek, M7, Mannheim.

2011
Anonyme Zeichner, Sihlquai55, Visarte, Zürich. mail3art, T27, Kunstverein Neukölln, Berlin. Räume, badisches kunstforum, Freiburg. Umlaut, Scharpenberg Gallery / DANK Haus German American Cultural Center, Chicago, USA. Tallers Oberts, Offene Ateliers, Barcelona, Spain. Síntesi, A-FAD, Barcelona, Spain.
I and Me, Rathaus Großburgwedel.

2010
Anonyme Zeichner, Uferhallen, Berlin. en face, T27, Kunstverein Neukölln, Berlin. Fast Harmonisch, KuBaSta, Hamburg. Das Ding, G.A.S.-Station, Berlin. SchleusengärtenGalerie, Hamburg.

2009
Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Mehrwert Kunst, short film programme Frankfurter Kunstverein, Frankfurt. Greenscreen / Märkisches Stipendium, Städtische Galerie Iserlohn. BS-Visite, Rebenpark, Brunswick. Was uns antreibt, Große Kunstausstellung, Haus der Kunst, Munich.

2008
Behütetes Chaos, Galerie Frenhofer, Berlin. Supermercato DellÀrte, Galerie 21, Brunswick. Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Post Barroco, Alte Post, Berlin. Umtrieb, Kunsthalle m3, Berlin. Clinch / Cross / Cut, Team 404 & John Armleder, New Jersey, USA and Basel, Switzerland

2007
Der ästhetische Vor-Schein, Ballhaus Ost, Berlin.

2006
Lovely Shanghai Music, Team 404 & John Armleder, Zendai Museum of Modern Art, Shanghai, China. Ballsaison, Kunstverein Neustadt a.R. Körperwellen, Tesla/Podewill`sches Palais, Berlin. Heimweh, Galerie Otto Nagel, Berlin. Urlauf, Galerie 61, Bielefeld.

2005
Lovely Shanghai Music, Kunstverein, Hanover. Jungs gegen Mädchen, master student 2005, HBK Brunswick.

2004
Strangers, CapTook, Ottawa, Canada.

Festivals & screenings

2017
private affair, urban research/directors lounge screening, Z-Bar, Berlin
2016
prize winning films of DEKALOG, Schauburg Cinema, Leipzig
Cartoon Club Rimini, Italy
prize winning films of DEKALOG, Kreuzung an Sankt Helena, Bonn
ANIM8FEST, International Animation Festival, Los Angeles, USA (competition)
2015
LeMiaff, Montreal International Animation Festival, Canada (competition)
2014
LaFemme!, International Filmfestival, Beverly Hills, LA, USA Kasseler Dokumentarfilm- und Videofest
2013
Kasseler Dokumentarfilm- und Videofest
Bamberger Kurzfilmtage (competitions)
2012
EMAF, Osnabruck
2011
Kasseler Dokumentarfilm- und Videofest
The 2nd International Women´s Film Showcase, Centro Cultural Goiânia Ouro, Brasil
Young Collection, short film competition, Bremen
2010
Anadaoma, Festival for film and video, HBK Brunswick
Kasseler Dokumentarfilm- und Videofest
Femina, International Women’s Film Festival, Rio de Janeiro, Brasil
Bamberger Kurzfilmtage
2009
International Film Festival of India, Goa, India
Kasseler Dokumentarfilm- und Videofest
EMAF, Osnabrück (competition)
2008
Anadaoma, Festival for film and video, HBK Brunswick
Kasseler Dokumentarfilm- und Videofest
Femina, International Women’s Film Festival, Rio de Janeiro, Brasil (competition)
2007
Kasseler Dokumentarfilm- und Videofest

Scholaeships

2016 scholarship of the Senate of Berlin, Künstlerinnenförderung Film/Video
grant International cultural exchange, Berlin Senate, Chongching, China
2015 travel grant AG Kurzfilm & German Films, Montreal, Canada
2013 Stipendium des Berliner Senats, Künstlerinnenförderung Film/Video
2010 Märkisches Stipendium für Bildende Kunst /Videokunst
2008 travel grant AG Kurzfilm & German Films, Rio de Janeiro, Brasil

Film subsidy

2013 film subsidy by commissioner of the federal government for culture and media

Prices

2014 DEKALOG film prize, first prize for „I don‘t miss anything“, Berlin
2011 Young Collection 44, second prize/short film competition, Bremen
2010 TempoTempo, first prize/short film competition, Schlachthaus, Bremen
2001 AirArtAward, award winner of the international emerging artists award of EADS, Berlin
2010 Werkschau 2010, class of Prof. Bjoern Melhus, Art Academy of Kassel

Curatorial activities

2012 movimiento, T27, Kunstverein Neukölln, Berlin
2011 short film selection, v.b.k., Berlin
2010 Fast Harmonisch, KuBaSta, Hamburg
2008 Umtrieb, Kunsthalle m3, Berlin

Other

2010 Camera „beyond humans“ and „jenseits des menschen“ by Rainer Maria Matysik
2011 cut/editing „Drift-Art“, Dokumentation of a Performance by Ellen Kobe, 500.000 fan annyversary of Audi at Facebook
1998 drawings for an educational trail in Groß Steinum

Petra Lottje
born 1973 in Rheda Wiedenbrück lives and works in Berlin since 2006 Education 1995-97 studies of social affairs, University of Applied Sciences Brunswick/Wolfenbüttel (prediloma) 1997–2004 Studies of der fine arts, Academy of Fine Arts Brunswick (HdK), Diploma with Prof. R. Kummer 2004 study visit in Canada and the USA 2005 master student with Prof. J. Armleder, Academy of Fine Arts Brunswick (HdK) Solo exhibitions (selection) 2017 TIMECODE, Galerie Jarmuschek + Partner, Berlin (upcoming) Fragen an den Mond, Lecture & Screening, Organhaus, Chongqing, China 2016 No Gloom. THANKS, Oberwelt e.V., Stuttgarter Filmwinter, Stuttgart 2015 Isomere, Galerie Jarmuschek + Partner, Berlin 2012 Daily, Kunstverein Buchholz Nordheide, Buchholz Ist Sünde Ist Sünde, Dorfkirche Gr. Fredenwalde (with C. Berndt) 2011 Auf der Spur, Screening, Director`s Lounge, Screening, Berlin (with C. Burz) 2010 Greenscreen, Märkisches Stipendium, Städtische Galerie, Iserlohn Understatement Hyperbole, SAVVY Contemporary, Berlin (with S. Ramaroson) 2009 Director`s Cut, Galerie Jarmuschek+Partner, Berlin Episoden, Westwerk, Hamburg 2007 Pick Up, Kunstklub, Berlin 2006 Urlauf, Galerie 61, Bielefeld Shake Well, Prima-Kunst-Container, Kiel (with L. Busche) Group exhibitions (selection) 2017 private affair, urban research/directors lounge screening, Z-Bar, Berlin 2016 POSITIONS BERLIN, Galerie Jarmuschek+Partner, Berlin. Die Kunst ist eine Tochter der Freiheit, Burgwedel. C.A.R Contemporary Art Ruhr, Essen. If Not Where, Süptitzvilla, Hamburg. directors lounge a la carte, 48h Neukölln, Berlin. Volta Basel, Galerie Jarmuschek + Partner, Berlin. Paper Positions, Bikini Haus, Berlin. Lucky Absage, Kreuzberg Pavillon, Berlin. Volta NY, Galerie Jarmuschek + Partner, New York, USA. PROSPECT, Galerie Jarmuschek + Partner, Berlin 2015 C.A.R Contemporary Art Ruhr, Essen. LA CAMERA DEGLI OSPITI, Castello Colonna di Olevano Romano, curated by Ellen Kobe, Italy. POSITIONS BERLIN, Galerie Jarmuschek + Partner, Berlin. Berliner Liste, Medienwerkstatt Berlin, Berlin. Anonyme Zeichner, Kunstverein Tiergarten, Berlin. Adios Amigos, 48h Neukölln, Ostfriesland, Berlin. 2015 Havana Biennale, framing programme Screening, Havana, Cuba. Screening Künstlerinnenprogramm (Senate of Berlin), Arsenal Cinema, Berlin. I AMsterdam YOU BErlin, Berlin. filmab, Screening, BBK Hanover. Große Kunstausstellung NRW, Dusseldorf. 2014 POSITIONS Berlin, Galerie Jarmuschek + Partner, Berlin. I AMsterdam YOU BErlin, Berlin. 8. Bremer Kunstfrühling, Bremen. 2013 Betreff 28, Westwerk, Hamburg. Seventh Tashkent intern. biennale of contemporary art, Tashkent, Usbekistan. Überbleibsel, konnektor, Forum für Künste, Hanover. sub I kutan, 11. art prize of Tempelhof-Schöneberg 2013, Haus am Kleistpark, Berlin. Dismantling, Galerie Jarmuschek + Partner, Berlin. hochZEITEN!, Schloss Belvedere, Pfingstberg, Potsdam. 9. internat. mediaart & filmvestival Directors Lounge, Berlin. you should be, Galerie Petra Rietz, Berlin. 2012 Konstellationen - 10. art prize of Tempelhof-Schöneberg 2012, Haus am Kleistpark, Berlin. Video Project, Fei Contemporary Art Center, Shanghai, China. JETLAG, Kunsthalle Faust, Hanover. Urban Researches, 8. internat. mediaart & filmvestival Directors Lounge, Berlin. Movimiento, T27, Kunstverein Neukölln, Berlin. On fondness and other affections, 25 f/sek, M7, Mannheim. 2011 Anonyme Zeichner, Sihlquai55, Visarte, Zürich. mail3art, T27, Kunstverein Neukölln, Berlin. Räume, badisches kunstforum, Freiburg. Umlaut, Scharpenberg Gallery / DANK Haus German American Cultural Center, Chicago, USA. Tallers Oberts, Offene Ateliers, Barcelona, Spain. Síntesi, A-FAD, Barcelona, Spain. I and Me, Rathaus Großburgwedel. 2010 Anonyme Zeichner, Uferhallen, Berlin. en face, T27, Kunstverein Neukölln, Berlin. Fast Harmonisch, KuBaSta, Hamburg. Das Ding, G.A.S.-Station, Berlin. SchleusengärtenGalerie, Hamburg. 2009 Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Mehrwert Kunst, short film programme Frankfurter Kunstverein, Frankfurt. Greenscreen / Märkisches Stipendium, Städtische Galerie Iserlohn. BS-Visite, Rebenpark, Brunswick. Was uns antreibt, Große Kunstausstellung, Haus der Kunst, Munich. 2008 Behütetes Chaos, Galerie Frenhofer, Berlin. Supermercato DellÀrte, Galerie 21, Brunswick. Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Post Barroco, Alte Post, Berlin. Umtrieb, Kunsthalle m3, Berlin. Clinch / Cross / Cut, Team 404 & John Armleder, New Jersey, USA and Basel, Switzerland 2007 Der ästhetische Vor-Schein, Ballhaus Ost, Berlin. 2006 Lovely Shanghai Music, Team 404 & John Armleder, Zendai Museum of Modern Art, Shanghai, China. Ballsaison, Kunstverein Neustadt a.R. Körperwellen, Tesla/Podewill`sches Palais, Berlin. Heimweh, Galerie Otto Nagel, Berlin. Urlauf, Galerie 61, Bielefeld. 2005 Lovely Shanghai Music, Kunstverein, Hanover. Jungs gegen Mädchen, master student 2005, HBK Brunswick. 2004 Strangers, CapTook, Ottawa, Canada. Festivals & screenings 2017 private affair, urban research/directors lounge screening, Z-Bar, Berlin 2016 prize winning films of DEKALOG, Schauburg Cinema, Leipzig Cartoon Club Rimini, Italy prize winning films of DEKALOG, Kreuzung an Sankt Helena, Bonn ANIM8FEST, International Animation Festival, Los Angeles, USA (competition) 2015 LeMiaff, Montreal International Animation Festival, Canada (competition) 2014 LaFemme!, International Filmfestival, Beverly Hills, LA, USA Kasseler Dokumentarfilm- und Videofest 2013 Kasseler Dokumentarfilm- und Videofest Bamberger Kurzfilmtage (competitions) 2012 EMAF, Osnabruck 2011 Kasseler Dokumentarfilm- und Videofest The 2nd International Women´s Film Showcase, Centro Cultural Goiânia Ouro, Brasil Young Collection, short film competition, Bremen 2010 Anadaoma, Festival for film and video, HBK Brunswick Kasseler Dokumentarfilm- und Videofest Femina, International Women’s Film Festival, Rio de Janeiro, Brasil Bamberger Kurzfilmtage 2009 International Film Festival of India, Goa, India Kasseler Dokumentarfilm- und Videofest EMAF, Osnabrück (competition) 2008 Anadaoma, Festival for film and video, HBK Brunswick Kasseler Dokumentarfilm- und Videofest Femina, International Women’s Film Festival, Rio de Janeiro, Brasil (competition) 2007 Kasseler Dokumentarfilm- und Videofest Scholaeships 2016 scholarship of the Senate of Berlin, Künstlerinnenförderung Film/Video grant International cultural exchange, Berlin Senate, Chongching, China 2015 travel grant AG Kurzfilm & German Films, Montreal, Canada 2013 Stipendium des Berliner Senats, Künstlerinnenförderung Film/Video 2010 Märkisches Stipendium für Bildende Kunst /Videokunst 2008 travel grant AG Kurzfilm & German Films, Rio de Janeiro, Brasil Film subsidy 2013 film subsidy by commissioner of the federal government for culture and media Prices 2014 DEKALOG film prize, first prize for „I don‘t miss anything“, Berlin 2011 Young Collection 44, second prize/short film competition, Bremen 2010 TempoTempo, first prize/short film competition, Schlachthaus, Bremen 2001 AirArtAward, award winner of the international emerging artists award of EADS, Berlin 2010 Werkschau 2010, class of Prof. Bjoern Melhus, Art Academy of Kassel Curatorial activities 2012 movimiento, T27, Kunstverein Neukölln, Berlin 2011 short film selection, v.b.k., Berlin 2010 Fast Harmonisch, KuBaSta, Hamburg 2008 Umtrieb, Kunsthalle m3, Berlin Other 2010 Camera „beyond humans“ and „jenseits des menschen“ by Rainer Maria Matysik 2011 cut/editing „Drift-Art“, Dokumentation of a Performance by Ellen Kobe, 500.000 fan annyversary of Audi at Facebook 1998 drawings for an educational trail in Groß Steinum

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.