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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Petra Lottje

Works


Galleries

Jarmuschek + Partner
Kristian Jarmuschek
Potsdammer Strasse 81A
10785 Berlin
Germany

Phone: +49 30 285 99 070
E-Mail: mail@jarmuschek.de




Statement

In Petra Lottje’s works, our smallest social units, rules and tensions in dealing with oneself, the neighbour, the partner and the family, are to be regarded as political key to the entirety.


Biography

born 1973 in Rheda Wiedenbrück
lives and works in Berlin since 2006

Education

1995-97 studies of social affairs, University of Applied Sciences Brunswick/Wolfenbüttel (prediloma)
1997–2004 Studies of der fine arts, Academy of Fine Arts Brunswick (HdK), Diploma with Prof. R. Kummer
2004 study visit in Canada and the USA
2005 master student with Prof. J. Armleder, Academy of Fine Arts Brunswick (HdK)

Solo exhibitions (selection)

2017
TIMECODE, Galerie Jarmuschek + Partner, Berlin (upcoming)
Fragen an den Mond, Lecture & Screening, Organhaus, Chongqing, China

2016
No Gloom. THANKS, Oberwelt e.V., Stuttgarter Filmwinter, Stuttgart

2015
Isomere, Galerie Jarmuschek + Partner, Berlin

2012
Daily, Kunstverein Buchholz Nordheide, Buchholz
Ist Sünde Ist Sünde, Dorfkirche Gr. Fredenwalde (with C. Berndt)

2011
Auf der Spur, Screening, Director`s Lounge, Screening, Berlin (with C. Burz)

2010
Greenscreen, Märkisches Stipendium, Städtische Galerie, Iserlohn
Understatement Hyperbole, SAVVY Contemporary, Berlin (with S. Ramaroson)

2009
Director`s Cut, Galerie Jarmuschek+Partner, Berlin
Episoden, Westwerk, Hamburg

2007
Pick Up, Kunstklub, Berlin

2006
Urlauf, Galerie 61, Bielefeld
Shake Well, Prima-Kunst-Container, Kiel (with L. Busche)

Group exhibitions (selection)
2017
private affair, urban research/directors lounge screening, Z-Bar, Berlin

2016
POSITIONS BERLIN, Galerie Jarmuschek+Partner, Berlin. Die Kunst ist eine Tochter der Freiheit, Burgwedel. C.A.R Contemporary Art Ruhr, Essen. If Not Where, Süptitzvilla, Hamburg. directors lounge a la carte, 48h Neukölln, Berlin. Volta Basel, Galerie Jarmuschek + Partner, Berlin. Paper Positions, Bikini Haus, Berlin. Lucky Absage, Kreuzberg Pavillon, Berlin. Volta NY, Galerie Jarmuschek + Partner, New York, USA. PROSPECT, Galerie Jarmuschek + Partner, Berlin

2015
C.A.R Contemporary Art Ruhr, Essen. LA CAMERA DEGLI OSPITI, Castello Colonna di Olevano Romano, curated by Ellen Kobe, Italy. POSITIONS BERLIN, Galerie Jarmuschek + Partner, Berlin. Berliner Liste, Medienwerkstatt Berlin, Berlin. Anonyme Zeichner, Kunstverein Tiergarten, Berlin. Adios Amigos, 48h Neukölln, Ostfriesland, Berlin.

2015
Havana Biennale, framing programme Screening, Havana, Cuba.
Screening Künstlerinnenprogramm (Senate of Berlin), Arsenal Cinema, Berlin. I AMsterdam YOU BErlin, Berlin. filmab, Screening, BBK Hanover. Große Kunstausstellung NRW, Dusseldorf.

2014
POSITIONS Berlin, Galerie Jarmuschek + Partner, Berlin.
I AMsterdam YOU BErlin, Berlin. 8. Bremer Kunstfrühling, Bremen.

2013
Betreff 28, Westwerk, Hamburg. Seventh Tashkent intern. biennale of contemporary art, Tashkent, Usbekistan. Überbleibsel, konnektor, Forum für Künste, Hanover. sub I kutan, 11. art prize of Tempelhof-Schöneberg 2013, Haus am Kleistpark, Berlin. Dismantling, Galerie Jarmuschek + Partner, Berlin. hochZEITEN!, Schloss Belvedere, Pfingstberg, Potsdam. 9. internat. mediaart & filmvestival Directors Lounge, Berlin. you should be, Galerie Petra Rietz, Berlin.

2012
Konstellationen - 10. art prize of Tempelhof-Schöneberg 2012, Haus am Kleistpark, Berlin. Video Project, Fei Contemporary Art Center, Shanghai, China. JETLAG, Kunsthalle Faust, Hanover. Urban Researches, 8. internat. mediaart & filmvestival Directors Lounge, Berlin. Movimiento, T27, Kunstverein Neukölln, Berlin. On fondness and other affections, 25 f/sek, M7, Mannheim.

2011
Anonyme Zeichner, Sihlquai55, Visarte, Zürich. mail3art, T27, Kunstverein Neukölln, Berlin. Räume, badisches kunstforum, Freiburg. Umlaut, Scharpenberg Gallery / DANK Haus German American Cultural Center, Chicago, USA. Tallers Oberts, Offene Ateliers, Barcelona, Spain. Síntesi, A-FAD, Barcelona, Spain.
I and Me, Rathaus Großburgwedel.

2010
Anonyme Zeichner, Uferhallen, Berlin. en face, T27, Kunstverein Neukölln, Berlin. Fast Harmonisch, KuBaSta, Hamburg. Das Ding, G.A.S.-Station, Berlin. SchleusengärtenGalerie, Hamburg.

2009
Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Mehrwert Kunst, short film programme Frankfurter Kunstverein, Frankfurt. Greenscreen / Märkisches Stipendium, Städtische Galerie Iserlohn. BS-Visite, Rebenpark, Brunswick. Was uns antreibt, Große Kunstausstellung, Haus der Kunst, Munich.

2008
Behütetes Chaos, Galerie Frenhofer, Berlin. Supermercato DellÀrte, Galerie 21, Brunswick. Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Post Barroco, Alte Post, Berlin. Umtrieb, Kunsthalle m3, Berlin. Clinch / Cross / Cut, Team 404 & John Armleder, New Jersey, USA and Basel, Switzerland

2007
Der ästhetische Vor-Schein, Ballhaus Ost, Berlin.

2006
Lovely Shanghai Music, Team 404 & John Armleder, Zendai Museum of Modern Art, Shanghai, China. Ballsaison, Kunstverein Neustadt a.R. Körperwellen, Tesla/Podewill`sches Palais, Berlin. Heimweh, Galerie Otto Nagel, Berlin. Urlauf, Galerie 61, Bielefeld.

2005
Lovely Shanghai Music, Kunstverein, Hanover. Jungs gegen Mädchen, master student 2005, HBK Brunswick.

2004
Strangers, CapTook, Ottawa, Canada.

Festivals & screenings

2017
private affair, urban research/directors lounge screening, Z-Bar, Berlin
2016
prize winning films of DEKALOG, Schauburg Cinema, Leipzig
Cartoon Club Rimini, Italy
prize winning films of DEKALOG, Kreuzung an Sankt Helena, Bonn
ANIM8FEST, International Animation Festival, Los Angeles, USA (competition)
2015
LeMiaff, Montreal International Animation Festival, Canada (competition)
2014
LaFemme!, International Filmfestival, Beverly Hills, LA, USA Kasseler Dokumentarfilm- und Videofest
2013
Kasseler Dokumentarfilm- und Videofest
Bamberger Kurzfilmtage (competitions)
2012
EMAF, Osnabruck
2011
Kasseler Dokumentarfilm- und Videofest
The 2nd International Women´s Film Showcase, Centro Cultural Goiânia Ouro, Brasil
Young Collection, short film competition, Bremen
2010
Anadaoma, Festival for film and video, HBK Brunswick
Kasseler Dokumentarfilm- und Videofest
Femina, International Women’s Film Festival, Rio de Janeiro, Brasil
Bamberger Kurzfilmtage
2009
International Film Festival of India, Goa, India
Kasseler Dokumentarfilm- und Videofest
EMAF, Osnabrück (competition)
2008
Anadaoma, Festival for film and video, HBK Brunswick
Kasseler Dokumentarfilm- und Videofest
Femina, International Women’s Film Festival, Rio de Janeiro, Brasil (competition)
2007
Kasseler Dokumentarfilm- und Videofest

Scholaeships

2016 scholarship of the Senate of Berlin, Künstlerinnenförderung Film/Video
grant International cultural exchange, Berlin Senate, Chongching, China
2015 travel grant AG Kurzfilm & German Films, Montreal, Canada
2013 Stipendium des Berliner Senats, Künstlerinnenförderung Film/Video
2010 Märkisches Stipendium für Bildende Kunst /Videokunst
2008 travel grant AG Kurzfilm & German Films, Rio de Janeiro, Brasil

Film subsidy

2013 film subsidy by commissioner of the federal government for culture and media

Prices

2014 DEKALOG film prize, first prize for „I don‘t miss anything“, Berlin
2011 Young Collection 44, second prize/short film competition, Bremen
2010 TempoTempo, first prize/short film competition, Schlachthaus, Bremen
2001 AirArtAward, award winner of the international emerging artists award of EADS, Berlin
2010 Werkschau 2010, class of Prof. Bjoern Melhus, Art Academy of Kassel

Curatorial activities

2012 movimiento, T27, Kunstverein Neukölln, Berlin
2011 short film selection, v.b.k., Berlin
2010 Fast Harmonisch, KuBaSta, Hamburg
2008 Umtrieb, Kunsthalle m3, Berlin

Other

2010 Camera „beyond humans“ and „jenseits des menschen“ by Rainer Maria Matysik
2011 cut/editing „Drift-Art“, Dokumentation of a Performance by Ellen Kobe, 500.000 fan annyversary of Audi at Facebook
1998 drawings for an educational trail in Groß Steinum

Petra Lottje
born 1973 in Rheda Wiedenbrück lives and works in Berlin since 2006 Education 1995-97 studies of social affairs, University of Applied Sciences Brunswick/Wolfenbüttel (prediloma) 1997–2004 Studies of der fine arts, Academy of Fine Arts Brunswick (HdK), Diploma with Prof. R. Kummer 2004 study visit in Canada and the USA 2005 master student with Prof. J. Armleder, Academy of Fine Arts Brunswick (HdK) Solo exhibitions (selection) 2017 TIMECODE, Galerie Jarmuschek + Partner, Berlin (upcoming) Fragen an den Mond, Lecture & Screening, Organhaus, Chongqing, China 2016 No Gloom. THANKS, Oberwelt e.V., Stuttgarter Filmwinter, Stuttgart 2015 Isomere, Galerie Jarmuschek + Partner, Berlin 2012 Daily, Kunstverein Buchholz Nordheide, Buchholz Ist Sünde Ist Sünde, Dorfkirche Gr. Fredenwalde (with C. Berndt) 2011 Auf der Spur, Screening, Director`s Lounge, Screening, Berlin (with C. Burz) 2010 Greenscreen, Märkisches Stipendium, Städtische Galerie, Iserlohn Understatement Hyperbole, SAVVY Contemporary, Berlin (with S. Ramaroson) 2009 Director`s Cut, Galerie Jarmuschek+Partner, Berlin Episoden, Westwerk, Hamburg 2007 Pick Up, Kunstklub, Berlin 2006 Urlauf, Galerie 61, Bielefeld Shake Well, Prima-Kunst-Container, Kiel (with L. Busche) Group exhibitions (selection) 2017 private affair, urban research/directors lounge screening, Z-Bar, Berlin 2016 POSITIONS BERLIN, Galerie Jarmuschek+Partner, Berlin. Die Kunst ist eine Tochter der Freiheit, Burgwedel. C.A.R Contemporary Art Ruhr, Essen. If Not Where, Süptitzvilla, Hamburg. directors lounge a la carte, 48h Neukölln, Berlin. Volta Basel, Galerie Jarmuschek + Partner, Berlin. Paper Positions, Bikini Haus, Berlin. Lucky Absage, Kreuzberg Pavillon, Berlin. Volta NY, Galerie Jarmuschek + Partner, New York, USA. PROSPECT, Galerie Jarmuschek + Partner, Berlin 2015 C.A.R Contemporary Art Ruhr, Essen. LA CAMERA DEGLI OSPITI, Castello Colonna di Olevano Romano, curated by Ellen Kobe, Italy. POSITIONS BERLIN, Galerie Jarmuschek + Partner, Berlin. Berliner Liste, Medienwerkstatt Berlin, Berlin. Anonyme Zeichner, Kunstverein Tiergarten, Berlin. Adios Amigos, 48h Neukölln, Ostfriesland, Berlin. 2015 Havana Biennale, framing programme Screening, Havana, Cuba. Screening Künstlerinnenprogramm (Senate of Berlin), Arsenal Cinema, Berlin. I AMsterdam YOU BErlin, Berlin. filmab, Screening, BBK Hanover. Große Kunstausstellung NRW, Dusseldorf. 2014 POSITIONS Berlin, Galerie Jarmuschek + Partner, Berlin. I AMsterdam YOU BErlin, Berlin. 8. Bremer Kunstfrühling, Bremen. 2013 Betreff 28, Westwerk, Hamburg. Seventh Tashkent intern. biennale of contemporary art, Tashkent, Usbekistan. Überbleibsel, konnektor, Forum für Künste, Hanover. sub I kutan, 11. art prize of Tempelhof-Schöneberg 2013, Haus am Kleistpark, Berlin. Dismantling, Galerie Jarmuschek + Partner, Berlin. hochZEITEN!, Schloss Belvedere, Pfingstberg, Potsdam. 9. internat. mediaart & filmvestival Directors Lounge, Berlin. you should be, Galerie Petra Rietz, Berlin. 2012 Konstellationen - 10. art prize of Tempelhof-Schöneberg 2012, Haus am Kleistpark, Berlin. Video Project, Fei Contemporary Art Center, Shanghai, China. JETLAG, Kunsthalle Faust, Hanover. Urban Researches, 8. internat. mediaart & filmvestival Directors Lounge, Berlin. Movimiento, T27, Kunstverein Neukölln, Berlin. On fondness and other affections, 25 f/sek, M7, Mannheim. 2011 Anonyme Zeichner, Sihlquai55, Visarte, Zürich. mail3art, T27, Kunstverein Neukölln, Berlin. Räume, badisches kunstforum, Freiburg. Umlaut, Scharpenberg Gallery / DANK Haus German American Cultural Center, Chicago, USA. Tallers Oberts, Offene Ateliers, Barcelona, Spain. Síntesi, A-FAD, Barcelona, Spain. I and Me, Rathaus Großburgwedel. 2010 Anonyme Zeichner, Uferhallen, Berlin. en face, T27, Kunstverein Neukölln, Berlin. Fast Harmonisch, KuBaSta, Hamburg. Das Ding, G.A.S.-Station, Berlin. SchleusengärtenGalerie, Hamburg. 2009 Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Mehrwert Kunst, short film programme Frankfurter Kunstverein, Frankfurt. Greenscreen / Märkisches Stipendium, Städtische Galerie Iserlohn. BS-Visite, Rebenpark, Brunswick. Was uns antreibt, Große Kunstausstellung, Haus der Kunst, Munich. 2008 Behütetes Chaos, Galerie Frenhofer, Berlin. Supermercato DellÀrte, Galerie 21, Brunswick. Anonyme Zeichner, Künstlerhaus Bethanien, Berlin. Post Barroco, Alte Post, Berlin. Umtrieb, Kunsthalle m3, Berlin. Clinch / Cross / Cut, Team 404 & John Armleder, New Jersey, USA and Basel, Switzerland 2007 Der ästhetische Vor-Schein, Ballhaus Ost, Berlin. 2006 Lovely Shanghai Music, Team 404 & John Armleder, Zendai Museum of Modern Art, Shanghai, China. Ballsaison, Kunstverein Neustadt a.R. Körperwellen, Tesla/Podewill`sches Palais, Berlin. Heimweh, Galerie Otto Nagel, Berlin. Urlauf, Galerie 61, Bielefeld. 2005 Lovely Shanghai Music, Kunstverein, Hanover. Jungs gegen Mädchen, master student 2005, HBK Brunswick. 2004 Strangers, CapTook, Ottawa, Canada. Festivals & screenings 2017 private affair, urban research/directors lounge screening, Z-Bar, Berlin 2016 prize winning films of DEKALOG, Schauburg Cinema, Leipzig Cartoon Club Rimini, Italy prize winning films of DEKALOG, Kreuzung an Sankt Helena, Bonn ANIM8FEST, International Animation Festival, Los Angeles, USA (competition) 2015 LeMiaff, Montreal International Animation Festival, Canada (competition) 2014 LaFemme!, International Filmfestival, Beverly Hills, LA, USA Kasseler Dokumentarfilm- und Videofest 2013 Kasseler Dokumentarfilm- und Videofest Bamberger Kurzfilmtage (competitions) 2012 EMAF, Osnabruck 2011 Kasseler Dokumentarfilm- und Videofest The 2nd International Women´s Film Showcase, Centro Cultural Goiânia Ouro, Brasil Young Collection, short film competition, Bremen 2010 Anadaoma, Festival for film and video, HBK Brunswick Kasseler Dokumentarfilm- und Videofest Femina, International Women’s Film Festival, Rio de Janeiro, Brasil Bamberger Kurzfilmtage 2009 International Film Festival of India, Goa, India Kasseler Dokumentarfilm- und Videofest EMAF, Osnabrück (competition) 2008 Anadaoma, Festival for film and video, HBK Brunswick Kasseler Dokumentarfilm- und Videofest Femina, International Women’s Film Festival, Rio de Janeiro, Brasil (competition) 2007 Kasseler Dokumentarfilm- und Videofest Scholaeships 2016 scholarship of the Senate of Berlin, Künstlerinnenförderung Film/Video grant International cultural exchange, Berlin Senate, Chongching, China 2015 travel grant AG Kurzfilm & German Films, Montreal, Canada 2013 Stipendium des Berliner Senats, Künstlerinnenförderung Film/Video 2010 Märkisches Stipendium für Bildende Kunst /Videokunst 2008 travel grant AG Kurzfilm & German Films, Rio de Janeiro, Brasil Film subsidy 2013 film subsidy by commissioner of the federal government for culture and media Prices 2014 DEKALOG film prize, first prize for „I don‘t miss anything“, Berlin 2011 Young Collection 44, second prize/short film competition, Bremen 2010 TempoTempo, first prize/short film competition, Schlachthaus, Bremen 2001 AirArtAward, award winner of the international emerging artists award of EADS, Berlin 2010 Werkschau 2010, class of Prof. Bjoern Melhus, Art Academy of Kassel Curatorial activities 2012 movimiento, T27, Kunstverein Neukölln, Berlin 2011 short film selection, v.b.k., Berlin 2010 Fast Harmonisch, KuBaSta, Hamburg 2008 Umtrieb, Kunsthalle m3, Berlin Other 2010 Camera „beyond humans“ and „jenseits des menschen“ by Rainer Maria Matysik 2011 cut/editing „Drift-Art“, Dokumentation of a Performance by Ellen Kobe, 500.000 fan annyversary of Audi at Facebook 1998 drawings for an educational trail in Groß Steinum

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  • Lebanon
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  • Liechtenstein
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  • Macau
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  • Madagascar
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  • Martinique
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  • Moldova
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  • Turks and Caicos Islands
  • Tuvalu
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  • United Arab Emirates
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  • United States Minor Outlying Islands
  • Uruguay
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  • Vanuatu
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  • Virgin Islands
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  • West Bank
  • Western Sahara
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