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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Clemens von Wedemeyer

Works


Galleries

Galerie Joceln Wolff
Jocelyn Wolff
78, rue Julien-Lacroix
75020 Paris
France

Phone: +33 1 42 03 05 65
E-Mail: j.wolff@galeriewolff.com




Biography

Born in Gottingen, Germany, 1974
Lives in Berlin, Germany

Biography

2013 - 2014 Residency at Villa Massimo, Roma, Italy
2008 Residency at Villa Romana, Florence, Italy
2006 Karl – Schmidt – Rottluff - Stipendium, Berlin, Germany
2005 Residency at La Cité des arts, Paris, France
2004 Grant by the Kulturstiftung Sachsen, Dresden, Germany
2002 - 2005 Meisterschüler (Prof. Astrid Klein), Academy of Visual Arts, Hochschule für Grafik und Buchkunst, Leipzig, Germany
Grant by the DEFA Film Foundation, Berlin, Germany
1998 - 2002 Fine Arts at the Academy of Visual Arts, Leipzig, Germany
1996 - 1998 Photography and the Media at the Fachhochschule, Bielefeld, Germany

Solo exhibitions

2014
Every word you say, Braunschweiger Kunstverein, Braunschweig, Germany

2013-2014
The Cast, MAXXI, Rome, Italy

2012
The Fourth Wall, St Paul Gallery, Auckland, New Zealand; Public Art Gallery, Dunedin, New Zealand;
Museo do Chiado, Lisbon, Portugal; Paço das Artes, Sao Paulo, Brazil

2011
Sun Cinema, Galerie Jocelyn Wolff, Paris, France
Video of the month #64, Von Gegenüber (From the Opposite Side), Kunsthalle Wien, Ursula Blickle
Video lounge, Wien, Austria
The Repetition Festival Show, Galerie Civica, Trento, Italy
The Repetition Festival Show, Kunsthal Charlottenborg, Copenhagen, Denmark
Metropolis, Bericht über China, mit Maya Schweizer, Frankfurter Kunstverein, Frankfurt, Germany

2010-2011
The Repetition Festival Show, Project Art Space, Dublin, Ireland

2010
Sun Cinema, My city project, British Council, Mardin, Turkey
The Guest Room, Collective Gallery Edinburgh, Scotland
Die Vierte Wand, Koch Oberhuber Wolff, Berlin, Germany

2009
Barbican Center, London, United Kingdom, curated by Francesco Manacorda

2008-2009
CGAC, Centro Gallego de Arte Contemporaneo, Santiago de Compostella, Spain

2008
Otjesd, Videospace, Budapest, Hungary

2007
Films in common, Argos – Centre for Art & Media, Brussels, Belgium

2006
Kölnischer Kunstverein (catalogue), Cologne, Germany
CAC Brétigny, Brétigny-sur-Orge, France
PS1 MOMA, New York, USA

2003
Cinema Divisible, Galerie Jocelyn Wolff, Paris, France
Big Business, Plattform, Berlin, France

Group exhibitions & screenings (selection)

2014-2015
Days of Endless Time, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA (Afterimage)
Turning Points, Magyar Nemzeti Galeria, Ungarische Nationalgalerie, Budagpest, Hungary
The other sight, Contemporary Art Centre, Vilnius, Lithuania

2014
Soleil politique, cur. Pierre Bal-Blanc, Museion, Bolzano, Suisse
Der Leone have sept cabecas, Crac Alsace, Altkirch, France
Aventura Antonioni, Solar, Galeria de Arte Cinematica, Solar de Sao Roque, Potugal (Silberhöe)
Gestern dis Stadt von Morgen, Mülheim Museum Ruhr, Mülheim, Germany
A Paradise built in Hell, Kunstverein Hamburg, Germany
Facts, Phantoms and Time Machines, Winzavod Art Center, Moscow, Russia (Found Footage, Against Death project)
The Ultimate capital is the sun, Ngbk, Berlin, Germany (Sun Cinema project)
Kunst.Schule.Leipzig / Herz Reiz und Gefühl, Museum der Bildenden Künste, Leipzig, Germany
Gestern die Stadt von Morgen, Mülheim Museum Ruhr, Mülheim, Germany
And the Trees Set Forth to Seek for a King, Museum on the seam, Jerusalem, Israel
Camera in soggetiva e memoria collettiva - il cinema di Clemens von Wedemeyer, Triennale di Milano - Teatro dell’arte, Milano, Italy
Gegenkino, Schaubühne Lindenfels, Leipzig, Germany
Clemens von Wedemeyer, Centrum Sztuki Wspólczesnej, Zamek Ujazdowski/Centre for Contemporary Art, Warsaw, Poland
Time Pieces, n.b.k. Nordstern Videokunstzentrum, Gelsenkirchen, Germany
High Performance. Die Julia Stoschek Collection zu Gast im ZKM, ZKM, Karlsruhe, Germany
Utopian Days - Freedom, The Total Museum of Contemporary Art, Seoul, Korea
Future Perfect. Contemporary Art from Germany, Centre for Contemporary Art Ujazdowski Castle,
Warsaw, Poland / Kaliningrad State Gallery, Kaliningrad, Russia
Exhibition Cinema Remake – art & film, EYE, the new film museum, Amsterdam, The Netherlands

2013-2014
Pièces montrées, 30 ans de collection, FRAC Alsace, Sélestat, France
Archäologie ?! Spurensuche in der gegenwart, Salzburg Museum, Austria

2013
Oeuvres de la collection Philippe Cohen, Passage du Retz, Paris, France
Das bildermuseum brennt, Julia Stoschek Collection, Special exhibition as part of Art C ologne
What we see, The National Museum of Art, Osaka, Japan
Collection, Neue Galerie, Kassel, Germany
Bergen Assembly 2013, Bergen, Norway

2012
with(out), Brockspace at Brockley, London, England
Die Stadt, die es nicht gibt, Ludwig Forum Aachen, Germany
Metropolis, Report from China, Die Stadt, die es nicht gibt - Bilder globaler Räume, Ludwig Forum Aachen, Germany
Abc, Berlin, Germany
Documenta (13), Kassel, Germany

2011-2012
Cities of gold and mirrors, Julia Stoschek Foundation, Dusseldorf, Germany

2011
The Eye is a lonely hunter – Fotofestival Mannheim, Heidelberg, Kunsthalle Ludwigshafen, Mannheim, Germany
The Long Take : Videos on Architecture and Social Space, Audain Gallery SFU Woodward’s, Vancouver, Canada
Communitas Die unrepraesentierbare Gesellschaft, Camera Austria, Graz, Austria

2010-2011
Take me to your leader, Museum of Contemporary Art, Oslo, Norway

2010
The right to protest, Museum on the seam, Socio-Political Contemporary Art, Jerusalem, Israel,Jocelyn Wolff curated by Raphie Etgar
VIFF Pacific Meridian, Vladivostok International Film Festival, Vladivostok, Russia
Fokus Lodz Biennale, Lodz, Poland
From the inside, Rugby Art Museum, Rugby, United Kingdom
ANGST.MACHT.RAUM II, Senastreservespeicher, Berlin, Germany
Bilder in Bewegung, Werke aus der Sammlung, Museum Ludwig, Köln, Germany Sammlung, Museum Ludwig Köln, Koln, Germany
Portrait de collectionneurs J & F Petignat, Châtelaine, France
over the counter, economy in Post Socialist Art, Müscsarnok, Kunsthalle Budapest, Budapest, Hungary
1984, Austrian Cultural Forum, New York, USA
Sammlung Julia Stoschek, Deichtorhallen, Hamburg, Germany
All the memory of the world, GAM, Torino, Italy
Symply Video, Kunsthalle Stuttgart, Stuggart, Germany
Bilder in Bewegung, Künstler & Video / Film, Museum Ludwig Köln, Koln, Germany
Over the counter, economy in Post Socialist Art, Müscsarnok, Kunsthalle Budapest, Budapest,
Hungary, curator: Lazar Eszter & Petranyi Zsolt
Auto-kino by Phil Collins, Temporäre Kunsthalle, Berlin, Germany
Spatial City: An Architecture of Idealism FRAC Collection, Institute of Visual Arts (Inova), Milwaukee,
USA; Hyde Park Art Center, Chicago, USA; Museum of Contemporary Art, Detroit, USA
Best of loop, Moca Los Angeles, Los Angeles, USA
A Journey with no Return, A Foundation, London, United Kingdom
Dogenhaus galerie, Leipzig, Germany
Comrades of Time, Unicredit Pavillion, Bucharest, Romania
Arrivals and Departures, Fondo Mole Vanvitelliana, Ancona, Italy, curator: Andrea Bruciati & Walter Gasperoni

2010-2009
An Audio Tour through Berlin by Karin Sander, Temporäre Kunsthalle, Berlin, Germany

2009
Actors & Extras, Argos, Brussels, Belgium
Mise en scène, Centre d’art Passerelle, Brest, France, curator : Ulrike Kremeier
Antirepresentationalism, KOW gallery, Berlin, Germany
Gaps, fictions and practices, Contemporary Center, Vilnius, Lithuania
Schweizerische Skulpturen ausstellung, Biel, Switzerland
Monument to transformation, City Gallery Prague, Prague, Czech Republic
Frontières Invisibles, Lille 3000, Lille, France
Mnemocyne L’atlante delle immagini, Centro Arti visive Pescheria, Pesaro, Italy
La Rose Pourpre du Caire, Musée d’Art et d’Archéologie d’Aurillac – Collection du Frac Auvergne, Aurillac, France
Of other spaces, Colombus College of Art & Design, Colombus, USA, curator: Jam es Voorhies
There Goes the Neighborhood, MOCA Cleveland, Cleveland, USA, curator: Megan Lykins Reich
Art Boom Festival, Krakow, Poland
The Front Room, Contemporary Art Museum Saint Louis, Saint Louis, USA
Détruire, disent ils, Beaux-Arts de Rennes, Rennes, France
Eastern Standart: Western artists in China, Mass Moca, North Adams, USA

2008
Gesellschaft, Kunst Werke, Berlin, Germany
No more territory, Frac Alsace – Université Marc Bloch, Strasbourg, France
Comme au cinema, Fotogalleriet, Oslo, Norway
Worlds on Video, la Strozzina, Florence, Italy, curator: Anita Beckers
Sarah’s Journey: Is it still possible and thus necessary to get lost in the age of google maps, Section
of the 7th Bulgarian Biennal of Contemporary Art in Varna, Varna, Bulgaria, curator : Lorenzo Bruni
Open studio, Villa Romana, Florence, Italy
Eurasia: Geographic cross-overs in art, MART, Rovereto, Italy
Seventh Shanghai Biennale: TRANSLOCALMOTION, Shanghai, China, curatorial Team: Zhang Qing, Julian Heynen and Henk Slager (catalogue)
Revolutions - Forms That Turn, 16th Biennale of Sydney, Sydney, Australia
La vie moderne / revisitée, La Passerelle, Brest, France, curator : Ulrike Kremeier
Eastern Standard: Western artists in China, Mass MoCA, North Adams, USA
Cabinet of Imagination, Netwerk / center for contemporary art, Aalst, Belgium, curator: Lorenzo Benedetti
Villa Romana fellows, Deutsche Guggenheim, Berlin, Germany (catalogue)
Schmidt-Rottluff Stipendium, Kunsthalle Düsseldorf, Dusseldorf, Germany
Collateral 2, When art looks at cinema, SESC, Sao Paulo, Brazil (catalogue)
… 5 minutes later, Kunstwerke, Berlin, Germany (catalogue)
Politique de la vision, Kunstraum Forde, Geneva, Switzerland
Adelaide fringe Festival, Adelaide, Australia

2007-2008
Multiplex: Directions in Art, 1970 to now, MoMA, New York, USA
Filmische Wahrheiten, Heidelberger Kunstverein, Heidelberg, Germany
Bare life, Museum on the Seam, Jerusalem, Israel
Fiction Vs. Reality, Calouste Gulbenkian Foundation, Lisboa, Portugal (catalogue)
Destroy she said – film programme, Julia Stoschek Collection, Dusseldorf, Germany

2007
Wheel, Le Printemps de Septembre, Toulouse, France
Divided Monologue, Max Pechstein Preis, Städtisches Museum Zwickau, Zwickau, Germany, 2007 (catalogue)
Skulptur Projekte Münster, Munster, Germany, curators: Kasper König, Brigitte Franzen, Carina Plath (catalogue)
Timeout ! Art and Sustainability, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, curator: Friedmann Malsch (catalogue)
The California Files, re-viewing side effects of cultural memory, CCA Wattisd Institute for
Contemporary Arts, San Francisco, USA, curator: Ariane Beyn (ca talogue)
Love Addiction, La Comunale, Monfalcone, Italy
Free electrons, selected works from the Lemaitre collection, Centro Internacional Cultura
Contemporanea, San Sebastian, Spain, curator: Carolina Grau
Re :, Site Gallery, Sheffield, United Kingdom
Kopf oder Zahl, Kunstraum Niederösterreich, Vienna, Austria (catalogue), curator: Helmut Mark
Vita Kuben, Umea University, Umea, Sweden
Umbau / Modification, Neue Kunst Halle St. Gallen, St. Gallen, Switzerland curator: Burkhard Meltzer (catalogue)
Final Cut, media art and cinema, European Media Art Festival, Kunsthalle Dominikanerkirche, Osnabrück, Germany, curator: Hermann Nöring
Collateral, Hangar Bicocca, Milan, Italy (catalogue), curators : Adelina von Fürstenberg, Anna Daneri, Andrea Lissoni (catalogue)
Retour d’Italie. Documents en déplacement, Galerie Jocelyn Wolff, Paris, France
Le nuage Magellan, Centre Georges Pompidou, Paris, France, curator: Joanna Mytkowska
Naked Life, Museum of Contemporary Art Taipei, Taipei, Taiwan (catalogue)
The other city, Trafo Galeria, Budapest, Hungary

2006
Just off focus, Andrew Kreps Gallery, New York, USA
In Moment, Skelleftea Konsthall, Nordana, Sweden
t.i.n.a.b., Prague, Czech Republic
4th Biennale of Contemporary Art, Berlin, Germany (catalogue)

2005-2006
Fama Fluxus Mythos Beuys... jetzt neu! NEW!, Kunst+Projekte Sindelfingen, Galerie der Stadt, Sindelfingen, Germany

2005
Leipzig Lens, Podium Gallery, Glasgow School of Art, Glasgow, United Kingdom
The Pantagruel Syndrom, T- Triennale, Torino, Italy
Déjà-vu, The Moment of “Belatedness” in Contemporary Art, Atelier Augarten, Center for
Contemporary Art, Österreichische Galerie Belvedere, Vienna, Austria
Projekt Migration, Kölnischer Kunstverein (catalogue), curator: Kathrin Rhomberg, Marion von Osten
Krasnojarsk Museum Biennale, Krasnojarsk, Siberia, Russia
Bremer Freiheit, Künstlerhaus Bremen, Bremen, Germany, (with Ralf Berger, Mathilde ter Heijne, Olaf
Nicolai, Thomas Rentmeister, Gregor Schneider), curator: Susanne Pfeffer
Galerie Meyer Riegger, Karlsruhe, Germany (with Gustav Kluge and Jan Mancuska )
NCCA, Arsenal, Nitschni Nowgorod, Russia
Art space, Auckland, New Zealand (with Fitts & Holder ness (NZ), Aernout Mik (NL), Daniel Roth (DE), Marnie Slater (NZ))
In der Wäldern, Kunsthaus Mürz, Mürzzuschlag, Austria, curator: Brigitte Huck
Kunstpreis der Böttcherstrasse, Kunsthalle Bremen, Bremen, Germany (Award) (catalogue)
Die fotografierte Stadt, Galerie für zeitgenössische Kunst, Leipzig, Germany, curator: Barbara Steiner, Heidi Stecker
Klosterfelde, Berlin, Germany (with Markus Schinwald and Matthew Buckingham)
Moscow Biennale of Contemporary Art, Moscow, Russia, curator: Hans Ulrich Obrist (catalogue)

2004
Galerie Krobath Wimmer, Vienna, Austria (in association with Plattform, Berlin)
Verfahren im Raum, Kunstraum B2, Leipzig, Germany (catalogue), curators: Alexander Koch, Ulrike Kremeier
Pilot 1, International art forum, London, United Kingdom, selected by: Jens Hoffmann
The Big Business Project, solo show, Galerie Jocelyn Wolff, FIAC (International Fair of Contemporary Art, Paris), Paris, France
Utopia station, Haus der Kunst, Munich, Germany, curators: Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija
Shrinking cities, Kunst-Werke, Berlin, Germany (catalogue)
Cubed, Plattform, Berlin, Germany, curator: Ulrike Kremeier
Deutschland sucht, Kölnischer Kunstverein, Cologne, Germany (catalogue), curator: Ariane Beyn
Das Fenster zum Hof, NGBK (Neue Gesellschaft für Bildende Kunst), Berlin, Germany, curator: Frank Wagner
Eines abends spät in der Zukunft, exhibition with Christoph Weber, Kubus, Leipzig, Germany
Cremers Haufen, Landesmuseum für Kunst and Kulturgeschichte, Münster, Germany (catalogue), curator: Maïté Vissault

2003-2004
Lautloses Irren, Postbahnhof am Ostbahnhof, Berlin, Germany (catalogue), curator: Harm Lux

2003
Radical Architecture III, processing uncertainty, Museum für Angewandte Kunst, Köln, Germany,
curators: Bernd Kniess, Christopher Dell

2002
Keep on looking: Fragen zur Kunst, Kunstfond Sachsen, Kunsthaus, Dresden, Germany
Wunschbilder, Kunstfond Sachsen, Museum der Bildenden Künste, Leipzig, Germany
Grenzbespielungen: Performativität und Übergangszonen, Academy of Visual Arts, Leipzig, Germany, curator: Beatrice von Bismarck
In welcher Haltung arbeiten Sie bevorzugt? Kunst im Verhältnis zur Konstruktion von Arbeit (with Andreas Siekmann), D/O/C/K/ Project, Academy of Visual Arts, Leipzig, Germany

2000
Flusser-Symposium, Current Cutter, Video-installation, Fachhochschule Bielefeld, Bielefeld, Germany

1999
Studentforum, European Media Art Festival, Osnabrück, Germany

1997
Sternpunktstern, Bielefeld, Germany


Film festivals and screenings (selections)

2014
Festival of Future, Neue Nationalgalerie/Institut fûr Raumexperimente, Berlin, Germany
The Other Sight, CAC Vilnius, Lithuania (Muster)
CPH:DOX, Copenhagen International Documentary Festival, Copenhagen, Denmark (The Beginning.
Living figures dying)
Borders of Orders, Goethe Uniersität Frankfurt, Germany
Camera in soggetiva e memoria collettiva - il cinema di Clemens von Wedemeyer, Triennale di Milano -
Teatro dell’Arte, Milano, Italy
International Competition, Curtas Vila do Conde, Portugal (Procession, The Cast project)
Voyage à Nantes, Ecole Nationale Supérieure d’Architecture de Nantes, Nantes, France (Metropolis,
Report from China)
Berlinale, Internationale Filmfestspiele, Forum Expanded, Berlin, Germany, Afterimage
Kino Arsenal, Berlin, Germany, Muster (Rushes) Single-channel version
Centre for Contemporary Art, Ujazdowski Castle, Warsow, Poland, Die Probe
2013
La nuit défendue, les arts au mur Artothèque, Pessac, France, Sun Cinema
Artists Film Club, ICA, London, Great-Britain, Muster (Rushes) Single-channel version
2012-13
Kunstnernes Hus, Oslo, Norway, Otjesd
2012
Wednesday program, Kadist Art Fondation, San Francisco, USA, Muster (Rushes)
Video Art at Midnight, Babylon Mitte, Berlin, Germany, Sun Cinema Model
dOCUMENTA (13) Film, Bali-Kino, Kassel, Germany, Muster (Rushes)
2011
NABA, Nuova Accademia di belle Arti, Milan, Italy, Politiche della memoria, Against Death
Cinemateque Leipzig, Leipzig, Germany, Grenzen, Otjesd
Künstlerhaus Stuttgart, Stuttgart, Germany, Our Darkness, Otjesd
Festival Bom, Seoul, Korea, From the Opposite Side
2010
Kunstverein Bremerhaven, Bremerhaven, Germany, Cinematic, Occupation
Fundacio la Caixa, Barcelona, Spain, Histories de l’Est
Art Basel, Switzerland, Art Film, Found footage
Pact Zollverein, Essen, Germany, Free Falling
Linienstrasse 127, Berlin, Germany, 6 days of New Media, Silberhöhe
Temporäre Kunsthalle, Berlin, Germany, Live screening, Drehbuch
2009
Neon Campobase, Bologna, Italy, Very late at night, Otjesd
Kunstfilmbiennale, Köln, Germany, Centre Pompidou Selection, Silberhöhe
MNAM, Centre Pompidou, Paris, France, Screening and discussion with Clemens von Wedemeyer,
Von Gegenüber (from the opposite side)
SF MOMA, San Francisco, USA, Translator
KW, Institut for Contemporary Art, Berlin, Germany, Artist’s Film and Video Association
38th Filmfestival Rotterdam, Rotterdam, Netherlands, From the opposite side
Cineteca di Bologna, Bologna, Italy, Film d’artista, Metropolis, Report from China
Filmmuseum München, Multiple city, Metropolis, Report from China, Silberhöhe, Die Probe
2008
Insa Art Space, Seoul, Korea, The Cinematic, or Moving Images Expended: Artist’s film and video Showcase, Otjesd
Modern Art Museum of Forth Worth, Dallas, Texas, USA, Rien du Tout
Instituto Itaú Cultural Núcleo de Audiovisual, Sao Paolo, Brazi l, CINEMA INDEED, curated by Berta Sichel, Metropolis, Report from China
Arsenal Experimentale Festival, Cinema Arsenal, Berlin, Germany, Rien du Tout
Villa Romana, Florence, Italy, film & video platform, Otjesd
Rencontres Internationales Paris/Berlin/Madrid, Nouveau cinéma et art contemporain, Haus der
Kulturen der Welt, Berlin, Germany, Metropolis, Report from China
Kino Babylon, Berlin - Kreuzberg, Germany, Von Gegenüber (From the opposite side)
Fundaciao Gulbekian, Lisbon, Portugal, Lectures and screenings
Spring School, Cinema, Contemporary Art and Heritage, INHA, Par is, France, Occupation and
The making of Otjesd and The making of Silberhöhe – Die Siedlung
Le Silo - Béton Salon, Paris, France, Big Business and his making of
IndieLisboa – International Independent Film Festival, Lisbon, Portugal, Metropolis, report from China
3SAT Tv Channel, Germany, Switzerland, Austria, Otjesd
ATA, San Francisco, USA, 2008, Metropolis, Report from China
2 ème Edition du film documentaire de Fès, Institut Français de Fès, Fez, Morocco, Metropolis, report from China
The 5th Bangkok Experimental Film Festival, Bangkok, Thailand,– The More Things Change, Rien du tout, Metropolis, Report from China
26cc spazio per l’arte contemporanea - Roma, Rome, Italy, SENSITIVE TIMELINES CLEMENS VON
WEDEMEYER, Screenings and artists talk with Clemens von Wedemeyer and Maya Schweizer, Rien
du tout, Metropolis, report from China, Otjesd and The making of, Silberhöhe, Die Probe
Design Academy Eindhoven, Netherlands, Metropolis, Report from China
Adelaide fringe Festival, Adelaide, Australia, Otjesd
Carte blanche à Pascale Cassagnau, Cinémathèque Française, Paris, France, Metropolis, report from China
2007
Cine y casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, Metropolis, report from China
Les Ecrans Documentaires, Arcueil, France, Metropolis, Report from China
Rencontres Paris-Berlin, Jeu de Paume, Paris, France, Metropolis, Report from China
Alter Gasometer, Max – Pechstein – Preis, Städtisches Museum Zwickau, Zwickau, Germany
e-flux VIDEO RENTAL, Centre Culturel Suisse, Paris, France, Occupation
Kunstfilmbiennale, Köln, Germany, 2007, Rien du Tout
Visura Aperta, Momiano, Croatia, Silberhöhe
Video als Muster des Urbanen, Galerie Pankow, Berlin, Germany
Contrechamp, Le Cinématographe, Nantes, France, Silberhöhe
Lights, Camera, Action, Whitney Museum of American Art, New York, USA
Documentair Film Platform Zone, Gent, Antwerpen, Kortrijk, Belgium
Distorted Fabric, De Appel, Amsterdam, Netherlands, curator: Natasa Petresin
Prospectif cinéma, Centre Georges Pompidou, Paris, France, curator: Joanna Mytkowska
Depiction perversion repulsion obsession subversion, Witte de With, Rotterdam, Netherlands, Film Festival
2006
Mobile Academy, Warsaw, Poland
c.sides Festival, Jerusalem,
2005-2006
Internationale Kurzfilmtage, Oberhausen, Germany, 2006, 2005
2005
VIDEO OUT Festival Ekaterinburg
3sat Television
Filmfestival de Cannes, Cannes, France, Shortfilmcorner,
Goethe Institut, Belgrade, Serbia
Camden Arts Centre, London, United Kingdom
E-flux, New York, USA
2004-2005
Entre Vues, Belfort International Film Festival, Belfort, France
2004
Les Ecrans documentaires, Arcueil, France
E-flux, London, United Kingdom
Rencontres Internationales Paris–Berlin, 2003, 2004, 2006, 2007
Film und Architektur Festival, Berlin, Germany
Festival International Documentaire, Marseille, France
2003-2004
Max-Ophüls-Preis, Stuttgart, Germany
2003
Come on the stage, Baby... , Kunstraum der Universität Lüneburg in Bern, Bern, Switzerland
La enana marron, Madrid, Spain
2002
L´Independenta, Barcelona, Spain
Münchner Filmwochen, Munich, Spain
Filmfest Dresden, Dresden, Germany
2001
Independent Film and Video Festival, New York, USA
1999
European Media Art Festival, 1999, 2000, 2001, 2003, 2006, 2007
Found Footage Film Festival, Bielefeld, Germany
1998
Festival für Fotografie und Elektrokunst, Dortmund, Germany
Independent and Underground Filmfestival, Berlin, Germany
Südwestrundfunk
Westdeutscher Rundfunk
Viva - Fernsehen 2

Artist talks - lectures – curator

2014
«October Salon : Disappearing Things», Belgrade, Serbia
«Musées au cinéma, le cinéma face au musée», INHA, Paris, Franc e
Vortragsreihe Kino der Kunst, Akademie der Bildenden Künste München, München, Germany
«BildEvidenz. Geschichte und Äesthetik», Freie Universität Berlin, Berlin, Germany
KINO.LAB, «FUTURE PERFECT.Contemporary Art from Germany», at Centre for Contemporary Art
Ujazdowski Castle, Warsaw, Poland
Video Trajectories, International Symposium on video art, in conversation with Yilmaz Dziewior (Dire
ctor Kunsthaus Bregenz), n.b.k. Berlin, Germany
2013
Start making sense !,Cinema et art contemporains transforment l’essai, Head, Geneva
2011
Politiche della memoria, NABA, Nuova Accademia di belle Arti, M ilan, Italy
Sun Cinema Project, My city conference, Vienna Academy, Vienna, Austria
2010
Over the counter Conference, Muscarnok Kunsthalle, Budapest, Hungary
Conference after image, International Curator’s Forum, BFI Southbank, London, United Kingdom
KunstBewusst, Museum Ludwig, Köln, Germany, curated by, Galerie Nächst St. Stephan, Vienna, Austria, curated by Clemens von Wedemeyer
Loop, Barcelona, Spain with Pierre Bal-Blanc & Arthur Zmijevsky
L’école de Stéphanie, KW Institute for contemporary art, Berlin, Germany, curated by Stephanie Moisdon
Filmsquat von bbooksz, Berlin, Germany
2009
Barbican Center, London, United Kingdom
2008
Où va le cinéma ?, Centre Georges Pompidou, MNAM, Paris, France
Careof/ Docva, Milan, Italy
University of Santa Barbara, California, USA
Nova University, Department of Communication Sciences / Film and TV CAM Lisbon , Portugal
Fundaciao Gulbekian, Lisbon, Portugal
Lectures and screenings
2007
26cc spazio per l’arte contemporanea - Roma, Rome, Italy
Screenings and artists talk with Clemens von Wedemeyer and Maya Schweizer, Argos, Center for Art & Media, Brussels, Belgium > artist talk
Skulptur Projekte Münster 07, Münster, Germany > artist talk
Beim Verlassen des Kinos, Symposium connect_3 « transformation », Architektur Fakultät, Universität Hannover, Germany > lecture

Filmography

2013
The Cast is a video installation composed of :
- Afterimage (semicircular video installation, colour, sound, 3 channel), 6 min, 2013.
- The Beginning. Living Figures Dying (10 channel video installation, sound), 18 min, 2013.
- Procession (HD video, sound), 14 min, 2013.
2012
Muster (Rushes), HD video, 79 min (linear version) and 3 channel video installation (3x25min)
2010
Sun Cinema, Mardin, Turkey
2009-2010
The Fourth Wall, films installation
Against Death
2008
The inner campus, video installation (dual screen), 55 min, loop
Die Probe (The Test), HD Video, 12 min, loop
2007
Getrennter Monolog (Divided Monologue), Slideshow, 80 slides
Von Gegenüber ( From the opposite side), 35 mm, realized for Projekte Münster 2007
2006
Metropolis, Report from China, with Maya Schweizer, 42 min, video
Rien du Tout, with Maya Schweizer, 30 min, 35 mm and video
2005
Ohne Titel (Rekonstruktion), 16 mm transferred to video, 3 min, loop
Otjesd (Leaving) & The Making od Otjesd, 16mm transferred to video, 15 min, stereo, color, loop
2004
Die Siedlung, video, 20 mn; stereo, color, videoessay about an old army base in Leipzig, Germany
Das Bildermuseum brennt, 3 channel video installation, 27 min.
2003
Silberhöhe, 35mm / DVD, 10 mn; stereo; loop, a study about a modern ghost town.
2002
Big Business & The Making of Big Business, digital video / DVD, 25 mn each; mono, r emake of the
slapstic by Stan Laurel and Oliver Hardy in the prison of Waldheim, Saxony, Germany
Occupation & The Making of Occupation, a film for 200 extras and a film team, 35 mm / DVD, 7 mn;
dolby surround / stereo
2001
Longsleeve, video clip. Music by Loewenhardt, Berlin, Germany, DV, 3 mn, stereo
2000
Sand, a film about Dr. Sand, a doctor in a vacant hospital, DV, 25 mn; stereo
1999
New Order, video clip. Music by Synapscape, Bielefeld, Germany, DV, 7 mn; stereo
Wanted, video clip. Music by Loewenhardt. With A. Rose and A. Gaul, DV, 3 mn; stereo
1998
Mass, Men – again and against masses, DVD, 3 mn; stereo

Selected bibliography

2014
Clemens von Wedemeyer “Every Word You Say” at Kunstverein Braunschweig, Mousse Magazine, October 2014
Dr. Phono by Radek Krolczyk, Freitag, October 2014
2013
Clemens von Wedemeyer, «The Cast» at MAXXI, Mousse Magazine, November 2013
Cura Magazine, October 2013
Monopol, April 2013
2012
dOCUMENTA 13, Artforum, October 2012, article by Daniel Bir nbaum
Life in film : Clemens von Wedemeyer, Frieze Magazine, September 2012
Clemens von Wedemeyer : The site creates Simultaneity, Mousse.34, article by Bert Rebhandl
Festivals: Documenta (13), or, the longest presence, Filmcomment, September 2012, article by Olaf Möller
Die Widerständigkeit des Ortes, Fragment Film, 16.09.2012, article by Johannes Bennke
Review of dOCUMENTA 13, On-verge, September 2012, article by Pac Pobric.
Une documenta historique, Beaux Arts, August 2012, article by Emmanuelle Lequeux
Temporality, Sociality, Publicness: Cinema as Art Project, Afterall, Spring 2012, article by Maeve Connolly
Art on the Tracks at dOCUMENTA, Art in America, June 2012, article by Gregory Volk
Impressionen von der »documenta (13)« – Teil IV, Regenimsommer, June 2012
2011
CVW par CVW, ZERO 2, Spring 2011
«Davvero un bel filmone», Rolling Stone, July 2011, article by Andrea Lissoni
Clemens von Wedemeyer, Keith N.15, 2011, article by Jack Tone
Clemens von Wedemeyer «The Repetition Festival Show», The Dubliner, January 2011, article by Simon Judge
2010
Clemens von Wedemeyer, KALEIDOSCOPE, Summer 2010, Article by Quinn Latimer
Clemens von Wedemeyer, Art in America, April 2010, Article by Sabine Russ
Sun Cinema Project by Clemens von Wedemeyer, RES, N°6, October 2010
The cinematic, Flash Art, October 2010, Article by Jenny Schlenzka Clemens von Wedemeyer, Art Forum, May 2010, article by Dominikus Müller
2009
First Minutes of October. Christoph Weber, Verlag für moderne Kunst Nürnberg, 2009,
Articles: Ekaterina Degot, Sven Spieker & interview of Christop h Weber, Clemens von Wedemeyer & Jan Wenzel
Clemens von Wedemeyer, Flash Art, No267, July-Sept, 2009, Article by Antonia Lotz
Détruire dissent-ils, Spring, April 2009, Article by Patrice Joly
2008
Tales from the City, Frieze, April 2008, Article by Polly Staple
2007
Antonioni’s Gaze, Flash Art, October 2007, Article by Lupe Nunez-Fer nandez
Clemens von Wedemeyer: Wackel – Blick auf den Bahnhof, Westfälische Nachrichten, June 2007 Article by Lukas Speckmann
Le Nuage Magellan, Jeu de reconstruction, 02, n°41, Printemps 2007, Article by Aude Launay
2006
Clemens von Wedemeyers Short Film “Otjezd”, www.artmargins.com, 09-09-06, Article by Ekaterina Degot
An Interview with Clemens von Wedemeyer on the filming of “Otjezd”, www.artmargins.com,
09-09-06, Article by Sven Spieker
Clemens von Wedemeyer, Artforum, summer 2006, Article by Astrid Wege
Clemens von Wedemeyer, Frieze 100, august 2006, Article by Catrin Lorch
Clemens von Wedemeyer, www.shortfilm.de, 12-07-06
Clemens von Wedemeyer, Frog, Paris, n°3, printemps-été 2006, Article by Pierre Bal-Blanc
Clemens von Wedemeyer, StadtRevue Köln Magazin, April 2006
Clemens von Wedemeyer, Springerin, Heft 3/06, Article by Alexander Koch
Die Entdeckung des Ostens, Frankfurter Allgemeine Zeitung, 26-02-2006, Article by Niklas Maak
2005
Clemens von Wedemeyer, Kunstmagazin, August 2005, Article by Kristina T ieke
Le Lieu de la fiction: sur le travail de Clemens von W edemeyer, Archistorm, Paris, May-June 2005, Article by Christophe Catsaros
Mellanvärldar, ov Clemens von Wedemeyer, Paletten, Stockholm, May 2005, Article by Sinziana Ravini
Clemens von Wedemeyer, Im Zwischenraum der Bilder, Kunst-Bulletin, Zürich, April 2005, Article by Jens Emil Sennewald
2004
Clemens von Wedemeyer, Flash art magazine, Milan, Oct. 2004, Article by Thomas Bouto ux
Clemens von Wedemeyer, Regard sur le réel, ETC Montréal, Montréal, # 65, March-May 2004, Article by Maïté Vissault (French)
Die Adressaten auf der Ansichtskarte, Die Tagezeitung, Berlin, March 2004, Article by Jens Kastner
2003
Vorbilder - Lichtspiele – Nachbilder, Kunstbulletin, Zürich, Dec. 2003, Article by Jens Emil Sennew ald
The world has never stopped laughing, Review, Neue Review # 02, Berlin 2003, Text by Ines Schaber and Teresa Seemann
Die Gedanken sind frei, Kreuzer Leipzig #03, March 2003
seeyouatthepremierefair, Review, Kunstforum International #162, Dec. 2002
Verschiebungen zwischen Filmen, Spector Cut & Paste, Issue 2, Leipzig, June 2002

Exhibition catalogues and books

2013
Erratum, Zeitgeist, Variation & Repetition, A project by Save as...Publication
Pièces montrées, 30 ans de collection, FRAC Alsace
2012
Screen Dynamics, mapping the Borders of Cinema, edited by Gertrud Koch, Volker Pantenburg,
Simon Rothöhler, Österreichisches Filmmuseum Synema Publication
VI5IONS, 15 years Deutsche + Guggenheim, Deutsch Bank AG, Solomon R. Guggenheim Foundation, 2012
2011
Heimatkunde, 30 künstler blicken auf deutschland, Stiftung Jüdisches Museum Berlin und Autoren, text by : Denis Grünemeier
2010
The repetition show, Clemens von Wedemeyer, Kunsthal Charlottenborg, texts by Mark Sladen, Tessa
Giblin, Saskia Vermeulen, Rhea Dall and Andrea Viliani, 2010
The repetition show, Clemens von Wedemeyer, Project Art Centre, Dublin – Fondazione Galleria
Civica, Trento, Italy texts by Tessa Giblin, Saskia Vermeulen, and Andrea Viliani, 2010
2008
Clemens von Wedemeyer, CGAC, Santiago de Compostela, Spain, 2008
Villa Romana fellows, Deutsche Guggenheim, Berlin, 2008,
Interview with Clemens von Wedemeyer by Bert Rebhandl
Schmidt-Rottluff Stipendium, Kunsthalle Düsseldorf, Dusseldorf, Germany, 2008
2007
Auszeit, Verlag für moderne Kunst Nürnberg, 2007, Texts by Friedmann Malsch, Freddy Paul Grunert, Jochen Gerz, Kristin Schmidt
Clemens von Wedemeyer, Max Pechstein Preis, Städtisches Museum Zwickau, Zwickau, Germany, Text by Beatrice von Bismarck
Sculpture projects muenster 07, Verlag der Buchhandlung Walther König, Köln, Germany, 2007
Text by Brigitte Franzen, Kasper König, Carina Plath
Skulptur projekte muenster 07, Vorspann, Verlag der Buchhandlung Walther König, Köln, Germany,
2007, Interview with Clemens von Wedemeyer by Sabine Huzikiewiz
Le Nuage Magellan, Musée national d’art moderne – Centre Pompidou, Paris, France, 2007
Looking for a fictionnal eye, interview with Maya Schweizer & Clemens von Wedemeyer by Joanna Mytkowska
Collateral, Hangar Bicocca, Milano, 2007, curators: Adelina von Fürstenbe rg, Anna Daneri, Andrea Lissoni
Umbau / Modification, Neue Kunst Halle St. Gallen, 2007, texts by Burkhar d Meltzer, Sabine von Fischer
Kopf oder Zahl, Kunstraum NOE, Vienna, 2007, curator: Helmut Mark
2006
Kölnischer Kunstverein catalogue published by Walther Koenig, text by Ekaterina Degot and Beatrice von Bismarck, Koln, 2006
2005
Silberhöhe/Die Siedlung (The New Estate), GASAG Art Award, Berlin, 2005
Otjesd/Leaving, artist book, Galerie Jocelyn Wolff and Revolver Verlag, Paris, 2005
Kunstpreis der Böttcherstrasse in Bremen, Kunsthalle Bremen, Bremen, 2005
Moscow Biennale of contemporary art, Moscow, 2005
Deutschland sucht, Kölnischer Kunstverein, Köln, 2005
2004
Cremers haufen. Alltag. Prozesse. Handlungen: Kunst der 60er Jahre und heute, Westfälisches
Landesmuseum für Kunst und Kulturgeschichte, Münster, Kerber Verlag, text by Maïté Vissault
2003
lautloses irren, published by flux I bell sTRUcTURs e. V. Berlin, 2003, text by Harm Lux
2002
Clemens von Wedemeyer, Marion Ermer Preis, published by Marion Ermer, Stiftung, 2002 Text by Alexander Koch
1998
focus – filterlos, published by University of Applied Science Dortmund, 1998, (CD-ROM)

Artist books

2013
The Cast, Filmmaterial n°5, Edited by Paolo Caffoni and Giulia Ferracci, published by Archive Books/ Maxxi, Roma, 2013
2010
Filmmaterial n°4, Information on “The Fouth Wall“, Edited by Paolo Caffoni & Clemens von
Wedemeyer, published by Spector Books Leipzig and Archives Books Berlin, Berlin, 2010
2006
Variation sur Metropolis, with Maya Schweizer, onestar press, Paris, France, 2006
Rien du tout, [Filmmaterial] with Maya Schweizer, 2006 Galerie Jocelyn Wolff
2005
Filmmaterial [Otjesd/Leaving], Galerie Jocelyn Wolff and Revolver Verlag 2005
Filmmateria 2[Silberhöhe/Die Siedlung (The New Estate), GASAG Art Award, Berlin, 2005

Clemens von Wedemeyer
Born in Gottingen, Germany, 1974 Lives in Berlin, Germany Biography 2013 - 2014 Residency at Villa Massimo, Roma, Italy 2008 Residency at Villa Romana, Florence, Italy 2006 Karl – Schmidt – Rottluff - Stipendium, Berlin, Germany 2005 Residency at La Cité des arts, Paris, France 2004 Grant by the Kulturstiftung Sachsen, Dresden, Germany 2002 - 2005 Meisterschüler (Prof. Astrid Klein), Academy of Visual Arts, Hochschule für Grafik und Buchkunst, Leipzig, Germany Grant by the DEFA Film Foundation, Berlin, Germany 1998 - 2002 Fine Arts at the Academy of Visual Arts, Leipzig, Germany 1996 - 1998 Photography and the Media at the Fachhochschule, Bielefeld, Germany Solo exhibitions 2014 Every word you say, Braunschweiger Kunstverein, Braunschweig, Germany 2013-2014 The Cast, MAXXI, Rome, Italy 2012 The Fourth Wall, St Paul Gallery, Auckland, New Zealand; Public Art Gallery, Dunedin, New Zealand; Museo do Chiado, Lisbon, Portugal; Paço das Artes, Sao Paulo, Brazil 2011 Sun Cinema, Galerie Jocelyn Wolff, Paris, France Video of the month #64, Von Gegenüber (From the Opposite Side), Kunsthalle Wien, Ursula Blickle Video lounge, Wien, Austria The Repetition Festival Show, Galerie Civica, Trento, Italy The Repetition Festival Show, Kunsthal Charlottenborg, Copenhagen, Denmark Metropolis, Bericht über China, mit Maya Schweizer, Frankfurter Kunstverein, Frankfurt, Germany 2010-2011 The Repetition Festival Show, Project Art Space, Dublin, Ireland 2010 Sun Cinema, My city project, British Council, Mardin, Turkey The Guest Room, Collective Gallery Edinburgh, Scotland Die Vierte Wand, Koch Oberhuber Wolff, Berlin, Germany 2009 Barbican Center, London, United Kingdom, curated by Francesco Manacorda 2008-2009 CGAC, Centro Gallego de Arte Contemporaneo, Santiago de Compostella, Spain 2008 Otjesd, Videospace, Budapest, Hungary 2007 Films in common, Argos – Centre for Art & Media, Brussels, Belgium 2006 Kölnischer Kunstverein (catalogue), Cologne, Germany CAC Brétigny, Brétigny-sur-Orge, France PS1 MOMA, New York, USA 2003 Cinema Divisible, Galerie Jocelyn Wolff, Paris, France Big Business, Plattform, Berlin, France Group exhibitions & screenings (selection) 2014-2015 Days of Endless Time, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA (Afterimage) Turning Points, Magyar Nemzeti Galeria, Ungarische Nationalgalerie, Budagpest, Hungary The other sight, Contemporary Art Centre, Vilnius, Lithuania 2014 Soleil politique, cur. Pierre Bal-Blanc, Museion, Bolzano, Suisse Der Leone have sept cabecas, Crac Alsace, Altkirch, France Aventura Antonioni, Solar, Galeria de Arte Cinematica, Solar de Sao Roque, Potugal (Silberhöe) Gestern dis Stadt von Morgen, Mülheim Museum Ruhr, Mülheim, Germany A Paradise built in Hell, Kunstverein Hamburg, Germany Facts, Phantoms and Time Machines, Winzavod Art Center, Moscow, Russia (Found Footage, Against Death project) The Ultimate capital is the sun, Ngbk, Berlin, Germany (Sun Cinema project) Kunst.Schule.Leipzig / Herz Reiz und Gefühl, Museum der Bildenden Künste, Leipzig, Germany Gestern die Stadt von Morgen, Mülheim Museum Ruhr, Mülheim, Germany And the Trees Set Forth to Seek for a King, Museum on the seam, Jerusalem, Israel Camera in soggetiva e memoria collettiva - il cinema di Clemens von Wedemeyer, Triennale di Milano - Teatro dell’arte, Milano, Italy Gegenkino, Schaubühne Lindenfels, Leipzig, Germany Clemens von Wedemeyer, Centrum Sztuki Wspólczesnej, Zamek Ujazdowski/Centre for Contemporary Art, Warsaw, Poland Time Pieces, n.b.k. Nordstern Videokunstzentrum, Gelsenkirchen, Germany High Performance. Die Julia Stoschek Collection zu Gast im ZKM, ZKM, Karlsruhe, Germany Utopian Days - Freedom, The Total Museum of Contemporary Art, Seoul, Korea Future Perfect. Contemporary Art from Germany, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland / Kaliningrad State Gallery, Kaliningrad, Russia Exhibition Cinema Remake – art & film, EYE, the new film museum, Amsterdam, The Netherlands 2013-2014 Pièces montrées, 30 ans de collection, FRAC Alsace, Sélestat, France Archäologie ?! Spurensuche in der gegenwart, Salzburg Museum, Austria 2013 Oeuvres de la collection Philippe Cohen, Passage du Retz, Paris, France Das bildermuseum brennt, Julia Stoschek Collection, Special exhibition as part of Art C ologne What we see, The National Museum of Art, Osaka, Japan Collection, Neue Galerie, Kassel, Germany Bergen Assembly 2013, Bergen, Norway 2012 with(out), Brockspace at Brockley, London, England Die Stadt, die es nicht gibt, Ludwig Forum Aachen, Germany Metropolis, Report from China, Die Stadt, die es nicht gibt - Bilder globaler Räume, Ludwig Forum Aachen, Germany Abc, Berlin, Germany Documenta (13), Kassel, Germany 2011-2012 Cities of gold and mirrors, Julia Stoschek Foundation, Dusseldorf, Germany 2011 The Eye is a lonely hunter – Fotofestival Mannheim, Heidelberg, Kunsthalle Ludwigshafen, Mannheim, Germany The Long Take : Videos on Architecture and Social Space, Audain Gallery SFU Woodward’s, Vancouver, Canada Communitas Die unrepraesentierbare Gesellschaft, Camera Austria, Graz, Austria 2010-2011 Take me to your leader, Museum of Contemporary Art, Oslo, Norway 2010 The right to protest, Museum on the seam, Socio-Political Contemporary Art, Jerusalem, Israel,Jocelyn Wolff curated by Raphie Etgar VIFF Pacific Meridian, Vladivostok International Film Festival, Vladivostok, Russia Fokus Lodz Biennale, Lodz, Poland From the inside, Rugby Art Museum, Rugby, United Kingdom ANGST.MACHT.RAUM II, Senastreservespeicher, Berlin, Germany Bilder in Bewegung, Werke aus der Sammlung, Museum Ludwig, Köln, Germany Sammlung, Museum Ludwig Köln, Koln, Germany Portrait de collectionneurs J & F Petignat, Châtelaine, France over the counter, economy in Post Socialist Art, Müscsarnok, Kunsthalle Budapest, Budapest, Hungary 1984, Austrian Cultural Forum, New York, USA Sammlung Julia Stoschek, Deichtorhallen, Hamburg, Germany All the memory of the world, GAM, Torino, Italy Symply Video, Kunsthalle Stuttgart, Stuggart, Germany Bilder in Bewegung, Künstler & Video / Film, Museum Ludwig Köln, Koln, Germany Over the counter, economy in Post Socialist Art, Müscsarnok, Kunsthalle Budapest, Budapest, Hungary, curator: Lazar Eszter & Petranyi Zsolt Auto-kino by Phil Collins, Temporäre Kunsthalle, Berlin, Germany Spatial City: An Architecture of Idealism FRAC Collection, Institute of Visual Arts (Inova), Milwaukee, USA; Hyde Park Art Center, Chicago, USA; Museum of Contemporary Art, Detroit, USA Best of loop, Moca Los Angeles, Los Angeles, USA A Journey with no Return, A Foundation, London, United Kingdom Dogenhaus galerie, Leipzig, Germany Comrades of Time, Unicredit Pavillion, Bucharest, Romania Arrivals and Departures, Fondo Mole Vanvitelliana, Ancona, Italy, curator: Andrea Bruciati & Walter Gasperoni 2010-2009 An Audio Tour through Berlin by Karin Sander, Temporäre Kunsthalle, Berlin, Germany 2009 Actors & Extras, Argos, Brussels, Belgium Mise en scène, Centre d’art Passerelle, Brest, France, curator : Ulrike Kremeier Antirepresentationalism, KOW gallery, Berlin, Germany Gaps, fictions and practices, Contemporary Center, Vilnius, Lithuania Schweizerische Skulpturen ausstellung, Biel, Switzerland Monument to transformation, City Gallery Prague, Prague, Czech Republic Frontières Invisibles, Lille 3000, Lille, France Mnemocyne L’atlante delle immagini, Centro Arti visive Pescheria, Pesaro, Italy La Rose Pourpre du Caire, Musée d’Art et d’Archéologie d’Aurillac – Collection du Frac Auvergne, Aurillac, France Of other spaces, Colombus College of Art & Design, Colombus, USA, curator: Jam es Voorhies There Goes the Neighborhood, MOCA Cleveland, Cleveland, USA, curator: Megan Lykins Reich Art Boom Festival, Krakow, Poland The Front Room, Contemporary Art Museum Saint Louis, Saint Louis, USA Détruire, disent ils, Beaux-Arts de Rennes, Rennes, France Eastern Standart: Western artists in China, Mass Moca, North Adams, USA 2008 Gesellschaft, Kunst Werke, Berlin, Germany No more territory, Frac Alsace – Université Marc Bloch, Strasbourg, France Comme au cinema, Fotogalleriet, Oslo, Norway Worlds on Video, la Strozzina, Florence, Italy, curator: Anita Beckers Sarah’s Journey: Is it still possible and thus necessary to get lost in the age of google maps, Section of the 7th Bulgarian Biennal of Contemporary Art in Varna, Varna, Bulgaria, curator : Lorenzo Bruni Open studio, Villa Romana, Florence, Italy Eurasia: Geographic cross-overs in art, MART, Rovereto, Italy Seventh Shanghai Biennale: TRANSLOCALMOTION, Shanghai, China, curatorial Team: Zhang Qing, Julian Heynen and Henk Slager (catalogue) Revolutions - Forms That Turn, 16th Biennale of Sydney, Sydney, Australia La vie moderne / revisitée, La Passerelle, Brest, France, curator : Ulrike Kremeier Eastern Standard: Western artists in China, Mass MoCA, North Adams, USA Cabinet of Imagination, Netwerk / center for contemporary art, Aalst, Belgium, curator: Lorenzo Benedetti Villa Romana fellows, Deutsche Guggenheim, Berlin, Germany (catalogue) Schmidt-Rottluff Stipendium, Kunsthalle Düsseldorf, Dusseldorf, Germany Collateral 2, When art looks at cinema, SESC, Sao Paulo, Brazil (catalogue) … 5 minutes later, Kunstwerke, Berlin, Germany (catalogue) Politique de la vision, Kunstraum Forde, Geneva, Switzerland Adelaide fringe Festival, Adelaide, Australia 2007-2008 Multiplex: Directions in Art, 1970 to now, MoMA, New York, USA Filmische Wahrheiten, Heidelberger Kunstverein, Heidelberg, Germany Bare life, Museum on the Seam, Jerusalem, Israel Fiction Vs. Reality, Calouste Gulbenkian Foundation, Lisboa, Portugal (catalogue) Destroy she said – film programme, Julia Stoschek Collection, Dusseldorf, Germany 2007 Wheel, Le Printemps de Septembre, Toulouse, France Divided Monologue, Max Pechstein Preis, Städtisches Museum Zwickau, Zwickau, Germany, 2007 (catalogue) Skulptur Projekte Münster, Munster, Germany, curators: Kasper König, Brigitte Franzen, Carina Plath (catalogue) Timeout ! Art and Sustainability, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, curator: Friedmann Malsch (catalogue) The California Files, re-viewing side effects of cultural memory, CCA Wattisd Institute for Contemporary Arts, San Francisco, USA, curator: Ariane Beyn (ca talogue) Love Addiction, La Comunale, Monfalcone, Italy Free electrons, selected works from the Lemaitre collection, Centro Internacional Cultura Contemporanea, San Sebastian, Spain, curator: Carolina Grau Re :, Site Gallery, Sheffield, United Kingdom Kopf oder Zahl, Kunstraum Niederösterreich, Vienna, Austria (catalogue), curator: Helmut Mark Vita Kuben, Umea University, Umea, Sweden Umbau / Modification, Neue Kunst Halle St. Gallen, St. Gallen, Switzerland curator: Burkhard Meltzer (catalogue) Final Cut, media art and cinema, European Media Art Festival, Kunsthalle Dominikanerkirche, Osnabrück, Germany, curator: Hermann Nöring Collateral, Hangar Bicocca, Milan, Italy (catalogue), curators : Adelina von Fürstenberg, Anna Daneri, Andrea Lissoni (catalogue) Retour d’Italie. Documents en déplacement, Galerie Jocelyn Wolff, Paris, France Le nuage Magellan, Centre Georges Pompidou, Paris, France, curator: Joanna Mytkowska Naked Life, Museum of Contemporary Art Taipei, Taipei, Taiwan (catalogue) The other city, Trafo Galeria, Budapest, Hungary 2006 Just off focus, Andrew Kreps Gallery, New York, USA In Moment, Skelleftea Konsthall, Nordana, Sweden t.i.n.a.b., Prague, Czech Republic 4th Biennale of Contemporary Art, Berlin, Germany (catalogue) 2005-2006 Fama Fluxus Mythos Beuys... jetzt neu! NEW!, Kunst+Projekte Sindelfingen, Galerie der Stadt, Sindelfingen, Germany 2005 Leipzig Lens, Podium Gallery, Glasgow School of Art, Glasgow, United Kingdom The Pantagruel Syndrom, T- Triennale, Torino, Italy Déjà-vu, The Moment of “Belatedness” in Contemporary Art, Atelier Augarten, Center for Contemporary Art, Österreichische Galerie Belvedere, Vienna, Austria Projekt Migration, Kölnischer Kunstverein (catalogue), curator: Kathrin Rhomberg, Marion von Osten Krasnojarsk Museum Biennale, Krasnojarsk, Siberia, Russia Bremer Freiheit, Künstlerhaus Bremen, Bremen, Germany, (with Ralf Berger, Mathilde ter Heijne, Olaf Nicolai, Thomas Rentmeister, Gregor Schneider), curator: Susanne Pfeffer Galerie Meyer Riegger, Karlsruhe, Germany (with Gustav Kluge and Jan Mancuska ) NCCA, Arsenal, Nitschni Nowgorod, Russia Art space, Auckland, New Zealand (with Fitts & Holder ness (NZ), Aernout Mik (NL), Daniel Roth (DE), Marnie Slater (NZ)) In der Wäldern, Kunsthaus Mürz, Mürzzuschlag, Austria, curator: Brigitte Huck Kunstpreis der Böttcherstrasse, Kunsthalle Bremen, Bremen, Germany (Award) (catalogue) Die fotografierte Stadt, Galerie für zeitgenössische Kunst, Leipzig, Germany, curator: Barbara Steiner, Heidi Stecker Klosterfelde, Berlin, Germany (with Markus Schinwald and Matthew Buckingham) Moscow Biennale of Contemporary Art, Moscow, Russia, curator: Hans Ulrich Obrist (catalogue) 2004 Galerie Krobath Wimmer, Vienna, Austria (in association with Plattform, Berlin) Verfahren im Raum, Kunstraum B2, Leipzig, Germany (catalogue), curators: Alexander Koch, Ulrike Kremeier Pilot 1, International art forum, London, United Kingdom, selected by: Jens Hoffmann The Big Business Project, solo show, Galerie Jocelyn Wolff, FIAC (International Fair of Contemporary Art, Paris), Paris, France Utopia station, Haus der Kunst, Munich, Germany, curators: Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija Shrinking cities, Kunst-Werke, Berlin, Germany (catalogue) Cubed, Plattform, Berlin, Germany, curator: Ulrike Kremeier Deutschland sucht, Kölnischer Kunstverein, Cologne, Germany (catalogue), curator: Ariane Beyn Das Fenster zum Hof, NGBK (Neue Gesellschaft für Bildende Kunst), Berlin, Germany, curator: Frank Wagner Eines abends spät in der Zukunft, exhibition with Christoph Weber, Kubus, Leipzig, Germany Cremers Haufen, Landesmuseum für Kunst and Kulturgeschichte, Münster, Germany (catalogue), curator: Maïté Vissault 2003-2004 Lautloses Irren, Postbahnhof am Ostbahnhof, Berlin, Germany (catalogue), curator: Harm Lux 2003 Radical Architecture III, processing uncertainty, Museum für Angewandte Kunst, Köln, Germany, curators: Bernd Kniess, Christopher Dell 2002 Keep on looking: Fragen zur Kunst, Kunstfond Sachsen, Kunsthaus, Dresden, Germany Wunschbilder, Kunstfond Sachsen, Museum der Bildenden Künste, Leipzig, Germany Grenzbespielungen: Performativität und Übergangszonen, Academy of Visual Arts, Leipzig, Germany, curator: Beatrice von Bismarck In welcher Haltung arbeiten Sie bevorzugt? Kunst im Verhältnis zur Konstruktion von Arbeit (with Andreas Siekmann), D/O/C/K/ Project, Academy of Visual Arts, Leipzig, Germany 2000 Flusser-Symposium, Current Cutter, Video-installation, Fachhochschule Bielefeld, Bielefeld, Germany 1999 Studentforum, European Media Art Festival, Osnabrück, Germany 1997 Sternpunktstern, Bielefeld, Germany Film festivals and screenings (selections) 2014 Festival of Future, Neue Nationalgalerie/Institut fûr Raumexperimente, Berlin, Germany The Other Sight, CAC Vilnius, Lithuania (Muster) CPH:DOX, Copenhagen International Documentary Festival, Copenhagen, Denmark (The Beginning. Living figures dying) Borders of Orders, Goethe Uniersität Frankfurt, Germany Camera in soggetiva e memoria collettiva - il cinema di Clemens von Wedemeyer, Triennale di Milano - Teatro dell’Arte, Milano, Italy International Competition, Curtas Vila do Conde, Portugal (Procession, The Cast project) Voyage à Nantes, Ecole Nationale Supérieure d’Architecture de Nantes, Nantes, France (Metropolis, Report from China) Berlinale, Internationale Filmfestspiele, Forum Expanded, Berlin, Germany, Afterimage Kino Arsenal, Berlin, Germany, Muster (Rushes) Single-channel version Centre for Contemporary Art, Ujazdowski Castle, Warsow, Poland, Die Probe 2013 La nuit défendue, les arts au mur Artothèque, Pessac, France, Sun Cinema Artists Film Club, ICA, London, Great-Britain, Muster (Rushes) Single-channel version 2012-13 Kunstnernes Hus, Oslo, Norway, Otjesd 2012 Wednesday program, Kadist Art Fondation, San Francisco, USA, Muster (Rushes) Video Art at Midnight, Babylon Mitte, Berlin, Germany, Sun Cinema Model dOCUMENTA (13) Film, Bali-Kino, Kassel, Germany, Muster (Rushes) 2011 NABA, Nuova Accademia di belle Arti, Milan, Italy, Politiche della memoria, Against Death Cinemateque Leipzig, Leipzig, Germany, Grenzen, Otjesd Künstlerhaus Stuttgart, Stuttgart, Germany, Our Darkness, Otjesd Festival Bom, Seoul, Korea, From the Opposite Side 2010 Kunstverein Bremerhaven, Bremerhaven, Germany, Cinematic, Occupation Fundacio la Caixa, Barcelona, Spain, Histories de l’Est Art Basel, Switzerland, Art Film, Found footage Pact Zollverein, Essen, Germany, Free Falling Linienstrasse 127, Berlin, Germany, 6 days of New Media, Silberhöhe Temporäre Kunsthalle, Berlin, Germany, Live screening, Drehbuch 2009 Neon Campobase, Bologna, Italy, Very late at night, Otjesd Kunstfilmbiennale, Köln, Germany, Centre Pompidou Selection, Silberhöhe MNAM, Centre Pompidou, Paris, France, Screening and discussion with Clemens von Wedemeyer, Von Gegenüber (from the opposite side) SF MOMA, San Francisco, USA, Translator KW, Institut for Contemporary Art, Berlin, Germany, Artist’s Film and Video Association 38th Filmfestival Rotterdam, Rotterdam, Netherlands, From the opposite side Cineteca di Bologna, Bologna, Italy, Film d’artista, Metropolis, Report from China Filmmuseum München, Multiple city, Metropolis, Report from China, Silberhöhe, Die Probe 2008 Insa Art Space, Seoul, Korea, The Cinematic, or Moving Images Expended: Artist’s film and video Showcase, Otjesd Modern Art Museum of Forth Worth, Dallas, Texas, USA, Rien du Tout Instituto Itaú Cultural Núcleo de Audiovisual, Sao Paolo, Brazi l, CINEMA INDEED, curated by Berta Sichel, Metropolis, Report from China Arsenal Experimentale Festival, Cinema Arsenal, Berlin, Germany, Rien du Tout Villa Romana, Florence, Italy, film & video platform, Otjesd Rencontres Internationales Paris/Berlin/Madrid, Nouveau cinéma et art contemporain, Haus der Kulturen der Welt, Berlin, Germany, Metropolis, Report from China Kino Babylon, Berlin - Kreuzberg, Germany, Von Gegenüber (From the opposite side) Fundaciao Gulbekian, Lisbon, Portugal, Lectures and screenings Spring School, Cinema, Contemporary Art and Heritage, INHA, Par is, France, Occupation and The making of Otjesd and The making of Silberhöhe – Die Siedlung Le Silo - Béton Salon, Paris, France, Big Business and his making of IndieLisboa – International Independent Film Festival, Lisbon, Portugal, Metropolis, report from China 3SAT Tv Channel, Germany, Switzerland, Austria, Otjesd ATA, San Francisco, USA, 2008, Metropolis, Report from China 2 ème Edition du film documentaire de Fès, Institut Français de Fès, Fez, Morocco, Metropolis, report from China The 5th Bangkok Experimental Film Festival, Bangkok, Thailand,– The More Things Change, Rien du tout, Metropolis, Report from China 26cc spazio per l’arte contemporanea - Roma, Rome, Italy, SENSITIVE TIMELINES CLEMENS VON WEDEMEYER, Screenings and artists talk with Clemens von Wedemeyer and Maya Schweizer, Rien du tout, Metropolis, report from China, Otjesd and The making of, Silberhöhe, Die Probe Design Academy Eindhoven, Netherlands, Metropolis, Report from China Adelaide fringe Festival, Adelaide, Australia, Otjesd Carte blanche à Pascale Cassagnau, Cinémathèque Française, Paris, France, Metropolis, report from China 2007 Cine y casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, Metropolis, report from China Les Ecrans Documentaires, Arcueil, France, Metropolis, Report from China Rencontres Paris-Berlin, Jeu de Paume, Paris, France, Metropolis, Report from China Alter Gasometer, Max – Pechstein – Preis, Städtisches Museum Zwickau, Zwickau, Germany e-flux VIDEO RENTAL, Centre Culturel Suisse, Paris, France, Occupation Kunstfilmbiennale, Köln, Germany, 2007, Rien du Tout Visura Aperta, Momiano, Croatia, Silberhöhe Video als Muster des Urbanen, Galerie Pankow, Berlin, Germany Contrechamp, Le Cinématographe, Nantes, France, Silberhöhe Lights, Camera, Action, Whitney Museum of American Art, New York, USA Documentair Film Platform Zone, Gent, Antwerpen, Kortrijk, Belgium Distorted Fabric, De Appel, Amsterdam, Netherlands, curator: Natasa Petresin Prospectif cinéma, Centre Georges Pompidou, Paris, France, curator: Joanna Mytkowska Depiction perversion repulsion obsession subversion, Witte de With, Rotterdam, Netherlands, Film Festival 2006 Mobile Academy, Warsaw, Poland c.sides Festival, Jerusalem, 2005-2006 Internationale Kurzfilmtage, Oberhausen, Germany, 2006, 2005 2005 VIDEO OUT Festival Ekaterinburg 3sat Television Filmfestival de Cannes, Cannes, France, Shortfilmcorner, Goethe Institut, Belgrade, Serbia Camden Arts Centre, London, United Kingdom E-flux, New York, USA 2004-2005 Entre Vues, Belfort International Film Festival, Belfort, France 2004 Les Ecrans documentaires, Arcueil, France E-flux, London, United Kingdom Rencontres Internationales Paris–Berlin, 2003, 2004, 2006, 2007 Film und Architektur Festival, Berlin, Germany Festival International Documentaire, Marseille, France 2003-2004 Max-Ophüls-Preis, Stuttgart, Germany 2003 Come on the stage, Baby... , Kunstraum der Universität Lüneburg in Bern, Bern, Switzerland La enana marron, Madrid, Spain 2002 L´Independenta, Barcelona, Spain Münchner Filmwochen, Munich, Spain Filmfest Dresden, Dresden, Germany 2001 Independent Film and Video Festival, New York, USA 1999 European Media Art Festival, 1999, 2000, 2001, 2003, 2006, 2007 Found Footage Film Festival, Bielefeld, Germany 1998 Festival für Fotografie und Elektrokunst, Dortmund, Germany Independent and Underground Filmfestival, Berlin, Germany Südwestrundfunk Westdeutscher Rundfunk Viva - Fernsehen 2 Artist talks - lectures – curator 2014 «October Salon : Disappearing Things», Belgrade, Serbia «Musées au cinéma, le cinéma face au musée», INHA, Paris, Franc e Vortragsreihe Kino der Kunst, Akademie der Bildenden Künste München, München, Germany «BildEvidenz. Geschichte und Äesthetik», Freie Universität Berlin, Berlin, Germany KINO.LAB, «FUTURE PERFECT.Contemporary Art from Germany», at Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Video Trajectories, International Symposium on video art, in conversation with Yilmaz Dziewior (Dire ctor Kunsthaus Bregenz), n.b.k. Berlin, Germany 2013 Start making sense !,Cinema et art contemporains transforment l’essai, Head, Geneva 2011 Politiche della memoria, NABA, Nuova Accademia di belle Arti, M ilan, Italy Sun Cinema Project, My city conference, Vienna Academy, Vienna, Austria 2010 Over the counter Conference, Muscarnok Kunsthalle, Budapest, Hungary Conference after image, International Curator’s Forum, BFI Southbank, London, United Kingdom KunstBewusst, Museum Ludwig, Köln, Germany, curated by, Galerie Nächst St. Stephan, Vienna, Austria, curated by Clemens von Wedemeyer Loop, Barcelona, Spain with Pierre Bal-Blanc & Arthur Zmijevsky L’école de Stéphanie, KW Institute for contemporary art, Berlin, Germany, curated by Stephanie Moisdon Filmsquat von bbooksz, Berlin, Germany 2009 Barbican Center, London, United Kingdom 2008 Où va le cinéma ?, Centre Georges Pompidou, MNAM, Paris, France Careof/ Docva, Milan, Italy University of Santa Barbara, California, USA Nova University, Department of Communication Sciences / Film and TV CAM Lisbon , Portugal Fundaciao Gulbekian, Lisbon, Portugal Lectures and screenings 2007 26cc spazio per l’arte contemporanea - Roma, Rome, Italy Screenings and artists talk with Clemens von Wedemeyer and Maya Schweizer, Argos, Center for Art & Media, Brussels, Belgium > artist talk Skulptur Projekte Münster 07, Münster, Germany > artist talk Beim Verlassen des Kinos, Symposium connect_3 « transformation », Architektur Fakultät, Universität Hannover, Germany > lecture Filmography 2013 The Cast is a video installation composed of : - Afterimage (semicircular video installation, colour, sound, 3 channel), 6 min, 2013. - The Beginning. Living Figures Dying (10 channel video installation, sound), 18 min, 2013. - Procession (HD video, sound), 14 min, 2013. 2012 Muster (Rushes), HD video, 79 min (linear version) and 3 channel video installation (3x25min) 2010 Sun Cinema, Mardin, Turkey 2009-2010 The Fourth Wall, films installation Against Death 2008 The inner campus, video installation (dual screen), 55 min, loop Die Probe (The Test), HD Video, 12 min, loop 2007 Getrennter Monolog (Divided Monologue), Slideshow, 80 slides Von Gegenüber ( From the opposite side), 35 mm, realized for Projekte Münster 2007 2006 Metropolis, Report from China, with Maya Schweizer, 42 min, video Rien du Tout, with Maya Schweizer, 30 min, 35 mm and video 2005 Ohne Titel (Rekonstruktion), 16 mm transferred to video, 3 min, loop Otjesd (Leaving) & The Making od Otjesd, 16mm transferred to video, 15 min, stereo, color, loop 2004 Die Siedlung, video, 20 mn; stereo, color, videoessay about an old army base in Leipzig, Germany Das Bildermuseum brennt, 3 channel video installation, 27 min. 2003 Silberhöhe, 35mm / DVD, 10 mn; stereo; loop, a study about a modern ghost town. 2002 Big Business & The Making of Big Business, digital video / DVD, 25 mn each; mono, r emake of the slapstic by Stan Laurel and Oliver Hardy in the prison of Waldheim, Saxony, Germany Occupation & The Making of Occupation, a film for 200 extras and a film team, 35 mm / DVD, 7 mn; dolby surround / stereo 2001 Longsleeve, video clip. Music by Loewenhardt, Berlin, Germany, DV, 3 mn, stereo 2000 Sand, a film about Dr. Sand, a doctor in a vacant hospital, DV, 25 mn; stereo 1999 New Order, video clip. Music by Synapscape, Bielefeld, Germany, DV, 7 mn; stereo Wanted, video clip. Music by Loewenhardt. With A. Rose and A. Gaul, DV, 3 mn; stereo 1998 Mass, Men – again and against masses, DVD, 3 mn; stereo Selected bibliography 2014 Clemens von Wedemeyer “Every Word You Say” at Kunstverein Braunschweig, Mousse Magazine, October 2014 Dr. Phono by Radek Krolczyk, Freitag, October 2014 2013 Clemens von Wedemeyer, «The Cast» at MAXXI, Mousse Magazine, November 2013 Cura Magazine, October 2013 Monopol, April 2013 2012 dOCUMENTA 13, Artforum, October 2012, article by Daniel Bir nbaum Life in film : Clemens von Wedemeyer, Frieze Magazine, September 2012 Clemens von Wedemeyer : The site creates Simultaneity, Mousse.34, article by Bert Rebhandl Festivals: Documenta (13), or, the longest presence, Filmcomment, September 2012, article by Olaf Möller Die Widerständigkeit des Ortes, Fragment Film, 16.09.2012, article by Johannes Bennke Review of dOCUMENTA 13, On-verge, September 2012, article by Pac Pobric. Une documenta historique, Beaux Arts, August 2012, article by Emmanuelle Lequeux Temporality, Sociality, Publicness: Cinema as Art Project, Afterall, Spring 2012, article by Maeve Connolly Art on the Tracks at dOCUMENTA, Art in America, June 2012, article by Gregory Volk Impressionen von der »documenta (13)« – Teil IV, Regenimsommer, June 2012 2011 CVW par CVW, ZERO 2, Spring 2011 «Davvero un bel filmone», Rolling Stone, July 2011, article by Andrea Lissoni Clemens von Wedemeyer, Keith N.15, 2011, article by Jack Tone Clemens von Wedemeyer «The Repetition Festival Show», The Dubliner, January 2011, article by Simon Judge 2010 Clemens von Wedemeyer, KALEIDOSCOPE, Summer 2010, Article by Quinn Latimer Clemens von Wedemeyer, Art in America, April 2010, Article by Sabine Russ Sun Cinema Project by Clemens von Wedemeyer, RES, N°6, October 2010 The cinematic, Flash Art, October 2010, Article by Jenny Schlenzka Clemens von Wedemeyer, Art Forum, May 2010, article by Dominikus Müller 2009 First Minutes of October. Christoph Weber, Verlag für moderne Kunst Nürnberg, 2009, Articles: Ekaterina Degot, Sven Spieker & interview of Christop h Weber, Clemens von Wedemeyer & Jan Wenzel Clemens von Wedemeyer, Flash Art, No267, July-Sept, 2009, Article by Antonia Lotz Détruire dissent-ils, Spring, April 2009, Article by Patrice Joly 2008 Tales from the City, Frieze, April 2008, Article by Polly Staple 2007 Antonioni’s Gaze, Flash Art, October 2007, Article by Lupe Nunez-Fer nandez Clemens von Wedemeyer: Wackel – Blick auf den Bahnhof, Westfälische Nachrichten, June 2007 Article by Lukas Speckmann Le Nuage Magellan, Jeu de reconstruction, 02, n°41, Printemps 2007, Article by Aude Launay 2006 Clemens von Wedemeyers Short Film “Otjezd”, www.artmargins.com, 09-09-06, Article by Ekaterina Degot An Interview with Clemens von Wedemeyer on the filming of “Otjezd”, www.artmargins.com, 09-09-06, Article by Sven Spieker Clemens von Wedemeyer, Artforum, summer 2006, Article by Astrid Wege Clemens von Wedemeyer, Frieze 100, august 2006, Article by Catrin Lorch Clemens von Wedemeyer, www.shortfilm.de, 12-07-06 Clemens von Wedemeyer, Frog, Paris, n°3, printemps-été 2006, Article by Pierre Bal-Blanc Clemens von Wedemeyer, StadtRevue Köln Magazin, April 2006 Clemens von Wedemeyer, Springerin, Heft 3/06, Article by Alexander Koch Die Entdeckung des Ostens, Frankfurter Allgemeine Zeitung, 26-02-2006, Article by Niklas Maak 2005 Clemens von Wedemeyer, Kunstmagazin, August 2005, Article by Kristina T ieke Le Lieu de la fiction: sur le travail de Clemens von W edemeyer, Archistorm, Paris, May-June 2005, Article by Christophe Catsaros Mellanvärldar, ov Clemens von Wedemeyer, Paletten, Stockholm, May 2005, Article by Sinziana Ravini Clemens von Wedemeyer, Im Zwischenraum der Bilder, Kunst-Bulletin, Zürich, April 2005, Article by Jens Emil Sennewald 2004 Clemens von Wedemeyer, Flash art magazine, Milan, Oct. 2004, Article by Thomas Bouto ux Clemens von Wedemeyer, Regard sur le réel, ETC Montréal, Montréal, # 65, March-May 2004, Article by Maïté Vissault (French) Die Adressaten auf der Ansichtskarte, Die Tagezeitung, Berlin, March 2004, Article by Jens Kastner 2003 Vorbilder - Lichtspiele – Nachbilder, Kunstbulletin, Zürich, Dec. 2003, Article by Jens Emil Sennew ald The world has never stopped laughing, Review, Neue Review # 02, Berlin 2003, Text by Ines Schaber and Teresa Seemann Die Gedanken sind frei, Kreuzer Leipzig #03, March 2003 seeyouatthepremierefair, Review, Kunstforum International #162, Dec. 2002 Verschiebungen zwischen Filmen, Spector Cut & Paste, Issue 2, Leipzig, June 2002 Exhibition catalogues and books 2013 Erratum, Zeitgeist, Variation & Repetition, A project by Save as...Publication Pièces montrées, 30 ans de collection, FRAC Alsace 2012 Screen Dynamics, mapping the Borders of Cinema, edited by Gertrud Koch, Volker Pantenburg, Simon Rothöhler, Österreichisches Filmmuseum Synema Publication VI5IONS, 15 years Deutsche + Guggenheim, Deutsch Bank AG, Solomon R. Guggenheim Foundation, 2012 2011 Heimatkunde, 30 künstler blicken auf deutschland, Stiftung Jüdisches Museum Berlin und Autoren, text by : Denis Grünemeier 2010 The repetition show, Clemens von Wedemeyer, Kunsthal Charlottenborg, texts by Mark Sladen, Tessa Giblin, Saskia Vermeulen, Rhea Dall and Andrea Viliani, 2010 The repetition show, Clemens von Wedemeyer, Project Art Centre, Dublin – Fondazione Galleria Civica, Trento, Italy texts by Tessa Giblin, Saskia Vermeulen, and Andrea Viliani, 2010 2008 Clemens von Wedemeyer, CGAC, Santiago de Compostela, Spain, 2008 Villa Romana fellows, Deutsche Guggenheim, Berlin, 2008, Interview with Clemens von Wedemeyer by Bert Rebhandl Schmidt-Rottluff Stipendium, Kunsthalle Düsseldorf, Dusseldorf, Germany, 2008 2007 Auszeit, Verlag für moderne Kunst Nürnberg, 2007, Texts by Friedmann Malsch, Freddy Paul Grunert, Jochen Gerz, Kristin Schmidt Clemens von Wedemeyer, Max Pechstein Preis, Städtisches Museum Zwickau, Zwickau, Germany, Text by Beatrice von Bismarck Sculpture projects muenster 07, Verlag der Buchhandlung Walther König, Köln, Germany, 2007 Text by Brigitte Franzen, Kasper König, Carina Plath Skulptur projekte muenster 07, Vorspann, Verlag der Buchhandlung Walther König, Köln, Germany, 2007, Interview with Clemens von Wedemeyer by Sabine Huzikiewiz Le Nuage Magellan, Musée national d’art moderne – Centre Pompidou, Paris, France, 2007 Looking for a fictionnal eye, interview with Maya Schweizer & Clemens von Wedemeyer by Joanna Mytkowska Collateral, Hangar Bicocca, Milano, 2007, curators: Adelina von Fürstenbe rg, Anna Daneri, Andrea Lissoni Umbau / Modification, Neue Kunst Halle St. Gallen, 2007, texts by Burkhar d Meltzer, Sabine von Fischer Kopf oder Zahl, Kunstraum NOE, Vienna, 2007, curator: Helmut Mark 2006 Kölnischer Kunstverein catalogue published by Walther Koenig, text by Ekaterina Degot and Beatrice von Bismarck, Koln, 2006 2005 Silberhöhe/Die Siedlung (The New Estate), GASAG Art Award, Berlin, 2005 Otjesd/Leaving, artist book, Galerie Jocelyn Wolff and Revolver Verlag, Paris, 2005 Kunstpreis der Böttcherstrasse in Bremen, Kunsthalle Bremen, Bremen, 2005 Moscow Biennale of contemporary art, Moscow, 2005 Deutschland sucht, Kölnischer Kunstverein, Köln, 2005 2004 Cremers haufen. Alltag. Prozesse. Handlungen: Kunst der 60er Jahre und heute, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Kerber Verlag, text by Maïté Vissault 2003 lautloses irren, published by flux I bell sTRUcTURs e. V. Berlin, 2003, text by Harm Lux 2002 Clemens von Wedemeyer, Marion Ermer Preis, published by Marion Ermer, Stiftung, 2002 Text by Alexander Koch 1998 focus – filterlos, published by University of Applied Science Dortmund, 1998, (CD-ROM) Artist books 2013 The Cast, Filmmaterial n°5, Edited by Paolo Caffoni and Giulia Ferracci, published by Archive Books/ Maxxi, Roma, 2013 2010 Filmmaterial n°4, Information on “The Fouth Wall“, Edited by Paolo Caffoni & Clemens von Wedemeyer, published by Spector Books Leipzig and Archives Books Berlin, Berlin, 2010 2006 Variation sur Metropolis, with Maya Schweizer, onestar press, Paris, France, 2006 Rien du tout, [Filmmaterial] with Maya Schweizer, 2006 Galerie Jocelyn Wolff 2005 Filmmaterial [Otjesd/Leaving], Galerie Jocelyn Wolff and Revolver Verlag 2005 Filmmateria 2[Silberhöhe/Die Siedlung (The New Estate), GASAG Art Award, Berlin, 2005

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