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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Luca Trevisani

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born in Verona in 1979
Lives and works in Berlin and Italy

Education

2005 Matrioska, workshop with Tobias Rehberger, Domus Academy, Milano, Italy
Corso Superiore Arti Visive Fondazione Antonio Ratti, Como, Italy, visiting professor A. Jaar
2003 Degree in history of art, DAMS, Bologna, Italy

Solo shows

2016
Marselleria, Milan
Cerchio, Museo del Novecento, Milano, I

2015
Possibilità, Vitrine, Gam, Torino, I
Grand Hotel ed des Palmes, Istituto Italiano di Cultura, Madrid, ES
Grand Hotel ed des Palmes, Museo Civico di Castelbuono, Palermo, I

2014
Glaucocamaleo, Museo Marino Marini, Florence, I
Placet experiri, Konrad-Adenauer-Stiftung, Berlin, D

2013
Macro, Rome I
To the point of your fingers, Mehdi Chouakri, Berlin
Fino alla punta delle tue dita, Valentina Bonomo, Roma I
Private, Studio Silvia Geddes, Roma, I

2011
Interval Training, Mehdi Chouakri, Berlin, D
Placet Experiri, ReMap KM III, Athens

2010
NIMK / Montevideo, Amsterdam
Lo spazio è un giardino da coltivare, (Special project for Macro), Macro, Roma, I

2009
Identity is a cloud, Museo Carlo Zauli, Faenza, curated by D. Lotta, I
The truth is that the truth changes, Pinksummer, Genova, I
MARS, Milano, I

2008
Giò Marconi, Milano, I
Mehdi Chouakri, Berlin, G
Kunstlerhaus Bethanien, Berlin, G
Luca Trevisani / Gianni Pettena, Sistemi binari.1, Neoncampobase, Bologna, I

Group shows

2016
Process, Performance, Presence, Kunstverein Braunschweig, D
XVI Quadriennale, Roma, I
Urban Mining, XXV Premio Gallarate, Maga, Gallarate, I
The Camera’s Blind Spot III, Palazzo De’ Toschi, Bologna, I
Avviso di Garanzia, FuoriUso 2016, Pescara, I
Che il vero possa confutare il falso, Siena, I
Terra provocata, Museo Civico Medievale, Bologna, I

2015
Function follows vision, vision follows reality, Kunsthalle Wien, Wien, AT
The camera‘s blind spot II, Extra City_Kunsthal Antwerpen, Antwerp, B
Exo-evolution, Zkm, Zentrum für kunst und medientechnologie, Karlsruhe D
Comunità Italia, Triennale di Milano, Milano, I
La Scrittura degli Echi, Maxxi, Rome, I
Un museo ideale, Museo del novecento, Milan, I
WAX, Francesco Pantaleone Arte Contemporanea, Palermo, I
Growing roots, Palazzo Reale, Milan, I
Qui non si canta al mondo delle rane, Galleria Civica d'Arte Contemporanea Osvaldo Licini
Ascoli Piceno, I
Vanità/Vanitas - Museo Ettore Fico, Turin, I
Collecting for Tomorrow: New Works at Museion – MUSEION, Bolzano, I
Andy Warhol sul comò - Museo d’Arte Contemporanea di Villa Croce, Genova, I
Notyetseeninberlin - Mehdi Chouakri, Berlin, D

2014
Glitch, Pac, Milano, I
Conceptual & Applied III, Daimler Contemporary, Berlin, D
We have Never Have Been Modern, SongEun ArtSpace, Seoul, Korea, K
Ritratto dell‘artista da giovane, Castello di Rivoli, Torino, I
Un Rumore Bianco, Assabone, Milano, I
Vanitas, Georg Kolbe Museum, Berlin , D
In forma di ceramica, Fondazione Bevilaqua la Masa, Venezia, I
Krobylos, un groviglio di segni, Biennale del disegno, Rimini, I
se di-segno, Padiglione Esprit Noveau, Bologna, I

2013
Bestiario Contemporaneo, Museo di Storia Naturale, Venice, I
Braccia, Man, Nuoro, e Museo Marino Marini, Firenze, I
From Albers to Warhol to (now), Museo di Santa Giulia, Brescia, I
AB, by Gabriele de Sanctis, Nomas Foundation, Rome
Bianca Feat. Mars, Galleria Bianca, Palermo

2012
Premio Italia , Maxxi, Roma, I
Dior seen by, Triennale di Milano, Milano, I
D'apres Giorgio, Fondazione Giorgio e Isa De Chirico, Rome, Curated by Luca Lo Pinto, I
Wie kommt das Neue in die Welt?, Haus am Waldsee, D
Gli artisti italiani della collezione ACACIA, Palazzo Reale, Milano, I
Periplo della scultura italiana, MUSMA, Matera, I
Berlin. Status (1), Kunstlerhaus Bethanien, Berlin, D
Live Arts Week / Gianni Peng, Bologna, I
Epipedon, CO2, Roma, curated by L. Pratesi
Casabianca, Bologna, I

2011
Suspence, EX3, Firenze, curated by Lorenzo Giusti and Arabella Natalini, I
Premio Internazionale Giovane Scultura, Fondazione Francesco Messina, Casalbeltrame(No), Curated by Claudia Gioia and Lorena de Corral, I
Islands, San Rocco, Brown Project space, Milano, I
A new world, Dolomiti Contemporanee, Belluno, I
ITaliens, Ambasciata Italiana a Berlino, Berlin, cureted by A. Pace e M. Corbello
Mina a mano amata, Studio Silvia Geddes, Roma, I

2010
SI - Sindrome Italiana, la jeune création artistique italienne, curated by Yves
Aupetitallot, Le Magasin, Grenoble, F
Ampersand, A dialogue of contemporary art from South Africa & international Art from the Collection, Daimler Kunstsammlung, Berlin, D
High ideals & CRazy Dreams, Galerie Vera Munro, Hamburg, curated by G. Rockenshaub, G
The Berlin Box, CCA Antratx, Mallorca, S
Fuori centro, Hangar Bicocca, Milano, curated by C. Bertola and R. di Martino, I
Elogio della semplicità, Fondazione Stelline, Milano, curated by G. Verzotti, I
Linguaggi e Sperimentazioni, MART, Rovereto, curated by G. Verzotti, I
ARS – Artists in Residence Show, Fondazione Arnaldo Pomodoro, Milano, curated by A. Vettese and M. Farronato, I
Mr potato head, c.a.r.s. , a cura di L. Trevisani
A basic human impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, curated by A. Bruciati, I
Arrivi e partenze europa, Mole Vanvilelliana, Ancona, curated by W. Gasperini, A. Bruciati, I
The bearable lightness of being - the metaphor of the space 2, Arsenale Novissimo, Biennale Architettura 2010, Venezia
Videoreport Italia 08_09, curated by A. Bruciati (selected by A.Grulli),
GC.AC., Monfalcone, I
La Scultura Italiana del XXI secolo, curated by Marco Meneguzzo, Fondazione Arnaldo Pomodoro, Milano, I
For Istance, SUN, studio rosso, Firenze, curated by L. Bruni

2009
Evidence of the Paranormal, Klaus von Nichtssagend Gallery, New York, U.S.A.
Abc, Berlin, Academie die Kunst, Berlin, G
Up Against The Wall, Ileana Tounta Contemporary Art Center, Athens, curated by by R. Pinto, G
Cui Prodest ?, New Galerie de France, Paris, curated by F. Stocchi, F
Arrivals & Departures Europe, Mole Vanvitelliana, Ancona, curated by A. Bruciati, I
Fuorisalone 2009, Plusdesign, Milano, I
Spaciux, Lambretto, Milano, curated by D. Lotta, M. Arfiero, P. Gallio, I
New Italian Epic, Brown prject space, Milano, curated by A.Bruciati, I
Non Voltarti Adesso/Don't Look Now, Cà Pesaro, Venezia, I
Nothing but a Show, Castello Sforzesco, Milano, curated by A.Ascari, I
Una collezione trasversale, Spazio ALT, Alzano Lombardo, curated by F.Cavallucci, I
Emerging talents, CCCS Centro di Cultura Contemporanea Strozzina, Firenze, I
Through the looking glass, Pinksummer, Genova, curated by C. Alinovi, I
Lo sguardo di Giano, American Academy in Rome, curated by F. Stocchi, I

2008
Manifesta 7, Rovereto, curated by A. Budak, I
50 Moon Of Saturn, Torino Triennal, curated by D. Birnbaum
Sydney Biennal, Online venue, curated by C. C. Bakargiev
Sguardo periferico, corpo collettivo, Museion, Bozen, curated by C. Diserens, I
...a lady's shoe lost in the grass, Italian Cultural Institute C.M. Lerici, Stockolm, curated by A. Grulli, Sweden
XV Quadriennale, Roma, I
Sporgersi prego, Lange & Pult, Zurich, Switzerland
Paperweight, Mehdi Chouakri, Berlin, G
Notebook n° 0, Neon fdv, Milan, curated by D. Lotta and M. Arfiero
Soft Cell. Dinamiche nello spazio in Italia, GC.AC Galleria Comunale d'Arte
Contemporanea, Monfalcone, I
Focus on Contemporary Italian Art, MAMbo Museo d'Arte Moderna di Bologna, Bologna, I

2007
The space of your future, MOT, Museum of Contemporary Art, Tokyo, J
Present Future, Artissima, Torino, I
Looking for the border, Cultuurcentrum, Strombeek, De Garage, Mechelen, Fondazione Stelline, Milan,
curated by Luk Lambrecht, Roberto Pinto and Koen Leemans, I
On mobility, Premio Furla per l’arte, Villa delle Rose, Bologna, curated by C. Parisi and G. Maraniello, I
The importance of not being seen, Cafe Moskau for Galerie Isabella Bortolozzi, Berlino, curated by LucaCerizza, I
In dialogo, Studio La Città, Verona, curated by M. R. Sossai, I
Bellavita, New Chinatown Barbershop, Los Angeles, USA
Albedo: a new perspective in italian moving images, curated by A. Bruciati,
GC.AC, Monfalcone (GO), I; XII International Media Art Biennale WRO 07, Wroclaw,
PL; Teatro Junghans, Venezia, I
videoREPORT ITALIA: 04_05, curated by A. Bruciati, MMSU, Rijeka; V 07 –
Venice VideoArt Fair, Venezia, I

2006
L’immagine del vuoto. Una linea di ricerca nell’arte in Italia 1958-2006, Museo Cantonale d’Arte, Lugano, CH
First Sudden Gone the One. First Sudden Back, Project 133, London, GB
Workscape-Cantiere d’autore, Biennale d’architettura di Venezia, I
Dialogo II - Athanasios Argianas, Tobias Putrih, Luca Trevisani, curated by S. Menegoi,
Galleria Enrico Fornello, Prato, I
videoREPORT ITALIA: 04_05, curated by A. Bruciati, GC.AC, Monfalcone
(GO); MAN, Nuoro, I
Cortocircuito: coincidenze ed incontri segnici, ex Palazzo Enel, Novara, curated by M. Tagliaferro, I
Manomettere, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, curated by D.Lotta, I
Tracce di un seminario, Assab One, Milan, curated by A. Daneri and R.Pinto, I
Il vuoto al centro, Montesilvano, Pescara, curated by E. De Cecco and T. Ponziani, I
Il vento dal settecento all’arte contemporanea, Fondazione Torino Tremusei, Castagneto Po, I

2005
Punto díestensione, AR/Ge Kunst Galerie Museum, Bolzano, curated by G. Molinari,I
Anigma, 2nd Novosibirsk International Festival. Digital Imaging and Animation, Novosibirsk, curated by M. Gorni and A. Martynov, RUS
Padiglione Italia out of biennale, Flash art museum, Trevi, I
Report, Villa delle Rose, Galleria d’arte Moderna, Bologna, curated by C. Parisi, I
Estetica della Resistenza, ex Ticosa, Como, curated by R. Pinto, I
No location relocation, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, I
Architettura nel secondo Novecento in Emilia-Romagna, Galleria d’arte Moderna, Bologna, curated by M. Lupano and P. Orlandi, I

2004
ad’ a, Imola, Bologna, curated by R. Daolio, I
Enpowerment/ Nazione Italia, Genova, curated by M.Scotini, I
Me without you, Biagiotti arte contemporanea, Firenze, I
Assab One 2004. Milano, curated by R.Pinto, I
Chance, T293, Napoli, I

2003
Collaudi, Villa delle Rose, Bologna, curated by D. Lotta and M. Altavilla, I
In Movimento, Viafarini, Milano, curated by G. Scardi, I

Prices

2015 Premio Artevisione, Sky/careof
2013 Premio Moroso
2011 Premio Ettore Fico
2010 ISCP, New York
Shortlisted per VIVA ART PRIZE 10/11, (Laboratory) IBD
2009 NIMK /Montevideo, Amsterdam
Premio New York
2008 Kunstlerhaus Bethanien, Berlin
Fondazione Buziol, Venice
Premio ACACIA
2007 Premio Furla per l’arte
2006 Selezionato per Premio Artegiovane Milano e Torino incontrano l’arte

Residencies

2017 Belvedere, Wien
2010 ISCP, New York
2009 Nederlands Instituut voor Mediakunst, Montevideo, Amsterdam
2008 Kuenstlerhaus Bethanien, Berlin
Fondazione Buziol, Venice

Luca Trevisani
Born in Verona in 1979 Lives and works in Berlin and Italy Education 2005 Matrioska, workshop with Tobias Rehberger, Domus Academy, Milano, Italy Corso Superiore Arti Visive Fondazione Antonio Ratti, Como, Italy, visiting professor A. Jaar 2003 Degree in history of art, DAMS, Bologna, Italy Solo shows 2016 Marselleria, Milan Cerchio, Museo del Novecento, Milano, I 2015 Possibilità, Vitrine, Gam, Torino, I Grand Hotel ed des Palmes, Istituto Italiano di Cultura, Madrid, ES Grand Hotel ed des Palmes, Museo Civico di Castelbuono, Palermo, I 2014 Glaucocamaleo, Museo Marino Marini, Florence, I Placet experiri, Konrad-Adenauer-Stiftung, Berlin, D 2013 Macro, Rome I To the point of your fingers, Mehdi Chouakri, Berlin Fino alla punta delle tue dita, Valentina Bonomo, Roma I Private, Studio Silvia Geddes, Roma, I 2011 Interval Training, Mehdi Chouakri, Berlin, D Placet Experiri, ReMap KM III, Athens 2010 NIMK / Montevideo, Amsterdam Lo spazio è un giardino da coltivare, (Special project for Macro), Macro, Roma, I 2009 Identity is a cloud, Museo Carlo Zauli, Faenza, curated by D. Lotta, I The truth is that the truth changes, Pinksummer, Genova, I MARS, Milano, I 2008 Giò Marconi, Milano, I Mehdi Chouakri, Berlin, G Kunstlerhaus Bethanien, Berlin, G Luca Trevisani / Gianni Pettena, Sistemi binari.1, Neoncampobase, Bologna, I Group shows 2016 Process, Performance, Presence, Kunstverein Braunschweig, D XVI Quadriennale, Roma, I Urban Mining, XXV Premio Gallarate, Maga, Gallarate, I The Camera’s Blind Spot III, Palazzo De’ Toschi, Bologna, I Avviso di Garanzia, FuoriUso 2016, Pescara, I Che il vero possa confutare il falso, Siena, I Terra provocata, Museo Civico Medievale, Bologna, I 2015 Function follows vision, vision follows reality, Kunsthalle Wien, Wien, AT The camera‘s blind spot II, Extra City_Kunsthal Antwerpen, Antwerp, B Exo-evolution, Zkm, Zentrum für kunst und medientechnologie, Karlsruhe D Comunità Italia, Triennale di Milano, Milano, I La Scrittura degli Echi, Maxxi, Rome, I Un museo ideale, Museo del novecento, Milan, I WAX, Francesco Pantaleone Arte Contemporanea, Palermo, I Growing roots, Palazzo Reale, Milan, I Qui non si canta al mondo delle rane, Galleria Civica d'Arte Contemporanea Osvaldo Licini Ascoli Piceno, I Vanità/Vanitas - Museo Ettore Fico, Turin, I Collecting for Tomorrow: New Works at Museion – MUSEION, Bolzano, I Andy Warhol sul comò - Museo d’Arte Contemporanea di Villa Croce, Genova, I Notyetseeninberlin - Mehdi Chouakri, Berlin, D 2014 Glitch, Pac, Milano, I Conceptual & Applied III, Daimler Contemporary, Berlin, D We have Never Have Been Modern, SongEun ArtSpace, Seoul, Korea, K Ritratto dell‘artista da giovane, Castello di Rivoli, Torino, I Un Rumore Bianco, Assabone, Milano, I Vanitas, Georg Kolbe Museum, Berlin , D In forma di ceramica, Fondazione Bevilaqua la Masa, Venezia, I Krobylos, un groviglio di segni, Biennale del disegno, Rimini, I se di-segno, Padiglione Esprit Noveau, Bologna, I 2013 Bestiario Contemporaneo, Museo di Storia Naturale, Venice, I Braccia, Man, Nuoro, e Museo Marino Marini, Firenze, I From Albers to Warhol to (now), Museo di Santa Giulia, Brescia, I AB, by Gabriele de Sanctis, Nomas Foundation, Rome Bianca Feat. Mars, Galleria Bianca, Palermo 2012 Premio Italia , Maxxi, Roma, I Dior seen by, Triennale di Milano, Milano, I D'apres Giorgio, Fondazione Giorgio e Isa De Chirico, Rome, Curated by Luca Lo Pinto, I Wie kommt das Neue in die Welt?, Haus am Waldsee, D Gli artisti italiani della collezione ACACIA, Palazzo Reale, Milano, I Periplo della scultura italiana, MUSMA, Matera, I Berlin. Status (1), Kunstlerhaus Bethanien, Berlin, D Live Arts Week / Gianni Peng, Bologna, I Epipedon, CO2, Roma, curated by L. Pratesi Casabianca, Bologna, I 2011 Suspence, EX3, Firenze, curated by Lorenzo Giusti and Arabella Natalini, I Premio Internazionale Giovane Scultura, Fondazione Francesco Messina, Casalbeltrame(No), Curated by Claudia Gioia and Lorena de Corral, I Islands, San Rocco, Brown Project space, Milano, I A new world, Dolomiti Contemporanee, Belluno, I ITaliens, Ambasciata Italiana a Berlino, Berlin, cureted by A. Pace e M. Corbello Mina a mano amata, Studio Silvia Geddes, Roma, I 2010 SI - Sindrome Italiana, la jeune création artistique italienne, curated by Yves Aupetitallot, Le Magasin, Grenoble, F Ampersand, A dialogue of contemporary art from South Africa & international Art from the Collection, Daimler Kunstsammlung, Berlin, D High ideals & CRazy Dreams, Galerie Vera Munro, Hamburg, curated by G. Rockenshaub, G The Berlin Box, CCA Antratx, Mallorca, S Fuori centro, Hangar Bicocca, Milano, curated by C. Bertola and R. di Martino, I Elogio della semplicità, Fondazione Stelline, Milano, curated by G. Verzotti, I Linguaggi e Sperimentazioni, MART, Rovereto, curated by G. Verzotti, I ARS – Artists in Residence Show, Fondazione Arnaldo Pomodoro, Milano, curated by A. Vettese and M. Farronato, I Mr potato head, c.a.r.s. , a cura di L. Trevisani A basic human impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, curated by A. Bruciati, I Arrivi e partenze europa, Mole Vanvilelliana, Ancona, curated by W. Gasperini, A. Bruciati, I The bearable lightness of being - the metaphor of the space 2, Arsenale Novissimo, Biennale Architettura 2010, Venezia Videoreport Italia 08_09, curated by A. Bruciati (selected by A.Grulli), GC.AC., Monfalcone, I La Scultura Italiana del XXI secolo, curated by Marco Meneguzzo, Fondazione Arnaldo Pomodoro, Milano, I For Istance, SUN, studio rosso, Firenze, curated by L. Bruni 2009 Evidence of the Paranormal, Klaus von Nichtssagend Gallery, New York, U.S.A. Abc, Berlin, Academie die Kunst, Berlin, G Up Against The Wall, Ileana Tounta Contemporary Art Center, Athens, curated by by R. Pinto, G Cui Prodest ?, New Galerie de France, Paris, curated by F. Stocchi, F Arrivals & Departures Europe, Mole Vanvitelliana, Ancona, curated by A. Bruciati, I Fuorisalone 2009, Plusdesign, Milano, I Spaciux, Lambretto, Milano, curated by D. Lotta, M. Arfiero, P. Gallio, I New Italian Epic, Brown prject space, Milano, curated by A.Bruciati, I Non Voltarti Adesso/Don't Look Now, Cà Pesaro, Venezia, I Nothing but a Show, Castello Sforzesco, Milano, curated by A.Ascari, I Una collezione trasversale, Spazio ALT, Alzano Lombardo, curated by F.Cavallucci, I Emerging talents, CCCS Centro di Cultura Contemporanea Strozzina, Firenze, I Through the looking glass, Pinksummer, Genova, curated by C. Alinovi, I Lo sguardo di Giano, American Academy in Rome, curated by F. Stocchi, I 2008 Manifesta 7, Rovereto, curated by A. Budak, I 50 Moon Of Saturn, Torino Triennal, curated by D. Birnbaum Sydney Biennal, Online venue, curated by C. C. Bakargiev Sguardo periferico, corpo collettivo, Museion, Bozen, curated by C. Diserens, I ...a lady's shoe lost in the grass, Italian Cultural Institute C.M. Lerici, Stockolm, curated by A. Grulli, Sweden XV Quadriennale, Roma, I Sporgersi prego, Lange & Pult, Zurich, Switzerland Paperweight, Mehdi Chouakri, Berlin, G Notebook n° 0, Neon fdv, Milan, curated by D. Lotta and M. Arfiero Soft Cell. Dinamiche nello spazio in Italia, GC.AC Galleria Comunale d'Arte Contemporanea, Monfalcone, I Focus on Contemporary Italian Art, MAMbo Museo d'Arte Moderna di Bologna, Bologna, I 2007 The space of your future, MOT, Museum of Contemporary Art, Tokyo, J Present Future, Artissima, Torino, I Looking for the border, Cultuurcentrum, Strombeek, De Garage, Mechelen, Fondazione Stelline, Milan, curated by Luk Lambrecht, Roberto Pinto and Koen Leemans, I On mobility, Premio Furla per l’arte, Villa delle Rose, Bologna, curated by C. Parisi and G. Maraniello, I The importance of not being seen, Cafe Moskau for Galerie Isabella Bortolozzi, Berlino, curated by LucaCerizza, I In dialogo, Studio La Città, Verona, curated by M. R. Sossai, I Bellavita, New Chinatown Barbershop, Los Angeles, USA Albedo: a new perspective in italian moving images, curated by A. Bruciati, GC.AC, Monfalcone (GO), I; XII International Media Art Biennale WRO 07, Wroclaw, PL; Teatro Junghans, Venezia, I videoREPORT ITALIA: 04_05, curated by A. Bruciati, MMSU, Rijeka; V 07 – Venice VideoArt Fair, Venezia, I 2006 L’immagine del vuoto. Una linea di ricerca nell’arte in Italia 1958-2006, Museo Cantonale d’Arte, Lugano, CH First Sudden Gone the One. First Sudden Back, Project 133, London, GB Workscape-Cantiere d’autore, Biennale d’architettura di Venezia, I Dialogo II - Athanasios Argianas, Tobias Putrih, Luca Trevisani, curated by S. Menegoi, Galleria Enrico Fornello, Prato, I videoREPORT ITALIA: 04_05, curated by A. Bruciati, GC.AC, Monfalcone (GO); MAN, Nuoro, I Cortocircuito: coincidenze ed incontri segnici, ex Palazzo Enel, Novara, curated by M. Tagliaferro, I Manomettere, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, curated by D.Lotta, I Tracce di un seminario, Assab One, Milan, curated by A. Daneri and R.Pinto, I Il vuoto al centro, Montesilvano, Pescara, curated by E. De Cecco and T. Ponziani, I Il vento dal settecento all’arte contemporanea, Fondazione Torino Tremusei, Castagneto Po, I 2005 Punto díestensione, AR/Ge Kunst Galerie Museum, Bolzano, curated by G. Molinari,I Anigma, 2nd Novosibirsk International Festival. Digital Imaging and Animation, Novosibirsk, curated by M. Gorni and A. Martynov, RUS Padiglione Italia out of biennale, Flash art museum, Trevi, I Report, Villa delle Rose, Galleria d’arte Moderna, Bologna, curated by C. Parisi, I Estetica della Resistenza, ex Ticosa, Como, curated by R. Pinto, I No location relocation, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, I Architettura nel secondo Novecento in Emilia-Romagna, Galleria d’arte Moderna, Bologna, curated by M. Lupano and P. Orlandi, I 2004 ad’ a, Imola, Bologna, curated by R. Daolio, I Enpowerment/ Nazione Italia, Genova, curated by M.Scotini, I Me without you, Biagiotti arte contemporanea, Firenze, I Assab One 2004. Milano, curated by R.Pinto, I Chance, T293, Napoli, I 2003 Collaudi, Villa delle Rose, Bologna, curated by D. Lotta and M. Altavilla, I In Movimento, Viafarini, Milano, curated by G. Scardi, I Prices 2015 Premio Artevisione, Sky/careof 2013 Premio Moroso 2011 Premio Ettore Fico 2010 ISCP, New York Shortlisted per VIVA ART PRIZE 10/11, (Laboratory) IBD 2009 NIMK /Montevideo, Amsterdam Premio New York 2008 Kunstlerhaus Bethanien, Berlin Fondazione Buziol, Venice Premio ACACIA 2007 Premio Furla per l’arte 2006 Selezionato per Premio Artegiovane Milano e Torino incontrano l’arte Residencies 2017 Belvedere, Wien 2010 ISCP, New York 2009 Nederlands Instituut voor Mediakunst, Montevideo, Amsterdam 2008 Kuenstlerhaus Bethanien, Berlin Fondazione Buziol, Venice

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