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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Please help us with a donation for our Crowdfunding Campaign on Kickstarter

Today we ask you a favour! blinkvideo wants to expand the section of curated exhibitions next to the "archive character".

Curators need a fee and artists a screening fee. That's what we need your help for! An extensive and exciting program is already in the starting blocks and only needs the GO.


Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Sofia

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Peter Weibel
Robert De Niro – Al Capone / Donald Trump – Donald Trump

I continued the »BILDERATLAS« / Commissioned by ABY WARBURG

In the pre-election period in America, Peter Weibel has produced a video in which he contrasts the gestures and intonation of Donald Trump with those of Robert de Niro in his role as Al Capone. The title alone suggests the assumption of a good staging and not just pure coincidence.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Luca Trevisani

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born in Verona in 1979
Lives and works in Berlin and Italy

Education

2005 Matrioska, workshop with Tobias Rehberger, Domus Academy, Milano, Italy
Corso Superiore Arti Visive Fondazione Antonio Ratti, Como, Italy, visiting professor A. Jaar
2003 Degree in history of art, DAMS, Bologna, Italy

Solo shows

2016
Marselleria, Milan
Cerchio, Museo del Novecento, Milano, I

2015
Possibilità, Vitrine, Gam, Torino, I
Grand Hotel ed des Palmes, Istituto Italiano di Cultura, Madrid, ES
Grand Hotel ed des Palmes, Museo Civico di Castelbuono, Palermo, I

2014
Glaucocamaleo, Museo Marino Marini, Florence, I
Placet experiri, Konrad-Adenauer-Stiftung, Berlin, D

2013
Macro, Rome I
To the point of your fingers, Mehdi Chouakri, Berlin
Fino alla punta delle tue dita, Valentina Bonomo, Roma I
Private, Studio Silvia Geddes, Roma, I

2011
Interval Training, Mehdi Chouakri, Berlin, D
Placet Experiri, ReMap KM III, Athens

2010
NIMK / Montevideo, Amsterdam
Lo spazio è un giardino da coltivare, (Special project for Macro), Macro, Roma, I

2009
Identity is a cloud, Museo Carlo Zauli, Faenza, curated by D. Lotta, I
The truth is that the truth changes, Pinksummer, Genova, I
MARS, Milano, I

2008
Giò Marconi, Milano, I
Mehdi Chouakri, Berlin, G
Kunstlerhaus Bethanien, Berlin, G
Luca Trevisani / Gianni Pettena, Sistemi binari.1, Neoncampobase, Bologna, I

Group shows

2016
Process, Performance, Presence, Kunstverein Braunschweig, D
XVI Quadriennale, Roma, I
Urban Mining, XXV Premio Gallarate, Maga, Gallarate, I
The Camera’s Blind Spot III, Palazzo De’ Toschi, Bologna, I
Avviso di Garanzia, FuoriUso 2016, Pescara, I
Che il vero possa confutare il falso, Siena, I
Terra provocata, Museo Civico Medievale, Bologna, I

2015
Function follows vision, vision follows reality, Kunsthalle Wien, Wien, AT
The camera‘s blind spot II, Extra City_Kunsthal Antwerpen, Antwerp, B
Exo-evolution, Zkm, Zentrum für kunst und medientechnologie, Karlsruhe D
Comunità Italia, Triennale di Milano, Milano, I
La Scrittura degli Echi, Maxxi, Rome, I
Un museo ideale, Museo del novecento, Milan, I
WAX, Francesco Pantaleone Arte Contemporanea, Palermo, I
Growing roots, Palazzo Reale, Milan, I
Qui non si canta al mondo delle rane, Galleria Civica d'Arte Contemporanea Osvaldo Licini
Ascoli Piceno, I
Vanità/Vanitas - Museo Ettore Fico, Turin, I
Collecting for Tomorrow: New Works at Museion – MUSEION, Bolzano, I
Andy Warhol sul comò - Museo d’Arte Contemporanea di Villa Croce, Genova, I
Notyetseeninberlin - Mehdi Chouakri, Berlin, D

2014
Glitch, Pac, Milano, I
Conceptual & Applied III, Daimler Contemporary, Berlin, D
We have Never Have Been Modern, SongEun ArtSpace, Seoul, Korea, K
Ritratto dell‘artista da giovane, Castello di Rivoli, Torino, I
Un Rumore Bianco, Assabone, Milano, I
Vanitas, Georg Kolbe Museum, Berlin , D
In forma di ceramica, Fondazione Bevilaqua la Masa, Venezia, I
Krobylos, un groviglio di segni, Biennale del disegno, Rimini, I
se di-segno, Padiglione Esprit Noveau, Bologna, I

2013
Bestiario Contemporaneo, Museo di Storia Naturale, Venice, I
Braccia, Man, Nuoro, e Museo Marino Marini, Firenze, I
From Albers to Warhol to (now), Museo di Santa Giulia, Brescia, I
AB, by Gabriele de Sanctis, Nomas Foundation, Rome
Bianca Feat. Mars, Galleria Bianca, Palermo

2012
Premio Italia , Maxxi, Roma, I
Dior seen by, Triennale di Milano, Milano, I
D'apres Giorgio, Fondazione Giorgio e Isa De Chirico, Rome, Curated by Luca Lo Pinto, I
Wie kommt das Neue in die Welt?, Haus am Waldsee, D
Gli artisti italiani della collezione ACACIA, Palazzo Reale, Milano, I
Periplo della scultura italiana, MUSMA, Matera, I
Berlin. Status (1), Kunstlerhaus Bethanien, Berlin, D
Live Arts Week / Gianni Peng, Bologna, I
Epipedon, CO2, Roma, curated by L. Pratesi
Casabianca, Bologna, I

2011
Suspence, EX3, Firenze, curated by Lorenzo Giusti and Arabella Natalini, I
Premio Internazionale Giovane Scultura, Fondazione Francesco Messina, Casalbeltrame(No), Curated by Claudia Gioia and Lorena de Corral, I
Islands, San Rocco, Brown Project space, Milano, I
A new world, Dolomiti Contemporanee, Belluno, I
ITaliens, Ambasciata Italiana a Berlino, Berlin, cureted by A. Pace e M. Corbello
Mina a mano amata, Studio Silvia Geddes, Roma, I

2010
SI - Sindrome Italiana, la jeune création artistique italienne, curated by Yves
Aupetitallot, Le Magasin, Grenoble, F
Ampersand, A dialogue of contemporary art from South Africa & international Art from the Collection, Daimler Kunstsammlung, Berlin, D
High ideals & CRazy Dreams, Galerie Vera Munro, Hamburg, curated by G. Rockenshaub, G
The Berlin Box, CCA Antratx, Mallorca, S
Fuori centro, Hangar Bicocca, Milano, curated by C. Bertola and R. di Martino, I
Elogio della semplicità, Fondazione Stelline, Milano, curated by G. Verzotti, I
Linguaggi e Sperimentazioni, MART, Rovereto, curated by G. Verzotti, I
ARS – Artists in Residence Show, Fondazione Arnaldo Pomodoro, Milano, curated by A. Vettese and M. Farronato, I
Mr potato head, c.a.r.s. , a cura di L. Trevisani
A basic human impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, curated by A. Bruciati, I
Arrivi e partenze europa, Mole Vanvilelliana, Ancona, curated by W. Gasperini, A. Bruciati, I
The bearable lightness of being - the metaphor of the space 2, Arsenale Novissimo, Biennale Architettura 2010, Venezia
Videoreport Italia 08_09, curated by A. Bruciati (selected by A.Grulli),
GC.AC., Monfalcone, I
La Scultura Italiana del XXI secolo, curated by Marco Meneguzzo, Fondazione Arnaldo Pomodoro, Milano, I
For Istance, SUN, studio rosso, Firenze, curated by L. Bruni

2009
Evidence of the Paranormal, Klaus von Nichtssagend Gallery, New York, U.S.A.
Abc, Berlin, Academie die Kunst, Berlin, G
Up Against The Wall, Ileana Tounta Contemporary Art Center, Athens, curated by by R. Pinto, G
Cui Prodest ?, New Galerie de France, Paris, curated by F. Stocchi, F
Arrivals & Departures Europe, Mole Vanvitelliana, Ancona, curated by A. Bruciati, I
Fuorisalone 2009, Plusdesign, Milano, I
Spaciux, Lambretto, Milano, curated by D. Lotta, M. Arfiero, P. Gallio, I
New Italian Epic, Brown prject space, Milano, curated by A.Bruciati, I
Non Voltarti Adesso/Don't Look Now, Cà Pesaro, Venezia, I
Nothing but a Show, Castello Sforzesco, Milano, curated by A.Ascari, I
Una collezione trasversale, Spazio ALT, Alzano Lombardo, curated by F.Cavallucci, I
Emerging talents, CCCS Centro di Cultura Contemporanea Strozzina, Firenze, I
Through the looking glass, Pinksummer, Genova, curated by C. Alinovi, I
Lo sguardo di Giano, American Academy in Rome, curated by F. Stocchi, I

2008
Manifesta 7, Rovereto, curated by A. Budak, I
50 Moon Of Saturn, Torino Triennal, curated by D. Birnbaum
Sydney Biennal, Online venue, curated by C. C. Bakargiev
Sguardo periferico, corpo collettivo, Museion, Bozen, curated by C. Diserens, I
...a lady's shoe lost in the grass, Italian Cultural Institute C.M. Lerici, Stockolm, curated by A. Grulli, Sweden
XV Quadriennale, Roma, I
Sporgersi prego, Lange & Pult, Zurich, Switzerland
Paperweight, Mehdi Chouakri, Berlin, G
Notebook n° 0, Neon fdv, Milan, curated by D. Lotta and M. Arfiero
Soft Cell. Dinamiche nello spazio in Italia, GC.AC Galleria Comunale d'Arte
Contemporanea, Monfalcone, I
Focus on Contemporary Italian Art, MAMbo Museo d'Arte Moderna di Bologna, Bologna, I

2007
The space of your future, MOT, Museum of Contemporary Art, Tokyo, J
Present Future, Artissima, Torino, I
Looking for the border, Cultuurcentrum, Strombeek, De Garage, Mechelen, Fondazione Stelline, Milan,
curated by Luk Lambrecht, Roberto Pinto and Koen Leemans, I
On mobility, Premio Furla per l’arte, Villa delle Rose, Bologna, curated by C. Parisi and G. Maraniello, I
The importance of not being seen, Cafe Moskau for Galerie Isabella Bortolozzi, Berlino, curated by LucaCerizza, I
In dialogo, Studio La Città, Verona, curated by M. R. Sossai, I
Bellavita, New Chinatown Barbershop, Los Angeles, USA
Albedo: a new perspective in italian moving images, curated by A. Bruciati,
GC.AC, Monfalcone (GO), I; XII International Media Art Biennale WRO 07, Wroclaw,
PL; Teatro Junghans, Venezia, I
videoREPORT ITALIA: 04_05, curated by A. Bruciati, MMSU, Rijeka; V 07 –
Venice VideoArt Fair, Venezia, I

2006
L’immagine del vuoto. Una linea di ricerca nell’arte in Italia 1958-2006, Museo Cantonale d’Arte, Lugano, CH
First Sudden Gone the One. First Sudden Back, Project 133, London, GB
Workscape-Cantiere d’autore, Biennale d’architettura di Venezia, I
Dialogo II - Athanasios Argianas, Tobias Putrih, Luca Trevisani, curated by S. Menegoi,
Galleria Enrico Fornello, Prato, I
videoREPORT ITALIA: 04_05, curated by A. Bruciati, GC.AC, Monfalcone
(GO); MAN, Nuoro, I
Cortocircuito: coincidenze ed incontri segnici, ex Palazzo Enel, Novara, curated by M. Tagliaferro, I
Manomettere, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, curated by D.Lotta, I
Tracce di un seminario, Assab One, Milan, curated by A. Daneri and R.Pinto, I
Il vuoto al centro, Montesilvano, Pescara, curated by E. De Cecco and T. Ponziani, I
Il vento dal settecento all’arte contemporanea, Fondazione Torino Tremusei, Castagneto Po, I

2005
Punto díestensione, AR/Ge Kunst Galerie Museum, Bolzano, curated by G. Molinari,I
Anigma, 2nd Novosibirsk International Festival. Digital Imaging and Animation, Novosibirsk, curated by M. Gorni and A. Martynov, RUS
Padiglione Italia out of biennale, Flash art museum, Trevi, I
Report, Villa delle Rose, Galleria d’arte Moderna, Bologna, curated by C. Parisi, I
Estetica della Resistenza, ex Ticosa, Como, curated by R. Pinto, I
No location relocation, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, I
Architettura nel secondo Novecento in Emilia-Romagna, Galleria d’arte Moderna, Bologna, curated by M. Lupano and P. Orlandi, I

2004
ad’ a, Imola, Bologna, curated by R. Daolio, I
Enpowerment/ Nazione Italia, Genova, curated by M.Scotini, I
Me without you, Biagiotti arte contemporanea, Firenze, I
Assab One 2004. Milano, curated by R.Pinto, I
Chance, T293, Napoli, I

2003
Collaudi, Villa delle Rose, Bologna, curated by D. Lotta and M. Altavilla, I
In Movimento, Viafarini, Milano, curated by G. Scardi, I

Prices

2015 Premio Artevisione, Sky/careof
2013 Premio Moroso
2011 Premio Ettore Fico
2010 ISCP, New York
Shortlisted per VIVA ART PRIZE 10/11, (Laboratory) IBD
2009 NIMK /Montevideo, Amsterdam
Premio New York
2008 Kunstlerhaus Bethanien, Berlin
Fondazione Buziol, Venice
Premio ACACIA
2007 Premio Furla per l’arte
2006 Selezionato per Premio Artegiovane Milano e Torino incontrano l’arte

Residencies

2017 Belvedere, Wien
2010 ISCP, New York
2009 Nederlands Instituut voor Mediakunst, Montevideo, Amsterdam
2008 Kuenstlerhaus Bethanien, Berlin
Fondazione Buziol, Venice

Luca Trevisani
Born in Verona in 1979 Lives and works in Berlin and Italy Education 2005 Matrioska, workshop with Tobias Rehberger, Domus Academy, Milano, Italy Corso Superiore Arti Visive Fondazione Antonio Ratti, Como, Italy, visiting professor A. Jaar 2003 Degree in history of art, DAMS, Bologna, Italy Solo shows 2016 Marselleria, Milan Cerchio, Museo del Novecento, Milano, I 2015 Possibilità, Vitrine, Gam, Torino, I Grand Hotel ed des Palmes, Istituto Italiano di Cultura, Madrid, ES Grand Hotel ed des Palmes, Museo Civico di Castelbuono, Palermo, I 2014 Glaucocamaleo, Museo Marino Marini, Florence, I Placet experiri, Konrad-Adenauer-Stiftung, Berlin, D 2013 Macro, Rome I To the point of your fingers, Mehdi Chouakri, Berlin Fino alla punta delle tue dita, Valentina Bonomo, Roma I Private, Studio Silvia Geddes, Roma, I 2011 Interval Training, Mehdi Chouakri, Berlin, D Placet Experiri, ReMap KM III, Athens 2010 NIMK / Montevideo, Amsterdam Lo spazio è un giardino da coltivare, (Special project for Macro), Macro, Roma, I 2009 Identity is a cloud, Museo Carlo Zauli, Faenza, curated by D. Lotta, I The truth is that the truth changes, Pinksummer, Genova, I MARS, Milano, I 2008 Giò Marconi, Milano, I Mehdi Chouakri, Berlin, G Kunstlerhaus Bethanien, Berlin, G Luca Trevisani / Gianni Pettena, Sistemi binari.1, Neoncampobase, Bologna, I Group shows 2016 Process, Performance, Presence, Kunstverein Braunschweig, D XVI Quadriennale, Roma, I Urban Mining, XXV Premio Gallarate, Maga, Gallarate, I The Camera’s Blind Spot III, Palazzo De’ Toschi, Bologna, I Avviso di Garanzia, FuoriUso 2016, Pescara, I Che il vero possa confutare il falso, Siena, I Terra provocata, Museo Civico Medievale, Bologna, I 2015 Function follows vision, vision follows reality, Kunsthalle Wien, Wien, AT The camera‘s blind spot II, Extra City_Kunsthal Antwerpen, Antwerp, B Exo-evolution, Zkm, Zentrum für kunst und medientechnologie, Karlsruhe D Comunità Italia, Triennale di Milano, Milano, I La Scrittura degli Echi, Maxxi, Rome, I Un museo ideale, Museo del novecento, Milan, I WAX, Francesco Pantaleone Arte Contemporanea, Palermo, I Growing roots, Palazzo Reale, Milan, I Qui non si canta al mondo delle rane, Galleria Civica d'Arte Contemporanea Osvaldo Licini Ascoli Piceno, I Vanità/Vanitas - Museo Ettore Fico, Turin, I Collecting for Tomorrow: New Works at Museion – MUSEION, Bolzano, I Andy Warhol sul comò - Museo d’Arte Contemporanea di Villa Croce, Genova, I Notyetseeninberlin - Mehdi Chouakri, Berlin, D 2014 Glitch, Pac, Milano, I Conceptual & Applied III, Daimler Contemporary, Berlin, D We have Never Have Been Modern, SongEun ArtSpace, Seoul, Korea, K Ritratto dell‘artista da giovane, Castello di Rivoli, Torino, I Un Rumore Bianco, Assabone, Milano, I Vanitas, Georg Kolbe Museum, Berlin , D In forma di ceramica, Fondazione Bevilaqua la Masa, Venezia, I Krobylos, un groviglio di segni, Biennale del disegno, Rimini, I se di-segno, Padiglione Esprit Noveau, Bologna, I 2013 Bestiario Contemporaneo, Museo di Storia Naturale, Venice, I Braccia, Man, Nuoro, e Museo Marino Marini, Firenze, I From Albers to Warhol to (now), Museo di Santa Giulia, Brescia, I AB, by Gabriele de Sanctis, Nomas Foundation, Rome Bianca Feat. Mars, Galleria Bianca, Palermo 2012 Premio Italia , Maxxi, Roma, I Dior seen by, Triennale di Milano, Milano, I D'apres Giorgio, Fondazione Giorgio e Isa De Chirico, Rome, Curated by Luca Lo Pinto, I Wie kommt das Neue in die Welt?, Haus am Waldsee, D Gli artisti italiani della collezione ACACIA, Palazzo Reale, Milano, I Periplo della scultura italiana, MUSMA, Matera, I Berlin. Status (1), Kunstlerhaus Bethanien, Berlin, D Live Arts Week / Gianni Peng, Bologna, I Epipedon, CO2, Roma, curated by L. Pratesi Casabianca, Bologna, I 2011 Suspence, EX3, Firenze, curated by Lorenzo Giusti and Arabella Natalini, I Premio Internazionale Giovane Scultura, Fondazione Francesco Messina, Casalbeltrame(No), Curated by Claudia Gioia and Lorena de Corral, I Islands, San Rocco, Brown Project space, Milano, I A new world, Dolomiti Contemporanee, Belluno, I ITaliens, Ambasciata Italiana a Berlino, Berlin, cureted by A. Pace e M. Corbello Mina a mano amata, Studio Silvia Geddes, Roma, I 2010 SI - Sindrome Italiana, la jeune création artistique italienne, curated by Yves Aupetitallot, Le Magasin, Grenoble, F Ampersand, A dialogue of contemporary art from South Africa & international Art from the Collection, Daimler Kunstsammlung, Berlin, D High ideals & CRazy Dreams, Galerie Vera Munro, Hamburg, curated by G. Rockenshaub, G The Berlin Box, CCA Antratx, Mallorca, S Fuori centro, Hangar Bicocca, Milano, curated by C. Bertola and R. di Martino, I Elogio della semplicità, Fondazione Stelline, Milano, curated by G. Verzotti, I Linguaggi e Sperimentazioni, MART, Rovereto, curated by G. Verzotti, I ARS – Artists in Residence Show, Fondazione Arnaldo Pomodoro, Milano, curated by A. Vettese and M. Farronato, I Mr potato head, c.a.r.s. , a cura di L. Trevisani A basic human impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, curated by A. Bruciati, I Arrivi e partenze europa, Mole Vanvilelliana, Ancona, curated by W. Gasperini, A. Bruciati, I The bearable lightness of being - the metaphor of the space 2, Arsenale Novissimo, Biennale Architettura 2010, Venezia Videoreport Italia 08_09, curated by A. Bruciati (selected by A.Grulli), GC.AC., Monfalcone, I La Scultura Italiana del XXI secolo, curated by Marco Meneguzzo, Fondazione Arnaldo Pomodoro, Milano, I For Istance, SUN, studio rosso, Firenze, curated by L. Bruni 2009 Evidence of the Paranormal, Klaus von Nichtssagend Gallery, New York, U.S.A. Abc, Berlin, Academie die Kunst, Berlin, G Up Against The Wall, Ileana Tounta Contemporary Art Center, Athens, curated by by R. Pinto, G Cui Prodest ?, New Galerie de France, Paris, curated by F. Stocchi, F Arrivals & Departures Europe, Mole Vanvitelliana, Ancona, curated by A. Bruciati, I Fuorisalone 2009, Plusdesign, Milano, I Spaciux, Lambretto, Milano, curated by D. Lotta, M. Arfiero, P. Gallio, I New Italian Epic, Brown prject space, Milano, curated by A.Bruciati, I Non Voltarti Adesso/Don't Look Now, Cà Pesaro, Venezia, I Nothing but a Show, Castello Sforzesco, Milano, curated by A.Ascari, I Una collezione trasversale, Spazio ALT, Alzano Lombardo, curated by F.Cavallucci, I Emerging talents, CCCS Centro di Cultura Contemporanea Strozzina, Firenze, I Through the looking glass, Pinksummer, Genova, curated by C. Alinovi, I Lo sguardo di Giano, American Academy in Rome, curated by F. Stocchi, I 2008 Manifesta 7, Rovereto, curated by A. Budak, I 50 Moon Of Saturn, Torino Triennal, curated by D. Birnbaum Sydney Biennal, Online venue, curated by C. C. Bakargiev Sguardo periferico, corpo collettivo, Museion, Bozen, curated by C. Diserens, I ...a lady's shoe lost in the grass, Italian Cultural Institute C.M. Lerici, Stockolm, curated by A. Grulli, Sweden XV Quadriennale, Roma, I Sporgersi prego, Lange & Pult, Zurich, Switzerland Paperweight, Mehdi Chouakri, Berlin, G Notebook n° 0, Neon fdv, Milan, curated by D. Lotta and M. Arfiero Soft Cell. Dinamiche nello spazio in Italia, GC.AC Galleria Comunale d'Arte Contemporanea, Monfalcone, I Focus on Contemporary Italian Art, MAMbo Museo d'Arte Moderna di Bologna, Bologna, I 2007 The space of your future, MOT, Museum of Contemporary Art, Tokyo, J Present Future, Artissima, Torino, I Looking for the border, Cultuurcentrum, Strombeek, De Garage, Mechelen, Fondazione Stelline, Milan, curated by Luk Lambrecht, Roberto Pinto and Koen Leemans, I On mobility, Premio Furla per l’arte, Villa delle Rose, Bologna, curated by C. Parisi and G. Maraniello, I The importance of not being seen, Cafe Moskau for Galerie Isabella Bortolozzi, Berlino, curated by LucaCerizza, I In dialogo, Studio La Città, Verona, curated by M. R. Sossai, I Bellavita, New Chinatown Barbershop, Los Angeles, USA Albedo: a new perspective in italian moving images, curated by A. Bruciati, GC.AC, Monfalcone (GO), I; XII International Media Art Biennale WRO 07, Wroclaw, PL; Teatro Junghans, Venezia, I videoREPORT ITALIA: 04_05, curated by A. Bruciati, MMSU, Rijeka; V 07 – Venice VideoArt Fair, Venezia, I 2006 L’immagine del vuoto. Una linea di ricerca nell’arte in Italia 1958-2006, Museo Cantonale d’Arte, Lugano, CH First Sudden Gone the One. First Sudden Back, Project 133, London, GB Workscape-Cantiere d’autore, Biennale d’architettura di Venezia, I Dialogo II - Athanasios Argianas, Tobias Putrih, Luca Trevisani, curated by S. Menegoi, Galleria Enrico Fornello, Prato, I videoREPORT ITALIA: 04_05, curated by A. Bruciati, GC.AC, Monfalcone (GO); MAN, Nuoro, I Cortocircuito: coincidenze ed incontri segnici, ex Palazzo Enel, Novara, curated by M. Tagliaferro, I Manomettere, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, curated by D.Lotta, I Tracce di un seminario, Assab One, Milan, curated by A. Daneri and R.Pinto, I Il vuoto al centro, Montesilvano, Pescara, curated by E. De Cecco and T. Ponziani, I Il vento dal settecento all’arte contemporanea, Fondazione Torino Tremusei, Castagneto Po, I 2005 Punto díestensione, AR/Ge Kunst Galerie Museum, Bolzano, curated by G. Molinari,I Anigma, 2nd Novosibirsk International Festival. Digital Imaging and Animation, Novosibirsk, curated by M. Gorni and A. Martynov, RUS Padiglione Italia out of biennale, Flash art museum, Trevi, I Report, Villa delle Rose, Galleria d’arte Moderna, Bologna, curated by C. Parisi, I Estetica della Resistenza, ex Ticosa, Como, curated by R. Pinto, I No location relocation, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, I Architettura nel secondo Novecento in Emilia-Romagna, Galleria d’arte Moderna, Bologna, curated by M. Lupano and P. Orlandi, I 2004 ad’ a, Imola, Bologna, curated by R. Daolio, I Enpowerment/ Nazione Italia, Genova, curated by M.Scotini, I Me without you, Biagiotti arte contemporanea, Firenze, I Assab One 2004. Milano, curated by R.Pinto, I Chance, T293, Napoli, I 2003 Collaudi, Villa delle Rose, Bologna, curated by D. Lotta and M. Altavilla, I In Movimento, Viafarini, Milano, curated by G. Scardi, I Prices 2015 Premio Artevisione, Sky/careof 2013 Premio Moroso 2011 Premio Ettore Fico 2010 ISCP, New York Shortlisted per VIVA ART PRIZE 10/11, (Laboratory) IBD 2009 NIMK /Montevideo, Amsterdam Premio New York 2008 Kunstlerhaus Bethanien, Berlin Fondazione Buziol, Venice Premio ACACIA 2007 Premio Furla per l’arte 2006 Selezionato per Premio Artegiovane Milano e Torino incontrano l’arte Residencies 2017 Belvedere, Wien 2010 ISCP, New York 2009 Nederlands Instituut voor Mediakunst, Montevideo, Amsterdam 2008 Kuenstlerhaus Bethanien, Berlin Fondazione Buziol, Venice

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