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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Luca Trevisani

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born in Verona in 1979
Lives and works in Berlin and Italy

Education

2005 Matrioska, workshop with Tobias Rehberger, Domus Academy, Milano, Italy
Corso Superiore Arti Visive Fondazione Antonio Ratti, Como, Italy, visiting professor A. Jaar
2003 Degree in history of art, DAMS, Bologna, Italy

Solo shows

2016
Marselleria, Milan
Cerchio, Museo del Novecento, Milano, I

2015
Possibilità, Vitrine, Gam, Torino, I
Grand Hotel ed des Palmes, Istituto Italiano di Cultura, Madrid, ES
Grand Hotel ed des Palmes, Museo Civico di Castelbuono, Palermo, I

2014
Glaucocamaleo, Museo Marino Marini, Florence, I
Placet experiri, Konrad-Adenauer-Stiftung, Berlin, D

2013
Macro, Rome I
To the point of your fingers, Mehdi Chouakri, Berlin
Fino alla punta delle tue dita, Valentina Bonomo, Roma I
Private, Studio Silvia Geddes, Roma, I

2011
Interval Training, Mehdi Chouakri, Berlin, D
Placet Experiri, ReMap KM III, Athens

2010
NIMK / Montevideo, Amsterdam
Lo spazio è un giardino da coltivare, (Special project for Macro), Macro, Roma, I

2009
Identity is a cloud, Museo Carlo Zauli, Faenza, curated by D. Lotta, I
The truth is that the truth changes, Pinksummer, Genova, I
MARS, Milano, I

2008
Giò Marconi, Milano, I
Mehdi Chouakri, Berlin, G
Kunstlerhaus Bethanien, Berlin, G
Luca Trevisani / Gianni Pettena, Sistemi binari.1, Neoncampobase, Bologna, I

Group shows

2016
Process, Performance, Presence, Kunstverein Braunschweig, D
XVI Quadriennale, Roma, I
Urban Mining, XXV Premio Gallarate, Maga, Gallarate, I
The Camera’s Blind Spot III, Palazzo De’ Toschi, Bologna, I
Avviso di Garanzia, FuoriUso 2016, Pescara, I
Che il vero possa confutare il falso, Siena, I
Terra provocata, Museo Civico Medievale, Bologna, I

2015
Function follows vision, vision follows reality, Kunsthalle Wien, Wien, AT
The camera‘s blind spot II, Extra City_Kunsthal Antwerpen, Antwerp, B
Exo-evolution, Zkm, Zentrum für kunst und medientechnologie, Karlsruhe D
Comunità Italia, Triennale di Milano, Milano, I
La Scrittura degli Echi, Maxxi, Rome, I
Un museo ideale, Museo del novecento, Milan, I
WAX, Francesco Pantaleone Arte Contemporanea, Palermo, I
Growing roots, Palazzo Reale, Milan, I
Qui non si canta al mondo delle rane, Galleria Civica d'Arte Contemporanea Osvaldo Licini
Ascoli Piceno, I
Vanità/Vanitas - Museo Ettore Fico, Turin, I
Collecting for Tomorrow: New Works at Museion – MUSEION, Bolzano, I
Andy Warhol sul comò - Museo d’Arte Contemporanea di Villa Croce, Genova, I
Notyetseeninberlin - Mehdi Chouakri, Berlin, D

2014
Glitch, Pac, Milano, I
Conceptual & Applied III, Daimler Contemporary, Berlin, D
We have Never Have Been Modern, SongEun ArtSpace, Seoul, Korea, K
Ritratto dell‘artista da giovane, Castello di Rivoli, Torino, I
Un Rumore Bianco, Assabone, Milano, I
Vanitas, Georg Kolbe Museum, Berlin , D
In forma di ceramica, Fondazione Bevilaqua la Masa, Venezia, I
Krobylos, un groviglio di segni, Biennale del disegno, Rimini, I
se di-segno, Padiglione Esprit Noveau, Bologna, I

2013
Bestiario Contemporaneo, Museo di Storia Naturale, Venice, I
Braccia, Man, Nuoro, e Museo Marino Marini, Firenze, I
From Albers to Warhol to (now), Museo di Santa Giulia, Brescia, I
AB, by Gabriele de Sanctis, Nomas Foundation, Rome
Bianca Feat. Mars, Galleria Bianca, Palermo

2012
Premio Italia , Maxxi, Roma, I
Dior seen by, Triennale di Milano, Milano, I
D'apres Giorgio, Fondazione Giorgio e Isa De Chirico, Rome, Curated by Luca Lo Pinto, I
Wie kommt das Neue in die Welt?, Haus am Waldsee, D
Gli artisti italiani della collezione ACACIA, Palazzo Reale, Milano, I
Periplo della scultura italiana, MUSMA, Matera, I
Berlin. Status (1), Kunstlerhaus Bethanien, Berlin, D
Live Arts Week / Gianni Peng, Bologna, I
Epipedon, CO2, Roma, curated by L. Pratesi
Casabianca, Bologna, I

2011
Suspence, EX3, Firenze, curated by Lorenzo Giusti and Arabella Natalini, I
Premio Internazionale Giovane Scultura, Fondazione Francesco Messina, Casalbeltrame(No), Curated by Claudia Gioia and Lorena de Corral, I
Islands, San Rocco, Brown Project space, Milano, I
A new world, Dolomiti Contemporanee, Belluno, I
ITaliens, Ambasciata Italiana a Berlino, Berlin, cureted by A. Pace e M. Corbello
Mina a mano amata, Studio Silvia Geddes, Roma, I

2010
SI - Sindrome Italiana, la jeune création artistique italienne, curated by Yves
Aupetitallot, Le Magasin, Grenoble, F
Ampersand, A dialogue of contemporary art from South Africa & international Art from the Collection, Daimler Kunstsammlung, Berlin, D
High ideals & CRazy Dreams, Galerie Vera Munro, Hamburg, curated by G. Rockenshaub, G
The Berlin Box, CCA Antratx, Mallorca, S
Fuori centro, Hangar Bicocca, Milano, curated by C. Bertola and R. di Martino, I
Elogio della semplicità, Fondazione Stelline, Milano, curated by G. Verzotti, I
Linguaggi e Sperimentazioni, MART, Rovereto, curated by G. Verzotti, I
ARS – Artists in Residence Show, Fondazione Arnaldo Pomodoro, Milano, curated by A. Vettese and M. Farronato, I
Mr potato head, c.a.r.s. , a cura di L. Trevisani
A basic human impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, curated by A. Bruciati, I
Arrivi e partenze europa, Mole Vanvilelliana, Ancona, curated by W. Gasperini, A. Bruciati, I
The bearable lightness of being - the metaphor of the space 2, Arsenale Novissimo, Biennale Architettura 2010, Venezia
Videoreport Italia 08_09, curated by A. Bruciati (selected by A.Grulli),
GC.AC., Monfalcone, I
La Scultura Italiana del XXI secolo, curated by Marco Meneguzzo, Fondazione Arnaldo Pomodoro, Milano, I
For Istance, SUN, studio rosso, Firenze, curated by L. Bruni

2009
Evidence of the Paranormal, Klaus von Nichtssagend Gallery, New York, U.S.A.
Abc, Berlin, Academie die Kunst, Berlin, G
Up Against The Wall, Ileana Tounta Contemporary Art Center, Athens, curated by by R. Pinto, G
Cui Prodest ?, New Galerie de France, Paris, curated by F. Stocchi, F
Arrivals & Departures Europe, Mole Vanvitelliana, Ancona, curated by A. Bruciati, I
Fuorisalone 2009, Plusdesign, Milano, I
Spaciux, Lambretto, Milano, curated by D. Lotta, M. Arfiero, P. Gallio, I
New Italian Epic, Brown prject space, Milano, curated by A.Bruciati, I
Non Voltarti Adesso/Don't Look Now, Cà Pesaro, Venezia, I
Nothing but a Show, Castello Sforzesco, Milano, curated by A.Ascari, I
Una collezione trasversale, Spazio ALT, Alzano Lombardo, curated by F.Cavallucci, I
Emerging talents, CCCS Centro di Cultura Contemporanea Strozzina, Firenze, I
Through the looking glass, Pinksummer, Genova, curated by C. Alinovi, I
Lo sguardo di Giano, American Academy in Rome, curated by F. Stocchi, I

2008
Manifesta 7, Rovereto, curated by A. Budak, I
50 Moon Of Saturn, Torino Triennal, curated by D. Birnbaum
Sydney Biennal, Online venue, curated by C. C. Bakargiev
Sguardo periferico, corpo collettivo, Museion, Bozen, curated by C. Diserens, I
...a lady's shoe lost in the grass, Italian Cultural Institute C.M. Lerici, Stockolm, curated by A. Grulli, Sweden
XV Quadriennale, Roma, I
Sporgersi prego, Lange & Pult, Zurich, Switzerland
Paperweight, Mehdi Chouakri, Berlin, G
Notebook n° 0, Neon fdv, Milan, curated by D. Lotta and M. Arfiero
Soft Cell. Dinamiche nello spazio in Italia, GC.AC Galleria Comunale d'Arte
Contemporanea, Monfalcone, I
Focus on Contemporary Italian Art, MAMbo Museo d'Arte Moderna di Bologna, Bologna, I

2007
The space of your future, MOT, Museum of Contemporary Art, Tokyo, J
Present Future, Artissima, Torino, I
Looking for the border, Cultuurcentrum, Strombeek, De Garage, Mechelen, Fondazione Stelline, Milan,
curated by Luk Lambrecht, Roberto Pinto and Koen Leemans, I
On mobility, Premio Furla per l’arte, Villa delle Rose, Bologna, curated by C. Parisi and G. Maraniello, I
The importance of not being seen, Cafe Moskau for Galerie Isabella Bortolozzi, Berlino, curated by LucaCerizza, I
In dialogo, Studio La Città, Verona, curated by M. R. Sossai, I
Bellavita, New Chinatown Barbershop, Los Angeles, USA
Albedo: a new perspective in italian moving images, curated by A. Bruciati,
GC.AC, Monfalcone (GO), I; XII International Media Art Biennale WRO 07, Wroclaw,
PL; Teatro Junghans, Venezia, I
videoREPORT ITALIA: 04_05, curated by A. Bruciati, MMSU, Rijeka; V 07 –
Venice VideoArt Fair, Venezia, I

2006
L’immagine del vuoto. Una linea di ricerca nell’arte in Italia 1958-2006, Museo Cantonale d’Arte, Lugano, CH
First Sudden Gone the One. First Sudden Back, Project 133, London, GB
Workscape-Cantiere d’autore, Biennale d’architettura di Venezia, I
Dialogo II - Athanasios Argianas, Tobias Putrih, Luca Trevisani, curated by S. Menegoi,
Galleria Enrico Fornello, Prato, I
videoREPORT ITALIA: 04_05, curated by A. Bruciati, GC.AC, Monfalcone
(GO); MAN, Nuoro, I
Cortocircuito: coincidenze ed incontri segnici, ex Palazzo Enel, Novara, curated by M. Tagliaferro, I
Manomettere, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, curated by D.Lotta, I
Tracce di un seminario, Assab One, Milan, curated by A. Daneri and R.Pinto, I
Il vuoto al centro, Montesilvano, Pescara, curated by E. De Cecco and T. Ponziani, I
Il vento dal settecento all’arte contemporanea, Fondazione Torino Tremusei, Castagneto Po, I

2005
Punto díestensione, AR/Ge Kunst Galerie Museum, Bolzano, curated by G. Molinari,I
Anigma, 2nd Novosibirsk International Festival. Digital Imaging and Animation, Novosibirsk, curated by M. Gorni and A. Martynov, RUS
Padiglione Italia out of biennale, Flash art museum, Trevi, I
Report, Villa delle Rose, Galleria d’arte Moderna, Bologna, curated by C. Parisi, I
Estetica della Resistenza, ex Ticosa, Como, curated by R. Pinto, I
No location relocation, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, I
Architettura nel secondo Novecento in Emilia-Romagna, Galleria d’arte Moderna, Bologna, curated by M. Lupano and P. Orlandi, I

2004
ad’ a, Imola, Bologna, curated by R. Daolio, I
Enpowerment/ Nazione Italia, Genova, curated by M.Scotini, I
Me without you, Biagiotti arte contemporanea, Firenze, I
Assab One 2004. Milano, curated by R.Pinto, I
Chance, T293, Napoli, I

2003
Collaudi, Villa delle Rose, Bologna, curated by D. Lotta and M. Altavilla, I
In Movimento, Viafarini, Milano, curated by G. Scardi, I

Prices

2015 Premio Artevisione, Sky/careof
2013 Premio Moroso
2011 Premio Ettore Fico
2010 ISCP, New York
Shortlisted per VIVA ART PRIZE 10/11, (Laboratory) IBD
2009 NIMK /Montevideo, Amsterdam
Premio New York
2008 Kunstlerhaus Bethanien, Berlin
Fondazione Buziol, Venice
Premio ACACIA
2007 Premio Furla per l’arte
2006 Selezionato per Premio Artegiovane Milano e Torino incontrano l’arte

Residencies

2017 Belvedere, Wien
2010 ISCP, New York
2009 Nederlands Instituut voor Mediakunst, Montevideo, Amsterdam
2008 Kuenstlerhaus Bethanien, Berlin
Fondazione Buziol, Venice

Luca Trevisani
Born in Verona in 1979 Lives and works in Berlin and Italy Education 2005 Matrioska, workshop with Tobias Rehberger, Domus Academy, Milano, Italy Corso Superiore Arti Visive Fondazione Antonio Ratti, Como, Italy, visiting professor A. Jaar 2003 Degree in history of art, DAMS, Bologna, Italy Solo shows 2016 Marselleria, Milan Cerchio, Museo del Novecento, Milano, I 2015 Possibilità, Vitrine, Gam, Torino, I Grand Hotel ed des Palmes, Istituto Italiano di Cultura, Madrid, ES Grand Hotel ed des Palmes, Museo Civico di Castelbuono, Palermo, I 2014 Glaucocamaleo, Museo Marino Marini, Florence, I Placet experiri, Konrad-Adenauer-Stiftung, Berlin, D 2013 Macro, Rome I To the point of your fingers, Mehdi Chouakri, Berlin Fino alla punta delle tue dita, Valentina Bonomo, Roma I Private, Studio Silvia Geddes, Roma, I 2011 Interval Training, Mehdi Chouakri, Berlin, D Placet Experiri, ReMap KM III, Athens 2010 NIMK / Montevideo, Amsterdam Lo spazio è un giardino da coltivare, (Special project for Macro), Macro, Roma, I 2009 Identity is a cloud, Museo Carlo Zauli, Faenza, curated by D. Lotta, I The truth is that the truth changes, Pinksummer, Genova, I MARS, Milano, I 2008 Giò Marconi, Milano, I Mehdi Chouakri, Berlin, G Kunstlerhaus Bethanien, Berlin, G Luca Trevisani / Gianni Pettena, Sistemi binari.1, Neoncampobase, Bologna, I Group shows 2016 Process, Performance, Presence, Kunstverein Braunschweig, D XVI Quadriennale, Roma, I Urban Mining, XXV Premio Gallarate, Maga, Gallarate, I The Camera’s Blind Spot III, Palazzo De’ Toschi, Bologna, I Avviso di Garanzia, FuoriUso 2016, Pescara, I Che il vero possa confutare il falso, Siena, I Terra provocata, Museo Civico Medievale, Bologna, I 2015 Function follows vision, vision follows reality, Kunsthalle Wien, Wien, AT The camera‘s blind spot II, Extra City_Kunsthal Antwerpen, Antwerp, B Exo-evolution, Zkm, Zentrum für kunst und medientechnologie, Karlsruhe D Comunità Italia, Triennale di Milano, Milano, I La Scrittura degli Echi, Maxxi, Rome, I Un museo ideale, Museo del novecento, Milan, I WAX, Francesco Pantaleone Arte Contemporanea, Palermo, I Growing roots, Palazzo Reale, Milan, I Qui non si canta al mondo delle rane, Galleria Civica d'Arte Contemporanea Osvaldo Licini Ascoli Piceno, I Vanità/Vanitas - Museo Ettore Fico, Turin, I Collecting for Tomorrow: New Works at Museion – MUSEION, Bolzano, I Andy Warhol sul comò - Museo d’Arte Contemporanea di Villa Croce, Genova, I Notyetseeninberlin - Mehdi Chouakri, Berlin, D 2014 Glitch, Pac, Milano, I Conceptual & Applied III, Daimler Contemporary, Berlin, D We have Never Have Been Modern, SongEun ArtSpace, Seoul, Korea, K Ritratto dell‘artista da giovane, Castello di Rivoli, Torino, I Un Rumore Bianco, Assabone, Milano, I Vanitas, Georg Kolbe Museum, Berlin , D In forma di ceramica, Fondazione Bevilaqua la Masa, Venezia, I Krobylos, un groviglio di segni, Biennale del disegno, Rimini, I se di-segno, Padiglione Esprit Noveau, Bologna, I 2013 Bestiario Contemporaneo, Museo di Storia Naturale, Venice, I Braccia, Man, Nuoro, e Museo Marino Marini, Firenze, I From Albers to Warhol to (now), Museo di Santa Giulia, Brescia, I AB, by Gabriele de Sanctis, Nomas Foundation, Rome Bianca Feat. Mars, Galleria Bianca, Palermo 2012 Premio Italia , Maxxi, Roma, I Dior seen by, Triennale di Milano, Milano, I D'apres Giorgio, Fondazione Giorgio e Isa De Chirico, Rome, Curated by Luca Lo Pinto, I Wie kommt das Neue in die Welt?, Haus am Waldsee, D Gli artisti italiani della collezione ACACIA, Palazzo Reale, Milano, I Periplo della scultura italiana, MUSMA, Matera, I Berlin. Status (1), Kunstlerhaus Bethanien, Berlin, D Live Arts Week / Gianni Peng, Bologna, I Epipedon, CO2, Roma, curated by L. Pratesi Casabianca, Bologna, I 2011 Suspence, EX3, Firenze, curated by Lorenzo Giusti and Arabella Natalini, I Premio Internazionale Giovane Scultura, Fondazione Francesco Messina, Casalbeltrame(No), Curated by Claudia Gioia and Lorena de Corral, I Islands, San Rocco, Brown Project space, Milano, I A new world, Dolomiti Contemporanee, Belluno, I ITaliens, Ambasciata Italiana a Berlino, Berlin, cureted by A. Pace e M. Corbello Mina a mano amata, Studio Silvia Geddes, Roma, I 2010 SI - Sindrome Italiana, la jeune création artistique italienne, curated by Yves Aupetitallot, Le Magasin, Grenoble, F Ampersand, A dialogue of contemporary art from South Africa & international Art from the Collection, Daimler Kunstsammlung, Berlin, D High ideals & CRazy Dreams, Galerie Vera Munro, Hamburg, curated by G. Rockenshaub, G The Berlin Box, CCA Antratx, Mallorca, S Fuori centro, Hangar Bicocca, Milano, curated by C. Bertola and R. di Martino, I Elogio della semplicità, Fondazione Stelline, Milano, curated by G. Verzotti, I Linguaggi e Sperimentazioni, MART, Rovereto, curated by G. Verzotti, I ARS – Artists in Residence Show, Fondazione Arnaldo Pomodoro, Milano, curated by A. Vettese and M. Farronato, I Mr potato head, c.a.r.s. , a cura di L. Trevisani A basic human impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, curated by A. Bruciati, I Arrivi e partenze europa, Mole Vanvilelliana, Ancona, curated by W. Gasperini, A. Bruciati, I The bearable lightness of being - the metaphor of the space 2, Arsenale Novissimo, Biennale Architettura 2010, Venezia Videoreport Italia 08_09, curated by A. Bruciati (selected by A.Grulli), GC.AC., Monfalcone, I La Scultura Italiana del XXI secolo, curated by Marco Meneguzzo, Fondazione Arnaldo Pomodoro, Milano, I For Istance, SUN, studio rosso, Firenze, curated by L. Bruni 2009 Evidence of the Paranormal, Klaus von Nichtssagend Gallery, New York, U.S.A. Abc, Berlin, Academie die Kunst, Berlin, G Up Against The Wall, Ileana Tounta Contemporary Art Center, Athens, curated by by R. Pinto, G Cui Prodest ?, New Galerie de France, Paris, curated by F. Stocchi, F Arrivals & Departures Europe, Mole Vanvitelliana, Ancona, curated by A. Bruciati, I Fuorisalone 2009, Plusdesign, Milano, I Spaciux, Lambretto, Milano, curated by D. Lotta, M. Arfiero, P. Gallio, I New Italian Epic, Brown prject space, Milano, curated by A.Bruciati, I Non Voltarti Adesso/Don't Look Now, Cà Pesaro, Venezia, I Nothing but a Show, Castello Sforzesco, Milano, curated by A.Ascari, I Una collezione trasversale, Spazio ALT, Alzano Lombardo, curated by F.Cavallucci, I Emerging talents, CCCS Centro di Cultura Contemporanea Strozzina, Firenze, I Through the looking glass, Pinksummer, Genova, curated by C. Alinovi, I Lo sguardo di Giano, American Academy in Rome, curated by F. Stocchi, I 2008 Manifesta 7, Rovereto, curated by A. Budak, I 50 Moon Of Saturn, Torino Triennal, curated by D. Birnbaum Sydney Biennal, Online venue, curated by C. C. Bakargiev Sguardo periferico, corpo collettivo, Museion, Bozen, curated by C. Diserens, I ...a lady's shoe lost in the grass, Italian Cultural Institute C.M. Lerici, Stockolm, curated by A. Grulli, Sweden XV Quadriennale, Roma, I Sporgersi prego, Lange & Pult, Zurich, Switzerland Paperweight, Mehdi Chouakri, Berlin, G Notebook n° 0, Neon fdv, Milan, curated by D. Lotta and M. Arfiero Soft Cell. Dinamiche nello spazio in Italia, GC.AC Galleria Comunale d'Arte Contemporanea, Monfalcone, I Focus on Contemporary Italian Art, MAMbo Museo d'Arte Moderna di Bologna, Bologna, I 2007 The space of your future, MOT, Museum of Contemporary Art, Tokyo, J Present Future, Artissima, Torino, I Looking for the border, Cultuurcentrum, Strombeek, De Garage, Mechelen, Fondazione Stelline, Milan, curated by Luk Lambrecht, Roberto Pinto and Koen Leemans, I On mobility, Premio Furla per l’arte, Villa delle Rose, Bologna, curated by C. Parisi and G. Maraniello, I The importance of not being seen, Cafe Moskau for Galerie Isabella Bortolozzi, Berlino, curated by LucaCerizza, I In dialogo, Studio La Città, Verona, curated by M. R. Sossai, I Bellavita, New Chinatown Barbershop, Los Angeles, USA Albedo: a new perspective in italian moving images, curated by A. Bruciati, GC.AC, Monfalcone (GO), I; XII International Media Art Biennale WRO 07, Wroclaw, PL; Teatro Junghans, Venezia, I videoREPORT ITALIA: 04_05, curated by A. Bruciati, MMSU, Rijeka; V 07 – Venice VideoArt Fair, Venezia, I 2006 L’immagine del vuoto. Una linea di ricerca nell’arte in Italia 1958-2006, Museo Cantonale d’Arte, Lugano, CH First Sudden Gone the One. First Sudden Back, Project 133, London, GB Workscape-Cantiere d’autore, Biennale d’architettura di Venezia, I Dialogo II - Athanasios Argianas, Tobias Putrih, Luca Trevisani, curated by S. Menegoi, Galleria Enrico Fornello, Prato, I videoREPORT ITALIA: 04_05, curated by A. Bruciati, GC.AC, Monfalcone (GO); MAN, Nuoro, I Cortocircuito: coincidenze ed incontri segnici, ex Palazzo Enel, Novara, curated by M. Tagliaferro, I Manomettere, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, curated by D.Lotta, I Tracce di un seminario, Assab One, Milan, curated by A. Daneri and R.Pinto, I Il vuoto al centro, Montesilvano, Pescara, curated by E. De Cecco and T. Ponziani, I Il vento dal settecento all’arte contemporanea, Fondazione Torino Tremusei, Castagneto Po, I 2005 Punto díestensione, AR/Ge Kunst Galerie Museum, Bolzano, curated by G. Molinari,I Anigma, 2nd Novosibirsk International Festival. Digital Imaging and Animation, Novosibirsk, curated by M. Gorni and A. Martynov, RUS Padiglione Italia out of biennale, Flash art museum, Trevi, I Report, Villa delle Rose, Galleria d’arte Moderna, Bologna, curated by C. Parisi, I Estetica della Resistenza, ex Ticosa, Como, curated by R. Pinto, I No location relocation, Galleria Comunale d’arte contemporanea, Castel S. Pietro terme, Bologna, I Architettura nel secondo Novecento in Emilia-Romagna, Galleria d’arte Moderna, Bologna, curated by M. Lupano and P. Orlandi, I 2004 ad’ a, Imola, Bologna, curated by R. Daolio, I Enpowerment/ Nazione Italia, Genova, curated by M.Scotini, I Me without you, Biagiotti arte contemporanea, Firenze, I Assab One 2004. Milano, curated by R.Pinto, I Chance, T293, Napoli, I 2003 Collaudi, Villa delle Rose, Bologna, curated by D. Lotta and M. Altavilla, I In Movimento, Viafarini, Milano, curated by G. Scardi, I Prices 2015 Premio Artevisione, Sky/careof 2013 Premio Moroso 2011 Premio Ettore Fico 2010 ISCP, New York Shortlisted per VIVA ART PRIZE 10/11, (Laboratory) IBD 2009 NIMK /Montevideo, Amsterdam Premio New York 2008 Kunstlerhaus Bethanien, Berlin Fondazione Buziol, Venice Premio ACACIA 2007 Premio Furla per l’arte 2006 Selezionato per Premio Artegiovane Milano e Torino incontrano l’arte Residencies 2017 Belvedere, Wien 2010 ISCP, New York 2009 Nederlands Instituut voor Mediakunst, Montevideo, Amsterdam 2008 Kuenstlerhaus Bethanien, Berlin Fondazione Buziol, Venice

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