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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Daniel Laufer

Works


Galleries

KM Galerie
Jens Mentrup
Martin-Opitz-Strasse 23
133571 Berlin
Germany

Phone: +49(30)99 25 63 64
E-Mail: info@km-galerie.com




Biography

Born 1975 in Hannover
lives and works in Berlin

Solo exhibitions [selected]

2016
Blackout, Km, Berlin
Afterimage,Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V

2015
Train of Thought, KM, Berlin

2014
Train of Thought, Kunstverein Harburger Bahnhof, Hamburg
Redux, Glasmoog Kunsthochschule für Medien, Köln (cat.)

2012
Alternate Ending, KM, Berlin

2011
NOTE ON the fifth wall, NOTE ON, Berlin
Fourth Wall, Kunstverein für die Rheinlande und Westfalen / Schaufenster, Düsseldorf, GER

2010
Plot Holes, Galerie Otto Schweins, Cologne, GER
Suspension of Disbelief, Arthur Boskamp Stiftung, Hohenlockstedt (cat.)

2009
Cut, Paste, Italics, Comma, Space, Souterrain, Berlin

2008
Freestyle, Galerie Otto Schweins, Köln, Art Forum, Berlin
When time becomes form, Artists Space, New York
we missed the point, Galerie Otto Schweins, Köln

2006
White Light, Düsseldorf, (cat.)
Evas Arche und der Feminist no. 16, Im Licht der Kuhle, Berlin

2005
a leaf in a blackbook borrowed, Galerie Otto Schweins, Köln
thirty fingers – in a one night stand, (mit Hanna Brandes und Alex Müller), Dependance, Brüssel
thirty fingers – in a one night stand, (mit Hanna Brandes und Alex Müller), Simultanhalle, Köln

Group exhibitions (selected)

2016
Golem, Jüdisches Museum Berlin, Berlin

2015
87. Herbstausstellung, Kunstverein Hannover (cat.)
100 YEARS - 100 ARTISTS , Hôtel de l’Industrie, Paris

2014
Monitoring, 31. Kasseler Dokumentarfilm- und Videofest, Kasseler Kunstverein
EHF 2010, Konrad-Adenauer-Stiftung, Berlin

2013
Videonale.14, Kunstmuseum Bonn, Bonn
Invited by Daniel Laufer, PROVINZ Editionen, Bochum
Invited by Daniel Laufer, Motto, Berlin
„Kunstautomat“, Jüdisches Museum Berlin

2012
Ein Zimmer, invited by Rosa, Galerie Kamm, Berlin

2011
KW69#7 Kalin Lindena, KW Institute for Contempory Art, Berlin
20.1, Galerie Otto Schweins, Köln

2010 At home, Die Fuge, Berlin
Session_7_WORDS, Krabbesholm‘s Four Boxes Gallery, Skive (cat.)
Jewelry, Samsa, Berlin

2009
Bulletinboard Blvd., Pro choice, Wien
The Performances, The Office, Berlin
Session_7_WORDS, Am Nuden Da, London (cat.)

2008
Get in the Loop, Alfred University, Alfred, New York
Clinch/ Cross/ Cut, New Jerseyy, Basel
Nordlichter, 84. Herbstausstellung, Kunstverein Hannover (cat.)

2007
Miracle goodbye, White Light, Düsseldorf
Gefühlte Temperatur, Kunstverein Langenhagen
Steps & Stairs, Museum Het Valkhof, Nimwegen
Artists Books : Transgression/Excess, space other, Boston

2006
Terrain Vague, Bonner Kunstverein, Bonn (cat.)
Künstlerische Inszenierung im Film, Kunstverein Langenhagen
Wheely tour, Transmission Gallery, Glasgow

2005
Space resentments, Galerie Meerrettich, Berlin
Gifted Generation, Hebbel am Ufer, Berlin
Persistant and Gradual loss of Selfcontrol, Van Gogh Museum, Amsterdam (cat.)

2004
ladyloverundercover, Neue Dokumente, Berlin
Performance Loop, PS1, New York
Yellow Pages, Museum of Modern and contemporary Art, Geneva (cat.)

2003
schattenreich, schikaneder, schlaraffia, Neue Dokumente, Berlin
Performance in der Kunsthalle, Fridericianum, Kassel
Recycling the future VV2, 50. Venice Biennial (cat.)
As soon as possible, PAC, Mailand

2002
Body Power/Power Play, Württembergischer Kunstverein, Stuttgart
Pret a perform, Via Farini, Mailand
Intermedia, Triskel Arts Center, Cork

Scholarships / awards

2015 Residency International Jewish Artist Retreat, Garrison, NY
2014 Besondere Erwähnung der Jury 31. Kasseler dok.fest, Preis "Golden Cube"
2010 Preis Arthur Boskamp Stiftung, Hohenlockstedt
2007 Residency Fondament Fondation, NL
2007 Arbeitsstipendium Stiftung Kunstfonds
2007 Projektstipendium Stiftung Kunstfonds
2007 Arbeitsstipendium Kunststiftung NRW, Schloß Ringenberg
2004 Arbeitsstipendium Else-Heiliger Fonds, Konrad-Adenauer-Stiftung

Daniel Laufer
Born 1975 in Hannover lives and works in Berlin Solo exhibitions [selected] 2016 Blackout, Km, Berlin Afterimage,Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V 2015 Train of Thought, KM, Berlin 2014 Train of Thought, Kunstverein Harburger Bahnhof, Hamburg Redux, Glasmoog Kunsthochschule für Medien, Köln (cat.) 2012 Alternate Ending, KM, Berlin 2011 NOTE ON the fifth wall, NOTE ON, Berlin Fourth Wall, Kunstverein für die Rheinlande und Westfalen / Schaufenster, Düsseldorf, GER 2010 Plot Holes, Galerie Otto Schweins, Cologne, GER Suspension of Disbelief, Arthur Boskamp Stiftung, Hohenlockstedt (cat.) 2009 Cut, Paste, Italics, Comma, Space, Souterrain, Berlin 2008 Freestyle, Galerie Otto Schweins, Köln, Art Forum, Berlin When time becomes form, Artists Space, New York we missed the point, Galerie Otto Schweins, Köln 2006 White Light, Düsseldorf, (cat.) Evas Arche und der Feminist no. 16, Im Licht der Kuhle, Berlin 2005 a leaf in a blackbook borrowed, Galerie Otto Schweins, Köln thirty fingers – in a one night stand, (mit Hanna Brandes und Alex Müller), Dependance, Brüssel thirty fingers – in a one night stand, (mit Hanna Brandes und Alex Müller), Simultanhalle, Köln Group exhibitions (selected) 2016 Golem, Jüdisches Museum Berlin, Berlin 2015 87. Herbstausstellung, Kunstverein Hannover (cat.) 100 YEARS - 100 ARTISTS , Hôtel de l’Industrie, Paris 2014 Monitoring, 31. Kasseler Dokumentarfilm- und Videofest, Kasseler Kunstverein EHF 2010, Konrad-Adenauer-Stiftung, Berlin 2013 Videonale.14, Kunstmuseum Bonn, Bonn Invited by Daniel Laufer, PROVINZ Editionen, Bochum Invited by Daniel Laufer, Motto, Berlin „Kunstautomat“, Jüdisches Museum Berlin 2012 Ein Zimmer, invited by Rosa, Galerie Kamm, Berlin 2011 KW69#7 Kalin Lindena, KW Institute for Contempory Art, Berlin 20.1, Galerie Otto Schweins, Köln 2010 At home, Die Fuge, Berlin Session_7_WORDS, Krabbesholm‘s Four Boxes Gallery, Skive (cat.) Jewelry, Samsa, Berlin 2009 Bulletinboard Blvd., Pro choice, Wien The Performances, The Office, Berlin Session_7_WORDS, Am Nuden Da, London (cat.) 2008 Get in the Loop, Alfred University, Alfred, New York Clinch/ Cross/ Cut, New Jerseyy, Basel Nordlichter, 84. Herbstausstellung, Kunstverein Hannover (cat.) 2007 Miracle goodbye, White Light, Düsseldorf Gefühlte Temperatur, Kunstverein Langenhagen Steps & Stairs, Museum Het Valkhof, Nimwegen Artists Books : Transgression/Excess, space other, Boston 2006 Terrain Vague, Bonner Kunstverein, Bonn (cat.) Künstlerische Inszenierung im Film, Kunstverein Langenhagen Wheely tour, Transmission Gallery, Glasgow 2005 Space resentments, Galerie Meerrettich, Berlin Gifted Generation, Hebbel am Ufer, Berlin Persistant and Gradual loss of Selfcontrol, Van Gogh Museum, Amsterdam (cat.) 2004 ladyloverundercover, Neue Dokumente, Berlin Performance Loop, PS1, New York Yellow Pages, Museum of Modern and contemporary Art, Geneva (cat.) 2003 schattenreich, schikaneder, schlaraffia, Neue Dokumente, Berlin Performance in der Kunsthalle, Fridericianum, Kassel Recycling the future VV2, 50. Venice Biennial (cat.) As soon as possible, PAC, Mailand 2002 Body Power/Power Play, Württembergischer Kunstverein, Stuttgart Pret a perform, Via Farini, Mailand Intermedia, Triskel Arts Center, Cork Scholarships / awards 2015 Residency International Jewish Artist Retreat, Garrison, NY 2014 Besondere Erwähnung der Jury 31. Kasseler dok.fest, Preis Golden Cube 2010 Preis Arthur Boskamp Stiftung, Hohenlockstedt 2007 Residency Fondament Fondation, NL 2007 Arbeitsstipendium Stiftung Kunstfonds 2007 Projektstipendium Stiftung Kunstfonds 2007 Arbeitsstipendium Kunststiftung NRW, Schloß Ringenberg 2004 Arbeitsstipendium Else-Heiliger Fonds, Konrad-Adenauer-Stiftung

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