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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Dani Marti

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

Born 1963 in Barcelona, Spain

Education

2006 Master of Fine Arts, Glasgow School of Art
2000 Master of Arts, majoring in sculpture and installation, College of Fine Arts, University of New South Wales, Sydney
1991–1992 Fine Arts Course, Art Students League, New York
1990–1991 Diploma Fine Arts, Julian Ashton Art School, Sydney
1982–1988 MBA, Esade, Barcelona, Spain
1978–1979 Ramon Gomis, studies in tapestry technique, Barcelona, Spain

Solo exhibitions

2015
Slow Show, Greenaway Art Gallery, Adelaide

2014
RUN, RUN, RUN , Arc One Gallery, Melbourne
Surface Tension, Westfield Head Quaters, Sydney

2012
Against Day, Peloton Gallery , Sydney
Mariposa (Butterfly), Breenspace, Sydney

2011
Book of miracles, Arc One Gallery, Melbourne
And thatʼs it, Paul Greenaway Gallery, Adelaide
TOUCH; The portraiture of Dani Marti, Newcastle Art Gallery, Australia! !

2010
Baconʼs Dog, Breenspace, Sydney

2009
Insideout, off site venue: 4 Parnie street, GoMA and Glasggay, Glasgow
Time is the fire in which we burn, Arc One Gallery, Melbourne

2008
One breath below consciousness, Breenspace, Sydney

2007
Glitering Shadows, The Studio, Glasgay Festival, Glasgow
Closer, Arc One Gallery, Melbourne
Off my noodle, Live Sites, Newcastle Region Art Gallery and Newcastle City Council, NSW

2006
Dark Bones, Citric Gallery, Brescia, Italy
The Seven Pleasures of Snow White, Sherman Galleries, Sydney

2005
There is nothing at the end of the rainbow, Arc One Gallery, Melbourne
Variations in a Serious Black Dress, Viewing Gallery, Sherman Galleries, Sydney
Orifices 2000–2004 and Looking for Felix 2000, Newcastle Region Art Gallery, NSW

2004–05
Variations in a Serious Black Dress, Canberra Contemporary Art Space, Canberra, travelling to
Hazelhurst Regional Gallery, Sydney; Port Macquarie Hastings Regional Gallery, NSW; Bathurst
Regional Art Gallery, NSW; Albury Regional Art Gallery, NSW; La Trobe Regional Gallery, VIC; Monash
University Art Museum, VIC

2004
Looking for Rover, Sherman Galleries, Sydney
Orifices 2000–04, The Esplanade – Theatres on the Bay, Singapore!

2003
Variations in a Serious Black Dress, Room 35, Gitte Weise Gallery, Sydney
Portrait of a young man returning a ladybird to the grass, Arc One Gallery, Melbourne

2002
Blue angels, Galeria Alejandro Sales, Barcelona
Mother is crying, Briefcase Project and Block, Sydney

2001
You make me feel like love, peace and happiness, Gallery 4A, Sydney
I am forever blowing bubbles, Room 35, Gitte Weise Gallery, Sydney
missing spain, Casula Powerhouse Arts Centre, Sydney
Enhance Systems and Orifices, Span Galleries, Melbourne
Jamón, La Capella, Barcelona

2000
Thin Wall PB-I, Artspace, Sydney
Coco, Rubyayre Gallery, Sydney
Sorry I just dropped my guts, The Lounge, Casula Powerhouse Arts Centre, Liverpool, Australia
Looking for felix, Firstdraft Gallery, Sydney

1999
WS-S#, Room 35, Gitte Weise Gallery, Sydney

Group exhibitions

2015
La Vida es Esto, Domus Artium 2002, Salamanca, Spain
21, Casula Power House Museum, Casula, NSW, Australia
Exhibition A, Lock-Up Gallery, curated by Carrie MIller, Newcastle, Australia
Obey!, curated by Paco Barragan, Centro Cultural Matucana 100, Chile
LOOP, Video Art Festival, in collaboration with Pinkcourtesyphone, Barcelona, Spain
Video Stage- Art Stage Singapore 2015, curated by Paul Greenaway, Singapore
Cementa 15, Kandos, NSW, Australia

2014
Adelaide Biennial, Gallery of South Australia
Your Nostalgia is Killing Me!, Gallery of Modern Art , Brisbane, Australia
One from none: the minimal aesthetic in art , Newcastle Art Gallery, Australia
Nervous Tension, curated by Anabelle Lacroix, Careof , Milan, Italy
Scanlines Remix, DLux Media, @ Brenda May Gallery, Sydney

2013
Fractions, PINTA Art Fair, video exhibition curated by Octavio Zaya, New York
Blake Prize of Religious Art, College of Fine Arts, Sydney
Videonale-14, Kunstmuseum Bonn, touring to Moscow during Moscow Biennal.
ECONOMY, CCA Glasgow, and Stills, Edinburgh, UK
From Madona to Madonna, DA2 , Salamanca, Spain
Marked, Cessnock Regional Art Gallery, Cessnock, NSW, Australia
DLUX Deluxe Editiions #1, Woolongong City Art Gallery, Rockhampton Art Gallery, Australia
OPEN 100, Artangel, UK
Fleurieu Art Prize, SA, Australia
Woollahra Small Sculpture Award, Sydney

2012
Summer Exhibition, Lausberg Gallery, Toronto
Silver 1987-2012, Wangaratta Art Gallery, VIC, Australia

2011
Group Show, Breenspace, Sydney
Lets the healing begin, IMA, Institute of Modern Art, Brisbane
INHABIT, Third floor, building 2, 92 White Post Lane, London
Art of the Ordinary, Arc One Gallery, Melbourne
Espiritu de Epoca, Una Decada de Pintura, MIAC, Lanzarote
Highly Strung, Peter Potter Gallery, Scotland
Found, Glen Eira City Council Gallery, Melbourne

2010
Social Documents: The Ethics of Encounter, Stills, Edinburgh
CinemaX; what I like to watch, MOCCA Toronto
100 YEARS: Highlights from the University of Queensland Art Collection, Brisbane
Vocal Thoughts, CACSA, Contemporary Art Center in SA, Adelaide
Cine the Barrio: La Velada de Santa Lucia, Maracaibo, Venezuela.
Hands On, Hazelhurst Regional Art Gallery, Sydney

2009
Non Age, Kunstalle Winterthur, Zurich
Runing Time: artist films in Scotland:1960 to now, Scottish Gallery of Modern Art, Edinburgh
Biennal de Lazarote: Energy, Crisis, Creation, MIAC, Lanzarote, Canary Islands
Où va la vidéo?, Kaunas In Art, Lituania; Tina B festival, Prague; Palazzo Ducale, Genova. A
project curated by Fondazione March
The University of Queensland National Artistsʼ Self-Portrait Prize 2009, UQM, Brisbane

2008
New, The University of Queensland Art Museum, Brisbane
50x50, Arc One Gallery, Melbourne
Jam, Peloton, Sydney
IDENTIDADES: Arte y sexos, Sala Astragal, Gijon, Spain
Festival SOS 4.8, Dept. of Culture Region Murcia, Spain
Gifts to the collection, Newcastle Region Art Gallery, Newcastle, Australia
Glasgow International, GI 2008, Glasgow
Australian, Casula Power House, Liverpool, Australia
Plastic Theory, Peloton, Sydney

2007
M.A.S.H Expanded Painting, coinciding with Miami Basel, Miami
Trouble with the weather, UTS Gallery, Sydney
Cornice Art Fair, Venice
He dominates all, Black Box, Puerto Rico

2006–07
Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle,
New South Wales, touring regional galleries in New South Wales, Victoria and Queensland

2006
Tomorrow Now, Foundation Bevilacqua Lamasa, Venice
The Projection Room, coinciding with the Liverpool Biennale, Liverpool
A manʼs world, Museum of Brisbane, Brisbane
Love Video 2006, Gallery Sad- Artunison-, Moscow
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Iondromo Film Competition, M+B studio, Venice
Goods to Declare: MFA International, Bezalel Art School, Tel Aviv
Celeste Art Prize, Goldsmiths University of London, The Old Truman Brewery, London
Marks and Comments, MFA degree show, Tramway, Glasgow and MoCa, Roskilde, Denmark
Gridlines, Newcastle Region Art Gallery, Newcastle, New South Wales
II Premio Internacional de Pintura de Castellón, Fundacion Astroc, Madrid
SCREAM Sounding Images, in collaboration with Diana Simpson, CalArts, Los Angeles

2005
POST, Residence Gallery, London and Castlefield Gallery, Manchester
II Premio Internacional de Pintura de Castellón, Espai, Castellon
Glad-Wrap-Up, Sherman Galleries, Sydney
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Academy Now!, sound collaborations with Diana Simpson and Vivian Barty-Taylor, Royal Scottish
Academy of Music and Drama, Glasgow
Good and Gruesome, CCA Student Lab Night, CCA, Glasgow
Arafura Craft Exchange, Museum and Art Gallery of the Northern Territory, Darwin
New Town Pasadena, in collaboration with Diana Simpson, Armory Center for the Arts, Pasadena, CA
Nuit Blanche, Paris

2004
One Of: Festivus 04, Sherman Galleries, Sydney
PistilsI Petals, Fundacio Espais Conteporanis, Girona

2003
Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
25 years of Mardi Gras, Tin Sheds Gallery, Sydney
Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra
The Canberra Contemporary Art Space and The Art Store Art Award 2003, CCAS, Canberra

2002
Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
Opening Show, Arc One Gallery, Melbourne
Ruin, Helen Lempriere National Sculpture Award, Melbourne
Dressing and Dreaming, Sherman Galleries Hargrave, Sydney
Archive of Dud Slides, Briefcase, Sydney

2001
Artful Park 2001, Museum of Contemporary Art, Sydney
1x1, Boutwell Draper Gallery, Sydney
Blue angels, Helen Lempriere National Sculpture Award, Melbourne
Interiors, Object Gallery, Sydney
Plastic by nature, Canberra Contemporary Art Space, Canberra
Ante, Sydney Gay & Lesbian Mardi Gras Festival, Imperial Slacks Gallery, Sydney

2000
Twothousand&99, Exhibition and Performance Space, College of Fine Arts, University of New South Wales, Sydney
Not quite right, Grey Matter Contemporary Art, Sydney
To exist (24), blue funghi, Grey Matter Contemporary Art, Sydney

1999
Three of a Kind, Gallery 19, Sydney

1998
Aula de Lletres, Barcelona, Spain

1997
What is love?, Toast II Gallery, Sydney
Fund-raising exhibition for the AIDS Trust of Australia

Grants and awards

2013
NSW Artist Grant
2011
Creative Scotland, professional development grant
2010
Residency at Stills Gallery, Edinburgh
New York Studio Residency for 2012, Australia Council for the Arts
2009
Gallery of Modern Art residency in conjunction with Gay Menʼs Health, Glasgow
2007
Newcastle Regional Gallery Residency, Newcastle
Australia Council for the Arts, New Work Grant- Established artist
Scottish Arts Council, New Work Grant
1999
Australia Council for the Arts, New Work Grant

Public collections

GoMA Brisbane, Australia
Art Gallery of South Australia, Adelaide, Australia MUSAC, Leon, Spain
MCA, Museum of Contemporary Art, Sydney, Australia
Careof, Milan, Italy
The University of Queensland Art Museum, Brisbane, Australia
Chartwell Collection, Auckland City Art Gallery, Auckland, New Zealand
University of Wollongong, New South Wales, Australia
Newcastle Regional Art Gallery, New South Wales, Australia
Penny Clive Collection, Detached Gallery, Tasmania, Australia
Art Bank, Sydney, Australia
Wangaratta Art Gallery, Victoria, Australia

Dani Marti
Born 1963 in Barcelona, Spain Education 2006 Master of Fine Arts, Glasgow School of Art 2000 Master of Arts, majoring in sculpture and installation, College of Fine Arts, University of New South Wales, Sydney 1991–1992 Fine Arts Course, Art Students League, New York 1990–1991 Diploma Fine Arts, Julian Ashton Art School, Sydney 1982–1988 MBA, Esade, Barcelona, Spain 1978–1979 Ramon Gomis, studies in tapestry technique, Barcelona, Spain Solo exhibitions 2015 Slow Show, Greenaway Art Gallery, Adelaide 2014 RUN, RUN, RUN , Arc One Gallery, Melbourne Surface Tension, Westfield Head Quaters, Sydney 2012 Against Day, Peloton Gallery , Sydney Mariposa (Butterfly), Breenspace, Sydney 2011 Book of miracles, Arc One Gallery, Melbourne And thatʼs it, Paul Greenaway Gallery, Adelaide TOUCH; The portraiture of Dani Marti, Newcastle Art Gallery, Australia! ! 2010 Baconʼs Dog, Breenspace, Sydney 2009 Insideout, off site venue: 4 Parnie street, GoMA and Glasggay, Glasgow Time is the fire in which we burn, Arc One Gallery, Melbourne 2008 One breath below consciousness, Breenspace, Sydney 2007 Glitering Shadows, The Studio, Glasgay Festival, Glasgow Closer, Arc One Gallery, Melbourne Off my noodle, Live Sites, Newcastle Region Art Gallery and Newcastle City Council, NSW 2006 Dark Bones, Citric Gallery, Brescia, Italy The Seven Pleasures of Snow White, Sherman Galleries, Sydney 2005 There is nothing at the end of the rainbow, Arc One Gallery, Melbourne Variations in a Serious Black Dress, Viewing Gallery, Sherman Galleries, Sydney Orifices 2000–2004 and Looking for Felix 2000, Newcastle Region Art Gallery, NSW 2004–05 Variations in a Serious Black Dress, Canberra Contemporary Art Space, Canberra, travelling to Hazelhurst Regional Gallery, Sydney; Port Macquarie Hastings Regional Gallery, NSW; Bathurst Regional Art Gallery, NSW; Albury Regional Art Gallery, NSW; La Trobe Regional Gallery, VIC; Monash University Art Museum, VIC 2004 Looking for Rover, Sherman Galleries, Sydney Orifices 2000–04, The Esplanade – Theatres on the Bay, Singapore! 2003 Variations in a Serious Black Dress, Room 35, Gitte Weise Gallery, Sydney Portrait of a young man returning a ladybird to the grass, Arc One Gallery, Melbourne 2002 Blue angels, Galeria Alejandro Sales, Barcelona Mother is crying, Briefcase Project and Block, Sydney 2001 You make me feel like love, peace and happiness, Gallery 4A, Sydney I am forever blowing bubbles, Room 35, Gitte Weise Gallery, Sydney missing spain, Casula Powerhouse Arts Centre, Sydney Enhance Systems and Orifices, Span Galleries, Melbourne Jamón, La Capella, Barcelona 2000 Thin Wall PB-I, Artspace, Sydney Coco, Rubyayre Gallery, Sydney Sorry I just dropped my guts, The Lounge, Casula Powerhouse Arts Centre, Liverpool, Australia Looking for felix, Firstdraft Gallery, Sydney 1999 WS-S#, Room 35, Gitte Weise Gallery, Sydney Group exhibitions 2015 La Vida es Esto, Domus Artium 2002, Salamanca, Spain 21, Casula Power House Museum, Casula, NSW, Australia Exhibition A, Lock-Up Gallery, curated by Carrie MIller, Newcastle, Australia Obey!, curated by Paco Barragan, Centro Cultural Matucana 100, Chile LOOP, Video Art Festival, in collaboration with Pinkcourtesyphone, Barcelona, Spain Video Stage- Art Stage Singapore 2015, curated by Paul Greenaway, Singapore Cementa 15, Kandos, NSW, Australia 2014 Adelaide Biennial, Gallery of South Australia Your Nostalgia is Killing Me!, Gallery of Modern Art , Brisbane, Australia One from none: the minimal aesthetic in art , Newcastle Art Gallery, Australia Nervous Tension, curated by Anabelle Lacroix, Careof , Milan, Italy Scanlines Remix, DLux Media, @ Brenda May Gallery, Sydney 2013 Fractions, PINTA Art Fair, video exhibition curated by Octavio Zaya, New York Blake Prize of Religious Art, College of Fine Arts, Sydney Videonale-14, Kunstmuseum Bonn, touring to Moscow during Moscow Biennal. ECONOMY, CCA Glasgow, and Stills, Edinburgh, UK From Madona to Madonna, DA2 , Salamanca, Spain Marked, Cessnock Regional Art Gallery, Cessnock, NSW, Australia DLUX Deluxe Editiions #1, Woolongong City Art Gallery, Rockhampton Art Gallery, Australia OPEN 100, Artangel, UK Fleurieu Art Prize, SA, Australia Woollahra Small Sculpture Award, Sydney 2012 Summer Exhibition, Lausberg Gallery, Toronto Silver 1987-2012, Wangaratta Art Gallery, VIC, Australia 2011 Group Show, Breenspace, Sydney Lets the healing begin, IMA, Institute of Modern Art, Brisbane INHABIT, Third floor, building 2, 92 White Post Lane, London Art of the Ordinary, Arc One Gallery, Melbourne Espiritu de Epoca, Una Decada de Pintura, MIAC, Lanzarote Highly Strung, Peter Potter Gallery, Scotland Found, Glen Eira City Council Gallery, Melbourne 2010 Social Documents: The Ethics of Encounter, Stills, Edinburgh CinemaX; what I like to watch, MOCCA Toronto 100 YEARS: Highlights from the University of Queensland Art Collection, Brisbane Vocal Thoughts, CACSA, Contemporary Art Center in SA, Adelaide Cine the Barrio: La Velada de Santa Lucia, Maracaibo, Venezuela. Hands On, Hazelhurst Regional Art Gallery, Sydney 2009 Non Age, Kunstalle Winterthur, Zurich Runing Time: artist films in Scotland:1960 to now, Scottish Gallery of Modern Art, Edinburgh Biennal de Lazarote: Energy, Crisis, Creation, MIAC, Lanzarote, Canary Islands Où va la vidéo?, Kaunas In Art, Lituania; Tina B festival, Prague; Palazzo Ducale, Genova. A project curated by Fondazione March The University of Queensland National Artistsʼ Self-Portrait Prize 2009, UQM, Brisbane 2008 New, The University of Queensland Art Museum, Brisbane 50x50, Arc One Gallery, Melbourne Jam, Peloton, Sydney IDENTIDADES: Arte y sexos, Sala Astragal, Gijon, Spain Festival SOS 4.8, Dept. of Culture Region Murcia, Spain Gifts to the collection, Newcastle Region Art Gallery, Newcastle, Australia Glasgow International, GI 2008, Glasgow Australian, Casula Power House, Liverpool, Australia Plastic Theory, Peloton, Sydney 2007 M.A.S.H Expanded Painting, coinciding with Miami Basel, Miami Trouble with the weather, UTS Gallery, Sydney Cornice Art Fair, Venice He dominates all, Black Box, Puerto Rico 2006–07 Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle, New South Wales, touring regional galleries in New South Wales, Victoria and Queensland 2006 Tomorrow Now, Foundation Bevilacqua Lamasa, Venice The Projection Room, coinciding with the Liverpool Biennale, Liverpool A manʼs world, Museum of Brisbane, Brisbane Love Video 2006, Gallery Sad- Artunison-, Moscow VAD Festival Internacional de Vídeo i Arts Digitals, Girona Iondromo Film Competition, M+B studio, Venice Goods to Declare: MFA International, Bezalel Art School, Tel Aviv Celeste Art Prize, Goldsmiths University of London, The Old Truman Brewery, London Marks and Comments, MFA degree show, Tramway, Glasgow and MoCa, Roskilde, Denmark Gridlines, Newcastle Region Art Gallery, Newcastle, New South Wales II Premio Internacional de Pintura de Castellón, Fundacion Astroc, Madrid SCREAM Sounding Images, in collaboration with Diana Simpson, CalArts, Los Angeles 2005 POST, Residence Gallery, London and Castlefield Gallery, Manchester II Premio Internacional de Pintura de Castellón, Espai, Castellon Glad-Wrap-Up, Sherman Galleries, Sydney VAD Festival Internacional de Vídeo i Arts Digitals, Girona Academy Now!, sound collaborations with Diana Simpson and Vivian Barty-Taylor, Royal Scottish Academy of Music and Drama, Glasgow Good and Gruesome, CCA Student Lab Night, CCA, Glasgow Arafura Craft Exchange, Museum and Art Gallery of the Northern Territory, Darwin New Town Pasadena, in collaboration with Diana Simpson, Armory Center for the Arts, Pasadena, CA Nuit Blanche, Paris 2004 One Of: Festivus 04, Sherman Galleries, Sydney PistilsI Petals, Fundacio Espais Conteporanis, Girona 2003 Festivus, Sherman Galleries, Sydney Summer Show, Arc One Gallery, Melbourne 25 years of Mardi Gras, Tin Sheds Gallery, Sydney Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra The Canberra Contemporary Art Space and The Art Store Art Award 2003, CCAS, Canberra 2002 Festivus, Sherman Galleries, Sydney Summer Show, Arc One Gallery, Melbourne Opening Show, Arc One Gallery, Melbourne Ruin, Helen Lempriere National Sculpture Award, Melbourne Dressing and Dreaming, Sherman Galleries Hargrave, Sydney Archive of Dud Slides, Briefcase, Sydney 2001 Artful Park 2001, Museum of Contemporary Art, Sydney 1x1, Boutwell Draper Gallery, Sydney Blue angels, Helen Lempriere National Sculpture Award, Melbourne Interiors, Object Gallery, Sydney Plastic by nature, Canberra Contemporary Art Space, Canberra Ante, Sydney Gay & Lesbian Mardi Gras Festival, Imperial Slacks Gallery, Sydney 2000 Twothousand&99, Exhibition and Performance Space, College of Fine Arts, University of New South Wales, Sydney Not quite right, Grey Matter Contemporary Art, Sydney To exist (24), blue funghi, Grey Matter Contemporary Art, Sydney 1999 Three of a Kind, Gallery 19, Sydney 1998 Aula de Lletres, Barcelona, Spain 1997 What is love?, Toast II Gallery, Sydney Fund-raising exhibition for the AIDS Trust of Australia Grants and awards 2013 NSW Artist Grant 2011 Creative Scotland, professional development grant 2010 Residency at Stills Gallery, Edinburgh New York Studio Residency for 2012, Australia Council for the Arts 2009 Gallery of Modern Art residency in conjunction with Gay Menʼs Health, Glasgow 2007 Newcastle Regional Gallery Residency, Newcastle Australia Council for the Arts, New Work Grant- Established artist Scottish Arts Council, New Work Grant 1999 Australia Council for the Arts, New Work Grant Public collections GoMA Brisbane, Australia Art Gallery of South Australia, Adelaide, Australia MUSAC, Leon, Spain MCA, Museum of Contemporary Art, Sydney, Australia Careof, Milan, Italy The University of Queensland Art Museum, Brisbane, Australia Chartwell Collection, Auckland City Art Gallery, Auckland, New Zealand University of Wollongong, New South Wales, Australia Newcastle Regional Art Gallery, New South Wales, Australia Penny Clive Collection, Detached Gallery, Tasmania, Australia Art Bank, Sydney, Australia Wangaratta Art Gallery, Victoria, Australia

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