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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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Dani Marti

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

Born 1963 in Barcelona, Spain

Education

2006 Master of Fine Arts, Glasgow School of Art
2000 Master of Arts, majoring in sculpture and installation, College of Fine Arts, University of New South Wales, Sydney
1991–1992 Fine Arts Course, Art Students League, New York
1990–1991 Diploma Fine Arts, Julian Ashton Art School, Sydney
1982–1988 MBA, Esade, Barcelona, Spain
1978–1979 Ramon Gomis, studies in tapestry technique, Barcelona, Spain

Solo exhibitions

2015
Slow Show, Greenaway Art Gallery, Adelaide

2014
RUN, RUN, RUN , Arc One Gallery, Melbourne
Surface Tension, Westfield Head Quaters, Sydney

2012
Against Day, Peloton Gallery , Sydney
Mariposa (Butterfly), Breenspace, Sydney

2011
Book of miracles, Arc One Gallery, Melbourne
And thatʼs it, Paul Greenaway Gallery, Adelaide
TOUCH; The portraiture of Dani Marti, Newcastle Art Gallery, Australia! !

2010
Baconʼs Dog, Breenspace, Sydney

2009
Insideout, off site venue: 4 Parnie street, GoMA and Glasggay, Glasgow
Time is the fire in which we burn, Arc One Gallery, Melbourne

2008
One breath below consciousness, Breenspace, Sydney

2007
Glitering Shadows, The Studio, Glasgay Festival, Glasgow
Closer, Arc One Gallery, Melbourne
Off my noodle, Live Sites, Newcastle Region Art Gallery and Newcastle City Council, NSW

2006
Dark Bones, Citric Gallery, Brescia, Italy
The Seven Pleasures of Snow White, Sherman Galleries, Sydney

2005
There is nothing at the end of the rainbow, Arc One Gallery, Melbourne
Variations in a Serious Black Dress, Viewing Gallery, Sherman Galleries, Sydney
Orifices 2000–2004 and Looking for Felix 2000, Newcastle Region Art Gallery, NSW

2004–05
Variations in a Serious Black Dress, Canberra Contemporary Art Space, Canberra, travelling to
Hazelhurst Regional Gallery, Sydney; Port Macquarie Hastings Regional Gallery, NSW; Bathurst
Regional Art Gallery, NSW; Albury Regional Art Gallery, NSW; La Trobe Regional Gallery, VIC; Monash
University Art Museum, VIC

2004
Looking for Rover, Sherman Galleries, Sydney
Orifices 2000–04, The Esplanade – Theatres on the Bay, Singapore!

2003
Variations in a Serious Black Dress, Room 35, Gitte Weise Gallery, Sydney
Portrait of a young man returning a ladybird to the grass, Arc One Gallery, Melbourne

2002
Blue angels, Galeria Alejandro Sales, Barcelona
Mother is crying, Briefcase Project and Block, Sydney

2001
You make me feel like love, peace and happiness, Gallery 4A, Sydney
I am forever blowing bubbles, Room 35, Gitte Weise Gallery, Sydney
missing spain, Casula Powerhouse Arts Centre, Sydney
Enhance Systems and Orifices, Span Galleries, Melbourne
Jamón, La Capella, Barcelona

2000
Thin Wall PB-I, Artspace, Sydney
Coco, Rubyayre Gallery, Sydney
Sorry I just dropped my guts, The Lounge, Casula Powerhouse Arts Centre, Liverpool, Australia
Looking for felix, Firstdraft Gallery, Sydney

1999
WS-S#, Room 35, Gitte Weise Gallery, Sydney

Group exhibitions

2015
La Vida es Esto, Domus Artium 2002, Salamanca, Spain
21, Casula Power House Museum, Casula, NSW, Australia
Exhibition A, Lock-Up Gallery, curated by Carrie MIller, Newcastle, Australia
Obey!, curated by Paco Barragan, Centro Cultural Matucana 100, Chile
LOOP, Video Art Festival, in collaboration with Pinkcourtesyphone, Barcelona, Spain
Video Stage- Art Stage Singapore 2015, curated by Paul Greenaway, Singapore
Cementa 15, Kandos, NSW, Australia

2014
Adelaide Biennial, Gallery of South Australia
Your Nostalgia is Killing Me!, Gallery of Modern Art , Brisbane, Australia
One from none: the minimal aesthetic in art , Newcastle Art Gallery, Australia
Nervous Tension, curated by Anabelle Lacroix, Careof , Milan, Italy
Scanlines Remix, DLux Media, @ Brenda May Gallery, Sydney

2013
Fractions, PINTA Art Fair, video exhibition curated by Octavio Zaya, New York
Blake Prize of Religious Art, College of Fine Arts, Sydney
Videonale-14, Kunstmuseum Bonn, touring to Moscow during Moscow Biennal.
ECONOMY, CCA Glasgow, and Stills, Edinburgh, UK
From Madona to Madonna, DA2 , Salamanca, Spain
Marked, Cessnock Regional Art Gallery, Cessnock, NSW, Australia
DLUX Deluxe Editiions #1, Woolongong City Art Gallery, Rockhampton Art Gallery, Australia
OPEN 100, Artangel, UK
Fleurieu Art Prize, SA, Australia
Woollahra Small Sculpture Award, Sydney

2012
Summer Exhibition, Lausberg Gallery, Toronto
Silver 1987-2012, Wangaratta Art Gallery, VIC, Australia

2011
Group Show, Breenspace, Sydney
Lets the healing begin, IMA, Institute of Modern Art, Brisbane
INHABIT, Third floor, building 2, 92 White Post Lane, London
Art of the Ordinary, Arc One Gallery, Melbourne
Espiritu de Epoca, Una Decada de Pintura, MIAC, Lanzarote
Highly Strung, Peter Potter Gallery, Scotland
Found, Glen Eira City Council Gallery, Melbourne

2010
Social Documents: The Ethics of Encounter, Stills, Edinburgh
CinemaX; what I like to watch, MOCCA Toronto
100 YEARS: Highlights from the University of Queensland Art Collection, Brisbane
Vocal Thoughts, CACSA, Contemporary Art Center in SA, Adelaide
Cine the Barrio: La Velada de Santa Lucia, Maracaibo, Venezuela.
Hands On, Hazelhurst Regional Art Gallery, Sydney

2009
Non Age, Kunstalle Winterthur, Zurich
Runing Time: artist films in Scotland:1960 to now, Scottish Gallery of Modern Art, Edinburgh
Biennal de Lazarote: Energy, Crisis, Creation, MIAC, Lanzarote, Canary Islands
Où va la vidéo?, Kaunas In Art, Lituania; Tina B festival, Prague; Palazzo Ducale, Genova. A
project curated by Fondazione March
The University of Queensland National Artistsʼ Self-Portrait Prize 2009, UQM, Brisbane

2008
New, The University of Queensland Art Museum, Brisbane
50x50, Arc One Gallery, Melbourne
Jam, Peloton, Sydney
IDENTIDADES: Arte y sexos, Sala Astragal, Gijon, Spain
Festival SOS 4.8, Dept. of Culture Region Murcia, Spain
Gifts to the collection, Newcastle Region Art Gallery, Newcastle, Australia
Glasgow International, GI 2008, Glasgow
Australian, Casula Power House, Liverpool, Australia
Plastic Theory, Peloton, Sydney

2007
M.A.S.H Expanded Painting, coinciding with Miami Basel, Miami
Trouble with the weather, UTS Gallery, Sydney
Cornice Art Fair, Venice
He dominates all, Black Box, Puerto Rico

2006–07
Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle,
New South Wales, touring regional galleries in New South Wales, Victoria and Queensland

2006
Tomorrow Now, Foundation Bevilacqua Lamasa, Venice
The Projection Room, coinciding with the Liverpool Biennale, Liverpool
A manʼs world, Museum of Brisbane, Brisbane
Love Video 2006, Gallery Sad- Artunison-, Moscow
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Iondromo Film Competition, M+B studio, Venice
Goods to Declare: MFA International, Bezalel Art School, Tel Aviv
Celeste Art Prize, Goldsmiths University of London, The Old Truman Brewery, London
Marks and Comments, MFA degree show, Tramway, Glasgow and MoCa, Roskilde, Denmark
Gridlines, Newcastle Region Art Gallery, Newcastle, New South Wales
II Premio Internacional de Pintura de Castellón, Fundacion Astroc, Madrid
SCREAM Sounding Images, in collaboration with Diana Simpson, CalArts, Los Angeles

2005
POST, Residence Gallery, London and Castlefield Gallery, Manchester
II Premio Internacional de Pintura de Castellón, Espai, Castellon
Glad-Wrap-Up, Sherman Galleries, Sydney
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Academy Now!, sound collaborations with Diana Simpson and Vivian Barty-Taylor, Royal Scottish
Academy of Music and Drama, Glasgow
Good and Gruesome, CCA Student Lab Night, CCA, Glasgow
Arafura Craft Exchange, Museum and Art Gallery of the Northern Territory, Darwin
New Town Pasadena, in collaboration with Diana Simpson, Armory Center for the Arts, Pasadena, CA
Nuit Blanche, Paris

2004
One Of: Festivus 04, Sherman Galleries, Sydney
PistilsI Petals, Fundacio Espais Conteporanis, Girona

2003
Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
25 years of Mardi Gras, Tin Sheds Gallery, Sydney
Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra
The Canberra Contemporary Art Space and The Art Store Art Award 2003, CCAS, Canberra

2002
Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
Opening Show, Arc One Gallery, Melbourne
Ruin, Helen Lempriere National Sculpture Award, Melbourne
Dressing and Dreaming, Sherman Galleries Hargrave, Sydney
Archive of Dud Slides, Briefcase, Sydney

2001
Artful Park 2001, Museum of Contemporary Art, Sydney
1x1, Boutwell Draper Gallery, Sydney
Blue angels, Helen Lempriere National Sculpture Award, Melbourne
Interiors, Object Gallery, Sydney
Plastic by nature, Canberra Contemporary Art Space, Canberra
Ante, Sydney Gay & Lesbian Mardi Gras Festival, Imperial Slacks Gallery, Sydney

2000
Twothousand&99, Exhibition and Performance Space, College of Fine Arts, University of New South Wales, Sydney
Not quite right, Grey Matter Contemporary Art, Sydney
To exist (24), blue funghi, Grey Matter Contemporary Art, Sydney

1999
Three of a Kind, Gallery 19, Sydney

1998
Aula de Lletres, Barcelona, Spain

1997
What is love?, Toast II Gallery, Sydney
Fund-raising exhibition for the AIDS Trust of Australia

Grants and awards

2013
NSW Artist Grant
2011
Creative Scotland, professional development grant
2010
Residency at Stills Gallery, Edinburgh
New York Studio Residency for 2012, Australia Council for the Arts
2009
Gallery of Modern Art residency in conjunction with Gay Menʼs Health, Glasgow
2007
Newcastle Regional Gallery Residency, Newcastle
Australia Council for the Arts, New Work Grant- Established artist
Scottish Arts Council, New Work Grant
1999
Australia Council for the Arts, New Work Grant

Public collections

GoMA Brisbane, Australia
Art Gallery of South Australia, Adelaide, Australia MUSAC, Leon, Spain
MCA, Museum of Contemporary Art, Sydney, Australia
Careof, Milan, Italy
The University of Queensland Art Museum, Brisbane, Australia
Chartwell Collection, Auckland City Art Gallery, Auckland, New Zealand
University of Wollongong, New South Wales, Australia
Newcastle Regional Art Gallery, New South Wales, Australia
Penny Clive Collection, Detached Gallery, Tasmania, Australia
Art Bank, Sydney, Australia
Wangaratta Art Gallery, Victoria, Australia

Dani Marti
Born 1963 in Barcelona, Spain Education 2006 Master of Fine Arts, Glasgow School of Art 2000 Master of Arts, majoring in sculpture and installation, College of Fine Arts, University of New South Wales, Sydney 1991–1992 Fine Arts Course, Art Students League, New York 1990–1991 Diploma Fine Arts, Julian Ashton Art School, Sydney 1982–1988 MBA, Esade, Barcelona, Spain 1978–1979 Ramon Gomis, studies in tapestry technique, Barcelona, Spain Solo exhibitions 2015 Slow Show, Greenaway Art Gallery, Adelaide 2014 RUN, RUN, RUN , Arc One Gallery, Melbourne Surface Tension, Westfield Head Quaters, Sydney 2012 Against Day, Peloton Gallery , Sydney Mariposa (Butterfly), Breenspace, Sydney 2011 Book of miracles, Arc One Gallery, Melbourne And thatʼs it, Paul Greenaway Gallery, Adelaide TOUCH; The portraiture of Dani Marti, Newcastle Art Gallery, Australia! ! 2010 Baconʼs Dog, Breenspace, Sydney 2009 Insideout, off site venue: 4 Parnie street, GoMA and Glasggay, Glasgow Time is the fire in which we burn, Arc One Gallery, Melbourne 2008 One breath below consciousness, Breenspace, Sydney 2007 Glitering Shadows, The Studio, Glasgay Festival, Glasgow Closer, Arc One Gallery, Melbourne Off my noodle, Live Sites, Newcastle Region Art Gallery and Newcastle City Council, NSW 2006 Dark Bones, Citric Gallery, Brescia, Italy The Seven Pleasures of Snow White, Sherman Galleries, Sydney 2005 There is nothing at the end of the rainbow, Arc One Gallery, Melbourne Variations in a Serious Black Dress, Viewing Gallery, Sherman Galleries, Sydney Orifices 2000–2004 and Looking for Felix 2000, Newcastle Region Art Gallery, NSW 2004–05 Variations in a Serious Black Dress, Canberra Contemporary Art Space, Canberra, travelling to Hazelhurst Regional Gallery, Sydney; Port Macquarie Hastings Regional Gallery, NSW; Bathurst Regional Art Gallery, NSW; Albury Regional Art Gallery, NSW; La Trobe Regional Gallery, VIC; Monash University Art Museum, VIC 2004 Looking for Rover, Sherman Galleries, Sydney Orifices 2000–04, The Esplanade – Theatres on the Bay, Singapore! 2003 Variations in a Serious Black Dress, Room 35, Gitte Weise Gallery, Sydney Portrait of a young man returning a ladybird to the grass, Arc One Gallery, Melbourne 2002 Blue angels, Galeria Alejandro Sales, Barcelona Mother is crying, Briefcase Project and Block, Sydney 2001 You make me feel like love, peace and happiness, Gallery 4A, Sydney I am forever blowing bubbles, Room 35, Gitte Weise Gallery, Sydney missing spain, Casula Powerhouse Arts Centre, Sydney Enhance Systems and Orifices, Span Galleries, Melbourne Jamón, La Capella, Barcelona 2000 Thin Wall PB-I, Artspace, Sydney Coco, Rubyayre Gallery, Sydney Sorry I just dropped my guts, The Lounge, Casula Powerhouse Arts Centre, Liverpool, Australia Looking for felix, Firstdraft Gallery, Sydney 1999 WS-S#, Room 35, Gitte Weise Gallery, Sydney Group exhibitions 2015 La Vida es Esto, Domus Artium 2002, Salamanca, Spain 21, Casula Power House Museum, Casula, NSW, Australia Exhibition A, Lock-Up Gallery, curated by Carrie MIller, Newcastle, Australia Obey!, curated by Paco Barragan, Centro Cultural Matucana 100, Chile LOOP, Video Art Festival, in collaboration with Pinkcourtesyphone, Barcelona, Spain Video Stage- Art Stage Singapore 2015, curated by Paul Greenaway, Singapore Cementa 15, Kandos, NSW, Australia 2014 Adelaide Biennial, Gallery of South Australia Your Nostalgia is Killing Me!, Gallery of Modern Art , Brisbane, Australia One from none: the minimal aesthetic in art , Newcastle Art Gallery, Australia Nervous Tension, curated by Anabelle Lacroix, Careof , Milan, Italy Scanlines Remix, DLux Media, @ Brenda May Gallery, Sydney 2013 Fractions, PINTA Art Fair, video exhibition curated by Octavio Zaya, New York Blake Prize of Religious Art, College of Fine Arts, Sydney Videonale-14, Kunstmuseum Bonn, touring to Moscow during Moscow Biennal. ECONOMY, CCA Glasgow, and Stills, Edinburgh, UK From Madona to Madonna, DA2 , Salamanca, Spain Marked, Cessnock Regional Art Gallery, Cessnock, NSW, Australia DLUX Deluxe Editiions #1, Woolongong City Art Gallery, Rockhampton Art Gallery, Australia OPEN 100, Artangel, UK Fleurieu Art Prize, SA, Australia Woollahra Small Sculpture Award, Sydney 2012 Summer Exhibition, Lausberg Gallery, Toronto Silver 1987-2012, Wangaratta Art Gallery, VIC, Australia 2011 Group Show, Breenspace, Sydney Lets the healing begin, IMA, Institute of Modern Art, Brisbane INHABIT, Third floor, building 2, 92 White Post Lane, London Art of the Ordinary, Arc One Gallery, Melbourne Espiritu de Epoca, Una Decada de Pintura, MIAC, Lanzarote Highly Strung, Peter Potter Gallery, Scotland Found, Glen Eira City Council Gallery, Melbourne 2010 Social Documents: The Ethics of Encounter, Stills, Edinburgh CinemaX; what I like to watch, MOCCA Toronto 100 YEARS: Highlights from the University of Queensland Art Collection, Brisbane Vocal Thoughts, CACSA, Contemporary Art Center in SA, Adelaide Cine the Barrio: La Velada de Santa Lucia, Maracaibo, Venezuela. Hands On, Hazelhurst Regional Art Gallery, Sydney 2009 Non Age, Kunstalle Winterthur, Zurich Runing Time: artist films in Scotland:1960 to now, Scottish Gallery of Modern Art, Edinburgh Biennal de Lazarote: Energy, Crisis, Creation, MIAC, Lanzarote, Canary Islands Où va la vidéo?, Kaunas In Art, Lituania; Tina B festival, Prague; Palazzo Ducale, Genova. A project curated by Fondazione March The University of Queensland National Artistsʼ Self-Portrait Prize 2009, UQM, Brisbane 2008 New, The University of Queensland Art Museum, Brisbane 50x50, Arc One Gallery, Melbourne Jam, Peloton, Sydney IDENTIDADES: Arte y sexos, Sala Astragal, Gijon, Spain Festival SOS 4.8, Dept. of Culture Region Murcia, Spain Gifts to the collection, Newcastle Region Art Gallery, Newcastle, Australia Glasgow International, GI 2008, Glasgow Australian, Casula Power House, Liverpool, Australia Plastic Theory, Peloton, Sydney 2007 M.A.S.H Expanded Painting, coinciding with Miami Basel, Miami Trouble with the weather, UTS Gallery, Sydney Cornice Art Fair, Venice He dominates all, Black Box, Puerto Rico 2006–07 Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle, New South Wales, touring regional galleries in New South Wales, Victoria and Queensland 2006 Tomorrow Now, Foundation Bevilacqua Lamasa, Venice The Projection Room, coinciding with the Liverpool Biennale, Liverpool A manʼs world, Museum of Brisbane, Brisbane Love Video 2006, Gallery Sad- Artunison-, Moscow VAD Festival Internacional de Vídeo i Arts Digitals, Girona Iondromo Film Competition, M+B studio, Venice Goods to Declare: MFA International, Bezalel Art School, Tel Aviv Celeste Art Prize, Goldsmiths University of London, The Old Truman Brewery, London Marks and Comments, MFA degree show, Tramway, Glasgow and MoCa, Roskilde, Denmark Gridlines, Newcastle Region Art Gallery, Newcastle, New South Wales II Premio Internacional de Pintura de Castellón, Fundacion Astroc, Madrid SCREAM Sounding Images, in collaboration with Diana Simpson, CalArts, Los Angeles 2005 POST, Residence Gallery, London and Castlefield Gallery, Manchester II Premio Internacional de Pintura de Castellón, Espai, Castellon Glad-Wrap-Up, Sherman Galleries, Sydney VAD Festival Internacional de Vídeo i Arts Digitals, Girona Academy Now!, sound collaborations with Diana Simpson and Vivian Barty-Taylor, Royal Scottish Academy of Music and Drama, Glasgow Good and Gruesome, CCA Student Lab Night, CCA, Glasgow Arafura Craft Exchange, Museum and Art Gallery of the Northern Territory, Darwin New Town Pasadena, in collaboration with Diana Simpson, Armory Center for the Arts, Pasadena, CA Nuit Blanche, Paris 2004 One Of: Festivus 04, Sherman Galleries, Sydney PistilsI Petals, Fundacio Espais Conteporanis, Girona 2003 Festivus, Sherman Galleries, Sydney Summer Show, Arc One Gallery, Melbourne 25 years of Mardi Gras, Tin Sheds Gallery, Sydney Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra The Canberra Contemporary Art Space and The Art Store Art Award 2003, CCAS, Canberra 2002 Festivus, Sherman Galleries, Sydney Summer Show, Arc One Gallery, Melbourne Opening Show, Arc One Gallery, Melbourne Ruin, Helen Lempriere National Sculpture Award, Melbourne Dressing and Dreaming, Sherman Galleries Hargrave, Sydney Archive of Dud Slides, Briefcase, Sydney 2001 Artful Park 2001, Museum of Contemporary Art, Sydney 1x1, Boutwell Draper Gallery, Sydney Blue angels, Helen Lempriere National Sculpture Award, Melbourne Interiors, Object Gallery, Sydney Plastic by nature, Canberra Contemporary Art Space, Canberra Ante, Sydney Gay & Lesbian Mardi Gras Festival, Imperial Slacks Gallery, Sydney 2000 Twothousand&99, Exhibition and Performance Space, College of Fine Arts, University of New South Wales, Sydney Not quite right, Grey Matter Contemporary Art, Sydney To exist (24), blue funghi, Grey Matter Contemporary Art, Sydney 1999 Three of a Kind, Gallery 19, Sydney 1998 Aula de Lletres, Barcelona, Spain 1997 What is love?, Toast II Gallery, Sydney Fund-raising exhibition for the AIDS Trust of Australia Grants and awards 2013 NSW Artist Grant 2011 Creative Scotland, professional development grant 2010 Residency at Stills Gallery, Edinburgh New York Studio Residency for 2012, Australia Council for the Arts 2009 Gallery of Modern Art residency in conjunction with Gay Menʼs Health, Glasgow 2007 Newcastle Regional Gallery Residency, Newcastle Australia Council for the Arts, New Work Grant- Established artist Scottish Arts Council, New Work Grant 1999 Australia Council for the Arts, New Work Grant Public collections GoMA Brisbane, Australia Art Gallery of South Australia, Adelaide, Australia MUSAC, Leon, Spain MCA, Museum of Contemporary Art, Sydney, Australia Careof, Milan, Italy The University of Queensland Art Museum, Brisbane, Australia Chartwell Collection, Auckland City Art Gallery, Auckland, New Zealand University of Wollongong, New South Wales, Australia Newcastle Regional Art Gallery, New South Wales, Australia Penny Clive Collection, Detached Gallery, Tasmania, Australia Art Bank, Sydney, Australia Wangaratta Art Gallery, Victoria, Australia

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