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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Erik Fleischauer

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

*1977 in Buffalo, New York USA, lives in Chicago USA

Education

2008 University of Illinois at Chicago, School of Art and Design, MFA in Studio Arts; The Moving Image
2000 State University of New York College at Fredonia, B.S. in Communication, Specialization in Video Production, Minor in Political Science

Solo exhibitions + screenings

2015
Walking Home Backwards: Moving Image work by Eric Fleischauer, The Visual Studies Workshop, Rochester NY

2013
Eric Fleischauer for Trunk Show, Trunk Show, Chicago IL

2012
In Circulation DOCUMENT Chicago IL
Backwards Compatible Harper College Art Gallery, Palatine, IL

2010
POST-CURSOR Threewalls, Chicago IL

2008
Drive By: D R I F T (collaboration with Jesse McLean) Jackman Goldwasser Catwalk Gallery, Hyde Park Art Center, Chicago

Group exhibitions

2015
On/Off: Virtual Art in Real Life Art Association of Jackson Hole, Jackson WY, curated by Thomas Macker
Zoom Out: Reflecting on the Digital Environment Waubonsee Community College
Arrowhead Gallery, Sugar Grove IL, curated by Cecilia L. Vargas
PRTY PPL Circuit 12 Contemporary, Dallas TX, curated by Josh Reams
Welcome to My Homepage Antenna Gallery, New Orleans, curated by Amanda Cassingham-Bardwell

2014
EXPO VIDEO EXPO Chicago 2014, curated by Astria Suparak
Discarded: The Afterlife of Everyday Electronics The Arcade Gallery, Chicago IL, curated by Kristen Kula

2013
A Modest Occupation Luminary Ctr for the Arts, St. Louis MO, curated by Abby Satinsky
Point of Departure Arcade Gallery, Columbia College Chicago, curated by Amy Zahi
Visitation Rites The Franklin, Chicago IL, curated by Chris Smith

2012
Moving The Still Miami Art Basel, curated by Johnny Misheff for Paddle8 + Tumblr
Gif Shop Courtney Blades, Chicago IL
You Complete Me DeVos Art Museum, Northern Michigan Univ. Marquette, MI
Circa 1970 Heaven Gallery, Chicago IL, curated by Alma Wieser
Society of the Spectacular Co-Prosperity Sphere, Chicago IL, curated by Jake Myers

2011
Archival Impulse Gallery 400, Chicago IL, curated by Lorelei Stewart
BYOB CHICAGO Museum of Contemporary Art, Chicago IL
File Type Gallery 400, UIC, curated by Chaz Evans + Lorelei Stewart
Hang In There Co-Prosperity Sphere Chicago IL, curated by Jason Lazarus
Grand Ideas Courtney Blades, Chicago IL
TWEEN Octagon Gallery, Chicago IL, curated by Jake Myers + Chris Smith
BYOB CHICAGO Kunsthal New, Chicago IL
Life in a Peaceful New World Interstate Projects, New York NY

2010
You Are Looking At Art About Looking At Art Noble & Superior Projects, Chicago IL
Show IV MMX Open Art Space, Berlin
ALPHABETIZATION Noble & Superior Projects, Chicago IL
Remember 2010? The Gallery Space, thegalleryspace.tumblr.com
Minimumixam Pentagon Gallery, Chicago IL

2009
The Yield Heaven Gallery, Chicago IL
VIDEONALE 12 Kunstmuseum Bonn, GERMANY (catalog)

2008
MFA Thesis Exhibition Gallery 400, University of Illinois at Chicago, Chicago IL
Form Fit The Great Space, University of Illinois at Chicago, Chicago IL

2007
I Will Never Make It D21, Leipzig GERMANY
Fool Me Once GBU Gallery, University of Illinois at Chicago, Chicago IL

2006
In To My Self SPACE Gallery, Pittsburgh PA
Pittsburgh’s Best 2006 Three Rivers Arts Festival Gallery, Pittsburgh PA
Pinch Hitters SPACE Gallery, Pittsburgh PA

2005
Darktimes LUMP Gallery, Raleigh NC
Video / Installations (two person show) Modern Formations Gallery, Pittsburgh PA

2004
Three Rivers Arts Festival Storefront installation, Pittsburgh PA
In Our Own Backyards touring exhibition of PCA Fellowship recipients

2003
The burg(h) Boogaloo, Brooklyn NY
The burg(h) Modern Formations Gallery, Pittsburgh PA
Three Rivers Arts Festival Storefront Installation, Pittsburgh PA

Screenings

2015
twohundredfiftysixcolors Antenna Gallery, New Orleans

2014
twohundredfiftysixcolors UnionDocs, Brooklyn NY
twohundredfiftysixcolors Everything Is Festival, at Cinefamily, Los Angeles CA
twohundredfiftysixcolors Cindelphia Film Festival, at PhilaMOCA, Philadelphia, PA
twohundredfiftysixcolors Preface ROUGH+READY, The Nightingale at MCA Chicago
Never Lend Money to a Man with a Sense of Humor Kreuzberg Pavillon, Berlin, curated by Clemens Wilhelm

2013
twohundredfiftysixcolors TIFF CINEMATHEQUE The Free Screen at Bell Lightbox Theater
twohundredfiftysixcolors VIA fest, Pittsburgh, PA
twohundredfiftysixcolors Headroom at Bijou Cinema, Iowa City, IO
twohundredfiftysixcolors Union Theater, Milwaukee, WI
twohundredfiftysixcolors Conversations at the Edge, Gene Siskel Film Center, Chicago

2012
Suitable Video #5: Hits Regina Rex, Brooklyn, NY, curated by Scott Wolniak
Those Who Believe in Telekinetics, Raise My Hand Hand Propeller Center for Visiual Arts, Toronto, ON, curated by Christine Negus
Kill Your Idols Microscope Gallery, NYC, curated by Jesse Malmed
Greener on the Other Side Meneer de Wit, Amsterdam NL

2011
Semi-Permanent Program Gallery 400, Chicago IL
Eyeball Witness (Suitable Video Vol.2 curated by Scott Wolniak) Roots & Culture
Contemporary Art Center, Chicago IL
Greener on the Other Side Organhaus, Chongqing CHINA

2010
Tableaux Vivant Gallery 400, Chicago IL curated by Ben Russell + Jesse McLean
Chicago Underground Film Festival Chicago IL

2008
Urban Research on Film Directors Lounge, St. Petersburg RUSSIA
Seajon and Friends Old Gold Gallery, Chicago IL curated by Kat Parker
Leaving the Factory Chopin Theatre, Chicago IL
Urban Research on Film Directors Lounge, Berlin GERMANY

2007
Super 8 Strikes Back Chicago Filmmakers, Chicago IL
ColorField.remix Corcoran Gallery of Art, Washington DC
The Imminent Failure Show Cable Car Cinema, Providence RI
The Imminent Failure Show Ice Capades, Chicago IL curated by Ben Russell
Winter Screening Green Gallery, Milwaukee WI curated by Clara Alcott
Winter Screening Heaven Gallery, Chicago IL curated by Clara Alcott

2006
Looking For Symbolism in Nothing Seoul S. KOREA
Portland Documentary + Experimental (PDX) Film Festival Portland OR
RESOLUTIONS ’06 Hallwalls Contemporary Arts Center, Buffalo NY

2005
Santiago Bienal of Video + New Media Santiago CHILE
Body Image Ukrainian Institute of Modern Art, Chicago IL
Jefferson Presents… Here and Now Pittsburgh PA
Chicago Underground Film Festival Chicago IL
TIE (The International Experimental Cinema Exposition) Denver CO

2004
Three Rivers Film Festival Pittsburgh PA
Group Intervention Video Montreal QE curated by Teresa Foley
Jefferson Presents…Quality Films Release Screening Pittsburgh PA
Makor Arts Center Animation Festival New York NY

2003
Rooftop Films New York NY
Three Rivers Film Festival Pittsburgh PA
Athens International Film & Video Festival Athens OH

2002
Three Rivers Film Festival Pittsburgh PA
Cinemanonymous Film Festival Louisville KY curated by Scott Carney + Ryan Daly

Awards

2015
Promotion to Adjunct Assistant Professor at The School of the Art Institute of Chicago
2014
Service Award recipient, The Art Institute of Chicago
2013
Best of Canadian Art 2013 – ARTINFO (twohundredfiftysixcolors TIFF Lightbox screening)
Best of 2013: Most Memorable Chicago Movie Moments – TimeOut Chicago
Faculty Enrichment Grant, The School of the Art Institute of Chicago
2006
Larsen Award, University of Illinois at Chicago
2003
Pennsylvania Council on the Arts Fellowship recipient in Media Arts – Animation
Three Rivers Film Festival, Short Film Competition, Best Short Film – First prize
Athens International Film & Video Festival, Best Short Film – Third prize
2002
Eastman Kodak Film Award
2001
Pittsburgh Filmmakers' First Works Grant
2000
Magna Cum Laude, SUNY Fredonia

Public collections

The Museum of Contemporary Photography, Chicago IL (Universal Paramount)
Jane Adams Hull House Museum Art Lending Library, Chicago (Universal Paramount)
Hornswaggler Collection, Chicago (Universal Paramount, 2010, archival inkjet print)
Pittsburgh Filmmakers Public Art Collection (Raising The Bar, 2006, archival inkjet print)
Pittsburgh Filmmakers Library, Pittsburgh PA (Eric Fleischauer VIDEOS ON DVD)
Dreaming Ant Video Rental, Pittsburgh PA (Eric Fleischauer VIDEOS ON DVD)
Media Literacy Program video collection, Pittsburgh PA (Eric Fleischauer VIDEOS ON DVD)

Erik Fleischauer
*1977 in Buffalo, New York USA, lives in Chicago USA Education 2008 University of Illinois at Chicago, School of Art and Design, MFA in Studio Arts; The Moving Image 2000 State University of New York College at Fredonia, B.S. in Communication, Specialization in Video Production, Minor in Political Science Solo exhibitions + screenings 2015 Walking Home Backwards: Moving Image work by Eric Fleischauer, The Visual Studies Workshop, Rochester NY 2013 Eric Fleischauer for Trunk Show, Trunk Show, Chicago IL 2012 In Circulation DOCUMENT Chicago IL Backwards Compatible Harper College Art Gallery, Palatine, IL 2010 POST-CURSOR Threewalls, Chicago IL 2008 Drive By: D R I F T (collaboration with Jesse McLean) Jackman Goldwasser Catwalk Gallery, Hyde Park Art Center, Chicago Group exhibitions 2015 On/Off: Virtual Art in Real Life Art Association of Jackson Hole, Jackson WY, curated by Thomas Macker Zoom Out: Reflecting on the Digital Environment Waubonsee Community College Arrowhead Gallery, Sugar Grove IL, curated by Cecilia L. Vargas PRTY PPL Circuit 12 Contemporary, Dallas TX, curated by Josh Reams Welcome to My Homepage Antenna Gallery, New Orleans, curated by Amanda Cassingham-Bardwell 2014 EXPO VIDEO EXPO Chicago 2014, curated by Astria Suparak Discarded: The Afterlife of Everyday Electronics The Arcade Gallery, Chicago IL, curated by Kristen Kula 2013 A Modest Occupation Luminary Ctr for the Arts, St. Louis MO, curated by Abby Satinsky Point of Departure Arcade Gallery, Columbia College Chicago, curated by Amy Zahi Visitation Rites The Franklin, Chicago IL, curated by Chris Smith 2012 Moving The Still Miami Art Basel, curated by Johnny Misheff for Paddle8 + Tumblr Gif Shop Courtney Blades, Chicago IL You Complete Me DeVos Art Museum, Northern Michigan Univ. Marquette, MI Circa 1970 Heaven Gallery, Chicago IL, curated by Alma Wieser Society of the Spectacular Co-Prosperity Sphere, Chicago IL, curated by Jake Myers 2011 Archival Impulse Gallery 400, Chicago IL, curated by Lorelei Stewart BYOB CHICAGO Museum of Contemporary Art, Chicago IL File Type Gallery 400, UIC, curated by Chaz Evans + Lorelei Stewart Hang In There Co-Prosperity Sphere Chicago IL, curated by Jason Lazarus Grand Ideas Courtney Blades, Chicago IL TWEEN Octagon Gallery, Chicago IL, curated by Jake Myers + Chris Smith BYOB CHICAGO Kunsthal New, Chicago IL Life in a Peaceful New World Interstate Projects, New York NY 2010 You Are Looking At Art About Looking At Art Noble & Superior Projects, Chicago IL Show IV MMX Open Art Space, Berlin ALPHABETIZATION Noble & Superior Projects, Chicago IL Remember 2010? The Gallery Space, thegalleryspace.tumblr.com Minimumixam Pentagon Gallery, Chicago IL 2009 The Yield Heaven Gallery, Chicago IL VIDEONALE 12 Kunstmuseum Bonn, GERMANY (catalog) 2008 MFA Thesis Exhibition Gallery 400, University of Illinois at Chicago, Chicago IL Form Fit The Great Space, University of Illinois at Chicago, Chicago IL 2007 I Will Never Make It D21, Leipzig GERMANY Fool Me Once GBU Gallery, University of Illinois at Chicago, Chicago IL 2006 In To My Self SPACE Gallery, Pittsburgh PA Pittsburgh’s Best 2006 Three Rivers Arts Festival Gallery, Pittsburgh PA Pinch Hitters SPACE Gallery, Pittsburgh PA 2005 Darktimes LUMP Gallery, Raleigh NC Video / Installations (two person show) Modern Formations Gallery, Pittsburgh PA 2004 Three Rivers Arts Festival Storefront installation, Pittsburgh PA In Our Own Backyards touring exhibition of PCA Fellowship recipients 2003 The burg(h) Boogaloo, Brooklyn NY The burg(h) Modern Formations Gallery, Pittsburgh PA Three Rivers Arts Festival Storefront Installation, Pittsburgh PA Screenings 2015 twohundredfiftysixcolors Antenna Gallery, New Orleans 2014 twohundredfiftysixcolors UnionDocs, Brooklyn NY twohundredfiftysixcolors Everything Is Festival, at Cinefamily, Los Angeles CA twohundredfiftysixcolors Cindelphia Film Festival, at PhilaMOCA, Philadelphia, PA twohundredfiftysixcolors Preface ROUGH+READY, The Nightingale at MCA Chicago Never Lend Money to a Man with a Sense of Humor Kreuzberg Pavillon, Berlin, curated by Clemens Wilhelm 2013 twohundredfiftysixcolors TIFF CINEMATHEQUE The Free Screen at Bell Lightbox Theater twohundredfiftysixcolors VIA fest, Pittsburgh, PA twohundredfiftysixcolors Headroom at Bijou Cinema, Iowa City, IO twohundredfiftysixcolors Union Theater, Milwaukee, WI twohundredfiftysixcolors Conversations at the Edge, Gene Siskel Film Center, Chicago 2012 Suitable Video #5: Hits Regina Rex, Brooklyn, NY, curated by Scott Wolniak Those Who Believe in Telekinetics, Raise My Hand Hand Propeller Center for Visiual Arts, Toronto, ON, curated by Christine Negus Kill Your Idols Microscope Gallery, NYC, curated by Jesse Malmed Greener on the Other Side Meneer de Wit, Amsterdam NL 2011 Semi-Permanent Program Gallery 400, Chicago IL Eyeball Witness (Suitable Video Vol.2 curated by Scott Wolniak) Roots & Culture Contemporary Art Center, Chicago IL Greener on the Other Side Organhaus, Chongqing CHINA 2010 Tableaux Vivant Gallery 400, Chicago IL curated by Ben Russell + Jesse McLean Chicago Underground Film Festival Chicago IL 2008 Urban Research on Film Directors Lounge, St. Petersburg RUSSIA Seajon and Friends Old Gold Gallery, Chicago IL curated by Kat Parker Leaving the Factory Chopin Theatre, Chicago IL Urban Research on Film Directors Lounge, Berlin GERMANY 2007 Super 8 Strikes Back Chicago Filmmakers, Chicago IL ColorField.remix Corcoran Gallery of Art, Washington DC The Imminent Failure Show Cable Car Cinema, Providence RI The Imminent Failure Show Ice Capades, Chicago IL curated by Ben Russell Winter Screening Green Gallery, Milwaukee WI curated by Clara Alcott Winter Screening Heaven Gallery, Chicago IL curated by Clara Alcott 2006 Looking For Symbolism in Nothing Seoul S. KOREA Portland Documentary + Experimental (PDX) Film Festival Portland OR RESOLUTIONS ’06 Hallwalls Contemporary Arts Center, Buffalo NY 2005 Santiago Bienal of Video + New Media Santiago CHILE Body Image Ukrainian Institute of Modern Art, Chicago IL Jefferson Presents… Here and Now Pittsburgh PA Chicago Underground Film Festival Chicago IL TIE (The International Experimental Cinema Exposition) Denver CO 2004 Three Rivers Film Festival Pittsburgh PA Group Intervention Video Montreal QE curated by Teresa Foley Jefferson Presents…Quality Films Release Screening Pittsburgh PA Makor Arts Center Animation Festival New York NY 2003 Rooftop Films New York NY Three Rivers Film Festival Pittsburgh PA Athens International Film & Video Festival Athens OH 2002 Three Rivers Film Festival Pittsburgh PA Cinemanonymous Film Festival Louisville KY curated by Scott Carney + Ryan Daly Awards 2015 Promotion to Adjunct Assistant Professor at The School of the Art Institute of Chicago 2014 Service Award recipient, The Art Institute of Chicago 2013 Best of Canadian Art 2013 – ARTINFO (twohundredfiftysixcolors TIFF Lightbox screening) Best of 2013: Most Memorable Chicago Movie Moments – TimeOut Chicago Faculty Enrichment Grant, The School of the Art Institute of Chicago 2006 Larsen Award, University of Illinois at Chicago 2003 Pennsylvania Council on the Arts Fellowship recipient in Media Arts – Animation Three Rivers Film Festival, Short Film Competition, Best Short Film – First prize Athens International Film & Video Festival, Best Short Film – Third prize 2002 Eastman Kodak Film Award 2001 Pittsburgh Filmmakers' First Works Grant 2000 Magna Cum Laude, SUNY Fredonia Public collections The Museum of Contemporary Photography, Chicago IL (Universal Paramount) Jane Adams Hull House Museum Art Lending Library, Chicago (Universal Paramount) Hornswaggler Collection, Chicago (Universal Paramount, 2010, archival inkjet print) Pittsburgh Filmmakers Public Art Collection (Raising The Bar, 2006, archival inkjet print) Pittsburgh Filmmakers Library, Pittsburgh PA (Eric Fleischauer VIDEOS ON DVD) Dreaming Ant Video Rental, Pittsburgh PA (Eric Fleischauer VIDEOS ON DVD) Media Literacy Program video collection, Pittsburgh PA (Eric Fleischauer VIDEOS ON DVD)

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