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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Daniel Pešta

Works


Galleries

Montanelli Museum
Nerudova 13
11801 Praha 1
Czech Republic

Phone: +420 257 531 220
E-Mail: info@muzeummontanelli.com




Statement

Daniel Pešta was born in 1959 in Prague. A graduate of the Václav Hollar School of Art, he spent the totalitarian years existing outside of official cultural circles. His primary focus was on drawings, and he worked as a graphic artist. After 1989, he designed numerous series of illustrations for a classical music publisher, and won numerous awards for his book and poster work.
In the 1980s and ’90s, Pešta began applying his poster design techniques – which had always balanced on the boundary to painting – to non-commissioned work. Since the very beginning, he has been working to further develop his artistic style.
At first, he studied the figure and gave shape to its vulnerability. Later, he worked with portraits in which he focused primarily on expression. Over time, his works became more abstract; he reduced their colors and began to approach the essence of his visual style, which exists fully outside of contemporary influences.
After returning from his first study trip to New York in 1998, he begins to experiment with a diverse range of materials such as paper, wax, leather, and transparent resin. Such tactile material enabled him to penetrate even deeper into the complicated nature of the human soul. These works balance on the boundary of naturalist rawness; they touch on the most sensitive subjects such as the birth of life and its destruction – they get to the core of human essence. These attributes wind their way through his work to this day, and have become one of Pešta’s distinctive attributes.
Another typical feature of Pešta’s works, and one that permeates all his work, is the symbol of red string or red thread, painted in the color of blood. The string symbolizes the inevitability of fate, but also the never-ending story of the human race. It tangles, stitches, and perforates the fragile existence of the individual. Into the transparent resin, he seals the stories of entire generations, which he seeks out in period photographs. He creates large-scale “genetic codes” and series of “dark assemblages” on the subject of injustice and loss of dignity. He uncompromisingly seals his older pictures or objects into resin in strict blocks and columns, thus relativizing the meaning of art itself but paradoxically also opening up other possibilities for visual expression. Pešta gradually transforms the portrait into a mask-like expression, which he views as a symbol of affectation and anonymity. For Pešta, the mask becomes the central motif in his conceptual projects as well as in his original works of video art. His videos speak in a clear language, without supplementary historical information. In terms of subject matter, Pešta’s work frequently touches on political or social issues, but always remains visually concrete. His works’ genesis is subject to meticulous preparations, and often their final form is the result of years of effort.
Daniel Pešta is what is called a multimedia artist. He refuses to limit himself to just one medium, but steadfastly experiments across the full spectrum of expressive tools, through which all our senses come together.


Biography

Solo exhibitions (selection)

2015
Brave new world, DOX
Art Biennale, Palazzo Bembo, (Personal Structures), Venice

2014
I was born in your bed, Litomyšl

2013
I was born in your bed, Sala del Camino, Venice, Italy
Art in catastrophe, Deutscher Bundestag, Berlin, Germany

2012
On Another Planet (In the name of love..), Artinbox, Prague, Czech Rep. (with Suzanne Pastor)
Gravitation Zero, Art Museum, Solingen, Germany

2011
Levitation, Felix Nussbaum House Museum of Modern Art, Osnabrück, Germany

2010
Prague, MuMo, Museum Montanelli, Levitation
Düsseldorf, Galerie Maier-Hahn

2007
Prague, Acropolis, Sweet Home

2005
Berlin, Galerie Palais am Festungsgraben (with Václav Bláha)
Frankfurt am Main, Kunsthalle (with Václav Bláha)

2002
Prague, Crityics’ Gallery (Galerie Kritiku), White Zone

1998
New York, Montserrat Gallery

2000
New York, Montserrat Gallery

1995
Cheltenham, Axion Gallery

1993
Prague, Karolinum

Joint exhibitions (selection)

2015
Hybrid Effects, Palazzo Radetzky, Milan
London Biennale 2015

2014
Venice, Morphos, Sustainable Empire, Puzzels, Palazzo Albrizzi
Now & After, videoart festival, Alexandrinsky Theater in St.Petersburg
Regensburg, Gegenüberstellung (with Markus Lüpertz, Dorota Nieznalska, etc.)
Buenos Aires, Pixels of Identities, Galeria de Arte Laura Haber
Now&After Video Art Festival, Moscow
Genes and Generation, Artinbox Gallery, Prague

2013
Liquid Borders | Bari 2013, Italy
Where is my home?, DOX, Prague, Czech Rep.
Venice… Venice!, Museum Montanelli, Prague,Czech Rep.
Who lies also steals (Kdo lže, ten krade), Artinbox, Prague, Czech Rep.
London Art Biennale, London, UK
blinkvideo.de

2012
Dreaming, Artinbox, Prague, Czech Rep.
It’s Liquid Identities. Videoart Festival, Venice, Italy
Turn On, Tune In, Factory Art Gallery, Berlin, Germany
Maria Maria, Felix Nussbaum House, Osnabrück, Germany

2011
Prague, Artinbox, The Art of Giving Birth

2010
Solingen Museum, Francisco de Goya - Vision of Symptoms and Hope

2009
Prague Biennale 4

2007
Klatovy, Statues for Baroque Niches (with Vojtech Míca)
Prague Biennale 3

2006
Berlín, Galerie Palais am Festungsgraben

Awards

2014
Now & After, Gulag Muzeum, Moscow (I was born in your bed), Honorable Jury Mention 2009
Prague, The Most Beautiful Book of the Year, nomination in the catalogue category
2002
Prague, The Most Beautiful Book of the Year, prize awarded in the bibliophille category
2001
Florence Biennale 3, prize awarded in the new media category
1990
Mexico City Biennale 1, prize awarded in the Political Poster category

Representation in collections (selection)

Felix Nussbaum House Museum of Modern Art, Osnabrück, Germany
Art Museum Solingen, Collection of Persecuted Art, Solingen, Germany
MuMo, Museum Montanelli, Prague, Czech Republic
Michael Hayden collection, Geelong, Australia
Museum F. (Statues for a Baroque Niche, Klatovy, Czech Republic
National Museum of Posters, Mexico City

Publications

2010 Daniel Pešta / Levitation
2006 Daniel Pešta / Sweet Home

Daniel Pešta
Solo exhibitions (selection) 2015 Brave new world, DOX Art Biennale, Palazzo Bembo, (Personal Structures), Venice 2014 I was born in your bed, Litomyšl 2013 I was born in your bed, Sala del Camino, Venice, Italy Art in catastrophe, Deutscher Bundestag, Berlin, Germany 2012On Another Planet (In the name of love..), Artinbox, Prague, Czech Rep. (with Suzanne Pastor) Gravitation Zero, Art Museum, Solingen, Germany 2011Levitation, Felix Nussbaum House Museum of Modern Art, Osnabrück, Germany 2010 Prague, MuMo, Museum Montanelli, Levitation Düsseldorf, Galerie Maier-Hahn 2007 Prague, Acropolis, Sweet Home 2005 Berlin, Galerie Palais am Festungsgraben (with Václav Bláha) Frankfurt am Main, Kunsthalle (with Václav Bláha) 2002 Prague, Crityics’ Gallery (Galerie Kritiku), White Zone 1998 New York, Montserrat Gallery 2000 New York, Montserrat Gallery 1995 Cheltenham, Axion Gallery 1993 Prague, Karolinum Joint exhibitions (selection) 2015 Hybrid Effects, Palazzo Radetzky, Milan London Biennale 2015 2014 Venice, Morphos, Sustainable Empire, Puzzels, Palazzo Albrizzi Now & After, videoart festival, Alexandrinsky Theater in St.Petersburg Regensburg, Gegenüberstellung (with Markus Lüpertz, Dorota Nieznalska, etc.) Buenos Aires, Pixels of Identities, Galeria de Arte Laura Haber Now&After Video Art Festival, Moscow Genes and Generation, Artinbox Gallery, Prague 2013 Liquid Borders | Bari 2013, Italy Where is my home?, DOX, Prague, Czech Rep. Venice… Venice!, Museum Montanelli, Prague,Czech Rep. Who lies also steals (Kdo lže, ten krade), Artinbox, Prague, Czech Rep. London Art Biennale, London, UK blinkvideo.de 2012 Dreaming, Artinbox, Prague, Czech Rep. It’s Liquid Identities. Videoart Festival, Venice, Italy Turn On, Tune In, Factory Art Gallery, Berlin, Germany Maria Maria, Felix Nussbaum House, Osnabrück, Germany 2011 Prague, Artinbox, The Art of Giving Birth 2010 Solingen Museum, Francisco de Goya - Vision of Symptoms and Hope 2009 Prague Biennale 4 2007 Klatovy, Statues for Baroque Niches (with Vojtech Míca) Prague Biennale 3 2006 Berlín, Galerie Palais am Festungsgraben Awards 2014Now & After, Gulag Muzeum, Moscow (I was born in your bed), Honorable Jury Mention 2009Prague, The Most Beautiful Book of the Year, nomination in the catalogue category 2002Prague, The Most Beautiful Book of the Year, prize awarded in the bibliophille category 2001Florence Biennale 3, prize awarded in the new media category 1990Mexico City Biennale 1, prize awarded in the Political Poster category Representation in collections (selection) Felix Nussbaum House Museum of Modern Art, Osnabrück, Germany Art Museum Solingen, Collection of Persecuted Art, Solingen, Germany MuMo, Museum Montanelli, Prague, Czech Republic Michael Hayden collection, Geelong, Australia Museum F. (Statues for a Baroque Niche, Klatovy, Czech Republic National Museum of Posters, Mexico City Publications 2010 Daniel Pešta / Levitation 2006 Daniel Pešta / Sweet Home

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