This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Francesco Jodice

Works


Galleries

Galleria Michela Rizzo
Michela Rizzo
Palazzo Palumbo Fossati, 2597 San Marco
30124 Venezia
Italy

Phone: +39 041 24 13 006
E-Mail: info@galleriamichelarizzo.net




Statement

His researches encompass changes in modern social landscape underlining new relevant phenomena in urban anthropology. His work explores the urgency for a common ground between art and geopolitics.

He was a founding member of the Italian Multiplicity group, an international network and experimental forum of architects and artists. Jodice is professor of Urban Visual Anthropology at the Master in Art and Curatorial studies and professor of Photography at the Cinema and New Media Department at NABA (Nuova Accademia Di Belle Arti Milano).

His projects have been exhibited at Documenta in Kassel (2001) , the Venice Biennal (2003the ICP Triennial of Photography and Video in New York, the Museo Nacional Centro de Arte Reina Sofía in Madrid (2007), the São Paulo Art Biennial, the Tate Modern, London (2006), and Museo del Prado, Madrid (2011).

Among his main research projects: What We Want a photography world wide Atlas, Secret Traces an archive of human shadowing and Citytellers a series of films about new forms of social and urban landscapes.


Biography

Born in Naples in 1967
lives and works in Milan

Solo exhibitions (selection)

2015
American Recordings, Castello di Rivoli Museo d’Arte Contemporanea, Torino
Weird Tales, Galleria Michela Rizzo-Palazzo Fortuny, Venezia
Cronache, Galleria Umberto Di Marino, Napoli

2013
A Night At The Drive In: Shooting In Milan, former Alfa Romeo’s factory, Milan
Francesco Jodice, Podbielski Contemporary, Berlin

2012
Citytellers, broadcasting, Cinema Giorgione, Venice, Italy
Umea – Spectaculum Spectatoris, Bildmuseet, Umea, Sweden
Francesco Jodice, Galleria Michela Rizzo, Venice, Italy
Prado – Spectaculum Spectatoris, QAGOMA – Queensland Art Gallery, Brisbane

2011
Babel, Museum of contemporary art, Zagreb
Spectaculum Spectatoris, Museo Nacional del Prado, Madrid
I have seen this place before, curated by Angela Madesani, ARTRA art gallery, Milan
Citytellers. Film, Photographs, scripts, Galeria Marta Cervera, Madrid

2010
Fotografie dal progetto Citytellers, Galleria Umberto Di Marino, Naples
Citytellers, Museo Madre, Naples
Citytellers, Mambo, Bologna

2009
I can see your house from here, Museion at the Eurac tower, Bozen

2008
The chaos theory, Galerìa Marta Cervera, Madrid
Film retrospective_Fair Play, Kunsthalle, Lugano

2007
Secret Traces 1997-2007, Tinglado2, Tarragona
Gabriele Basilico / Francesco Jodice, VM21artecontemporanea, Rome

2006
São Paulo _ Citytellers, broadcasting, Rete Globo/TV Cultura, Brasil
Ghost in the shell, broadcasting, Canal+ Europe, Spain
Agent provocateur, Galleria Umberto di Marino Arte Contemporanea, Naples
Rear Window, Canal+ Spain, Madrid

2004
Private Investigations, galerie MudimaDue, Berlin

2003
What We Want, Galeria Marta Cervera, Madrid
The Crandell Case, Photo & Contemporary, Turin
The Random Viewer, Galleria Spazio Erasmus, Milano

Collective exhibitions (selection)

2015
Italia. Inside Out, Palazzo delle Ragione, Milan
Proportio, Palazzo Fortuny, Venice
Anthropological Landscape, Whitebox Art Center, New York
Images of Crisis, Greek Film Archive, Athens

2014
Primo Lavoro: Francesco Jodice / Nanni Valentini, Galleria Bianconi, Milano
Mont Blanc, Les Maisons de Judith, Courmayeur
Ritratto dell’artista da giovane, Castello di Rivoli, Torino

2011
Die Sammlung in Aktion. Mediale Werke von Vito Acconci bis Simon Starling / La collezione
attiva. Opere mediali da Vito Acconci a Simon Starling, MUSEION, Bozen
People and the city, Winzavod Centre for contemporary Art, Moscow
Non Compos Mentis,a cura di Bárbara Perea, Galería Jesús Gallardo, León, Guanajuato, Mexico
La memoria del otro en la era de lo global, a cura di Anna Maria Guasch, Centro de
Arte Contemporáneo Wifredo Lam, La Habana

2010
Biennale Architettura, Padiglione Italia (a cura di Luca Molinari), AILATI. Riflessi dal futuro, Laboratorio Italia, Ritratti di Classe
Videozone V, Center for Contemporary Art, Tel Aviv, Israel
Ritratti del potere, Palazzo Strozzi, Florence
Impakt Festival, Utrecht, Nederland
Tre. Fondazione Cassa di Risparmio di Modena. Modena

2009
Informal Cities, Annex of prince of Wales museum, Mumbay
Past Present Future, Bank Austria Kunstforum, Vien
Da Guarene all’Etna 1999-2009. Fondazione Sandretto Re Rebaudengo, Guarene d’Alba, Italy
La memoria del otro en la era de lo global, Museo de la Universidad Nacional de Bogota, Bogota
New Entries!, Museion, Bozen
Periferias, Centro De Arte Dos De Mayo, Madrid
Bienal De Canarias, Santa Cruz De Tenerife

2008
Stories on Human Rights, Théâtre national de Chaillot, Paris
Gustos, colecciones y cintas de video, Centro de Arte Dos de Mayo, Madrid
BrusselsBiennial, Brussels
Stories on Human Rights, 21st Tokyo International Film Festival, Tokyo
Per una collezione di fotografia, Castello di Rivoli, Rivoli
On Cities, Arkitekturmuseet, Stockholm
Post-it city, CCCB, Barcelona
L'Alba di Domani, Elgiz Museum, Istanbul
No Place - Like Home, Argos, Bruxelles
Beautiful world, Kulturforum Alte Post, Dusseldorf

2007
Cine y casi cine, Museo Nacional de Arte Reina Sofia, Madrid
La civiltà dei superluoghi, Urban Center, Bologna
Existencias, MUSAC Museo deArte Contemporàneo de Castilla y Leòn, Leòn
Terra Infirma, Pratt Manhattan Gallery, New York
Global cities, Tate Modern, London
Spectacular City, NRW-Forum, Düsseldorf
36th International Rotterdam Film Festival, Rotterdam
How to live together, Museo de Arte Contemporáneo, Santiago
54th Sydney Film Festival, Sydney

2006
New Landscapes, Italian Artistic photography of the UniCredit Group Collection, Monaco
How to live together, XXVII Bienal de São Paulo, San Paolo
Spectacular City, NAI (Netherlands Architecture Institute), Rotterdam
Ecotopia, ICP (International Center of Photography), New York
Città. Architettura e società, 10. Mostra Internazionale di Architettura, Venice
Saison Italienne, Mep (Maison Européenne de la Photographie), Paris

2005
I luoghi e l’anima, Palazzo Reale, Milan
6 x torino, GAM, Turin

2004
Going Public 04, Modena, (Zapruder)
International 04 Liverpool Biennial, Liverpool
Tour-isms, Fundaciò Tàpies, Barcelona, (Multiplicity)
Empowerment-Cantiere Italia, Genova
Suburbia, Reggio Emilia
Neutrality, Fri-Art Centre d’art contemporaine, Friburg
Sguardi contemporanei, IX Mostra Internazionale di Architettura, Venice

2003
IN-Natura, X° Biennale Internazionale di Fotografia, Turin
Sogni e conflitti, 50° Biennale di Venezia, Venice, (Multiplicity)
Anteprima, XIV° Quadriennale di Roma, Naples

2002
Documenta 11, Kassel, (Multiplicity)
Void, Rice Gallery/G2, Tokyo, (Multiplicity)
Side Effects, XX Triennale di Milano, Milan
Artomi, Omi, New York

2001
Instant city, Museo Pecci, Prato
Urban Pornography, New York

2000
Mutations, Bordeaux, (Multiplicity)

Francesco Jodice
Born in Naples in 1967 lives and works in Milan Solo exhibitions (selection) 2015 American Recordings, Castello di Rivoli Museo d’Arte Contemporanea, Torino Weird Tales, Galleria Michela Rizzo-Palazzo Fortuny, Venezia Cronache, Galleria Umberto Di Marino, Napoli 2013 A Night At The Drive In: Shooting In Milan, former Alfa Romeo’s factory, Milan Francesco Jodice, Podbielski Contemporary, Berlin 2012 Citytellers, broadcasting, Cinema Giorgione, Venice, Italy Umea – Spectaculum Spectatoris, Bildmuseet, Umea, Sweden Francesco Jodice, Galleria Michela Rizzo, Venice, Italy Prado – Spectaculum Spectatoris, QAGOMA – Queensland Art Gallery, Brisbane 2011 Babel, Museum of contemporary art, Zagreb Spectaculum Spectatoris, Museo Nacional del Prado, Madrid I have seen this place before, curated by Angela Madesani, ARTRA art gallery, Milan Citytellers. Film, Photographs, scripts, Galeria Marta Cervera, Madrid 2010 Fotografie dal progetto Citytellers, Galleria Umberto Di Marino, Naples Citytellers, Museo Madre, Naples Citytellers, Mambo, Bologna 2009 I can see your house from here, Museion at the Eurac tower, Bozen 2008 The chaos theory, Galerìa Marta Cervera, Madrid Film retrospective_Fair Play, Kunsthalle, Lugano 2007 Secret Traces 1997-2007, Tinglado2, Tarragona Gabriele Basilico / Francesco Jodice, VM21artecontemporanea, Rome 2006 São Paulo _ Citytellers, broadcasting, Rete Globo/TV Cultura, Brasil Ghost in the shell, broadcasting, Canal+ Europe, Spain Agent provocateur, Galleria Umberto di Marino Arte Contemporanea, Naples Rear Window, Canal+ Spain, Madrid 2004 Private Investigations, galerie MudimaDue, Berlin 2003 What We Want, Galeria Marta Cervera, Madrid The Crandell Case, Photo & Contemporary, Turin The Random Viewer, Galleria Spazio Erasmus, Milano Collective exhibitions (selection) 2015 Italia. Inside Out, Palazzo delle Ragione, Milan Proportio, Palazzo Fortuny, Venice Anthropological Landscape, Whitebox Art Center, New York Images of Crisis, Greek Film Archive, Athens 2014 Primo Lavoro: Francesco Jodice / Nanni Valentini, Galleria Bianconi, Milano Mont Blanc, Les Maisons de Judith, Courmayeur Ritratto dell’artista da giovane, Castello di Rivoli, Torino 2011 Die Sammlung in Aktion. Mediale Werke von Vito Acconci bis Simon Starling / La collezione attiva. Opere mediali da Vito Acconci a Simon Starling, MUSEION, Bozen People and the city, Winzavod Centre for contemporary Art, Moscow Non Compos Mentis,a cura di Bárbara Perea, Galería Jesús Gallardo, León, Guanajuato, Mexico La memoria del otro en la era de lo global, a cura di Anna Maria Guasch, Centro de Arte Contemporáneo Wifredo Lam, La Habana 2010 Biennale Architettura, Padiglione Italia (a cura di Luca Molinari), AILATI. Riflessi dal futuro, Laboratorio Italia, Ritratti di Classe Videozone V, Center for Contemporary Art, Tel Aviv, Israel Ritratti del potere, Palazzo Strozzi, Florence Impakt Festival, Utrecht, Nederland Tre. Fondazione Cassa di Risparmio di Modena. Modena 2009 Informal Cities, Annex of prince of Wales museum, Mumbay Past Present Future, Bank Austria Kunstforum, Vien Da Guarene all’Etna 1999-2009. Fondazione Sandretto Re Rebaudengo, Guarene d’Alba, Italy La memoria del otro en la era de lo global, Museo de la Universidad Nacional de Bogota, Bogota New Entries!, Museion, Bozen Periferias, Centro De Arte Dos De Mayo, Madrid Bienal De Canarias, Santa Cruz De Tenerife 2008 Stories on Human Rights, Théâtre national de Chaillot, Paris Gustos, colecciones y cintas de video, Centro de Arte Dos de Mayo, Madrid BrusselsBiennial, Brussels Stories on Human Rights, 21st Tokyo International Film Festival, Tokyo Per una collezione di fotografia, Castello di Rivoli, Rivoli On Cities, Arkitekturmuseet, Stockholm Post-it city, CCCB, Barcelona L'Alba di Domani, Elgiz Museum, Istanbul No Place - Like Home, Argos, Bruxelles Beautiful world, Kulturforum Alte Post, Dusseldorf 2007 Cine y casi cine, Museo Nacional de Arte Reina Sofia, Madrid La civiltà dei superluoghi, Urban Center, Bologna Existencias, MUSAC Museo deArte Contemporàneo de Castilla y Leòn, Leòn Terra Infirma, Pratt Manhattan Gallery, New York Global cities, Tate Modern, London Spectacular City, NRW-Forum, Düsseldorf 36th International Rotterdam Film Festival, Rotterdam How to live together, Museo de Arte Contemporáneo, Santiago 54th Sydney Film Festival, Sydney 2006 New Landscapes, Italian Artistic photography of the UniCredit Group Collection, Monaco How to live together, XXVII Bienal de São Paulo, San Paolo Spectacular City, NAI (Netherlands Architecture Institute), Rotterdam Ecotopia, ICP (International Center of Photography), New York Città. Architettura e società, 10. Mostra Internazionale di Architettura, Venice Saison Italienne, Mep (Maison Européenne de la Photographie), Paris 2005 I luoghi e l’anima, Palazzo Reale, Milan 6 x torino, GAM, Turin 2004 Going Public 04, Modena, (Zapruder) International 04 Liverpool Biennial, Liverpool Tour-isms, Fundaciò Tàpies, Barcelona, (Multiplicity) Empowerment-Cantiere Italia, Genova Suburbia, Reggio Emilia Neutrality, Fri-Art Centre d’art contemporaine, Friburg Sguardi contemporanei, IX Mostra Internazionale di Architettura, Venice 2003 IN-Natura, X° Biennale Internazionale di Fotografia, Turin Sogni e conflitti, 50° Biennale di Venezia, Venice, (Multiplicity) Anteprima, XIV° Quadriennale di Roma, Naples 2002 Documenta 11, Kassel, (Multiplicity) Void, Rice Gallery/G2, Tokyo, (Multiplicity) Side Effects, XX Triennale di Milano, Milan Artomi, Omi, New York 2001 Instant city, Museo Pecci, Prato Urban Pornography, New York 2000 Mutations, Bordeaux, (Multiplicity)

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.