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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Daniel Jacoby

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born in Lima PE - 1985
Based between Amsterdam and Maastricht NL

Education

2012-2014 HfBK Städelschule, Frankfurt am Main DE (Class of Prof. Simon Starling/Peter Fischli)
2008-2009 MFA, Universitat de Barcelona, Barcelona ES (First Class Honors)
2005-2008 BFA, Universitat de Barcelona, Barcelona ES

Solo/duo exhibitions

2015
Untitled, Galerie Antoine Levi, Paris FR (upcoming)
Untitled, Sabot, Cluj-Napoca RO (upcoming)

2014
Ahold of Get the Things To, Galerie Antoine Levi, Paris FR
Ahold of Get the Things To, Galería Maisterravalbuena, Madrid ES

2012
A Mount-Rushmore-Resembling Piece of Cheddar Cheese..., 1646, The Hague NL
Latsempo?ar, Casino Luxembourg Project Room, Luxembourg LU

2011
Untitled Story Vol. 2, Espacio Trapézio, Madrid ES (featuring Marcel Pié)
Es sumamente extraño pensar que este árbol..., Capella de Sant Roc, Valls ES
Should Auld Acquaintance Be Forgot, Valle Ortí Gallery-Video Room, Valencia ES

2010
La lógica del ornitorrinco, Galeria Toni Tàpies, Barcelona ES
adenOrr, Museu de l’Empordà, Figueres ES (con Verónica Aguilera)

2009
Métodos, Square Studio, Barcelona ES
Pdtpe20dfelp100a, L’Aparador del Museu Abelló, Mollet ES
Métodos, Galería Hacia el Mar, Lima PE

Group exhibitions

2015
The hidden Soul of the Unanimated, Goethe Institut, Porto Alegre BR (upcoming)
curated by Bernardo de Souza and Ludwig Seyfarth
ArteBA, solo presentation with Galerie Antoine Levi, Buenos Aires AR
Won’t You Not See, Maison Grégoire, Brussels BE

2014
Frieze London, solo presentation with Galerie Antoine Levi, London UK
Food Now, Junefirst Gallery, Berlin DE
Be Mysterious, The Banff Centre-Walter Phillips Gallery, Banff CA
curated by Jesse McKee
Nieuwe Tijd, Oude Kerk, Amsterdam NL
curated by Non-fiction
Forårsudstillingen, Kunsthal Charlottenborg, Copenhagen DK
A Thousand Varied Uses, Galería Nogueras Blanchard, Madrid ES
curated by Kevin Gallagher
Rundgang, HfBK Städelschule, Frankfurt am Main DE

2013
Duda original, Plataforma Revolver, Lisbon PT
curated by Veronica Valentini and Andrea Rodriguez
Collision Course, Sodom&Gomorrah, Amsterdam NL
Goodbye Lukas, Amstel41, Amsterdam NL
Reading Dance, Galerie Antoine Levi, Paris FR
Collective Fictions, Palais de Tokyo, Paris FR
curated by A. de Galbert, I. Le Normand, A. Rujoiu, A. Berardini and J. McKee
FFM:HH, Kunstverein Harburger Bahnhof, Hamburg DE
curated by Franziska Solte and Isabelle Busch
Rundgang, HfBK Städelschule, Frankfurt am Main DE

2012
Pop Politics, Centro de Arte 2 de Mayo, Madrid ES
curated by Iván López Munuera
The Suspicion of Suspense, Trafó, Budapest HU
curated by Áron Fenyvesi
Dejar actuar al tiempo, Fundación Telefónica, Lima PE
curated by Luis Alvarado
You and Eye, Circuito Líquido, Havana CU
curated by Ada Azor and Wendy Navarro
Solo Projects Programme, ARCO, Madrid ES

2011
11th Cuenca Biennial, Cuenca EC
curated by Fernando Castro Flórez
Around Is Impossible, La Casa Encendida, Madrid ES
curated by Lorenzo Sandoval
La qüestió del paradigme, Centre d’Art La Panera, Lleida ES, La Capella, Barcelona ES
curated by Manuel Segade
Relats encadenats, Centre d’Art La Panera, Lleida ES
curated by Glòria Picazo
Tokyo Story, Tokyo Wonder Site Aoyama, Tokyo JP

2010
JULIO #5, Centro Cultural São Paulo, Sao Paulo BR
curated by Manuela Moscoso and Ramón Mateos
Before Everything, Centro de Arte 2 de Mayo, Madrid ES
curated by Manuela Moscoso and Aimar Arriola
Vic Cambrils Barcelona... A Library Project, Midway Contemporary Art, Minneapolis US
curated by Latitudes (Max Andrews and Mariana Canepa)
Efervescente, Palais de Glace, Buenos Aires AR
Ref. 08001, Galería Nogueras Blanchard, Barcelona ES
curated by Juan Canela
7th Leandre Cristòfol Biennial, Centre d’Art La Panera, Lleida ES

2009
The Malady of Writing, Centre d'Estudis i Documentació del MACBA, Barcelona ES
curated by Chus Martinez
Re/apropiaciones, MEIAC, Extremadura ES
curated by Gustavo Romano
Five Platonic Solids, Halfhouse, Barcelona ES
Cartografies del no-lloc, Espai d’Arts Roca Umbert, Barcelona ES

2008
Biennal d’Art Ciutat d’Amposta, Museu Comarcal del Montsià, Tarragona ES
Exposició núm. 2, Sala d’Art Jove, Barcelona ES
curated by Martí Anson

2007
Biennal d’Art de Valls, Museo de Valls, Tarragona ES

2006
XV Biennal d’Art Contemporani Català, Sant Cugat ES

Film festivals and screenings

2015
Lima Independiente, Lima PE
Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR
2014
Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR
FUSO, Lisbon PT
2013
Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR
Lovely Days, Brac HR (programmed by Anne Barlow)
2012
Loop Fair, Galeria Toni Tàpies booth, Barcelona ES
Menagerie, S1 Artspace, Sheffield UK
2011
Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR

Grants and prices

2014
Generación 2015, Fundación Montemadrid, Madrid ES
2012
Premis GAC, Barcelona ES (best solo exhibition at a gallery)
2011
Research grant, CoNCA, Barcelona ES
2010
Premio Fundación José García Jiménez, Murcia ES (first prize)
Research grant, CoNCA, Barcelona ES
2009
Premio Injuve de Artes Visuales, Injuve, Madrid ES (second prize)
Premi Miquel Casablancas, C.C. Sant Andreu, Barcelona ES (first prize)
Cajasol grant for visual arts projects, Obra Social Cajasol, Sevilla ES
Agita Beques a la creació, Ajuntament de Figueres, Girona ES
2008
Premi d’Arts Visuals Ciutat de Burriana, Castellón ES (acquisition-prize)
2007
Beques i ajuts per a la creació artística, Fundació Guasch Coranty, Barcelona ES

Residencies

2015-2016 Jan van Eyck Academie, Maastricht NL
2014 Tenjinyama Studio, Sapporo JP
Sasso Residency, Vairano CH
2012 Casino Luxembourg, Luxembourg LU
2011 AREholland, Enschede NL
2010 Tokyo Wonder Site, Tokyo JP
2009 Hangar, Barcelona ES

Daniel Jacoby
Born in Lima PE - 1985 Based between Amsterdam and Maastricht NL Education 2012-2014 HfBK Städelschule, Frankfurt am Main DE (Class of Prof. Simon Starling/Peter Fischli) 2008-2009 MFA, Universitat de Barcelona, Barcelona ES (First Class Honors) 2005-2008 BFA, Universitat de Barcelona, Barcelona ES Solo/duo exhibitions 2015 Untitled, Galerie Antoine Levi, Paris FR (upcoming) Untitled, Sabot, Cluj-Napoca RO (upcoming) 2014 Ahold of Get the Things To, Galerie Antoine Levi, Paris FR Ahold of Get the Things To, Galería Maisterravalbuena, Madrid ES 2012 A Mount-Rushmore-Resembling Piece of Cheddar Cheese..., 1646, The Hague NL Latsempo?ar, Casino Luxembourg Project Room, Luxembourg LU 2011 Untitled Story Vol. 2, Espacio Trapézio, Madrid ES (featuring Marcel Pié) Es sumamente extraño pensar que este árbol..., Capella de Sant Roc, Valls ES Should Auld Acquaintance Be Forgot, Valle Ortí Gallery-Video Room, Valencia ES 2010 La lógica del ornitorrinco, Galeria Toni Tàpies, Barcelona ES adenOrr, Museu de l’Empordà, Figueres ES (con Verónica Aguilera) 2009 Métodos, Square Studio, Barcelona ES Pdtpe20dfelp100a, L’Aparador del Museu Abelló, Mollet ES Métodos, Galería Hacia el Mar, Lima PE Group exhibitions 2015 The hidden Soul of the Unanimated, Goethe Institut, Porto Alegre BR (upcoming) curated by Bernardo de Souza and Ludwig Seyfarth ArteBA, solo presentation with Galerie Antoine Levi, Buenos Aires AR Won’t You Not See, Maison Grégoire, Brussels BE 2014 Frieze London, solo presentation with Galerie Antoine Levi, London UK Food Now, Junefirst Gallery, Berlin DE Be Mysterious, The Banff Centre-Walter Phillips Gallery, Banff CA curated by Jesse McKee Nieuwe Tijd, Oude Kerk, Amsterdam NL curated by Non-fiction Forårsudstillingen, Kunsthal Charlottenborg, Copenhagen DK A Thousand Varied Uses, Galería Nogueras Blanchard, Madrid ES curated by Kevin Gallagher Rundgang, HfBK Städelschule, Frankfurt am Main DE 2013 Duda original, Plataforma Revolver, Lisbon PT curated by Veronica Valentini and Andrea Rodriguez Collision Course, Sodom&Gomorrah, Amsterdam NL Goodbye Lukas, Amstel41, Amsterdam NL Reading Dance, Galerie Antoine Levi, Paris FR Collective Fictions, Palais de Tokyo, Paris FR curated by A. de Galbert, I. Le Normand, A. Rujoiu, A. Berardini and J. McKee FFM:HH, Kunstverein Harburger Bahnhof, Hamburg DE curated by Franziska Solte and Isabelle Busch Rundgang, HfBK Städelschule, Frankfurt am Main DE 2012 Pop Politics, Centro de Arte 2 de Mayo, Madrid ES curated by Iván López Munuera The Suspicion of Suspense, Trafó, Budapest HU curated by Áron Fenyvesi Dejar actuar al tiempo, Fundación Telefónica, Lima PE curated by Luis Alvarado You and Eye, Circuito Líquido, Havana CU curated by Ada Azor and Wendy Navarro Solo Projects Programme, ARCO, Madrid ES 2011 11th Cuenca Biennial, Cuenca EC curated by Fernando Castro Flórez Around Is Impossible, La Casa Encendida, Madrid ES curated by Lorenzo Sandoval La qüestió del paradigme, Centre d’Art La Panera, Lleida ES, La Capella, Barcelona ES curated by Manuel Segade Relats encadenats, Centre d’Art La Panera, Lleida ES curated by Glòria Picazo Tokyo Story, Tokyo Wonder Site Aoyama, Tokyo JP 2010 JULIO #5, Centro Cultural São Paulo, Sao Paulo BR curated by Manuela Moscoso and Ramón Mateos Before Everything, Centro de Arte 2 de Mayo, Madrid ES curated by Manuela Moscoso and Aimar Arriola Vic Cambrils Barcelona... A Library Project, Midway Contemporary Art, Minneapolis US curated by Latitudes (Max Andrews and Mariana Canepa) Efervescente, Palais de Glace, Buenos Aires AR Ref. 08001, Galería Nogueras Blanchard, Barcelona ES curated by Juan Canela 7th Leandre Cristòfol Biennial, Centre d’Art La Panera, Lleida ES 2009 The Malady of Writing, Centre d'Estudis i Documentació del MACBA, Barcelona ES curated by Chus Martinez Re/apropiaciones, MEIAC, Extremadura ES curated by Gustavo Romano Five Platonic Solids, Halfhouse, Barcelona ES Cartografies del no-lloc, Espai d’Arts Roca Umbert, Barcelona ES 2008 Biennal d’Art Ciutat d’Amposta, Museu Comarcal del Montsià, Tarragona ES Exposició núm. 2, Sala d’Art Jove, Barcelona ES curated by Martí Anson 2007 Biennal d’Art de Valls, Museo de Valls, Tarragona ES 2006 XV Biennal d’Art Contemporani Català, Sant Cugat ES Film festivals and screenings 2015 Lima Independiente, Lima PE Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR 2014 Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR FUSO, Lisbon PT 2013 Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR Lovely Days, Brac HR (programmed by Anne Barlow) 2012 Loop Fair, Galeria Toni Tàpies booth, Barcelona ES Menagerie, S1 Artspace, Sheffield UK 2011 Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR Grants and prices 2014 Generación 2015, Fundación Montemadrid, Madrid ES 2012 Premis GAC, Barcelona ES (best solo exhibition at a gallery) 2011 Research grant, CoNCA, Barcelona ES 2010 Premio Fundación José García Jiménez, Murcia ES (first prize) Research grant, CoNCA, Barcelona ES 2009 Premio Injuve de Artes Visuales, Injuve, Madrid ES (second prize) Premi Miquel Casablancas, C.C. Sant Andreu, Barcelona ES (first prize) Cajasol grant for visual arts projects, Obra Social Cajasol, Sevilla ES Agita Beques a la creació, Ajuntament de Figueres, Girona ES 2008 Premi d’Arts Visuals Ciutat de Burriana, Castellón ES (acquisition-prize) 2007 Beques i ajuts per a la creació artística, Fundació Guasch Coranty, Barcelona ES Residencies 2015-2016 Jan van Eyck Academie, Maastricht NL 2014 Tenjinyama Studio, Sapporo JP Sasso Residency, Vairano CH 2012 Casino Luxembourg, Luxembourg LU 2011 AREholland, Enschede NL 2010 Tokyo Wonder Site, Tokyo JP 2009 Hangar, Barcelona ES

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  • Western Sahara
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