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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Daniel Jacoby

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born in Lima PE - 1985
Based between Amsterdam and Maastricht NL

Education

2012-2014 HfBK Städelschule, Frankfurt am Main DE (Class of Prof. Simon Starling/Peter Fischli)
2008-2009 MFA, Universitat de Barcelona, Barcelona ES (First Class Honors)
2005-2008 BFA, Universitat de Barcelona, Barcelona ES

Solo/duo exhibitions

2015
Untitled, Galerie Antoine Levi, Paris FR (upcoming)
Untitled, Sabot, Cluj-Napoca RO (upcoming)

2014
Ahold of Get the Things To, Galerie Antoine Levi, Paris FR
Ahold of Get the Things To, Galería Maisterravalbuena, Madrid ES

2012
A Mount-Rushmore-Resembling Piece of Cheddar Cheese..., 1646, The Hague NL
Latsempo?ar, Casino Luxembourg Project Room, Luxembourg LU

2011
Untitled Story Vol. 2, Espacio Trapézio, Madrid ES (featuring Marcel Pié)
Es sumamente extraño pensar que este árbol..., Capella de Sant Roc, Valls ES
Should Auld Acquaintance Be Forgot, Valle Ortí Gallery-Video Room, Valencia ES

2010
La lógica del ornitorrinco, Galeria Toni Tàpies, Barcelona ES
adenOrr, Museu de l’Empordà, Figueres ES (con Verónica Aguilera)

2009
Métodos, Square Studio, Barcelona ES
Pdtpe20dfelp100a, L’Aparador del Museu Abelló, Mollet ES
Métodos, Galería Hacia el Mar, Lima PE

Group exhibitions

2015
The hidden Soul of the Unanimated, Goethe Institut, Porto Alegre BR (upcoming)
curated by Bernardo de Souza and Ludwig Seyfarth
ArteBA, solo presentation with Galerie Antoine Levi, Buenos Aires AR
Won’t You Not See, Maison Grégoire, Brussels BE

2014
Frieze London, solo presentation with Galerie Antoine Levi, London UK
Food Now, Junefirst Gallery, Berlin DE
Be Mysterious, The Banff Centre-Walter Phillips Gallery, Banff CA
curated by Jesse McKee
Nieuwe Tijd, Oude Kerk, Amsterdam NL
curated by Non-fiction
Forårsudstillingen, Kunsthal Charlottenborg, Copenhagen DK
A Thousand Varied Uses, Galería Nogueras Blanchard, Madrid ES
curated by Kevin Gallagher
Rundgang, HfBK Städelschule, Frankfurt am Main DE

2013
Duda original, Plataforma Revolver, Lisbon PT
curated by Veronica Valentini and Andrea Rodriguez
Collision Course, Sodom&Gomorrah, Amsterdam NL
Goodbye Lukas, Amstel41, Amsterdam NL
Reading Dance, Galerie Antoine Levi, Paris FR
Collective Fictions, Palais de Tokyo, Paris FR
curated by A. de Galbert, I. Le Normand, A. Rujoiu, A. Berardini and J. McKee
FFM:HH, Kunstverein Harburger Bahnhof, Hamburg DE
curated by Franziska Solte and Isabelle Busch
Rundgang, HfBK Städelschule, Frankfurt am Main DE

2012
Pop Politics, Centro de Arte 2 de Mayo, Madrid ES
curated by Iván López Munuera
The Suspicion of Suspense, Trafó, Budapest HU
curated by Áron Fenyvesi
Dejar actuar al tiempo, Fundación Telefónica, Lima PE
curated by Luis Alvarado
You and Eye, Circuito Líquido, Havana CU
curated by Ada Azor and Wendy Navarro
Solo Projects Programme, ARCO, Madrid ES

2011
11th Cuenca Biennial, Cuenca EC
curated by Fernando Castro Flórez
Around Is Impossible, La Casa Encendida, Madrid ES
curated by Lorenzo Sandoval
La qüestió del paradigme, Centre d’Art La Panera, Lleida ES, La Capella, Barcelona ES
curated by Manuel Segade
Relats encadenats, Centre d’Art La Panera, Lleida ES
curated by Glòria Picazo
Tokyo Story, Tokyo Wonder Site Aoyama, Tokyo JP

2010
JULIO #5, Centro Cultural São Paulo, Sao Paulo BR
curated by Manuela Moscoso and Ramón Mateos
Before Everything, Centro de Arte 2 de Mayo, Madrid ES
curated by Manuela Moscoso and Aimar Arriola
Vic Cambrils Barcelona... A Library Project, Midway Contemporary Art, Minneapolis US
curated by Latitudes (Max Andrews and Mariana Canepa)
Efervescente, Palais de Glace, Buenos Aires AR
Ref. 08001, Galería Nogueras Blanchard, Barcelona ES
curated by Juan Canela
7th Leandre Cristòfol Biennial, Centre d’Art La Panera, Lleida ES

2009
The Malady of Writing, Centre d'Estudis i Documentació del MACBA, Barcelona ES
curated by Chus Martinez
Re/apropiaciones, MEIAC, Extremadura ES
curated by Gustavo Romano
Five Platonic Solids, Halfhouse, Barcelona ES
Cartografies del no-lloc, Espai d’Arts Roca Umbert, Barcelona ES

2008
Biennal d’Art Ciutat d’Amposta, Museu Comarcal del Montsià, Tarragona ES
Exposició núm. 2, Sala d’Art Jove, Barcelona ES
curated by Martí Anson

2007
Biennal d’Art de Valls, Museo de Valls, Tarragona ES

2006
XV Biennal d’Art Contemporani Català, Sant Cugat ES

Film festivals and screenings

2015
Lima Independiente, Lima PE
Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR
2014
Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR
FUSO, Lisbon PT
2013
Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR
Lovely Days, Brac HR (programmed by Anne Barlow)
2012
Loop Fair, Galeria Toni Tàpies booth, Barcelona ES
Menagerie, S1 Artspace, Sheffield UK
2011
Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR

Grants and prices

2014
Generación 2015, Fundación Montemadrid, Madrid ES
2012
Premis GAC, Barcelona ES (best solo exhibition at a gallery)
2011
Research grant, CoNCA, Barcelona ES
2010
Premio Fundación José García Jiménez, Murcia ES (first prize)
Research grant, CoNCA, Barcelona ES
2009
Premio Injuve de Artes Visuales, Injuve, Madrid ES (second prize)
Premi Miquel Casablancas, C.C. Sant Andreu, Barcelona ES (first prize)
Cajasol grant for visual arts projects, Obra Social Cajasol, Sevilla ES
Agita Beques a la creació, Ajuntament de Figueres, Girona ES
2008
Premi d’Arts Visuals Ciutat de Burriana, Castellón ES (acquisition-prize)
2007
Beques i ajuts per a la creació artística, Fundació Guasch Coranty, Barcelona ES

Residencies

2015-2016 Jan van Eyck Academie, Maastricht NL
2014 Tenjinyama Studio, Sapporo JP
Sasso Residency, Vairano CH
2012 Casino Luxembourg, Luxembourg LU
2011 AREholland, Enschede NL
2010 Tokyo Wonder Site, Tokyo JP
2009 Hangar, Barcelona ES

Daniel Jacoby
Born in Lima PE - 1985 Based between Amsterdam and Maastricht NL Education 2012-2014 HfBK Städelschule, Frankfurt am Main DE (Class of Prof. Simon Starling/Peter Fischli) 2008-2009 MFA, Universitat de Barcelona, Barcelona ES (First Class Honors) 2005-2008 BFA, Universitat de Barcelona, Barcelona ES Solo/duo exhibitions 2015 Untitled, Galerie Antoine Levi, Paris FR (upcoming) Untitled, Sabot, Cluj-Napoca RO (upcoming) 2014 Ahold of Get the Things To, Galerie Antoine Levi, Paris FR Ahold of Get the Things To, Galería Maisterravalbuena, Madrid ES 2012 A Mount-Rushmore-Resembling Piece of Cheddar Cheese..., 1646, The Hague NL Latsempo?ar, Casino Luxembourg Project Room, Luxembourg LU 2011 Untitled Story Vol. 2, Espacio Trapézio, Madrid ES (featuring Marcel Pié) Es sumamente extraño pensar que este árbol..., Capella de Sant Roc, Valls ES Should Auld Acquaintance Be Forgot, Valle Ortí Gallery-Video Room, Valencia ES 2010 La lógica del ornitorrinco, Galeria Toni Tàpies, Barcelona ES adenOrr, Museu de l’Empordà, Figueres ES (con Verónica Aguilera) 2009 Métodos, Square Studio, Barcelona ES Pdtpe20dfelp100a, L’Aparador del Museu Abelló, Mollet ES Métodos, Galería Hacia el Mar, Lima PE Group exhibitions 2015 The hidden Soul of the Unanimated, Goethe Institut, Porto Alegre BR (upcoming) curated by Bernardo de Souza and Ludwig Seyfarth ArteBA, solo presentation with Galerie Antoine Levi, Buenos Aires AR Won’t You Not See, Maison Grégoire, Brussels BE 2014 Frieze London, solo presentation with Galerie Antoine Levi, London UK Food Now, Junefirst Gallery, Berlin DE Be Mysterious, The Banff Centre-Walter Phillips Gallery, Banff CA curated by Jesse McKee Nieuwe Tijd, Oude Kerk, Amsterdam NL curated by Non-fiction Forårsudstillingen, Kunsthal Charlottenborg, Copenhagen DK A Thousand Varied Uses, Galería Nogueras Blanchard, Madrid ES curated by Kevin Gallagher Rundgang, HfBK Städelschule, Frankfurt am Main DE 2013 Duda original, Plataforma Revolver, Lisbon PT curated by Veronica Valentini and Andrea Rodriguez Collision Course, Sodom&Gomorrah, Amsterdam NL Goodbye Lukas, Amstel41, Amsterdam NL Reading Dance, Galerie Antoine Levi, Paris FR Collective Fictions, Palais de Tokyo, Paris FR curated by A. de Galbert, I. Le Normand, A. Rujoiu, A. Berardini and J. McKee FFM:HH, Kunstverein Harburger Bahnhof, Hamburg DE curated by Franziska Solte and Isabelle Busch Rundgang, HfBK Städelschule, Frankfurt am Main DE 2012 Pop Politics, Centro de Arte 2 de Mayo, Madrid ES curated by Iván López Munuera The Suspicion of Suspense, Trafó, Budapest HU curated by Áron Fenyvesi Dejar actuar al tiempo, Fundación Telefónica, Lima PE curated by Luis Alvarado You and Eye, Circuito Líquido, Havana CU curated by Ada Azor and Wendy Navarro Solo Projects Programme, ARCO, Madrid ES 2011 11th Cuenca Biennial, Cuenca EC curated by Fernando Castro Flórez Around Is Impossible, La Casa Encendida, Madrid ES curated by Lorenzo Sandoval La qüestió del paradigme, Centre d’Art La Panera, Lleida ES, La Capella, Barcelona ES curated by Manuel Segade Relats encadenats, Centre d’Art La Panera, Lleida ES curated by Glòria Picazo Tokyo Story, Tokyo Wonder Site Aoyama, Tokyo JP 2010 JULIO #5, Centro Cultural São Paulo, Sao Paulo BR curated by Manuela Moscoso and Ramón Mateos Before Everything, Centro de Arte 2 de Mayo, Madrid ES curated by Manuela Moscoso and Aimar Arriola Vic Cambrils Barcelona... A Library Project, Midway Contemporary Art, Minneapolis US curated by Latitudes (Max Andrews and Mariana Canepa) Efervescente, Palais de Glace, Buenos Aires AR Ref. 08001, Galería Nogueras Blanchard, Barcelona ES curated by Juan Canela 7th Leandre Cristòfol Biennial, Centre d’Art La Panera, Lleida ES 2009 The Malady of Writing, Centre d'Estudis i Documentació del MACBA, Barcelona ES curated by Chus Martinez Re/apropiaciones, MEIAC, Extremadura ES curated by Gustavo Romano Five Platonic Solids, Halfhouse, Barcelona ES Cartografies del no-lloc, Espai d’Arts Roca Umbert, Barcelona ES 2008 Biennal d’Art Ciutat d’Amposta, Museu Comarcal del Montsià, Tarragona ES Exposició núm. 2, Sala d’Art Jove, Barcelona ES curated by Martí Anson 2007 Biennal d’Art de Valls, Museo de Valls, Tarragona ES 2006 XV Biennal d’Art Contemporani Català, Sant Cugat ES Film festivals and screenings 2015 Lima Independiente, Lima PE Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR 2014 Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR FUSO, Lisbon PT 2013 Videobrasil: Panoramas do Sul, SESC Sao Paulo, Sao Paulo BR Lovely Days, Brac HR (programmed by Anne Barlow) 2012 Loop Fair, Galeria Toni Tàpies booth, Barcelona ES Menagerie, S1 Artspace, Sheffield UK 2011 Les Rencontres Internationales, Gaîté Lyrique-Videotheque, Paris FR Grants and prices 2014 Generación 2015, Fundación Montemadrid, Madrid ES 2012 Premis GAC, Barcelona ES (best solo exhibition at a gallery) 2011 Research grant, CoNCA, Barcelona ES 2010 Premio Fundación José García Jiménez, Murcia ES (first prize) Research grant, CoNCA, Barcelona ES 2009 Premio Injuve de Artes Visuales, Injuve, Madrid ES (second prize) Premi Miquel Casablancas, C.C. Sant Andreu, Barcelona ES (first prize) Cajasol grant for visual arts projects, Obra Social Cajasol, Sevilla ES Agita Beques a la creació, Ajuntament de Figueres, Girona ES 2008 Premi d’Arts Visuals Ciutat de Burriana, Castellón ES (acquisition-prize) 2007 Beques i ajuts per a la creació artística, Fundació Guasch Coranty, Barcelona ES Residencies 2015-2016 Jan van Eyck Academie, Maastricht NL 2014 Tenjinyama Studio, Sapporo JP Sasso Residency, Vairano CH 2012 Casino Luxembourg, Luxembourg LU 2011 AREholland, Enschede NL 2010 Tokyo Wonder Site, Tokyo JP 2009 Hangar, Barcelona ES

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