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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Nika Radić

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Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

We are surrounded by images, but their meaning is often different for different people. How we perceive our visual surroundings depends largely on our previous experience. I am interested in how much we can communicate through visual language, where are the limits of communication and where misapprehensions begin. It is an important topic because it is not only about how we understand a certain image but also how we understand art in general and finally how we understand each other across cultures and backgrounds.
I have also published on the subject but I mainly works in the medium of photography, installation or film.


Biography

Born in Zagreb, Croatia in 1968. Based in Berlin.

Education

1992 studied and graduated from the Academy of Fine Arts in Zagreb (sculpture department)
one semester as a guest student at the Academy of Fine Arts in Vienna.
1994 a semester as a guest student at the Brera Academy in Milan
2008 studied and graduated in Art History at the University of Vienna

Solo exhibitions

2015
"Getting Up", Rigo Gallery, Novigrad
"Private View", Sonntag, Berlin

2014
"Translation", Gallery SC, Zagreb (with Nick Crowe and Ian Rawlinson)

2013
"Poruka" (Message), MMC Luka, Pula
Nika Radic - Annie Davey, LoBe, Berlin

2012
“Vernissage”, Rigo Gallery, Novigrad

2011
“Passing By”, MKC, Split
“We Need to Talk”, Glyptothek, Zagreb

2010
“Out of Place”, Galerie Traversée, München

2009
“Discontinuities, Breaks, Hiatuses and Short Circuits”, a 10 year mid-career retrospective, Museum of Contemporary Art Vojvodina, Novi Sad
“Biography”, Waldinger Gallery, Osijek

2008
"Deezeebee", with P. Brandlmayer and C. Sinatti, O’ Artoteca, Milano

2007
3 Windows, Zilik, Karlovac
"Il gesto", Studio Vanna Casati, Bergamo

2006
Moria Gallery, Starigrad
“Door”, Gallery Lotršcak, Zagreb

2005
“Getting Up”, Sederholm House, Helsinki City Museum
“Scream”, Studio Tommaseo, Trieste Contemporanea, Triest

2004
"Journal", Living Art Museum, Reykjavik
"Ohne Worte", Grita Insam gallery, Vienna
"Govor" (“Speech”), "Miroslav Kraljevic" gallery, Zagreb
"Cahura" (“Cocoon”), Pilot 04, Museum of Contemporary Art, Zagreb

2002
"Conversation in Nagarrindjeri", Studio "J. Racic", Zagreb

2001
Studio Vanna Casati, Bergamo
Beck Gallery, Zagreb

2000
“Umbau”, Grita Insam Gallery, Vienna
"Klovicevi Dvori", Zagreb
"Sehenswürdigkeiten", with S. Boccalini, Kunsthaus Essen, Essen

1999
"Galženica" gallery, Velika Gorica, Zagreb
"Otvoreni Atelier", Zagreb

1998
Gasviertel, Kiez e.V., Dessau
Galerie du Tableau, Marseille

1997
VBKÖ, Vienna

1996
Gradska Gallery, Zagreb
Ethnographic Museum, Split
Gallery CKO, Zagreb

1995
Collegio Cairoli, Pavia
SC Gallery, Zagreb

1993
Forum Gallery Studio, Zagreb

1992
VN Gallery, Zagreb

Group exhibitions (selection since 2005)

2015
"Cumuli - Trading Places", L40 - Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V., Berlin
"Hitchhiker's guide to the gallaxy - one segment of nomadism in art", Schaufenster, Berlin

2014
Something with Performance, KuLe, Berlin
Supershow XXS, DNA, Berlin

2013
38. Splitski Salon, Split
Performance "The Case of Neda Kovacevic" as part of the conference "Modernity, Socialism and the Visual Arts", Akademie der Künste, Berlin
Festival der Regionen, Eferding, Austria
Lichter Filmfestival, Frankfurt a.M. (Three Windows)
27. International Film Festival Braunschweig (There was no Wind)
"Imageination", Kaptol Centar, Zagreb
LA Berlin, & Model, Leeds

2012
Asymetric Europe, Museum of Contemporary Art Vojvodina, Novi Sad
Paraphrasing Babel, video projections in public spaces in Maastricht and Heerlen, Stichting Viewmaster
Scenarios about Europe – Scenario 3, Galerie für zeitgenössische Kunst, Leipzig
„Smashed“, Lobe Gallery, Berlin
Instants Video Festival - Marseille

2011
T-HT@MSU, Museum of Contemporary Art, Zagreb

2010
Media Facades Festival, Berlin, Brussels, Helsinki, Liverpool, Madrid
T-HT@MSU, Museum of Contemporary Art, Zagreb

2009
Video “Party” at the façade during the opening of the new Museum of Contemporary Art, Zagreb
Periodic Table, gallery Traversée, Munich
„Polis“, old printing plant, Pula
„Looking at others“, Art Pavilion, Zagreb

2008
Media Facades Festival, Berlin
“Otocka Karta”, Galerija Klovicevi Dvori, Zagreb
“Fragil ”, Espai Ubu, Loop, Barcelona

2007
HT@MSU, Museum of Contemporary Art, Zagreb
Reich und Schön müssen leider draußen bleiben, Field, Berlin
Urban Screen, CASZuidas, Amsterdam
Festival der Regionen, Kirchdorf a.d. Krems

2006
“Demokratie üben”, Westfälischer Kunstverein, Münster

2005
“Insert”, Museum of Contemporary Art, Zagreb
“Soireé prospectif cinema, Présentation de vidéos de pays post-Yougoslaves”, Centre Pompidou, Paris
Music Biennial, Zagreb, project “Public” at the Zagreb concert hall

Awards/residencies

2008 O’ AiR, Milano
2005 Young European Artist, Trieste Contemporanea 2005 Award, Trieste
2004 Artist in Residency, Living Art Museum, Reykjavik, Iceland
2003 "Radoslav Putar" award for young artists by the Institute for Contemporary Art, Zagreb
1994 ”Arte ad Arta” Prize for young middle European sculptors
1992 Zagreb Bank Prize for the graduate work

Nika Radić
Born in Zagreb, Croatia in 1968. Based in Berlin. Education 1992 studied and graduated from the Academy of Fine Arts in Zagreb (sculpture department) one semester as a guest student at the Academy of Fine Arts in Vienna. 1994 a semester as a guest student at the Brera Academy in Milan 2008 studied and graduated in Art History at the University of Vienna Solo exhibitions 2015 Getting Up, Rigo Gallery, Novigrad Private View, Sonntag, Berlin 2014 Translation, Gallery SC, Zagreb (with Nick Crowe and Ian Rawlinson) 2013 Poruka (Message), MMC Luka, Pula Nika Radic - Annie Davey, LoBe, Berlin 2012 “Vernissage”, Rigo Gallery, Novigrad 2011 “Passing By”, MKC, Split “We Need to Talk”, Glyptothek, Zagreb 2010 “Out of Place”, Galerie Traversée, München 2009 “Discontinuities, Breaks, Hiatuses and Short Circuits”, a 10 year mid-career retrospective, Museum of Contemporary Art Vojvodina, Novi Sad “Biography”, Waldinger Gallery, Osijek 2008 Deezeebee, with P. Brandlmayer and C. Sinatti, O’ Artoteca, Milano 2007 3 Windows, Zilik, Karlovac Il gesto, Studio Vanna Casati, Bergamo 2006 Moria Gallery, Starigrad “Door”, Gallery Lotršcak, Zagreb 2005 “Getting Up”, Sederholm House, Helsinki City Museum “Scream”, Studio Tommaseo, Trieste Contemporanea, Triest 2004 Journal, Living Art Museum, Reykjavik Ohne Worte, Grita Insam gallery, Vienna Govor (“Speech”), Miroslav Kraljevic gallery, Zagreb Cahura (“Cocoon”), Pilot 04, Museum of Contemporary Art, Zagreb 2002 Conversation in Nagarrindjeri, Studio J. Racic, Zagreb 2001 Studio Vanna Casati, Bergamo Beck Gallery, Zagreb 2000 “Umbau”, Grita Insam Gallery, Vienna Klovicevi Dvori, Zagreb Sehenswürdigkeiten, with S. Boccalini, Kunsthaus Essen, Essen 1999 Galženica gallery, Velika Gorica, Zagreb Otvoreni Atelier, Zagreb 1998 Gasviertel, Kiez e.V., Dessau Galerie du Tableau, Marseille 1997 VBKÖ, Vienna 1996 Gradska Gallery, Zagreb Ethnographic Museum, Split Gallery CKO, Zagreb 1995 Collegio Cairoli, Pavia SC Gallery, Zagreb 1993 Forum Gallery Studio, Zagreb 1992 VN Gallery, Zagreb Group exhibitions (selection since 2005) 2015 Cumuli - Trading Places, L40 - Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V., Berlin Hitchhiker's guide to the gallaxy - one segment of nomadism in art, Schaufenster, Berlin 2014 Something with Performance, KuLe, Berlin Supershow XXS, DNA, Berlin 2013 38. Splitski Salon, Split Performance The Case of Neda Kovacevic as part of the conference Modernity, Socialism and the Visual Arts, Akademie der Künste, Berlin Festival der Regionen, Eferding, Austria Lichter Filmfestival, Frankfurt a.M. (Three Windows) 27. International Film Festival Braunschweig (There was no Wind) Imageination, Kaptol Centar, Zagreb LA Berlin, & Model, Leeds 2012 Asymetric Europe, Museum of Contemporary Art Vojvodina, Novi Sad Paraphrasing Babel, video projections in public spaces in Maastricht and Heerlen, Stichting Viewmaster Scenarios about Europe – Scenario 3, Galerie für zeitgenössische Kunst, Leipzig „Smashed“, Lobe Gallery, Berlin Instants Video Festival - Marseille 2011 T-HT@MSU, Museum of Contemporary Art, Zagreb 2010 Media Facades Festival, Berlin, Brussels, Helsinki, Liverpool, Madrid T-HT@MSU, Museum of Contemporary Art, Zagreb 2009 Video “Party” at the façade during the opening of the new Museum of Contemporary Art, Zagreb Periodic Table, gallery Traversée, Munich „Polis“, old printing plant, Pula „Looking at others“, Art Pavilion, Zagreb 2008 Media Facades Festival, Berlin “Otocka Karta”, Galerija Klovicevi Dvori, Zagreb “Fragil ”, Espai Ubu, Loop, Barcelona 2007 HT@MSU, Museum of Contemporary Art, Zagreb Reich und Schön müssen leider draußen bleiben, Field, Berlin Urban Screen, CASZuidas, Amsterdam Festival der Regionen, Kirchdorf a.d. Krems 2006 “Demokratie üben”, Westfälischer Kunstverein, Münster 2005 “Insert”, Museum of Contemporary Art, Zagreb “Soireé prospectif cinema, Présentation de vidéos de pays post-Yougoslaves”, Centre Pompidou, Paris Music Biennial, Zagreb, project “Public” at the Zagreb concert hall Awards/residencies 2008 O’ AiR, Milano 2005 Young European Artist, Trieste Contemporanea 2005 Award, Trieste 2004 Artist in Residency, Living Art Museum, Reykjavik, Iceland 2003 Radoslav Putar award for young artists by the Institute for Contemporary Art, Zagreb 1994 ”Arte ad Arta” Prize for young middle European sculptors 1992 Zagreb Bank Prize for the graduate work

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