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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Janet Biggs

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de

Connersmith
Leigh Conner
1358 Florida Ave
DC 20002 Washington
United States

Phone: +2025888750
E-Mail: info@connersmith.us.com




Statement

Janet Biggs is known primarily for her work in video, photography and performance. She lives and works in New York City. She has captured such events as speeding motorcycles on the Bonneville salt flats, horses galloping on treadmills, Olympic synchronized swimmers in their attempts to defy gravity, and kayaks performing a synchronized ballet in Arctic waters.


Biography

Born 1959 in Harrisburg, Pennsylvania
Lives and works in New York City

Education

1983-1984 Graduate Studies, Rhode Island School of Design
1979-1982
B.F.A., Moore College of Art, Philadelphia
1977-1978
Experiment in International Living, Basel, Switzerland


Selected solo exhibitions / screenings / performances

2019
Overview Effect
, Cristin Tierney Gallery, New York, NY
Connections
(two-person exhibition), Espacio de Arte Contemporáneo, Montevideo, Uruguay

2018     
 Like Walking on Mars,The Museo de la Naturaleza y el Hombre, Tenerife, Spain
 Like Walking on Mars,
The Museo de La Cienca y El Cosmos, Tenerife, Spain

2017
 Janet Biggs: A Step on the Sun, Neuberger Museum of Art, Purchase, NY (September 10 - December 22, 2017)
Janet Biggs
, solo screening, La Maison Européenne de la Photographie, Paris, presented as part of Dance With Me Video
Janet Biggs
, Joslyn Art Museum, Omaha, NE
Endurance
, Cristin Tierney Gallery, New York City (two-person with Regina José Galindo)

2016
Echo of the Unknown
, UWAG: University of Waterloo Art Gallery, Waterloo, Ontario, Canada
Can't Find My Way Home
, hase29 - Kunstraum, Gesellschaft für Zeitgenossische Kunst Osnabrück E.V., Osnabrück, Germany
Afar
, SCAD Museum of Art, Savannah College of Art and Design, Savannah, Georgia
within touching distance, Christin Tierney Gallery, New York City

2015
Echo of the Unknown
, Blaffer Art Museum, University of Houson, Houston, Texas

2014
Airs Above the Ground, solo screening, Galerie Analix, Geneva, Switzerland

2013
A Step On the Sun, video project room, Galerie Ron Mandos, Amsterdam, Netherlands
Somewhere Beyond Nowhere, Smack Mellon, Brooklyn, New York
A Step On the Sun, Solo Screening at the The Armory Show, New York City

2012
Janet Biggs, Musée d'art contemporain de Montréal, Canada
Randsucher, Glaskasten Marl Sculpture Museum, Marl, Germany
Arctic Trilogy, Galerie Anita Beckers, Frankfurt am Main, Germany
Airs Above the Ground, Artbox at the Stadtbibiliothek, European Media Arts Festival, Osnabrueck, Germany
Kawah Ijen, Conner Contemporary Art, Washington, DC
Arctic Trilogy. Presented as part of the Environmental Film Festival at the Hirshhorn Museum, Washington, DC

2011
No Limits: The Video Work of Janet Biggs (Survey exhibition), Tampa Museum of Art, Tampa, Florida
The Arctic Trilogy, Winkleman Gallery, New York City
Wet Exit (performance), presented by Smack Melon, part of the Dumbo Arts Festival, Brooklyn, New York

2010
Vantage Point IX: Janet Biggs: Going to Extremes, Mint Museum of Art, Charlotte, North Carolina
Janet Biggs, Conner Contemporary Art, Washington DC
Vanishing Point, McNay Art Museum, San Antonio, Texas

2009
Vanishing Point, Clair Oliver Gallery New York City
Janet Biggs and Anthony Gonzales (M83). River to River Festival, World Financial Center, New York City
Anana Dream, Perth Institute of Contemporary Arts Screen Space, Perth, Australia

2008
Tracking Up, Solomon Projects, Atlanta, Georgia

2007
Enemy of the Good, multi-media performance, Miami, Florida
Like Tears in Rain, Gibbes Museum of Art, Charleston, South Carolina

2006
Hit Me With Your Rhythm Stick, multi-media performance, Miami, Florida
Like Tears in Rain, Claire Oliver Gallery, New York
Behind the Vertical, Hermés New York Flagship Store. Site-specific installation
Captured, Dance Theatre Workshop, New York City

2005
Rules of Engagement, multi-media performance, New York. (In collaboration with choreographer JoAnna Mendl Shaw)

2004
Janet Biggs: Norms and Forms, The Galleries at Moore, Moore College of Art and Design, Philadelphia
One on One, University of Connecticut Contemporary Art Galleries, Storrs, Connecticut
Janet Biggs, Rhode Island School of Design Museum, Providence, Rhode Island
New Video, Solomon Projects, Atlanta, Georgia

2002
Risperidone, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

2001
Janet Biggs, Team Gallery, New York City
Verge: Janet Biggs, Plains Art Museum, Fargo, North Dakota
Flight and Buspar, Western Gallery, Western Washington University, Bellingham, Washington

2000
Janet Biggs: Flight, Cincinnati Contemporary Art Center, Ohio
BuSpar, Solomon Projects, Atlanta, Georgia

1999
Flight, Zilkha Gallery, Wesleyan University, Middletown, Connecticut
Up Downs, John Michael Kohler Arts Center, Sheboygan, Wisconsin

1998
Water Training, Everson Museum of Art, Syracuse, New York

1997
Water Training, Anna Kustera Gallery, New York City

1996
Girls and Horses, Chassie Post Gallery, New York City

Selected group exhibitions / screenings

2018
Fordham University Gallery, Lincoln Center, New York, NY
Videonale e.V
., Bremen, Germany
Reconstructing Eden
, ArtMill, Szentendre, Hungary
Natura Loci
, Magasin Général Studio International, Sainte-Madeleine-de-la-Rivière- Madeleine, Quebec
A Journey to Freedom
, curated by Barbara Polla, Tasmanian Museum & Art Gallery,  Hobarth, Tasmania
17th Festival Internacional de la Imagen,
Manizales, Colombia
Art & Coal (Kunst & Kohle),
Skulpturenmuseum Glaskasten Marl, Marl, Germany
For a gentle song would not shake us if we had never heard a loud one,
Fotografisk Center, Copenhagen, Denmark

2017
 B3: Biennial of the Moving Image, Frankfurt Main (November 29 – December 3, 2017)
Fucking Beautiful,
Magda Danysz Gallery, Paris
Warning Shot
, Topographie de l'art, Paris
The Sweat of their Face: Portraying American Workers
, Smithsonian National Portrait Gallery, Washington, DC (November 3, 2017 - September 3, 2018)
Videos for a Stadium
, University of Kentucky Art Museum (screening at the Commonwealth Stadium at University of Kentucky) Lexington, KY
Mountains
, Muratcentoventidue Arte Contemporanea, Bari, Italy
Indirect Representations
, Cristin Tierney Gallery, New York, NY
Polaris
, Michener Art Museum, Doyletown, PA2016          Uncanny Energy (two person exhibition with Dana Hoey). Galerie Analix, Geneva, Switzerland

2016
For a gentle song would not shake us if we had never heard a loud one, Forogalleriet, Oslo, Norway
Fish Tank Project
, L.I.U. Humanities Gallery, Brooklyn, New York
Her Crowd: New Art by Women from Our Neighbors' Private Collections
, Bruce Museum, Greenwich, CT
Love Stories
, Les Photaumnales, 13 edition, Bequvais, Hauts-De-France, France
Uncanny Energy
, two person exhibition with Dana Hoey. Galerie Analix, Geneva, Switzerland

2015
Memory & Oblivion, Station Beirut, Beirut Lebanon
(Un)livable
(two person exhibition with Kari Soinio), Station Independent Projects, New York City
Body Memory.
Typographie de l'Art, Paris, France
Hybride Fragmentations.
3rd Biennale d'art contemporain de Douai, Douai, France
Sublime de Voyage: Biennale Art Nomad,
Curated by Paul Ardenne. Travelling exhibition to Arnac-la-Poste, France & Hauterives, France & Marseille, France & Venice, Italy
In the Paint: Basketball in Contemporary Art,
William Benton Museum of Art at University of Connecticut, Storrs, CT

2014
Beyond Earth Art, Johnson Museum of Art, Cornell University, Ithaca, New York
Five Videos, Boca Museum of Art, Boca Raton, Florida
Vanishing Point included in MOTOPOÉTIQUE, Musée d'art contemporain de Lyon, France
L'oiseau vole, Galerie Vanessa Quang, Paris, France.
A Step On the Sun (multi channel video installation), included in the International Biennial of Contemporary Art of Cartagena, Columbia.
Thaw, Dorsky Gallery, Long Island City, New York

2013
The Arctic Trilogy, Scotiabank Nuit Blanche, Toronto, Canada
Hanna Schaich and Janet Biggs Videoscreening, September 2013, microscope gallery, New York City
Fade to White, included in Crosstalk at The Contemporary Arts Galleries, The University of Connecticut
blinkvideo presents a selection for ikonoTV which will include ‘Airs Above the Ground’, Germany
the poetics of mountains, their mutations and multifarious things, Artprojx, Verbier , Switzerland
Grrls on Girls,Nitehawk Theatre’s Artist Film Club, Brooklyn, New York
Far From Now, Outpost Artists Resources, New York City
Oslo Screen Festival, Oslo Central Station, Norway
from here to there: parallel trajectories, Stedman Gallery, Rutgers University, Camden, New Jersey
Through This To That, Present Company, Brooklyn, New York
BiPolar Journeys To The Ends of the Earth, Ester Massry Gallery, College of St. Rose, Albany, New York

2012
True North, Anchorage Museum, Anchorage Alaska
Speed: The Art of the Performance Automobile, Utah Museum Of Art. Salt Lake City, Utah
Westobou Festival, Augusta, Georgia
Telegrams On The Table: An Interrupted Allegory + Picaresque Adventure, World Financial Center, New York City
Video 2012, Momenta Gallery, Brooklyn, New York

2011
Videonale: Dialog in Contemporary Video Art, National Taiwan Museum of Fine Arts (NTMoFA), Taichung, Taiwan
She Devil, Museo D’Arte Contemporanea Roma, Italy
Videonale 13, Kunstmuseum Bonn, Germany. The exhibition traveled to GOMA, Glasgow Gallery of Contemporary Art, UK and Ars Cameralis, Katowice, Poland.

2010
Video Art, Sidewalk Moving Picture Festival, Birmingham, Alabama

2009
Cutting the Edge, Miami International Film Festival, Miami, Florida
Chimera, Envoy Enterprises in New York City.
Chimera, Arcade Experimental Art Projects / Stoa Aeschylou in Nicosia, Cyprus
Young Identities (part of European Media Art Festival). Kunsthalle Dominikanerkirche, Osnabrueck, Germany
Oslo Screen Festival, Norway
Hollywould ..., Freewaves 11th International Festival of New Media Arts, Los Angeles
Water, Carroll Square Gallery, Washington, DC
Video Screenings, Sara Meltzer Gallery, New York City

2007
Keeping Up With the Jones, Schroeder Romero Gallery, New York City
Infinitu et Contini: Repeated Histories, Reinvented Resistances, Smack Mellon, Brooklyn, New York
Lumen Eclipse, outdoor video installation, Cambridge Square, Boston
Stop. Look. Listen: An Exhibition of Video Works, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Travelling Exhibition: Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin
North Sea Film Festival for Underwater Movies, the Hague, Netherlands
Contemporary, Cool and Collected, Mint Museum of Art, Charlotte, North Carolina
Antennae, Houston Center For Photography, Houston, Texas

2006
METU Video Festival, Middle Eastern Technical University, Ankara, Turkey
Claire Oliver Gallery, New York City

2005
Artists Pick, Exhibition at Larissa Goldston Gallery, New York City
FATHOM, Hatton Gallery, University of Newcastle, U.K

2004
PG-13 (Two-person exhibition with Barbara Pollock) Georgia State University Gallery;
Travelling exhibition: DiverseWorks, Houston, Texas
Dwellan – Lingering Images, Charlottenborg Exhibition Hall, Copenhagen, Denmark
Video X: Ten Years of Video with Momenta Art. Momenta Art, Brooklyn, New York

2003
Home Grown, Linköpings Konsthall Passagen, Sweden
Venden Varassa (Dominated by Water), Vantaa Art Museum, Finland
H2O, Santa Fe Art Institute, Santa Fe, New Mexico
Traveling exhibition:
Danese Gallery, New York City.
Houghton House Gallery, Hobart and William Smith Colleges, Geneva, New York; Elaine L. Jacob Gallery, Wayne State University, Detroit;
Western Gallery, Western Washington University, Bellingham, Washington

2002
New York, New Work, Now!, Currier Gallery of Art, Manchester, New Hampshire
Aquaria: On the Interaction of Water and Human Being
Traveling exhibition:
Oberösterreichisches Landesmuseum, Linz, Austria
Kunstsammlungen Chemnitz, Germany
Residuum. Cheryl Pelavin Fine Art, New York
Arrested Development: Contemporary Contemplations on Youth Culture. Castle Gallery, College of New Rochelle, New York

2001
Objects in Mirror Are Closer Than They Appear. Team Gallery, New York
Horse Tales: Two Centuries of American Cultural Icons. Katonah Museum, Katonah, New York

2000
Objects That Flicker, Solomon Projects, Atlanta, Georgia
human/nature. Caren Golden Fine Art, New York City
Horse Show. Site Gallery, Sheffield, U.K.
6 Signals: Video Art by Contemporary Artists. Cheekwood Art Museum, Nashville, Tennessee
Object Lessons: Selections from the Robert J. Shiffler Foundation. Columbus Museum of Art, Columbus, Ohio
Here Kitty Kitty, Nexus, Atlanta, Georgia

1999
The Comforts of Home, Hand Workshop Art Center, Richmond, Virginia
Horse Play (BuSpar, project room installation), Real Art Ways, Hartford, Connecticut

1998
Flip Side Gallery, Brooklyn, New York
Installation 7: Conceptual Art, 1989-1995. Cheekwood Museum of Art, Nashville

1997
Presumed Innocence, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia
Traveling exhibition: Cincinnati Contemporary Art Center
Girls and Horses (project room installation, part of Family/PostFamily, m.a.p.:media art project 1997), Vantaa City Museum, Finland
The Gaze, Momenta Gallery, Brooklyn, New York

1996
Romper Room, Thread Waxing Space, New York City
B.A.B.Y., Virginia Beach Center for the Arts, Virginia
Kickstart, Anna Kustera Gallery, New York City
Embedded Metaphor, Independent Curators Incorporated, New York City
Travelling exhibition:
Dalhousie Art Gallery. Dalhousie University, Halifax, Nova Scotia;
Pittsburgh Center for the Arts, Pittsburgh Pennsylvania,
Ezra and Cecile Zilka Gallery, Wesleyan University, Middletown, Connecticut,
Virginia Beach Center for the Arts , Virginia Beach, Virginia,
Bowdon College Museum of Art, Brunswick, Massachusetts,
Western Gallery, Western Washington University, Bellingham, Washington,
John and Mabel Ringling Museum of Art, Sarasota FL,
Separating Self: Art About Identity from the Robert J. Shiffler Collection. New Harmony Gallery of Contemporary Art, New Harmony, Indiana
Incestuous, Thread Waxing Space, New York City
Subversive Domesticity, Edward A. Ulrich Museum of Art, Wichita State University, Kansas
This End Up: Selections from the Collection of Robert J. Shiffler, University of Wyoming, Laramie, Wyoming
Traveling exhibition:
South Dakota Art Museum, Brookings, South Dakota;
Cleveland Center for Contemporary Art

1995
Chassie Post Gallery, New York City (Two-person show)
Galleria Civica di Padova, Italy
Wary Still, Highways Exhibition Space, Santa Monica, California

1994
Night Light Room (Project room installation, part of Family Ties show), P.P.O.W. Gallery, New York City
Forms of Address, San Francisco Art Institute, San Francisco, California
Regional Identity and Cartography Representation, Pigorini Museum, Rome, Italy

1993
Elizabeth Berdann and Janet Biggs, Josh Baer Gallery, New York City. (Two person show)
Beau Dommage, Jack Shainman Gallery, New York City
Fall From Fashion, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
From the Collection of Robert J. Shiffler, Cincinnati Contemporary Art Center, Cincinnati Ohio
I Am the Enunciator, Thread Waxing Space, New York City

1992
Josh Baer Gallery, New York City
Kunsthall, New York City
White Columns Gallery, New York City

1991
Shared Skin: Sub-Social Identifiers, Dooley Le Cappellaine Gallery, New York City
Four Walls, Brooklyn, New York

Selected public collections

SCAD Museum of Art, Savannah, GA
La Collezione Videoinsight®, Turin, Italy
Fonds Régional d'Art Contemporain (FRAC), Languedoc-Roussillon, France
The Gibbes Museum of Art, Charleston, South Carolina
The High Museum of Art, Atlanta, Georgia
The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
The Mint Museum of Art, Charlotte, North Carolina
The New Britain Museum of Art, New Britain, Connecticut
Philadelphia Electric Company, Philadelphia, Pennsylvania
The Robert J. Shiffler Collection and Foundation, Dayton, Ohio
Skulpturenmuseum Glaskasten Marl (Ruhr Kunst Museen), Marl, Germany
Tampa Museum of Art, Tampa, Florida
Zabludowicz Collection, London

Grants & awards

2018  John Simon Guggenheim Fellow, New York, NY
2017  Artist-in-residence at the Mars Desert Research Station, Crew 181
2016   Distinguished Alumni Award, Moore College of Art, Philadelphia, Pennsylvania
SCAD Museum of Art, Production Funding
2015 Blaffer Museum of Art, Production Funding
2013
La Napoule Art Foundation Riviera Residency, Château de La Napoule in La Napoule, France
2011 Experimental TV Center Finishing Funds award, supported by the Electronic Media and Film Program at the New York State Council on the Arts
2010 Art Matters: Artist’s Project Grant
The Arctic Circle – High Arctic expedition residency. The Arctic Circle administered by the Farm Foundation for the Arts and Sciences
The Arts and Science Council of Charlotte - Mecklenberg, Inc.
Goodrich Foundation: Exhibition Sponsorship, Mint Museum of Art
2009 Film & Media / New Tech Production NYSCA Grant through the Experimental Television Center a Film & Media / New Tech Production
Hermés of Paris: Production Funding
Bank of New York Mellon: Production Funding
The Arctic Circle – High Arctic expedition residency. The Arctic Circle administered by the Farm Foundation for the Arts and Sciences
2008 Experimental TV Center Finishing Funds award, supported by the Electronic Media and Film Program at the New York State Council on the Arts
2007-09 Hermés of Paris: Equipment Donation
2006 Hermés of Paris: Production Funding
2004 Anonymous Was a Woman Foundation Award
Residency, Wexner Center Media Arts Program, The Ohio State University, Ohio
2003 Panasonic (Finland): Equipment Donation
2001 Panasonic (USA): Equipment Donation
Residency, Wexner Center Media Arts Program, The Ohio State University, Ohio
1997 Panasonic (Finland): Equipment Donation
1996 Sony Electronics Inc.: Equipment Donation
1990 Art Matters Inc.: Project Grant
1989 National Endowment for the Arts: Painting Fellowship
1988 The Leo Model Foundation: Project Grant

Janet Biggs
Born 1959 in Harrisburg, PennsylvaniaLives and works in New York CityEducation1983-1984 Graduate Studies, Rhode Island School of Design1979-1982 B.F.A., Moore College of Art, Philadelphia1977-1978 Experiment in International Living, Basel, SwitzerlandSelected solo exhibitions / screenings / performances2019Overview Effect, Cristin Tierney Gallery, New York, NY Connections (two-person exhibition), Espacio de Arte Contemporáneo, Montevideo, Uruguay2018      Like Walking on Mars,The Museo de la Naturaleza y el Hombre, Tenerife, Spain  Like Walking on Mars,The Museo de La Cienca y El Cosmos, Tenerife, Spain2017 Janet Biggs: A Step on the Sun, Neuberger Museum of Art, Purchase, NY (September 10 - December 22, 2017)Janet Biggs, solo screening, La Maison Européenne de la Photographie, Paris, presented as part of Dance With Me VideoJanet Biggs, Joslyn Art Museum, Omaha, NEEndurance, Cristin Tierney Gallery, New York City (two-person with Regina José Galindo)2016Echo of the Unknown, UWAG: University of Waterloo Art Gallery, Waterloo, Ontario, CanadaCan't Find My Way Home, hase29 - Kunstraum, Gesellschaft für Zeitgenossische Kunst Osnabrück E.V., Osnabrück, GermanyAfar, SCAD Museum of Art, Savannah College of Art and Design, Savannah, Georgiawithin touching distance, Christin Tierney Gallery, New York City2015Echo of the Unknown, Blaffer Art Museum, University of Houson, Houston, Texas2014Airs Above the Ground, solo screening, Galerie Analix, Geneva, Switzerland2013A Step On the Sun, video project room, Galerie Ron Mandos, Amsterdam, NetherlandsSomewhere Beyond Nowhere, Smack Mellon, Brooklyn, New York A Step On the Sun, Solo Screening at the The Armory Show, New York City2012Janet Biggs, Musée d'art contemporain de Montréal, CanadaRandsucher, Glaskasten Marl Sculpture Museum, Marl, GermanyArctic Trilogy, Galerie Anita Beckers, Frankfurt am Main, GermanyAirs Above the Ground, Artbox at the Stadtbibiliothek, European Media Arts Festival, Osnabrueck, GermanyKawah Ijen, Conner Contemporary Art, Washington, DCArctic Trilogy. Presented as part of the Environmental Film Festival at the Hirshhorn Museum, Washington, DC2011No Limits: The Video Work of Janet Biggs (Survey exhibition), Tampa Museum of Art, Tampa, FloridaThe Arctic Trilogy, Winkleman Gallery, New York CityWet Exit (performance), presented by Smack Melon, part of the Dumbo Arts Festival, Brooklyn, New York2010Vantage Point IX: Janet Biggs: Going to Extremes, Mint Museum of Art, Charlotte, North Carolina Janet Biggs, Conner Contemporary Art, Washington DCVanishing Point, McNay Art Museum, San Antonio, Texas2009Vanishing Point, Clair Oliver Gallery New York City Janet Biggs and Anthony Gonzales (M83). River to River Festival, World Financial Center, New York CityAnana Dream, Perth Institute of Contemporary Arts Screen Space, Perth, Australia2008Tracking Up, Solomon Projects, Atlanta, Georgia2007Enemy of the Good, multi-media performance, Miami, Florida Like Tears in Rain, Gibbes Museum of Art, Charleston, South Carolina2006Hit Me With Your Rhythm Stick, multi-media performance, Miami, FloridaLike Tears in Rain, Claire Oliver Gallery, New YorkBehind the Vertical, Hermés New York Flagship Store. Site-specific installationCaptured, Dance Theatre Workshop, New York City2005Rules of Engagement, multi-media performance, New York. (In collaboration with choreographer JoAnna Mendl Shaw)2004Janet Biggs: Norms and Forms, The Galleries at Moore, Moore College of Art and Design, PhiladelphiaOne on One, University of Connecticut Contemporary Art Galleries, Storrs, ConnecticutJanet Biggs, Rhode Island School of Design Museum, Providence, Rhode IslandNew Video, Solomon Projects, Atlanta, Georgia2002Risperidone, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York2001Janet Biggs, Team Gallery, New York CityVerge: Janet Biggs, Plains Art Museum, Fargo, North DakotaFlight and Buspar, Western Gallery, Western Washington University, Bellingham, Washington2000Janet Biggs: Flight, Cincinnati Contemporary Art Center, OhioBuSpar, Solomon Projects, Atlanta, Georgia1999Flight, Zilkha Gallery, Wesleyan University, Middletown, ConnecticutUp Downs, John Michael Kohler Arts Center, Sheboygan, Wisconsin1998Water Training, Everson Museum of Art, Syracuse, New York1997Water Training, Anna Kustera Gallery, New York City1996Girls and Horses, Chassie Post Gallery, New York CitySelected group exhibitions / screenings2018Fordham University Gallery, Lincoln Center, New York, NY Videonale e.V., Bremen, Germany Reconstructing Eden, ArtMill, Szentendre, Hungary Natura Loci, Magasin Général Studio International, Sainte-Madeleine-de-la-Rivière- Madeleine, Quebec A Journey to Freedom, curated by Barbara Polla, Tasmanian Museum & Art Gallery,  Hobarth, Tasmania 17th Festival Internacional de la Imagen, Manizales, Colombia Art & Coal (Kunst & Kohle), Skulpturenmuseum Glaskasten Marl, Marl, Germany For a gentle song would not shake us if we had never heard a loud one, Fotografisk Center, Copenhagen, Denmark2017 B3: Biennial of the Moving Image, Frankfurt Main (November 29 – December 3, 2017)Fucking Beautiful, Magda Danysz Gallery, Paris Warning Shot, Topographie de l'art, ParisThe Sweat of their Face: Portraying American Workers, Smithsonian National Portrait Gallery, Washington, DC (November 3, 2017 - September 3, 2018)Videos for a Stadium, University of Kentucky Art Museum (screening at the Commonwealth Stadium at University of Kentucky) Lexington, KYMountains, Muratcentoventidue Arte Contemporanea, Bari, ItalyIndirect Representations, Cristin Tierney Gallery, New York, NYPolaris, Michener Art Museum, Doyletown, PA2016          Uncanny Energy (two person exhibition with Dana Hoey). Galerie Analix, Geneva, Switzerland2016For a gentle song would not shake us if we had never heard a loud one, Forogalleriet, Oslo, NorwayFish Tank Project, L.I.U. Humanities Gallery, Brooklyn, New YorkHer Crowd: New Art by Women from Our Neighbors' Private Collections, Bruce Museum, Greenwich, CTLove Stories, Les Photaumnales, 13 edition, Bequvais, Hauts-De-France, FranceUncanny Energy, two person exhibition with Dana Hoey. Galerie Analix, Geneva, Switzerland2015Memory & Oblivion, Station Beirut, Beirut Lebanon(Un)livable (two person exhibition with Kari Soinio), Station Independent Projects, New York CityBody Memory. Typographie de l'Art, Paris, FranceHybride Fragmentations. 3rd Biennale d'art contemporain de Douai, Douai, FranceSublime de Voyage: Biennale Art Nomad, Curated by Paul Ardenne. Travelling exhibition to Arnac-la-Poste, France & Hauterives, France & Marseille, France & Venice, ItalyIn the Paint: Basketball in Contemporary Art, William Benton Museum of Art at University of Connecticut, Storrs, CT2014Beyond Earth Art, Johnson Museum of Art, Cornell University, Ithaca, New YorkFive Videos, Boca Museum of Art, Boca Raton, FloridaVanishing Point included in MOTOPOÉTIQUE, Musée d'art contemporain de Lyon, France L'oiseau vole, Galerie Vanessa Quang, Paris, France.A Step On the Sun (multi channel video installation), included in the International Biennial of Contemporary Art of Cartagena, Columbia.Thaw, Dorsky Gallery, Long Island City, New York2013The Arctic Trilogy, Scotiabank Nuit Blanche, Toronto, Canada Hanna Schaich and Janet Biggs Videoscreening, September 2013, microscope gallery, New York CityFade to White, included in Crosstalk at The Contemporary Arts Galleries, The University of Connecticutblinkvideo presents a selection for ikonoTV which will include ‘Airs Above the Ground’, Germanythe poetics of mountains, their mutations and multifarious things, Artprojx, Verbier , SwitzerlandGrrls on Girls,Nitehawk Theatre’s Artist Film Club, Brooklyn, New YorkFar From Now, Outpost Artists Resources, New York CityOslo Screen Festival, Oslo Central Station, Norwayfrom here to there: parallel trajectories, Stedman Gallery, Rutgers University, Camden, New JerseyThrough This To That, Present Company, Brooklyn, New YorkBiPolar Journeys To The Ends of the Earth, Ester Massry Gallery, College of St. Rose, Albany, New York2012True North, Anchorage Museum, Anchorage AlaskaSpeed: The Art of the Performance Automobile, Utah Museum Of Art. Salt Lake City, UtahWestobou Festival, Augusta, GeorgiaTelegrams On The Table: An Interrupted Allegory + Picaresque Adventure, World Financial Center, New York CityVideo 2012, Momenta Gallery, Brooklyn, New York2011Videonale: Dialog in Contemporary Video Art, National Taiwan Museum of Fine Arts (NTMoFA), Taichung, TaiwanShe Devil, Museo D’Arte Contemporanea Roma, ItalyVideonale 13, Kunstmuseum Bonn, Germany. The exhibition traveled to GOMA, Glasgow Gallery of Contemporary Art, UK and Ars Cameralis, Katowice, Poland.2010Video Art, Sidewalk Moving Picture Festival, Birmingham, Alabama2009Cutting the Edge, Miami International Film Festival, Miami, FloridaChimera, Envoy Enterprises in New York City.Chimera, Arcade Experimental Art Projects / Stoa Aeschylou in Nicosia, CyprusYoung Identities (part of European Media Art Festival). Kunsthalle Dominikanerkirche, Osnabrueck, GermanyOslo Screen Festival, NorwayHollywould ..., Freewaves 11th International Festival of New Media Arts, Los AngelesWater, Carroll Square Gallery, Washington, DCVideo Screenings, Sara Meltzer Gallery, New York City2007Keeping Up With the Jones, Schroeder Romero Gallery, New York CityInfinitu et Contini: Repeated Histories, Reinvented Resistances, Smack Mellon, Brooklyn, New YorkLumen Eclipse, outdoor video installation, Cambridge Square, BostonStop. Look. Listen: An Exhibition of Video Works, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New YorkTravelling Exhibition: Haggerty Museum of Art, Marquette University, Milwaukee, WisconsinNorth Sea Film Festival for Underwater Movies, the Hague, NetherlandsContemporary, Cool and Collected, Mint Museum of Art, Charlotte, North CarolinaAntennae, Houston Center For Photography, Houston, Texas2006METU Video Festival, Middle Eastern Technical University, Ankara, TurkeyClaire Oliver Gallery, New York City2005Artists Pick, Exhibition at Larissa Goldston Gallery, New York CityFATHOM, Hatton Gallery, University of Newcastle, U.K2004PG-13 (Two-person exhibition with Barbara Pollock) Georgia State University Gallery; Travelling exhibition: DiverseWorks, Houston, TexasDwellan – Lingering Images, Charlottenborg Exhibition Hall, Copenhagen, DenmarkVideo X: Ten Years of Video with Momenta Art. Momenta Art, Brooklyn, New York2003Home Grown, Linköpings Konsthall Passagen, SwedenVenden Varassa (Dominated by Water), Vantaa Art Museum, FinlandH2O, Santa Fe Art Institute, Santa Fe, New MexicoTraveling exhibition:Danese Gallery, New York City. Houghton House Gallery, Hobart and William Smith Colleges, Geneva, New York; Elaine L. Jacob Gallery, Wayne State University, Detroit;Western Gallery, Western Washington University, Bellingham, Washington2002New York, New Work, Now!, Currier Gallery of Art, Manchester, New HampshireAquaria: On the Interaction of Water and Human BeingTraveling exhibition:Oberösterreichisches Landesmuseum, Linz, Austria Kunstsammlungen Chemnitz, GermanyResiduum. Cheryl Pelavin Fine Art, New YorkArrested Development: Contemporary Contemplations on Youth Culture. Castle Gallery, College of New Rochelle, New York2001Objects in Mirror Are Closer Than They Appear. Team Gallery, New YorkHorse Tales: Two Centuries of American Cultural Icons. Katonah Museum, Katonah, New York2000Objects That Flicker, Solomon Projects, Atlanta, Georgiahuman/nature. Caren Golden Fine Art, New York CityHorse Show. Site Gallery, Sheffield, U.K.6 Signals: Video Art by Contemporary Artists. Cheekwood Art Museum, Nashville, TennesseeObject Lessons: Selections from the Robert J. Shiffler Foundation. Columbus Museum of Art, Columbus, OhioHere Kitty Kitty, Nexus, Atlanta, Georgia1999The Comforts of Home, Hand Workshop Art Center, Richmond, VirginiaHorse Play (BuSpar, project room installation), Real Art Ways, Hartford, Connecticut1998Flip Side Gallery, Brooklyn, New YorkInstallation 7: Conceptual Art, 1989-1995. Cheekwood Museum of Art, Nashville1997Presumed Innocence, Anderson Gallery, Virginia Commonwealth University, Richmond, VirginiaTraveling exhibition: Cincinnati Contemporary Art CenterGirls and Horses (project room installation, part of Family/PostFamily, m.a.p.:media art project 1997), Vantaa City Museum, FinlandThe Gaze, Momenta Gallery, Brooklyn, New York1996Romper Room, Thread Waxing Space, New York CityB.A.B.Y., Virginia Beach Center for the Arts, VirginiaKickstart, Anna Kustera Gallery, New York CityEmbedded Metaphor, Independent Curators Incorporated, New York CityTravelling exhibition:Dalhousie Art Gallery. Dalhousie University, Halifax, Nova Scotia; Pittsburgh Center for the Arts, Pittsburgh Pennsylvania, Ezra and Cecile Zilka Gallery, Wesleyan University, Middletown, Connecticut, Virginia Beach Center for the Arts , Virginia Beach, Virginia, Bowdon College Museum of Art, Brunswick, Massachusetts, Western Gallery, Western Washington University, Bellingham, Washington, John and Mabel Ringling Museum of Art, Sarasota FL,Separating Self: Art About Identity from the Robert J. Shiffler Collection. New Harmony Gallery of Contemporary Art, New Harmony, IndianaIncestuous, Thread Waxing Space, New York CitySubversive Domesticity, Edward A. Ulrich Museum of Art, Wichita State University, KansasThis End Up: Selections from the Collection of Robert J. Shiffler, University of Wyoming, Laramie, WyomingTraveling exhibition: South Dakota Art Museum, Brookings, South Dakota;Cleveland Center for Contemporary Art1995Chassie Post Gallery, New York City (Two-person show)Galleria Civica di Padova, ItalyWary Still, Highways Exhibition Space, Santa Monica, California1994Night Light Room (Project room installation, part of Family Ties show), P.P.O.W. Gallery, New York CityForms of Address, San Francisco Art Institute, San Francisco, CaliforniaRegional Identity and Cartography Representation, Pigorini Museum, Rome, Italy1993Elizabeth Berdann and Janet Biggs, Josh Baer Gallery, New York City. (Two person show)Beau Dommage, Jack Shainman Gallery, New York CityFall From Fashion, Aldrich Museum of Contemporary Art, Ridgefield, ConnecticutFrom the Collection of Robert J. Shiffler, Cincinnati Contemporary Art Center, Cincinnati OhioI Am the Enunciator, Thread Waxing Space, New York City1992Josh Baer Gallery, New York CityKunsthall, New York CityWhite Columns Gallery, New York City1991Shared Skin: Sub-Social Identifiers, Dooley Le Cappellaine Gallery, New York CityFour Walls, Brooklyn, New YorkSelected public collectionsSCAD Museum of Art, Savannah, GA La Collezione Videoinsight®, Turin, ItalyFonds Régional d'Art Contemporain (FRAC), Languedoc-Roussillon, FranceThe Gibbes Museum of Art, Charleston, South CarolinaThe High Museum of Art, Atlanta, GeorgiaThe Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New YorkThe Mint Museum of Art, Charlotte, North CarolinaThe New Britain Museum of Art, New Britain, ConnecticutPhiladelphia Electric Company, Philadelphia, PennsylvaniaThe Robert J. Shiffler Collection and Foundation, Dayton, OhioSkulpturenmuseum Glaskasten Marl (Ruhr Kunst Museen), Marl, Germany Tampa Museum of Art, Tampa, FloridaZabludowicz Collection, LondonGrants & awards2018  John Simon Guggenheim Fellow, New York, NY 2017  Artist-in-residence at the Mars Desert Research Station, Crew 181 2016   Distinguished Alumni Award, Moore College of Art, Philadelphia, PennsylvaniaSCAD Museum of Art, Production Funding2015 Blaffer Museum of Art, Production Funding2013 La Napoule Art Foundation Riviera Residency, Château de La Napoule in La Napoule, France2011 Experimental TV Center Finishing Funds award, supported by the Electronic Media and Film Program at the New York State Council on the Arts2010 Art Matters: Artist’s Project GrantThe Arctic Circle – High Arctic expedition residency. The Arctic Circle administered by the Farm Foundation for the Arts and SciencesThe Arts and Science Council of Charlotte - Mecklenberg, Inc.Goodrich Foundation: Exhibition Sponsorship, Mint Museum of Art 2009 Film & Media / New Tech Production NYSCA Grant through the Experimental Television Center a Film & Media / New Tech ProductionHermés of Paris: Production FundingBank of New York Mellon: Production FundingThe Arctic Circle – High Arctic expedition residency. The Arctic Circle administered by the Farm Foundation for the Arts and Sciences2008 Experimental TV Center Finishing Funds award, supported by the Electronic Media and Film Program at the New York State Council on the Arts2007-09 Hermés of Paris: Equipment Donation2006 Hermés of Paris: Production Funding2004 Anonymous Was a Woman Foundation AwardResidency, Wexner Center Media Arts Program, The Ohio State University, Ohio2003 Panasonic (Finland): Equipment Donation2001 Panasonic (USA): Equipment DonationResidency, Wexner Center Media Arts Program, The Ohio State University, Ohio1997 Panasonic (Finland): Equipment Donation1996 Sony Electronics Inc.: Equipment Donation1990 Art Matters Inc.: Project Grant1989 National Endowment for the Arts: Painting Fellowship1988 The Leo Model Foundation: Project Grant

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