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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Gabriela Golder

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

My works deals with the individual and collective memory
the signs of memory on the bodies
the strategies of memory
the strategies of the forgetfulness
the identity, my identity, the one of the other

My works speak about historical marks
About the notion of disappearance,
About the disappearance
About the notion of time
About displacement
About the resistance
About the action of resistance
About the possibility of the resistance,
About the logic of the survival

I try to use the interstices to be able to say. The possibility of naming is mainly a tactics question. I watch around, there are images that obsess me. And I insist.


Biography

Born 1971 in Buenos Aires, Argentina

Education


1991-1995 Universidad del Cine, Buenos Aires, Argentina.
1997 Post-graduate studies at the University of Santiago de Compostela, Spain.
1999-2000 DESS (Diplôme d’Etudes Supérieures Spécialisés) in Hypermedia, Université Paris VIII, Paris, France.

Exhibition (selection after2000)

Solo exhibition

2015
"Interior-habitación de hotel-día", Museo de Arquitectura y Diseño de Buenos Aires (MARQ), Argentina.
Territorios de desastre. Espacio de Arte Contemporáneo, Montevideo, Uruguay.
(with Mariela Yeregui)
Nada es ajeno, site specific project. Valparaíso, Chile.

2014
En Construcción, site specific project. Buenos Aires, Argentina.

2013
Conversation piece, Casa Museo José Carlos Mariátegui, Lima, Perú.

2012
Itinerarios, Theatro José de Alencar, Fortaleza, Brasil.
Las partículas elementales, Alianza Francesa, Ciudad de Buenos Aires, Argentina.

2010
On ne se moque pas de la mort, Le 104, Paris, France.
Passages, Le 104, Paris, France;
Habitada, La Llotgeta, Valencia, Spain.

2009
Arrorró, Centro Cultural Recoleta, Buenos Aires, Argentina; Arrorró, On line Performance, Ars Electronica, Linz, Austria.

2008
Reocupación, Museo Caraffa, Ciudad de Córdoba, Argentina;
Multitud, Museo Caraffa, Ciudad de Córdoba, Argentina;

2004
Silencio, Museum of Modern Art of Buenos Aires, Argentina;
Canción de Noche, Laden N.5, Bad Ems, Germany.

2003
Silencio, KHM, Köln, Germany.

Group exibithion

2015
Premio Klemm a las Artes Visuales,
When the Southern Cross speaks, Göteborg International Biennial for Contemporary Art
My Buenos Aires, La Maison Rouge, Paris, Francia.
Feelings, Beaver Hall Gallery, Toronto, Canadá.
Faire des histoires, VOX-Centre de l’Image contemporaine, Montreál, Canada.
Traverse Video, Les Abattoirs, Toulouse, France. 2015.

2014
Multitude, Sesc Pompeia, Sao Paulo, Brazil.
Entre tiempos… La Colección Jozami en el Museo Lázaro Galdiano, Madrid, Spain.
The progress trap, DEAF, Rotterdam, The Netherlands.
XIX Bienal Internacional de Santa Cruz de la Sierra, Bolivia.
Ensayos iluminados, MUNTREF, Buenos Aires, Argentina.
Sucesos Intervenidos, MALBA, Ciudad de Buenos Aires, Argentina.
VIENNALE. Austria, 2014.
BAFICI. Festival de Cine Independiente de Buenos Aires, Argentina.

2013
Panoramas do Sul, Videobrasil, Sao Paulo, Brazil.
Monitoring, Kassel, Germany.
Women Commentators, Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland.
In the Country of Last Things, Museo de Arte Contemporáneo de Lima, Perú.
Conversation Piece, Casa Mariátegui, Lima, Perú.
Sociedad de Trabajo, Casa Nacional del Bicentenario, Ciudad de Buenos Aires, Argentina.
Para todos los hombres del mundo, Museo de la Inmigración, Ciudad de Buenos
Aires, Argentina.

2012
Recorridos, Sala Cronopios, Centro Cultural Recoleta, Ciudad de Buenos Aires.
Mediations Biennale, Poznan, Poland.
Premio MAMBA/Fundación Telefónica, Espacio Fundación Telefónica. Ciudad de Buenos Aires.
Care Crisis, Futura Centre for Contemporary Art, Praga, Czech Republic.

2011
Contar historias : Microrrelatos en las colecciones nacionales de arte, Casa del Bicentenario, Buenos Aires, Argentina.
Cultura y Media, Centro Cultural General San Martín, Ciudad de Buenos Aires, Argentina. Tecnópolis, Buenos Aires, Argentina.
Eco Mind, Praxis Internacional, Buenos Aires, Argentina.
10th Sharjah Biennial.
Imágenes e historias, Centro Cultural Recoleta, Ciudad de Buenos Aires, Argentina.
Time | Behind the Vision, Praxis International, Miami, EEUU.
Radical Shift. Politische und soziale Umbrüche in der Kunst Argentiniens seit den 60er
Jahren, Museum Morsbroich, Leverkusen, Germany.
Qué hay en tu mente? World Bank, Washington, United States.

2010
Tales of Resistance and Change, Frankfurter Kunstverein, Frankfurt, Germany;
Inconsciente óptico, Galería 713, Ciudad de Buenos Aires, Argentina;
Kunst direkt, Mainz, Alemania;
FUSO 2010, Lisboa, Portugal.
Mujeres.1810-2010, Casa del Bicentenario, Ciudad de Buenos Aires. Argentina.

2009
RBHA, Sao Paulo, Brasil;
Reocupación, X Bienal de la Habana, Cuba;
Tragicomedia, Sevilla, Spain;
Reocupación, Museo de Tigre, Buenos Aires, Argentina;
Montreal High Lights, Montréal, Canada;
Videoarde, Centro Cultural MOCA, Ciudad de Buenos Aires, Argentina;
Plataforma, Museo de la Universidad Nacional de Tres de Febrero, Buenos Aires, Argentina;

2008
VARIACIONES, Naturaleza Intervenida, Centro Cultural Recoleta, Buenos Aires, Argentina;
Videoarte Latinoamericano, IVAM, Centro Julio González, Valencia, Spain;
Travelling, Le Bon Accueil, Rennes, France;
Masamérica, Caixa Forum, Barcelona, Spain;
EJECT, Ciudad de México, Canarias MediaFest, Spain;

2007
'La memoria del arte', Museo de Arte Contemporáneo de Eivissa , Ibiza, Spain;
Satellite exhibitions, Göteborg International Biennial for Contemporary Art 2007, Sweden;
Encuentro entre dos mares, Bienal de Valencia, Valencia, Spain; Topovidéographies, Maison de la Culture Plateau Mont-Royal, Montréal, Canada; Fotoencuentros 07: mirada animal, Centro Cultural Las Claras, Murcia, Spain; Woman atthe Crossroad of Ideologies, Split, Croatia;

2006
La ilusión del fin, Palacio de Correos, Buenos Aires, Argentina.
Casa Abierta/Open House Exhibition, Argentine Ambassador’s Residence, London, England.
Re-Shuffle: Notions of an Itinerant Museum, Art in General NY,United States.
Écoutez les zimages, St-Pierre de la Reunión.
XVI° Foire internationale d’art contemporain, Istambul, Turquie.
Musée National d’Art Contemporain, Bucarest, Rumanie; Centre d’Art Contemporain de Chisinau, Moldavie.
Musée d’Art Contemporain, Vienne, Austria; Instituto Cervantes de Berlín, Germany; Instituto Cervantes, Pekín, China.
L'état du monde, Les Abattoirs, Toulouse, France-

2005
Fundación Museo Patio Herreriano, Valladolid, Spain.
Centro Atlántico de Arte Contemporáneo (CAAM), Gran Canaria, Spain.
Denegri-Golder-Rivas, Espacio Fundación Telefónica, Buenos Aires, Argentina.
Instituto Cervantes en Praga, Czech Republic.
Museo de Arte Contemporáneo de Ibiza, Spain.
Sobre una realidad Ineludible: arte y compromiso en Argentina Museo Extremeño e
Iberoamericano de Arte Contemporáneo, Badajoz, Spain.
Sobre una realidad Ineludible: arte y compromiso en Argentina Centro de Arte Caja de
Burgos, Burgos, Spain.
Musée d’Art Contemporain de Montréal, Canada.

2004
Tainment, NGBK, Berlín, Germany.
1.Berliner Kunstsalon, Germany.
Situations Construites, Attitudes- espace d'arts contemporains, Genève, Switzerland.
Salón Nacional de Artes Visuales, Palais de Glace, Buenos Aires, Argentina.

2003
Constructed life, Zentrum für Kunst und Medientechnologie (ZKM), Germany.
Premio Banco Ciudad, National Museum of Fine Arts, Buenos Aires, Argentina.
TRANSMEDIALE, Berlin, Germany.
Museum of Modern Art of Buenos Aires, Argentina.
Musée d'Art Moderne de Lille Métropole, France.
Ansia y devoción, Fundación PROA, Buenos Aires, Argentina.
Videobrasil, San Pablo, Brasil.
49th International Short Film Festival Oberhausen, Germany.
TRANSAT, Caen, France.
Le Printemps de Toulouse, France.

2002
Last tendencies in the 90th, Museum of Modern Art of Buenos Aires.
Tokyo Video Festival. Japan.
VIPER, Basel, Switzerland.
Medio@rte Latino, Berlin, Germany.

2001
Premio Banco Nación, Centro Cultural Recoleta, Buenos Aires, Argentina.
Autorretratos, Centro Cultural Borges, Buenos Aires, Argentina. Art Video Festival, Locarno, Switzerland.
47th International Short Film Festival Oberhausen, Germany.

2000
ISEA 2000, Paris, France. Festoval Vidéoformes, France.
Festival Estavar Llivia, France.
National Museum of Fine Arts, Buenos Aires, Argentina. European Media Art Festival, Osnabrück, Germany.
Split New Media Festival, Croatia.
World Wide Festival, Amsterdam, The Netherlands.
INTERFERENCES, Belfort, France

Grants

2014
Group project. Fondo Nacional de las Artes. Argentina.
2009
Ars Electronica, 80+1 Project (for ARRORRÓ project). Linz, Austria.
2006
Fondo Metropolitano de las Artes, Ciudad de Buenos Aires, Argentina.
2005
Wexner Center for the Arts. Columus, Ohio, EEUU.
Secretaría de Cultura de la Nación, Argentina.
2004
Jan Vrijman Fund, The Netherlands.
2003
Academy of Media Arts (KHM), Köln, Germany.
2002
Grant Antorchas Foundation / Academy of Media Arts, Köln, Germany.
1999
Fondo Nacional de las Artes and French Ambassy . Argentina.
1998
BANFF CENTRE FOR THE ARTS. Canada.
1997
Instituto de Cooperación Iberoamericana.
1996
Ecole Régionale des Beaux-Arts de Rennes. France.
1995
Fondo Nacional de las Artes. Argentina.
1994
Grant Antorchas Foundation. Argentina.

Prices

2014
BA Site Specific Project. Buenos Aires. Argentina.
2012
Honourable mention IV Premio Centro Cultural de la Memoria Haroldo Conti
2011
Prize Luis Espinal. Mostra CineTrabalho. Brasil.
Third Prize “Ícono Emblema Urbano”. FADU/Unidad Ejecutora Bicentenario. Argentina.
Honourable Mention, Premio MAMBA-Fundación Telefónica, Argentina.
2007
Prize "Sigwart Blum", Art Critic Association of Argentina.
2004
First Prize Ibiza Bienal, Museo de Arte Contemporáneo de Ibiza, Spain.
First Prize Salón Nacional de Artes Visuales, Argentina.
2003
Medienkunstpreis, Zentrum für Kunst und Medientechnologie (ZKM), Germany.
Best Experimental Video, Alucinarte Festival, Toronto, Canada
First Prix Festival Vidéoformes, Clermont-Ferrand, France.
2002
Tokyo Video Festival Award, Japan.
2001
Prize Leonardo Argentina.
Prize Banco del Suquia / CCEC, Argentina.
Prize Multimedia Festival Vidéoformes, Clermont-Ferrand, France.
Special Mention Salon of New Media Alberto Heredia, Buenos Aires, Argentina.
Honourable mention Locarno Video Art Festival, Switzerland.
2000
First Prize Festival Videoformes, Clermont-Ferrand, France.
Prix Eurorégion Festival Estavar Llivia, France.
First Prize Biennale Bridgestone, Buenos Aires, Argentina.
1999
First Prize Buenos Aires Video Dance International Festival, Argentina.

International artist residencies

2014
Encuentro Digital, Valparaíso, Chile
2010
Le 104, Paris, France.
2009
RBHA, San Pablo, Brasil.
La Chambre Blanche, Québec, Canada.
2007
UQAM. Montréal. Canada.
2005
Wexner Center for the Arts. Columus, Ohio, EEUU.
2004
Schloss Balmoral, Bad Ems, Germany
2002
Guest artist at the Künsthochschule für Medien, Köln, Germany.
1999-2000
Centre Internationale de Vidéo Création (CICV), Montbéliard, France.
1998
BANFF CENTRE FOR THE ARTS, Alberta, Canada,
1996
Centre Internationale de Vidéo Création (CICV), Montbéliard, France..

Gabriela Golder
Born 1971 in Buenos Aires, Argentina Education 1991-1995 Universidad del Cine, Buenos Aires, Argentina. 1997 Post-graduate studies at the University of Santiago de Compostela, Spain. 1999-2000 DESS (Diplôme d’Etudes Supérieures Spécialisés) in Hypermedia, Université Paris VIII, Paris, France. Exhibition (selection after2000) Solo exhibition 2015 Interior-habitación de hotel-día, Museo de Arquitectura y Diseño de Buenos Aires (MARQ), Argentina. Territorios de desastre. Espacio de Arte Contemporáneo, Montevideo, Uruguay. (with Mariela Yeregui) Nada es ajeno, site specific project. Valparaíso, Chile. 2014 En Construcción, site specific project. Buenos Aires, Argentina. 2013 Conversation piece, Casa Museo José Carlos Mariátegui, Lima, Perú. 2012 Itinerarios, Theatro José de Alencar, Fortaleza, Brasil. Las partículas elementales, Alianza Francesa, Ciudad de Buenos Aires, Argentina. 2010 On ne se moque pas de la mort, Le 104, Paris, France. Passages, Le 104, Paris, France; Habitada, La Llotgeta, Valencia, Spain. 2009 Arrorró, Centro Cultural Recoleta, Buenos Aires, Argentina; Arrorró, On line Performance, Ars Electronica, Linz, Austria. 2008 Reocupación, Museo Caraffa, Ciudad de Córdoba, Argentina; Multitud, Museo Caraffa, Ciudad de Córdoba, Argentina; 2004 Silencio, Museum of Modern Art of Buenos Aires, Argentina; Canción de Noche, Laden N.5, Bad Ems, Germany. 2003 Silencio, KHM, Köln, Germany. Group exibithion 2015 Premio Klemm a las Artes Visuales, When the Southern Cross speaks, Göteborg International Biennial for Contemporary Art My Buenos Aires, La Maison Rouge, Paris, Francia. Feelings, Beaver Hall Gallery, Toronto, Canadá. Faire des histoires, VOX-Centre de l’Image contemporaine, Montreál, Canada. Traverse Video, Les Abattoirs, Toulouse, France. 2015. 2014 Multitude, Sesc Pompeia, Sao Paulo, Brazil. Entre tiempos… La Colección Jozami en el Museo Lázaro Galdiano, Madrid, Spain. The progress trap, DEAF, Rotterdam, The Netherlands. XIX Bienal Internacional de Santa Cruz de la Sierra, Bolivia. Ensayos iluminados, MUNTREF, Buenos Aires, Argentina. Sucesos Intervenidos, MALBA, Ciudad de Buenos Aires, Argentina. VIENNALE. Austria, 2014. BAFICI. Festival de Cine Independiente de Buenos Aires, Argentina. 2013 Panoramas do Sul, Videobrasil, Sao Paulo, Brazil. Monitoring, Kassel, Germany. Women Commentators, Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland. In the Country of Last Things, Museo de Arte Contemporáneo de Lima, Perú. Conversation Piece, Casa Mariátegui, Lima, Perú. Sociedad de Trabajo, Casa Nacional del Bicentenario, Ciudad de Buenos Aires, Argentina. Para todos los hombres del mundo, Museo de la Inmigración, Ciudad de Buenos Aires, Argentina. 2012 Recorridos, Sala Cronopios, Centro Cultural Recoleta, Ciudad de Buenos Aires. Mediations Biennale, Poznan, Poland. Premio MAMBA/Fundación Telefónica, Espacio Fundación Telefónica. Ciudad de Buenos Aires. Care Crisis, Futura Centre for Contemporary Art, Praga, Czech Republic. 2011 Contar historias : Microrrelatos en las colecciones nacionales de arte, Casa del Bicentenario, Buenos Aires, Argentina. Cultura y Media, Centro Cultural General San Martín, Ciudad de Buenos Aires, Argentina. Tecnópolis, Buenos Aires, Argentina. Eco Mind, Praxis Internacional, Buenos Aires, Argentina. 10th Sharjah Biennial. Imágenes e historias, Centro Cultural Recoleta, Ciudad de Buenos Aires, Argentina. Time | Behind the Vision, Praxis International, Miami, EEUU. Radical Shift. Politische und soziale Umbrüche in der Kunst Argentiniens seit den 60er Jahren, Museum Morsbroich, Leverkusen, Germany. Qué hay en tu mente? World Bank, Washington, United States. 2010 Tales of Resistance and Change, Frankfurter Kunstverein, Frankfurt, Germany; Inconsciente óptico, Galería 713, Ciudad de Buenos Aires, Argentina; Kunst direkt, Mainz, Alemania; FUSO 2010, Lisboa, Portugal. Mujeres.1810-2010, Casa del Bicentenario, Ciudad de Buenos Aires. Argentina. 2009 RBHA, Sao Paulo, Brasil; Reocupación, X Bienal de la Habana, Cuba; Tragicomedia, Sevilla, Spain; Reocupación, Museo de Tigre, Buenos Aires, Argentina; Montreal High Lights, Montréal, Canada; Videoarde, Centro Cultural MOCA, Ciudad de Buenos Aires, Argentina; Plataforma, Museo de la Universidad Nacional de Tres de Febrero, Buenos Aires, Argentina; 2008 VARIACIONES, Naturaleza Intervenida, Centro Cultural Recoleta, Buenos Aires, Argentina; Videoarte Latinoamericano, IVAM, Centro Julio González, Valencia, Spain; Travelling, Le Bon Accueil, Rennes, France; Masamérica, Caixa Forum, Barcelona, Spain; EJECT, Ciudad de México, Canarias MediaFest, Spain; 2007 'La memoria del arte', Museo de Arte Contemporáneo de Eivissa , Ibiza, Spain; Satellite exhibitions, Göteborg International Biennial for Contemporary Art 2007, Sweden; Encuentro entre dos mares, Bienal de Valencia, Valencia, Spain; Topovidéographies, Maison de la Culture Plateau Mont-Royal, Montréal, Canada; Fotoencuentros 07: mirada animal, Centro Cultural Las Claras, Murcia, Spain; Woman atthe Crossroad of Ideologies, Split, Croatia; 2006 La ilusión del fin, Palacio de Correos, Buenos Aires, Argentina. Casa Abierta/Open House Exhibition, Argentine Ambassador’s Residence, London, England. Re-Shuffle: Notions of an Itinerant Museum, Art in General NY,United States. Écoutez les zimages, St-Pierre de la Reunión. XVI° Foire internationale d’art contemporain, Istambul, Turquie. Musée National d’Art Contemporain, Bucarest, Rumanie; Centre d’Art Contemporain de Chisinau, Moldavie. Musée d’Art Contemporain, Vienne, Austria; Instituto Cervantes de Berlín, Germany; Instituto Cervantes, Pekín, China. L'état du monde, Les Abattoirs, Toulouse, France- 2005 Fundación Museo Patio Herreriano, Valladolid, Spain. Centro Atlántico de Arte Contemporáneo (CAAM), Gran Canaria, Spain. Denegri-Golder-Rivas, Espacio Fundación Telefónica, Buenos Aires, Argentina. Instituto Cervantes en Praga, Czech Republic. Museo de Arte Contemporáneo de Ibiza, Spain. Sobre una realidad Ineludible: arte y compromiso en Argentina Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain. Sobre una realidad Ineludible: arte y compromiso en Argentina Centro de Arte Caja de Burgos, Burgos, Spain. Musée d’Art Contemporain de Montréal, Canada. 2004 Tainment, NGBK, Berlín, Germany. 1.Berliner Kunstsalon, Germany. Situations Construites, Attitudes- espace d'arts contemporains, Genève, Switzerland. Salón Nacional de Artes Visuales, Palais de Glace, Buenos Aires, Argentina. 2003 Constructed life, Zentrum für Kunst und Medientechnologie (ZKM), Germany. Premio Banco Ciudad, National Museum of Fine Arts, Buenos Aires, Argentina. TRANSMEDIALE, Berlin, Germany. Museum of Modern Art of Buenos Aires, Argentina. Musée d'Art Moderne de Lille Métropole, France. Ansia y devoción, Fundación PROA, Buenos Aires, Argentina. Videobrasil, San Pablo, Brasil. 49th International Short Film Festival Oberhausen, Germany. TRANSAT, Caen, France. Le Printemps de Toulouse, France. 2002 Last tendencies in the 90th, Museum of Modern Art of Buenos Aires. Tokyo Video Festival. Japan. VIPER, Basel, Switzerland. Medio@rte Latino, Berlin, Germany. 2001 Premio Banco Nación, Centro Cultural Recoleta, Buenos Aires, Argentina. Autorretratos, Centro Cultural Borges, Buenos Aires, Argentina. Art Video Festival, Locarno, Switzerland. 47th International Short Film Festival Oberhausen, Germany. 2000 ISEA 2000, Paris, France. Festoval Vidéoformes, France. Festival Estavar Llivia, France. National Museum of Fine Arts, Buenos Aires, Argentina. European Media Art Festival, Osnabrück, Germany. Split New Media Festival, Croatia. World Wide Festival, Amsterdam, The Netherlands. INTERFERENCES, Belfort, France Grants 2014 Group project. Fondo Nacional de las Artes. Argentina. 2009 Ars Electronica, 80+1 Project (for ARRORRÓ project). Linz, Austria. 2006 Fondo Metropolitano de las Artes, Ciudad de Buenos Aires, Argentina. 2005 Wexner Center for the Arts. Columus, Ohio, EEUU. Secretaría de Cultura de la Nación, Argentina. 2004 Jan Vrijman Fund, The Netherlands. 2003 Academy of Media Arts (KHM), Köln, Germany. 2002 Grant Antorchas Foundation / Academy of Media Arts, Köln, Germany. 1999 Fondo Nacional de las Artes and French Ambassy . Argentina. 1998 BANFF CENTRE FOR THE ARTS. Canada. 1997 Instituto de Cooperación Iberoamericana. 1996 Ecole Régionale des Beaux-Arts de Rennes. France. 1995 Fondo Nacional de las Artes. Argentina. 1994 Grant Antorchas Foundation. Argentina. Prices 2014 BA Site Specific Project. Buenos Aires. Argentina. 2012 Honourable mention IV Premio Centro Cultural de la Memoria Haroldo Conti 2011 Prize Luis Espinal. Mostra CineTrabalho. Brasil. Third Prize “Ícono Emblema Urbano”. FADU/Unidad Ejecutora Bicentenario. Argentina. Honourable Mention, Premio MAMBA-Fundación Telefónica, Argentina. 2007 Prize Sigwart Blum, Art Critic Association of Argentina. 2004 First Prize Ibiza Bienal, Museo de Arte Contemporáneo de Ibiza, Spain. First Prize Salón Nacional de Artes Visuales, Argentina. 2003 Medienkunstpreis, Zentrum für Kunst und Medientechnologie (ZKM), Germany. Best Experimental Video, Alucinarte Festival, Toronto, Canada First Prix Festival Vidéoformes, Clermont-Ferrand, France. 2002 Tokyo Video Festival Award, Japan. 2001 Prize Leonardo Argentina. Prize Banco del Suquia / CCEC, Argentina. Prize Multimedia Festival Vidéoformes, Clermont-Ferrand, France. Special Mention Salon of New Media Alberto Heredia, Buenos Aires, Argentina. Honourable mention Locarno Video Art Festival, Switzerland. 2000 First Prize Festival Videoformes, Clermont-Ferrand, France. Prix Eurorégion Festival Estavar Llivia, France. First Prize Biennale Bridgestone, Buenos Aires, Argentina. 1999 First Prize Buenos Aires Video Dance International Festival, Argentina. International artist residencies 2014 Encuentro Digital, Valparaíso, Chile 2010 Le 104, Paris, France. 2009 RBHA, San Pablo, Brasil. La Chambre Blanche, Québec, Canada. 2007 UQAM. Montréal. Canada. 2005 Wexner Center for the Arts. Columus, Ohio, EEUU. 2004 Schloss Balmoral, Bad Ems, Germany 2002 Guest artist at the Künsthochschule für Medien, Köln, Germany. 1999-2000 Centre Internationale de Vidéo Création (CICV), Montbéliard, France. 1998 BANFF CENTRE FOR THE ARTS, Alberta, Canada, 1996 Centre Internationale de Vidéo Création (CICV), Montbéliard, France..

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