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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Analívia Cordeiro

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography


1972-1976 Architecture and Urbanism College – FAUUSP, São Paulo / BRA

1996 Master at Multimedia Department of Art Institute of UNICAMP, São Paulo / BRA

2004 PhD in Semiotics at Pontifícia Universidade Católica de São Paulo / BRA

2009 Pós Doctorate at Universidade Federal do Rio de Janeiro / BRA


Exhibitions, Seminars (selection)

2019
Tanz Bewegung Geste Bild, Kunsthalle Göppingen, Göppingen / DE
Faces, Es Baluard, Palma de Mallorca / ES
Fairest on the Fair, Outpost, Manila / PHIL
El giro notacional, MUSAC Museo de Arte Contemporáneo de Castilla y Léon, Léon / ES

2018
Chance and Control, Victoria&Albert Museum, London / UK
Radical Women: Latin American Art, 1960-1985, Pinacoteca de São Paulo, SP / BRA
35. International Film Festival, Jerusalem / ISR
Coder Le Monde, Centre Pompidou, Paris / FR
Radical Woman: Latin American Art, 1960-1985, Brooklyn Museum, Brooklyn NY / USA
Unforgettable Kicks, Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro / BRA
Algoritmos Suaves, Valencia / ES
Los Algorotimos Suave, Centre del Carme, Valencia / ES

2017
First Reception. Analivia Cordeiro & Aldona Kut, Galerie Anita Beckers, Frankfurt / DE
Radical Women: Latin American Art, 1960-1985, Hammer Museum, Los Angeles / USA

2016
Movement Notation Workshop– from Computer Dance to Nota-Anna, Centro Pecci, Prato / IT
A Dança como Cinema (Dance as Movies), at CINUSP Paulo Emílio, University of Sao Paulo / BRA
M 3x3 installation at the exhibition The End of The World, Centro Pecci / IT

2015
B3 Biennale, Frankfurt am Main / DE
10th Biennale Mercosul, Porto Alegre / BRA
Exposicção Manuara na Livraria da Vila, Shopping JK, São Paulo / BRA
M 3x3 creation documents na Moving Image Contours: Points for a Surrounding
Movement at Tabakalera in San Sebastián / ES
Movement Notation Workshop– from Computer Dance to Nota-Anna, Tabakalera / ESSan Sebastian-Donostia / ES
Movement Notation – from Computer Dance to NotaAnna, (W) Mercosul Bienal, Porto Alegre / BRA

2011
Zonas de Contato, Paço das Artes / BRA

2009
Bienal Mercosul, Porto Alegre / BRA

2008
SIGGRAPH, Los Angeles / USA

1999
The 1999-2000 Sawyers Seminar at University of Chicago / USA
L’Ombra dei Maestri – Rudolf Laban: gli spazi della danza, Università degli Studi di Bologna / IT

1998
27th Annual Dance on Camera Festival, New York / USA

1978
Art of Space Era at Von Braun Civic Center of Huntsville Museum of Art / USA

1976
International Conference Computer & Humanities/ 2 at University of Southern California
WGBH - TV Public Channel / USA
20th American Dance Guild Conference, New York / USA

1974
LatinAmerica 74 at Institute of Contemporary Arts, London / UK

1973
International Festival of Edinburgh / UK
XII Bienal de São Paulo / BRA
The Bat-Sheva Seminar on Interaction of Art and Science, Jerusalem / ISR


Choreography and Dance Interpretations


2018
M3x3 installation in the exhibition Soft Algorithms, Comunitat dei Musei of Valencia, Valencia / ES
Sculptures, videos M3x3, Trajectory, Micron Virtues, Air, Architecture of the
movement, Note-Anna in the individual exhibition Chutes Unforgettable, Museum
of Modern Art, Rio de Janeiro / BRA
M3x3 and creation documents at the exhibition Encoder Le Monde, Center Pompidou, Paris / FR
M3x3 at the exhibition Chance and Control, Victoria & Albert Museum, London / UK
M3x3 no 35. International Film Festival, Jerusalem / ISR

2017
M3x3 at LOOP Art Festival, Barcelona / ES
M3x3 at LatinAmerican Videos, Los Angeles / USA
M3x3 and Cambiantes at the Radical Women exhibition, Hammer Museum, Los
Angeles; Brooklyn Museum, New York, USA; and Pinacoteca, São Paulo / BRA
M3x3 in Videos view in LatinAmerica, Laxart, Los Angeles / USA

2016
M3x3 Installation at the End of the World exhibition, Centro Pecci, Prato / IT
M3x3 at A Dance as Cinema, CINUSP Paulo Emílio, USP / BRA

2015
M3x3 installation at Anita Beckers Galerie booth at International Art Fair ARCO,
Madrid / ES
M3x3 installation, M3x3 creation documents at Moving Image Contours: Points
for a Surrounding Movement, Tabakalera, San Sebastián / ES
M3x3 Installation at B3 Moving Image, Frankfurth / DE

2014
Manuara, Brazilian Museum of Sculpture MuBE, São Paulo / BRA

2013
M3x3 installation 1 at SP Arte, Anita Beckers Galerie, São Paulo / BRA

2009
Improvisations "Angulos Challenges" and "From Skin to Space" at Musicircus,
Mercosul Biennial, Porto Alegre, RS / BRA
piece "Prepared Body" at RadioVisual at Mercosul Biennial, RS / BRA

2008
M3x3 in the exhibition "1969-1974 one day that have finished" Museum of
Contemporary Art USP, São Paulo / BRA

2007
Unsquare Dance with X-Motion software and Choreographies in co-authorship
with Luiz Velho, Instituto de Matematica Pura e Aplicada Rio de Janeiro / BRA
Unsquare Dance Choreography at SIGGRAPH / USA

2003
"M3x3" in the show Made in Brazil, Instituto Cultural Itaú, São Paulo / BRA

1999
Video exhibition: "Laban's Concepts of Movement", "0-45", "Slow Billie Scan" and
"Striptease" at the IX International Festival of Videodance - Il Coreografo
Elettronico, Institut Français de Naples Grenoble, June 1999 / BRA

1998
Exhibition of the "Striptease" video at the 27th Annual Dance on Camera
Festival, Walter Reade Theater at Lincoln Center, New York / USA

1997
Striptease and 0 = 45 in the Mediaçòes exhibition, at Instituto Cultural Itau, São Paulo / BRA

1996
M3x3, 0 = 45, Cambiantes and Trajectories in the 4. Image Technology Studio.

1994
M3x3 in the exhibition "Brazil Sec.XX". Bienal de São Paulo São Paulo / BRA

1988
Cambiantes of the Video Dance - Carlton Dance Festival, MIS, São Paulo / BRA

1987
Transmission by the Slow-Scan system of Slow Billie Scan of the Museum of
Image and Sound for the Dax group, Carnegie Mellon University / USA

1985
0 = 45 in Brazil'70 / 80 - new media / multimedia, FAAP, São Paulo. / BRA

1984
Cambiantes in Informatics 84, Riocentro, Rio de Janeiro / BRA

1983
Cambiantes and M3x3 in the 1st Exhibition of Computational Arts of SUCESU-SP / BRA

1978
Video Dance Workshop under the direction of Merce Cunningham and Charles
Atlas, Merce Cunningham Dance Studio, New York / USA
Janette Stoner Dance Company at Carl Schurlz Park H. Field, NY / USA
Street Performances - Rits & Runs II directed by Gus Solomons Jr., NY / USA
Choreography: Brazilian Memories at Brook Theater, New York / USA
Cambiantes in Art of Space Era, Von Braun Civic Center of Huntsville Museum of
Art, Alabama / USA

1976
M3x3, Gestures and 0 = 45 at the 20th American Dance Guild Conference by the
Massachusetts Institute of Technology, Cambridge / USA
M3x3, Gestures and 0 = 45, public TV station - WGBH -, Boston / USA
Choreography, programming, direction and interpretation: Computer Dance -
Cambiantes -, processed in the Computing Center of UNICAMP.

1975
M3x3 and Gestures in Latin America 74, Espace Cardin, Paris / FR
M3x3 and Gestures at the Galleria Civica D'Arte Moderna, Ferrara / IT
M3x3 and Gestos at the International Conference Computer & Humanities / 2,
University of Southern California, Los Angeles / USA
Choreography, programming, direction and interpretation: Computer Video-
Dance - 0 = 45 - processed at Computer Center of UNICAMP.
M3x3, Gestures and 0 = 45: Goethe Institute, São Paulo / BRA

1974
M3x3 in Systems Art in LatinAmerica, International Cultureel Centrum, Antwerp / BEL
M3x3 in Latin American Films and Video Tapes, Media Study of State University of
New York, Buffalo / USA
M3x3 in the Center of Art and Communication CAYC, Buenos Aires / ARG
Artistic Research at the State University of Campinas, TV Cultura de São Paulo / BRA
Choreography, programming, direction and interpretation: Computer Dance -
Gestures - processed in the Computing Center of UNICAMP / BRA
M3x3 and Gestures in The Bat-Sheva Seminar on Interaction of Art and Science, Jerusalem / ISR
M3x3 and Gestures at LatinAmerica74, Institute of Contemporary Arts, London, England.1974 / UK
M3x3 and Gestures: course Esthétique et Mass Media: la Télévision taught by
René Berger, Université de Lausanne / CH

1973
Methods of Creation in Dance on TV Cultura de São Paulo / BRA
Choreography, programming, direction and interpretation: Computer Video-
Dance - M3x3, Computer Center of UNICAMP and TV Cultura de São Paulo / BRA
M3x3 at Interact Man: Machine: Society, International Festival of Edinburgh, Scotland / UK
M3x3 at the XII São Paulo Biennial / BRA

1966/71
Maria Duchenes Group in several presentations in São Paulo / BRA


Architecture, Documentary and Fine Arts


2005
Work of Mobile Art - DJMobile co-authored with Nilton Lobo, in Life Goes Mobile
space, NokiaTrends, curated by Lucas Bambozzi, Anhembi, São Paulo / BRA
Work of Mobile Art - Ex-Image co-authored with Nilton Lobo, Life Goes Mobile,
NokiaTrends, curated by Lucas Bambozzi, Cais do Porto, Rio de Janeiro / BRA

1999
Conception and direction of CD-Rom Waldemar Cordeiro, Galeria Brito Cimino, São Paulo / BRA

1980
Movie Kwarùp at the Contemporary Dance Workshop of UFB, Salvador.

1975
S-8 filming of the Kwarùp ritual ceremony in the Kamaiurá tribe in the Xingu
National Park. Assembly and edition sponsored by FAPESP / BRA

1974
Premio Acquisition of the film M3x3 by MAC USP.

1973
Multienvironment, representing FAU USP in 1st. Bienal de Arquitetura, São Paulo / BRA

1969
Costume at the Maria Duschenes Group show of the National Theater Festival, São Paulo / BRA

1967
Prize of the Art for Young People exhibition of the newspaper O Estado de São Paulo / BRA
Distinguished work at MAC USP.


Didactic Activities


2017
Wellness, Therapy and Technology workshop, Centro Pecci / IT

2016
workshop Movement Notation - from Computer Dance to Note-Anna, Centro Pecci, Prato / IT

2015
Workshop Notation of the Movement - from Computer Dance to Nota-Anna, 10. Mercosur
Workshop "Searching for Cyber-Harmony: a dialogue between body awareness
and electronic media", Kinetic-Digital exhibition, ItauCultural, São Paulo / BRA
Workshop Movement Notation - from Computer Dance to Note-Anna,
Tabakalera, San Sebastian-Donostia / BRA

2002
Workshop at the II International Symposium on Dance in Wheelchairs, UNICAMP, São Paulo / BRA

1999
Workshop "the 1999-2000 Sawyer Seminar at The University of Chicago",
October, Chicago / USA
Lecture / demonstration at the meeting "L'Ombra dei Maestri - Rudolf Laban: gli
spazi della danza", Università degli Studi di Bologna / IT

1995/97
classes for the Fashion Course of Faculdade Santa Marcelina, São Paulo / BRA

1997
"Nota-Anna and the Laban Method" Workshop, Itaú Cultural Institute, São Paulo / BRA

1996
Course Laban Method in the Specialization Course - Jungian Psychotherapy with
a focus on physio-psicological integration, Sedes Sapientae Institute, São Paulo / BRA

1990
Course Laban Method, graduate of the Course of Performing Arts of ECA USP.
Course Laban Method applied to Dance in the Training Center in Contemporary
Dance, Cultural Office Oswald de Andrade, São Paulo / BRA

1989
Course Laban Method of Movement Analysis at the Institute of Psychology, USP.

1983-1987
Direction and classes at Escola Danças Analívia, São Paulo / BRA

1975
Movie M3x3, on the program of the "Bezalel Academy of Arts", Jerusalem / ISR

1972-1973
Dance for children in the "Pró-Art" Music Seminars, São Paulo / BRA


Awards, Collections and Scholarships


2019
Nomination as a Member of the International Dance Council CID of Unesco

2017
Movement notation 1976 in the archive of the artist Oskar Schlemmer, Switzerland / CH
M3x3 video and paper A Language for Dance at the Victoria & Albert Museum collection, London / UK

2015
BEEP Award for Electronic Art, ARCO Art Fair, Madrid / ES
M3x3: video, photos and documents in the collection of the Reina Sofia Museum, Madrid / ES

2014
M3x3installation in the collection of the Museum of Concrete Art, Ingolstadt / DE

2000
Scholarship by FAPESP Foundation of Research Support of the State of São Paulo / BRA

1996
Scholarship by FAPESP Foundation of Research Support of the State of São Paulo / BRA

1976
Scholarship by CnPQ for the edition of the film Kwarìp.

1974
M3x3 in the collection of the Museum of Contemporary Art of USP / BRA

1967
Prize of the Contest of Art for Young people of the newspaper "The State of São Paulo" / BRA

Analívia Cordeiro
1972-1976 Architecture and Urbanism College – FAUUSP, São Paulo / BRA 1996 Master at Multimedia Department of Art Institute of UNICAMP, São Paulo / BRA 2004 PhD in Semiotics at Pontifícia Universidade Católica de São Paulo / BRA 2009 Pós Doctorate at Universidade Federal do Rio de Janeiro / BRA Exhibitions, Seminars (selection) 2019Tanz Bewegung Geste Bild, Kunsthalle Göppingen, Göppingen / DEFaces, Es Baluard, Palma de Mallorca / ESFairest on the Fair, Outpost, Manila / PHILEl giro notacional, MUSAC Museo de Arte Contemporáneo de Castilla y Léon, Léon / ES 2018Chance and Control, Victoria&Albert Museum, London / UKRadical Women: Latin American Art, 1960-1985, Pinacoteca de São Paulo, SP / BRA35. International Film Festival, Jerusalem / ISRCoder Le Monde, Centre Pompidou, Paris / FRRadical Woman: Latin American Art, 1960-1985, Brooklyn Museum, Brooklyn NY / USAUnforgettable Kicks, Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro / BRAAlgoritmos Suaves, Valencia / ESLos Algorotimos Suave, Centre del Carme, Valencia / ES 2017First Reception. Analivia Cordeiro & Aldona Kut, Galerie Anita Beckers, Frankfurt / DERadical Women: Latin American Art, 1960-1985, Hammer Museum, Los Angeles / USA 2016Movement Notation Workshop– from Computer Dance to Nota-Anna, Centro Pecci, Prato / ITA Dança como Cinema (Dance as Movies), at CINUSP Paulo Emílio, University of Sao Paulo / BRAM 3x3 installation at the exhibition The End of The World, Centro Pecci / IT 2015B3 Biennale, Frankfurt am Main / DE10th Biennale Mercosul, Porto Alegre / BRAExposicção Manuara na Livraria da Vila, Shopping JK, São Paulo / BRAM 3x3 creation documents na Moving Image Contours: Points for a SurroundingMovement at Tabakalera in San Sebastián / ESMovement Notation Workshop– from Computer Dance to Nota-Anna, Tabakalera / ESSan Sebastian-Donostia / ESMovement Notation – from Computer Dance to NotaAnna, (W) Mercosul Bienal, Porto Alegre / BRA 2011Zonas de Contato, Paço das Artes / BRA 2009Bienal Mercosul, Porto Alegre / BRA 2008SIGGRAPH, Los Angeles / USA 1999The 1999-2000 Sawyers Seminar at University of Chicago / USAL’Ombra dei Maestri – Rudolf Laban: gli spazi della danza, Università degli Studi di Bologna / IT199827th Annual Dance on Camera Festival, New York / USA 1978Art of Space Era at Von Braun Civic Center of Huntsville Museum of Art / USA 1976International Conference Computer & Humanities/ 2 at University of Southern CaliforniaWGBH - TV Public Channel / USA20th American Dance Guild Conference, New York / USA 1974LatinAmerica 74 at Institute of Contemporary Arts, London / UK 1973International Festival of Edinburgh / UKXII Bienal de São Paulo / BRAThe Bat-Sheva Seminar on Interaction of Art and Science, Jerusalem / ISR Choreography and Dance Interpretations 2018M3x3 installation in the exhibition Soft Algorithms, Comunitat dei Musei of Valencia, Valencia / ESSculptures, videos M3x3, Trajectory, Micron Virtues, Air, Architecture of themovement, Note-Anna in the individual exhibition Chutes Unforgettable, Museumof Modern Art, Rio de Janeiro / BRAM3x3 and creation documents at the exhibition Encoder Le Monde, Center Pompidou, Paris / FRM3x3 at the exhibition Chance and Control, Victoria & Albert Museum, London / UKM3x3 no 35. International Film Festival, Jerusalem / ISR 2017M3x3 at LOOP Art Festival, Barcelona / ESM3x3 at LatinAmerican Videos, Los Angeles / USAM3x3 and Cambiantes at the Radical Women exhibition, Hammer Museum, LosAngeles; Brooklyn Museum, New York, USA; and Pinacoteca, São Paulo / BRAM3x3 in Videos view in LatinAmerica, Laxart, Los Angeles / USA 2016M3x3 Installation at the End of the World exhibition, Centro Pecci, Prato / ITM3x3 at A Dance as Cinema, CINUSP Paulo Emílio, USP / BRA 2015M3x3 installation at Anita Beckers Galerie booth at International Art Fair ARCO,Madrid / ESM3x3 installation, M3x3 creation documents at Moving Image Contours: Pointsfor a Surrounding Movement, Tabakalera, San Sebastián / ESM3x3 Installation at B3 Moving Image, Frankfurth / DE 2014Manuara, Brazilian Museum of Sculpture MuBE, São Paulo / BRA 2013M3x3 installation 1 at SP Arte, Anita Beckers Galerie, São Paulo / BRA 2009Improvisations Angulos Challenges and From Skin to Space at Musicircus,Mercosul Biennial, Porto Alegre, RS / BRApiece Prepared Body at RadioVisual at Mercosul Biennial, RS / BRA 2008M3x3 in the exhibition 1969-1974 one day that have finished Museum ofContemporary Art USP, São Paulo / BRA 2007Unsquare Dance with X-Motion software and Choreographies in co-authorshipwith Luiz Velho, Instituto de Matematica Pura e Aplicada Rio de Janeiro / BRAUnsquare Dance Choreography at SIGGRAPH / USA 2003M3x3 in the show Made in Brazil, Instituto Cultural Itaú, São Paulo / BRA 1999Video exhibition: Laban's Concepts of Movement, 0-45, Slow Billie Scan andStriptease at the IX International Festival of Videodance - Il CoreografoElettronico, Institut Français de Naples Grenoble, June 1999 / BRA 1998Exhibition of the Striptease video at the 27th Annual Dance on CameraFestival, Walter Reade Theater at Lincoln Center, New York / USA 1997Striptease and 0 = 45 in the Mediaçòes exhibition, at Instituto Cultural Itau, São Paulo / BRA 1996M3x3, 0 = 45, Cambiantes and Trajectories in the 4. Image Technology Studio. 1994M3x3 in the exhibition Brazil Sec.XX. Bienal de São Paulo São Paulo / BRA 1988Cambiantes of the Video Dance - Carlton Dance Festival, MIS, São Paulo / BRA 1987Transmission by the Slow-Scan system of Slow Billie Scan of the Museum ofImage and Sound for the Dax group, Carnegie Mellon University / USA 19850 = 45 in Brazil'70 / 80 - new media / multimedia, FAAP, São Paulo. / BRA 1984Cambiantes in Informatics 84, Riocentro, Rio de Janeiro / BRA 1983Cambiantes and M3x3 in the 1st Exhibition of Computational Arts of SUCESU-SP / BRA 1978Video Dance Workshop under the direction of Merce Cunningham and CharlesAtlas, Merce Cunningham Dance Studio, New York / USAJanette Stoner Dance Company at Carl Schurlz Park H. Field, NY / USAStreet Performances - Rits & Runs II directed by Gus Solomons Jr., NY / USAChoreography: Brazilian Memories at Brook Theater, New York / USACambiantes in Art of Space Era, Von Braun Civic Center of Huntsville Museum ofArt, Alabama / USA 1976M3x3, Gestures and 0 = 45 at the 20th American Dance Guild Conference by theMassachusetts Institute of Technology, Cambridge / USAM3x3, Gestures and 0 = 45, public TV station - WGBH -, Boston / USAChoreography, programming, direction and interpretation: Computer Dance -Cambiantes -, processed in the Computing Center of UNICAMP. 1975M3x3 and Gestures in Latin America 74, Espace Cardin, Paris / FRM3x3 and Gestures at the Galleria Civica D'Arte Moderna, Ferrara / ITM3x3 and Gestos at the International Conference Computer & Humanities / 2,University of Southern California, Los Angeles / USAChoreography, programming, direction and interpretation: Computer Video-Dance - 0 = 45 - processed at Computer Center of UNICAMP.M3x3, Gestures and 0 = 45: Goethe Institute, São Paulo / BRA 1974M3x3 in Systems Art in LatinAmerica, International Cultureel Centrum, Antwerp / BELM3x3 in Latin American Films and Video Tapes, Media Study of State University ofNew York, Buffalo / USAM3x3 in the Center of Art and Communication CAYC, Buenos Aires / ARGArtistic Research at the State University of Campinas, TV Cultura de São Paulo / BRAChoreography, programming, direction and interpretation: Computer Dance -Gestures - processed in the Computing Center of UNICAMP / BRAM3x3 and Gestures in The Bat-Sheva Seminar on Interaction of Art and Science, Jerusalem / ISRM3x3 and Gestures at LatinAmerica74, Institute of Contemporary Arts, London, England.1974 / UKM3x3 and Gestures: course Esthétique et Mass Media: la Télévision taught byRené Berger, Université de Lausanne / CH 1973Methods of Creation in Dance on TV Cultura de São Paulo / BRAChoreography, programming, direction and interpretation: Computer Video-Dance - M3x3, Computer Center of UNICAMP and TV Cultura de São Paulo / BRAM3x3 at Interact Man: Machine: Society, International Festival of Edinburgh, Scotland / UKM3x3 at the XII São Paulo Biennial / BRA 1966/71Maria Duchenes Group in several presentations in São Paulo / BRA Architecture, Documentary and Fine Arts 2005Work of Mobile Art - DJMobile co-authored with Nilton Lobo, in Life Goes Mobilespace, NokiaTrends, curated by Lucas Bambozzi, Anhembi, São Paulo / BRAWork of Mobile Art - Ex-Image co-authored with Nilton Lobo, Life Goes Mobile,NokiaTrends, curated by Lucas Bambozzi, Cais do Porto, Rio de Janeiro / BRA 1999Conception and direction of CD-Rom Waldemar Cordeiro, Galeria Brito Cimino, São Paulo / BRA 1980Movie Kwarùp at the Contemporary Dance Workshop of UFB, Salvador. 1975S-8 filming of the Kwarùp ritual ceremony in the Kamaiurá tribe in the XinguNational Park. Assembly and edition sponsored by FAPESP / BRA 1974Premio Acquisition of the film M3x3 by MAC USP. 1973Multienvironment, representing FAU USP in 1st. Bienal de Arquitetura, São Paulo / BRA 1969Costume at the Maria Duschenes Group show of the National Theater Festival, São Paulo / BRA 1967Prize of the Art for Young People exhibition of the newspaper O Estado de São Paulo / BRADistinguished work at MAC USP. Didactic Activities 2017Wellness, Therapy and Technology workshop, Centro Pecci / IT 2016workshop Movement Notation - from Computer Dance to Note-Anna, Centro Pecci, Prato / IT 2015Workshop Notation of the Movement - from Computer Dance to Nota-Anna, 10. MercosurWorkshop Searching for Cyber-Harmony: a dialogue between body awarenessand electronic media, Kinetic-Digital exhibition, ItauCultural, São Paulo / BRAWorkshop Movement Notation - from Computer Dance to Note-Anna,Tabakalera, San Sebastian-Donostia / BRA 2002Workshop at the II International Symposium on Dance in Wheelchairs, UNICAMP, São Paulo / BRA 1999Workshop the 1999-2000 Sawyer Seminar at The University of Chicago,October, Chicago / USALecture / demonstration at the meeting L'Ombra dei Maestri - Rudolf Laban: glispazi della danza, Università degli Studi di Bologna / IT 1995/97classes for the Fashion Course of Faculdade Santa Marcelina, São Paulo / BRA 1997Nota-Anna and the Laban Method Workshop, Itaú Cultural Institute, São Paulo / BRA 1996Course Laban Method in the Specialization Course - Jungian Psychotherapy witha focus on physio-psicological integration, Sedes Sapientae Institute, São Paulo / BRA 1990Course Laban Method, graduate of the Course of Performing Arts of ECA USP.Course Laban Method applied to Dance in the Training Center in ContemporaryDance, Cultural Office Oswald de Andrade, São Paulo / BRA 1989Course Laban Method of Movement Analysis at the Institute of Psychology, USP. 1983-1987Direction and classes at Escola Danças Analívia, São Paulo / BRA 1975Movie M3x3, on the program of the Bezalel Academy of Arts, Jerusalem / ISR 1972-1973Dance for children in the Pró-Art Music Seminars, São Paulo / BRA Awards, Collections and Scholarships 2019Nomination as a Member of the International Dance Council CID of Unesco 2017Movement notation 1976 in the archive of the artist Oskar Schlemmer, Switzerland / CHM3x3 video and paper A Language for Dance at the Victoria & Albert Museum collection, London / UK 2015BEEP Award for Electronic Art, ARCO Art Fair, Madrid / ESM3x3: video, photos and documents in the collection of the Reina Sofia Museum, Madrid / ES 2014M3x3installation in the collection of the Museum of Concrete Art, Ingolstadt / DE 2000Scholarship by FAPESP Foundation of Research Support of the State of São Paulo / BRA 1996Scholarship by FAPESP Foundation of Research Support of the State of São Paulo / BRA 1976Scholarship by CnPQ for the edition of the film Kwarìp. 1974M3x3 in the collection of the Museum of Contemporary Art of USP / BRA 1967Prize of the Contest of Art for Young people of the newspaper The State of São Paulo / BRA

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