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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Analívia Cordeiro

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

Dancer, choreographer and architect, Phd.

One of the computer dance world pioneers and Brazilian video-art pioneer (1973), she created multimedia performances and videos; published a book/video Nota-Anna: an electronic notation of human movement based on the Laban Method, about her movement notation software Nota-Anna.

Presentations

2015
Manuara Exhibition, Livraria de Vila, Shopping JK, Brazil.

2014
Manuara Exhibition, Brazilian Museum of Sculpture MUBE, Brazil.

2009
Bienal Mercosul, 2009.

2008
SIGGRAPH, 2008, USA, and SIBGRAPI, Cuiaba, Brazil.
ART7 2008, National Museum, Brasilia, Brazil.

2007
Videodance Flesh I / II, 6.Mostra the Free Film, CCBB RJ, Brazil.
Videodanc AND / OR, Panorama Video Creation in Brazil, CCBB Brasilia, Brazil.
Videodance Flesh I / II,!Subjetividades, Itaucultural, Brazil.
Videodance AND / OR in 21.Mostra Audio Visual Paulista, Brazil.

2006
Videodance Flesh I/II, Focus on Dance, International Festival of Video and Dance, Brazil.

2005
Videodanças Air, Slow Billie Scan, Striptease and Flesh I, Dança em Pauta, CCBB SP, Brazil.
DJMobile co-authored with Nilton Wolf, Life Goes Mobile SP, NokiaTrends, Brazil.
Former Image coauthored with Nilton Wolf, Life Goes Mobile RJ, NokiaTrends, Brazil.

2001
Performance Paintings For Stepping by Aldir Mendes de Souza w/ Gícia Amorim, Pinacoteca SP, Brazil

1999
The 1999-2000 Sawyers Seminar at University of Chicago, 1999
L’Ombra dei Maestri – Rudolf Laban: gli spazi della danza, Università degli Studi di Bologna, Italy, 1999

1998
Videodance Striptease, 27th Annual Dance on Camera, Lincoln Center, New York, USA
Model for costume workshop, Brazilian Fantasy, SESC Belenzinho, Brazil
27th Annual Dance on Camera Festival, New York, 1998

1997
Performance Striptease at Precursor and Pioneers of Contemporary Art, Paco das Artes, Brazil

1992
Direction and performance Tableaux show, with Microvirtudes group, CCSP, Brazil

1988
Interpretation choreography of VideoVivo, by Otavio Donasci, MAC USP, Brazil
1a. International Show of Scientific Image, Science Station, Brazil

1987
MIS SP transmission to the Dax group through Slow-Scan system of video dance Slow Billie Scan with Lali Krotozynski and IPAT group, Carnegie Mellon University, USA

1985
Videodance Air, co-authored with Takashi Fukushima, Art Technology, MAC USP, Brazil

1983
Design and interpretation of Femilino show, Independent Dance Exhibition, Brazil

1981-1983
Choreographer of Israeli folk dance groups Carmel and Hacotzrim, Sao Paulo, Brazil.
Choreographies Hora Carmel, Hora Aviv, Work and Schedemati, co-authored with Guiora Kadmon

1980
direction, choreography, interpretation of Naturalidade w/ Analívia & Company, Teatro Galpao, Brazil

1979
Performance Call at III Contemporary Dance Competition, Federal University of Bahia, Brazil.II Contemporary Dance Cycle, SNT, Brazil; I Contemporary Dance Show at the Brazilian Comedy Theater, Brazil.
Videodance "e" presented at Art Popular Movement, São Miguel Paulista, Brazil

1978
Art of Space Era at Von Braun Civic Center of Huntsville Museum of Art, 1978

1976
International Conference Computer & Humanities/2 at University of Southern California, 1976
WGBH - TV Public Channel, 1976; 20th American Dance Guild Conference, 1976

1974
LatinAmerica 74 at Institute of Contemporary Arts, London, 1974

1973
International Festival of Edinburgh, 1973
XII Bienal de São Paulo, Brazil, 1973
The Bat-Sheva Seminar on Interaction of Art and Science, Jerusalém, 1973

Analívia Cordeiro
Dancer, choreographer and architect, Phd. One of the computer dance world pioneers and Brazilian video-art pioneer (1973), she created multimedia performances and videos; published a book/video Nota-Anna: an electronic notation of human movement based on the Laban Method, about her movement notation software Nota-Anna. Presentations 2015 Manuara Exhibition, Livraria de Vila, Shopping JK, Brazil. 2014 Manuara Exhibition, Brazilian Museum of Sculpture MUBE, Brazil. 2009 Bienal Mercosul, 2009. 2008 SIGGRAPH, 2008, USA, and SIBGRAPI, Cuiaba, Brazil. ART7 2008, National Museum, Brasilia, Brazil. 2007 Videodance Flesh I / II, 6.Mostra the Free Film, CCBB RJ, Brazil. Videodanc AND / OR, Panorama Video Creation in Brazil, CCBB Brasilia, Brazil. Videodance Flesh I / II,!Subjetividades, Itaucultural, Brazil. Videodance AND / OR in 21.Mostra Audio Visual Paulista, Brazil. 2006 Videodance Flesh I/II, Focus on Dance, International Festival of Video and Dance, Brazil. 2005 Videodanças Air, Slow Billie Scan, Striptease and Flesh I, Dança em Pauta, CCBB SP, Brazil. DJMobile co-authored with Nilton Wolf, Life Goes Mobile SP, NokiaTrends, Brazil. Former Image coauthored with Nilton Wolf, Life Goes Mobile RJ, NokiaTrends, Brazil. 2001 Performance Paintings For Stepping by Aldir Mendes de Souza w/ Gícia Amorim, Pinacoteca SP, Brazil 1999 The 1999-2000 Sawyers Seminar at University of Chicago, 1999 L’Ombra dei Maestri – Rudolf Laban: gli spazi della danza, Università degli Studi di Bologna, Italy, 1999 1998 Videodance Striptease, 27th Annual Dance on Camera, Lincoln Center, New York, USA Model for costume workshop, Brazilian Fantasy, SESC Belenzinho, Brazil 27th Annual Dance on Camera Festival, New York, 1998 1997 Performance Striptease at Precursor and Pioneers of Contemporary Art, Paco das Artes, Brazil 1992 Direction and performance Tableaux show, with Microvirtudes group, CCSP, Brazil 1988 Interpretation choreography of VideoVivo, by Otavio Donasci, MAC USP, Brazil 1a. International Show of Scientific Image, Science Station, Brazil 1987 MIS SP transmission to the Dax group through Slow-Scan system of video dance Slow Billie Scan with Lali Krotozynski and IPAT group, Carnegie Mellon University, USA 1985 Videodance Air, co-authored with Takashi Fukushima, Art Technology, MAC USP, Brazil 1983 Design and interpretation of Femilino show, Independent Dance Exhibition, Brazil 1981-1983 Choreographer of Israeli folk dance groups Carmel and Hacotzrim, Sao Paulo, Brazil. Choreographies Hora Carmel, Hora Aviv, Work and Schedemati, co-authored with Guiora Kadmon 1980 direction, choreography, interpretation of Naturalidade w/ Analívia & Company, Teatro Galpao, Brazil 1979 Performance Call at III Contemporary Dance Competition, Federal University of Bahia, Brazil.II Contemporary Dance Cycle, SNT, Brazil; I Contemporary Dance Show at the Brazilian Comedy Theater, Brazil. Videodance e presented at Art Popular Movement, São Miguel Paulista, Brazil 1978 Art of Space Era at Von Braun Civic Center of Huntsville Museum of Art, 1978 1976 International Conference Computer & Humanities/2 at University of Southern California, 1976 WGBH - TV Public Channel, 1976; 20th American Dance Guild Conference, 1976 1974 LatinAmerica 74 at Institute of Contemporary Arts, London, 1974 1973 International Festival of Edinburgh, 1973 XII Bienal de São Paulo, Brazil, 1973 The Bat-Sheva Seminar on Interaction of Art and Science, Jerusalém, 1973

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