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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

64th International Short Film Festival Oberhausen 2018

In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events and in its 64th issue over 500 films were shown selected out of more than 7.000 films submitted.

Videoart at High Noon
Critics‘ Pick by Nicole Büsing and Heiko Klaas

Cologne/Brussels. How can video art be presented in a suitable way? While on “blinkvideo” you can enjoy watching video art comfortably from your couch, at your desk or on a train, viewing videos at art fairs often turns out to be quite a challenge. To concentrate on a work of moving pictures in the bustling atmosphere of an art fair requires maximum attention. And yet, this year’s Art Cologne and the simultaneous Art Brussels once more featured a number of intriguing video works, some of which we would like to present you here.

Christoph Faulhaber: Revolution & Architecture

Kunsthalle Osnabrück / June 15 to October 2, 2018
With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.

European Media Art Festival 2018

The various sections of the festival dealt primarily with one theme: the link between media art and journalism – under the heading “Report – Notes from Reality.” It was all about facebook data theft, interference in elections by secret services, the threat of trade war, and dubious arms exports.

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.

image: © Richard Mosse

Featured videos

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective. Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

image: Jesper Just, Servitudes (2015)

KINO DER KUNST

2017 a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

Anna Gaskell. Hide and Seek

Curated by Nadia Ismail

The Kunsthalle Gießen is pleased to present the first institutional solo-exhibition in Germany by the New York based artist Anna Gaskell (*1969 Des Moines/Iowa). The exhibition focuses on photographic and time-based works which have largely characterised the American artists Œuvre since 1996.

Duration: 27.01. - 08.04.2018

image: © Anna Gaskell and Light Manufacturing/Esto, Courtesy: Galerie Gisela Capitain, Köln

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Analívia Cordeiro

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

Dancer, choreographer and architect, Phd.

One of the computer dance world pioneers and Brazilian video-art pioneer (1973), she created multimedia performances and videos; published a book/video Nota-Anna: an electronic notation of human movement based on the Laban Method, about her movement notation software Nota-Anna.

Presentations

2015
Manuara Exhibition, Livraria de Vila, Shopping JK, Brazil.

2014
Manuara Exhibition, Brazilian Museum of Sculpture MUBE, Brazil.

2009
Bienal Mercosul, 2009.

2008
SIGGRAPH, 2008, USA, and SIBGRAPI, Cuiaba, Brazil.
ART7 2008, National Museum, Brasilia, Brazil.

2007
Videodance Flesh I / II, 6.Mostra the Free Film, CCBB RJ, Brazil.
Videodanc AND / OR, Panorama Video Creation in Brazil, CCBB Brasilia, Brazil.
Videodance Flesh I / II,!Subjetividades, Itaucultural, Brazil.
Videodance AND / OR in 21.Mostra Audio Visual Paulista, Brazil.

2006
Videodance Flesh I/II, Focus on Dance, International Festival of Video and Dance, Brazil.

2005
Videodanças Air, Slow Billie Scan, Striptease and Flesh I, Dança em Pauta, CCBB SP, Brazil.
DJMobile co-authored with Nilton Wolf, Life Goes Mobile SP, NokiaTrends, Brazil.
Former Image coauthored with Nilton Wolf, Life Goes Mobile RJ, NokiaTrends, Brazil.

2001
Performance Paintings For Stepping by Aldir Mendes de Souza w/ Gícia Amorim, Pinacoteca SP, Brazil

1999
The 1999-2000 Sawyers Seminar at University of Chicago, 1999
L’Ombra dei Maestri – Rudolf Laban: gli spazi della danza, Università degli Studi di Bologna, Italy, 1999

1998
Videodance Striptease, 27th Annual Dance on Camera, Lincoln Center, New York, USA
Model for costume workshop, Brazilian Fantasy, SESC Belenzinho, Brazil
27th Annual Dance on Camera Festival, New York, 1998

1997
Performance Striptease at Precursor and Pioneers of Contemporary Art, Paco das Artes, Brazil

1992
Direction and performance Tableaux show, with Microvirtudes group, CCSP, Brazil

1988
Interpretation choreography of VideoVivo, by Otavio Donasci, MAC USP, Brazil
1a. International Show of Scientific Image, Science Station, Brazil

1987
MIS SP transmission to the Dax group through Slow-Scan system of video dance Slow Billie Scan with Lali Krotozynski and IPAT group, Carnegie Mellon University, USA

1985
Videodance Air, co-authored with Takashi Fukushima, Art Technology, MAC USP, Brazil

1983
Design and interpretation of Femilino show, Independent Dance Exhibition, Brazil

1981-1983
Choreographer of Israeli folk dance groups Carmel and Hacotzrim, Sao Paulo, Brazil.
Choreographies Hora Carmel, Hora Aviv, Work and Schedemati, co-authored with Guiora Kadmon

1980
direction, choreography, interpretation of Naturalidade w/ Analívia & Company, Teatro Galpao, Brazil

1979
Performance Call at III Contemporary Dance Competition, Federal University of Bahia, Brazil.II Contemporary Dance Cycle, SNT, Brazil; I Contemporary Dance Show at the Brazilian Comedy Theater, Brazil.
Videodance "e" presented at Art Popular Movement, São Miguel Paulista, Brazil

1978
Art of Space Era at Von Braun Civic Center of Huntsville Museum of Art, 1978

1976
International Conference Computer & Humanities/2 at University of Southern California, 1976
WGBH - TV Public Channel, 1976; 20th American Dance Guild Conference, 1976

1974
LatinAmerica 74 at Institute of Contemporary Arts, London, 1974

1973
International Festival of Edinburgh, 1973
XII Bienal de São Paulo, Brazil, 1973
The Bat-Sheva Seminar on Interaction of Art and Science, Jerusalém, 1973

Analívia Cordeiro
Dancer, choreographer and architect, Phd. One of the computer dance world pioneers and Brazilian video-art pioneer (1973), she created multimedia performances and videos; published a book/video Nota-Anna: an electronic notation of human movement based on the Laban Method, about her movement notation software Nota-Anna. Presentations 2015 Manuara Exhibition, Livraria de Vila, Shopping JK, Brazil. 2014 Manuara Exhibition, Brazilian Museum of Sculpture MUBE, Brazil. 2009 Bienal Mercosul, 2009. 2008 SIGGRAPH, 2008, USA, and SIBGRAPI, Cuiaba, Brazil. ART7 2008, National Museum, Brasilia, Brazil. 2007 Videodance Flesh I / II, 6.Mostra the Free Film, CCBB RJ, Brazil. Videodanc AND / OR, Panorama Video Creation in Brazil, CCBB Brasilia, Brazil. Videodance Flesh I / II,!Subjetividades, Itaucultural, Brazil. Videodance AND / OR in 21.Mostra Audio Visual Paulista, Brazil. 2006 Videodance Flesh I/II, Focus on Dance, International Festival of Video and Dance, Brazil. 2005 Videodanças Air, Slow Billie Scan, Striptease and Flesh I, Dança em Pauta, CCBB SP, Brazil. DJMobile co-authored with Nilton Wolf, Life Goes Mobile SP, NokiaTrends, Brazil. Former Image coauthored with Nilton Wolf, Life Goes Mobile RJ, NokiaTrends, Brazil. 2001 Performance Paintings For Stepping by Aldir Mendes de Souza w/ Gícia Amorim, Pinacoteca SP, Brazil 1999 The 1999-2000 Sawyers Seminar at University of Chicago, 1999 L’Ombra dei Maestri – Rudolf Laban: gli spazi della danza, Università degli Studi di Bologna, Italy, 1999 1998 Videodance Striptease, 27th Annual Dance on Camera, Lincoln Center, New York, USA Model for costume workshop, Brazilian Fantasy, SESC Belenzinho, Brazil 27th Annual Dance on Camera Festival, New York, 1998 1997 Performance Striptease at Precursor and Pioneers of Contemporary Art, Paco das Artes, Brazil 1992 Direction and performance Tableaux show, with Microvirtudes group, CCSP, Brazil 1988 Interpretation choreography of VideoVivo, by Otavio Donasci, MAC USP, Brazil 1a. International Show of Scientific Image, Science Station, Brazil 1987 MIS SP transmission to the Dax group through Slow-Scan system of video dance Slow Billie Scan with Lali Krotozynski and IPAT group, Carnegie Mellon University, USA 1985 Videodance Air, co-authored with Takashi Fukushima, Art Technology, MAC USP, Brazil 1983 Design and interpretation of Femilino show, Independent Dance Exhibition, Brazil 1981-1983 Choreographer of Israeli folk dance groups Carmel and Hacotzrim, Sao Paulo, Brazil. Choreographies Hora Carmel, Hora Aviv, Work and Schedemati, co-authored with Guiora Kadmon 1980 direction, choreography, interpretation of Naturalidade w/ Analívia & Company, Teatro Galpao, Brazil 1979 Performance Call at III Contemporary Dance Competition, Federal University of Bahia, Brazil.II Contemporary Dance Cycle, SNT, Brazil; I Contemporary Dance Show at the Brazilian Comedy Theater, Brazil. Videodance e presented at Art Popular Movement, São Miguel Paulista, Brazil 1978 Art of Space Era at Von Braun Civic Center of Huntsville Museum of Art, 1978 1976 International Conference Computer & Humanities/2 at University of Southern California, 1976 WGBH - TV Public Channel, 1976; 20th American Dance Guild Conference, 1976 1974 LatinAmerica 74 at Institute of Contemporary Arts, London, 1974 1973 International Festival of Edinburgh, 1973 XII Bienal de São Paulo, Brazil, 1973 The Bat-Sheva Seminar on Interaction of Art and Science, Jerusalém, 1973

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