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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Andreas Bunte

Works


Biography

born 1970 in Mettmann, Germany

lives and works in Berlin

Education

2012–15 Research Fellow of Norwegian Artistic Research Programme,
Oslo Academy of Fine Arts, (NO)

1993–98 Studies Fine Art, Kunstakademie Düsseldorf (DE)
Prof. Magdalena Jetelova und Prof. Gerhard Merz (Meisterschüler)

1991–93 Studies Fine Art, Kunsthochschule Kassel (DE)


Grants, Residencies, Prizes (Selection)

2017
Research grant, visual arts, Senate Berlin (DE)

2016
Canada Council Grant for film project Erosion (CA)
Production grant, Medienboard Berlin-Brandenburg (DE)

2014
Audain Artist in Residence, Simon-Fraser University, Vancouver, BC (CA)

2012–15
Research Fellowship of Norwegian Artistic Research Programme (NO)

2007
Stiftung Kunstfonds, working grant (DE)
Else-Heiliger-Fonds, Konrad Adenauer Stiftung, working grant (DE)

2002
Stiftung Kunst und Kultur NRW, project grant (DE)

1999
Villa Romana Prize, one-year residency in Florence (IT)


Solo shows (Selection)

2016
Erosion, SFU Gallery, Vancouver (CA)

2015
Welt vor der Schwelle, Kunstverein Hildesheim, Hildesheim (DE)
The Passing of a Grain of Sand through a Sieve, Kunstnerneshus, Oslo (NO)

2014
Lettuce partially emerging from a shopping bag, Kunstverein Lingen (DE)
Lettuce partially emerging from a shopping bag, Republic Gallery, Vancouver (CA)
Two Films about Pressure, Or Gallery, Vancouver (CA)
Norma (with Eva Berendes), Ancient & Modern, London (UK)
Welt vor der Schwelle, INCA Institute, Seattle (US)

2012
World at the threshold, ARGE Kunst, Bolzano (IT)*
Analogue Stories (with Melvin Moti), Fotogalleriet, Oslo (NO)

2010
Beton, Present Future, Einzelpräsentation, Artissima 17, Turino (IT)
Independent Art Fair, Solo with Poul Gernes, Galerie Ben Kaufmann, New York (US)

2009
Andreas Bunte, Kunstverein Bielefeld, Bielefeld (DE)*
Künstliche Paradiese, Galerie Ben Kaufmann, Berlin (DE)

2008
Der Garten des M. Leretnac, Open Space, Art Cologne, Cologne (DE)

2007
Das Unsichtbare ist weder dunkel noch geheimnisvoll, es ist transparent
(with Nick Laessing), Galerie Jacky Strenz, Frankfurt/Main (DE)

2006
Die letzten Tage der Gegenwart, Galerie Ben Kaufmann, Berlin (DE)

2005
May the Circle Remain Unbroken, Adeline Morlon, Düsseldorf (DE)
Shelbourne Park Nights, Center, Berlin (DE)


Group shows (Selection)

2018
A Visibility Matrix, Douglas Hyde Gallery in Dublin, curated by Sven Anderson and
Gerard Byrne, Dublin (IR)
(Anti)thesis of Architecture, Zarya Center for Contemporary Art, Vladivostok (RUS)
Thick Space, Ruhr-Universität Bochum, curated by Mirjam Thomann and Karina
Nimmerfall, Bochum (DE)*

2017
Ever elusive, Transmediale, curated by Florian Wüst, Berlin (DE)
Skulptur Projekte Münster, curated by Kasper König, Britta Peters, Marianne Wagner, Munster (DE)*

2016
Beton, Kunsthalle Wien, Vienna (AU)
In Time (The Rhythm of the Workshop), with Daniel Eisenberg, Denis Côté and
Varvara & Mar, curated by S. Stratton, Museum of Art & Design, New York (US)
Traversing the Phantasm – 11th Forum Expanded, Akademie der Künste, Berlin (DE)

2015
Bild und Anpassung, Kunstverein Waldkraiburg (DE)*

2014
Beyond Architecture, Kunstverein Aachen, Aachen (DE)
Vor Ort, exhibition in public space, curated by Thomas Thiel, Sennestadt (DE)*
Bild und Anpassung, Palais für aktuelle Kunst, Glückstadt (DE)

2013
The things we know, curated by Tim Saltarelli, Henningsen Gallery, Copenhagen (DK)
Anguish&Enthusiasm, Cornerhouse, Manchester (UK)
Conversations électriques, Le Panacée, Montpellier (FR)
Old School, Kunsthalle Kiel (DE)*

2012
Le Dépays, curated by Nine Eglantine Yamamoto-Masson, Marrakech Biennale (MA)

2011
Sience Fiction 15, Or Gallery, Berlin (DE)
Regarding Düsseldorf 6, KIT, Dusseldorf (DE)*
Acts of Refusal, curated by K. Meyer u. E. Blumenstein, Art House, Tartu (EE)*
Bird’s Eye View Of..., Palais des Beaux-Arts, Charleroi (BE)

2010
End Note, Tanya Leighton Gallery, Berlin (DE)
Fischgrätenmelkstand, curated by John Bock, Temporäre Kunsthalle, Berlin (DE)*
I remain silent, Galerie Krinzinger, Wien (AT)*

2009
Hidden in Remembrance is the Silent Memory of our Future, 4th Biennial of Moving
Image, curated by Katerina.Gregos, Mechelen (BE)*
Report on Probability, curated by Adam Szymczyk, Kunsthalle Basel, Basel (CH)

2009
Green light, Laura Bartlett Gallery, London (GB)
After October, curated by Tim Saltarelli u. Kathrin Meyer, Gallery TPW, Toronto (CA)

2009
A letter Concerning Enthusiasm, curated by Luigi Fassi, ARGE Kunst Bozen (IT)
Reading the city, curated by Yilmaz Dziewior u. Andrea Nollert, ev+a Limerick (IR)*

2008
Blick nach vorn. Ankäufe der Sammlung Zeitgenössischer Kunst der Bundesrepublik
Deutschland 1998 – 2008, Martin-Gropius-Bau, Berlin (DE)*

2008
After October, curated by Tim Saltarelli, Elisabeth Dee Gallery, New York (US)
Wessen Geschichte, Kunstverein Hamburg, Hamburg (DE)
VideoKoop, curated by Julia Stoscheck, KIT, Düsseldorf (DE)*

*Catalogue


Public collections

· Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Bonn (DE)

· Sammlung Hoffmann, Berlin (DE)

· Castello de Rivoli, Turino (IT)

· ADN Collection, Bolzano (IT)

· Simon Fraser University Art Collection, Vancouver (CA)


Film festivals / Screenings (Selection)

· Artist Film Weekender, HOME Manchester, 2018

· Transmediale Festival, Berlin, 2017

· Camera Movement, Fotogallerit, Oslo (NO), 2017

· 66th.Berlin International Film Festival, Berlin (DE), 2016

· Safe Disassembly + other works, Museum of Art & Design, New York (US), 2016

· Indie Grits Film Festival, Columbia, South Carolina (US), 2015

· Ghost Cities, Museum Insel Hombroich, Quadriennale Düsseldorf (DE), 2014

· Urban Images: Unruly Desires in Film and Architecture, Kunsthall Oslo (NO), 2011

· Viper Film Festival, Basel (CH), 2006

· Videoex Filmfestival, Zürich (CH), 2005

· Viper Film Festival, Basel (CH), 2004

· A-clips, Kino International, Berlin, Metropolis Kino, Hamburg (DE) und Screen on Green

Cinema, London (GB), 2003

· Kurzfilme, Ostsicht Kino, Kulturfabrik, Berlin (DE), 2003

Andreas Bunte
born 1970 in Mettmann, Germany lives and works in Berlin Education 2012–15 Research Fellow of Norwegian Artistic Research Programme,Oslo Academy of Fine Arts, (NO) 1993–98 Studies Fine Art, Kunstakademie Düsseldorf (DE)Prof. Magdalena Jetelova und Prof. Gerhard Merz (Meisterschüler) 1991–93 Studies Fine Art, Kunsthochschule Kassel (DE) Grants, Residencies, Prizes (Selection) 2017 Research grant, visual arts, Senate Berlin (DE) 2016 Canada Council Grant for film project Erosion (CA)Production grant, Medienboard Berlin-Brandenburg (DE) 2014 Audain Artist in Residence, Simon-Fraser University, Vancouver, BC (CA) 2012–15 Research Fellowship of Norwegian Artistic Research Programme (NO) 2007 Stiftung Kunstfonds, working grant (DE)Else-Heiliger-Fonds, Konrad Adenauer Stiftung, working grant (DE) 2002 Stiftung Kunst und Kultur NRW, project grant (DE) 1999 Villa Romana Prize, one-year residency in Florence (IT) Solo shows (Selection) 2016 Erosion, SFU Gallery, Vancouver (CA) 2015 Welt vor der Schwelle, Kunstverein Hildesheim, Hildesheim (DE)The Passing of a Grain of Sand through a Sieve, Kunstnerneshus, Oslo (NO) 2014 Lettuce partially emerging from a shopping bag, Kunstverein Lingen (DE)Lettuce partially emerging from a shopping bag, Republic Gallery, Vancouver (CA)Two Films about Pressure, Or Gallery, Vancouver (CA)Norma (with Eva Berendes), Ancient & Modern, London (UK)Welt vor der Schwelle, INCA Institute, Seattle (US) 2012 World at the threshold, ARGE Kunst, Bolzano (IT)*Analogue Stories (with Melvin Moti), Fotogalleriet, Oslo (NO) 2010 Beton, Present Future, Einzelpräsentation, Artissima 17, Turino (IT)Independent Art Fair, Solo with Poul Gernes, Galerie Ben Kaufmann, New York (US) 2009 Andreas Bunte, Kunstverein Bielefeld, Bielefeld (DE)*Künstliche Paradiese, Galerie Ben Kaufmann, Berlin (DE) 2008 Der Garten des M. Leretnac, Open Space, Art Cologne, Cologne (DE) 2007 Das Unsichtbare ist weder dunkel noch geheimnisvoll, es ist transparent(with Nick Laessing), Galerie Jacky Strenz, Frankfurt/Main (DE) 2006 Die letzten Tage der Gegenwart, Galerie Ben Kaufmann, Berlin (DE) 2005 May the Circle Remain Unbroken, Adeline Morlon, Düsseldorf (DE)Shelbourne Park Nights, Center, Berlin (DE) Group shows (Selection) 2018 A Visibility Matrix, Douglas Hyde Gallery in Dublin, curated by Sven Anderson andGerard Byrne, Dublin (IR)(Anti)thesis of Architecture, Zarya Center for Contemporary Art, Vladivostok (RUS)Thick Space, Ruhr-Universität Bochum, curated by Mirjam Thomann and KarinaNimmerfall, Bochum (DE)* 2017 Ever elusive, Transmediale, curated by Florian Wüst, Berlin (DE)Skulptur Projekte Münster, curated by Kasper König, Britta Peters, Marianne Wagner, Munster (DE)* 2016 Beton, Kunsthalle Wien, Vienna (AU)In Time (The Rhythm of the Workshop), with Daniel Eisenberg, Denis Côté andVarvara & Mar, curated by S. Stratton, Museum of Art & Design, New York (US)Traversing the Phantasm – 11th Forum Expanded, Akademie der Künste, Berlin (DE) 2015 Bild und Anpassung, Kunstverein Waldkraiburg (DE)* 2014 Beyond Architecture, Kunstverein Aachen, Aachen (DE)Vor Ort, exhibition in public space, curated by Thomas Thiel, Sennestadt (DE)*Bild und Anpassung, Palais für aktuelle Kunst, Glückstadt (DE) 2013 The things we know, curated by Tim Saltarelli, Henningsen Gallery, Copenhagen (DK)Anguish&Enthusiasm, Cornerhouse, Manchester (UK)Conversations électriques, Le Panacée, Montpellier (FR)Old School, Kunsthalle Kiel (DE)* 2012 Le Dépays, curated by Nine Eglantine Yamamoto-Masson, Marrakech Biennale (MA) 2011 Sience Fiction 15, Or Gallery, Berlin (DE)Regarding Düsseldorf 6, KIT, Dusseldorf (DE)*Acts of Refusal, curated by K. Meyer u. E. Blumenstein, Art House, Tartu (EE)*Bird’s Eye View Of..., Palais des Beaux-Arts, Charleroi (BE) 2010 End Note, Tanya Leighton Gallery, Berlin (DE)Fischgrätenmelkstand, curated by John Bock, Temporäre Kunsthalle, Berlin (DE)*I remain silent, Galerie Krinzinger, Wien (AT)* 2009 Hidden in Remembrance is the Silent Memory of our Future, 4th Biennial of MovingImage, curated by Katerina.Gregos, Mechelen (BE)*Report on Probability, curated by Adam Szymczyk, Kunsthalle Basel, Basel (CH) 2009 Green light, Laura Bartlett Gallery, London (GB)After October, curated by Tim Saltarelli u. Kathrin Meyer, Gallery TPW, Toronto (CA) 2009 A letter Concerning Enthusiasm, curated by Luigi Fassi, ARGE Kunst Bozen (IT)Reading the city, curated by Yilmaz Dziewior u. Andrea Nollert, ev+a Limerick (IR)* 2008 Blick nach vorn. Ankäufe der Sammlung Zeitgenössischer Kunst der BundesrepublikDeutschland 1998 – 2008, Martin-Gropius-Bau, Berlin (DE)* 2008 After October, curated by Tim Saltarelli, Elisabeth Dee Gallery, New York (US)Wessen Geschichte, Kunstverein Hamburg, Hamburg (DE)VideoKoop, curated by Julia Stoscheck, KIT, Düsseldorf (DE)* *Catalogue Public collections · Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Bonn (DE) · Sammlung Hoffmann, Berlin (DE) · Castello de Rivoli, Turino (IT) · ADN Collection, Bolzano (IT) · Simon Fraser University Art Collection, Vancouver (CA) Film festivals / Screenings (Selection) · Artist Film Weekender, HOME Manchester, 2018 · Transmediale Festival, Berlin, 2017 · Camera Movement, Fotogallerit, Oslo (NO), 2017 · 66th.Berlin International Film Festival, Berlin (DE), 2016 · Safe Disassembly + other works, Museum of Art & Design, New York (US), 2016 · Indie Grits Film Festival, Columbia, South Carolina (US), 2015 · Ghost Cities, Museum Insel Hombroich, Quadriennale Düsseldorf (DE), 2014 · Urban Images: Unruly Desires in Film and Architecture, Kunsthall Oslo (NO), 2011 · Viper Film Festival, Basel (CH), 2006 · Videoex Filmfestival, Zürich (CH), 2005 · Viper Film Festival, Basel (CH), 2004 · A-clips, Kino International, Berlin, Metropolis Kino, Hamburg (DE) und Screen on Green Cinema, London (GB), 2003 · Kurzfilme, Ostsicht Kino, Kulturfabrik, Berlin (DE), 2003

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