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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Suara Welitoff

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

Solo exhibitions


2019
Right Now This Moment, School of the Museum of Fine Arts at Tufts, The Fenway, Boston


2018

The Feeling of a Feeling, Anthony Greaney Projects, Somerville
One Wall, One Work, Krakow Witkin Gallery, Boston

2017

Kunstgespraeche podcast, Berlin

2016

What Time This Feels, 186 Carpenter, Providence

2014

Sometimes Time Trembles, Barbara Krakow Gallery, Boston

2013

Anyone who's Everyone, Document, Chicago
Everything's happening all the time, James Harris Gallery, Seattle
Every thing becomes another, AMP: Art Market Provincetown, Provincetown

2012

Things like time, Upside Down, LaRete Projects with Galleria Bianconi, Milan

Things like time, AMP: Art Market Provincetown, Provincetown

2011
Here Comes the Sun, Barbara Krakow Gallery, Boston

2010
Video Wall, Museum of Fine Arts, Boston

2008
Anonymous, Allston Skirt Gallery, Boston
Studio Visit / Interview, Flash Art online

2007
SCREEN, Visual Arts Program, Massachusetts Institute of Technology, Cambridge

2006
ICA Theater, Institute of Contemporary Art, Boston
A Million Sunsets, Allston Skirt Gallery, Boston
Mass Art Film Society, Massachusetts College of Art, Boston

2005
Performa 05, Collaboration w/ Thalia Zedek, Participant Inc., NYC
Live music and video collaboration w/ Thalia Zedek, Museum of Fine Arts, Boston

2003
Collective Unconscious, Robert Beck Memorial Cinema, NYC
Then Something Happens, Roger Williams University, Bristol
Pretty Please, Allston Skirt Gallery, Boston

Group exhibitions/screenings


2018
Under A Dismal Boston Skyline, Boston University, Boston
Time Talks, Krakow Witkin Gallery, Boston

2017
Summer Screening, H Space, Cleveland

2016
Six, Regina Rex Gallery, NYC

2015

Works on Floor, Document at Heaven Gallery, Chicago
Bewegte Bilder, Marburger Kunstverein, Marburg

2014
Art Miami, Galerie Anita Beckers (Frankfurt), Miami
Far From Now, Regina Rex Gallery at Bunker 259, Brooklyn

2013
deCordova Biennial, de Cordova Sculpture Park and Museum, Lincoln, MA
Blues, Barbara Krakow Gallery, Boston

2012
Moves, Thinks, Repeats, Pauses, Tony Wight Gallery, Chicago
Pulse Art Fair, Miami, Galerie Anita Beckers (Frankfurt)
On/sincerity, Boston University School of Visual Arts, Boston
Sending and Sanding, Barbara Krakow Gallery, Boston

2011
Zooom-Decoding Common Practice, Curated by Julia Draganovic, LaRete Projects,
Art Miami
De Cordova Sculpture Park and Museum, Special Project: “Nature Special”, Boston
ART FIRST, Bologna, Galerie Anita Beckers (Frankfurt)
Shifting Terrain: Landscape Video, Currier Museum of Art, Manchester

2010
Pulse Art Fair, Miami, Galerie Anita Beckers (Frankfurt)
Phenomenal: Selections from the Manuel de Santaren Collection, Young Projects, Los Angeles
In On Under Above and With, Barbara Krakow Gallery, Boston
2009
Human Nature(s), Worcester Art Museum, Worcester
Project/Protect, Galerie Anita Beckers (Frankfurt), Pulse Art Fair, NYC

2008
Worlds on Video, Strozzina CCC, Florence
The Sum of Its Parts, Barbara Krakow Gallery, Boston
Multiplex, Western Bridge, Seattle
Uovo/15 Magazine, Artists Collaborate, Turin

2007
War and Discontent, Museum of Fine Arts, Boston
The Show’s So Nice, Monya Rowe Gallery, NYC
E-flux Video Rental, Sert Gallery, Harvard University, Cambridge

2006
NADA Art Fair, Participant Inc. (NYC), Miami
Scope Art Fair, Allston Skirt Gallery, London

2005
Longplaying, Barbara Krakow Gallery, Boston

2004
Rear Window, NGBK, Berlin
New Acquisitions, Museum of Fine Arts, Boston, 2003-4
Invisible Film Series, Millennium Film Workshop, NYC

2003
Ocularis (Scratch, Sniff, Pet), Galapagos Art & Performance Space, Brooklyn

2001
Between Fantasy and Pleasure, Joseph Gross Gallery, University of Arizona, Tucson

1999
Mr. Fascination, Threadwaxing Space, NYC

1998
Transience & Sentimentality, Institute of Contemporary Art, Boston

Bibliography

Pyper, John, “Suara Welitoff: Right Now This Moment”, Delicious Line, Mar 15, 2019.

McQuaid, Cate, “Videos between time and timelessness”, Boston Globe, March 6, 2019.

Mitchell, Theresa, “Not Time, But Feeling is Presented in Suara Welitoff’s Right Now This Moment”, Boston Art Review, February 22, 2019.

Bergmann, Sofia. “Suara Welitoff’s Failed Narratives Reimagine the Present”, Berlin Art Link, February 12, 2019.

Swenson, Kirsten, “Under A Dismal Boston Skyline,” Art in America, Nov 1, 2018.

Simon, Wesley, “Suara Welitoff’s The Feeling of a Feeling at Anthony Greaney”, Boston Art Review, June 20, 2018.

McQuaid, Cate, “Revealing what’s present that you don’t see”, Boston Globe, May 30, 2018.

Pyper, John, “Suara Welitoff: The Feeling of a Feeling”, Delicious Line, May 2, 2018

Banai, Nuit, Suara Welitoff, Artforum, May 2014.

Howard, Christopher, Critics' Picks, Suara Welitoff, Artforum online, March 11, 2014.

McQuaid, Cate, "Rewind, rework", Boston Globe, February 19, 2014.

2013 DeCordova Biennial (exhibition catalog) Lincoln: deCordova Sculpture Park and Museum.

McQuaid, Cate, "Cartoony geometrics, 3-D 'paintings' stand out at the deCordova Biennial," October 12, 2013.

Forin, Elena, ed. Suara Welitoff: Upside Down, Milan. digital catalog. Italian/ English October, 2012.

The Editors. "2012 Rappaport Prize: Suara Welitoff", Big Red and Shiny, October 12, 2012.

McQuaid, Cate. “Landscapes that live and breathe.” Boston Globe, August 13, 2011.

Worlds on Video (exhibition catalogue) Florence: Strozzina CCC, Palazzo Strozzi, 2008.

Cook, Greg, “Suara Welitoff.” The New England Journal of Aesthetic Research, March 15, 2008.

Roselee Goldberg, ed. Performa: New Visual Art Performance. New York: PERFORMA, 2007.

Johnson, Ken. “In two exhibits, politics and war are held up for scrutiny.” Boston Globe, May 16, 2007.

Silver, Joanne. “War and Discontent.” ARTnews, Summer 2007.

Brokaw, Leslie. “MFA has new take on the art of war.” Boston Globe, April 8, 2007.

Brokaw, Leslie. “Her experiments take a new direction.” Boston Globe, April 9, 2006.

McQuaid, Cate. “Beauty in tiny moments.” Boston Globe, January 12, 2006.

Holland, Christian. “Suara Welitoff @ Allston Skirt.” Big RED & Shiny: An Online Arts Journal 2006.
Issue 35.

e-flux video (rental catalogue) New York, Frankfurt: REVOLVER, 2005.

Temin, Christine. “In Mere Minutes, Her Fragmented Films Render Heartfelt Images.” Boston Globe,
December, 2002. p.N8.

Sherman, Mary. “Impressionist Mood Colors Welitoff Films.” Boston Herald, December, 2002. p.65.

Gangitano, Lia. “Dangerous Corners.” TRANS#8, 2000.

Gangitano, Lia. “Mr. Fascination.” TRANS#6, 1999.

Bright, Deborah, ed. The Passionate Camera: Photography and Bodies of Desire.
London,
New York: Routledge, 1998.

Transience and Sentimentality. (exhibition catalogue) Boston: The Institute of Contemporary Art, 1998.

Awards

2012 Rappaport Prize, DeCordova Sculpture Park and Museum, Lincoln, MA
2009 Louis Comfort Tiffany Award, New York
2005 Artist's Resource Trust, Berkshire Taconic Foundation
Louis Comfort Tiffany Award finalist
Film/video finalist, Massachusetts Cultural Council
2002 Maud Morgan Prize, Boston Museum of Fine Arts

Permanent Collections

Barr Foundation, 2017
Fidelity Investments, 2014
Dana Farber Institute, 2014
DeCordova Sculpture Park and Museum, 2013
Deutsche Bank, Boston, 2010
Boston Museum of Fine Arts, 2010
Worcester Art Museum, Worcester, 2008
Western Bridge, Seattle, 2008
List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, 2006
Boston Museum of Fine Arts, 2002

Suara Welitoff
Solo exhibitions 2019 Right Now This Moment, School of the Museum of Fine Arts at Tufts, The Fenway, Boston 2018The Feeling of a Feeling, Anthony Greaney Projects, Somerville One Wall, One Work, Krakow Witkin Gallery, Boston 2017Kunstgespraeche podcast, Berlin 2016What Time This Feels, 186 Carpenter, Providence2014Sometimes Time Trembles, Barbara Krakow Gallery, Boston2013Anyone who's Everyone, Document, Chicago Everything's happening all the time, James Harris Gallery, Seattle Every thing becomes another, AMP: Art Market Provincetown, Provincetown2012Things like time, Upside Down, LaRete Projects with Galleria Bianconi, Milan Things like time, AMP: Art Market Provincetown, Provincetown 2011 Here Comes the Sun, Barbara Krakow Gallery, Boston 2010 Video Wall, Museum of Fine Arts, Boston 2008 Anonymous, Allston Skirt Gallery, Boston Studio Visit / Interview, Flash Art online 2007 SCREEN, Visual Arts Program, Massachusetts Institute of Technology, Cambridge 2006 ICA Theater, Institute of Contemporary Art, Boston A Million Sunsets, Allston Skirt Gallery, Boston Mass Art Film Society, Massachusetts College of Art, Boston 2005 Performa 05, Collaboration w/ Thalia Zedek, Participant Inc., NYC Live music and video collaboration w/ Thalia Zedek, Museum of Fine Arts, Boston 2003 Collective Unconscious, Robert Beck Memorial Cinema, NYC Then Something Happens, Roger Williams University, Bristol Pretty Please, Allston Skirt Gallery, Boston Group exhibitions/screenings 2018Under A Dismal Boston Skyline, Boston University, Boston Time Talks, Krakow Witkin Gallery, Boston 2017Summer Screening, H Space, Cleveland 2016Six, Regina Rex Gallery, NYC 2015Works on Floor, Document at Heaven Gallery, Chicago Bewegte Bilder, Marburger Kunstverein, Marburg 2014 Art Miami, Galerie Anita Beckers (Frankfurt), Miami Far From Now, Regina Rex Gallery at Bunker 259, Brooklyn 2013 deCordova Biennial, de Cordova Sculpture Park and Museum, Lincoln, MA Blues, Barbara Krakow Gallery, Boston 2012 Moves, Thinks, Repeats, Pauses, Tony Wight Gallery, Chicago Pulse Art Fair, Miami, Galerie Anita Beckers (Frankfurt) On/sincerity, Boston University School of Visual Arts, Boston Sending and Sanding, Barbara Krakow Gallery, Boston 2011 Zooom-Decoding Common Practice, Curated by Julia Draganovic, LaRete Projects, Art Miami De Cordova Sculpture Park and Museum, Special Project: “Nature Special”, Boston ART FIRST, Bologna, Galerie Anita Beckers (Frankfurt) Shifting Terrain: Landscape Video, Currier Museum of Art, Manchester 2010 Pulse Art Fair, Miami, Galerie Anita Beckers (Frankfurt) Phenomenal: Selections from the Manuel de Santaren Collection, Young Projects, Los Angeles In On Under Above and With, Barbara Krakow Gallery, Boston 2009 Human Nature(s), Worcester Art Museum, Worcester Project/Protect, Galerie Anita Beckers (Frankfurt), Pulse Art Fair, NYC 2008 Worlds on Video, Strozzina CCC, Florence The Sum of Its Parts, Barbara Krakow Gallery, Boston Multiplex, Western Bridge, Seattle Uovo/15 Magazine, Artists Collaborate, Turin 2007 War and Discontent, Museum of Fine Arts, Boston The Show’s So Nice, Monya Rowe Gallery, NYC E-flux Video Rental, Sert Gallery, Harvard University, Cambridge 2006 NADA Art Fair, Participant Inc. (NYC), Miami Scope Art Fair, Allston Skirt Gallery, London 2005 Longplaying, Barbara Krakow Gallery, Boston 2004 Rear Window, NGBK, Berlin New Acquisitions, Museum of Fine Arts, Boston, 2003-4 Invisible Film Series, Millennium Film Workshop, NYC 2003 Ocularis (Scratch, Sniff, Pet), Galapagos Art & Performance Space, Brooklyn 2001 Between Fantasy and Pleasure, Joseph Gross Gallery, University of Arizona, Tucson 1999 Mr. Fascination, Threadwaxing Space, NYC 1998 Transience & Sentimentality, Institute of Contemporary Art, Boston BibliographyPyper, John, “Suara Welitoff: Right Now This Moment”, Delicious Line, Mar 15, 2019. McQuaid, Cate, “Videos between time and timelessness”, Boston Globe, March 6, 2019. Mitchell, Theresa, “Not Time, But Feeling is Presented in Suara Welitoff’s Right Now This Moment”, Boston Art Review, February 22, 2019.Bergmann, Sofia. “Suara Welitoff’s Failed Narratives Reimagine the Present”, Berlin Art Link, February 12, 2019. Swenson, Kirsten, “Under A Dismal Boston Skyline,” Art in America, Nov 1, 2018. Simon, Wesley, “Suara Welitoff’s The Feeling of a Feeling at Anthony Greaney”, Boston Art Review, June 20, 2018. McQuaid, Cate, “Revealing what’s present that you don’t see”, Boston Globe, May 30, 2018. Pyper, John, “Suara Welitoff: The Feeling of a Feeling”, Delicious Line, May 2, 2018 Banai, Nuit, Suara Welitoff, Artforum, May 2014. Howard, Christopher, Critics' Picks, Suara Welitoff, Artforum online, March 11, 2014. McQuaid, Cate, Rewind, rework, Boston Globe, February 19, 2014. 2013 DeCordova Biennial (exhibition catalog) Lincoln: deCordova Sculpture Park and Museum. McQuaid, Cate, Cartoony geometrics, 3-D 'paintings' stand out at the deCordova Biennial, October 12, 2013. Forin, Elena, ed. Suara Welitoff: Upside Down, Milan. digital catalog. Italian/ English October, 2012. The Editors. 2012 Rappaport Prize: Suara Welitoff, Big Red and Shiny, October 12, 2012. McQuaid, Cate. “Landscapes that live and breathe.” Boston Globe, August 13, 2011. Worlds on Video (exhibition catalogue) Florence: Strozzina CCC, Palazzo Strozzi, 2008. Cook, Greg, “Suara Welitoff.” The New England Journal of Aesthetic Research, March 15, 2008. Roselee Goldberg, ed. Performa: New Visual Art Performance. New York: PERFORMA, 2007. Johnson, Ken. “In two exhibits, politics and war are held up for scrutiny.” Boston Globe, May 16, 2007. Silver, Joanne. “War and Discontent.” ARTnews, Summer 2007. Brokaw, Leslie. “MFA has new take on the art of war.” Boston Globe, April 8, 2007. Brokaw, Leslie. “Her experiments take a new direction.” Boston Globe, April 9, 2006. McQuaid, Cate. “Beauty in tiny moments.” Boston Globe, January 12, 2006. Holland, Christian. “Suara Welitoff @ Allston Skirt.” Big RED & Shiny: An Online Arts Journal 2006. Issue 35. e-flux video (rental catalogue) New York, Frankfurt: REVOLVER, 2005. Temin, Christine. “In Mere Minutes, Her Fragmented Films Render Heartfelt Images.” Boston Globe, December, 2002. p.N8. Sherman, Mary. “Impressionist Mood Colors Welitoff Films.” Boston Herald, December, 2002. p.65. Gangitano, Lia. “Dangerous Corners.” TRANS#8, 2000. Gangitano, Lia. “Mr. Fascination.” TRANS#6, 1999. Bright, Deborah, ed. The Passionate Camera: Photography and Bodies of Desire. London, New York: Routledge, 1998. Transience and Sentimentality. (exhibition catalogue) Boston: The Institute of Contemporary Art, 1998. Awards 2012 Rappaport Prize, DeCordova Sculpture Park and Museum, Lincoln, MA 2009 Louis Comfort Tiffany Award, New York 2005 Artist's Resource Trust, Berkshire Taconic Foundation Louis Comfort Tiffany Award finalist Film/video finalist, Massachusetts Cultural Council 2002 Maud Morgan Prize, Boston Museum of Fine ArtsPermanent CollectionsBarr Foundation, 2017Fidelity Investments, 2014Dana Farber Institute, 2014DeCordova Sculpture Park and Museum, 2013Deutsche Bank, Boston, 2010Boston Museum of Fine Arts, 2010Worcester Art Museum, Worcester, 2008Western Bridge, Seattle, 2008List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, 2006Boston Museum of Fine Arts, 2002

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