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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Bjarte Gismarvik

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born 1972, Haugesund, Norway

Education 2001

Finished studies at The Academy of Fine Arts, Oslo, Norway
2000-03
Student at Städelschule, Frankfurt aM. under Prf.Thomas Bayrle.
1997 Started at Statens Kunstakademi, Oslo, Norway
1995-96
Foundation-Course at Camberwell College, London.

Solo exhibitions

2012
“NICHTS NEUES“, Aufmacherkunst, Front page in five newspapers 23.1012, Mittelbadishe presse, Baden, Germany

2011
Galerie Beckers, Frankfurt am Main, Germany

2010
Dorpshuis Huisduinen, Huisduinen, Netherlands
Pompgemaal, Den Helder, Netherlands

2008
“Bycatch”, Peacock Visual Arts, Aberdeen, Scotland

2007
“HELL”, Jan´s Skytebane, Frankfurt am Main/ Kråkstad, Norway

2006
“Chief”, Myhouse Gallery, Nottingham, England

2005
“Chief”, Hotel Mariakapel, Hoorn, Netherlands

2004
“Eventyr – Buch, Film und Würstchen”, Galerie am Parlamentsplatz, Revolver, Frankfurt
ASSIMILATION, Pavillion am Main, Frankfurt am Main, Germany

2003 Picnic United, Sidewalk Conference, Pavillion am Main, Frankfurt am Main, Germany

2001
White Cube and other bunkers, Gallerie 444x444, Frankfurt am Main, Germany

selected group exhibitions

2014
“Lang natt med kortfilm”, MÄRCHENLAND screening at the film program at The Norwegian Short Film Festival, Grimstad, Norway

2012
“KEINE STADT WIE DIESE”, Short film, November, Bundesministeriums für Verkehr, Bau und Stadtentwicklung, Berlin, Germany.

2011
“Iceploitation”, Tromsø Kunstforening & The Polar Museum, Norway

2010
“Twosize Calendar”, Raum 121, Frankfurt am Main, Germany
“Little Big Bang”, Plateforme, Paris
“Residu”, Kunsthal 52, Den Helder, Netherlands

2007
“Norske Bilder”, Oslo Rådhus, Norway

2005
“BUD/GLA”, McIntosh Gallery, Glasgow
Publish and be damned,CASCO, Utrecht and Display, Prague

2004
Publish and be damned, Cubitt Gallery, London and International 3, Manchester

2003
Picnic United - First, Kokerei Zollverein Zeitgenössiche Kunst und Kritik, Essen, Germany

2002
Rundgang 2001 - 2003 Frankfurt am Main, Germany

2001
Avgang 2001, Steenersen Museet, Oslo, Norway

Film-work

2015
BLEIBSEL
2014
MÄRCHENLAND, 07:30 min. HD (1080p)
2011
MUSKRAT, 21:15 min. HDV (1080p)
2006
Abundance, 7.30 min. DV
2005
Chief, 16 min. DV
2004
Eventyr – Not lost but gone before, 15 min. DV
Assimilation, 10 min. DV
2003
Everything is going to be all right, 8 min. DV
2001
Assembly, 18 min. DV

Books

2012
`BLOOP - NO FISH STORY´, Höhne/ Gismarvik, Published by Revolver Publishing, Berlin, Germany
in Vice Verca, Berlin, and Galerie Beckers, Frankfurt
2004
`EVENTYR – Not lost but gone before`, Höhne/ Gismarvik
Published by Revolver Archive für aktuelle Kunst, Frankfurt am Main, Germany
(www.revolver-books.de). Booklaunch in CCA, Glasgow

CD Releases

2003
Picnic United, Lange Nacht der Kulturindustrie 2001 MOR, (ENP)
2000
Sendungen für das Ausland, (SPA)
Exquisite Corps, SKA 001.

Residencys, grants and prizes

2010 Grant, Billedkunstnernes Vederlagsfond, Norway
2009/ 2010
Fonds BKVB, The Netherlands Foundation of Visual Arts, Design and Architecture. Binnenland ateliers, Den Helder
2009 Support for Book Production, Norsk Kulturråd, Norwegian Council for Cultural Affairs
2006 Travel Grant, SLEIPNIR
2006 Artists in Residency Program NIFCA. Faroe Islands
2005 International Support, Grant, Office for Contemporary Art (OCA), Oslo
2-Year Working Grant, Statens Kunstnerstipend, Norway
2004 International Support, Grant, Office for Contemporary Art (OCA), Oslo
1-Year Working Grant, Statens Kunstnerstipend, Norway
2003 Project Grant from Nordic Institute For Contemporary Art (NIFCA)
Support for Book Productions, Norwegian Council for Cultural Affairs (Norsk Kulturråd)
Artists in Residency Program NIFCA. Stockholm August-October.
2002 Grant. Billedkunstnernes Vederlagsfond, Norway

Bjarte Gismarvik
Born 1972, Haugesund, Norway Education 2001 Finished studies at The Academy of Fine Arts, Oslo, Norway 2000-03 Student at Städelschule, Frankfurt aM. under Prf.Thomas Bayrle. 1997 Started at Statens Kunstakademi, Oslo, Norway 1995-96 Foundation-Course at Camberwell College, London. Solo exhibitions 2012 “NICHTS NEUES“, Aufmacherkunst, Front page in five newspapers 23.1012, Mittelbadishe presse, Baden, Germany 2011 Galerie Beckers, Frankfurt am Main, Germany 2010 Dorpshuis Huisduinen, Huisduinen, Netherlands Pompgemaal, Den Helder, Netherlands 2008 “Bycatch”, Peacock Visual Arts, Aberdeen, Scotland 2007 “HELL”, Jan´s Skytebane, Frankfurt am Main/ Kråkstad, Norway 2006 “Chief”, Myhouse Gallery, Nottingham, England 2005 “Chief”, Hotel Mariakapel, Hoorn, Netherlands 2004 “Eventyr – Buch, Film und Würstchen”, Galerie am Parlamentsplatz, Revolver, Frankfurt ASSIMILATION, Pavillion am Main, Frankfurt am Main, Germany 2003 Picnic United, Sidewalk Conference, Pavillion am Main, Frankfurt am Main, Germany 2001 White Cube and other bunkers, Gallerie 444x444, Frankfurt am Main, Germany selected group exhibitions 2014 “Lang natt med kortfilm”, MÄRCHENLAND screening at the film program at The Norwegian Short Film Festival, Grimstad, Norway 2012 “KEINE STADT WIE DIESE”, Short film, November, Bundesministeriums für Verkehr, Bau und Stadtentwicklung, Berlin, Germany. 2011 “Iceploitation”, Tromsø Kunstforening & The Polar Museum, Norway 2010 “Twosize Calendar”, Raum 121, Frankfurt am Main, Germany “Little Big Bang”, Plateforme, Paris “Residu”, Kunsthal 52, Den Helder, Netherlands 2007 “Norske Bilder”, Oslo Rådhus, Norway 2005 “BUD/GLA”, McIntosh Gallery, Glasgow Publish and be damned,CASCO, Utrecht and Display, Prague 2004 Publish and be damned, Cubitt Gallery, London and International 3, Manchester 2003 Picnic United - First, Kokerei Zollverein Zeitgenössiche Kunst und Kritik, Essen, Germany 2002 Rundgang 2001 - 2003 Frankfurt am Main, Germany 2001 Avgang 2001, Steenersen Museet, Oslo, Norway Film-work 2015BLEIBSEL 2014MÄRCHENLAND, 07:30 min. HD (1080p) 2011MUSKRAT, 21:15 min. HDV (1080p) 2006Abundance, 7.30 min. DV 2005Chief, 16 min. DV 2004Eventyr – Not lost but gone before, 15 min. DV Assimilation, 10 min. DV 2003Everything is going to be all right, 8 min. DV 2001Assembly, 18 min. DV Books 2012 `BLOOP - NO FISH STORY´, Höhne/ Gismarvik, Published by Revolver Publishing, Berlin, Germany in Vice Verca, Berlin, and Galerie Beckers, Frankfurt 2004 `EVENTYR – Not lost but gone before`, Höhne/ Gismarvik Published by Revolver Archive für aktuelle Kunst, Frankfurt am Main, Germany (www.revolver-books.de). Booklaunch in CCA, Glasgow CD Releases 2003 Picnic United, Lange Nacht der Kulturindustrie 2001 MOR, (ENP) 2000 Sendungen für das Ausland, (SPA) Exquisite Corps, SKA 001. Residencys, grants and prizes2010 Grant, Billedkunstnernes Vederlagsfond, Norway2009/ 2010 Fonds BKVB, The Netherlands Foundation of Visual Arts, Design and Architecture. Binnenland ateliers, Den Helder 2009 Support for Book Production, Norsk Kulturråd, Norwegian Council for Cultural Affairs 2006 Travel Grant, SLEIPNIR 2006 Artists in Residency Program NIFCA. Faroe Islands 2005 International Support, Grant, Office for Contemporary Art (OCA), Oslo 2-Year Working Grant, Statens Kunstnerstipend, Norway 2004 International Support, Grant, Office for Contemporary Art (OCA), Oslo 1-Year Working Grant, Statens Kunstnerstipend, Norway 2003 Project Grant from Nordic Institute For Contemporary Art (NIFCA) Support for Book Productions, Norwegian Council for Cultural Affairs (Norsk Kulturråd) Artists in Residency Program NIFCA. Stockholm August-October. 2002 Grant. Billedkunstnernes Vederlagsfond, Norway

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