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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Adrian Lohmüller

Works


Galleries

Sommer + Kohl
Salome Sommer
Kurfürstenstrasse 13/14
10785 Berlin
Germany

Phone: +49 30 2300 5581
E-Mail: mail@sommerkohl.com




Biography

Born 1977, Gengenbach, Germany
Lives and works in Berlin

Education

2000–2005 Maryland Institute College of Art (MICA) (US)

Solo exhibitions

2015
Psy.3D. Dr. Dr. Adrian Lohmüller, Larry, Berlin (D)

2013
Frieze New York, Frame solo-booth with Sommer & Kohl, New York (US)
Blind Study A Psychology of Building, Koban Project, Baltimore (US)

2012
And To Make You Toe The Line, Kunstverein Harburger Bahnhof, Hamburg (DE)

2011
The Uncertainty Principle, Sommer & Kohl, Berlin (DE)
The false-self system, Städtische Galerie Nordhorn, Nordhorn (DE)
Good Morning Mr. Laing, heldart, Berlin (DE)

2010
Mining the Moon, jgb berlin, Berlin (DE)

2008
Scheuermilchmelange, Sezession Wichtelgasse, Vienna (AT)
The Way Things Are, Art in General, New York (US)

2007
Urbane Experimentalklempnerei, Ballhaus Ost, Berlin (DE)

2006
Marshall Report, 5th story, Baltimore (US)

Group exhibitions

2015
o.T., SchauFenster Berlin, (DE)
Grinder's Citizens, Off Charts, New York (US)
Amo Litio, Casa Nuova, Milan (IT)
Ngorongoro, Lehderstrasse 34, Berlin (D)
Art Cologne, Collaborations Sommer & Kohl with Daniel Marzona, Cologne (D)
Timberrr, Horseandpony Artspace, Berin (D)

2014
Le temps de la rentrée, Sommer & Kohl, Berlin (D)
Fundament III (On What Grounds), SONS – Museum, Belgium
Vector Artists Journal, Issue 5, MoMA, PS1, New York (US)
Vector Artists Journal, Issue 5, Schau Fenster, Berlin (D)
The Veto Operation, BlinkVideo, Hamburg (D)
Art Altstetten, Sommer & Kohl visiting Birchmeier Uhlmann Architekten, Zürich (SW)
Cascating Bifurcations, téte, Berlin (D)
Give Us The Future, NBK – Neuer Berliner Kunstverein, Berlin (D)
Screenings of “The Veto Operation” on French and German network, SFA
Souvenirs From Earth, Film Cologne, Art Cologne
Trockene Wahrheiten, Schau Fenster, Berlin

2013
Sezzession: Uferhallen Artists, SEZ, September, Berlin (DE)
Remix, Spor Klübü, Berlin (DE)
Smiler's Delicatessen, Smiler's Delicatessen Times Square, New York (US)
Alles Wasser, Galerie Mikael Andersen, Copenhagen (DK)
All Change, Kunstverein Harburger Bahnhof, Hamburg (DE)

2012
Perspective, Galleria Nove, Berlin (DE)
Der Schwarm kommt, NGBK, Berlin Cinema, Voorkamer, Lier, (BE)
Alles Wasser, Galerie Mikael Andersen, Berlin (DE)
Das Unerwartete erwarten, Künstlerhaus Bremen (DE)
Belgie, PopUP artspace, Berlin (DE)
In Other Words, NGBK, Berlin (DE)

2011
Les Urbaines, Lausanne, Switzerland
Bienal de Curitiba - 6ª VentoSul , Oscar Niemeyer Museum, Curitiba (BR)
Monument Valley, UFO presents, Berlin (DE)
Die Linie überschreiten, Schaufenster Berlin & Westwendischer Kunstverein (DE)
Herbei ein Licht!, Lismore Castle Arts, St Cathage Hall, Lismore (IR)
Festival Über Lebenskunst, Haus der Kulturen der Welt, Berlin (DE)
Katinka Bock / Adrian Lohmüller, Einszueins, Gut Kartzitz Rügen (DE)
Uferhallen Kunstaktien, Uferhallen, Berlin Search & Destroy, Galerie Mikael Andersen, Berlin (DE)
Pop Hits, Tanzschule Projects, München Ruine, Die Wiesenburg, Berlin (DE)
Sample, Galerienhaus Lindenstrasse, Berlin (DE)
Ruine, Die Wiesenburg, Berlin (DE)

2010
Hope Against Hope, Phoenix Shot Tower, Baltimore (US)
Schwarzgold, Schloss Beesenstedt, Halle (DE)
Baltimore vs. The World, Current Space, Baltimore (US)
FischGrätenMelkStand, Temporäre Kunsthalle, Berlin (DE)
6th Berlin Biennale for Contemporary Art, Berlin (DE)
Hostile Aestetik Takeover, Appartement, Berlin (DE)
I Know It When I See It, Temporary Art Space, Cologne (DE)
Radical Adults, The Forgotten Bar, Berlin (DE)
Selected Artists, NGBK, Berlin (DE)

2009
Antezzo, Gfader, Lohmüller, Pilarsky, Weber, The Forgotten Bar, Berlin (DE)
Postalternativ, Kunstraum Niederösterreich, Vienna (AT)
Die Braut spricht (Society of Sweaty Palms), Cruise & Callas, Berlin (DE)
Urban Hacking, paraflows, Vienna (AT)
Abandon Ship, Current Space, Baltimore (US)
Out Of Wedding, Uferhallen, Berlin (US)
Pollen and Pearls, Kunstagenten, Berlin (DE)
Penned, Lump Gallery/Projects, Raleigh, NC (US)
Treppehochstrichpunkt, Strichpunktprojekte, Berlin (DE)

2008
Outdoor Lounge, Current Gallery, Baltimore (US)
Artscape Festival, Baltimore (US)
Friends and Family, Anton Kern Gallery, New York (US)
Motion4 - Tachometer, Kunstverein Tiergarten, Berlin (DE)

2007
Yearly Show, Embassy Gallery, Edinburgh (UK)
Fresh Trips, Kunstraum Innsbruck, Innsbruck (AT)
Hacking Utopia(s), Current Gallery, Baltimore (US)
Interventions / Mobile Projects, Version 07 Festival, Chicago (US)
Speaking of Silence, Sub-Basement Gallery, Baltimore (US)

2006
Material Matters, Maryland Art Place (MAP), Baltimore (US)
Automation Constipation, Current Gallery, Baltimore (US)
Urban Gardening, Version 06 Festival, Chicago (US)

2005
Soft Terror, 5th story, Baltimore (US)
Ghosts of Liberty, MICA, Baltimore (US)
Under Construction, Current Gallery, Baltimore (US)
Removal/Exposure, Farmer’s Market Exposition, Baltimore (US)
While Working, Campbaltimore, Baltimore (US)
Removal Exposition Guide, Printed Matter Inc., New York (US)

2004
Picture Window, Area 405, Baltimore (US)
Suckers Without Homes, MICA, Baltimore (US)
Blank Chalkboard, 5th story, Baltimore (US)
Annual Exhibition, Whole Gallery, Baltimore (US)
(Re)current Blueprint, 5th story, Baltimore (US)

Awards

2016 CCA Andratx, Residency Mallorca (SP)
2015 Research Fellowship of the Berlin Senate (DE)
2013 Stipend of the Senate, Berlin (DE)
2011 Artist Residency, Gut Kartzitz, Ruegen (DE)
2009 Stipend of the Senate, Berlin (DE)
2008 Blauorange Prize, Shortlist (DE)

Bibliography

2015 Valerie Smith, “Possess to Repossess” Exhibition catalogue Kunstverein Harburger Bahnhof, Hamburg
2014 Sabine B. Vogel, Grenzenlose Skulptur: Ein Überblick über das Skulpturale Heute, Kunstforum Intl. Bd.229 ct-Nov 2014: (pp. 148 - 151
2013 Kolja Reichert, “In den Ruinen einer Utopie”, Welt am Sonntag 04.Aug.2013: ( pp. 17 - 20)
Veronika Olbrich, "Adrian Lohmüller's Psychoarchitecture", The False-Self System, Expert Printing, New York
2012 Nicole Büsing, "Rasen, der stillstand: Adrian Lohmüller im Kunstverein Harburger Bahnhof", monopol
Melanie Schehl, "Adrian Lohmüller im Kunstverein Harburger Bahnhof", ArtBerlin (online)
2011 T.J. Demos, "Matter and Memory: The Sculpture of Adrian Lohmüller" The Uncertainty Principle, Einszueins, Primeline Print Berlin
Kolja Reichert, "Er müsste hier mal eine Leitung legen" Die Welt, 23.Aug 201: ( p. 22 )
2010 Kolja Reichert; Buddeln, baggern, Inseln retten, Der Tagesspiegel, 11 Jul 2010, p.31
John Bock, Andreas Schlaegel; Artist's Favourites by John Bock, Spike, Summer 2010, p.26
Kolja Reichert; Adrian Lohmüller, was draußen wartet / what is waiting out there, Jun 2010, pp.109–111
Kolja Reichert; 6th Berlin Biennale for Contemporary Art, Jun 2010, p.207 / p.217
Kathrin Rhomberg, Denhart V. Harling; Zehn Fragen an die Kunst, Zitty Berlin, Apr 2010, p.52
Nicola Kuhn; K – eine Stadt sucht ihre Künstler, Selected Artist, 2009, NGBK, Jan 2010, p.15
2009 John Bock; The Artists' Artists, Artforum, Dec 2009, p.94
Hubert Lobnig; Postalternativ, Kunstraum Niederösterreich, Oct – Nov 2009, p.35
Adrian Lohmüller; Epidemie der Trägheit, Urban Hacking, paraflows 09, Sep 2009, pp.47–75
2008 Timo Kaabi-Linke; Klärwerk, BlauOrange Prize 2008, pp.1–10
Claire Sexton; Audio in the Elevator/Stairwell, Art in General, Inside 08, Spring 2008, p.5
2007 Stefan Bidner, Roland Maurmair; Fresh Trips, Jun – Aug 2007, p.108 / p.125
2006 Saaret E. Yoseph; update, Urbanite, Dec 2006, p.19
John Lewis; Photo: Sam Holden; Vive la Map. Baltimore, Nov 2006, pp.138–142
Jason Hughes; Material Matters, Maryland Art Place, Jul – Sep 2006, p.7 / p.14
Bret McCabe; Best Art Imp, Citypaper, 20 Sep 2006, p.173
Bret McCabe; Trash and Carry, Citypaper, 31 May 2006, p.42
Heather Harris; Navigating Urban Space: Why isn't walking a part of Baltimore's lifestyle?, Urbanite, Apr 2006, pp.37–40
2005 Bret McCabe; Strange Days: Or how two artists learned to stop worrying and love the orange alert, Citypaper, 19 Oct 2005, p.40
2004 Ding Ren; Picture Window, Radar, Feb 2004, pp.22–23
Ding Ren; 5th Story, Radar, Jan 2004, p.23

Adrian Lohmüller
Born 1977, Gengenbach, GermanyLives and works in BerlinEducation2000–2005 Maryland Institute College of Art (MICA) (US)Solo exhibitions2015Psy.3D. Dr. Dr. Adrian Lohmüller, Larry, Berlin (D)2013Frieze New York, Frame solo-booth with Sommer & Kohl, New York (US)Blind Study A Psychology of Building, Koban Project, Baltimore (US)2012And To Make You Toe The Line, Kunstverein Harburger Bahnhof, Hamburg (DE)2011The Uncertainty Principle, Sommer & Kohl, Berlin (DE)The false-self system, Städtische Galerie Nordhorn, Nordhorn (DE)Good Morning Mr. Laing, heldart, Berlin (DE)2010Mining the Moon, jgb berlin, Berlin (DE)2008Scheuermilchmelange, Sezession Wichtelgasse, Vienna (AT)The Way Things Are, Art in General, New York (US)2007Urbane Experimentalklempnerei, Ballhaus Ost, Berlin (DE)2006Marshall Report, 5th story, Baltimore (US)Group exhibitions2015o.T., SchauFenster Berlin, (DE)Grinder's Citizens, Off Charts, New York (US)Amo Litio, Casa Nuova, Milan (IT)Ngorongoro, Lehderstrasse 34, Berlin (D)Art Cologne, Collaborations Sommer & Kohl with Daniel Marzona, Cologne (D)Timberrr, Horseandpony Artspace, Berin (D)2014Le temps de la rentrée, Sommer & Kohl, Berlin (D)Fundament III (On What Grounds), SONS – Museum, BelgiumVector Artists Journal, Issue 5, MoMA, PS1, New York (US)Vector Artists Journal, Issue 5, Schau Fenster, Berlin (D)The Veto Operation, BlinkVideo, Hamburg (D)Art Altstetten, Sommer & Kohl visiting Birchmeier Uhlmann Architekten, Zürich (SW)Cascating Bifurcations, téte, Berlin (D)Give Us The Future, NBK – Neuer Berliner Kunstverein, Berlin (D)Screenings of “The Veto Operation” on French and German network, SFASouvenirs From Earth, Film Cologne, Art CologneTrockene Wahrheiten, Schau Fenster, Berlin2013Sezzession: Uferhallen Artists, SEZ, September, Berlin (DE)Remix, Spor Klübü, Berlin (DE)Smiler's Delicatessen, Smiler's Delicatessen Times Square, New York (US)Alles Wasser, Galerie Mikael Andersen, Copenhagen (DK)All Change, Kunstverein Harburger Bahnhof, Hamburg (DE)2012Perspective, Galleria Nove, Berlin (DE)Der Schwarm kommt, NGBK, Berlin Cinema, Voorkamer, Lier, (BE)Alles Wasser, Galerie Mikael Andersen, Berlin (DE)Das Unerwartete erwarten, Künstlerhaus Bremen (DE)Belgie, PopUP artspace, Berlin (DE)In Other Words, NGBK, Berlin (DE)2011Les Urbaines, Lausanne, Switzerland Bienal de Curitiba - 6ª VentoSul , Oscar Niemeyer Museum, Curitiba (BR)Monument Valley, UFO presents, Berlin (DE)Die Linie überschreiten, Schaufenster Berlin & Westwendischer Kunstverein (DE)Herbei ein Licht!, Lismore Castle Arts, St Cathage Hall, Lismore (IR)Festival Über Lebenskunst, Haus der Kulturen der Welt, Berlin (DE)Katinka Bock / Adrian Lohmüller, Einszueins, Gut Kartzitz Rügen (DE)Uferhallen Kunstaktien, Uferhallen, Berlin Search & Destroy, Galerie Mikael Andersen, Berlin (DE)Pop Hits, Tanzschule Projects, München Ruine, Die Wiesenburg, Berlin (DE)Sample, Galerienhaus Lindenstrasse, Berlin (DE)Ruine, Die Wiesenburg, Berlin (DE)2010Hope Against Hope, Phoenix Shot Tower, Baltimore (US)Schwarzgold, Schloss Beesenstedt, Halle (DE)Baltimore vs. The World, Current Space, Baltimore (US)FischGrätenMelkStand, Temporäre Kunsthalle, Berlin (DE)6th Berlin Biennale for Contemporary Art, Berlin (DE)Hostile Aestetik Takeover, Appartement, Berlin (DE)I Know It When I See It, Temporary Art Space, Cologne (DE)Radical Adults, The Forgotten Bar, Berlin (DE)Selected Artists, NGBK, Berlin (DE)2009Antezzo, Gfader, Lohmüller, Pilarsky, Weber, The Forgotten Bar, Berlin (DE)Postalternativ, Kunstraum Niederösterreich, Vienna (AT)Die Braut spricht (Society of Sweaty Palms), Cruise & Callas, Berlin (DE)Urban Hacking, paraflows, Vienna (AT)Abandon Ship, Current Space, Baltimore (US)Out Of Wedding, Uferhallen, Berlin (US)Pollen and Pearls, Kunstagenten, Berlin (DE)Penned, Lump Gallery/Projects, Raleigh, NC (US)Treppehochstrichpunkt, Strichpunktprojekte, Berlin (DE)2008Outdoor Lounge, Current Gallery, Baltimore (US)Artscape Festival, Baltimore (US)Friends and Family, Anton Kern Gallery, New York (US)Motion4 - Tachometer, Kunstverein Tiergarten, Berlin (DE)2007Yearly Show, Embassy Gallery, Edinburgh (UK)Fresh Trips, Kunstraum Innsbruck, Innsbruck (AT)Hacking Utopia(s), Current Gallery, Baltimore (US)Interventions / Mobile Projects, Version 07 Festival, Chicago (US)Speaking of Silence, Sub-Basement Gallery, Baltimore (US)2006Material Matters, Maryland Art Place (MAP), Baltimore (US)Automation Constipation, Current Gallery, Baltimore (US)Urban Gardening, Version 06 Festival, Chicago (US)2005Soft Terror, 5th story, Baltimore (US)Ghosts of Liberty, MICA, Baltimore (US)Under Construction, Current Gallery, Baltimore (US)Removal/Exposure, Farmer’s Market Exposition, Baltimore (US)While Working, Campbaltimore, Baltimore (US)Removal Exposition Guide, Printed Matter Inc., New York (US)2004Picture Window, Area 405, Baltimore (US)Suckers Without Homes, MICA, Baltimore (US)Blank Chalkboard, 5th story, Baltimore (US)Annual Exhibition, Whole Gallery, Baltimore (US)(Re)current Blueprint, 5th story, Baltimore (US)Awards2016 CCA Andratx, Residency Mallorca (SP)2015 Research Fellowship of the Berlin Senate (DE)2013 Stipend of the Senate, Berlin (DE)2011 Artist Residency, Gut Kartzitz, Ruegen (DE)2009 Stipend of the Senate, Berlin (DE)2008 Blauorange Prize, Shortlist (DE)Bibliography2015 Valerie Smith, “Possess to Repossess” Exhibition catalogue Kunstverein Harburger Bahnhof, Hamburg2014 Sabine B. Vogel, Grenzenlose Skulptur: Ein Überblick über das Skulpturale Heute, Kunstforum Intl. Bd.229 ct-Nov 2014: (pp. 148 - 1512013 Kolja Reichert, “In den Ruinen einer Utopie”, Welt am Sonntag 04.Aug.2013: ( pp. 17 - 20)Veronika Olbrich, Adrian Lohmüller's Psychoarchitecture, The False-Self System, Expert Printing, New York2012 Nicole Büsing, Rasen, der stillstand: Adrian Lohmüller im Kunstverein Harburger Bahnhof, monopolMelanie Schehl, Adrian Lohmüller im Kunstverein Harburger Bahnhof, ArtBerlin (online)2011 T.J. Demos, Matter and Memory: The Sculpture of Adrian Lohmüller The Uncertainty Principle, Einszueins, Primeline Print BerlinKolja Reichert, Er müsste hier mal eine Leitung legen Die Welt, 23.Aug 201: ( p. 22 )2010 Kolja Reichert; Buddeln, baggern, Inseln retten, Der Tagesspiegel, 11 Jul 2010, p.31John Bock, Andreas Schlaegel; Artist's Favourites by John Bock, Spike, Summer 2010, p.26Kolja Reichert; Adrian Lohmüller, was draußen wartet / what is waiting out there, Jun 2010, pp.109–111Kolja Reichert; 6th Berlin Biennale for Contemporary Art, Jun 2010, p.207 / p.217Kathrin Rhomberg, Denhart V. Harling; Zehn Fragen an die Kunst, Zitty Berlin, Apr 2010, p.52Nicola Kuhn; K – eine Stadt sucht ihre Künstler, Selected Artist, 2009, NGBK, Jan 2010, p.152009 John Bock; The Artists' Artists, Artforum, Dec 2009, p.94Hubert Lobnig; Postalternativ, Kunstraum Niederösterreich, Oct – Nov 2009, p.35Adrian Lohmüller; Epidemie der Trägheit, Urban Hacking, paraflows 09, Sep 2009, pp.47–752008 Timo Kaabi-Linke; Klärwerk, BlauOrange Prize 2008, pp.1–10Claire Sexton; Audio in the Elevator/Stairwell, Art in General, Inside 08, Spring 2008, p.52007 Stefan Bidner, Roland Maurmair; Fresh Trips, Jun – Aug 2007, p.108 / p.1252006 Saaret E. Yoseph; update, Urbanite, Dec 2006, p.19John Lewis; Photo: Sam Holden; Vive la Map. Baltimore, Nov 2006, pp.138–142Jason Hughes; Material Matters, Maryland Art Place, Jul – Sep 2006, p.7 / p.14Bret McCabe; Best Art Imp, Citypaper, 20 Sep 2006, p.173Bret McCabe; Trash and Carry, Citypaper, 31 May 2006, p.42Heather Harris; Navigating Urban Space: Why isn't walking a part of Baltimore's lifestyle?, Urbanite, Apr 2006, pp.37–402005 Bret McCabe; Strange Days: Or how two artists learned to stop worrying and love the orange alert, Citypaper, 19 Oct 2005, p.402004 Ding Ren; Picture Window, Radar, Feb 2004, pp.22–23Ding Ren; 5th Story, Radar, Jan 2004, p.23

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