This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Elizabeth Wurst

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Wurst constructs an absurd but passionate and intimate relation between the female body and the commodities from our daily urban life. Through the juxtaposition of city related objects, intimate behaviour and role-mandates, which are either shown in video installations or in live interventions, the artist questions our attachment to the material world.
She fictionalizes the alienated reality and starts new subjective conveyances of meaning, creating hereby other interweavements of relations, roles and feelings. She points out to the gap between discourse and reality, the aberration between the original function and the actual usage, giving it a weight of wit and humour.


Biography

born 1985 in Lima – Peru,
lives and works in Bonn, Germany

Education:

2012 post graduate degree (Meisterschüler) by Prof. Candice Breitz, HBK
2011 diploma degree with honours in Video / Performance by Prof. Candice Breitz, HBK
2006 - 2011 Fine Arts study at the Hochschule für Bildende Künste (HBK) Braunschweig, Germany with professors Candice Breitz, Guy Ben-Ner, Thomas Virnich and Vera Bourgeois
2005 – 2006 Art History study at the Universität zu Köln, Cologne, Germany

Selected performances and exhibitions

2018
NOT Festival, Videoscreening, University of California, Riverside, Kalifornien, US
HUMAN rights wrongs, Videoscreening, International documentary Film Festival, Oslo, NO
Performance Voyage 7, Videoscreening, EKKM Contemporary Art Museum, Tallin, Estonien, ES
SUPER SALE SENSATION, Performance, City Gallery des Kunstverein Wolfsburg, DE

2017
Lateral ArtSpace, Contemporary Art Biennial, Timisoara, RO
Performance Voyage 7, Top Schiller Palais, Berlin, DE
New Performance Festival, Turku (FI), Galeria Raczej, PL
Centro Cultural Cine Olaya, Lima, PE
Stour Space, London, GB
Invasive, Gruppenausstellung, MedienKunstVerein, Berlin, DE
Avantgarde Festival, Schiphorst, DE
I SEE International Video Art Festival, Berlinische Galerie, Berlin, DE
Performing Parenthood, DIEP Art Research Change, GB

2016
Femmes Video Art Festival 2, LACE - L.A Contemporary Exhibitions, Los Angeles, USA
There is no question about that, Gruppenausstellung, ACC Galerie Weimar

2015
Space under construction, Cinema Akil Festival, Dubai, Vereinigte Arabische Emirate, VAE
We're not in Kansas anymore, Gruppenausst., Mönchehaus Museum Goslar
„On Thin Ice, Facing the Environment and Climate Chance in Ethnological Museums“
conference and videoscreening, Staatliche Museen, Berlin
Zirkus Kösk, Dreitausend e.V, 48 Stunden Neukölln, Berlin
Apéro MULTIPLE, Atelier Vortex, Dijon, FR
Letters from Pocket Embassy 5 - Berlin edition, Montagehalle Wedding, Berlin, DE
Home of the Future, bi'bak, Kolonie Wedding, Berlin, DE
Space under construction, Cinema Akil, Dubai, United Arab Emirates
Performance-Führung zu Imi Knoebel, Kunstmuseum Wolfsburg
We're not in Kansas anymore, Monchehaus Museum Goslar
Pneumatic, Beatbox-Performance, Continental AG, Hannover

2014
Live from the scene!, Performance, UN World Climate Summit, Lima, Peru
Dirty Minds, Video screening, Rooster Gallery, New York, USA

2013
The Fear, Performance, Slapstick! Night, Kunstmuseum Wolfsburg
I SEE – International Videoart Festival, Video screening, Organhaus Art Space, Chongqing, China
Watching a cat watching a mouse hole, group show, Kunsthalle am Hamburger Platz, Berlin
Between the lines, group show, Michaelis Gallery, Kapstadt, Südafrika

2012
Sameness, otherness, Bienal Internacional de Performance DEFORMES, Santiago, Chile
The city as a stage, solo show, Junge Kunst e.V, Wolfsburg

2010
Out of Space, Performance, KIM, Berlin
There is so much more, Gruppenperformance, Konzept: Julia Dick, HBK Braunschweig
Pop Aktivismus, Performance, MMX Open Art Venue, Berlin.
I don't belong here, Performance, Festival Interventionen im wilden und domestizierten Naturwelten, Actualitas-Kunst vor Ort, Braunschweig
Pop Aktivismus, Performance, Blauverschiebung-International Performance Art Festival, Leipzig 2010_ Pop Aktivismus, Performance, Indexing You,mit Nirmala Salom, Gallery PG LAB Berlin
7 Songs, Gruppenausstellung, kuratiert von Daniel Jacoby, Galeria KKB, Barcelona
Pop-Aktivismus, Performance, Fernmeldeamt, Gallery-weekend, Berlin
Guaranty Bank, Projekt mit Klasse Breitz, Too Unlimited, Phaenomenale, Science & Art Festival, Kunstverein Wolfsburg

2009
BeHandlungsraum der Orbitale, Performance, Museum Fridericianum, Kassel
Performance // Frame, group show, Galerie Anita Beckers, Frankfurt am Main
Playing the City 1, group show, Schirn Kunsthalle, Frankfurt am Main

Scholarships and Awards

2015_ „PredicARTE“,second prize, Museo del Convento de Santo Domingo Qorikancha, Cuzco
2015_ Does Humor belong in art? Artist in Residency (June- Sept 2015), ACC Weimar
2014_ Audience Award with Performance “aus Dauer”- die Kneten, 100° Festival Berlin, Ballhaus Ost
2011_ Intervideo Young Upcoming price, Wiesbaden, Theme “Sustainability as value and product”
2010_ Projektbüro, curatorial award of the HBK Braunschweig for “Actualitas- art in situ”
2009_ DAAD Stipend, Group project “Caravana Fusca”, Brasil

Elizabeth Wurst
born 1985 in Lima – Peru, lives and works in Bonn, Germany Education: 2012 post graduate degree (Meisterschüler) by Prof. Candice Breitz, HBK 2011 diploma degree with honours in Video / Performance by Prof. Candice Breitz, HBK 2006 - 2011 Fine Arts study at the Hochschule für Bildende Künste (HBK) Braunschweig, Germany with professors Candice Breitz, Guy Ben-Ner, Thomas Virnich and Vera Bourgeois 2005 – 2006 Art History study at the Universität zu Köln, Cologne, Germany Selected performances and exhibitions 2018 NOT Festival, Videoscreening, University of California, Riverside, Kalifornien, US HUMAN rights wrongs, Videoscreening, International documentary Film Festival, Oslo, NO Performance Voyage 7, Videoscreening, EKKM Contemporary Art Museum, Tallin, Estonien, ES SUPER SALE SENSATION, Performance, City Gallery des Kunstverein Wolfsburg, DE 2017 Lateral ArtSpace, Contemporary Art Biennial, Timisoara, RO Performance Voyage 7, Top Schiller Palais, Berlin, DENew Performance Festival, Turku (FI), Galeria Raczej, PLCentro Cultural Cine Olaya, Lima, PEStour Space, London, GB Invasive, Gruppenausstellung, MedienKunstVerein, Berlin, DE Avantgarde Festival, Schiphorst, DE I SEE International Video Art Festival, Berlinische Galerie, Berlin, DE Performing Parenthood, DIEP Art Research Change, GB 2016Femmes Video Art Festival 2, LACE - L.A Contemporary Exhibitions, Los Angeles, USA There is no question about that, Gruppenausstellung, ACC Galerie Weimar2015Space under construction, Cinema Akil Festival, Dubai, Vereinigte Arabische Emirate, VAE We're not in Kansas anymore, Gruppenausst., Mönchehaus Museum Goslar „On Thin Ice, Facing the Environment and Climate Chance in Ethnological Museums“ conference and videoscreening, Staatliche Museen, Berlin Zirkus Kösk, Dreitausend e.V, 48 Stunden Neukölln, Berlin Apéro MULTIPLE, Atelier Vortex, Dijon, FR Letters from Pocket Embassy 5 - Berlin edition, Montagehalle Wedding, Berlin, DE Home of the Future, bi'bak, Kolonie Wedding, Berlin, DE Space under construction, Cinema Akil, Dubai, United Arab Emirates Performance-Führung zu Imi Knoebel, Kunstmuseum Wolfsburg We're not in Kansas anymore, Monchehaus Museum Goslar Pneumatic, Beatbox-Performance, Continental AG, Hannover 2014 Live from the scene!, Performance, UN World Climate Summit, Lima, Peru Dirty Minds, Video screening, Rooster Gallery, New York, USA 2013 The Fear, Performance, Slapstick! Night, Kunstmuseum Wolfsburg I SEE – International Videoart Festival, Video screening, Organhaus Art Space, Chongqing, China Watching a cat watching a mouse hole, group show, Kunsthalle am Hamburger Platz, Berlin Between the lines, group show, Michaelis Gallery, Kapstadt, Südafrika 2012 Sameness, otherness, Bienal Internacional de Performance DEFORMES, Santiago, Chile The city as a stage, solo show, Junge Kunst e.V, Wolfsburg 2010 Out of Space, Performance, KIM, Berlin There is so much more, Gruppenperformance, Konzept: Julia Dick, HBK Braunschweig Pop Aktivismus, Performance, MMX Open Art Venue, Berlin. I don't belong here, Performance, Festival Interventionen im wilden und domestizierten Naturwelten, Actualitas-Kunst vor Ort, Braunschweig Pop Aktivismus, Performance, Blauverschiebung-International Performance Art Festival, Leipzig 2010_ Pop Aktivismus, Performance, Indexing You,mit Nirmala Salom, Gallery PG LAB Berlin 7 Songs, Gruppenausstellung, kuratiert von Daniel Jacoby, Galeria KKB, Barcelona Pop-Aktivismus, Performance, Fernmeldeamt, Gallery-weekend, Berlin Guaranty Bank, Projekt mit Klasse Breitz, Too Unlimited, Phaenomenale, Science & Art Festival, Kunstverein Wolfsburg 2009 BeHandlungsraum der Orbitale, Performance, Museum Fridericianum, Kassel Performance // Frame, group show, Galerie Anita Beckers, Frankfurt am Main Playing the City 1, group show, Schirn Kunsthalle, Frankfurt am Main Scholarships and Awards 2015_ „PredicARTE“,second prize, Museo del Convento de Santo Domingo Qorikancha, Cuzco 2015_ Does Humor belong in art? Artist in Residency (June- Sept 2015), ACC Weimar 2014_ Audience Award with Performance “aus Dauer”- die Kneten, 100° Festival Berlin, Ballhaus Ost 2011_ Intervideo Young Upcoming price, Wiesbaden, Theme “Sustainability as value and product” 2010_ Projektbüro, curatorial award of the HBK Braunschweig for “Actualitas- art in situ” 2009_ DAAD Stipend, Group project “Caravana Fusca”, Brasil

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.