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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Gernot Wieland

Works


Biography

1968 Born in Horn, Austria
1990-96 Academy of Fine Arts, Vienna
1995-97 University of Fine Arts, Berlin
Lives and works in Berlin.


Solo exhibitions

2021
…like ink in milk, Quartz Studio, Turin, Italy
Virtual Video Space - Berlinische Galerie, Museum of Modern Art, Berlin, Germany

2020
Salzburger Kunstverein, Salzburg, Austria
Diebstahl und Gesänge, Kunst Halle Sankt Gallen, Switzerland
12x12, IBB Video Space at Berlinische Galerie, Museum of Modern Art, Berlin, Germany
Videoart at Midnight, Berlin, Germany

2019
media annex(e), Argos, Brussels, Belgium
Vdrome, London, UK
Belmacz, London, UK

2016
"Hello, my name is…"… and …"Yes, I´m fine.", Maumaus/Lumiar Cité, Lisbon, Portugal


Group exhibitions

2021
BIENNALSUR, 3rd Bienal Internacional de Arte Contemporáneo de America del Sur, Buenos Aires,
Argentinia
Videonale, Festival for Video und Time-Based Art, Kunstmuseum Bonn, Germany
Videonale.scope, NRW – Filmforum, Cologne, Germany
Privat – öffentlich, Kallmann-Museum, Ismaningen, Germany

2020
Zoo Cosmos, Casa Conti /Ange Leccia Art Center, Oletta, France
The Law is a White Dog, TULCA Festival of Visual Arts 2020, Galway, Ireland
ANIMA - Taiwan International Video Art Exhibition, Hong-Gah Museum, Taipei, Taiwan
11th Athens Avant-Garde Film Festival, Athens, Greece
On Heavy Rotation, Callirrhoe, Athens, Greece
MEMORY, Kunstmuseum Olten, Switzerland
ARKIPEL, Jakarta International Documentary and Experimental Film Festival, Jakarta, Indonesia
Wait and See, IFFR - International Film Festival, Rotterdam, Netherlands
Risentimento / Ressentiment, Merano Arte, Merano, Italy
VIII Kinodot, Experimental Film Festival, St. Petersburg, Russia
15th IndieLisboa - International Independent Film Festival, Lisbon, Portugal
Traumphase 9, Hilbert Raum, Berlin, Germany
Unter uns – Bildproduktion im Mansfelder Land, Werkleitz Festival, Hettstedt, Halle, Germany

2019
Ten Slotte 4, Het Bos, Antwerp, Belgium
Grand Hotel Abyss, steirischer herbst Festival, Graz, Austria
Gimli Film Festival, Gimli, Canada
Pelle d’oca, Villa Vertua Masolo, Nova Milanese, Italy
Bruegeling, Herberg Rustique, Brussels, Belgium
B, Belmacz, London, UK
Dailytrumpet, Instagram project by Jonathan Horowitz
Symposium on Humour and Absurdity, Nida Art Colony, Lithuania
36th Short Film Festival, Hamburg, Germany
EMAF – European Media Art Festival, Osnabrück, Germany
IFFR - International Film Festival, Rotterdam, Netherlands

2018
Zeitspuren – The Power of Now, Centre d´art Pasquart, Biel/Bienne, Switzerland
Shame, Künstlerhaus Bremen, Germany
Monitoring - Exhibition for Time Based Media Art, Kasseler Kunstverein, Kassel, Germany
The Ashtray Show West, Belmacz, London, UK
res·o·nant, Contribution to a Sound Installation, Jewish Museum Berlin, Germany
Ideal-Types, HE.RO, Amsterdam, Netherlands
Plot, New York, USA
OGR, Torino, Italy

2017
Survival Kit 9, LCCA – Latvian Centre for Contemporary Art, Riga, Latvia
The Museum of Modern Comedy in Art – A Proposal, Projects Art Centre, Dublin, Ireland
MOSTYN Open 20, Llandudno, Wales
9th Norwegian Sculpture Biennial, Vigeland Museum, Oslo, Norway
33rd International Short Film Festival, Hamburg, Germany
34. Kasseler Dokumentar, Film und Videofest, Kassel, Germany
con_text, Lettrétage, Berlin, Germany

2016
Body Luggage – Migration of Gestures, Kunsthaus Graz, Graz, Austria
Histoires de l’Ile des Bienheureux, Musée du chateau des ducs de Wurtemberg, Montbéliard, France
33. Kasseler Dokumentar, Film und Videofest, Kassel, Germany
Random Walks, Konsthall 44 Møn, Askeby, Denmark
Puppet Slam, Objects Do Things, CCA – Center for Contemporary Art, Warszaw, Poland
TED Talk for TEDxGhent, Ghent, Belgium
Salon Nomade, Kunstverein am Rosa-Luxemburg Platz, Berlin, Germany
Dobra, Festival de Cinema Experimental, Museu de Arte Moderna, Rio de Janeiro, Brazil

2015
Liberty Taken – A festival of arts in the city of Bombay, Bombay, India
Midsummer Night Scream, De Appel arts centre, Amsterdam , Netherlands
No Bad Days, Konstmuseum Kalmar, Kalmar, Sweden
Where the place begins, Neue Berliner Räume at Kunsthaus Dahlem, Berlin, Germany
The reluctant narrator, Museo Berardo, Lisbon, Portugal

2014
Figures of Conjunction, Kunstverein Nürnberg, Nürnberg, Germany
A Lecture on a Lecture, Centre PasqArt, Biel/Bienne, Switzerland

2013
Pecha Kucha: The Bet, Kunst-Werke – Institute for Contemporary Art, Berlin, Germany
Videonale.14 – Festival for Contemporary Video Art, Kunstmuseum Bonn, Germany
Anyone for Cricket?, Kunstverein Horn, Horn, Austria
71 Werke, 71 Arbeiten, Kunstmuseum des Kanton Thurgaus, Warth, Switzerland
The legend of the shelves, Autocenter, Berlin, Germany
'...dreamed...', Ve.Sch, Verein für Raum und Form in der bildenden Kunst, Wien, Austria

2012
Nach Bonn – Eine Montage, Kunstverein Bonn, Germany
An exhibition of a Study on Knowledge, Forum Stadtpark, Graz, Austria
Boredom, Essays and Observations, Berlin, Germany
Jahresgaben, Kunstverein Bonn, Bonn, Germany
Montag ist erst übermorgen, xhibit, Wien, Austria
HOTAVANTGARDEHOTHOT, Oslo10, Basel, Switzerland
Common history and its Private Stories, Sofia City Art Gallery, Sofia, Bulgaria

2011
Video_Dumbo, an exhibition of contemporary video art, New York, USA
Wilhelm Reich/Ayn Rand, Essays and Observations, Berlin, Germany
Wonders of progress, TIFF – Toronto International Film Festival, Toronto, Canada
Hard for the money, European Media Art Festival, Osnabrück, Germany
Il pensiero autobiografico, Kaleidoscope Space, Milano, Italy
Notre vallée, Musée du chateau des ducs de Wurtemberg, Montbéliard, France

2010
Time is what keeps the light from reaching us, Bluecoat Gallery, The Liverpool Biennial
(with David Jacques and Carla Åhlander), Liverpool, UK
27. Kasseler Dokumentar- und Filmfestival, Kassel, Germany
Éclats, CEAAC – Centre européen d´actions artistiques contemporaines, Strasbourg, France
Derridas Katze … que donc je suis (à suivre), Kunstraum Kreuzberg, Berlin, Germany
All the rest is literature, House of Contamination, Artissima, Torino, Italy
Gradual Change!, Nordin Gallery, Stockholm, Sweden
A few notes on life, Impakt Festival, Utrecht, Netherlands
27. Kasseler Dokumentar- und Filmfestival, Kassel, Germany
Love&Space, Salon Populaire, Berlin, Germany

2009
EASTinternational at Transmission Gallery, Glasgow; Baltic, Newcastle; Contemporary Art Norwich,
Norwich, UK
Collaboration, Autocenter, Berlin, Germany
ABC_ DEF, Art Berlin Contemporary, Akademie der Künste, Berlin, Germany
Zeigen, an audio tour through Berlin, Temporäre Kunsthalle, Berlin, Germany


Awards/Residencies

2021
Artist in Residence, Paliano, Italy, by Kultur Niederösterreich
Artist in Residence, International Saari Residence, Kone Foundation, Hietamäki, Finland

2020
Best Film Award, VIII Kinodot Experimental Film Festival, St. Petersburg, Russia
Artistic Research Grant from Berlin City Administration for Culture

2019
EMAF Media Art Award of the German Film Critics at EMAF – European Media Art Festival, Osnabrück
Special Mention, 36th Short Film Festival, Hamburg
Artist in Residence, Institute for Urban Research, Malmö University, Sweden

2018
Artist in Residence, Cripta747, Turin, Italy
Artist in Residence, Superdeals, Brussels, Belgium

2017
Winner of the 20th edition of the MOSTYN Open, selected by Lydia Yee (Chief Curator, Whitechapel
Gallery), Chus Martínez (Curator and Head of the Institute of Art, FHNW Academy of Arts and Design,
Basel), Alfredo Cramerotti (Director, MOSTYN)
Short list for Best German Shortfilm in 2017
Artistic Research Grant from Berlin City Administration for Culture

2016
Lecture on Writing Art in Digital Space at Society for Artistic Research conference, Den Haag,
Netherlands

2013
State scholarship for Video and Media, BKA, Arts Division of the Federal Chancellery of Austria
Artist in Residence, ECAV en collaboration avec la Fondation Château Mercier, Sierre, Switzerland

2011 – 2017
Lecturer at Fine Arts Departement/Foundation Year, UdK - University of Fine Arts, Berlin

2009
Artist in Residence, Rome, Italy, BKA, Arts Division of the Federal Chancellery of Austria


Selected catalogues/Bibliography

2020
On carpets, cats, cages, and three films by Gernot Wieland, Barbara Casavecchia, Art Agenda, April
steirischer herbst ´19, reader. Have we ever considered the whale? An essay by Gernot Wieland
Kunstbulletin May 2020, Patrizia Grzonka on Gernot Wieland
Zwölfmal Angst, Julia Gwendolyn Schneider on Gernot Wieland´s exhibition at Salzburger Kunstverein,
taz, April 14, 2020

2019
Grand Hotel Abyss, steirischer herbst ´19, (catalogue)
Text by David Riff
Demontaż atrakcji: Czeluść Grand Hotelu, Adriana Prodeus on steirischer herbst ´19
Vogue online (PL), 05.10.2019
Welcome to the pleasant apocalypse, Eva Scharrer on steirischer herbst ´19, Spike Art Magazine
De onderbroek, Pieter Vermeulen on steirischer herbst ´19, HART Magazine no 197
The abyss is never far away from a feast, Natalia Dorocka on steirischer herbst ´19,
Contemporary Lynx
Text by Jürgen Kiontke, Julia Gwendolyn Schneider und Morticia Zschiesche (Jury of the EMAF Media
Art Award of the German Film Critics) on Ink in Milk
For Hatred of Crystals, an essay by Oskar Korsár on Gernot Wieland´s film Ink in Milk
Interview with Zasha Colah, published by vdrome
Interview with Kristina Marberger, published by Belmacz

2018
Kerstin Honeit on Ink in Milk for Monitoring - Exhibition for Time Based Media Art, Kassel
ArtReview vol 70 no 5 Summer 2018. Gernot Wieland on the couch. Mark Rappolt on Gernot
Wieland´s comically anxious work in film and performance.
Art India, Vol XXII, Quarter II, 2018, Curation project by Zasha Colah
Jan-Paul Koopmann on the exhibition Shame, taz, 16 July 2018

2017
Survival Kit 9 (catalogue)
Texts by Jonatan Habib Engqvist, Solvita Krese, Inga Lace, Yuval Noah Harari
Published by LCCA – Latvian Centre for Contemporary Art
Pranja Desai on Body luggage, Kunsthaus Graz, Austria. Artforum, Februar 2017
Moira Barrett on Ink in Milk, Azucarmag.com, 2017

2016
Body Luggage – Migration of Gestures (catalogue)
Texts by Nora Sternfeld, Zasha Colah and Desmond Kharmawphlang
Published by Archive Books, Berlin

2015
frieze, issue 169, 03/15. Joana Neves on the exhibition The reluctant narrator, Museo Berardo, Lisbon
No Bad Days (catalogue)
Texts by Jonatan Habib Enqvist and Lars-Erik Hjertström Lappalainen
Published by Kalmar Konstmuseum

2014
The reluctant narrator, A survey of Narrative Practices across media (catalogue)
Text by Ana Teixeira Pinto (editor), Kerstin Stakemeier, Sladja Blazan, Erika Balsom
Published by Sternberg Press
Éclats (catalogue)
Texts by Bettina Klein (editor), Lorraine Daston, Denis Leypold
Published by CEEAC, Centre Européen d’Actions Artistiques Contemporaines

2013
Videonale.14 (catalogue)
Text by Dr. Sabine Maria Schmidt. Published by Distanz Verlag
Hotavantgardehothot (catalogue)
Texts and edited by Rivane Neuenschwander, Christiane Rekade. Published by AND publishing

2011
Reference and Experience, Mousse # 28, Interview with Gigiotto del Vecchio

Gernot Wieland
1968 Born in Horn, Austria1990-96 Academy of Fine Arts, Vienna1995-97 University of Fine Arts, BerlinLives and works in Berlin.Solo exhibitions2021…like ink in milk, Quartz Studio, Turin, ItalyVirtual Video Space - Berlinische Galerie, Museum of Modern Art, Berlin, Germany2020Salzburger Kunstverein, Salzburg, AustriaDiebstahl und Gesänge, Kunst Halle Sankt Gallen, Switzerland12x12, IBB Video Space at Berlinische Galerie, Museum of Modern Art, Berlin, GermanyVideoart at Midnight, Berlin, Germany2019media annex(e), Argos, Brussels, BelgiumVdrome, London, UKBelmacz, London, UK2016Hello, my name is…… and …Yes, I´m fine., Maumaus/Lumiar Cité, Lisbon, PortugalGroup exhibitions2021BIENNALSUR, 3rd Bienal Internacional de Arte Contemporáneo de America del Sur, Buenos Aires,ArgentiniaVideonale, Festival for Video und Time-Based Art, Kunstmuseum Bonn, GermanyVideonale.scope, NRW – Filmforum, Cologne, GermanyPrivat – öffentlich, Kallmann-Museum, Ismaningen, Germany2020Zoo Cosmos, Casa Conti /Ange Leccia Art Center, Oletta, FranceThe Law is a White Dog, TULCA Festival of Visual Arts 2020, Galway, IrelandANIMA - Taiwan International Video Art Exhibition, Hong-Gah Museum, Taipei, Taiwan11th Athens Avant-Garde Film Festival, Athens, GreeceOn Heavy Rotation, Callirrhoe, Athens, GreeceMEMORY, Kunstmuseum Olten, SwitzerlandARKIPEL, Jakarta International Documentary and Experimental Film Festival, Jakarta, IndonesiaWait and See, IFFR - International Film Festival, Rotterdam, NetherlandsRisentimento / Ressentiment, Merano Arte, Merano, ItalyVIII Kinodot, Experimental Film Festival, St. Petersburg, Russia15th IndieLisboa - International Independent Film Festival, Lisbon, PortugalTraumphase 9, Hilbert Raum, Berlin, GermanyUnter uns – Bildproduktion im Mansfelder Land, Werkleitz Festival, Hettstedt, Halle, Germany2019Ten Slotte 4, Het Bos, Antwerp, BelgiumGrand Hotel Abyss, steirischer herbst Festival, Graz, AustriaGimli Film Festival, Gimli, CanadaPelle d’oca, Villa Vertua Masolo, Nova Milanese, ItalyBruegeling, Herberg Rustique, Brussels, BelgiumB, Belmacz, London, UKDailytrumpet, Instagram project by Jonathan HorowitzSymposium on Humour and Absurdity, Nida Art Colony, Lithuania36th Short Film Festival, Hamburg, GermanyEMAF – European Media Art Festival, Osnabrück, GermanyIFFR - International Film Festival, Rotterdam, Netherlands2018Zeitspuren – The Power of Now, Centre d´art Pasquart, Biel/Bienne, SwitzerlandShame, Künstlerhaus Bremen, GermanyMonitoring - Exhibition for Time Based Media Art, Kasseler Kunstverein, Kassel, GermanyThe Ashtray Show West, Belmacz, London, UKres·o·nant, Contribution to a Sound Installation, Jewish Museum Berlin, GermanyIdeal-Types, HE.RO, Amsterdam, NetherlandsPlot, New York, USAOGR, Torino, Italy2017Survival Kit 9, LCCA – Latvian Centre for Contemporary Art, Riga, LatviaThe Museum of Modern Comedy in Art – A Proposal, Projects Art Centre, Dublin, IrelandMOSTYN Open 20, Llandudno, Wales9th Norwegian Sculpture Biennial, Vigeland Museum, Oslo, Norway33rd International Short Film Festival, Hamburg, Germany34. Kasseler Dokumentar, Film und Videofest, Kassel, Germanycon_text, Lettrétage, Berlin, Germany2016Body Luggage – Migration of Gestures, Kunsthaus Graz, Graz, AustriaHistoires de l’Ile des Bienheureux, Musée du chateau des ducs de Wurtemberg, Montbéliard, France33. Kasseler Dokumentar, Film und Videofest, Kassel, GermanyRandom Walks, Konsthall 44 Møn, Askeby, DenmarkPuppet Slam, Objects Do Things, CCA – Center for Contemporary Art, Warszaw, PolandTED Talk for TEDxGhent, Ghent, BelgiumSalon Nomade, Kunstverein am Rosa-Luxemburg Platz, Berlin, GermanyDobra, Festival de Cinema Experimental, Museu de Arte Moderna, Rio de Janeiro, Brazil2015Liberty Taken – A festival of arts in the city of Bombay, Bombay, IndiaMidsummer Night Scream, De Appel arts centre, Amsterdam , NetherlandsNo Bad Days, Konstmuseum Kalmar, Kalmar, SwedenWhere the place begins, Neue Berliner Räume at Kunsthaus Dahlem, Berlin, GermanyThe reluctant narrator, Museo Berardo, Lisbon, Portugal2014Figures of Conjunction, Kunstverein Nürnberg, Nürnberg, GermanyA Lecture on a Lecture, Centre PasqArt, Biel/Bienne, Switzerland2013Pecha Kucha: The Bet, Kunst-Werke – Institute for Contemporary Art, Berlin, GermanyVideonale.14 – Festival for Contemporary Video Art, Kunstmuseum Bonn, GermanyAnyone for Cricket?, Kunstverein Horn, Horn, Austria71 Werke, 71 Arbeiten, Kunstmuseum des Kanton Thurgaus, Warth, SwitzerlandThe legend of the shelves, Autocenter, Berlin, Germany'...dreamed...', Ve.Sch, Verein für Raum und Form in der bildenden Kunst, Wien, Austria2012Nach Bonn – Eine Montage, Kunstverein Bonn, GermanyAn exhibition of a Study on Knowledge, Forum Stadtpark, Graz, AustriaBoredom, Essays and Observations, Berlin, GermanyJahresgaben, Kunstverein Bonn, Bonn, GermanyMontag ist erst übermorgen, xhibit, Wien, AustriaHOTAVANTGARDEHOTHOT, Oslo10, Basel, SwitzerlandCommon history and its Private Stories, Sofia City Art Gallery, Sofia, Bulgaria2011Video_Dumbo, an exhibition of contemporary video art, New York, USAWilhelm Reich/Ayn Rand, Essays and Observations, Berlin, GermanyWonders of progress, TIFF – Toronto International Film Festival, Toronto, CanadaHard for the money, European Media Art Festival, Osnabrück, GermanyIl pensiero autobiografico, Kaleidoscope Space, Milano, ItalyNotre vallée, Musée du chateau des ducs de Wurtemberg, Montbéliard, France2010Time is what keeps the light from reaching us, Bluecoat Gallery, The Liverpool Biennial(with David Jacques and Carla Åhlander), Liverpool, UK27. Kasseler Dokumentar- und Filmfestival, Kassel, GermanyÉclats, CEAAC – Centre européen d´actions artistiques contemporaines, Strasbourg, FranceDerridas Katze … que donc je suis (à suivre), Kunstraum Kreuzberg, Berlin, GermanyAll the rest is literature, House of Contamination, Artissima, Torino, ItalyGradual Change!, Nordin Gallery, Stockholm, SwedenA few notes on life, Impakt Festival, Utrecht, Netherlands27. Kasseler Dokumentar- und Filmfestival, Kassel, GermanyLove&Space, Salon Populaire, Berlin, Germany2009EASTinternational at Transmission Gallery, Glasgow; Baltic, Newcastle; Contemporary Art Norwich,Norwich, UKCollaboration, Autocenter, Berlin, GermanyABC_ DEF, Art Berlin Contemporary, Akademie der Künste, Berlin, GermanyZeigen, an audio tour through Berlin, Temporäre Kunsthalle, Berlin, GermanyAwards/Residencies2021Artist in Residence, Paliano, Italy, by Kultur NiederösterreichArtist in Residence, International Saari Residence, Kone Foundation, Hietamäki, Finland2020Best Film Award, VIII Kinodot Experimental Film Festival, St. Petersburg, RussiaArtistic Research Grant from Berlin City Administration for Culture2019EMAF Media Art Award of the German Film Critics at EMAF – European Media Art Festival, OsnabrückSpecial Mention, 36th Short Film Festival, HamburgArtist in Residence, Institute for Urban Research, Malmö University, Sweden2018Artist in Residence, Cripta747, Turin, ItalyArtist in Residence, Superdeals, Brussels, Belgium2017Winner of the 20th edition of the MOSTYN Open, selected by Lydia Yee (Chief Curator, WhitechapelGallery), Chus Martínez (Curator and Head of the Institute of Art, FHNW Academy of Arts and Design,Basel), Alfredo Cramerotti (Director, MOSTYN)Short list for Best German Shortfilm in 2017Artistic Research Grant from Berlin City Administration for Culture2016Lecture on Writing Art in Digital Space at Society for Artistic Research conference, Den Haag,Netherlands2013State scholarship for Video and Media, BKA, Arts Division of the Federal Chancellery of AustriaArtist in Residence, ECAV en collaboration avec la Fondation Château Mercier, Sierre, Switzerland2011 – 2017Lecturer at Fine Arts Departement/Foundation Year, UdK - University of Fine Arts, Berlin2009Artist in Residence, Rome, Italy, BKA, Arts Division of the Federal Chancellery of AustriaSelected catalogues/Bibliography2020On carpets, cats, cages, and three films by Gernot Wieland, Barbara Casavecchia, Art Agenda, Aprilsteirischer herbst ´19, reader. Have we ever considered the whale? An essay by Gernot WielandKunstbulletin May 2020, Patrizia Grzonka on Gernot WielandZwölfmal Angst, Julia Gwendolyn Schneider on Gernot Wieland´s exhibition at Salzburger Kunstverein,taz, April 14, 20202019Grand Hotel Abyss, steirischer herbst ´19, (catalogue)Text by David RiffDemontaż atrakcji: Czeluść Grand Hotelu, Adriana Prodeus on steirischer herbst ´19Vogue online (PL), 05.10.2019Welcome to the pleasant apocalypse, Eva Scharrer on steirischer herbst ´19, Spike Art MagazineDe onderbroek, Pieter Vermeulen on steirischer herbst ´19, HART Magazine no 197The abyss is never far away from a feast, Natalia Dorocka on steirischer herbst ´19,Contemporary LynxText by Jürgen Kiontke, Julia Gwendolyn Schneider und Morticia Zschiesche (Jury of the EMAF MediaArt Award of the German Film Critics) on Ink in MilkFor Hatred of Crystals, an essay by Oskar Korsár on Gernot Wieland´s film Ink in MilkInterview with Zasha Colah, published by vdromeInterview with Kristina Marberger, published by Belmacz2018Kerstin Honeit on Ink in Milk for Monitoring - Exhibition for Time Based Media Art, KasselArtReview vol 70 no 5 Summer 2018. Gernot Wieland on the couch. Mark Rappolt on GernotWieland´s comically anxious work in film and performance.Art India, Vol XXII, Quarter II, 2018, Curation project by Zasha ColahJan-Paul Koopmann on the exhibition Shame, taz, 16 July 20182017Survival Kit 9 (catalogue)Texts by Jonatan Habib Engqvist, Solvita Krese, Inga Lace, Yuval Noah HarariPublished by LCCA – Latvian Centre for Contemporary ArtPranja Desai on Body luggage, Kunsthaus Graz, Austria. Artforum, Februar 2017Moira Barrett on Ink in Milk, Azucarmag.com, 20172016Body Luggage – Migration of Gestures (catalogue)Texts by Nora Sternfeld, Zasha Colah and Desmond KharmawphlangPublished by Archive Books, Berlin2015frieze, issue 169, 03/15. Joana Neves on the exhibition The reluctant narrator, Museo Berardo, LisbonNo Bad Days (catalogue)Texts by Jonatan Habib Enqvist and Lars-Erik Hjertström LappalainenPublished by Kalmar Konstmuseum2014The reluctant narrator, A survey of Narrative Practices across media (catalogue)Text by Ana Teixeira Pinto (editor), Kerstin Stakemeier, Sladja Blazan, Erika BalsomPublished by Sternberg PressÉclats (catalogue)Texts by Bettina Klein (editor), Lorraine Daston, Denis LeypoldPublished by CEEAC, Centre Européen d’Actions Artistiques Contemporaines2013Videonale.14 (catalogue)Text by Dr. Sabine Maria Schmidt. Published by Distanz VerlagHotavantgardehothot (catalogue)Texts and edited by Rivane Neuenschwander, Christiane Rekade. Published by AND publishing2011Reference and Experience, Mousse # 28, Interview with Gigiotto del Vecchio

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