This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Dina Danish

Works


Galleries

Barbara Seiler Galerie
Barbara Seiler
Anwandstrasse 67
8004 Zuerich
Switzerland

Phone: +41 43 317 1042
E-Mail: info@barbaraseiler.ch




Biography

born 1981 in France

Education and long residencies

2009-2010 Two year Arist Residency, Rijksakademie van beeldende kunsten, Amsterdam, NL
2006-2008 MFA, California College of the Arts, San Francisco (CA), USA
2000-2005 BA in Art, The American University in Cairo, Cairo, EG

Solo and two person exhibitions

2013
Barbara Seiler Gallery, Zurich, CH "Double Bubble Gum, Doubles Bubble"
De Nederlandsche Bank, Amsterdam, NL "Four Friends Fought Furiously For The Phone"

2012
SpazioA, Pistoia, IT, "Re-Play: Back in 10 Minutes"

2011
Barbara Seiler Gallery, Zurich, CH, "A Matter of Time"
Jeanine Hofland Contemporary Art, Amsterdam, NL "Dina Danish, Shmina Shmanish"
videohOle project space, San Francisco, USA, "Dina Danish, 3 videos"

2007
PLAySpace Gallery, San Francisco (CA), US, "Howwa We Ana, However We Wanna"

Selected group exhibitions

2014
Project Arts Centre, Dublin "The Centre for Dying on Stage #1" curated by Kate Strain
de Appel Curatorial Programme; Stedleijk Museum, Amsterdam; NL "Father, Can’t You See I’m Burning?" Stedelijk Museum / Performance
Achenbach Foundation, Fine Arts Museums, San Francisco, "Artists and Editions"
Upominki, Rotterdam, NL "Ways of Working According to an Office Desk", curated by Niekolaas Johannes Lekkerkerk

2013
Parallel Projects of Maracech Biennale, Marracech, Morrocco, "With the Sound of Your Voice," curated by Niekolaas Johannes Lekkerkerk
Biennale Yogyakarta, Yogyakarta, IDN "Not A Dead End", curated by Agung Hujatnikajennong and Sarah Rifky
Beirut, Cairo, EG "Beirut Season Four: Writing with the other hand is imagining
Castlefield Gallery, Manchester, UK "Some Misunderstandings", curated by CG Associate Sevie Tsampalla
De Appel Arts Center, Amsterdam, NL "Bourgeois Leftovers"
Wilfried Lentz Gallery, Rotterdam, NL "To Scrap a proportion"
LantarenVenster, Rotterdam, NL, "Prospects & Concepts", curated by Wim Waelput

2012
Tecoh Bruce Gallery, San Francisco, USA, "We’re All Here Because We’re Not All There", curated by Dane Jensen and David Kasprzak
Jeanine Hofland Contemporary Art, Amsterdam, NL "Not in A Million Years"
Barbara Seiler Galerie, Zurich, CH ""A BRAND NEW BABY CARRIAGE STANDING THERE ON THE PORCH"

2011
Spazio A, Pistoia, IT "il gatto è sul tavolo’ The Cat is On The Table" curated by Chris Fitzpatrick
Kunsthall Oslo, NO "Run, Comrade, The Old World is Behind You" curated by Will Bradley
Annet Gelink Gallery, Amsterdam, NL, "Two Versions of the Imaginary" curated by Maria Barnas

2010
SFMOMA, San Francisco, CA, USA, ‘Shadow Shop’ a project by Stephanie Syjuko
Rijksakademie van beeldende kunsten, Amsterdam, NL, "RijksakademieOPEN
Southern Exposure, San Francisco, USA, ‘Time After Time’ Curated by Taraneh Hemami & Valerie Imus
Kunsthall Oslo, NO, "<I Must Say That At First It Was Difficult Work>" curated by Will Bradley

2009
Queen’s Nails Annex, San Francisco, CA, US, "Exercises in Seeing", curated by Post Brothers
Mediamatic, Amsterdam, NL, Amsterdam Biennale 2009, Cairo Pavillion" curated by Nat Muller
Rijksakademie van beeldende kunsten, Amsterdam, NL, "RijksakademieOPEN
CIC, Cairo, EG, "Fantasy for Allan Kaprow", curated by Mai AbulDahab and Philippe Pirotte.
San Francisco Art Commission Gallery, San Francisco (CA), US, "Reconciling America: Miraculous Encounters with the Mundane

Residencies and workshops

2014 Biennale Yogyakarta Residency, Yogyakarta, IDN
2013 A.I.R. Dubai, by Delfina FoundaBon, Tashkeel, Art Dubai, and Dubai Culture, Dubai, UAE
2011-2012 PiST///, Mondriaan Fund, Istanbul, TR
2012 ResO Fondazione Spinola Banna per l’Arte, Poirino,Italy
2010 CEIA, Bel Horizonte, BR, 2010(workshop)

Awards

2012 Winner, Curator’s Choice Celeste Prize, Rome IT
Finalist, illy Art RoMerdam Prize with Barbara Seiler Gallery
2011 Winner, illy Present Future award, Artissima 18 curated by Chris Fitzpatrick (jury:Anne Ellegood, Tessa Giblin, Beatrix Ruf)
2008 Finalist, Toby Devan Lewis Fellowship, San Francisco (CA), US
Winner, Barclay Simpson Award, San Francisco (CA), US
2007 Finalist, SECA Art award SFMOMA, San Francisco (CA), US

Selected collections

Nomas Foundation, IT
SFMOMA, San Francisco, USA
The Museum of Modern Art, New York, USA
Texeira de Fritas Collection, Lisbon, Portugal
The Berkeley Art Museum, Berkeley, California
The Achenbach Foundation for Graphic Arts, Fine Arts Museums, San Francisco, California
The Henry Gallery, University of Washington, Seattle, Washington
The Getty Art Museum, Los Angeles, California

Fellowships / stipends

2013 Mondriaan Fund work budget, NL
2011 BKVB Starts*pendium, NL
2010 Dutch Ministry of Foreign Affairs (ICE), NL
2009 Institut Français des Pays-Bas Van den Berch van Heemstede Stichting, NL
2008 Headlands Center for the Arts, Marin (CA), US, Headlands Graduate Fellowship

Related work experience

2014-present Tutor, Royal Academy of Art, The Hague, NL
2012 Tutor, Gerrit Rietveld Academy, Amsterdam, NL
2009 Workshop Tutor, AKV/St. Joost, Den Bosch, NL
2007 Teaching Assistant, California College of the Arts, Graduate Program, San Francisco
2005-2006 Art Program Coordinator, (Department of Performing and Visual Arts), (Full-Time), American University in Cairo (AUC), Egypt
2003-2004 Researcher, CULTNAT (Centre for Documentation of Cultural and Natural Heritage), (Freelance), Bibliotheca Alexandrina, Cairo, Egypt

Dina Danish
born 1981 in France Education and long residencies 2009-2010 Two year Arist Residency, Rijksakademie van beeldende kunsten, Amsterdam, NL 2006-2008 MFA, California College of the Arts, San Francisco (CA), USA 2000-2005 BA in Art, The American University in Cairo, Cairo, EG Solo and two person exhibitions 2013 Barbara Seiler Gallery, Zurich, CH Double Bubble Gum, Doubles Bubble De Nederlandsche Bank, Amsterdam, NL Four Friends Fought Furiously For The Phone 2012 SpazioA, Pistoia, IT, Re-Play: Back in 10 Minutes 2011 Barbara Seiler Gallery, Zurich, CH, A Matter of Time Jeanine Hofland Contemporary Art, Amsterdam, NL Dina Danish, Shmina Shmanish videohOle project space, San Francisco, USA, Dina Danish, 3 videos 2007 PLAySpace Gallery, San Francisco (CA), US, Howwa We Ana, However We Wanna Selected group exhibitions 2014 Project Arts Centre, Dublin The Centre for Dying on Stage #1 curated by Kate Strain de Appel Curatorial Programme; Stedleijk Museum, Amsterdam; NL Father, Can’t You See I’m Burning? Stedelijk Museum / Performance Achenbach Foundation, Fine Arts Museums, San Francisco, Artists and Editions Upominki, Rotterdam, NL Ways of Working According to an Office Desk, curated by Niekolaas Johannes Lekkerkerk 2013 Parallel Projects of Maracech Biennale, Marracech, Morrocco, With the Sound of Your Voice, curated by Niekolaas Johannes Lekkerkerk Biennale Yogyakarta, Yogyakarta, IDN Not A Dead End, curated by Agung Hujatnikajennong and Sarah Rifky Beirut, Cairo, EG Beirut Season Four: Writing with the other hand is imagining Castlefield Gallery, Manchester, UK Some Misunderstandings, curated by CG Associate Sevie Tsampalla De Appel Arts Center, Amsterdam, NL Bourgeois Leftovers Wilfried Lentz Gallery, Rotterdam, NL To Scrap a proportion LantarenVenster, Rotterdam, NL, Prospects & Concepts, curated by Wim Waelput 2012 Tecoh Bruce Gallery, San Francisco, USA, We’re All Here Because We’re Not All There, curated by Dane Jensen and David Kasprzak Jeanine Hofland Contemporary Art, Amsterdam, NL Not in A Million Years Barbara Seiler Galerie, Zurich, CH A BRAND NEW BABY CARRIAGE STANDING THERE ON THE PORCH 2011 Spazio A, Pistoia, IT il gatto è sul tavolo’ The Cat is On The Table curated by Chris Fitzpatrick Kunsthall Oslo, NO Run, Comrade, The Old World is Behind You curated by Will Bradley Annet Gelink Gallery, Amsterdam, NL, Two Versions of the Imaginary curated by Maria Barnas 2010 SFMOMA, San Francisco, CA, USA, ‘Shadow Shop’ a project by Stephanie Syjuko Rijksakademie van beeldende kunsten, Amsterdam, NL, RijksakademieOPEN Southern Exposure, San Francisco, USA, ‘Time After Time’ Curated by Taraneh Hemami & Valerie Imus Kunsthall Oslo, NO, <I Must Say That At First It Was Difficult Work> curated by Will Bradley 2009 Queen’s Nails Annex, San Francisco, CA, US, Exercises in Seeing, curated by Post Brothers Mediamatic, Amsterdam, NL, Amsterdam Biennale 2009, Cairo Pavillion curated by Nat Muller Rijksakademie van beeldende kunsten, Amsterdam, NL, RijksakademieOPEN CIC, Cairo, EG, Fantasy for Allan Kaprow, curated by Mai AbulDahab and Philippe Pirotte. San Francisco Art Commission Gallery, San Francisco (CA), US, Reconciling America: Miraculous Encounters with the Mundane Residencies and workshops 2014 Biennale Yogyakarta Residency, Yogyakarta, IDN 2013 A.I.R. Dubai, by Delfina FoundaBon, Tashkeel, Art Dubai, and Dubai Culture, Dubai, UAE 2011-2012 PiST///, Mondriaan Fund, Istanbul, TR 2012 ResO Fondazione Spinola Banna per l’Arte, Poirino,Italy 2010 CEIA, Bel Horizonte, BR, 2010(workshop) Awards 2012 Winner, Curator’s Choice Celeste Prize, Rome IT Finalist, illy Art RoMerdam Prize with Barbara Seiler Gallery 2011 Winner, illy Present Future award, Artissima 18 curated by Chris Fitzpatrick (jury:Anne Ellegood, Tessa Giblin, Beatrix Ruf) 2008 Finalist, Toby Devan Lewis Fellowship, San Francisco (CA), US Winner, Barclay Simpson Award, San Francisco (CA), US 2007 Finalist, SECA Art award SFMOMA, San Francisco (CA), US Selected collections Nomas Foundation, IT SFMOMA, San Francisco, USA The Museum of Modern Art, New York, USA Texeira de Fritas Collection, Lisbon, Portugal The Berkeley Art Museum, Berkeley, California The Achenbach Foundation for Graphic Arts, Fine Arts Museums, San Francisco, California The Henry Gallery, University of Washington, Seattle, Washington The Getty Art Museum, Los Angeles, California Fellowships / stipends 2013 Mondriaan Fund work budget, NL 2011 BKVB Starts*pendium, NL 2010 Dutch Ministry of Foreign Affairs (ICE), NL 2009 Institut Français des Pays-Bas Van den Berch van Heemstede Stichting, NL 2008 Headlands Center for the Arts, Marin (CA), US, Headlands Graduate Fellowship Related work experience 2014-present Tutor, Royal Academy of Art, The Hague, NL 2012 Tutor, Gerrit Rietveld Academy, Amsterdam, NL 2009 Workshop Tutor, AKV/St. Joost, Den Bosch, NL 2007 Teaching Assistant, California College of the Arts, Graduate Program, San Francisco 2005-2006 Art Program Coordinator, (Department of Performing and Visual Arts), (Full-Time), American University in Cairo (AUC), Egypt 2003-2004 Researcher, CULTNAT (Centre for Documentation of Cultural and Natural Heritage), (Freelance), Bibliotheca Alexandrina, Cairo, Egypt

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.