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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Allard van Hoorn

Works


Biography

Born 1968 in Leiden, Netherlands

Education

2011/2012
Architectural Association, Interprofessionals, London, UK, Tutor
Sandberg Institute, Interior Architecture, Amsterdam, NL, Guest tutor
Royal College of Art, Sculpture department, London, UK, Visiting tutor
2007
Sheffield Hallam, Fine Art, Sheffield, UK, Guest tutor

Solo exhibitions & performances (selection)

2014
Castagnino MACRo Museum Rosario, Argentina,
015_Urban_Songline
Thomas Kerk, Amsterdam, Thomas Open -
023_Urban_Songline
Focused Artist 2014, Art Rotterdam

2013
Forum Transitorium, Eindhoven, Symphonie Industrielle
Esther Donatz Gallery, Munich, TRACES – PUBLIC
SPACES TRANSLATED
Istanbul Biennial, ITU, Architectural Faculty, FCK Lab,
Parallel Event, 016_Urban_Songline
Istanbul Biennial, SumaHan Lounge, Parallel Event, In
Praise of Shadows
BoetzelaerNispen Gallery, Amsterdam, Forward/: l_o_

2012
Storefront for Art and Architecture, New York, US,
007_Urban_Songline
De Appel Arts Center, Amsterdam, Skies over Snaefell
Passinger Fabrik, Munich, Germany, 006_Urban_Songline
part II

2011
Pinakothek der Moderne, Munich, Germany,
006_Urban_Songline
The Gopher Hole, London, UK, Domus Mixed Tapes Live
#6 The Sounds of London
Novy Most/Space Gallery, Bratislava, Slovakia,
008_Urban_Songline
Platform 3, Munich, Germany, Urban Songlines
Impakt, Utrecht, NL, Impakt event: Things to Come: Oral
Sightseeing

2010
Gallery Gabriel Rolt, Amsterdam, The Netherlands, Urban
Songlines
E324 | Raum für Kunst, Munich, Germany, Urban Songlines
By The Way Projects, Amsterdam, The Netherlands, Urban
Songlines Session

2008
Zendai Museum of Modern Art, Shanghai, China, Intrude
366: MATCHMAKER Shanghai, sponsored by Mondriaan
Foundation
Museu de Arte Moderna da Bahia, Salvador de Bahia,
Brazil, MATCHMAKER Salvador de Bahia

2007
Van Abbemuseum, Eindhoven, The Netherlands, Take Any
And As Many (as you like...) during Caucus / Be[com]ing
Dutch
Chimalhuacan, Mexico DF, Mexico, Platform for Urban
Investigation Mexico
The Moore Space, Miami, United States, (re-) Creating
History

2006
El Malecon, la Habana, Cuba, Occupied Territories:
Sundial (public intervention)
Pakhuys Azie & 11, Amsterdam, The Netherlands, Platform
for Urban Investigation: Cropping Space
La Vitrine de la Galerie Magda Danysz, Paris, France,
Homemade Urban Architecture: Double Blind
Suite 2207 Tryp Higienopolis, Sao Paulo, Brazil,
Transparent Window
Santa Teresa, Rio de Janeiro, Brazil, Homemade Urban
Architecture: Blind Door Blind Window

Group exhibitions (selection)

2014
ISCP, Brooklyn, New York, Open Studios
CentroCentro, Madrid, Transportar un Edificio
Buildering | Misbehaving the City, Rosenthal Center for
Contemporary Art, Cincinnati, Ohio, 020 Urban Songline

2013
Bi-City Biennale of Urbanism & Architecture, Shenzhen,
China, Biennial's Opening Performance,
017_Urban_Songline
Bursa Photofest, Bursa, Turkey, MATCHMAKER
Le Leé, Metz, France, 001_urban_songline as part of Soireé
Courts

2012
Galerie der Künstler, Munich, Germany, Under
Construction

2011
Gwangju Design Biennale, Gwangju, Korea Communities:
Urban Songlines
Prague Quadrennial of Performance Design and Space,
Italian Pavilion
Stedelijik Museum Amsterdam, NL, Hear It!
Onomatopee Project Space, Eindhoven, The Netherlands,
Global Villaging
Art Amsterdam with Galerie A, Amsterdam The
Netherlands, MATCHMAKER

2010
Open ev+ a, Limerick, Ireland, ev+ a Open

2009
Botkyrka konsthall, Tumba, Sweden, Labyrint 09 -Writings
and Observations
Watermarks, NDSM, Amsterdam, The Netherlands,
MATCHMAKER
Gasworks, London, United Kingdom, Open
Studios,Gasworks London
Flux-S, Eindhoven, The Netherlands, Urban Songlines
CAS Zuidas, Amsterdam, The Netherlands, Moving
Images In Public Space - MATCHMAKER

2008
Onomatopee Projectspace, Eindhoven, The Netherlands,
Kapital K _ A Classless Character
Shanghai (urban public) Space, HafenCity, Hamburg,
Germany, Platform for Urban Investigation Shanghai
(documentation)
Deutsches Architektur Zentrum, Berlin, Germany, Platform
for Urban Investigation Berlin with Citamblers Mexico City
New Museum, New York presents Lee Walton's Rhizome
Commission including MATCHMAKER – video
Museo de la Ciudad de Mexico, Mexico DF, Platform for
Urban Investigation Mexico

2007
Caucus at Van Abbemuseum in Eindhoven, the
Netherlands, PUI_RADIO & PUI_TV (Platform for Urban
Investigation)
Conflux Festival, Brooklyn, New York, United States,
MAPS (Map Applied Psycho Geographical Systems)
MoCA Museum of Contemporary Art, Shanghai, China,
Remote/Control - Interactive and multi-media art
IFA Village, Shanghai, China, Bits, Bytes & Pixels, an
interactive new media exhibition organized by Island6 Arts
Center
Island6 Arts Center, Shanghai, China, Platform for Urban
Investigation Shanghai II

2006
Studio Apart, Amsterdam, The Netherlands, Grind - with
David Cotterrell, Ultralab and Daan Noppen. Curator:
Allard van Hoorn
Island 6 Arts Center, Shanghai, China, Platform for Urban
Investigation Shanghai I
Dispari e Dispari, Reggio Emilia, Italy, What Happens, with
Zimmerfrei, Costantino Ciervo, Jordi Colomer and others
Island 6 Arts Center, Shanghai, China, Hidden Layers,
Electric Cities

Awards & grants

2012
Mondriaan Fund, URRA International Residency Program,
Buenos Aires
2011
Netherlands Foundation for Visual Arts, Design and
Architecture, Matching Grant
2010
Netherlands Foundation for Visual Arts, Design and
Architecture
2009
Netherlands Foundation for Visual Arts, Design and
Architecture, Flexible Working Fund,
Urban Songlines, Gasworks International Residency
Program, London, UK
Netherlands Foundation for Visual Arts, Design and
Architecture, Flexible Working Fund,
Urban Songline, Flux-S, Eindhoven, the Netherlands
2008
Fundacion/Coleccion Jumex, Mexico DF, Platform for
Urban Investigation Mexico
Mondriaan Stichting, Zendai Museum of Modern Art,
Shanghai, China, Intrude 366: MATCHMAKER Shanghai
2007
Consulate General of the Netherlands in Miami and
Foundation Arts Connection, Miami, United States, (re-)
Creating History at The Moore Space
Alsop Architects, Shanghai / London, Shanghai, China,
Platform for Urban Investigation Shanghai II

Residencies

2014
ISCP, Brooklyn, NYC, USA, International Residency
Program
2012
URRA, Buenos Aires, Argentina, Guest Residency
Program
2011
Platform3, Munich, Germany, Guest Residency Program:
Allard van Hoorn - Urban Songlines
Space, Bratislava, Slovakia, International Residency
Program: Allard van Hoorn - Urban Songlines
2009
Gasworks, London, United Kingdom
2008
Museu de Arte Moderna da Bahia, Salvador de Bahia,
Brazil, MATCHMAKER Salvador de Bahia
2007
Van Abbemuseum, Eindhoven, The Netherlands, during
Caucus / Be[com]ing Dutch
Foundation Arts Connection / The Moore Space, Miami,
United States, (re-) Creating History
Island6 Arts Center, Shanghai, China, Platform for Urban
Investigation Shanghai II

Allard van Hoorn
Born 1968 in Leiden, Netherlands Education 2011/2012 Architectural Association, Interprofessionals, London, UK, Tutor Sandberg Institute, Interior Architecture, Amsterdam, NL, Guest tutor Royal College of Art, Sculpture department, London, UK, Visiting tutor 2007 Sheffield Hallam, Fine Art, Sheffield, UK, Guest tutor Solo exhibitions & performances (selection) 2014 Castagnino MACRo Museum Rosario, Argentina, 015_Urban_Songline Thomas Kerk, Amsterdam, Thomas Open - 023_Urban_Songline Focused Artist 2014, Art Rotterdam 2013 Forum Transitorium, Eindhoven, Symphonie Industrielle Esther Donatz Gallery, Munich, TRACES – PUBLIC SPACES TRANSLATED Istanbul Biennial, ITU, Architectural Faculty, FCK Lab, Parallel Event, 016_Urban_Songline Istanbul Biennial, SumaHan Lounge, Parallel Event, In Praise of Shadows BoetzelaerNispen Gallery, Amsterdam, Forward/: l_o_ 2012 Storefront for Art and Architecture, New York, US, 007_Urban_Songline De Appel Arts Center, Amsterdam, Skies over Snaefell Passinger Fabrik, Munich, Germany, 006_Urban_Songline part II 2011 Pinakothek der Moderne, Munich, Germany, 006_Urban_Songline The Gopher Hole, London, UK, Domus Mixed Tapes Live #6 The Sounds of London Novy Most/Space Gallery, Bratislava, Slovakia, 008_Urban_Songline Platform 3, Munich, Germany, Urban Songlines Impakt, Utrecht, NL, Impakt event: Things to Come: Oral Sightseeing 2010 Gallery Gabriel Rolt, Amsterdam, The Netherlands, Urban Songlines E324 | Raum für Kunst, Munich, Germany, Urban Songlines By The Way Projects, Amsterdam, The Netherlands, Urban Songlines Session 2008 Zendai Museum of Modern Art, Shanghai, China, Intrude 366: MATCHMAKER Shanghai, sponsored by Mondriaan Foundation Museu de Arte Moderna da Bahia, Salvador de Bahia, Brazil, MATCHMAKER Salvador de Bahia 2007 Van Abbemuseum, Eindhoven, The Netherlands, Take Any And As Many (as you like...) during Caucus / Be[com]ing Dutch Chimalhuacan, Mexico DF, Mexico, Platform for Urban Investigation Mexico The Moore Space, Miami, United States, (re-) Creating History 2006 El Malecon, la Habana, Cuba, Occupied Territories: Sundial (public intervention) Pakhuys Azie & 11, Amsterdam, The Netherlands, Platform for Urban Investigation: Cropping Space La Vitrine de la Galerie Magda Danysz, Paris, France, Homemade Urban Architecture: Double Blind Suite 2207 Tryp Higienopolis, Sao Paulo, Brazil, Transparent Window Santa Teresa, Rio de Janeiro, Brazil, Homemade Urban Architecture: Blind Door Blind Window Group exhibitions (selection) 2014 ISCP, Brooklyn, New York, Open Studios CentroCentro, Madrid, Transportar un Edificio Buildering | Misbehaving the City, Rosenthal Center for Contemporary Art, Cincinnati, Ohio, 020 Urban Songline 2013 Bi-City Biennale of Urbanism & Architecture, Shenzhen, China, Biennial's Opening Performance, 017_Urban_Songline Bursa Photofest, Bursa, Turkey, MATCHMAKER Le Leé, Metz, France, 001_urban_songline as part of Soireé Courts 2012 Galerie der Künstler, Munich, Germany, Under Construction 2011 Gwangju Design Biennale, Gwangju, Korea Communities: Urban Songlines Prague Quadrennial of Performance Design and Space, Italian Pavilion Stedelijik Museum Amsterdam, NL, Hear It! Onomatopee Project Space, Eindhoven, The Netherlands, Global Villaging Art Amsterdam with Galerie A, Amsterdam The Netherlands, MATCHMAKER 2010 Open ev+ a, Limerick, Ireland, ev+ a Open 2009 Botkyrka konsthall, Tumba, Sweden, Labyrint 09 -Writings and Observations Watermarks, NDSM, Amsterdam, The Netherlands, MATCHMAKER Gasworks, London, United Kingdom, Open Studios,Gasworks London Flux-S, Eindhoven, The Netherlands, Urban Songlines CAS Zuidas, Amsterdam, The Netherlands, Moving Images In Public Space - MATCHMAKER 2008 Onomatopee Projectspace, Eindhoven, The Netherlands, Kapital K _ A Classless Character Shanghai (urban public) Space, HafenCity, Hamburg, Germany, Platform for Urban Investigation Shanghai (documentation) Deutsches Architektur Zentrum, Berlin, Germany, Platform for Urban Investigation Berlin with Citamblers Mexico City New Museum, New York presents Lee Walton's Rhizome Commission including MATCHMAKER – video Museo de la Ciudad de Mexico, Mexico DF, Platform for Urban Investigation Mexico 2007 Caucus at Van Abbemuseum in Eindhoven, the Netherlands, PUI_RADIO & PUI_TV (Platform for Urban Investigation) Conflux Festival, Brooklyn, New York, United States, MAPS (Map Applied Psycho Geographical Systems) MoCA Museum of Contemporary Art, Shanghai, China, Remote/Control - Interactive and multi-media art IFA Village, Shanghai, China, Bits, Bytes & Pixels, an interactive new media exhibition organized by Island6 Arts Center Island6 Arts Center, Shanghai, China, Platform for Urban Investigation Shanghai II 2006 Studio Apart, Amsterdam, The Netherlands, Grind - with David Cotterrell, Ultralab and Daan Noppen. Curator: Allard van Hoorn Island 6 Arts Center, Shanghai, China, Platform for Urban Investigation Shanghai I Dispari e Dispari, Reggio Emilia, Italy, What Happens, with Zimmerfrei, Costantino Ciervo, Jordi Colomer and others Island 6 Arts Center, Shanghai, China, Hidden Layers, Electric Cities Awards & grants 2012 Mondriaan Fund, URRA International Residency Program, Buenos Aires 2011 Netherlands Foundation for Visual Arts, Design and Architecture, Matching Grant 2010 Netherlands Foundation for Visual Arts, Design and Architecture 2009 Netherlands Foundation for Visual Arts, Design and Architecture, Flexible Working Fund, Urban Songlines, Gasworks International Residency Program, London, UK Netherlands Foundation for Visual Arts, Design and Architecture, Flexible Working Fund, Urban Songline, Flux-S, Eindhoven, the Netherlands 2008 Fundacion/Coleccion Jumex, Mexico DF, Platform for Urban Investigation Mexico Mondriaan Stichting, Zendai Museum of Modern Art, Shanghai, China, Intrude 366: MATCHMAKER Shanghai 2007 Consulate General of the Netherlands in Miami and Foundation Arts Connection, Miami, United States, (re-) Creating History at The Moore Space Alsop Architects, Shanghai / London, Shanghai, China, Platform for Urban Investigation Shanghai II Residencies 2014 ISCP, Brooklyn, NYC, USA, International Residency Program 2012 URRA, Buenos Aires, Argentina, Guest Residency Program 2011 Platform3, Munich, Germany, Guest Residency Program: Allard van Hoorn - Urban Songlines Space, Bratislava, Slovakia, International Residency Program: Allard van Hoorn - Urban Songlines 2009 Gasworks, London, United Kingdom 2008 Museu de Arte Moderna da Bahia, Salvador de Bahia, Brazil, MATCHMAKER Salvador de Bahia 2007 Van Abbemuseum, Eindhoven, The Netherlands, during Caucus / Be[com]ing Dutch Foundation Arts Connection / The Moore Space, Miami, United States, (re-) Creating History Island6 Arts Center, Shanghai, China, Platform for Urban Investigation Shanghai II

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