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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective.  Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST 2017

a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Featured videos

Anita Beckers selection of videos for Independent Collector

In an exclusive interview with IC she talks about the technological progress that keeps reinventing the genre and her different roles she faces as a collector, gallerist and curator.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

"Ajonjolí y otros moles"
Chance, Observation and a Poetics of the Personal

A series of pieces which deal with chance and observation of the every day; that which in our perception is hidden unless we slow down and take a closer look.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Josephine Meckseper

Works


Galleries

Galerie Reinhard Hauff
Patrick Zeh
Paulinenstrasse 47
70178 Stuttgart
Germany

Phone: +49 711 60 97 70
E-Mail: patrick@reinhardhauff.de




Biography

Born in Lilienthal, Germany, 1964
Lives and works in New York, USA

Education

1992
MFA, California Institute of the Arts, Valencia, California, USA
1990
Graduate Studies, Hochschule der Künste, Berlin, Germany

Selected solo exhibitions

2012
Worpsweder Kunsthalle, Worpswede, Germany forthcoming
American Leg, Window Spaces, Contemporary Art Gallery, Vancouver, Canada
Manhattan Oil Project, with Art Production Fund, The Last Lot, Times Square, New York, USA

2011
Timothy Taylor Gallery, London, UK
The FLAG Art Foundation, New York, USA (catalogue)
Josephine Meckseper: Contaminator, ARNDT, Project room, Berlin, Germany

2010
You can leave your hat on, Galerie Reinhard Hauff, Stuttgart, Germany
Josephine Meckseper, Elizabeth Dee Gallery, New York, USA (catalogue forthcoming)

2009
Josephine Meckseper, Ausstellungshalle zeitgenössische Kunst, Münster, Germany
Josephine Meckseper: Recent Films, Indianapolis Museum of Art, Indianapolis, USA
Josephine Meckseper, John McWhinnie at Glenn Horowitz Bookseller, New York, USA
Josephine Meckseper, Blaffer Gallery, The Art Museum of the University of Houston, USA
American Apparel, Nottingham Contemporary, Nottingham, UK
Josephine Meckseper, Migros Museum Für Gegenwartskunst, Zurich Switzerland, (catalogue)

2008
New Photography 2008: Josephine Meckseper and Mikhael Subotzky, Museum of Modern Art, New York, USA
Josephine Meckseper Arndt & Partner, Berlin, Germany
Josephine Meckseper Elizabeth Dee Gallery, New York, USA
Josephine Meckseper Colette, Paris, France
Josephine Meckseper GAK, Gesellschaft für Aktuelle Kunst, Bremen (catalogue)

2007
Josephine Meckseper, Kunstmuseum Stuttgart, Stuttgart (catalogue)
Josephine Meckseper, Galerie Reinhard Hauff, Stuttgart

2006
International Project Room, Galerie Reinhard Hauff, ARCO 2006, Madrid, Spain

2005
%, Elizabeth Dee Gallery, New York (catalogue), USA
The Bulletin Board, White Columns, New York, USA

2004
IG-Metall und die Künstlichen Paradiese des Politischen, Galerie Reinhard Hauff, Stuttgart (catalogue)

2003
Lustgarten, Borgmann Nathusius Galerie, Cologne, Germany

2001
Shine - oder Jedem das Seine, Galerie Reinhard Hauff, Stuttgart, Germany

Selected group exhibitions

2012
The Simple Life, curated byValérie Knoll and Bettina von Dziembowski, Kunstverein Springhornhof, Neuenkirchen, Germany
est. 2002: 10th Anniversary Summer Exhibition, Elizabeth Dee Gallery, New York, NY
Living With Art, Galerie Reinhard Hauff, Stuttgart, Germany
Cultural Production, Andrea Rosen Gallery, New York, NY

2011
Gestamtkunstwerk: New Art from Germany, The Saatchi Gallery, London (catalogue)
NY: New Perspectives, Brandnew Gallery, Milan (catalogue)
Geschmack: der gute, der schlechte und der wirklich teure, Kunsthalle Baden-Baden, Germany (catalogue)
Praxis, Elizabeth Dee Gallery, New York
A Portrait of the Artist As a Young Man, Galerie Reinhard Hauff, Stuttgart, Germany
Sharjah Biennial 10: Plot for a Biennial, Sharjah Art Museum, United Arab Emirates, curated by Suzanne Cotter (catalogue)
Cover Girl, Galerie des Galeries, Paris (catalogue)
Glamourama, Lanchester Gallery, Coventry, UK, curated by Milly Thompson

2010
Contemporary Magic, National Arts Club, New York, curated by Stacy Engman, USA
The Right to Protest, Museum on the Seam, Jerusalem, Israel
The Exquisite Corpse Project, Gasser & Grunert Gallery, New York, USA curated by David Salle (catalogue)
Going International, FLAG Art Foundation, New York, USA
Man könnte es die Elastizität des Raumes nennen, The Forgotten Bar / Galerie im Regierungsviertel, Berlin, Germany
Peter Saville: Accessories to an Artwork, Glenn Horowitz Bookseller, East Hampton, New York, USA
Shut Your Eyes in Order to See, Galerie Praz-Delavallade, Paris, France
Superfemmes, Rathausgalerie Kunsthalle, Munich, Germany
You’re Scripted, Gabriele Senn Galerie, Vienna (catalogue)
CONTACT Toronto Photography Festival, Museum of Contemporary Canadian Art, Toronto (catalogue), Canada
Changing the World, ARNDT, Berlin, Germany
Der Freie Wille ist Eine Illusion, Forgotten Bar Project Berlin, Germany, curated by Claudia Seidel
2010, Whitney Biennial, Whitney Museum of American Art, New York,
USA, curated by Francesco Bonami and Gary Carrion-Muriyari (catalogue)
My Brother, My Killer, Freymond-Guth & Co. Fine Arts, Zurich, Switzerland
The Library of Babel/In and Out of Place, 176 / Zabludowicz Collection, London, UK
Contemplating the Void, Solomon R. Guggenheim Museum, New York, USA
HomeLess Home, The Museum on the Seam, Jerusalem, Israel

2009
Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin, Berlin (catalogue), Germany
Dance in My Experience, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
1989. Spione. Mauer. Kinderheim – An Der Brücke Zwischen den Welten, Villa Schöningen, Potsdam, Germany
Morality: Beautiful from Every Point of View, Witte de With, Rotterdam (catalogue forthcoming), Netherlands
1989. End of History or Beginning of the Future? Comments on a Paradigm Shift, Kunsthalle Wien, Vienna, Austria; curated by Gerald Matt (catalogue)
Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art Gallery, New Haven (catalogue), USA
Learn to Read Art: A History of Printed Matter, Badischer Kunstverein, Karlsruhe; traveling to P.S.1 Contemporary Art Center, curated by AA Bronson
No Soul for Sale: A Festival of Independents, Galerie im Regierungsviertel/ Forgotten Bar Project Berlin at X Initiative, New York, USA
Narcotica, Galerie Im Regierungsviertel/Forgotten Bar Project Berlin, Germany, Basel, Switzerland
Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst, Karlsruhe, Germany (catalogue)
FAX, The Drawing Center, New York, USA; traveling to Contemporary Museum, Baltimore, Maryland; Plug In ICA, Winnipeg, Canada; Para/Site Art Space, Hong Kong; Torrance Art Museum, Torrance, California; Burnaby Art Gallery, Burnaby, Canada; Dowd Gallery, State University of New York, College at Cortland, Cortland, New York (catalogue), USA
Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie, Karlsruhe (catalogue), Germany
MAN SON 1969. Vom Schrecken der Situation, Hamburger Kunsthalle, Hamburg, Germany
Living Together, Centro Cultural Montehermoso Kulturunea, Vitoria Álava,
Spain; traveling to Museo de Arte Contemporáneo de Vigo, Spain, curated by Xabier Arakistain and Emma Dexter (catalogue)

2008
Prospect.1 New Orleans, USA, curated by Dan Cameron (catalogue),
Shrink-Wrapped, Or Belkin Satellite Gallery, University of British Columbia, Vancouver, Canada
Strange Connections: Art und Fashion, KUNST + PROJEKTE, Sindelfingen, Germany
Constellations, Artissima, Turin, Italy, curated by Stephanie Moisdon and Susanne Pfeffer
Alternating Beats, Museum of Art - Rhode Island School of Design, Providence, USA
Asking we Walk, Voices of Resistance, Den Frie Udstillingsbygning, Copenhagen, Denmark
Business As Usual, Museum of Contemporary Art Detroit, Detroit, USA
That Was Then… This is Now, P.S.1 Contemporary Art Center, Long Island City, New York, USA
Zidovi na ulici | Walls in the Street, Siemens Arts Program, MSUB, Museum of Contemporary Art, Belgrade (catalogue), Serbia
Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum, Graz, Austria (catalogue)
Vertrautes Terrain - Aktuelle Positionen in / über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (catalogue), Germany
Sculpture Is…, Arndt & Partner, Berlin, Germany

2007
Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York, USA
Bare Life, The Museum on the Seam, Jerusalem (catalogue), Israel
Nouvelles Acquisitions/Volet 1, FRAC Nord – Pas de Calais, Dunkerque, France
Brave New Worlds, Walker Art Center, Minneapolis, USA, curated by Doryun Chong and Yasmil Raymond (catalogue)
From 60 to 7, Henie Onstad Kunstsenter, Hovikodden, Norway, curated by Frank Lubbers
An Atlas of Events, Calouste Gulbenkian Foundation, Lisbon, Portugal (catalogue)
Shadows in Paradise, FRAC Nord - Pas de Calais, Dunkerque, France
When We Build Let Us Think That We Build Forever, The Zabludowicz Collection, Baltic Centre for Contemporary Art, Gateshead, UK, curated by Jérôme Sans New York: States of Mind, Haus der Kulturen der Welt, Berlin, Germany; traveling to The Queens Museum of Art, Queens, New York, USA, curated by Shaheen Merali (catalogue)
Resistance Is, Whitney Museum of American Art, New York, USA, curated by Christina Kukielski
Rendición Extraordinaria/Extraordinary Rendition, NoguerasBlanchard, Barcelona, Spain
Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and Amnesia, Moscow, Russia, curated by Joseph Backstein, Daniel Birnbaum, Nicolas Bourriaud, Fuliya Erdemchi, Gunnar B. Kvaran, Rosa Martinez and Hans Ulrich Obrist (catalogue)
Just Kick It Till It Breaks, The Kitchen, New York, USA, curated by Debra Singer and Matthew Lyons (catalogue)

2006
Media Burn, Tate Modern, London, UK, curated by Emma Dexter
Josephine Meckseper, Eric Baudelaire, Adrian Piper, Wayne Gonzales, Elizabeth Dee Gallery, New York, USA
The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial of Contemporary Art of Seville, Seville, Spain, curated by Okwui Enwezor (catalogue)
The Searchers, EFA Gallery, New York, USA, curated by Molly Dilworth and Amoreen Armetta (catalogue)
USA Today, Works from the Saatchi Collection, Royal Academy of Arts, London, UK; traveling to The State Hermitage Museum, St. Petersburg (catalogue), Russia
Video America, The Hospital Gallery, London, UK curated by Neville Wakefield
Big City Lab, Art Forum Berlin, Germany, curated by Friederike Nymphius (catalogue)
Two Friends and So On, Andrew Kreps Gallery, New York, USA
Trial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon, Spain, curated by Yuko Hasegawa, Agustin Perez Rubio and Octavio Zaya (catalogue) Stephen Andrews, Marc Handelman, Josephine Meckseper, Tom Molloy, Steve Mumford, Barbara Pollock: This Ain’t No Fooling Around, Rubicon Gallery, Dublin, Ireland
Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York, USA, curated by Chrissie Iles and Philippe Vergne (catalogue)
Cooling Out - On the Paradox of Feminism, Lewis Glucksman Gallery, University College, Cork, Ireland; concurrently exhibited at Halle für Kunst, Lueneburg, Germany; Kunsthaus Baselland, Muttenz/Basel, Switzerland (catalogue)

2005
Experiencing Duration, Biennale d’art contemporain de Lyon 2005, Lyon, France, curated by Nicolas Bourriaud and Jérôme Sans (catalogue)
Schwarz Brot Gold - Die Neue Republik, Oldenburger Kunstverein, Oldenburg, Germany
Girls on Film, Zwirner & Wirth, New York, USA
Bonds of Love, John Connelly Presents, New York, USA, curated by Lisa Kirk (catalogue)
A.B.Normal, NYEHAUS, New York (catalogue), USA

2004
twinkle, twinkle, Galerie Reinhard Hauff, Stuttgart, Germany
Heimweh: Young German Art, Haunch of Venison, London, UK, curated by Juliane von Herz (catalogue)
The Future Has a Silver Lining: Genealogies of Glamour, Migros Museum für Gegenwartskunst, Zurich, Switzland, curated by Heike Munder and Tom Holert (catalogue)
Dresscode, Kunstverein Neuhausen, Neuhausen/Fildern, Germany
American Idyll, Greene Naftali, New York, USA

2003
Fuckin’ Trendy, Kunsthalle Nuremberg, Nuremberg, Germany, curated by Ellen Seifermann (catalogue)
All That Glitters, Islip Art Museum, East Islip, New York, USA
In the Public Domain, Greene Naftali, New York, USA
Nation, Frankfurter Kunstverein, Frankfurt, Germany
Josephine Meckseper, Christoph Steinmeyer, Bernard Kahrmann, Elizabeth Dee Gallery, New York, USA

2002
Bitch School, The Bronx Council on the Arts, Longwood Arts Project, New York, USA
Good Vibrations: Philip Argent, Marcy Freedman, Heribert Freidl, Josephine Meckseper, Galerie Jette Rudolph, Berlin, Germany

2001
Wine, Women & Wheels, White Columns, New York, USA

2000
New New York, Texas Fine Arts Association, The Jones Center for Contemporary Art, Austin, Texas, USA, curated by Alejandro Diaz (catalogue)
Grok Terence McKenna Dead, Feature Inc., New York, USA
Flea Market, Gavin Brown’s Enterprise, New York, USA
Wunderbar, Art Club Berlin at W139 Gallery, Amsterdam, Netherlands

1999
Overflow, D’Amelio Terras, Marianne Boesky Gallery and Anton Kern Gallery, New York, USA, curated by Caroline Schneider and Meg O’Rourke (catalogue)
Criss Cross: Some Young New Yorkers III, P.S.1 Contemporary Art Center, Long Island City, New York, USA
Free Coke: Lines, Drawing and Paper, Greene Naftali, New York, USA
Lifer, Cardozo School of Law Gallery, New York, USA, curated by Kenny Schachter

1998
Super Freaks: Post Pop and the New Generation. Part 1: Trash, Greene Naftali, New York, USA
Selective Affinities, Wahlverwandtschaften, New York Security Ministorage, New York, USA
Art Club Berlin, Art Forum, Berlin; Au Base, New York, USA; Artistsspace W139, Amsterdam, Netherlands; curated by Klara Wallner

1996
Mixing Messages: Graphic Design in Contemporary Culture, Cooper-Hewitt, National Design Museum, New York, USA, curated by Ellen Lupton
Departure Lounge, P.S.1 Contemporary Art Center, Clocktower Gallery New York, USA
Summer Show, Greene Naftali, New York, USA
Intervention: Tendenzen im Schatten der Stadtplanung, Stiftung Starke, Berlin (catalogue), Germany

1995
Wheel of Fortune, Lombard-Fried Fine Arts, New York, USA
Benefit Exhibition, American Fine Arts, New York, USA
Alter Image, 450 Broadway Gallery, New York
On the Lamb, Thicket Gallery, New York
Geiselnahme, The Puck Building, New York (performance); Zum Goldenen Hirschen, Hamburg (exhibition)
Verisimilitude and the Utility of Doubt, White Columns, New York, curated by Bill Arning and Gregory Crewdson

1994
This Is Your Home, Stuyvesant Town, New York, USA, curated by Ania Corcilius
Page 5, 450 Broadway Gallery, New York
Agent Artist, P.S. 1 Contemporary Art Center, Long Island City, New York, USA
Paranoid, M*Y*T*H Series, The Brewery Gallery, Los Angeles, USA, curated by Sam Durant

1992
Tattoo Collection, Andrea Rosen Gallery, New York, USA; Galerie Daniel Buchholz, Cologne, Germany; Jennifer Flay Gallery, Paris, France, organized by Air de Paris, Nice, and Urbi et Orbi, Paris, France

1990
Licht und Schein, KUBUS, Kunstverein Hannover Land, Hannover, Germany

1989
Neue Darmstädter Sezession, Darmstadt, Germany Grillen, Ohlauer Strasse, Berlin

Selected film festivals and screenings

2011
Landmarks Video, University of Texas at Austin (upcoming)

2009
Hot or Cold, Haus der Kulturen der Welt, Berlin
Migrating Forms Film Festival, New York

Selected lectures and symposia

2011
“Josephine Meckseper on Hanne Darboven,” Artists on Artists Lecture
Series, Dia Art Foundation, New York, April 4

2010
“The Type,” Andrea Rosen Gallery, New York, July 13
Whitney Contemporaries Gallery Talk with Gary Carrion-Muriyari, Elizabeth Dee Gallery, New York, May 20
Contemporary Photography Forum, Museum of Modern Art, New York, March 18
Young Collectors Council, Guggenheim Museum, New York, February 19

2009
Indianapolis Museum of Art, Indianapolis, Indiana, December 10
University of Houston, Houston, Texas, November 12
Nottingham Contemporary, Nottingham, United Kingdom, July 28
How Can Art be Political in a Free Market System?,” Rotterdam Dialogues: The Artists, Witte de With Center for Contemporary Art, Rotterdam, Netherlands, April 16-18 (catalogue)

2008
Fundación/Colección Jumex, Mexico City, July 10

2007
Art Center College of Design, Pasadena, California, November 6

Selected public collections

Museum of Modern Art, New York
Whitney Museum of American Art, New York
Solomon R. Guggenheim Museum, New York
Brooklyn Museum, New York
migros museum für gegenwartskunst, Zürich
Hammer Museum, UCLA, Los Angeles
The Saatchi Gallery, London
Kunstmuseum Stuttgart, Germany
Kunsthalle Bremen, Germany
DekaBank, Frankfurt, Germany
Landesbank Baden-Württemberg, Germany
FRAC Nord - Pas de Calais, Dunkerque, France
Van Dam Art Collection, Holland
Berezdivin Collection, San Juan

Selected bibliography

Monographs, Books, and Exhibition Catalogues
2011

Chauveau, Bernard (editor), Cover Girl, Galerie des Galeries, Paris (exhibition catalogue).
Paris: Galeries Lafayette – La Galerie des Galeries, pp. 14-15.
Engman, Stacy, Contemporary Magic: A Tarot Deck Art Project, National Arts Club, New York (exhibition catalogue). New York: KLÜP Foundation, p.54.
On View, Worldwide, for the Month Of…. New York: Kunstverein NY, October.
Rancière, Jacques, A felszabadult néz!. Budapest: M"csarnok - Kunsthalle, p. 22.
Saadawi, Ghalya (editor), interview with Rachel Hooper, Sharjah Biennial
10: Plot for a Biennial, Sharjah Art Foundation, United Arab Emirates (exhibition catalogue). Sharjah: Sharjah Art Foundation, pp. 437-442.

2010
Bonami, Francesco and Gary Carrion-Muriyari (editors), 2010, Whitney Biennial, Whitney Museum of American Art, New York (exhibition catalogue). New Haven: Yale University Press, pp. 84-85.
Etgar, Raphie, The Right to Protest, Museum on the Seam, Jerusalem (exhibition catalogue). Jerusalem: Museum on the Seam.
Gray, Zoë, Miriam Kathrein, Nicolaus Schafhausen, Monika Szewczyk, Ariadne Urlus (editors), Rotterdam Dialogues: The Critics, The Curators, The Artists. Rotterdam: Post Editions and Witte de With, Center for Contemporary Art, pp. 216, 238, 265
Lulic, Marko, art & film: curated by_vienna. Nürnberg: Verlag für moderne Kunst, pp. 90-95 (exhibition catalogue).
Pervasive Influence, CONTACT Photography Festival, Museum of Contemporary Art Toronto (exhibition catalogue).
Singer, Debra, Creamier: Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10 Sources. London: Phaidon.

2009
Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie Karlsruhe (exhibition catalogue).
Dailey, Meghan (introduction), The Shape of Things to Come: New Sculpture. Rizzoli, pp.490-511.
Dexter, Emma, 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich. London: Thames and Hudson, pp. 314-319.
Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst Karlsruhe (exhibition catalogue).
Gonzales, Erik, et. al, Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art Gallery (exhibition catalogue), edited by George Rush.
Hooper, Rachel, Sylvère Lotringer, and Heike Munder, Josephine Meckseper, Zurich: JRP|Ringier.
Jansen, Gregor and Thomas Thiel (editors), Vertrautes Terrain - Aktuelle Positionen in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (exhibition catalogue) Heidelberg: Kehrer Verlag; pp. 278.
Lotringer, Sylvère, Vitamin 3-D: New Perspectives in Sculpture and Installation. London: Phaidon Press, pp. 194-197.
Matt, Gerald, Cathérine Hug and Thomas Mießgang (editors), 1989. Ende der Geschicte oder Beginn der Zukunft, Kunsthalle Wien and Villa Schöningen (exhibition catalogue). Nuernberg: Verlag für moderne Kunst Nürnberg (forthcoming).
Morality, Witte de With Center for Contemporary Art (exhibition catalogue)(forthcoming).
Müller, Vanessa Joan (editor), Béton Brut, Dance in My Experience, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (exhibition catalogue). Schwarzach am Main: Benedict Press, pp. 11-13, 59.
Neil, Jonathan T.D. (editor), FAX, The Drawing Center (exhibition catalogue). New York: The Drawing Center/Independent Curators International.
Rancière, Jacques, Der emanzipierte Zuschauer, trans. Richard Steurer. Vienna: Passagen Verlag, p. 37 (ill.).
Roth, Andrew and Phil Aarons (editors), In Numbers: Serial Publications by Artists Since 1955, New York: PPP Editions; pp. 51-52, 160-164.
Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin (exhibition catalogue). Berlin: Temporäre Kunsthalle.

2008
Andelkovic, Branislava, Marko Lulic and Thomas Trummer (editors), Zidovi na ulici | Walls in the Street, Siemens Arts Program, MSUB, Museum of Contemporary Art (exhibition catalogue), pp. 70-75, 194.
Bloemink, Barbara, et. al, Prospect.1 New Orleans (exhibition catalogue), Brooklyn: Picturebox, pp. 238 – 241.
Hoff, James (editor), Top Ten: 1998-2008. New York: No Input Books, p. 304.
Holzwarth, Hans Werner (editor), Art Now Vol. 3. Cologne: Taschen, pp. 308-311.
Lotringer, Sylvère, Gabriele Mackert and Mona Schieren, Quelle International. Josephine Meckseper. Bremen: GAK.
Rancière, Jacques, Le spectateur émancipé. Paris: La Fabrique editions, p. 32, ill.
Schaschl, Sabine, Bettina Steinbrügge, René Zechlin (editors), Cooling Out - On the Paradox of Feminism, Kunsthaus Baselland, Muttenz/Basel, Switzerland (exhibition catalogue), Zürich: JRP|Ringier, cover and pp. 136-137.
Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum, Graz: Edition Camera Austria (exhibition catalogue), pp. 95-103, 126.
Tresaco, Boyer, Best New York Art 2008. New York: Theredoom, pp. 18-19.
Weibel, Peter, Vertrautes Terrain - Aktuelle Positionen in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (exhibition brochure), pp. 49, 226.

2007
Baudrillard, Jean, and Sylvère Lotringer (introduction), Forget Foucault. Los Angeles: Semiotext(e), 2nd Revised Edition, cover ill.
Bourriaud, Nicholas, et. al., Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and Amnesia (exhibition catalogue). Moscow: Artchronika, pp. 102-103.
Brand, Roy (editor), Bare Life, Museum on the Seam, Jerusalem (exhibition catalogue), pp. 81-78.
Enwezor, Okwui, Christian Hoeller and Marion Ackermann (editor), Josephine Meckseper. Ostfildern: Hatje Cantz Verlag.
Hooper, Rachel, “Satire and a Cynical Smile: Josephine Meckseper,”
Brave New Worlds, Walker Art Center, Minneapolis (exhibition catalogue), edited by Doryun Chung and Yasmil Raymond, pp. 144-149.
Merali, Shaheen (editor), New York – States of Mind. Art in the City (exhibition catalogue), London: Saqi, pp. 116-119.
Ribeiro, Antonio Pinto, An Atlas of Events (exhibition catalogue). Calouste Gulbenkian Foundation, pp. 50-51.
Singer, Debra and Matthew Lyons, Just Kick It Till It Breaks, The Kitchen, New York (exhibition catalogue).

2006
Big City Lab, Art Forum Berlin (exhibition catalogue). Berlin: Messe Berlin GmbH.
Dailey, Meghan, Patricia Ellis and Norman Rosenthal, USA Today: New American Art from The Saatchi Gallery (exhibition catalogue). London: Royal Academy of Arts, cover and pp. 248-263.
Day For Night, Whitney Biennial 2006, Whitney Museum of American Art, New York (exhibition catalogue). New York: Henry N. Abrams, Inc.
Enwezor, Okwui (editor), The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial of Contemporary Art of Seville (exhibition catalogue). Seville: Fundación BIACS.
Lotringer, Sylvère, The Josephine Meckseper Catalogue No. 2 (exhibition catalogue), New York and Berlin: Sternberg Press.
Schmidt, Jason, Artists, Paris: Edition 7L., p. 14.
The Searchers, EFA Gallery, New York (exhibition catalogue).
Trial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon (exhibition catalogue).

2005
A.B.Normal, NYEHAUS, New York (exhibition catalogue).
Bonds of Love, John Connelly Presents, New York (exhibition catalogue). Canada: PAZAZZ.
Expérience de la durée, Biennale d’art contemporain de Lyon 2005 (exhibition catalogue). Paris: Paris Musées.
The Future Has a Silver Lining: Genealogies of Glamour, Migros Museum für Gegenwartskunst, Zurich (exhibition catalogue). Zurich: JRP-Ringier.

2004
Gandhi, Arun, et al., 2/15: The Day the World Said No to War. New York: Hello NYC; Oakland and Edinburgh: AK Press.
Heimweh: Young German Art, Haunch of Venison, London (exhibition catalogue).
Kelsey, John and Andrew Ross, The Josephine Meckseper Catalogue (exhibition catalogue). New York: Lukas & Sternberg.

2003
Fuckin’ Trendy, Kunsthalle Nuremburg (exhibition catalogue).
2000 New New York, The Jones Center for Contemporary Art, Austin, Texas (exhibition catalogue). Austin: Texas Fine Arts Association.

Periodicals, radios, and television

2012
Allison, Chelsea, “Uncommon Ground: Josephine Meckseper’s New Installation
Takes Shape in Times Square, “ Vogue.com, March 1, http://www.vogue.com/culture/article/josephine-meckseper-manhattanoil-project/.
Browne, Alix, “Texas Tea Party,” T Magazine, March 6, http://tmagazine.blogs.nytimes.com/tag/josephine-meckseper/.
Gopnik, Blake, “Artist Josephine Meckseper Digs for Oil in Times Square–And Strikes Gold.” The Daily Beast, March 4, http://www.thedailybeast.com/articles/2012/03/04/artist-josephinemeckseper-digs-for-oil-in-times-square-and-strikes-gold.html.
Kennedy, Randy, “A Wildcat Operation in Midtown,” The New York Times, March 1, p. C3.
Mathis, Samantha, “Samantha Mathis Chats with Artist Josephine Meckseper about her ‘Manhattan Oil Project,’” Paper TV, March 28,
http://www.papermag.com/2012/03/josephine_mecksepper.php.
Russeth, Andrew, “Josephine Meckseper’s ‘Manhattan Oil Project’,” The New York Observer, March 2,
http://www.galleristny.com/2012/03/josephine-mecksepers-manhattanoil-project/.
Smith, Roberta, “Josephine Meckseper: ‘Manhattan Oil Project’,” The New York Times, March 23, p. C25.
Spears, Dorothy, “Striking Oil, Artistically, in Midtown,” The New York Times, March 5,
http://green.blogs.nytimes.com/2012/03/05/striking-oil-artistically-inmidtown/.
Walleston, Aimee, “Josephine Meckseper Drills to New York’s Dark Center,” Art in America, March 5,
http://www.artinamericamagazine.com/news-opinion/news/2012-03-05/josephine-meckseper/.
“500 Words: Josephine Meckseper,” Artforum.com, March 6,
http://artforum.com/words/id=30454.
“Josephine Meckseper Designs Oil Rigs in Times Square for ‘The Manhattan Oil Project’,” The Huffington Post, March 7,
http://www.huffingtonpost.com/2012/03/06/josephine-meckseperdesig_n_1324987.html.
“Josephine Meckseper, at her ‘Manhattan Oil Project.” The New Yorker, Marcy 26, p. 10.
“Phantom oil pumps and a soaring marble column arrive at New York’s Time Square.” artdaily.org,
http://www.artdaily.org/index.asp?int_sec=2&int_new=54064.
“Josephine Meckseper, Manhattan Oil Project,” Time Out New York, March 8-14, p. 39.

2011
“The 100 Best Fall Shows, Modern Painters, September, pp. 70-71.
“Cover girl à la Galerie des Galeries,” À Nous Paris, February 14, p. 21.
Douglas, Sarah, “Paddle 8, The Latest Online Art Sales Venture, Bets on Virtual Exhibitions,” ARTINFO, April 27,
http://www.artinfo.com/news/story/37560/.
Madden, Kathleen, ‘Critic’s Picks’, Artforum.com, April 1,
http://artforum.com/picks/section=nyc#picks27296
Meckseper, Josephine, “Josephine Meckseper on Carsten Höller’s Sliding Doors (2003),” Tate Etc., Issue 23, Autumn, p. 110.
Morse, Trent, “Josephine Meckseper: FLAG Art Foundation,” ARTnews, Summer, Volume 110, Number 7, p. 121.
Neil, Jonathan T.D., “Josephine Meckseper,” Art Review, October, Issue 53, pp. 86-91.
Trembley, Nicolas, “Rage Against the Vitrine,” Numero, August, Volume 125.
Ullrich, Wolfgang, "Die Hybris des Hyperdekorativen." Kunst und Kirche, February, pp. 16-19.

2010
2010, Visionaire No. 57.’ Visionaire; Limited edition, January 31
Belenky, Alexander, “Why Aren’t Artists Angry Anymore?,” The Atlantic, March 3.
Bradley, Bill, “A Sneak Peek at the Whitney Biennial,” VF Daily | Vanity Fair, February 25.
www.vanityfair.com/online/daily/2010/02/a-sneak-peek-atthewhitney-biennial.html.
Bodin, Claudia, “Got weiss, was Amerika im Schilde führt,” ART Das Kunstmagazin, February 25,
www.artmagazin.de/kunst/26831/whitney_biennale_2010_new_york.
Bodin, Claudia, “Immer shön laufen und trinken,” ART Das Kunstmagazin, March 5,
http://www.art-magazin.de/kunst/27168/armory_show_new_york.
Budick, Ariella, “Confronting the Void, Guggenheim, New York,” Financial Times, Arts: Design & Architecture, March 4.
“Capture,” Interview, March, p. 72.
Carrion-Muriyari, Gary and Josephine Meckseper, interview by Leonard Lopate, “2010 Whitney Biennial,” The Leonard Lopate Show, WNYC, April 16.
Chaillou, Timothée, "Apparaître Ici," L'art même 46, 1er Trimestre, 2010, pp.12-13.
Chaplin, Julia, “Art Basel Miami’s Big-Buzz 10,” The New York Times, November 28.
Decker, Julia, and Lars Reichardt, “Hoffnung is für mich ein duboioser Begriff,” Süddeutsche Zeitung Magazin, No. 19, May 14, cover and poster insert.
Douglas, Sarah, and Andrew Goldstein, “Bustling Armory Opening Heralds Contemporary Art Market Resurgence,” ARTINFO, March 4,
www.artinfo.com/news/story/34062/bustling-armory-opening- showscontemporary-artmarket-resurgence/.
Eberle, Todd, “The Whitney 2010 Ambienalle,” VF Daily | Vanity Fair, February 24,
http://www.vanityfair.com/online/daily/2010/02/the- whitney-2010-ambienalle.html.
Egan, Maura, “Fair Game | Playing it Safe at the Armory,” New York Times / T Magazine Blog, March 5,
http://tmagazine.blogs.nytimes.com/2010/03/05/fair-game-playing-it-safe- atthearmory.
Gartenfeld, Alex, “2010,” Art in America Online, April 21,
http://www.artinamericamagazine.com/reviews/2010.
“Goings on About Town: Art,” The New Yorker, March 8.
Goldstein, Andrew, Andrew Russeth and Amber Vilas, “Whitney Biennial 2010 Breakdown: The Outliers,” ARTINFO, February 23,
www.artinfo.com/news/story/34003/whitney-biennial-2010-breakdowntheoutliers.
Gopnik, Blake, “Art review: Blake Gopnik on 2010 Whitney Biennial, consumed with small Change,” The Washington Post, March 4, p. C03.
“Guggenheim artists fill ‘void’ with ideas,” France24, February 13, 11:33 PM,
and www.france24.com/en/20100213-guggenheim-artists-fill-void-with- ideas.
Hall, Emily, “Josephine Meckseper at Elizabeth Dee,” Artforum, September, 329-330.
Halle, Howard, “Art Review: 2010 Whitney Biennial,” Time Out New York, Issue 753, March 4-10.
Häntzschel, Jörg: "Ruhe bitte!: die Krise der amerikanischen Kunst bei der Whitney Biennale," Süddeutsche Zeitung, February 27.
Johnson, Ken, “Ahoy From Nudes, a Pirate and Scrooge McDuck,” The New York Times, March 4.
“Josephine Meckseper,” The New Yorker, Goings on About Town: Art, June 7, p. 12.
Kazanjian, Dodie, “Dee’s Day,” Vogue, October, 298-301, 336 (ill.).
Kuhn, Thomas, “Whitney Biennial: 2010,” Kunstforum International, No. 202, May/June, pp. 284-289.
Kunitz, Daniel, “Josephine Meckseper,” Modern Painters, June 10,
http://www.artinfo.com/news/story/34873/josephine-meckseper/
Laster, Paul, “Surveying the 2010 Whitney Biennial,” Flavorwire, February 26,
http://flavorwire.com/73377/surveying-the-2010-whitney-biennial
Levin, Todd, “Whitney Biennial: The Voices of Silence,” Flash Art, No. 272, May/June, pp. 61- 62.
McGarry, Kevin, “2010: A Small Odyssey,” Rhizome Front Page, March 10,
http://rhizome.org/editorial/3362.
“Meckseper im Whitney,” Stuttgarter Zeitung, February 2.
Monick, Dan, “She’s got balls,” PAPER, September, 112-127.
Phillips, Lisa, “Whitney Biennial,” Interview, February, pp. 100-107.
Pollack, Barbara, “Whitney Biennial: A review of ‘2010,’” ARTnews, Volume 109/Number 4, April 2010, pp. 104-105.
Smee, Sebastian, “Whitney show is an anthem to the awful,” The Boston Globe, A&E, February 25.
Smith, Roberta, “Creative Debate, Not Too Loud,” The New York Times, The Arts, June 2, pp. C1, C5.
Smith, Roberta, “Take This Museum and Shape It,” The New York Times, Weekend Arts, February 19, pp. C23, C27.
“Smoke and Mirrors,” W Magazine, November 2010, pp.144-147.
Szewczyk, Monika, “Josephine Meckseper: American Still Life,” Flash Art, No. 272, May/June, pp. 98-100.
Thorson, Alice, “Whitney Biennial art show keeps a smaller, tighter focus in 2010,” The Kansas City Star, March 13.
Walker, Benjamen, “WhiBi Conversations: Film and Video,” WNYC Culture Blog, February 18,
http://culture.wnyc.org/blogs/whitney-biennial-2010/2010/feb/18/whitney-biennial-converstions-film (ill. only).
Walleston, Aimee, “In the Style of Bonami/Bonami in Profile,” V Magazine Online,
http://www.vmagazine.com/article.php?n=14968.
Walleston, Aimee, “Josephine Meckseper/Elizabeth Dee,” The Last Magazine, No. 5, Fall, 19.
Wilson, Michael, “Josephine Meckseper: The artist critiques contemporary America,” Time Out New York, No. 770, July 1-7.
Winklbauer, Andrea, "Vom heissen Atem der Geschichte," Neue Zürcher Zeitung, Kultur, January 20.
Wolff, Sarah, “Best of the Whitney Biennial,” The Daily Beast, February 24,
http://www.thedailybeast.com/blogs-and-stories/2010-02-24/best-of- thewhitneybiennial.
Yablonsky, Linda, “Whitney Biennial Mishmash Serves Up Michael Jackson, Macrame,”Bloomberg.com, February 25,
www.bloomberg.com/apps/news?pid=20601088.
Yablonsky, Linda, “Women’s Work,” The New York Times Style Magazine, February 28, pp. 142-144.

2009
Ackermann, Tim, “Alles is kommerziell, alles ist politisch,” Welt am Sonntag, Kultur, November 8.
“Am Lack kratzen,” St. Galler Tagblatt Gesamtausgabe, February 23.
“Björks Image-Designer,” Annabelle, No. 3, February 4, p. 42.
Bodewein, Lena, “Widerstand erzeugen: Josephine Meckseper im Portrait,” ARD German Radio Network, August 27.
Britt, Douglas, “Unsettling works are order of the day,” Houston Chronicle, September 11, E2.
Bugmann, Urs, “Unter dem Glanz klaffen die Abgründe,” Neue Luzerner Zeitung Gesamtausgabe, February 23.
Buhr, Elke, "Drei Fragen an: Josephine Meckseper," Monopol. Magazin für Kunst und Leben, No. 4, April, p. 14.
Büsing Nicole & Klaas, Heiko, "Auf dem Pulverfass," kunstmarkt.com, April 21.
Danicke, Sandra, “Gnadenlos und schwarzweiß,” Frankfurter Rundschau, March 2.
“Das Spiel einer Doppelagentin,” Zürichsee-Zeitung, Gegenwartskunst, April 20.
Dumas, Brittni, “Art. Love. Politics.” Envy Magazine Online, Houston Arts, September 30, http://envymags.com/2009/09/art-love-politics/.
Fronz, Hans-Dieter, “Schönheit als Ware,” Badische Zeitung, May 7.
Giezendanner, Petra, ”Krieg von seiner gestylten Seite,” Art ensuite, April 3.
Glauner, Max, "Josephine Meckseper, Kapitalismuskritik reloaded," Kunstforum International, No. 196, April/May, pp. 363-364.
“Glanz und Politik im aktuellen Amerika,” 20Minuten, February 23.
Hess, Eva, "Wollt ihr die totale Kunst?," SonntagsZeitung, February 15.
“In Der Politischen Gefahrenzone,” Züri Tipp, February 19.
“Josephine Meckseper,” Active live, No. 4, April.
“Josephine Meckseper,” Kunstmagazin, No. 3.
“Josephine Meckseper,” likeyou, February 17.
Kaufman, Anthony, “‘Migrating Forms’ at Anthology Film Archives,” The Village Voice, April 15.
Kobelt, Nina, “Reklamieren gegen die Reklame,” News, February 23.
Krebs, Edith, "Alles geht fein säuberlich auf," Die Wochenzeitung, March 19.
Kucera, Andrea, “Kritik an Kapitalismus, Krieg und Konsum als Kunstform,” Zürcher Landzeitung, February 28.
Marzahn, Alexander, “Kalt wie Chromstahl,” Basler Zeitung, April 1.
McQuaid, Cate, “Videos, then and now, tell a story,” The Boston Globe, January 4.
Meckseper, Josephine, “Josephine Meckseper on Birkenstocks’ unearned radical rep,” TAR Magazine, No. 2, Spring, p. 118.
Meier, Philipp, "Strahlender Abglanz des amerikanischen Albtraums," Neue Züricher Zeitung, February 24.
“migrosmuseum | Josephine Meckseper,” Art-TV.ch, February.
Moser, Kati, “Politische Kunst einer starken Frau,” Schweizer Illustrierte, March 23.
Müller, Sabine, “Hemmungslose Verführer – Austellung: Josephine Meckseper übt in Münster Kapitalismuskritik,” Münstersche Zeitung, No. 247, October 22, Kultur.
Powers, Bill, “Car Culture | Josephine Meckseper,” New York Times / T Magazine Blog, September 24,
http://tmagazine.blogs.nytimes.com/2009/09/24/car-culture- josephinemeckseper.
Restorff, Jörg, “Austellungen im März,” Kunstzeitung, March 5.
Richter, Peter, “Der Mann mit den Mädchen,” Frankfurter Allgemeine Sonntagszeitung, No. 5, February 1.
Santilli, Paula, “Crítica Realidad,” Semana, September 13-19, Culture, p. 22.
“Schaufenster-Kunst,” Vanity Fair Germany, March 6.
Schindler, Felix, "Politische Kunst in gestylter Kulisse," Tages-Anzeiger, February 23.
Schroeder, Mariana, “A Video Artist’s Uncompromising Political Takes,” Wall Street Journal Online, March 26, Europe News.
Schwake, Vanessa, “Konsum trifft Krieg,” GQ-Magazin.de, March 6.
Sherwin, Skye, "Josephine Meckseper," Art Review, Issue 30, April, p. 25.
Spampinato, Francesco, Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October.
Stevenson, Bob, “Josephine Meckseper,” The Front Row, KUHF Houston Public Radio, October 20.
“Subtile Analyse des amerikanischen Wertesystems: Künstlerin Josephine Meckseper stellt neue Werke in Münster aus,” Stadtmagazin Echo Münster Online, Kultur, October 22,
http://www.echo- muenster.de/node/5624.
“Transatlantic,” Parkett, No. 85, June, pp. 34, 38.
Trieloff, Sabine, “Josephine Meckseper / Migros Museum, Zürich,” Vernissage.tv, February 27.
Ullmer, Brigitte, “Ich nehme der Kunst ihren Sonderstatus,” Du Magazin, No. 795, April, pp. 122-124.
Von Montgelas, Marie-Hélène, “Gib mir fünf! Tipps der Woche,” art, February 20.
Wang, Michael, “Form and Function,” Artforum.com, April 10.
Wendland, Johannes, "Krieg und Konsum," Handelsblatt, February 27.
Wewer, Antje, “Die Schwarz-Weiß-Malerin,” Süddeutsche Zeitung, March 21.
Wiginton, Christina, “Prop Star,” HOUSTON Magazine, September, pp. 12 and 44.
“Wirtschaftskrise und Konsumrausch Die Kunst der Josephine Meckseper,” Kunst Raum Münster, No. 4, October-December, pp. 9, 21, and 24.
Wüst, Karl, “Keine Zukunft für alte Männer in Amerika,” Thurgauer Zeitung and Der Landbote, February 26.
Wüst, Karl, “Kritischer Blick – mit Ironie versetzt,” Schaffhauser Nachrichten, February 26.
Zimmer, Nina, “Meine Top 5 im Mai,” Kunstmagazin, No. 5.

2008
Amado, Miguel, “An Atlas of Events. Calouste Gulbenkian Foundation” Artforum, February, p. 309.
Bayer, Helen,"FAT Magazine," Next Level, Edition 13, pp. 110-113.
Bodin, Claudia and Jürgen Frank, "New York und ich," Art (Germany), No. 10, October, p. 53.
Büsing, Nicole and Heiko Klaas,”The Erosion of the Symbolic, Josephine Meckseper,” Next Level, Edition 13, pp. 74-77.
Carlin, T.J., “Art review: ‘That Was Then...This is Now,’” Time Out New York, September 11-17.
Dany, Hans-Christian, "Josephine Meckseper," Springerin, No. 02, Spring, p. 57.
Gillick, Liam, "Josephine Meckseper," Interview, November, pp. 48-49.
Halle, Howard, "Josephine Meckseper," Time Out New York, May 15-21, p. 73.
Hildebranst, Tina and Heinrich Welfing, “Was tun wenn’s brennt?,” Zeit Magazin Leben, February 28, pp. 18-21.
Johnson, Ken, "Josephine Meckseper," The New York Times, May 16, p. E29.
Johnson, Ken, "Will the Revolution Be Museumized? Will There Be a Revolution?," The New York Times, July 25.
Jones, Kristin M., "Josephine Meckseper," frieze.com, May 8.
Judd, Flavin, "Josephine Meckseper," BOMBsite.com, December 11.
Kastner, Jeffrey, "Party Lines," Art and Auction, July.
Mummenhoff, Julia, "Ornament der Masse," Spike Art Quarterly, No. 15, Spring, pp. 123-124.
Probst, Carsten, "Zeitgeist-Rebellin," Deutschlandradio, February 16.
Raab, Jürgen, "Aktionen & Projekte," Kunstforum International, No. 193, September-October, p. 412.
Rosenberg, Karen, "Splitting a Gallery in Half to Focus on Social Strife," The New York Times, September 11.
Schirrmeister, Benno, "Kunst, so unromantisch, wie es nur geht," die tageszeitung, February 21.
Schneider, Konstantin, “Josephine Meckseper: Gewagtes Spiel/Going for Broke,” Berliner Kunstkontakter,
http://www.berlinerkunstkontakter.de/flash/kw3708/meckseper20092008. htm.
Spampinato, Francesco, “Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October.
"Steirischer Herbst 2008," Camera Austria, 102/2008, July.
"Untitled, 2008," herbst. Theorie zur Praxis, Graz: Steirischer Herbst, pp. 90-97.
Zhong, Fan, “New Photography 2008: Josephine Meckseper and Mikhael Subotzky,” Interview, September.

2007
Artnet Questionnaire, “Where is Josephine Meckseper,” artnet.de, September 20.
Amado, Miguel, “Just Kick It Till It Breaks,” Artforum.com.
Braun, Adrienne, “Die Demo als Deko,” Süddeutsche Zeitung, July 17, p. 13.
Bryan-Wilson, Julia, “Josephine Meckseper: Display; the female form and protest culture,” Frieze No. 105, March, p. 166.
Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper,” artist kunstmagazin 72, February, pp. 22- 27.
Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper: Die Kunst der stilvollen Anarchie,” spiegelonline.de, July 14.
Carnevale, Fulvia and John Kelsey, “Art of the Possible: An interview with Jacques Rancière,” Artforum, March, p. 259.
Christofori, Ralf, Checkpoint, Jan - April 2007, pp. 60-69 (excerpt from Monopol, No. 04/2005).
Christofori, Ralf, “Schöne Ware Welt,” Der Tagesspiegel, August 12, p. 26.
Columbus, Nikki, “Previews: Josephine Meckseper,” Artforum, May, p. 206.
Cotter, Holland, “Just Kick It Till It Breaks,” New York Times, April 13, p. E34.
Cumming, Laura, “Go ahead and shock me," The Guardian (London), January 7.
Deepwell, Katy, "Social Feminism and the question of difference," n.paradoxa, Vol. 19, January, p. 94.
Diez, Georg, “Atelierbesuch: Josephine Meckseper,” ZEIT magazin Leben, 27/07, June 28, pp. 46-48.
Fox, Dan, “USA Today,” Frieze, No. 105, March, p. 183.
Frenzel, Sebastian, “Ich bin dann mal links,” Vanity Fair 07/29, July 12, pp. 112-115.
Genocchio, Benjamin, “Resistance Is...,” The New York Times, Museum and Gallery Listings, July 6.
Harris, Jane. “Art and Politics,” Artnet.com, August 29.
Herbert, Martin, “2nd Seville Biennial,” Frieze, No. 104, January/February, pp. 162-163.
Johnson, Ken, "Never Mind the Map: Sometimes New York City is More of an Idea" (Art Review: New York States of Mind), The New York Times, December 12.
“Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart,” arte Kultur, arte-televison, July 10.
“Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart”, Nachtkultur, SWR 3-television, July 13.
Kedves, Jan, “Wäschetag,” Monopol, Magazin für Kunst und Leben, No. 6, June, pp. 68-75.
Knöfel, Ulrike, “Die Frau ist schwierig,” Der Spiegel 42/2007, October 15, pp. 182-183.
Kuni, Verena, “Josephine Meckseper im Kunstmuseum” Kunstbulletin, September 20, p. 60.
“Kunstmuseum in Stuttgart zeigt das Werk der Konzeptkünstlerin Meckseper,” tagesthemen, ARD-television, July 13.
Leisten, Georg, “Die Warenwelt verdaut ihre Kritiker,” Stuttgarter Zeitung, July 14, p. 33.
Léith, Caoimhín Mac Giolla, “Cooling Out,” Frieze, No. 105, March, pp. 180-181.
McElheny, Josiah, “Readymade Resistance,” Artforum, No. 6, October, pp. 331-332.
Meckseper, Josephine, “The Artists’ Artists,” Artforum, December, p. 132.
Meinhardt, Johannes, “Josephine Meckseper: In den Fängen der Konnotation,” Kunstforum International 188/07, July, pp. 431-432.
Merali, Shaheen, “Biennials/Survey Shows,” Frieze, No. 104, January/February, p. 125.
Peine, Sibylle, “Lob des Designer-Hammers,” Die Welt, August 3, p. 24.
“Portfolio,” Art on Paper, January/February, cover and pp. 44-45.
Reier, Sharon, “Contemporary Art: Follow the money,” Herald Tribune, January 27-28.
Rosenau, Mirja, “Sexy Stützstrümpfe,” Art, October, p. 89.
Rosenberg, Karen, “At Fairs by the Beach, The Sands of Creativity,” The New York Times, December 8, pp. A15, A19.
Sansom, Anna, “This city is a riot. Josephine Meckseper,” Sleek Magazine, No. 13, Winter 2006/2007, pp. 110-115.
Schumacher, Hajo, “Gefaehrliche Liebschaften,” Sueddeutsche Zeitung Magazin, February 9, pp. 8-9.
Ullrich, Wolfgang, “Der Duft der Kapitalismuskritik,” die tageszeitung, September 18, p. 21.
Widmann, Arno, “Den Durchblick simulieren,” Frankfurter Rundschau, August 3, p. 37.
Woeller, Marcus, “Der große Kunstrabatt,” die tageszeitung, July 23, p. 15.

2006 "Academy plans new US art showcase," BBC News, April 5.
Andrews, Max, “Trial Ballons,” Frieze, October, pp. 262-263.
“American Expressions,” Harper’s Bazaar, November, p. 112.
Baker, R.C., “Adrian Piper, Eric Baudelaire, Josephine Meckseper, Wayne Gonzales,” Village Voice, December 6.
Bollen, Christopher, “Adrian Piper, Wayne Gonzales, Eric Baudelaire, Josephine Meckseper,” New York Times, December 8.
Burn, Gordon, “Make it new,” Saturday Guardian, October 14, pp. 12-13.
Clayton, Richard, “Legends of the Fall,” The Sunday Times Culture Magazine, September 17, p. 10.
"Cool Feminists," Irish Arts Review, October, p. 35.
Coulson, Amanda, “Emerging Artists, Josephine Meckseper,” Modern Painters (London), March, pp. 60-62.
Dunne, Aiden, “This Ain’t No Fooling Around,” The Irish Times, April 7.
Eleey, Peter, “2006 Whitney Biennale,” Frieze, June-August, pp. 256-57.
Ellis, Patricia, “Catching up with Charles (Saatchi),” Flash Art, October, pp. 66-67.
Falconer, Morgan, “The States They’re In,” The Times 2, October 4, p. 15.
Gopnik, Blake, “Red, White and Bleak,” The Washington Post, March 2, p. C1.
Johnson, Ken, “Cady Noland Approximately,” The New York Times, May 12, p. E32.
Knöfel, Ulrike, “Die Zeitgeist-Rebellin,” Der Spiegel, July 10, pp. 126-127.
Lewis, Ben, “Private View,” Prospect, July, p. 60.
Lienhard, Tim, “Josephine Meckseper: Eine Deutsche bei der New Yorker
Whitney Biennale,” Arte-televison (Germany, France), March 4.
Littlejohn, Georgina, “Academy feud,” Evening Standard (News Extra), May 11, p. 19.
Markovits, Benjamin, “Culture sculpture,” The Times Literary Supplement, November 3, p. 18.
McKeith, Eimear, “A war on the road to nowhere,” Dublin Sunday Tribune, April 16.
Meckseper, Josephine, "A Project for Atlántica." Atlántica Magazine, Summer, p. 78-89.
O'Brien, Treasa, "Cooling Out – on the paradox of feminism," Circa, No. 118, Winter, pp. 92-95.
Pisano, Hortense, "Bomben, Sexbomben überhaupt," die tageszeitung, September 19.
Porter, Charlie, “Demand Economy,” GQ Style: Luxury Edition, Autumn/Winter.
Reynolds, Nigel, “Saatchi is ready for another sensation at the RA” Daily Telegraph, April 4.
Rosenberg, Karen, “Ready to Watch,” New York Magazine, February 27, pp.46-48.
Scott, Andrea, “Exhibit A-list,” Time Out New York, February 23-March 1, pp.16-22.
Scott, Andrea, “Josephine Meckseper, ‘%’,” Time Out New York, January 12-18, p. 58.
Sholis, Brian, “Josephine Meckseper,” Artforum, February, pp. 111-112.
Smith, Roberta, “Josephine Meckseper,” The New York Times, January 6, p.E34.
Spiegler, Marc, “American Renaissance,” The Art Newspaper, No. 171, July-August, p. 32.
“USA Today: New American Art from The Saatchi Gallery,” The Week, October 14, p. 31.
Von Burg, Dominique, “Im Taumel vielfaeltiger weiblicher Lebensentwuerfe,“ Kunstbulletin, cover and pp. 36-47.
Ward, Ossian, “Young Americans,” DB Artmag No. 38, October, p. 13.
Wullschlager, Jackie, “An Ad-man’s Snapshot of America,” Financial Times, October 9, p. 11.

2005
Ammirati, Domenick, “Critics’ Picks: Bonds of Love,” Artforum.com, September.
Christofori, Ralf, “Josephine Meckseper,” Monopol, Berlin, August, p. 22-33.
Doran, Anne, “‘Girls on Film’: Zwirner & Wirth,” Time Out New York, September 1–7, p. 57.
Egan, Maura, “Au Courant,” New York Times Style Magazine, November, p.26.
“Experiencing Duration, Biennale d’art Contemporain de Lyon, 2005,” Flash Art, December, pp. 97-98.
Kurbjuweit, Dirk, “Putsch gegen die Wirklichkeit: Gerhard Schröder will das
Wahlergebnis nicht akzeptieren,” Der Spiegel, 39, September 26, p. 165.
Meckseper, Josephine, “Top Ten,” Artforum, Summer, p. 142.
“Neue Kunst,” Berliner Zeitung, September 29, pp. 1, 34 and cover.
Studer, Margaret, “Autumn Is for Art Fairs,” The Wall Street Journal Europe, September 23–25, cover and p. 1.

2004
Gopnik, Blake, “Studio Visit: The Artist at Home with Contradictions,” The Washington Post, April 13, pp. C1, C7.
Harrison, Sarah, “Heimweh: Young German Art,” Art Monthly, October.
Herbert, Martin, “Heimweh: Young German Art,” Time Out London, September 29–October 6.
Mayer, Gabriele, “Frauen brauchen schusssichere Kleider,” Frankfurter Allgemeine Zeitung, January 14, p. 33.
Ross, Andrew, "Low Pay, High Profile," The New Press.
Zimmermann, Annina, “The Future Has a Silver Lining: Genealogies of Glamour,” Springerin 3, p. 69.

2003
Ammirati, Domenick, “Critics’ Pick: Josephine Meckseper,” Artforum.com, May–June.
Appel, Stefanie, “Volkskunst,” Prinz (Frankfurt), May 30.
Buhr, Elke, “Auf dem Meldeamt,” Frankfurter Rundschau, May 15.
Christofori, Ralf, “Die verlorene Heimat der Lara Croft,” Potsdamer Neueste Nachrichten, July 8.
Pisano, Hortense, “Globale und lokale Zeichentraeger,” TAZ (Berlin/Frankfurt) June 5, p. 17.
Reed, John, “Editor's Choice: Josephine Meckseper,” Bomb, Summer/Fall, p.20.
Urban, Regina, “Designerkleider als feuerfester Schutzanzug,” Nuernberger Nachrichten, December 10, p. 27.
Verwoert, Jan, “Nation-Stereotyen en iconen van het globalisme,” Metropolis M 4, p. 157.

2002
Albers, Markus, Welt am Sonntag (Berlin), September 22, p. 53.
Christofori, Ralf, “Pop-politische Wahlversprechen,” Frankfurter Allgemeine Zeitung, January 5.
Feist, Silvia, “Radikales Flimmern,” Vogue (Germany), February, p. 132.

2001
“Verkitschte Flagge,” Stuttgarter Zeitung, November 20.

2000
Chaplin, Julia, “They Like it Like That,” Smock (New York), November, p. 40.
“Fette Welt,” Marie Claire (Germany), February, p. 21.
Freund, Michael, “Feuer unterem Hintern, Nummerngirls in Glitzerwaesche," Der Standard (Vienna), January 8, Album section, p. 5.
Schachter, Kenny, “Lifer,” Zing magazine, Spring/Summer, p. 249.
Schmidt, Jason, “Beds,” Flaunt, December/January.

1999
“Criss Cross: Some Young New Yorkers III,” Zing magazine (New York), Winter, p. 5.
Levin, Kim, “Overflow,” The Village Voice (New York), August 3, p. 72.
“Mob Rule: Material and Narrative,” New York Arts Magazine 32, April 7.
“Pop Art,” New York Post, March 30, p. 6.
Smith, Roberta, “Free Coke,” The New York Times, February 26, p. E41.
Waldherr, Gerhard, "Die Poesie von Mord und Totschlag," Die Sueddeutsche Zeitung (Munich), October 2-3, p. 7.

1998
Estrela, Alexandre, “Josephine Meckseper,” Biblia (Lisbon), December, pp.34–35.
Von Schlegell, Mark, “Selective Affinities,” New York Arts Magazine, June, p.17

1996
Haden-Guest, Anthony, "True Colors: The Real Life of the Art World," New York: The Atlantic Monthly Press, p. 337.
Mattussek, Matthias, “Stolzes Absaufen,” Der Spiegel 4, p. 177.
Müller, Katrin Bettina, “Zeitschleife,” Der Tagesspiegel, July 11, p. 26.
Saltz, Jerry, “Summer Group Show,” Time Out, July 24–31, p. 34.
“The Eight Day Weekend,” The New York Observer, February 12.

1995
Held, Matthias, “Ruhm oder Rueckfahrkarte,” Allegra Magazin (Hamburg), October, pp. 170–72.
Hertin, Katja, “New York/Berlin,” Der Tagesspiegel (Berlin) December 11, p.12.
“ML Mona Lisa: New York,” ZDF Television, Germany.
“New FAT,” Adbusters, Vol. 3, no. 3, Winter.

1994
Dalton, Jen, “Out of Site,” Fizz (Seattle) 2, pp. 104–06.

Josephine Meckseper
Born in Lilienthal, Germany, 1964 Lives and works in New York, USA Education 1992 MFA, California Institute of the Arts, Valencia, California, USA 1990 Graduate Studies, Hochschule der Künste, Berlin, Germany Selected solo exhibitions 2012 Worpsweder Kunsthalle, Worpswede, Germany forthcoming American Leg, Window Spaces, Contemporary Art Gallery, Vancouver, Canada Manhattan Oil Project, with Art Production Fund, The Last Lot, Times Square, New York, USA 2011 Timothy Taylor Gallery, London, UK The FLAG Art Foundation, New York, USA (catalogue) Josephine Meckseper: Contaminator, ARNDT, Project room, Berlin, Germany 2010 You can leave your hat on, Galerie Reinhard Hauff, Stuttgart, Germany Josephine Meckseper, Elizabeth Dee Gallery, New York, USA (catalogue forthcoming) 2009 Josephine Meckseper, Ausstellungshalle zeitgenössische Kunst, Münster, Germany Josephine Meckseper: Recent Films, Indianapolis Museum of Art, Indianapolis, USA Josephine Meckseper, John McWhinnie at Glenn Horowitz Bookseller, New York, USA Josephine Meckseper, Blaffer Gallery, The Art Museum of the University of Houston, USA American Apparel, Nottingham Contemporary, Nottingham, UK Josephine Meckseper, Migros Museum Für Gegenwartskunst, Zurich Switzerland, (catalogue) 2008 New Photography 2008: Josephine Meckseper and Mikhael Subotzky, Museum of Modern Art, New York, USA Josephine Meckseper Arndt & Partner, Berlin, Germany Josephine Meckseper Elizabeth Dee Gallery, New York, USA Josephine Meckseper Colette, Paris, France Josephine Meckseper GAK, Gesellschaft für Aktuelle Kunst, Bremen (catalogue) 2007 Josephine Meckseper, Kunstmuseum Stuttgart, Stuttgart (catalogue) Josephine Meckseper, Galerie Reinhard Hauff, Stuttgart 2006 International Project Room, Galerie Reinhard Hauff, ARCO 2006, Madrid, Spain 2005 %, Elizabeth Dee Gallery, New York (catalogue), USA The Bulletin Board, White Columns, New York, USA 2004 IG-Metall und die Künstlichen Paradiese des Politischen, Galerie Reinhard Hauff, Stuttgart (catalogue) 2003 Lustgarten, Borgmann Nathusius Galerie, Cologne, Germany 2001 Shine - oder Jedem das Seine, Galerie Reinhard Hauff, Stuttgart, Germany Selected group exhibitions 2012 The Simple Life, curated byValérie Knoll and Bettina von Dziembowski, Kunstverein Springhornhof, Neuenkirchen, Germany est. 2002: 10th Anniversary Summer Exhibition, Elizabeth Dee Gallery, New York, NY Living With Art, Galerie Reinhard Hauff, Stuttgart, Germany Cultural Production, Andrea Rosen Gallery, New York, NY 2011 Gestamtkunstwerk: New Art from Germany, The Saatchi Gallery, London (catalogue) NY: New Perspectives, Brandnew Gallery, Milan (catalogue) Geschmack: der gute, der schlechte und der wirklich teure, Kunsthalle Baden-Baden, Germany (catalogue) Praxis, Elizabeth Dee Gallery, New York A Portrait of the Artist As a Young Man, Galerie Reinhard Hauff, Stuttgart, Germany Sharjah Biennial 10: Plot for a Biennial, Sharjah Art Museum, United Arab Emirates, curated by Suzanne Cotter (catalogue) Cover Girl, Galerie des Galeries, Paris (catalogue) Glamourama, Lanchester Gallery, Coventry, UK, curated by Milly Thompson 2010 Contemporary Magic, National Arts Club, New York, curated by Stacy Engman, USA The Right to Protest, Museum on the Seam, Jerusalem, Israel The Exquisite Corpse Project, Gasser & Grunert Gallery, New York, USA curated by David Salle (catalogue) Going International, FLAG Art Foundation, New York, USA Man könnte es die Elastizität des Raumes nennen, The Forgotten Bar / Galerie im Regierungsviertel, Berlin, Germany Peter Saville: Accessories to an Artwork, Glenn Horowitz Bookseller, East Hampton, New York, USA Shut Your Eyes in Order to See, Galerie Praz-Delavallade, Paris, France Superfemmes, Rathausgalerie Kunsthalle, Munich, Germany You’re Scripted, Gabriele Senn Galerie, Vienna (catalogue) CONTACT Toronto Photography Festival, Museum of Contemporary Canadian Art, Toronto (catalogue), Canada Changing the World, ARNDT, Berlin, Germany Der Freie Wille ist Eine Illusion, Forgotten Bar Project Berlin, Germany, curated by Claudia Seidel 2010, Whitney Biennial, Whitney Museum of American Art, New York, USA, curated by Francesco Bonami and Gary Carrion-Muriyari (catalogue) My Brother, My Killer, Freymond-Guth & Co. Fine Arts, Zurich, Switzerland The Library of Babel/In and Out of Place, 176 / Zabludowicz Collection, London, UK Contemplating the Void, Solomon R. Guggenheim Museum, New York, USA HomeLess Home, The Museum on the Seam, Jerusalem, Israel 2009 Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin, Berlin (catalogue), Germany Dance in My Experience, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany 1989. Spione. Mauer. Kinderheim – An Der Brücke Zwischen den Welten, Villa Schöningen, Potsdam, Germany Morality: Beautiful from Every Point of View, Witte de With, Rotterdam (catalogue forthcoming), Netherlands 1989. End of History or Beginning of the Future? Comments on a Paradigm Shift, Kunsthalle Wien, Vienna, Austria; curated by Gerald Matt (catalogue) Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art Gallery, New Haven (catalogue), USA Learn to Read Art: A History of Printed Matter, Badischer Kunstverein, Karlsruhe; traveling to P.S.1 Contemporary Art Center, curated by AA Bronson No Soul for Sale: A Festival of Independents, Galerie im Regierungsviertel/ Forgotten Bar Project Berlin at X Initiative, New York, USA Narcotica, Galerie Im Regierungsviertel/Forgotten Bar Project Berlin, Germany, Basel, Switzerland Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst, Karlsruhe, Germany (catalogue) FAX, The Drawing Center, New York, USA; traveling to Contemporary Museum, Baltimore, Maryland; Plug In ICA, Winnipeg, Canada; Para/Site Art Space, Hong Kong; Torrance Art Museum, Torrance, California; Burnaby Art Gallery, Burnaby, Canada; Dowd Gallery, State University of New York, College at Cortland, Cortland, New York (catalogue), USA Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie, Karlsruhe (catalogue), Germany MAN SON 1969. Vom Schrecken der Situation, Hamburger Kunsthalle, Hamburg, Germany Living Together, Centro Cultural Montehermoso Kulturunea, Vitoria Álava, Spain; traveling to Museo de Arte Contemporáneo de Vigo, Spain, curated by Xabier Arakistain and Emma Dexter (catalogue) 2008 Prospect.1 New Orleans, USA, curated by Dan Cameron (catalogue), Shrink-Wrapped, Or Belkin Satellite Gallery, University of British Columbia, Vancouver, Canada Strange Connections: Art und Fashion, KUNST + PROJEKTE, Sindelfingen, Germany Constellations, Artissima, Turin, Italy, curated by Stephanie Moisdon and Susanne Pfeffer Alternating Beats, Museum of Art - Rhode Island School of Design, Providence, USA Asking we Walk, Voices of Resistance, Den Frie Udstillingsbygning, Copenhagen, Denmark Business As Usual, Museum of Contemporary Art Detroit, Detroit, USA That Was Then… This is Now, P.S.1 Contemporary Art Center, Long Island City, New York, USA Zidovi na ulici | Walls in the Street, Siemens Arts Program, MSUB, Museum of Contemporary Art, Belgrade (catalogue), Serbia Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum, Graz, Austria (catalogue) Vertrautes Terrain - Aktuelle Positionen in / über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (catalogue), Germany Sculpture Is…, Arndt & Partner, Berlin, Germany 2007 Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York, USA Bare Life, The Museum on the Seam, Jerusalem (catalogue), Israel Nouvelles Acquisitions/Volet 1, FRAC Nord – Pas de Calais, Dunkerque, France Brave New Worlds, Walker Art Center, Minneapolis, USA, curated by Doryun Chong and Yasmil Raymond (catalogue) From 60 to 7, Henie Onstad Kunstsenter, Hovikodden, Norway, curated by Frank Lubbers An Atlas of Events, Calouste Gulbenkian Foundation, Lisbon, Portugal (catalogue) Shadows in Paradise, FRAC Nord - Pas de Calais, Dunkerque, France When We Build Let Us Think That We Build Forever, The Zabludowicz Collection, Baltic Centre for Contemporary Art, Gateshead, UK, curated by Jérôme Sans New York: States of Mind, Haus der Kulturen der Welt, Berlin, Germany; traveling to The Queens Museum of Art, Queens, New York, USA, curated by Shaheen Merali (catalogue) Resistance Is, Whitney Museum of American Art, New York, USA, curated by Christina Kukielski Rendición Extraordinaria/Extraordinary Rendition, NoguerasBlanchard, Barcelona, Spain Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and Amnesia, Moscow, Russia, curated by Joseph Backstein, Daniel Birnbaum, Nicolas Bourriaud, Fuliya Erdemchi, Gunnar B. Kvaran, Rosa Martinez and Hans Ulrich Obrist (catalogue) Just Kick It Till It Breaks, The Kitchen, New York, USA, curated by Debra Singer and Matthew Lyons (catalogue) 2006 Media Burn, Tate Modern, London, UK, curated by Emma Dexter Josephine Meckseper, Eric Baudelaire, Adrian Piper, Wayne Gonzales, Elizabeth Dee Gallery, New York, USA The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial of Contemporary Art of Seville, Seville, Spain, curated by Okwui Enwezor (catalogue) The Searchers, EFA Gallery, New York, USA, curated by Molly Dilworth and Amoreen Armetta (catalogue) USA Today, Works from the Saatchi Collection, Royal Academy of Arts, London, UK; traveling to The State Hermitage Museum, St. Petersburg (catalogue), Russia Video America, The Hospital Gallery, London, UK curated by Neville Wakefield Big City Lab, Art Forum Berlin, Germany, curated by Friederike Nymphius (catalogue) Two Friends and So On, Andrew Kreps Gallery, New York, USA Trial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon, Spain, curated by Yuko Hasegawa, Agustin Perez Rubio and Octavio Zaya (catalogue) Stephen Andrews, Marc Handelman, Josephine Meckseper, Tom Molloy, Steve Mumford, Barbara Pollock: This Ain’t No Fooling Around, Rubicon Gallery, Dublin, Ireland Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York, USA, curated by Chrissie Iles and Philippe Vergne (catalogue) Cooling Out - On the Paradox of Feminism, Lewis Glucksman Gallery, University College, Cork, Ireland; concurrently exhibited at Halle für Kunst, Lueneburg, Germany; Kunsthaus Baselland, Muttenz/Basel, Switzerland (catalogue) 2005 Experiencing Duration, Biennale d’art contemporain de Lyon 2005, Lyon, France, curated by Nicolas Bourriaud and Jérôme Sans (catalogue) Schwarz Brot Gold - Die Neue Republik, Oldenburger Kunstverein, Oldenburg, Germany Girls on Film, Zwirner & Wirth, New York, USA Bonds of Love, John Connelly Presents, New York, USA, curated by Lisa Kirk (catalogue) A.B.Normal, NYEHAUS, New York (catalogue), USA 2004 twinkle, twinkle, Galerie Reinhard Hauff, Stuttgart, Germany Heimweh: Young German Art, Haunch of Venison, London, UK, curated by Juliane von Herz (catalogue) The Future Has a Silver Lining: Genealogies of Glamour, Migros Museum für Gegenwartskunst, Zurich, Switzland, curated by Heike Munder and Tom Holert (catalogue) Dresscode, Kunstverein Neuhausen, Neuhausen/Fildern, Germany American Idyll, Greene Naftali, New York, USA 2003 Fuckin’ Trendy, Kunsthalle Nuremberg, Nuremberg, Germany, curated by Ellen Seifermann (catalogue) All That Glitters, Islip Art Museum, East Islip, New York, USA In the Public Domain, Greene Naftali, New York, USA Nation, Frankfurter Kunstverein, Frankfurt, Germany Josephine Meckseper, Christoph Steinmeyer, Bernard Kahrmann, Elizabeth Dee Gallery, New York, USA 2002 Bitch School, The Bronx Council on the Arts, Longwood Arts Project, New York, USA Good Vibrations: Philip Argent, Marcy Freedman, Heribert Freidl, Josephine Meckseper, Galerie Jette Rudolph, Berlin, Germany 2001 Wine, Women & Wheels, White Columns, New York, USA 2000 New New York, Texas Fine Arts Association, The Jones Center for Contemporary Art, Austin, Texas, USA, curated by Alejandro Diaz (catalogue) Grok Terence McKenna Dead, Feature Inc., New York, USA Flea Market, Gavin Brown’s Enterprise, New York, USA Wunderbar, Art Club Berlin at W139 Gallery, Amsterdam, Netherlands 1999 Overflow, D’Amelio Terras, Marianne Boesky Gallery and Anton Kern Gallery, New York, USA, curated by Caroline Schneider and Meg O’Rourke (catalogue) Criss Cross: Some Young New Yorkers III, P.S.1 Contemporary Art Center, Long Island City, New York, USA Free Coke: Lines, Drawing and Paper, Greene Naftali, New York, USA Lifer, Cardozo School of Law Gallery, New York, USA, curated by Kenny Schachter 1998 Super Freaks: Post Pop and the New Generation. Part 1: Trash, Greene Naftali, New York, USA Selective Affinities, Wahlverwandtschaften, New York Security Ministorage, New York, USA Art Club Berlin, Art Forum, Berlin; Au Base, New York, USA; Artistsspace W139, Amsterdam, Netherlands; curated by Klara Wallner 1996 Mixing Messages: Graphic Design in Contemporary Culture, Cooper-Hewitt, National Design Museum, New York, USA, curated by Ellen Lupton Departure Lounge, P.S.1 Contemporary Art Center, Clocktower Gallery New York, USA Summer Show, Greene Naftali, New York, USA Intervention: Tendenzen im Schatten der Stadtplanung, Stiftung Starke, Berlin (catalogue), Germany 1995 Wheel of Fortune, Lombard-Fried Fine Arts, New York, USA Benefit Exhibition, American Fine Arts, New York, USA Alter Image, 450 Broadway Gallery, New York On the Lamb, Thicket Gallery, New York Geiselnahme, The Puck Building, New York (performance); Zum Goldenen Hirschen, Hamburg (exhibition) Verisimilitude and the Utility of Doubt, White Columns, New York, curated by Bill Arning and Gregory Crewdson 1994 This Is Your Home, Stuyvesant Town, New York, USA, curated by Ania Corcilius Page 5, 450 Broadway Gallery, New York Agent Artist, P.S. 1 Contemporary Art Center, Long Island City, New York, USA Paranoid, M*Y*T*H Series, The Brewery Gallery, Los Angeles, USA, curated by Sam Durant 1992 Tattoo Collection, Andrea Rosen Gallery, New York, USA; Galerie Daniel Buchholz, Cologne, Germany; Jennifer Flay Gallery, Paris, France, organized by Air de Paris, Nice, and Urbi et Orbi, Paris, France 1990 Licht und Schein, KUBUS, Kunstverein Hannover Land, Hannover, Germany 1989 Neue Darmstädter Sezession, Darmstadt, Germany Grillen, Ohlauer Strasse, Berlin Selected film festivals and screenings 2011 Landmarks Video, University of Texas at Austin (upcoming) 2009 Hot or Cold, Haus der Kulturen der Welt, Berlin Migrating Forms Film Festival, New York Selected lectures and symposia 2011 “Josephine Meckseper on Hanne Darboven,” Artists on Artists Lecture Series, Dia Art Foundation, New York, April 4 2010 “The Type,” Andrea Rosen Gallery, New York, July 13 Whitney Contemporaries Gallery Talk with Gary Carrion-Muriyari, Elizabeth Dee Gallery, New York, May 20 Contemporary Photography Forum, Museum of Modern Art, New York, March 18 Young Collectors Council, Guggenheim Museum, New York, February 19 2009 Indianapolis Museum of Art, Indianapolis, Indiana, December 10 University of Houston, Houston, Texas, November 12 Nottingham Contemporary, Nottingham, United Kingdom, July 28 How Can Art be Political in a Free Market System?,” Rotterdam Dialogues: The Artists, Witte de With Center for Contemporary Art, Rotterdam, Netherlands, April 16-18 (catalogue) 2008 Fundación/Colección Jumex, Mexico City, July 10 2007 Art Center College of Design, Pasadena, California, November 6 Selected public collections Museum of Modern Art, New York Whitney Museum of American Art, New York Solomon R. Guggenheim Museum, New York Brooklyn Museum, New York migros museum für gegenwartskunst, Zürich Hammer Museum, UCLA, Los Angeles The Saatchi Gallery, London Kunstmuseum Stuttgart, Germany Kunsthalle Bremen, Germany DekaBank, Frankfurt, Germany Landesbank Baden-Württemberg, Germany FRAC Nord - Pas de Calais, Dunkerque, France Van Dam Art Collection, Holland Berezdivin Collection, San Juan Selected bibliography Monographs, Books, and Exhibition Catalogues 2011 Chauveau, Bernard (editor), Cover Girl, Galerie des Galeries, Paris (exhibition catalogue). Paris: Galeries Lafayette – La Galerie des Galeries, pp. 14-15. Engman, Stacy, Contemporary Magic: A Tarot Deck Art Project, National Arts Club, New York (exhibition catalogue). New York: KLÜP Foundation, p.54. On View, Worldwide, for the Month Of…. New York: Kunstverein NY, October. Rancière, Jacques, A felszabadult néz!. Budapest: Mcsarnok - Kunsthalle, p. 22. Saadawi, Ghalya (editor), interview with Rachel Hooper, Sharjah Biennial 10: Plot for a Biennial, Sharjah Art Foundation, United Arab Emirates (exhibition catalogue). Sharjah: Sharjah Art Foundation, pp. 437-442. 2010 Bonami, Francesco and Gary Carrion-Muriyari (editors), 2010, Whitney Biennial, Whitney Museum of American Art, New York (exhibition catalogue). New Haven: Yale University Press, pp. 84-85. Etgar, Raphie, The Right to Protest, Museum on the Seam, Jerusalem (exhibition catalogue). Jerusalem: Museum on the Seam. Gray, Zoë, Miriam Kathrein, Nicolaus Schafhausen, Monika Szewczyk, Ariadne Urlus (editors), Rotterdam Dialogues: The Critics, The Curators, The Artists. Rotterdam: Post Editions and Witte de With, Center for Contemporary Art, pp. 216, 238, 265 Lulic, Marko, art & film: curated by_vienna. Nürnberg: Verlag für moderne Kunst, pp. 90-95 (exhibition catalogue). Pervasive Influence, CONTACT Photography Festival, Museum of Contemporary Art Toronto (exhibition catalogue). Singer, Debra, Creamier: Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10 Sources. London: Phaidon. 2009 Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie Karlsruhe (exhibition catalogue). Dailey, Meghan (introduction), The Shape of Things to Come: New Sculpture. Rizzoli, pp.490-511. Dexter, Emma, 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich. London: Thames and Hudson, pp. 314-319. Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst Karlsruhe (exhibition catalogue). Gonzales, Erik, et. al, Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art Gallery (exhibition catalogue), edited by George Rush. Hooper, Rachel, Sylvère Lotringer, and Heike Munder, Josephine Meckseper, Zurich: JRP|Ringier. Jansen, Gregor and Thomas Thiel (editors), Vertrautes Terrain - Aktuelle Positionen in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (exhibition catalogue) Heidelberg: Kehrer Verlag; pp. 278. Lotringer, Sylvère, Vitamin 3-D: New Perspectives in Sculpture and Installation. London: Phaidon Press, pp. 194-197. Matt, Gerald, Cathérine Hug and Thomas Mießgang (editors), 1989. Ende der Geschicte oder Beginn der Zukunft, Kunsthalle Wien and Villa Schöningen (exhibition catalogue). Nuernberg: Verlag für moderne Kunst Nürnberg (forthcoming). Morality, Witte de With Center for Contemporary Art (exhibition catalogue)(forthcoming). Müller, Vanessa Joan (editor), Béton Brut, Dance in My Experience, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (exhibition catalogue). Schwarzach am Main: Benedict Press, pp. 11-13, 59. Neil, Jonathan T.D. (editor), FAX, The Drawing Center (exhibition catalogue). New York: The Drawing Center/Independent Curators International. Rancière, Jacques, Der emanzipierte Zuschauer, trans. Richard Steurer. Vienna: Passagen Verlag, p. 37 (ill.). Roth, Andrew and Phil Aarons (editors), In Numbers: Serial Publications by Artists Since 1955, New York: PPP Editions; pp. 51-52, 160-164. Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin (exhibition catalogue). Berlin: Temporäre Kunsthalle. 2008 Andelkovic, Branislava, Marko Lulic and Thomas Trummer (editors), Zidovi na ulici | Walls in the Street, Siemens Arts Program, MSUB, Museum of Contemporary Art (exhibition catalogue), pp. 70-75, 194. Bloemink, Barbara, et. al, Prospect.1 New Orleans (exhibition catalogue), Brooklyn: Picturebox, pp. 238 – 241. Hoff, James (editor), Top Ten: 1998-2008. New York: No Input Books, p. 304. Holzwarth, Hans Werner (editor), Art Now Vol. 3. Cologne: Taschen, pp. 308-311. Lotringer, Sylvère, Gabriele Mackert and Mona Schieren, Quelle International. Josephine Meckseper. Bremen: GAK. Rancière, Jacques, Le spectateur émancipé. Paris: La Fabrique editions, p. 32, ill. Schaschl, Sabine, Bettina Steinbrügge, René Zechlin (editors), Cooling Out - On the Paradox of Feminism, Kunsthaus Baselland, Muttenz/Basel, Switzerland (exhibition catalogue), Zürich: JRP|Ringier, cover and pp. 136-137. Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum, Graz: Edition Camera Austria (exhibition catalogue), pp. 95-103, 126. Tresaco, Boyer, Best New York Art 2008. New York: Theredoom, pp. 18-19. Weibel, Peter, Vertrautes Terrain - Aktuelle Positionen in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (exhibition brochure), pp. 49, 226. 2007 Baudrillard, Jean, and Sylvère Lotringer (introduction), Forget Foucault. Los Angeles: Semiotext(e), 2nd Revised Edition, cover ill. Bourriaud, Nicholas, et. al., Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and Amnesia (exhibition catalogue). Moscow: Artchronika, pp. 102-103. Brand, Roy (editor), Bare Life, Museum on the Seam, Jerusalem (exhibition catalogue), pp. 81-78. Enwezor, Okwui, Christian Hoeller and Marion Ackermann (editor), Josephine Meckseper. Ostfildern: Hatje Cantz Verlag. Hooper, Rachel, “Satire and a Cynical Smile: Josephine Meckseper,” Brave New Worlds, Walker Art Center, Minneapolis (exhibition catalogue), edited by Doryun Chung and Yasmil Raymond, pp. 144-149. Merali, Shaheen (editor), New York – States of Mind. Art in the City (exhibition catalogue), London: Saqi, pp. 116-119. Ribeiro, Antonio Pinto, An Atlas of Events (exhibition catalogue). Calouste Gulbenkian Foundation, pp. 50-51. Singer, Debra and Matthew Lyons, Just Kick It Till It Breaks, The Kitchen, New York (exhibition catalogue). 2006 Big City Lab, Art Forum Berlin (exhibition catalogue). Berlin: Messe Berlin GmbH. Dailey, Meghan, Patricia Ellis and Norman Rosenthal, USA Today: New American Art from The Saatchi Gallery (exhibition catalogue). London: Royal Academy of Arts, cover and pp. 248-263. Day For Night, Whitney Biennial 2006, Whitney Museum of American Art, New York (exhibition catalogue). New York: Henry N. Abrams, Inc. Enwezor, Okwui (editor), The Unhomely: Phantom Scenes in Global Society, 2nd International Biennial of Contemporary Art of Seville (exhibition catalogue). Seville: Fundación BIACS. Lotringer, Sylvère, The Josephine Meckseper Catalogue No. 2 (exhibition catalogue), New York and Berlin: Sternberg Press. Schmidt, Jason, Artists, Paris: Edition 7L., p. 14. The Searchers, EFA Gallery, New York (exhibition catalogue). Trial Balloons, Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon (exhibition catalogue). 2005 A.B.Normal, NYEHAUS, New York (exhibition catalogue). Bonds of Love, John Connelly Presents, New York (exhibition catalogue). Canada: PAZAZZ. Expérience de la durée, Biennale d’art contemporain de Lyon 2005 (exhibition catalogue). Paris: Paris Musées. The Future Has a Silver Lining: Genealogies of Glamour, Migros Museum für Gegenwartskunst, Zurich (exhibition catalogue). Zurich: JRP-Ringier. 2004 Gandhi, Arun, et al., 2/15: The Day the World Said No to War. New York: Hello NYC; Oakland and Edinburgh: AK Press. Heimweh: Young German Art, Haunch of Venison, London (exhibition catalogue). Kelsey, John and Andrew Ross, The Josephine Meckseper Catalogue (exhibition catalogue). New York: Lukas & Sternberg. 2003 Fuckin’ Trendy, Kunsthalle Nuremburg (exhibition catalogue). 2000 New New York, The Jones Center for Contemporary Art, Austin, Texas (exhibition catalogue). Austin: Texas Fine Arts Association. Periodicals, radios, and television 2012 Allison, Chelsea, “Uncommon Ground: Josephine Meckseper’s New Installation Takes Shape in Times Square, “ Vogue.com, March 1, http://www.vogue.com/culture/article/josephine-meckseper-manhattanoil-project/. Browne, Alix, “Texas Tea Party,” T Magazine, March 6, http://tmagazine.blogs.nytimes.com/tag/josephine-meckseper/. Gopnik, Blake, “Artist Josephine Meckseper Digs for Oil in Times Square–And Strikes Gold.” The Daily Beast, March 4, http://www.thedailybeast.com/articles/2012/03/04/artist-josephinemeckseper-digs-for-oil-in-times-square-and-strikes-gold.html. Kennedy, Randy, “A Wildcat Operation in Midtown,” The New York Times, March 1, p. C3. Mathis, Samantha, “Samantha Mathis Chats with Artist Josephine Meckseper about her ‘Manhattan Oil Project,’” Paper TV, March 28, http://www.papermag.com/2012/03/josephine_mecksepper.php. Russeth, Andrew, “Josephine Meckseper’s ‘Manhattan Oil Project’,” The New York Observer, March 2, http://www.galleristny.com/2012/03/josephine-mecksepers-manhattanoil-project/. Smith, Roberta, “Josephine Meckseper: ‘Manhattan Oil Project’,” The New York Times, March 23, p. C25. Spears, Dorothy, “Striking Oil, Artistically, in Midtown,” The New York Times, March 5, http://green.blogs.nytimes.com/2012/03/05/striking-oil-artistically-inmidtown/. Walleston, Aimee, “Josephine Meckseper Drills to New York’s Dark Center,” Art in America, March 5, http://www.artinamericamagazine.com/news-opinion/news/2012-03-05/josephine-meckseper/. “500 Words: Josephine Meckseper,” Artforum.com, March 6, http://artforum.com/words/id=30454. “Josephine Meckseper Designs Oil Rigs in Times Square for ‘The Manhattan Oil Project’,” The Huffington Post, March 7, http://www.huffingtonpost.com/2012/03/06/josephine-meckseperdesig_n_1324987.html. “Josephine Meckseper, at her ‘Manhattan Oil Project.” The New Yorker, Marcy 26, p. 10. “Phantom oil pumps and a soaring marble column arrive at New York’s Time Square.” artdaily.org, http://www.artdaily.org/index.asp?int_sec=2&int_new=54064. “Josephine Meckseper, Manhattan Oil Project,” Time Out New York, March 8-14, p. 39. 2011 “The 100 Best Fall Shows, Modern Painters, September, pp. 70-71. “Cover girl à la Galerie des Galeries,” À Nous Paris, February 14, p. 21. Douglas, Sarah, “Paddle 8, The Latest Online Art Sales Venture, Bets on Virtual Exhibitions,” ARTINFO, April 27, http://www.artinfo.com/news/story/37560/. Madden, Kathleen, ‘Critic’s Picks’, Artforum.com, April 1, http://artforum.com/picks/section=nyc#picks27296 Meckseper, Josephine, “Josephine Meckseper on Carsten Höller’s Sliding Doors (2003),” Tate Etc., Issue 23, Autumn, p. 110. Morse, Trent, “Josephine Meckseper: FLAG Art Foundation,” ARTnews, Summer, Volume 110, Number 7, p. 121. Neil, Jonathan T.D., “Josephine Meckseper,” Art Review, October, Issue 53, pp. 86-91. Trembley, Nicolas, “Rage Against the Vitrine,” Numero, August, Volume 125. Ullrich, Wolfgang, Die Hybris des Hyperdekorativen. Kunst und Kirche, February, pp. 16-19. 2010 2010, Visionaire No. 57.’ Visionaire; Limited edition, January 31 Belenky, Alexander, “Why Aren’t Artists Angry Anymore?,” The Atlantic, March 3. Bradley, Bill, “A Sneak Peek at the Whitney Biennial,” VF Daily | Vanity Fair, February 25. www.vanityfair.com/online/daily/2010/02/a-sneak-peek-atthewhitney-biennial.html. Bodin, Claudia, “Got weiss, was Amerika im Schilde führt,” ART Das Kunstmagazin, February 25, www.artmagazin.de/kunst/26831/whitney_biennale_2010_new_york. Bodin, Claudia, “Immer shön laufen und trinken,” ART Das Kunstmagazin, March 5, http://www.art-magazin.de/kunst/27168/armory_show_new_york. Budick, Ariella, “Confronting the Void, Guggenheim, New York,” Financial Times, Arts: Design & Architecture, March 4. “Capture,” Interview, March, p. 72. Carrion-Muriyari, Gary and Josephine Meckseper, interview by Leonard Lopate, “2010 Whitney Biennial,” The Leonard Lopate Show, WNYC, April 16. Chaillou, Timothée, Apparaître Ici, L'art même 46, 1er Trimestre, 2010, pp.12-13. Chaplin, Julia, “Art Basel Miami’s Big-Buzz 10,” The New York Times, November 28. Decker, Julia, and Lars Reichardt, “Hoffnung is für mich ein duboioser Begriff,” Süddeutsche Zeitung Magazin, No. 19, May 14, cover and poster insert. Douglas, Sarah, and Andrew Goldstein, “Bustling Armory Opening Heralds Contemporary Art Market Resurgence,” ARTINFO, March 4, www.artinfo.com/news/story/34062/bustling-armory-opening- showscontemporary-artmarket-resurgence/. Eberle, Todd, “The Whitney 2010 Ambienalle,” VF Daily | Vanity Fair, February 24, http://www.vanityfair.com/online/daily/2010/02/the- whitney-2010-ambienalle.html. Egan, Maura, “Fair Game | Playing it Safe at the Armory,” New York Times / T Magazine Blog, March 5, http://tmagazine.blogs.nytimes.com/2010/03/05/fair-game-playing-it-safe- atthearmory. Gartenfeld, Alex, “2010,” Art in America Online, April 21, http://www.artinamericamagazine.com/reviews/2010. “Goings on About Town: Art,” The New Yorker, March 8. Goldstein, Andrew, Andrew Russeth and Amber Vilas, “Whitney Biennial 2010 Breakdown: The Outliers,” ARTINFO, February 23, www.artinfo.com/news/story/34003/whitney-biennial-2010-breakdowntheoutliers. Gopnik, Blake, “Art review: Blake Gopnik on 2010 Whitney Biennial, consumed with small Change,” The Washington Post, March 4, p. C03. “Guggenheim artists fill ‘void’ with ideas,” France24, February 13, 11:33 PM, and www.france24.com/en/20100213-guggenheim-artists-fill-void-with- ideas. Hall, Emily, “Josephine Meckseper at Elizabeth Dee,” Artforum, September, 329-330. Halle, Howard, “Art Review: 2010 Whitney Biennial,” Time Out New York, Issue 753, March 4-10. Häntzschel, Jörg: Ruhe bitte!: die Krise der amerikanischen Kunst bei der Whitney Biennale, Süddeutsche Zeitung, February 27. Johnson, Ken, “Ahoy From Nudes, a Pirate and Scrooge McDuck,” The New York Times, March 4. “Josephine Meckseper,” The New Yorker, Goings on About Town: Art, June 7, p. 12. Kazanjian, Dodie, “Dee’s Day,” Vogue, October, 298-301, 336 (ill.). Kuhn, Thomas, “Whitney Biennial: 2010,” Kunstforum International, No. 202, May/June, pp. 284-289. Kunitz, Daniel, “Josephine Meckseper,” Modern Painters, June 10, http://www.artinfo.com/news/story/34873/josephine-meckseper/ Laster, Paul, “Surveying the 2010 Whitney Biennial,” Flavorwire, February 26, http://flavorwire.com/73377/surveying-the-2010-whitney-biennial Levin, Todd, “Whitney Biennial: The Voices of Silence,” Flash Art, No. 272, May/June, pp. 61- 62. McGarry, Kevin, “2010: A Small Odyssey,” Rhizome Front Page, March 10, http://rhizome.org/editorial/3362. “Meckseper im Whitney,” Stuttgarter Zeitung, February 2. Monick, Dan, “She’s got balls,” PAPER, September, 112-127. Phillips, Lisa, “Whitney Biennial,” Interview, February, pp. 100-107. Pollack, Barbara, “Whitney Biennial: A review of ‘2010,’” ARTnews, Volume 109/Number 4, April 2010, pp. 104-105. Smee, Sebastian, “Whitney show is an anthem to the awful,” The Boston Globe, A&E, February 25. Smith, Roberta, “Creative Debate, Not Too Loud,” The New York Times, The Arts, June 2, pp. C1, C5. Smith, Roberta, “Take This Museum and Shape It,” The New York Times, Weekend Arts, February 19, pp. C23, C27. “Smoke and Mirrors,” W Magazine, November 2010, pp.144-147. Szewczyk, Monika, “Josephine Meckseper: American Still Life,” Flash Art, No. 272, May/June, pp. 98-100. Thorson, Alice, “Whitney Biennial art show keeps a smaller, tighter focus in 2010,” The Kansas City Star, March 13. Walker, Benjamen, “WhiBi Conversations: Film and Video,” WNYC Culture Blog, February 18, http://culture.wnyc.org/blogs/whitney-biennial-2010/2010/feb/18/whitney-biennial-converstions-film (ill. only). Walleston, Aimee, “In the Style of Bonami/Bonami in Profile,” V Magazine Online, http://www.vmagazine.com/article.php?n=14968. Walleston, Aimee, “Josephine Meckseper/Elizabeth Dee,” The Last Magazine, No. 5, Fall, 19. Wilson, Michael, “Josephine Meckseper: The artist critiques contemporary America,” Time Out New York, No. 770, July 1-7. Winklbauer, Andrea, Vom heissen Atem der Geschichte, Neue Zürcher Zeitung, Kultur, January 20. Wolff, Sarah, “Best of the Whitney Biennial,” The Daily Beast, February 24, http://www.thedailybeast.com/blogs-and-stories/2010-02-24/best-of- thewhitneybiennial. Yablonsky, Linda, “Whitney Biennial Mishmash Serves Up Michael Jackson, Macrame,”Bloomberg.com, February 25, www.bloomberg.com/apps/news?pid=20601088. Yablonsky, Linda, “Women’s Work,” The New York Times Style Magazine, February 28, pp. 142-144. 2009 Ackermann, Tim, “Alles is kommerziell, alles ist politisch,” Welt am Sonntag, Kultur, November 8. “Am Lack kratzen,” St. Galler Tagblatt Gesamtausgabe, February 23. “Björks Image-Designer,” Annabelle, No. 3, February 4, p. 42. Bodewein, Lena, “Widerstand erzeugen: Josephine Meckseper im Portrait,” ARD German Radio Network, August 27. Britt, Douglas, “Unsettling works are order of the day,” Houston Chronicle, September 11, E2. Bugmann, Urs, “Unter dem Glanz klaffen die Abgründe,” Neue Luzerner Zeitung Gesamtausgabe, February 23. Buhr, Elke, Drei Fragen an: Josephine Meckseper, Monopol. Magazin für Kunst und Leben, No. 4, April, p. 14. Büsing Nicole & Klaas, Heiko, Auf dem Pulverfass, kunstmarkt.com, April 21. Danicke, Sandra, “Gnadenlos und schwarzweiß,” Frankfurter Rundschau, March 2. “Das Spiel einer Doppelagentin,” Zürichsee-Zeitung, Gegenwartskunst, April 20. Dumas, Brittni, “Art. Love. Politics.” Envy Magazine Online, Houston Arts, September 30, http://envymags.com/2009/09/art-love-politics/. Fronz, Hans-Dieter, “Schönheit als Ware,” Badische Zeitung, May 7. Giezendanner, Petra, ”Krieg von seiner gestylten Seite,” Art ensuite, April 3. Glauner, Max, Josephine Meckseper, Kapitalismuskritik reloaded, Kunstforum International, No. 196, April/May, pp. 363-364. “Glanz und Politik im aktuellen Amerika,” 20Minuten, February 23. Hess, Eva, Wollt ihr die totale Kunst?, SonntagsZeitung, February 15. “In Der Politischen Gefahrenzone,” Züri Tipp, February 19. “Josephine Meckseper,” Active live, No. 4, April. “Josephine Meckseper,” Kunstmagazin, No. 3. “Josephine Meckseper,” likeyou, February 17. Kaufman, Anthony, “‘Migrating Forms’ at Anthology Film Archives,” The Village Voice, April 15. Kobelt, Nina, “Reklamieren gegen die Reklame,” News, February 23. Krebs, Edith, Alles geht fein säuberlich auf, Die Wochenzeitung, March 19. Kucera, Andrea, “Kritik an Kapitalismus, Krieg und Konsum als Kunstform,” Zürcher Landzeitung, February 28. Marzahn, Alexander, “Kalt wie Chromstahl,” Basler Zeitung, April 1. McQuaid, Cate, “Videos, then and now, tell a story,” The Boston Globe, January 4. Meckseper, Josephine, “Josephine Meckseper on Birkenstocks’ unearned radical rep,” TAR Magazine, No. 2, Spring, p. 118. Meier, Philipp, Strahlender Abglanz des amerikanischen Albtraums, Neue Züricher Zeitung, February 24. “migrosmuseum | Josephine Meckseper,” Art-TV.ch, February. Moser, Kati, “Politische Kunst einer starken Frau,” Schweizer Illustrierte, March 23. Müller, Sabine, “Hemmungslose Verführer – Austellung: Josephine Meckseper übt in Münster Kapitalismuskritik,” Münstersche Zeitung, No. 247, October 22, Kultur. Powers, Bill, “Car Culture | Josephine Meckseper,” New York Times / T Magazine Blog, September 24, http://tmagazine.blogs.nytimes.com/2009/09/24/car-culture- josephinemeckseper. Restorff, Jörg, “Austellungen im März,” Kunstzeitung, March 5. Richter, Peter, “Der Mann mit den Mädchen,” Frankfurter Allgemeine Sonntagszeitung, No. 5, February 1. Santilli, Paula, “Crítica Realidad,” Semana, September 13-19, Culture, p. 22. “Schaufenster-Kunst,” Vanity Fair Germany, March 6. Schindler, Felix, Politische Kunst in gestylter Kulisse, Tages-Anzeiger, February 23. Schroeder, Mariana, “A Video Artist’s Uncompromising Political Takes,” Wall Street Journal Online, March 26, Europe News. Schwake, Vanessa, “Konsum trifft Krieg,” GQ-Magazin.de, March 6. Sherwin, Skye, Josephine Meckseper, Art Review, Issue 30, April, p. 25. Spampinato, Francesco, Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October. Stevenson, Bob, “Josephine Meckseper,” The Front Row, KUHF Houston Public Radio, October 20. “Subtile Analyse des amerikanischen Wertesystems: Künstlerin Josephine Meckseper stellt neue Werke in Münster aus,” Stadtmagazin Echo Münster Online, Kultur, October 22, http://www.echo- muenster.de/node/5624. “Transatlantic,” Parkett, No. 85, June, pp. 34, 38. Trieloff, Sabine, “Josephine Meckseper / Migros Museum, Zürich,” Vernissage.tv, February 27. Ullmer, Brigitte, “Ich nehme der Kunst ihren Sonderstatus,” Du Magazin, No. 795, April, pp. 122-124. Von Montgelas, Marie-Hélène, “Gib mir fünf! Tipps der Woche,” art, February 20. Wang, Michael, “Form and Function,” Artforum.com, April 10. Wendland, Johannes, Krieg und Konsum, Handelsblatt, February 27. Wewer, Antje, “Die Schwarz-Weiß-Malerin,” Süddeutsche Zeitung, March 21. Wiginton, Christina, “Prop Star,” HOUSTON Magazine, September, pp. 12 and 44. “Wirtschaftskrise und Konsumrausch Die Kunst der Josephine Meckseper,” Kunst Raum Münster, No. 4, October-December, pp. 9, 21, and 24. Wüst, Karl, “Keine Zukunft für alte Männer in Amerika,” Thurgauer Zeitung and Der Landbote, February 26. Wüst, Karl, “Kritischer Blick – mit Ironie versetzt,” Schaffhauser Nachrichten, February 26. Zimmer, Nina, “Meine Top 5 im Mai,” Kunstmagazin, No. 5. 2008 Amado, Miguel, “An Atlas of Events. Calouste Gulbenkian Foundation” Artforum, February, p. 309. Bayer, Helen,FAT Magazine, Next Level, Edition 13, pp. 110-113. Bodin, Claudia and Jürgen Frank, New York und ich, Art (Germany), No. 10, October, p. 53. Büsing, Nicole and Heiko Klaas,”The Erosion of the Symbolic, Josephine Meckseper,” Next Level, Edition 13, pp. 74-77. Carlin, T.J., “Art review: ‘That Was Then...This is Now,’” Time Out New York, September 11-17. Dany, Hans-Christian, Josephine Meckseper, Springerin, No. 02, Spring, p. 57. Gillick, Liam, Josephine Meckseper, Interview, November, pp. 48-49. Halle, Howard, Josephine Meckseper, Time Out New York, May 15-21, p. 73. Hildebranst, Tina and Heinrich Welfing, “Was tun wenn’s brennt?,” Zeit Magazin Leben, February 28, pp. 18-21. Johnson, Ken, Josephine Meckseper, The New York Times, May 16, p. E29. Johnson, Ken, Will the Revolution Be Museumized? Will There Be a Revolution?, The New York Times, July 25. Jones, Kristin M., Josephine Meckseper, frieze.com, May 8. Judd, Flavin, Josephine Meckseper, BOMBsite.com, December 11. Kastner, Jeffrey, Party Lines, Art and Auction, July. Mummenhoff, Julia, Ornament der Masse, Spike Art Quarterly, No. 15, Spring, pp. 123-124. Probst, Carsten, Zeitgeist-Rebellin, Deutschlandradio, February 16. Raab, Jürgen, Aktionen & Projekte, Kunstforum International, No. 193, September-October, p. 412. Rosenberg, Karen, Splitting a Gallery in Half to Focus on Social Strife, The New York Times, September 11. Schirrmeister, Benno, Kunst, so unromantisch, wie es nur geht, die tageszeitung, February 21. Schneider, Konstantin, “Josephine Meckseper: Gewagtes Spiel/Going for Broke,” Berliner Kunstkontakter, http://www.berlinerkunstkontakter.de/flash/kw3708/meckseper20092008. htm. Spampinato, Francesco, “Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October. Steirischer Herbst 2008, Camera Austria, 102/2008, July. Untitled, 2008, herbst. Theorie zur Praxis, Graz: Steirischer Herbst, pp. 90-97. Zhong, Fan, “New Photography 2008: Josephine Meckseper and Mikhael Subotzky,” Interview, September. 2007 Artnet Questionnaire, “Where is Josephine Meckseper,” artnet.de, September 20. Amado, Miguel, “Just Kick It Till It Breaks,” Artforum.com. Braun, Adrienne, “Die Demo als Deko,” Süddeutsche Zeitung, July 17, p. 13. Bryan-Wilson, Julia, “Josephine Meckseper: Display; the female form and protest culture,” Frieze No. 105, March, p. 166. Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper,” artist kunstmagazin 72, February, pp. 22- 27. Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper: Die Kunst der stilvollen Anarchie,” spiegelonline.de, July 14. Carnevale, Fulvia and John Kelsey, “Art of the Possible: An interview with Jacques Rancière,” Artforum, March, p. 259. Christofori, Ralf, Checkpoint, Jan - April 2007, pp. 60-69 (excerpt from Monopol, No. 04/2005). Christofori, Ralf, “Schöne Ware Welt,” Der Tagesspiegel, August 12, p. 26. Columbus, Nikki, “Previews: Josephine Meckseper,” Artforum, May, p. 206. Cotter, Holland, “Just Kick It Till It Breaks,” New York Times, April 13, p. E34. Cumming, Laura, “Go ahead and shock me, The Guardian (London), January 7. Deepwell, Katy, Social Feminism and the question of difference, n.paradoxa, Vol. 19, January, p. 94. Diez, Georg, “Atelierbesuch: Josephine Meckseper,” ZEIT magazin Leben, 27/07, June 28, pp. 46-48. Fox, Dan, “USA Today,” Frieze, No. 105, March, p. 183. Frenzel, Sebastian, “Ich bin dann mal links,” Vanity Fair 07/29, July 12, pp. 112-115. Genocchio, Benjamin, “Resistance Is...,” The New York Times, Museum and Gallery Listings, July 6. Harris, Jane. “Art and Politics,” Artnet.com, August 29. Herbert, Martin, “2nd Seville Biennial,” Frieze, No. 104, January/February, pp. 162-163. Johnson, Ken, Never Mind the Map: Sometimes New York City is More of an Idea (Art Review: New York States of Mind), The New York Times, December 12. “Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart,” arte Kultur, arte-televison, July 10. “Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart”, Nachtkultur, SWR 3-television, July 13. Kedves, Jan, “Wäschetag,” Monopol, Magazin für Kunst und Leben, No. 6, June, pp. 68-75. Knöfel, Ulrike, “Die Frau ist schwierig,” Der Spiegel 42/2007, October 15, pp. 182-183. Kuni, Verena, “Josephine Meckseper im Kunstmuseum” Kunstbulletin, September 20, p. 60. “Kunstmuseum in Stuttgart zeigt das Werk der Konzeptkünstlerin Meckseper,” tagesthemen, ARD-television, July 13. Leisten, Georg, “Die Warenwelt verdaut ihre Kritiker,” Stuttgarter Zeitung, July 14, p. 33. Léith, Caoimhín Mac Giolla, “Cooling Out,” Frieze, No. 105, March, pp. 180-181. McElheny, Josiah, “Readymade Resistance,” Artforum, No. 6, October, pp. 331-332. Meckseper, Josephine, “The Artists’ Artists,” Artforum, December, p. 132. Meinhardt, Johannes, “Josephine Meckseper: In den Fängen der Konnotation,” Kunstforum International 188/07, July, pp. 431-432. Merali, Shaheen, “Biennials/Survey Shows,” Frieze, No. 104, January/February, p. 125. Peine, Sibylle, “Lob des Designer-Hammers,” Die Welt, August 3, p. 24. “Portfolio,” Art on Paper, January/February, cover and pp. 44-45. Reier, Sharon, “Contemporary Art: Follow the money,” Herald Tribune, January 27-28. Rosenau, Mirja, “Sexy Stützstrümpfe,” Art, October, p. 89. Rosenberg, Karen, “At Fairs by the Beach, The Sands of Creativity,” The New York Times, December 8, pp. A15, A19. Sansom, Anna, “This city is a riot. Josephine Meckseper,” Sleek Magazine, No. 13, Winter 2006/2007, pp. 110-115. Schumacher, Hajo, “Gefaehrliche Liebschaften,” Sueddeutsche Zeitung Magazin, February 9, pp. 8-9. Ullrich, Wolfgang, “Der Duft der Kapitalismuskritik,” die tageszeitung, September 18, p. 21. Widmann, Arno, “Den Durchblick simulieren,” Frankfurter Rundschau, August 3, p. 37. Woeller, Marcus, “Der große Kunstrabatt,” die tageszeitung, July 23, p. 15. 2006 Academy plans new US art showcase, BBC News, April 5. Andrews, Max, “Trial Ballons,” Frieze, October, pp. 262-263. “American Expressions,” Harper’s Bazaar, November, p. 112. Baker, R.C., “Adrian Piper, Eric Baudelaire, Josephine Meckseper, Wayne Gonzales,” Village Voice, December 6. Bollen, Christopher, “Adrian Piper, Wayne Gonzales, Eric Baudelaire, Josephine Meckseper,” New York Times, December 8. Burn, Gordon, “Make it new,” Saturday Guardian, October 14, pp. 12-13. Clayton, Richard, “Legends of the Fall,” The Sunday Times Culture Magazine, September 17, p. 10. Cool Feminists, Irish Arts Review, October, p. 35. Coulson, Amanda, “Emerging Artists, Josephine Meckseper,” Modern Painters (London), March, pp. 60-62. Dunne, Aiden, “This Ain’t No Fooling Around,” The Irish Times, April 7. Eleey, Peter, “2006 Whitney Biennale,” Frieze, June-August, pp. 256-57. Ellis, Patricia, “Catching up with Charles (Saatchi),” Flash Art, October, pp. 66-67. Falconer, Morgan, “The States They’re In,” The Times 2, October 4, p. 15. Gopnik, Blake, “Red, White and Bleak,” The Washington Post, March 2, p. C1. Johnson, Ken, “Cady Noland Approximately,” The New York Times, May 12, p. E32. Knöfel, Ulrike, “Die Zeitgeist-Rebellin,” Der Spiegel, July 10, pp. 126-127. Lewis, Ben, “Private View,” Prospect, July, p. 60. Lienhard, Tim, “Josephine Meckseper: Eine Deutsche bei der New Yorker Whitney Biennale,” Arte-televison (Germany, France), March 4. Littlejohn, Georgina, “Academy feud,” Evening Standard (News Extra), May 11, p. 19. Markovits, Benjamin, “Culture sculpture,” The Times Literary Supplement, November 3, p. 18. McKeith, Eimear, “A war on the road to nowhere,” Dublin Sunday Tribune, April 16. Meckseper, Josephine, A Project for Atlántica. Atlántica Magazine, Summer, p. 78-89. O'Brien, Treasa, Cooling Out – on the paradox of feminism, Circa, No. 118, Winter, pp. 92-95. Pisano, Hortense, Bomben, Sexbomben überhaupt, die tageszeitung, September 19. Porter, Charlie, “Demand Economy,” GQ Style: Luxury Edition, Autumn/Winter. Reynolds, Nigel, “Saatchi is ready for another sensation at the RA” Daily Telegraph, April 4. Rosenberg, Karen, “Ready to Watch,” New York Magazine, February 27, pp.46-48. Scott, Andrea, “Exhibit A-list,” Time Out New York, February 23-March 1, pp.16-22. Scott, Andrea, “Josephine Meckseper, ‘%’,” Time Out New York, January 12-18, p. 58. Sholis, Brian, “Josephine Meckseper,” Artforum, February, pp. 111-112. Smith, Roberta, “Josephine Meckseper,” The New York Times, January 6, p.E34. Spiegler, Marc, “American Renaissance,” The Art Newspaper, No. 171, July-August, p. 32. “USA Today: New American Art from The Saatchi Gallery,” The Week, October 14, p. 31. Von Burg, Dominique, “Im Taumel vielfaeltiger weiblicher Lebensentwuerfe,“ Kunstbulletin, cover and pp. 36-47. Ward, Ossian, “Young Americans,” DB Artmag No. 38, October, p. 13. Wullschlager, Jackie, “An Ad-man’s Snapshot of America,” Financial Times, October 9, p. 11. 2005 Ammirati, Domenick, “Critics’ Picks: Bonds of Love,” Artforum.com, September. Christofori, Ralf, “Josephine Meckseper,” Monopol, Berlin, August, p. 22-33. Doran, Anne, “‘Girls on Film’: Zwirner & Wirth,” Time Out New York, September 1–7, p. 57. Egan, Maura, “Au Courant,” New York Times Style Magazine, November, p.26. “Experiencing Duration, Biennale d’art Contemporain de Lyon, 2005,” Flash Art, December, pp. 97-98. Kurbjuweit, Dirk, “Putsch gegen die Wirklichkeit: Gerhard Schröder will das Wahlergebnis nicht akzeptieren,” Der Spiegel, 39, September 26, p. 165. Meckseper, Josephine, “Top Ten,” Artforum, Summer, p. 142. “Neue Kunst,” Berliner Zeitung, September 29, pp. 1, 34 and cover. 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