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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Daniel Steegmann Mangrané

Works


Galleries

Mendes Wood
Marcela Caruso
Rua da Consolação, 3358, Jardins
01416-000 Sao Paulo, SP
Brazil

Phone: + 55 11 3081 1735
E-Mail: liaisons@mendeswood.com




Biography

born in 1977, Barcelona, Spain
works and lives in Rio de Janeiro, Brazil

Education

1996 – 1999 BA, EINA Centre Universitari de Disseny i Art, Barcelona, Spain
1999 – 2000 Photography, GrisART Escuela Superior de Fotografía, Barcelona, Spain

Solo shows

2015
“Another point in the same line and three points that don´t belong to the same line”, Múrias Centeno,
Lisboa, Portugal
“Spiral Forest (Kingdom of all the animals and all the beasts is my name)”, Esther Schipper, Berlin,
Germany
“ANIMAL QUE NO EXISTEIX”, CRAC Alsace, France

2014
Proyectos Monclova, Mexico D.F.
CRAC Alsace, Altkirch, France

2013
Cipó, Taioba, Yví. Casa França Brasil, Rio de Janeiro
Phasmides, Mendes Wood DM, Sao Paulo
/ (- \ , Galeria Nuno Centeno, Porto
Bicho de Nariz Delicado, A Certain Lack of Coherence, Porto
Akademie der Kunste, Berlin

2011
Dunas de la economía / maqueta sin calidad, Halfhouse, Barcelona
ArteBa, Buenos Aires
FOUR WALLS, Mendes Wood DM, Sao Paulo

2010
Teque-teque, Teatro Municipal Sergio Porto, Rio de Janeiro

2008
Equal / Cut, Ateliê 397, São Paulo
Fundació La Caixa (with Renata Lucas), Lleida

2007
Apresentação, Centro Cultural São Paulo, Sao Paulo

Group shows

2015
New Museum Triennial, New York
Construire une Collection, Noveau Musée National de Monaco, Monaco
MACBA, Barcelona
Hessel Museum, Bard College, Anandale and Hudson, New York
CaixaForum, Barcelona
Momentum Biennial, Oslo

2014
Una pausa... MUSAC, León
Family, IMO Projects, Copenhagen
Within the sound of your voice, Marrakesch Biennale, Marrakesch
Anti Narcissus, CRAC Alsace, Altkirch
First lines... Bortolami Gallery, New York
Ir para volver... Bienal de Cuenca, Cuenca, Equador
Treasure of Lima, Thyssen Bornemisza Art Academy, Coco’s Island, Costa Rica
Carne da minha perna, Hemmanuel Hervé, París
A transparent leaf instead of the mouth, 11 columbia, Mónaco
Premio PIPA, MAM Rio, Rio de Janeiro
El Contrato, Bulegoa, Alhondiga, Bilbao
Ouro, Centro Cultural Banco do Brasil, Rio de Janeiro
Inhotim, Palacio das Artes, Belo Horizonte

2013
Blind Field, Krannert Art Museum, Illinois University, Champaing
Correspondências, Instituto Tomie Othake, Sao Paulo
Kultur:Stadt, Akademie der Kunste, Berlin
Ambiguações, Sala A contemporânea, Centro Cultural Banco do Brasil, Rio de Janeiro
Seance of Geometry, Maddox Arts, London
Out of the Blue, Centro de Arte 2 de Mayo, Madrid
Concrete Remains, Cristin Tierney Gallery, New York
Blind Field, Broad Art Museum, Michigan University, East Lansing
Tropicalia Negra, Museo Experimental el Eco, Mexico DF
TopoDendroPhilia, Pilar Corrías Gallery, London
Fisicismos, Universidade Torquato di Tella, Buenos Aires
Museo de Arte Contemporáneo de San José, Costa Rica
Escampar els fems, Bienal de Jafre, Jafre
Mutatis Mutandis, Largo da Artes, Rio de Janeiro
Kunsthalle Athena, Atenas
If the weather... 9ª Mercosur Biennial, Porto Alegre
Suicide Narcissus, The Renaissance Society, Chicago
Formas da continuidade no espaço, 33 Panorama da Arte Brasileira, MAM Sao Paulo
Colección VIII, Centro de Arte 2 de Mayo, Madrid
Utopien Vermeiden, Werkleitz Biennale 2013, Halle
Panoramas do Sul, VideoBrasil, Sao Paulo
Neue Berliner Kunstverein, Berlin
Zacheta National Art Gallery, Varsaw

2012
Gymnasia Herzlia, Tel-Aviv
Pindorama Suit, Rongwrong, Amsterdam
Aparelho óptico, o Filme, Paço das Artes, São Paulo
Diana Stitger & Mendes Wood DM, Amsterdam / Sao Paulo

2011
Museo ABC, Madrid
Belvedere, Estrany de la Mota, Barcelona
5x5 International Art Prize, Espai d’Art Contemporani de
Castelló, EACC, Castellón

2010
Galerie mi Riegerungsviertel / Forgotten Bar Project, Berlin
Echo... Galerie KoraAlberg, Antwerpen
Colección OTR, Madrid
Fundación José García Jiménez, Murcia
angelsbarcelona, Barcelona
Miragem (Sempre à vista) Mendes Wood DM, Sao Paulo

2009
Exposição de Verão, Box4 e Silvia Cintra, Rio de Janeiro
Entes, Barcelona
HÜTTENDONG, After-the-Butcher, Berlin
Short Time, Halfhouse, Barcelona

2008
Urban Jealousy, Tehran Biennial, Tehran
Museo de Arte Contemporaneo de Santiago de Chile
Centro de Arte de Rosario, Rosario
Centro Cultural de España, Buenos Aires
Centro Cultural de España, Montevideo

2007
Abre alas, galería A Gentil Carioca, Rio de Janeiro
Centro Cultural São Paulo, Sao Paulo

Daniel Steegmann Mangrané
born in 1977, Barcelona, Spain works and lives in Rio de Janeiro, Brazil Education 1996 – 1999 BA, EINA Centre Universitari de Disseny i Art, Barcelona, Spain 1999 – 2000 Photography, GrisART Escuela Superior de Fotografía, Barcelona, Spain Solo shows 2015 “Another point in the same line and three points that don´t belong to the same line”, Múrias Centeno, Lisboa, Portugal “Spiral Forest (Kingdom of all the animals and all the beasts is my name)”, Esther Schipper, Berlin, Germany “ANIMAL QUE NO EXISTEIX”, CRAC Alsace, France 2014 Proyectos Monclova, Mexico D.F. CRAC Alsace, Altkirch, France 2013 Cipó, Taioba, Yví. Casa França Brasil, Rio de Janeiro Phasmides, Mendes Wood DM, Sao Paulo / (- \ , Galeria Nuno Centeno, Porto Bicho de Nariz Delicado, A Certain Lack of Coherence, Porto Akademie der Kunste, Berlin 2011 Dunas de la economía / maqueta sin calidad, Halfhouse, Barcelona ArteBa, Buenos Aires FOUR WALLS, Mendes Wood DM, Sao Paulo 2010 Teque-teque, Teatro Municipal Sergio Porto, Rio de Janeiro 2008 Equal / Cut, Ateliê 397, São Paulo Fundació La Caixa (with Renata Lucas), Lleida 2007 Apresentação, Centro Cultural São Paulo, Sao Paulo Group shows 2015 New Museum Triennial, New York Construire une Collection, Noveau Musée National de Monaco, Monaco MACBA, Barcelona Hessel Museum, Bard College, Anandale and Hudson, New York CaixaForum, Barcelona Momentum Biennial, Oslo 2014 Una pausa... MUSAC, León Family, IMO Projects, Copenhagen Within the sound of your voice, Marrakesch Biennale, Marrakesch Anti Narcissus, CRAC Alsace, Altkirch First lines... Bortolami Gallery, New York Ir para volver... Bienal de Cuenca, Cuenca, Equador Treasure of Lima, Thyssen Bornemisza Art Academy, Coco’s Island, Costa Rica Carne da minha perna, Hemmanuel Hervé, París A transparent leaf instead of the mouth, 11 columbia, Mónaco Premio PIPA, MAM Rio, Rio de Janeiro El Contrato, Bulegoa, Alhondiga, Bilbao Ouro, Centro Cultural Banco do Brasil, Rio de Janeiro Inhotim, Palacio das Artes, Belo Horizonte 2013 Blind Field, Krannert Art Museum, Illinois University, Champaing Correspondências, Instituto Tomie Othake, Sao Paulo Kultur:Stadt, Akademie der Kunste, Berlin Ambiguações, Sala A contemporânea, Centro Cultural Banco do Brasil, Rio de Janeiro Seance of Geometry, Maddox Arts, London Out of the Blue, Centro de Arte 2 de Mayo, Madrid Concrete Remains, Cristin Tierney Gallery, New York Blind Field, Broad Art Museum, Michigan University, East Lansing Tropicalia Negra, Museo Experimental el Eco, Mexico DF TopoDendroPhilia, Pilar Corrías Gallery, London Fisicismos, Universidade Torquato di Tella, Buenos Aires Museo de Arte Contemporáneo de San José, Costa Rica Escampar els fems, Bienal de Jafre, Jafre Mutatis Mutandis, Largo da Artes, Rio de Janeiro Kunsthalle Athena, Atenas If the weather... 9ª Mercosur Biennial, Porto Alegre Suicide Narcissus, The Renaissance Society, Chicago Formas da continuidade no espaço, 33 Panorama da Arte Brasileira, MAM Sao Paulo Colección VIII, Centro de Arte 2 de Mayo, Madrid Utopien Vermeiden, Werkleitz Biennale 2013, Halle Panoramas do Sul, VideoBrasil, Sao Paulo Neue Berliner Kunstverein, Berlin Zacheta National Art Gallery, Varsaw 2012 Gymnasia Herzlia, Tel-Aviv Pindorama Suit, Rongwrong, Amsterdam Aparelho óptico, o Filme, Paço das Artes, São Paulo Diana Stitger & Mendes Wood DM, Amsterdam / Sao Paulo 2011 Museo ABC, Madrid Belvedere, Estrany de la Mota, Barcelona 5x5 International Art Prize, Espai d’Art Contemporani de Castelló, EACC, Castellón 2010 Galerie mi Riegerungsviertel / Forgotten Bar Project, Berlin Echo... Galerie KoraAlberg, Antwerpen Colección OTR, Madrid Fundación José García Jiménez, Murcia angelsbarcelona, Barcelona Miragem (Sempre à vista) Mendes Wood DM, Sao Paulo 2009 Exposição de Verão, Box4 e Silvia Cintra, Rio de Janeiro Entes, Barcelona HÜTTENDONG, After-the-Butcher, Berlin Short Time, Halfhouse, Barcelona 2008 Urban Jealousy, Tehran Biennial, Tehran Museo de Arte Contemporaneo de Santiago de Chile Centro de Arte de Rosario, Rosario Centro Cultural de España, Buenos Aires Centro Cultural de España, Montevideo 2007 Abre alas, galería A Gentil Carioca, Rio de Janeiro Centro Cultural São Paulo, Sao Paulo

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