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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Jens Kull

Works


Galleries

for further information contact blinkvideo
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Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born in 1975 in Basel (Switzerland)
Lives between Mexico City and Los Angeles, USA

Education

01.1999–05.2002 Photography & Cinematography Activ School, Mexico City, Diploma
9 semester in depth studies from Daguerrotype to Digital Photography and EOS
Very strong practical knowledge, numerous self motivated photo- and video projects.
09.1995–12.1997 University of Basel, CH, Phil. I
Ethnology, History of Art, Philosophy, Human Ethology, MGU

Shows in 2015

Asuncion Biennale, Paraguay
ARTE MOVENDO, Videoarte do Mexico, Brazil
ESTA, Denmark
UNGUIDED, Switzerland

Solo shows

2010
Latest works. Shift Space Gallery, WSU, Wichita, Kansas

2008
LEFT OVERS. Video and Video-Installation. Galeria de Arte Mexicano (GAM), Mexico City

2006
TUBED. Video and Sculpture. “Traeger & Pinto Arte Contemporaneo” Mexico City

Group shows excerpt

2014
Dialogos Contemporaneos: Group Show, FEMSA Collection, Campeche, Mexico
UNGUIDED, bARTour, Group Show, Zürich, Switzerland
Dialogos Contemporaneos: Group Show, FEMSA Collection, Tamaulipas, Mexico

2013
"Un mal necesario" Bucareli Act, Mexico City
Zona Maco, Galeria de Arte Mexicano

2012
"Feos, Sucios y Malos" Collective show, Mexico City
"All we have is Time" Collective Show, curated by Karen Huber, White Spider

2011
DES(C)IERTO SENTIDO Collective Show @ FILIJ31, curated by Marcela Quiroz
"Consumere" Colective show by White Spider, curated by Karen Huber
"Interconexiones" FEMSA Collection, Xalapa, Veracruz
sublime, TERRIBLE, terrible, SUBLIME
ECOH Gallery, Mexico City, curated by Sofia Mariscal
piel/skin Collective show, Mexico City

2010
"TRAYECTOS: PAISAJE Y MEMORIA"
Contemporary Art of the FEMSA COLLECTION, Villahermosa, Tabasco
"ALTERNA 2010" Group intervention, Mexico City
"HABITAR: NO AUTORIZADO" Group intervention, Mexico City

2009
"Tanto Para Nada"
Colective show, Mexico City
"Conjugaciones" • FEMSA Collection
Museum of Oaxacan Painters, Oaxaca, Mexico. Curated by Miriam Kaiser
“Objeto y Narracion” • FEMSA Collection, Torreón, Coahuila, Mexico
Colective P.I.B. “La Central” Gallery, Centro Nacional de las Artes, CNA, Mexico City
Colective P.I.B. “La Esmeralda” Gallery, Centro Nacional de las Artes, CNA Mexico City

2008
Works of art with a minimum of steel, Gallery of Mexican Art (GAM), Mexico City. Curated by Edgar Orlaineta
Salon de otono, Collective show by Traeger & Pinto Arte Contemporaneo, Mexico City
Phenoma. Live Group intervention P.I.B, Mexico City
Tiempo presente. La Estacion Contemporary Art, Chihuahua, Mexico
Game Over. Emilia Cohen Arte Contemporáneo. Mexico City
Tiempo recuperado. Emilia Cohen Arte Contemporaneo. Mexico City.
VIII Bienale FEMSA, Monterrey, Jesus Gallardo Gallery, Leon Guanajuato
Elefante Negro. Schwarzer Elefant. Museum Diego Rivera Anahuacalli, Mexico City.
Renacer. Presente imperfecto. Emilia Cohen Arte Contemporáneo. Mexico D.F
No place to hide, Kunsmuseum Skive, Denmark, curated by Kassandra Wellendorf

2007
MUNAL Nacional Museum of Art, Diego Rivera
“Grafico Hipergrafico”, Interactive video installation, Mexico City
2nd Festival CITYpulse, Santiago de Chile, Chile
VIII Bienale FEMSA, Monterrey, Ex Colegio de San Ildefonso. Mexico City
100 Years “les demoiselles d’avignon”,
“Traeger & Pinto Arte Contemporaneo”, Mexico City
VIII Bienale FEMSA, Monterrey, Mexico
MACO, Contemporary Art Fair, Gallery of Mexican Art (GAM)

2006
Galeria 13, welcome to the circle, Mexico City
Sentido y presencia. Colaboration with Alvaro Castillo
Gallery of Mexican Art (GAM), Mexico City
“Nice 2 meet U”, Group Exhibition, Galeria 13, Mexico City
“VideominutiPOP/One World, one minute Video Show, Prato, Italy
Oneminutefestival Aarau, One-Minute Video Show, Aarau, Switzerland
CITYPulse, Video muestra, Nimes, France
2nd Arte Scienza, Video muestra, Rome, Italy
Entremultimediale, Video muestra, Prague, Check Republic
Respeto Total. One Second Video Show, Barcelona, Spain
“Zoo”, Group Exhibition, Traeger & Pinto Arte Contemporaneo, Mexico City
“Noass World Video Art”, Riga, Latvia
“International/Media/Art/Award 2004” T.V show, Karlsruhe, Germany

Public collections

Fundacion/Coleccion Jumex
VIII Bienale FEMSA, Monterrey, Nuevo Leon, Mexico
Colecion Jose Pinto Mazal

Jens Kull
Born in 1975 in Basel (Switzerland) Lives between Mexico City and Los Angeles, USA Education 01.1999–05.2002 Photography & Cinematography Activ School, Mexico City, Diploma 9 semester in depth studies from Daguerrotype to Digital Photography and EOS Very strong practical knowledge, numerous self motivated photo- and video projects. 09.1995–12.1997 University of Basel, CH, Phil. I Ethnology, History of Art, Philosophy, Human Ethology, MGU Shows in 2015 Asuncion Biennale, Paraguay ARTE MOVENDO, Videoarte do Mexico, Brazil ESTA, Denmark UNGUIDED, Switzerland Solo shows 2010 Latest works. Shift Space Gallery, WSU, Wichita, Kansas 2008 LEFT OVERS. Video and Video-Installation. Galeria de Arte Mexicano (GAM), Mexico City 2006 TUBED. Video and Sculpture. “Traeger & Pinto Arte Contemporaneo” Mexico City Group shows excerpt 2014 Dialogos Contemporaneos: Group Show, FEMSA Collection, Campeche, Mexico UNGUIDED, bARTour, Group Show, Zürich, Switzerland Dialogos Contemporaneos: Group Show, FEMSA Collection, Tamaulipas, Mexico 2013 Un mal necesario Bucareli Act, Mexico City Zona Maco, Galeria de Arte Mexicano 2012 Feos, Sucios y Malos Collective show, Mexico City All we have is Time Collective Show, curated by Karen Huber, White Spider 2011 DES(C)IERTO SENTIDO Collective Show @ FILIJ31, curated by Marcela Quiroz Consumere Colective show by White Spider, curated by Karen Huber Interconexiones FEMSA Collection, Xalapa, Veracruz sublime, TERRIBLE, terrible, SUBLIME ECOH Gallery, Mexico City, curated by Sofia Mariscal piel/skin Collective show, Mexico City 2010 TRAYECTOS: PAISAJE Y MEMORIA Contemporary Art of the FEMSA COLLECTION, Villahermosa, Tabasco ALTERNA 2010 Group intervention, Mexico City HABITAR: NO AUTORIZADO Group intervention, Mexico City 2009 Tanto Para Nada Colective show, Mexico City Conjugaciones • FEMSA Collection Museum of Oaxacan Painters, Oaxaca, Mexico. Curated by Miriam Kaiser “Objeto y Narracion” • FEMSA Collection, Torreón, Coahuila, Mexico Colective P.I.B. “La Central” Gallery, Centro Nacional de las Artes, CNA, Mexico City Colective P.I.B. “La Esmeralda” Gallery, Centro Nacional de las Artes, CNA Mexico City 2008 Works of art with a minimum of steel, Gallery of Mexican Art (GAM), Mexico City. Curated by Edgar Orlaineta Salon de otono, Collective show by Traeger & Pinto Arte Contemporaneo, Mexico City Phenoma. Live Group intervention P.I.B, Mexico City Tiempo presente. La Estacion Contemporary Art, Chihuahua, Mexico Game Over. Emilia Cohen Arte Contemporáneo. Mexico City Tiempo recuperado. Emilia Cohen Arte Contemporaneo. Mexico City. VIII Bienale FEMSA, Monterrey, Jesus Gallardo Gallery, Leon Guanajuato Elefante Negro. Schwarzer Elefant. Museum Diego Rivera Anahuacalli, Mexico City. Renacer. Presente imperfecto. Emilia Cohen Arte Contemporáneo. Mexico D.F No place to hide, Kunsmuseum Skive, Denmark, curated by Kassandra Wellendorf 2007 MUNAL Nacional Museum of Art, Diego Rivera “Grafico Hipergrafico”, Interactive video installation, Mexico City 2nd Festival CITYpulse, Santiago de Chile, Chile VIII Bienale FEMSA, Monterrey, Ex Colegio de San Ildefonso. Mexico City 100 Years “les demoiselles d’avignon”, “Traeger & Pinto Arte Contemporaneo”, Mexico City VIII Bienale FEMSA, Monterrey, Mexico MACO, Contemporary Art Fair, Gallery of Mexican Art (GAM) 2006 Galeria 13, welcome to the circle, Mexico City Sentido y presencia. Colaboration with Alvaro Castillo Gallery of Mexican Art (GAM), Mexico City “Nice 2 meet U”, Group Exhibition, Galeria 13, Mexico City “VideominutiPOP/One World, one minute Video Show, Prato, Italy Oneminutefestival Aarau, One-Minute Video Show, Aarau, Switzerland CITYPulse, Video muestra, Nimes, France 2nd Arte Scienza, Video muestra, Rome, Italy Entremultimediale, Video muestra, Prague, Check Republic Respeto Total. One Second Video Show, Barcelona, Spain “Zoo”, Group Exhibition, Traeger & Pinto Arte Contemporaneo, Mexico City “Noass World Video Art”, Riga, Latvia “International/Media/Art/Award 2004” T.V show, Karlsruhe, Germany Public collections Fundacion/Coleccion Jumex VIII Bienale FEMSA, Monterrey, Nuevo Leon, Mexico Colecion Jose Pinto Mazal

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