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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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Katrin Ströbel

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Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Katrin Ströbel (1975. D) lives and works in Stuttgart (D), Nice (F) and Rabat (MA). Her drawings, installations and videos deal with semiotics, the relation of words and images, (pictorial) languages and cultural codes.
She founded „linienscharen“, a platform for contemporary drawing in Germany in 2013.
Through travel grants and longer stays in Europe but also Africa and America since 2004 (France, Morocco, Nigeria, Senegal, South Africa, the U.S. and Peru among others), her work has included more and more intercultural and socio-political questions like impacts of urbanism and architecture, migration, borders, intercultural communication etc. Besides these rather political or cultural themes, an important subject has been the basic reflections of the meaning and function of contemporary art in so called "western" and "non-western" contexts.
Katrin Ströbel studied visual art, intermedia arts and literature. She holds a PhD in art history and teaches sinces 2013 as professor for drawing at Villa Arson, école nationale supérieure d'art Nice, France.


Biography

Born 1975 in Pforzheim, Germany
Lives and works in Stuttgart, Nice and Rabat

Education

1995 -2002 State Academy of Fine Arts, Stuttgart (Visual Arts, Intermedia Arts)
University Stuttgart (Literature)
2012 PhD (Dr. phil.) University of Marburg (Art history)

Selected exhibitions und projects (S) solo show

2015
frontières fluides - fluid boundaries, Le Cube - independent art room Rabat, MA
Drawing Now, Salon du dessin comtemporain, Paris (with Galerie Heike Strelow), F
frontières fluides - fluid boundaries, Zeppelin Museum, Friedrichshafen, DE
frontières fluides - fluid boundaries, Galerie Lisi Hämmerle, Bregenz, AU
Interferenzen, Katharinenkirche Frankfurt, DE
Blurred Boundaries – flirrende Grenzen in Kunst & Gesellschaft, Kunstverein Neuhausen

2014
From safety to where? Kunstvlaai Amsterdam, NL
Through the looking class, Württembergischer Kunstverein Stuttgart, DE
The naked, Marrakech Biennale, MA
Die hellere Färbung, Galerie Heike Strelow, Frankfurt/Main, DE
Künstlertourist: Grenzgänge, Hessisches Landesmuseum, Darmstadt, DE
Ping Pong, Städtisches Kunstmuseum Spendhaus, Reutlingen, DE

2013
stopover 43, Fruehsorge Contemporary Drawings, Berlin, DE
huellas notables, El Borde, Centro de la Imagen, Lima, PE (S)
Ciudaded paralelas, Galeria Alianza Francesa Lima, PE
Drawing now, Salon du dessin contemporain, Paris, FR
ankommen, Sammlung Peter & Alison Klein, Eberdingen, DE
Wahala, Entrepot 9 / Galerie Barnoud, Dijon, FR
Anonyme Zeichner, Kunstverein Tiergarten, Berlin & TAC Eindhoven, NL
Ansichtssache Landschaft, Kunstverein Pforzheim, DE
à l'interface, Le Cube, independent art room, Rabat, MA
Wahala, Savvy Contemporary, Berlin, DE

2012
Baden Württemberg 60, Städtisches Kunstmuseum, Singen, Germany
ausgezeichnet! Museum Biedermann, Donaueschingen, Germany
foreign affairs, Galerie Heike Strelow, Frankfurt/Main (S), Germany
From/To[AUS] Metro Arts (S), Brisbane, Australia
The European Ways, room 60 (S), Brisbane, Australia
Grenzüberschreitungen #3, Bahnwärterhaus Villa Merkel, Esslingen, Germany
beyond football - shifting interests and identity, Goethe-Institut, Johannesburg, South Africa
Einigkeit, Recht, Freiheit, Frankfurter Kunstverein, Display, Frankfurt/Main, Germany
Grenzlinien, Ausstellungshalle Universität Frankfurt/Main, Germany

2011
lines fiction. Fruehsorge Contemporary Drawings, Berlin, Germany
Volta NY. New York City (S, with Galerie Heike Strelow, Frankfurt)
nebenan, Galerie Interface & Galerie Barnoud, Dijon, France (S)
in- & outside writing, Voorkamer, Lier, Belgium
polis, white space, Zürich, Switzerland (S)
beyond football - shifting interests and identity, Savvy contemporary, Berlin, Germany
beyond football - shifting interests and identity, Goethe-Institut, Lagos, Nigeria
Zwischen Räumen, Kunstverein Göttingen, Germany
Gestalt der Idee, Stadtmuseum Lindau, Germany
ströbel/travis, New Capital, Chicago, IL, USA
toubab, Städtische Galerie Kirchheim (S), Germany

2010
Je mehr ich zeichne. The more I draw. Museum für Gegenwartskunst, Siegen, Germany
allá / là-bas / dort, eStar Lima, Peru (with Maricel Delgado)
en passant, art3 Valence, France (S)
en passant, 14-1 Galerie, Stuttgart, Germany (S)
salon du dessin contemporain, Paris, France (with fruehsorge contemporary drawings, Berlin)
les abris, Werkbund Galerie Frankfurt, Germany (S)
import export, Galerie Heike Strelow, Frankfurt (S)
Suzie Wong meets Becky Thatcher, Städtische Galerie Offenburg
l´autre côté, Round the corner, Lisbon, Portugal (S)
Lagos Public Viewing, Research Project Lagos, Nigeria.
transit, espace Kugler, Geneva, Switzerland (S)
Aussicht auf Veränderungen. Akademie einer anderen Stadt. In cooperation with
last three cars to Poppenbüttel (S), Kunstverein Harburger Bahnhof, Hamburg, Germany
preview Berlin. (with Galerie Heike Strelow, Frankfurt)

2009
El dorado. Vom Versprechen der Menschenrechte. Kunsthalle Nürnberg, Germany
bitim-réew, Goethe-Institut Dakar, Senegal (S)
Bad Form blank projects Cape Town, Art fair Johannesburg, South Africa
SGNIWARD / SNGIS fruehsorge contemporary drawings, Berlin, Germany (with Ben Kruisdijk)
retour de Paris, Institut francais, Stuttgart, Germany (with Monika Nuber)
Zeichen von Respekt, Kubicenter Elbinselsommer, Hamburg, Germany
on the edge. Galerie Heike Strelow, Frankfurt

2008
mind mapping Galerie Heike Strelow, Frankfurt/Main (S)
auf/rasm, le cube, centre autrichien Rabat, Morocco (S)
In God We Trust, Goethe-Institut Lagos, Nigeria
Ankunft bei Aufbruch, Meinblau, Berlin, Germany

2007
dessins, projets... L´appartement 22, Rabat, Morocco
rewind fast forward, Kunsthaus L6, Freiburg, Germany
Zeichnung, Kunstraum Düsseldorf, Germany
Re-Visite, Videofestival Traverse Toulouse, France
Globalisierung 2.0, Museum für Kommunikation Frankfurt/Main und Berlin, Germany
shouf! shouf! 14-1 Galerie Stuttgart, Germany (S)

2006
salt of water, Videofestival Kaliningrad, Russia
ornamental journey Kunstverein Kirchzarten, Germany (S)
A6, Peacock Visual Arts, Aberdeen, Scotland

2005
flying carpets, Galerie Poly Karlsruhe, Germany (S)
zwischen linien. Hospitalhof Stuttgart, Germany (S)
signes trouvés, Galerie Justine Lacroix Marseille, France (S)
landschaft, Galerie Schloss Mondsee, Austria (S)
sliding/lightning, Galerie der Ateliers d´Artistes de la Ville de Marseille, France
life should be stereo, Debütantenausstellung Kunstakademie Stuttgart, Germany (S)
video/ökonomie, ZKM Karlsruhe, Germany
Sichtung, Württembergischer Kunstverein Stuttgart, Germany

2004
Spring Colloquium - Institute of Curatorship and Education Edinburgh, Scotland
Galerie Hafemann Wiesbaden, Germany (with Marianne Eigenheer)
vous êtes dans un espace non, 14-1 Galerie Stuttgart, Germany (S)

Awards, grants and residencies (selection)

2013
Centro Tedesco di Studi Veneziani, Venice
Le cube summer´s lab, Rabat, Morocco
Grant / Artist in Residence, Ville de Strasbourg, France
2012
Artist in Residence, National Art School, Sydney, Australia
2011
Visiting Artist, Illinois State University, Normal/Bloomington, USA
Grant Kunststiftung Baden Württemberg
2010
travel grant for Lima, Peru. Institut für Auslandsbeziehungen, Stuttgart/Berlin
IBK Art Prize for Contemporary Drawing
shortlisted for Evelyne Encelot association Women & Art 2009-2010 Prize, France
2009
Artist in Residence, Goethe Institut Dakar, Senegal
Rhone-Alpes Stipendium, Ministry of Baden-Württemberg
2008
Cité Internationale des Arts, Paris
2007/09
studio grant, Ministry of Baden-Württemberg
2006
cross culture grant for Morocco, Institut für Auslandsbeziehungen, Stuttgart/Berlin
2005
Artist in Residence, Ateliers d´Artistes de la Ville de Marseille
debut grant, State Academy of Fine Arts Stuttgart
2004
grant of Heinrich Böll Foundation, Berlin
travel grant, German-French Council for culture (Deutsch-französischer Kulturrat)
2001
A.T. Kearney Art Prize
2000
Prize Digital Art Gallery Frankfurt/Main
1999
IPA Fraunhofer Art Prize

Katrin Ströbel
Born 1975 in Pforzheim, Germany Lives and works in Stuttgart, Nice and Rabat Education 1995 -2002 State Academy of Fine Arts, Stuttgart (Visual Arts, Intermedia Arts) University Stuttgart (Literature) 2012 PhD (Dr. phil.) University of Marburg (Art history) Selected exhibitions und projects (S) solo show 2015 frontières fluides - fluid boundaries, Le Cube - independent art room Rabat, MA Drawing Now, Salon du dessin comtemporain, Paris (with Galerie Heike Strelow), F frontières fluides - fluid boundaries, Zeppelin Museum, Friedrichshafen, DE frontières fluides - fluid boundaries, Galerie Lisi Hämmerle, Bregenz, AU Interferenzen, Katharinenkirche Frankfurt, DE Blurred Boundaries – flirrende Grenzen in Kunst & Gesellschaft, Kunstverein Neuhausen 2014 From safety to where? Kunstvlaai Amsterdam, NL Through the looking class, Württembergischer Kunstverein Stuttgart, DE The naked, Marrakech Biennale, MA Die hellere Färbung, Galerie Heike Strelow, Frankfurt/Main, DE Künstlertourist: Grenzgänge, Hessisches Landesmuseum, Darmstadt, DE Ping Pong, Städtisches Kunstmuseum Spendhaus, Reutlingen, DE 2013 stopover 43, Fruehsorge Contemporary Drawings, Berlin, DE huellas notables, El Borde, Centro de la Imagen, Lima, PE (S) Ciudaded paralelas, Galeria Alianza Francesa Lima, PE Drawing now, Salon du dessin contemporain, Paris, FR ankommen, Sammlung Peter & Alison Klein, Eberdingen, DE Wahala, Entrepot 9 / Galerie Barnoud, Dijon, FR Anonyme Zeichner, Kunstverein Tiergarten, Berlin & TAC Eindhoven, NL Ansichtssache Landschaft, Kunstverein Pforzheim, DE à l'interface, Le Cube, independent art room, Rabat, MA Wahala, Savvy Contemporary, Berlin, DE 2012 Baden Württemberg 60, Städtisches Kunstmuseum, Singen, Germany ausgezeichnet! Museum Biedermann, Donaueschingen, Germany foreign affairs, Galerie Heike Strelow, Frankfurt/Main (S), Germany From/To[AUS] Metro Arts (S), Brisbane, Australia The European Ways, room 60 (S), Brisbane, Australia Grenzüberschreitungen #3, Bahnwärterhaus Villa Merkel, Esslingen, Germany beyond football - shifting interests and identity, Goethe-Institut, Johannesburg, South Africa Einigkeit, Recht, Freiheit, Frankfurter Kunstverein, Display, Frankfurt/Main, Germany Grenzlinien, Ausstellungshalle Universität Frankfurt/Main, Germany 2011 lines fiction. Fruehsorge Contemporary Drawings, Berlin, Germany Volta NY. New York City (S, with Galerie Heike Strelow, Frankfurt) nebenan, Galerie Interface & Galerie Barnoud, Dijon, France (S) in- & outside writing, Voorkamer, Lier, Belgium polis, white space, Zürich, Switzerland (S) beyond football - shifting interests and identity, Savvy contemporary, Berlin, Germany beyond football - shifting interests and identity, Goethe-Institut, Lagos, Nigeria Zwischen Räumen, Kunstverein Göttingen, Germany Gestalt der Idee, Stadtmuseum Lindau, Germany ströbel/travis, New Capital, Chicago, IL, USA toubab, Städtische Galerie Kirchheim (S), Germany 2010 Je mehr ich zeichne. The more I draw. Museum für Gegenwartskunst, Siegen, Germany allá / là-bas / dort, eStar Lima, Peru (with Maricel Delgado) en passant, art3 Valence, France (S) en passant, 14-1 Galerie, Stuttgart, Germany (S) salon du dessin contemporain, Paris, France (with fruehsorge contemporary drawings, Berlin) les abris, Werkbund Galerie Frankfurt, Germany (S) import export, Galerie Heike Strelow, Frankfurt (S) Suzie Wong meets Becky Thatcher, Städtische Galerie Offenburg l´autre côté, Round the corner, Lisbon, Portugal (S) Lagos Public Viewing, Research Project Lagos, Nigeria. transit, espace Kugler, Geneva, Switzerland (S) Aussicht auf Veränderungen. Akademie einer anderen Stadt. In cooperation with last three cars to Poppenbüttel (S), Kunstverein Harburger Bahnhof, Hamburg, Germany preview Berlin. (with Galerie Heike Strelow, Frankfurt) 2009 El dorado. Vom Versprechen der Menschenrechte. Kunsthalle Nürnberg, Germany bitim-réew, Goethe-Institut Dakar, Senegal (S) Bad Form blank projects Cape Town, Art fair Johannesburg, South Africa SGNIWARD / SNGIS fruehsorge contemporary drawings, Berlin, Germany (with Ben Kruisdijk) retour de Paris, Institut francais, Stuttgart, Germany (with Monika Nuber) Zeichen von Respekt, Kubicenter Elbinselsommer, Hamburg, Germany on the edge. Galerie Heike Strelow, Frankfurt 2008 mind mapping Galerie Heike Strelow, Frankfurt/Main (S) auf/rasm, le cube, centre autrichien Rabat, Morocco (S) In God We Trust, Goethe-Institut Lagos, Nigeria Ankunft bei Aufbruch, Meinblau, Berlin, Germany 2007 dessins, projets... L´appartement 22, Rabat, Morocco rewind fast forward, Kunsthaus L6, Freiburg, Germany Zeichnung, Kunstraum Düsseldorf, Germany Re-Visite, Videofestival Traverse Toulouse, France Globalisierung 2.0, Museum für Kommunikation Frankfurt/Main und Berlin, Germany shouf! shouf! 14-1 Galerie Stuttgart, Germany (S) 2006 salt of water, Videofestival Kaliningrad, Russia ornamental journey Kunstverein Kirchzarten, Germany (S) A6, Peacock Visual Arts, Aberdeen, Scotland 2005 flying carpets, Galerie Poly Karlsruhe, Germany (S) zwischen linien. Hospitalhof Stuttgart, Germany (S) signes trouvés, Galerie Justine Lacroix Marseille, France (S) landschaft, Galerie Schloss Mondsee, Austria (S) sliding/lightning, Galerie der Ateliers d´Artistes de la Ville de Marseille, France life should be stereo, Debütantenausstellung Kunstakademie Stuttgart, Germany (S) video/ökonomie, ZKM Karlsruhe, Germany Sichtung, Württembergischer Kunstverein Stuttgart, Germany 2004 Spring Colloquium - Institute of Curatorship and Education Edinburgh, Scotland Galerie Hafemann Wiesbaden, Germany (with Marianne Eigenheer) vous êtes dans un espace non, 14-1 Galerie Stuttgart, Germany (S) Awards, grants and residencies (selection) 2013 Centro Tedesco di Studi Veneziani, Venice Le cube summer´s lab, Rabat, Morocco Grant / Artist in Residence, Ville de Strasbourg, France 2012 Artist in Residence, National Art School, Sydney, Australia 2011 Visiting Artist, Illinois State University, Normal/Bloomington, USA Grant Kunststiftung Baden Württemberg 2010 travel grant for Lima, Peru. Institut für Auslandsbeziehungen, Stuttgart/Berlin IBK Art Prize for Contemporary Drawing shortlisted for Evelyne Encelot association Women & Art 2009-2010 Prize, France 2009 Artist in Residence, Goethe Institut Dakar, Senegal Rhone-Alpes Stipendium, Ministry of Baden-Württemberg 2008 Cité Internationale des Arts, Paris 2007/09 studio grant, Ministry of Baden-Württemberg 2006 cross culture grant for Morocco, Institut für Auslandsbeziehungen, Stuttgart/Berlin 2005 Artist in Residence, Ateliers d´Artistes de la Ville de Marseille debut grant, State Academy of Fine Arts Stuttgart 2004 grant of Heinrich Böll Foundation, Berlin travel grant, German-French Council for culture (Deutsch-französischer Kulturrat) 2001 A.T. Kearney Art Prize 2000 Prize Digital Art Gallery Frankfurt/Main 1999 IPA Fraunhofer Art Prize

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  • Lebanon
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  • Serbia
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  • Somalia
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  • Tajikistan
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  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
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  • United Arab Emirates
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  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
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