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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. You can see 13 films, each accompanied by a concise text explaining the appeal. In addition, Emma has a growing following for her lively Podcast ‘Artists in Lockdown’ - and each week during August she will chat with one of the participating artists, adding to the material linked to the films.  
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Isabella Fürnkäs

Works


Biography

Born 1988 in Tokyo, Japan
Lives and works between Berlin and Düsseldorf

Education

2017 Dipolma/MFA & Meisterschüler of Andreas Gursky
2015 University of the Arts Berlin, Germany, Prof. Hito Steyerl
2011 Kunstakademie Düsseldorf, Germany, Prof. Keren Cytter,
Prof. Andreas Gursky and Prof. Johannes Paul Raether
2010 Academy of Fine Arts Vienna, Austria, Prof. Gunter Damisch
2009 Zurich University of the Arts, Switzerland
2008 Art history and Philosophy, University of Cologne, Germany

Residencies & Grants

2018
Artist-in-residence program of the Bronner Residency (Tel Aviv, Israel)
Grant/Project funding of the Kunststiftung NRW
2017
Artist Residency of the Goethe Institut (Dakar, Senegal)
Cité Internationale des Arts Residency (Paris, France)
Travel grant of the Kunstverein für die Rheinlande und Westfalen
2016
Förderpreis des Landes Nordrhein-Westfalen (Media Art)
PLX Residency (Malmö, Sweden)
2014
Förderpreis of the Peter Mönnig Foundation

Shortlisted: Ars Viva 2019 (Finalist), 2x Peter-Mertes-Stipendium, BEST-Stipendium,
Junger Ankauf des Museum Ludwigs with Clages

Selected Solo Exhibitions & Performances

2018
The Loop, ITALIC, Berlin
The Boomerang Effect, Aus- und Vortragen, Kölnischer Kunstverein
Metamorphoses of Control, Osthaus Museum Hagen

2017
HEAVEN, Pogobar at KW Institute for Contemporary Art, Berlin
Hungy Mice & Salty Pepper, Clages Gallery, Cologne
Vice Versa, Antichambre, Digitale Düsseldorf (with Manuel Graf)
SOLO 4 ONE - Sunday, Bar Babette, Berlin

2016
White Light, Raiosha Gallery, Tokyo, Japan
Sugar Makes You Sad I No Power Potential, SSZ Sued, Cologne
Video of the month, Hartware MedienKunstVerein / Dortmunder U
(with Lukas von der Gracht)

2015
A Diachronic Home, CSA Space, Vancouver, Canada
Seesaw Policy, Filmwerkstatt, Düsseldorf (with Taya Ivanova)
Exploit & Disappear, Digital Empire, Düsseldorf, Part of the New Digital Art Biennale „The Wrong“ (with Tanja Ritterbex)
We just stole it from the internet, 4bid Gallery, Amsterdam, The Netherlands

2013
Maps & Territories, Coco Collection, Côte d‘Argent, France
Körper und Knochen, Studio for Artistic Research, Düsseldorf
(with Henning Fehr and Philipp Rühr)

Selected Group Exhibitions

2019
Get some Headspace, Ralphs, Cologne, curated by Juliane Duft

2018
ANTARCTICA, An Exhibition on Alienation, Kunsthalle Wien, Austria, curated by Nicolaus Schafhausen and Vanessa Joan Müller
13th Biennale for Contemporary Art Dakar, Goethe Institut, Senegal
Insane in the membrane, Sammlung Philara, Düsseldorf
Words don‘t come easy, KIT, Düsseldorf, curated by Marian Stindt and Youri Appelo
The Way Things Go Part III: Wage, PS120, Berlin
IS IT A GAME with Omsk Social Club, Kreuzberg Pavillon, Berlin
Last dance, KINDL Center for Contemporary Art, Berlin
Face my boost by your ShotSpotter II, Bar Babette, Berlin
Face my boost by your ShotSpotter, Hardstr. 43, Basel, Switzerland
Von Fremden Ländern in eigenen Städten, Markus Ambach Projects, Düsseldorf
Fake it till you make it, MeetFactory, Prague, Czech Republic
Works on paper, Gussglashalle, Berlin
Benefiz Auktion, Neuer Aachener Kunstverein
Morning!, Milieu, Bern, Switzerland (with Lukas von der Gracht)

2017
International Theme Exhibition, Photo Beijing, Millennium Monument Museum, Beijing, China
Mad Tea Party, Akademie der Künste der Welt I Dutch Art Institute, Cologne, curated by Aneta Rostkowska
Jahresgaben 2017/2018, Kunstverein für die Rheinlande und Westfahlen, Düsseldorf
123, Goethe Institut Paris, France
Benefiz Auktion, Neuer Aachener Kunstverein
Bunker K101, Jungekunstfreunde des Museum Ludwigs, Cologne
Welthungerhilfe Charity Auction, Langen Foundation, Neuss

2016
Wrap around the time, Nam June Paik Art Center, Seoul, Korea curated by Gregor Jansen and Hyun Jeung Kim
On the currents of the city, Museum Abteiberg, Mönchengladbach (with Lukas von der Gracht), curated by Susanne Titz and Markus Ambach
Manifesta 11, Cabaret Voltaire, Zürich, Switzerland
Shift your base II, Simultanhalle, Cologne
One month: After the materialization of the art object from 8 to 31 July, Temporary Galley, Cologne
Die Grosse, Museum Kunstpalast, Düsseldorf
Doppel X, Kunstverein Mönchengladbach, curated by Hannah Eckstein
A Sense of Place, Frankfurter Hauptbahnhof
SIREN, Ernst-Reuter-Platz, University of the Arts Berlin
Ung5 Auktion, Clusterhaus, Cologne (with Lukas von der Gracht)
Cold bodies warm machines, Medienwerk.nrw, NRW Forum, Düsseldorf
Snow Show I Mostra Della Neve, San Cadide, Italy
Very Short Filmfestival, Cité Internationale des Arts, Paris, France (with Lukas von der Gracht)

2015
OFF with New Bretagne, Kunsthaus Essen
Re:Fwd Lensd. Class of Hito Steyerl, Leipzigerstr. 63, Berlin
Performance True Love Chapter 1, Seiras at Dan Graham Pavilion, initiated by Yael Salomonowitz & Max Mayer, Düsseldorf (with Lukas von der Gracht)
PricewaterhouseCoopers Förderpreis, Düsseldorf
Localnonsculpture, Athens Digital Arts Festival, Athens, Greece
Drone Hits (Interactive Installation), NADA Art Cologne
What A B, What A B Projects, Frankfurt

2014
Kunstfilmtage Düsseldorf, UFA-Kino, Düsseldorf
Hogan Lovells Kunstförderpreis, Düsseldorf
STEADY STATE, Kunstverein Duisburg
No. 3, McKinsey SkyOffice, Düsseldorf
En El Castillo, International Museum of Contemporary Art Lanzarote
Overbeckstrasse, Galerie Fiebach Minninger, Cologne
PLASTIC WATERS, Therme Gallery, Tokyo, Japan

2013
BODY LIGHT, Venus & Apoll, Julia Stoschek Collection, Düsseldorf
TAUSEND, Sechzigstraße 13, Cologne
Fragile Islands, Parkhaus im Malkastenpark, Düsseldorf
Jet Age - An Homage, SO+BA, Tokyo, Japan, curated by Milan Ther
Klasse Gursky stellt aus, Raiosha Gallery, Tokyo, Japan
WE ARE IN A BAR, Lover Bar at ehem. Max Mayer Gallery, Düsseldorf
it‘s so green, das junge Museum, Bottrop

2012
Organic Structures, Annasatoko Gallery, Istanbul, Turkey
Klangperformance, Insel Hombroich Raketenstation, Essen
Kurzfilme, Kunstfilmkino Blackbox, Düsseldorf
Work the room, Foyer, Nacht der Museen, Düsseldorf
Back from Japan, Hans-Peter-Zimmer Stiftung, Düsseldorf

Contemporary Art Fairs

2019
Art Cologne, with Clages, with Frances Scholz (upcoming)
Art Los Angeles Contemporary, with Clages
Art Geneve, with PS120
2017
Art Berlin, with Clages, with Bernhard Walther
2015
Cologne Fine Art, with New Bretagne

Isabella Fürnkäs
Born 1988 in Tokyo, Japan Lives and works between Berlin and Düsseldorf Education 2017 Dipolma/MFA & Meisterschüler of Andreas Gursky 2015 University of the Arts Berlin, Germany, Prof. Hito Steyerl 2011 Kunstakademie Düsseldorf, Germany, Prof. Keren Cytter, Prof. Andreas Gursky and Prof. Johannes Paul Raether 2010 Academy of Fine Arts Vienna, Austria, Prof. Gunter Damisch 2009 Zurich University of the Arts, Switzerland 2008 Art history and Philosophy, University of Cologne, Germany Residencies & Grants 2018 Artist-in-residence program of the Bronner Residency (Tel Aviv, Israel) Grant/Project funding of the Kunststiftung NRW 2017 Artist Residency of the Goethe Institut (Dakar, Senegal) Cité Internationale des Arts Residency (Paris, France) Travel grant of the Kunstverein für die Rheinlande und Westfalen 2016 Förderpreis des Landes Nordrhein-Westfalen (Media Art) PLX Residency (Malmö, Sweden) 2014 Förderpreis of the Peter Mönnig Foundation Shortlisted: Ars Viva 2019 (Finalist), 2x Peter-Mertes-Stipendium, BEST-Stipendium, Junger Ankauf des Museum Ludwigs with Clages Selected Solo Exhibitions & Performances 2018 The Loop, ITALIC, Berlin The Boomerang Effect, Aus- und Vortragen, Kölnischer Kunstverein Metamorphoses of Control, Osthaus Museum Hagen 2017 HEAVEN, Pogobar at KW Institute for Contemporary Art, Berlin Hungy Mice & Salty Pepper, Clages Gallery, Cologne Vice Versa, Antichambre, Digitale Düsseldorf (with Manuel Graf) SOLO 4 ONE - Sunday, Bar Babette, Berlin 2016 White Light, Raiosha Gallery, Tokyo, Japan Sugar Makes You Sad I No Power Potential, SSZ Sued, Cologne Video of the month, Hartware MedienKunstVerein / Dortmunder U (with Lukas von der Gracht) 2015 A Diachronic Home, CSA Space, Vancouver, Canada Seesaw Policy, Filmwerkstatt, Düsseldorf (with Taya Ivanova) Exploit & Disappear, Digital Empire, Düsseldorf, Part of the New Digital Art Biennale „The Wrong“ (with Tanja Ritterbex) We just stole it from the internet, 4bid Gallery, Amsterdam, The Netherlands 2013 Maps & Territories, Coco Collection, Côte d‘Argent, France Körper und Knochen, Studio for Artistic Research, Düsseldorf (with Henning Fehr and Philipp Rühr) Selected Group Exhibitions 2019 Get some Headspace, Ralphs, Cologne, curated by Juliane Duft 2018 ANTARCTICA, An Exhibition on Alienation, Kunsthalle Wien, Austria, curated by Nicolaus Schafhausen and Vanessa Joan Müller 13th Biennale for Contemporary Art Dakar, Goethe Institut, Senegal Insane in the membrane, Sammlung Philara, Düsseldorf Words don‘t come easy, KIT, Düsseldorf, curated by Marian Stindt and Youri Appelo The Way Things Go Part III: Wage, PS120, Berlin IS IT A GAME with Omsk Social Club, Kreuzberg Pavillon, Berlin Last dance, KINDL Center for Contemporary Art, Berlin Face my boost by your ShotSpotter II, Bar Babette, Berlin Face my boost by your ShotSpotter, Hardstr. 43, Basel, Switzerland Von Fremden Ländern in eigenen Städten, Markus Ambach Projects, Düsseldorf Fake it till you make it, MeetFactory, Prague, Czech Republic Works on paper, Gussglashalle, Berlin Benefiz Auktion, Neuer Aachener Kunstverein Morning!, Milieu, Bern, Switzerland (with Lukas von der Gracht) 2017 International Theme Exhibition, Photo Beijing, Millennium Monument Museum, Beijing, China Mad Tea Party, Akademie der Künste der Welt I Dutch Art Institute, Cologne, curated by Aneta Rostkowska Jahresgaben 2017/2018, Kunstverein für die Rheinlande und Westfahlen, Düsseldorf 123, Goethe Institut Paris, France Benefiz Auktion, Neuer Aachener Kunstverein Bunker K101, Jungekunstfreunde des Museum Ludwigs, Cologne Welthungerhilfe Charity Auction, Langen Foundation, Neuss 2016 Wrap around the time, Nam June Paik Art Center, Seoul, Korea curated by Gregor Jansen and Hyun Jeung Kim On the currents of the city, Museum Abteiberg, Mönchengladbach (with Lukas von der Gracht), curated by Susanne Titz and Markus Ambach Manifesta 11, Cabaret Voltaire, Zürich, Switzerland Shift your base II, Simultanhalle, Cologne One month: After the materialization of the art object from 8 to 31 July, Temporary Galley, Cologne Die Grosse, Museum Kunstpalast, Düsseldorf Doppel X, Kunstverein Mönchengladbach, curated by Hannah Eckstein A Sense of Place, Frankfurter Hauptbahnhof SIREN, Ernst-Reuter-Platz, University of the Arts Berlin Ung5 Auktion, Clusterhaus, Cologne (with Lukas von der Gracht) Cold bodies warm machines, Medienwerk.nrw, NRW Forum, Düsseldorf Snow Show I Mostra Della Neve, San Cadide, Italy Very Short Filmfestival, Cité Internationale des Arts, Paris, France (with Lukas von der Gracht) 2015 OFF with New Bretagne, Kunsthaus Essen Re:Fwd Lensd. Class of Hito Steyerl, Leipzigerstr. 63, Berlin Performance True Love Chapter 1, Seiras at Dan Graham Pavilion, initiated by Yael Salomonowitz & Max Mayer, Düsseldorf (with Lukas von der Gracht) PricewaterhouseCoopers Förderpreis, Düsseldorf Localnonsculpture, Athens Digital Arts Festival, Athens, Greece Drone Hits (Interactive Installation), NADA Art Cologne What A B, What A B Projects, Frankfurt 2014 Kunstfilmtage Düsseldorf, UFA-Kino, Düsseldorf Hogan Lovells Kunstförderpreis, Düsseldorf STEADY STATE, Kunstverein Duisburg No. 3, McKinsey SkyOffice, Düsseldorf En El Castillo, International Museum of Contemporary Art Lanzarote Overbeckstrasse, Galerie Fiebach Minninger, Cologne PLASTIC WATERS, Therme Gallery, Tokyo, Japan 2013 BODY LIGHT, Venus & Apoll, Julia Stoschek Collection, Düsseldorf TAUSEND, Sechzigstraße 13, Cologne Fragile Islands, Parkhaus im Malkastenpark, Düsseldorf Jet Age - An Homage, SO+BA, Tokyo, Japan, curated by Milan Ther Klasse Gursky stellt aus, Raiosha Gallery, Tokyo, Japan WE ARE IN A BAR, Lover Bar at ehem. Max Mayer Gallery, Düsseldorf it‘s so green, das junge Museum, Bottrop 2012 Organic Structures, Annasatoko Gallery, Istanbul, Turkey Klangperformance, Insel Hombroich Raketenstation, Essen Kurzfilme, Kunstfilmkino Blackbox, Düsseldorf Work the room, Foyer, Nacht der Museen, Düsseldorf Back from Japan, Hans-Peter-Zimmer Stiftung, Düsseldorf Contemporary Art Fairs 2019 Art Cologne, with Clages, with Frances Scholz (upcoming) Art Los Angeles Contemporary, with Clages Art Geneve, with PS120 2017 Art Berlin, with Clages, with Bernhard Walther 2015 Cologne Fine Art, with New Bretagne

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  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
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  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
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  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
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