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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Isabella Fürnkäs

Works


Biography

Born 1988 in Tokyo, Japan
Lives and works between Berlin and Düsseldorf

Education

2017 Dipolma/MFA & Meisterschüler of Andreas Gursky
2015 University of the Arts Berlin, Germany, Prof. Hito Steyerl
2011 Kunstakademie Düsseldorf, Germany, Prof. Keren Cytter,
Prof. Andreas Gursky and Prof. Johannes Paul Raether
2010 Academy of Fine Arts Vienna, Austria, Prof. Gunter Damisch
2009 Zurich University of the Arts, Switzerland
2008 Art history and Philosophy, University of Cologne, Germany

Residencies & Grants

2018
Artist-in-residence program of the Bronner Residency (Tel Aviv, Israel)
Grant/Project funding of the Kunststiftung NRW
2017
Artist Residency of the Goethe Institut (Dakar, Senegal)
Cité Internationale des Arts Residency (Paris, France)
Travel grant of the Kunstverein für die Rheinlande und Westfalen
2016
Förderpreis des Landes Nordrhein-Westfalen (Media Art)
PLX Residency (Malmö, Sweden)
2014
Förderpreis of the Peter Mönnig Foundation

Shortlisted: Ars Viva 2019 (Finalist), 2x Peter-Mertes-Stipendium, BEST-Stipendium,
Junger Ankauf des Museum Ludwigs with Clages

Selected Solo Exhibitions & Performances

2018
The Loop, ITALIC, Berlin
The Boomerang Effect, Aus- und Vortragen, Kölnischer Kunstverein
Metamorphoses of Control, Osthaus Museum Hagen

2017
HEAVEN, Pogobar at KW Institute for Contemporary Art, Berlin
Hungy Mice & Salty Pepper, Clages Gallery, Cologne
Vice Versa, Antichambre, Digitale Düsseldorf (with Manuel Graf)
SOLO 4 ONE - Sunday, Bar Babette, Berlin

2016
White Light, Raiosha Gallery, Tokyo, Japan
Sugar Makes You Sad I No Power Potential, SSZ Sued, Cologne
Video of the month, Hartware MedienKunstVerein / Dortmunder U
(with Lukas von der Gracht)

2015
A Diachronic Home, CSA Space, Vancouver, Canada
Seesaw Policy, Filmwerkstatt, Düsseldorf (with Taya Ivanova)
Exploit & Disappear, Digital Empire, Düsseldorf, Part of the New Digital Art Biennale „The Wrong“ (with Tanja Ritterbex)
We just stole it from the internet, 4bid Gallery, Amsterdam, The Netherlands

2013
Maps & Territories, Coco Collection, Côte d‘Argent, France
Körper und Knochen, Studio for Artistic Research, Düsseldorf
(with Henning Fehr and Philipp Rühr)

Selected Group Exhibitions

2019
Get some Headspace, Ralphs, Cologne, curated by Juliane Duft

2018
ANTARCTICA, An Exhibition on Alienation, Kunsthalle Wien, Austria, curated by Nicolaus Schafhausen and Vanessa Joan Müller
13th Biennale for Contemporary Art Dakar, Goethe Institut, Senegal
Insane in the membrane, Sammlung Philara, Düsseldorf
Words don‘t come easy, KIT, Düsseldorf, curated by Marian Stindt and Youri Appelo
The Way Things Go Part III: Wage, PS120, Berlin
IS IT A GAME with Omsk Social Club, Kreuzberg Pavillon, Berlin
Last dance, KINDL Center for Contemporary Art, Berlin
Face my boost by your ShotSpotter II, Bar Babette, Berlin
Face my boost by your ShotSpotter, Hardstr. 43, Basel, Switzerland
Von Fremden Ländern in eigenen Städten, Markus Ambach Projects, Düsseldorf
Fake it till you make it, MeetFactory, Prague, Czech Republic
Works on paper, Gussglashalle, Berlin
Benefiz Auktion, Neuer Aachener Kunstverein
Morning!, Milieu, Bern, Switzerland (with Lukas von der Gracht)

2017
International Theme Exhibition, Photo Beijing, Millennium Monument Museum, Beijing, China
Mad Tea Party, Akademie der Künste der Welt I Dutch Art Institute, Cologne, curated by Aneta Rostkowska
Jahresgaben 2017/2018, Kunstverein für die Rheinlande und Westfahlen, Düsseldorf
123, Goethe Institut Paris, France
Benefiz Auktion, Neuer Aachener Kunstverein
Bunker K101, Jungekunstfreunde des Museum Ludwigs, Cologne
Welthungerhilfe Charity Auction, Langen Foundation, Neuss

2016
Wrap around the time, Nam June Paik Art Center, Seoul, Korea curated by Gregor Jansen and Hyun Jeung Kim
On the currents of the city, Museum Abteiberg, Mönchengladbach (with Lukas von der Gracht), curated by Susanne Titz and Markus Ambach
Manifesta 11, Cabaret Voltaire, Zürich, Switzerland
Shift your base II, Simultanhalle, Cologne
One month: After the materialization of the art object from 8 to 31 July, Temporary Galley, Cologne
Die Grosse, Museum Kunstpalast, Düsseldorf
Doppel X, Kunstverein Mönchengladbach, curated by Hannah Eckstein
A Sense of Place, Frankfurter Hauptbahnhof
SIREN, Ernst-Reuter-Platz, University of the Arts Berlin
Ung5 Auktion, Clusterhaus, Cologne (with Lukas von der Gracht)
Cold bodies warm machines, Medienwerk.nrw, NRW Forum, Düsseldorf
Snow Show I Mostra Della Neve, San Cadide, Italy
Very Short Filmfestival, Cité Internationale des Arts, Paris, France (with Lukas von der Gracht)

2015
OFF with New Bretagne, Kunsthaus Essen
Re:Fwd Lensd. Class of Hito Steyerl, Leipzigerstr. 63, Berlin
Performance True Love Chapter 1, Seiras at Dan Graham Pavilion, initiated by Yael Salomonowitz & Max Mayer, Düsseldorf (with Lukas von der Gracht)
PricewaterhouseCoopers Förderpreis, Düsseldorf
Localnonsculpture, Athens Digital Arts Festival, Athens, Greece
Drone Hits (Interactive Installation), NADA Art Cologne
What A B, What A B Projects, Frankfurt

2014
Kunstfilmtage Düsseldorf, UFA-Kino, Düsseldorf
Hogan Lovells Kunstförderpreis, Düsseldorf
STEADY STATE, Kunstverein Duisburg
No. 3, McKinsey SkyOffice, Düsseldorf
En El Castillo, International Museum of Contemporary Art Lanzarote
Overbeckstrasse, Galerie Fiebach Minninger, Cologne
PLASTIC WATERS, Therme Gallery, Tokyo, Japan

2013
BODY LIGHT, Venus & Apoll, Julia Stoschek Collection, Düsseldorf
TAUSEND, Sechzigstraße 13, Cologne
Fragile Islands, Parkhaus im Malkastenpark, Düsseldorf
Jet Age - An Homage, SO+BA, Tokyo, Japan, curated by Milan Ther
Klasse Gursky stellt aus, Raiosha Gallery, Tokyo, Japan
WE ARE IN A BAR, Lover Bar at ehem. Max Mayer Gallery, Düsseldorf
it‘s so green, das junge Museum, Bottrop

2012
Organic Structures, Annasatoko Gallery, Istanbul, Turkey
Klangperformance, Insel Hombroich Raketenstation, Essen
Kurzfilme, Kunstfilmkino Blackbox, Düsseldorf
Work the room, Foyer, Nacht der Museen, Düsseldorf
Back from Japan, Hans-Peter-Zimmer Stiftung, Düsseldorf

Contemporary Art Fairs

2019
Art Cologne, with Clages, with Frances Scholz (upcoming)
Art Los Angeles Contemporary, with Clages
Art Geneve, with PS120
2017
Art Berlin, with Clages, with Bernhard Walther
2015
Cologne Fine Art, with New Bretagne

Isabella Fürnkäs
Born 1988 in Tokyo, Japan Lives and works between Berlin and Düsseldorf Education 2017 Dipolma/MFA & Meisterschüler of Andreas Gursky 2015 University of the Arts Berlin, Germany, Prof. Hito Steyerl 2011 Kunstakademie Düsseldorf, Germany, Prof. Keren Cytter, Prof. Andreas Gursky and Prof. Johannes Paul Raether 2010 Academy of Fine Arts Vienna, Austria, Prof. Gunter Damisch 2009 Zurich University of the Arts, Switzerland 2008 Art history and Philosophy, University of Cologne, Germany Residencies & Grants 2018 Artist-in-residence program of the Bronner Residency (Tel Aviv, Israel) Grant/Project funding of the Kunststiftung NRW 2017 Artist Residency of the Goethe Institut (Dakar, Senegal) Cité Internationale des Arts Residency (Paris, France) Travel grant of the Kunstverein für die Rheinlande und Westfalen 2016 Förderpreis des Landes Nordrhein-Westfalen (Media Art) PLX Residency (Malmö, Sweden) 2014 Förderpreis of the Peter Mönnig Foundation Shortlisted: Ars Viva 2019 (Finalist), 2x Peter-Mertes-Stipendium, BEST-Stipendium, Junger Ankauf des Museum Ludwigs with Clages Selected Solo Exhibitions & Performances 2018 The Loop, ITALIC, Berlin The Boomerang Effect, Aus- und Vortragen, Kölnischer Kunstverein Metamorphoses of Control, Osthaus Museum Hagen 2017 HEAVEN, Pogobar at KW Institute for Contemporary Art, Berlin Hungy Mice & Salty Pepper, Clages Gallery, Cologne Vice Versa, Antichambre, Digitale Düsseldorf (with Manuel Graf) SOLO 4 ONE - Sunday, Bar Babette, Berlin 2016 White Light, Raiosha Gallery, Tokyo, Japan Sugar Makes You Sad I No Power Potential, SSZ Sued, Cologne Video of the month, Hartware MedienKunstVerein / Dortmunder U (with Lukas von der Gracht) 2015 A Diachronic Home, CSA Space, Vancouver, Canada Seesaw Policy, Filmwerkstatt, Düsseldorf (with Taya Ivanova) Exploit & Disappear, Digital Empire, Düsseldorf, Part of the New Digital Art Biennale „The Wrong“ (with Tanja Ritterbex) We just stole it from the internet, 4bid Gallery, Amsterdam, The Netherlands 2013 Maps & Territories, Coco Collection, Côte d‘Argent, France Körper und Knochen, Studio for Artistic Research, Düsseldorf (with Henning Fehr and Philipp Rühr) Selected Group Exhibitions 2019 Get some Headspace, Ralphs, Cologne, curated by Juliane Duft 2018 ANTARCTICA, An Exhibition on Alienation, Kunsthalle Wien, Austria, curated by Nicolaus Schafhausen and Vanessa Joan Müller 13th Biennale for Contemporary Art Dakar, Goethe Institut, Senegal Insane in the membrane, Sammlung Philara, Düsseldorf Words don‘t come easy, KIT, Düsseldorf, curated by Marian Stindt and Youri Appelo The Way Things Go Part III: Wage, PS120, Berlin IS IT A GAME with Omsk Social Club, Kreuzberg Pavillon, Berlin Last dance, KINDL Center for Contemporary Art, Berlin Face my boost by your ShotSpotter II, Bar Babette, Berlin Face my boost by your ShotSpotter, Hardstr. 43, Basel, Switzerland Von Fremden Ländern in eigenen Städten, Markus Ambach Projects, Düsseldorf Fake it till you make it, MeetFactory, Prague, Czech Republic Works on paper, Gussglashalle, Berlin Benefiz Auktion, Neuer Aachener Kunstverein Morning!, Milieu, Bern, Switzerland (with Lukas von der Gracht) 2017 International Theme Exhibition, Photo Beijing, Millennium Monument Museum, Beijing, China Mad Tea Party, Akademie der Künste der Welt I Dutch Art Institute, Cologne, curated by Aneta Rostkowska Jahresgaben 2017/2018, Kunstverein für die Rheinlande und Westfahlen, Düsseldorf 123, Goethe Institut Paris, France Benefiz Auktion, Neuer Aachener Kunstverein Bunker K101, Jungekunstfreunde des Museum Ludwigs, Cologne Welthungerhilfe Charity Auction, Langen Foundation, Neuss 2016 Wrap around the time, Nam June Paik Art Center, Seoul, Korea curated by Gregor Jansen and Hyun Jeung Kim On the currents of the city, Museum Abteiberg, Mönchengladbach (with Lukas von der Gracht), curated by Susanne Titz and Markus Ambach Manifesta 11, Cabaret Voltaire, Zürich, Switzerland Shift your base II, Simultanhalle, Cologne One month: After the materialization of the art object from 8 to 31 July, Temporary Galley, Cologne Die Grosse, Museum Kunstpalast, Düsseldorf Doppel X, Kunstverein Mönchengladbach, curated by Hannah Eckstein A Sense of Place, Frankfurter Hauptbahnhof SIREN, Ernst-Reuter-Platz, University of the Arts Berlin Ung5 Auktion, Clusterhaus, Cologne (with Lukas von der Gracht) Cold bodies warm machines, Medienwerk.nrw, NRW Forum, Düsseldorf Snow Show I Mostra Della Neve, San Cadide, Italy Very Short Filmfestival, Cité Internationale des Arts, Paris, France (with Lukas von der Gracht) 2015 OFF with New Bretagne, Kunsthaus Essen Re:Fwd Lensd. Class of Hito Steyerl, Leipzigerstr. 63, Berlin Performance True Love Chapter 1, Seiras at Dan Graham Pavilion, initiated by Yael Salomonowitz & Max Mayer, Düsseldorf (with Lukas von der Gracht) PricewaterhouseCoopers Förderpreis, Düsseldorf Localnonsculpture, Athens Digital Arts Festival, Athens, Greece Drone Hits (Interactive Installation), NADA Art Cologne What A B, What A B Projects, Frankfurt 2014 Kunstfilmtage Düsseldorf, UFA-Kino, Düsseldorf Hogan Lovells Kunstförderpreis, Düsseldorf STEADY STATE, Kunstverein Duisburg No. 3, McKinsey SkyOffice, Düsseldorf En El Castillo, International Museum of Contemporary Art Lanzarote Overbeckstrasse, Galerie Fiebach Minninger, Cologne PLASTIC WATERS, Therme Gallery, Tokyo, Japan 2013 BODY LIGHT, Venus & Apoll, Julia Stoschek Collection, Düsseldorf TAUSEND, Sechzigstraße 13, Cologne Fragile Islands, Parkhaus im Malkastenpark, Düsseldorf Jet Age - An Homage, SO+BA, Tokyo, Japan, curated by Milan Ther Klasse Gursky stellt aus, Raiosha Gallery, Tokyo, Japan WE ARE IN A BAR, Lover Bar at ehem. Max Mayer Gallery, Düsseldorf it‘s so green, das junge Museum, Bottrop 2012 Organic Structures, Annasatoko Gallery, Istanbul, Turkey Klangperformance, Insel Hombroich Raketenstation, Essen Kurzfilme, Kunstfilmkino Blackbox, Düsseldorf Work the room, Foyer, Nacht der Museen, Düsseldorf Back from Japan, Hans-Peter-Zimmer Stiftung, Düsseldorf Contemporary Art Fairs 2019 Art Cologne, with Clages, with Frances Scholz (upcoming) Art Los Angeles Contemporary, with Clages Art Geneve, with PS120 2017 Art Berlin, with Clages, with Bernhard Walther 2015 Cologne Fine Art, with New Bretagne

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