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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Kent Monkman

Works


Galleries

Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com




Statement

Kent Monkman is an artist of Cree ancestry who works with a variety of mediums, including painting, film/video, performance, and installation. He has had solo exhibitions at numerous Canadian museums including the Montreal Museum of Fine Art, the Museum of Contemporary Canadian Art in Toronto, the Winnipeg Art Gallery, and the Art Gallery of Hamilton. He has participated in various international group exhibitions including: The American West, at Compton Verney, in Warwickshire, England, Remember Humanity at Witte de With, Rotterdam, the 2010 Sydney Biennale, and My Winnipeg at Maison Rouge, Paris.

Monkman has created site specific performances at the McMichael Canadian Art Collection, The Royal Ontario Museum, and at Compton Verney, and has also made super 8 film versions of these performances which he calls “Colonial Art Space Interventions.” His award-winning short film and video works have been screened at various national and international festivals, including the 2007 and 2008 Berlinale, and the 2007 Toronto International Film Festival.

His work is represented in numerous public and private collections including the National Gallery of Canada, Montreal Museum of Fine Arts, Museum London, The Glenbow Museum, The Museum of Contemporary Canadian Art, The Mackenzie Art Gallery, the Art Gallery of Ontario, and the Smithsonian’s National Museum of the American Indian and The Vancouver Art Gallery. He is represented by Pierre-Francois Ouellette Art Contemporaine in Montreal and Toronto, Galerie Florent Tosin in Berlin and Trepanier Baer Gallery in Calgary.


Biography

Education

1989
Sheridan College of Applied Arts, Brampton, Ontario. Illustration

Solo exhibitions

2015
Pierre-Francois Oulette Art Contemporain Toronto, Ontario, Kent Monkman: Expelling the Vices
Gardiner Museum Toronto, Ontario, The Rise and Fall of Civilization
Robert Langen Art Gallery Waterloo, Ontario, Urban Res Studies
BMO Project Room Toronto, Ontario, Casualties of Modernity

2014
Pierre-Francois Ouelette Art Contemporain Montreal, QC, Kent Monkman: Urban Res
Woodland Cultural Centre Brantford, Ontario, Kent Monkman
Musee d’art contemporain de Rochechouart, France, Kent Monkman: The Artist as Hunter
Sargent’s Daughters, New York City, New York, The Urban Res
McCord Museum Montreal, Quebec, Welcome to the Studio

2013
Glenbow Museum Calgary, Alberta, The Big Four

2012
Gallerie Florent Tosin, Berlin, Germany, Two Kindred Spirits
Pierre-Francois Ouellette Art Contemporain Montreal, Quebec Miss America
Centre Space (Pierre-Francois Ouellette Art Contemporain), Toronto, Ontario, Miss America
Rodman Hall, St. Catherines Ontario, Miss America

2011
Toronto International Art Fair, Toronto, Ontario, The Art Game
Pierre-Francois Ouellette Art Contemporain, Montreal, Quebec, L'Atelier
Leonard and Bina Ellen Gallery, Concordia University, Montreal, Quebec, My Treaty is With the Crown

2010
Galerie Florent Tosin, Berlin, Germany, Kent Monkman
Context Gallery, Derry, Ireland, Théâtre de Cristal
St. Mary's University Art Gallery, Halifax, Nova Scotia, The Triumph of Mischief
Art Gallery of Greater Victoria, Victoria, British Columbia, The Triumph of Mischief
Glenbow Museum, Calgary, Alberta, The Triumph of Mischief
Trepanier Baer Gallery, Calgary, Alberta ,Kent Monkman

2009
Montreal Museum of Fine Art, Montreal, Quebec, Dance to the Berdashe

2008
Stephen Friedman Gallery, London, England, Kent Monkman
Bailey Fine Arts, Toronto, Ontario, Dance to the Berdashe
Urban Shaman Gallery, Winnipeg, Manitoba, Dance to the Berdashe
Winnipeg Art Gallery, Winnipeg, Manitoba, The Triumph of Mischief

2007
The Union Gallery, Queen’s University, Kingston, Théâtre de Cristal
Art Gallery of Hamilton, Hamilton, Ontario, The Triumph of Mischief
Museum of Contemporary Canadian Art, Toronto, Ontario, The Triumph of Mischief
Pierre Francois Ouellette Art Contemporain, Montreal, Quebec, Hunting Scenes and Other Amusements from the Great North West

2006
Walter Phillips Gallery, Banff Alberta, Kent Monkman with Paul Chaat Smith

2005
The Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model

2001
The Indian Art Centre, Ottawa, Ontario, The Prayer Language

1997
Deleon White Gallery, Toronto, Ontario

1994
Discovery Gallery, Royal Ontario Museum, Toronto, Ontario, The Creative Process
Art Gallery of Hamilton, Hamilton, Ontario, Creation Wheel
Latitude 53, Edmonton, Alberta, The Museum Show
The New Gallery, Calgary, Alberta, The Museum Show

1993
Monte Clark Gallery, Vancouver, British Columbia

Selected group and two person exhibitions

2015
Wave Hill, New York City, USA, Wrath – Force of Nature
Peabody Essex Museum Salem, Massachusetts, USA, Native Fashion Now
McMaster Museum of Art, Hamilton, Ontario, Passions of the Eye: Exceptional Art from Hamilton and Region Private Collections
Âjagemô Ottawa, Ontario, Ontario in Âjagemô

2014
Galerie Sans Nom, Moncton, New Brunswick, Oh, Canada
Art Mur, Montreal, Quebec, Storytelling: The Contemporary Native Art Biennial 2nd edition
Megumi Ogita Gallery Tokyo, Japan, Landscape
McMaster Museum of Art Hamilton, ON, This is Me, This is Also Me
Mackenzie Art Gallery Regina, Saskatchewan, Beat Nation
SITE Santa Fe, Santa Fe, New Mexico, Unsettled Landscapes
University of Michigan Museum of Art, Ann Arbor, Michigan, Changing Hands: Art Without Reservation 3
Dalhousie Art Gallery and St. Mary’s University Art Gallery Halifax, Nova Scotia, Beat Nation
Chazen Museum of Art at the University of Wisconsin, Madison, Wisconsin, Changing Hands: Art Without Reservation 3

2013
Tweed Museum of Art Duluth, Minnesota, Blood Memoires
Esker Foundation Calgary, Alberta, Fiction/Non-fiction
Museum of Contemporary Native Arts, Santa Fe, New Mexico, Changing Hands: Art Without Reservation 3
Musee d’art contemporain de Montreal, Quebec, Beat Nation
North Dakota Museum of Art, Grand Forks, North Dakota, Dazzling Dancing Beads
The National Gallery of Canada, Ottawa, Ontario, Sakahan: International Indigenous Art
McMichael Gallery Kleinburg, Ontario, Changing Hands: Art Without Reservation 3
Memorial Art Gallery Rochester, New York, Changing Hands: Art Without Reservation 3
Leslie Lohman Museum New York, New York, Rare & Raw
La Galerie UQAM Montreal, Quebec, The Painting Project
Plug In ICA Winnipeg, Manitoba, My Winnipeg Project
The Power Plant, Toronto,Ontario, Beat Nation

2012
TIFF Bell Lightbox Toronto, Ontario, Home on Native Land
Art Gallery of Nova Scotia, Halifax, Nova Scotia, SKIN: The Seduction of Surface
Museum of Art and Design, New York, New York, Changing Hands Part 3
MASS MoCA, North Adams, Massachusetts, Oh, Canada
McMichael Gallery, Kleinburg, Ontario, Fashionality: Dress and Identity in Contemporary Canadian Art
Peabody Essex Museum, Salem, Massachusetts, Shapeshifting: Transformations in Native American Art
Vancouver Art Gallery, Vancouver, British Columbia, Beat Nation

2011
MIAM (Musee International des Arts Modestes), Sete, France, My Winnipeg
The McIntosh Gallery, London, Ontario, Barroco Nova: Neo Baroque Moves in Contemporary Art
Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre
Doris McCarthy Gallery, Toronto, Ontario, Purloined Stories
Art Gallery of Calgary, Calgary, Alberta, Calgary Collects
Vancouver Art Gallery, Vancouver, British Columbia, An Autobiography of Our Collection
Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre
Thunder Bay Art Gallery, Thunder Bay, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists
McMichael Canadian Art Collection, Kleinburg, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists
Maison Rouge Foundation, Paris, France, My Winnipeg
Galerie Michel Rein, Paris, France, Kent Monkman and Gerd Rohling
Plug In Institute of Contemporary Art, Winnipeg, Manitoba, Close Encounters

2010
Biennale of Sydney, Sydney, Australia, The Beauty of Distance
National Museum of the American Indian, Washington, DC, Vantage Point: The Contemporary Native Art Collection
James Kelly Contemporary, Santa Fe, New Mexico, Unbound Thoughts
Witte de With Centre for Contemporary Art, Rotterdam, The Netherlands, Remember Humanity

2009
Art Gallery of Ontario, Toronto, Ontario, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker
National Gallery of Canada and The Canadian Museum of Contemporary Photography, Ottawa, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists

2008
Art Gallery of Mississauga, Mississauga, Ontario, Kent Monkman and Frederick Hagan
National Gallery of Canada, Ottawa, Ontario, Caught in the Act: The Viewer as Performer
Art Gallery of Alberta, Edmonton, Alberta, Face the Nation

2008
National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World
Saw Gallery, Ottawa, Ontario, Radical Drag, Transformative Performance

2007
Institute for Contemporary Culture, Royal Ontario Museum. Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers
National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker
Carleton University Gallery, Ottawa, Ontario, Confluence: First Nations Art from John Cook’s Collection
Saw Gallery, Ottawa, Ontario, Oil Spill: New Painting in Ontario
Centre Internationale d’Art Contemporain de Montreal, Montreal, Quebec, Crack the Sky, Montreal Biennale

2006
Museum of Contemporary Canadian Art and Art Gallery of Hamilton at the Toronto International Art Fair, Toronto, Ontario Salon Indien
Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again
The Nordic Institute for Contemporary Art, Helsinki, Finland, Re-thinking Nordic Colonialism

2005
Ottawa Art Gallery, Ottawa, Ontario, Hot Mush and the Cold North
Compton Verney, Warwickshire, England, The American West

2004
Musee d’art contemporain de Montreal, Montreal, Quebec, “We come in peace…”/Histories of the Americas
Woodland Cultural Centre, Brantford, Ontario, First Nations Art 2004

2002
York Quay Gallery, Toronto, Ontario, Gridlock, Case Studies
Museum London, London, Ontario, Between You And Me
A Space Gallery, Toronto, Ontario, Thinskinned

1997
American Indian Community House Gallery, New York, New York, Our House to Your House
Woodland Cultural Centre, Brantford, First Nations Art 97

1994
Workscene Gallery, Toronto, Ontario, Group show

1993
Woodland Cultural Centre, Brantford, Ontario, First Nations Art 93

1992
American Indian Community House Gallery, New York, New York, Native American Art

1992
American Indian Community House Gallery, New York, New York, Discovering Ourselves Not Columbus

1991
Lake Galleries, Toronto, Ontario, The Toronto Mask Show

Performance

2013
Denver Art Museum, Denver, Colorado, Casualties of Modernity
2012
National Museum of the American Indian (Smithsonian), Washington, DC, Justice of the Piece
Scotiabank Nuit Blanche, Toronto, Ontario, Iskootao
2007
Institute for Contemporary Culture, Royal Ontario Museum, Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers, Séance
2006
Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again, Gone With The Wind
2005Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model
2005
Compton Verney, Warwickshire, England, The American West, The Taxonomy of the European Male
2004
McMichael Canadian Art Collection, Kleinburg, Ontario, Group of Seven Inches

Film / videography

2015
Sisters & Brothers, director, NFB archival footage, 02:52 minutes 2015
Casualties of Modernity, writer/director/producer/performer, HD 14:00 minutes 2013
Miss Chief: Justice of the Piece, writer/director/producer/performer, HD 31:00 minutes 2011
Mary, writer/director/producer/performer, HD ,3:18 minutes
2010
Dance to Miss Chief, writer/director/producer/performer, digital beta, 5:00 minutes
2008
Dance to the Berdashe, writer/director/producer/performer, 5 channel video installation, super 8mm and HD, 12:30 minutes
2006
Robin’s Hood, writer/co-director/producer/performer, super 8mm, 6:00 minutes
Shooting Geronimo, writer/director/producer, super 8mm, 11:11 minutes
Awards:
Best short Drama 2007, imagineNATIVE Film and Media Arts Festival Toronto
2005
Group of Seven Inches, writer/co-director/producer/performer, super 8mm, 6:30 minutes
Future Nation, writer/director/co-producer, mini dv, 16:27 minutes
2000
Blood River, writer/director, 16mm, 23 minutes
Awards:
Best Film, ImagineNative Film Festival 2000, Toronto
Nominated for Best Live Short Subject, American Indian Motion Picture Awards, 2000
Broadcast: CBC Canadian Reflections, 2003
APTN, 2003
1996
A Nation is Coming, writer/director/producer, beta sp, 24 minutes
Broadcast: Bravo, 1998
APTN, 1999, 2001
Awards:
Best Experimental, The Alberta Motion Picture Industry Association, 1997
Best Craft (editing – non dramatic), The Alberta Motion Picture Industry Association, 1997
Best Experimental, The American Indian Film and Video Competition, 1997
Judges Choice Award, The American Indian Film and Video Competition, 1997

Selected film festivals and screenengs

2015
ImagineNATIVE (Toronto)
Toronto International Film Festival
2011
ImagineNATIVE (Toronto)
2010
ImagineNATIVE (Toronto)
2009
Frameline Film Festival (San Francisco, California), Planet Indigenous (Toronto, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta)
2008
Berlinale (Berlin, Germany), Rhubarb Festival (Toronto, Ontario), Terres en Vues Land Insight (Montreal, Quebec), Seattle Art Museum
(Seattle, Washington), Art Gallery of Windsor (Windsor, Ontario), Carleton University Art gallery (Ottawa, Ontario), Saw Video (Ottawa, Ontario) Reelout Queer film and video festival (Kingston, Ontario) Kamloops Art Gallery (Kamloops, British Columbia), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Outfest (Los Angeles, California) imagineNATIVE (Toronto, Ontario)
2007
Toronto International Film Festival, imagineNATIVE (Toronto, Ontario), Reelout, (Kingston, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta), Berlinale (Berlin, Germany), Dreamspeakers Film Festival (Edmonton) Sakewewak Artist’s Collective (Regina, Saskatchewan) Hemisperic Institute Encuentro (Buenos Aires, Brazil)
2006
Turin gay Film Festival (Turin, Italy), Fusion the Los Angeles LGBT People of Colour Film Festival (Los Angeles, California), 2006 Message Sticks Film Festival (Sydney, Australia), Terres en Vues Land Insight (Montreal, Quebec), NewFest: LGBT Film Festival, (New York, New York) Outfest (Los Angeles, California), Mestre Film Festival (Venice, Italy), Lisbon Gay and Lesbian Film Festival (Lisbon, Portugal), Ontario Association of Art Galleries Awards Presentation (National Gallery of Canada, Ottawa, Ontario), Vancouver Queer Film and Video Festival, (Vancouver British Columbia), Fairy Tales, (Calgary, Alberta), Redeye (Carleton University, Ottawa), Pink Film Days
(Amsterdam, The Netherlands), Hong Kong Gay and Lesbian Film Festival (Hong Kong), Seattle Gay and Lesbian Film Festival (Seattle, Washington), Reel Affirmations (Washington, DC) ImageNation (Vancouver, British Columbia)
2005
Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Hemisperic Institute Encuentro (Belo Horizonte, Brazil) imagineNATIVE (Toronto, Ontario)
2004
Cine Las Americas (Austin, Texas)
2003
Riddu Riddu (Norway), Terres en Vues Land Insight (Montreal, Quebec), Heard Museum Indigenous Film Festival (Phoenix, Arizona) World Wide Short Film Festival (Toronto, Ontario), Native American Film and Video Festival (New York, New York)
2002
Queer City Cinema (Regina, Saskatchewan), Saskatchewan Film Pool (Regina, Saskatchewan), International Work Group for Indigenous People Culture Night (Copenhagen, Denmark)
2001
Local Heroes Film Festival (Winnipeg, Manitoba), Dawson City International Short Film Festival (Dawson City, Yukon), Reel World Film Festival (Toronto, Ontario), Video and Film Forum for Indigenous People (Basel, Switzerland), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Kinofilm Manchester International Short Film And Video Festival (Manchester, England), Optic Nerve Peterborough Moving Media Series (Peterborough, Ontario), Making Scenes Ottawa Gay and Lesbian Film Festival (Ottawa, Ontario), Beyond Tonto 11: Tribe Media (Saskatoon, Saskatchewan) Image Nation Film Festival (Vancouver, British Columbia)
2000
ImagineNATIVE Film Festival (Toronto, Ontario), American Indian Film Festival (San Francisco, California)
1997
The Sundance Film Festival (Park City, Utah), The Native American Film and Video Festival (New York, New York), The American Indian Film and Video Competition (Oklahoma City, Oklahoma), Dreamspeakers Film Festival (Edmonton, Alberta)
1996
The American Indian Film Festival (San Francisco, California), The Moving Pictures Festival (Toronto, Ontario)

Residencies

2005
The Banff Centre, Banff, Alberta
Aboriginal New Works Residency, Media and Visual Arts
2004
Smithsonian Institution, Washington D.C., Boston, Philadelphia, New York
Visiting Artist in Residence
McMichael Canadian Art Collection, Kleinburg, Ontario
Artist in residence
2003
The Banff Centre, Banff, Alberta
Communion and Other Conversations
1997
Sundance Institute, Los Angeles, California
Native American Screenwriting Fellowship
1992
The Banff Centre, Banff, Alberta
Theatre Design

Public collections

National Gallery of Canada, Montreal Museum of Fine Art, Art Gallery of Ontario, Museum London, Woodland Cultural Centre, The Glenbow Museum, Indian Art Centre, Robert McLaughlin Gallery, Mackenzie Art Gallery, Canada Council Art Bank, Smithsonian/National Museum of the American Indian, Vancouver Art Gallery, Maison Rouge Foundation, Rideau Hall, The Logan

Catalogues

Dance to the Berdashe
Essay by Barry Ace, Urban Shaman Gallery, Winnipeg, Manitoba, 2009
The Triumph of Mischief
Shirley Madill, David Liss, and David McIntosh, Art Gallery of Greater Victoria, Museum of Contemporary Canadian Art, 2008
Face the Nation,
Catherine Crowston, Art Gallery of Alberta, 2008
Shapeshifters, Time Travellers and Storytellers
Candace Hopkins and Kerry Swanson, Institute for Contemporary Culture, Royal Ontario Museum, 2008
Caught in the Act, the Viewer as Performer, Josee Brisebois-Drouin, Greg Hill, National Gallery of Canada, 2008
Explorers and Dandies, In an open letter to Canada Post
Essays by Su Ying lee and Mark Kingwell, Art Gallery of Mississauga, 2008
Crack the Sky, La Biennale de montreal 2007
Wayne Baerwaldt, Centre d’art contemporain de Montreal, 2007
Native Identity in an Age of Hybridity
Eleanor Heartney, Remix: New Modernities in a Post-Indian World, National Museum of the American Indian, the Smithsonian Institution, and the Heard Museum, 2007
The Double Entendre of Re-Enactment, Gerald McMaster, VTape, 2007
Kent Monkman, Théatre de Cristal, Erin Morton, Union Gallery, Queen’s University, 2007.
The American West, Richard William Hill, Compton Verney, June 2005
Patricia Deadman, Museum London, 2005
“We come in peace…” History of the Americas
Pierre Landry, Musée d’art contemporain de Montréal, May, 2004

Kent Monkman
Education 1989 Sheridan College of Applied Arts, Brampton, Ontario. Illustration Solo exhibitions 2015 Pierre-Francois Oulette Art Contemporain Toronto, Ontario, Kent Monkman: Expelling the Vices Gardiner Museum Toronto, Ontario, The Rise and Fall of Civilization Robert Langen Art Gallery Waterloo, Ontario, Urban Res Studies BMO Project Room Toronto, Ontario, Casualties of Modernity 2014 Pierre-Francois Ouelette Art Contemporain Montreal, QC, Kent Monkman: Urban Res Woodland Cultural Centre Brantford, Ontario, Kent Monkman Musee d’art contemporain de Rochechouart, France, Kent Monkman: The Artist as Hunter Sargent’s Daughters, New York City, New York, The Urban Res McCord Museum Montreal, Quebec, Welcome to the Studio 2013 Glenbow Museum Calgary, Alberta, The Big Four 2012 Gallerie Florent Tosin, Berlin, Germany, Two Kindred Spirits Pierre-Francois Ouellette Art Contemporain Montreal, Quebec Miss America Centre Space (Pierre-Francois Ouellette Art Contemporain), Toronto, Ontario, Miss America Rodman Hall, St. Catherines Ontario, Miss America 2011 Toronto International Art Fair, Toronto, Ontario, The Art Game Pierre-Francois Ouellette Art Contemporain, Montreal, Quebec, L'Atelier Leonard and Bina Ellen Gallery, Concordia University, Montreal, Quebec, My Treaty is With the Crown 2010 Galerie Florent Tosin, Berlin, Germany, Kent Monkman Context Gallery, Derry, Ireland, Théâtre de Cristal St. Mary's University Art Gallery, Halifax, Nova Scotia, The Triumph of Mischief Art Gallery of Greater Victoria, Victoria, British Columbia, The Triumph of Mischief Glenbow Museum, Calgary, Alberta, The Triumph of Mischief Trepanier Baer Gallery, Calgary, Alberta ,Kent Monkman 2009 Montreal Museum of Fine Art, Montreal, Quebec, Dance to the Berdashe 2008 Stephen Friedman Gallery, London, England, Kent Monkman Bailey Fine Arts, Toronto, Ontario, Dance to the Berdashe Urban Shaman Gallery, Winnipeg, Manitoba, Dance to the Berdashe Winnipeg Art Gallery, Winnipeg, Manitoba, The Triumph of Mischief 2007 The Union Gallery, Queen’s University, Kingston, Théâtre de Cristal Art Gallery of Hamilton, Hamilton, Ontario, The Triumph of Mischief Museum of Contemporary Canadian Art, Toronto, Ontario, The Triumph of Mischief Pierre Francois Ouellette Art Contemporain, Montreal, Quebec, Hunting Scenes and Other Amusements from the Great North West 2006 Walter Phillips Gallery, Banff Alberta, Kent Monkman with Paul Chaat Smith 2005 The Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model 2001 The Indian Art Centre, Ottawa, Ontario, The Prayer Language 1997 Deleon White Gallery, Toronto, Ontario 1994 Discovery Gallery, Royal Ontario Museum, Toronto, Ontario, The Creative Process Art Gallery of Hamilton, Hamilton, Ontario, Creation Wheel Latitude 53, Edmonton, Alberta, The Museum Show The New Gallery, Calgary, Alberta, The Museum Show 1993 Monte Clark Gallery, Vancouver, British Columbia Selected group and two person exhibitions 2015 Wave Hill, New York City, USA, Wrath – Force of Nature Peabody Essex Museum Salem, Massachusetts, USA, Native Fashion Now McMaster Museum of Art, Hamilton, Ontario, Passions of the Eye: Exceptional Art from Hamilton and Region Private Collections Âjagemô Ottawa, Ontario, Ontario in Âjagemô 2014 Galerie Sans Nom, Moncton, New Brunswick, Oh, Canada Art Mur, Montreal, Quebec, Storytelling: The Contemporary Native Art Biennial 2nd edition Megumi Ogita Gallery Tokyo, Japan, Landscape McMaster Museum of Art Hamilton, ON, This is Me, This is Also Me Mackenzie Art Gallery Regina, Saskatchewan, Beat Nation SITE Santa Fe, Santa Fe, New Mexico, Unsettled Landscapes University of Michigan Museum of Art, Ann Arbor, Michigan, Changing Hands: Art Without Reservation 3 Dalhousie Art Gallery and St. Mary’s University Art Gallery Halifax, Nova Scotia, Beat Nation Chazen Museum of Art at the University of Wisconsin, Madison, Wisconsin, Changing Hands: Art Without Reservation 3 2013 Tweed Museum of Art Duluth, Minnesota, Blood Memoires Esker Foundation Calgary, Alberta, Fiction/Non-fiction Museum of Contemporary Native Arts, Santa Fe, New Mexico, Changing Hands: Art Without Reservation 3 Musee d’art contemporain de Montreal, Quebec, Beat Nation North Dakota Museum of Art, Grand Forks, North Dakota, Dazzling Dancing Beads The National Gallery of Canada, Ottawa, Ontario, Sakahan: International Indigenous Art McMichael Gallery Kleinburg, Ontario, Changing Hands: Art Without Reservation 3 Memorial Art Gallery Rochester, New York, Changing Hands: Art Without Reservation 3 Leslie Lohman Museum New York, New York, Rare & Raw La Galerie UQAM Montreal, Quebec, The Painting Project Plug In ICA Winnipeg, Manitoba, My Winnipeg Project The Power Plant, Toronto,Ontario, Beat Nation 2012 TIFF Bell Lightbox Toronto, Ontario, Home on Native Land Art Gallery of Nova Scotia, Halifax, Nova Scotia, SKIN: The Seduction of Surface Museum of Art and Design, New York, New York, Changing Hands Part 3 MASS MoCA, North Adams, Massachusetts, Oh, Canada McMichael Gallery, Kleinburg, Ontario, Fashionality: Dress and Identity in Contemporary Canadian Art Peabody Essex Museum, Salem, Massachusetts, Shapeshifting: Transformations in Native American Art Vancouver Art Gallery, Vancouver, British Columbia, Beat Nation 2011 MIAM (Musee International des Arts Modestes), Sete, France, My Winnipeg The McIntosh Gallery, London, Ontario, Barroco Nova: Neo Baroque Moves in Contemporary Art Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre Doris McCarthy Gallery, Toronto, Ontario, Purloined Stories Art Gallery of Calgary, Calgary, Alberta, Calgary Collects Vancouver Art Gallery, Vancouver, British Columbia, An Autobiography of Our Collection Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre Thunder Bay Art Gallery, Thunder Bay, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists McMichael Canadian Art Collection, Kleinburg, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists Maison Rouge Foundation, Paris, France, My Winnipeg Galerie Michel Rein, Paris, France, Kent Monkman and Gerd Rohling Plug In Institute of Contemporary Art, Winnipeg, Manitoba, Close Encounters 2010Biennale of Sydney, Sydney, Australia, The Beauty of Distance National Museum of the American Indian, Washington, DC, Vantage Point: The Contemporary Native Art Collection James Kelly Contemporary, Santa Fe, New Mexico, Unbound Thoughts Witte de With Centre for Contemporary Art, Rotterdam, The Netherlands, Remember Humanity 2009 Art Gallery of Ontario, Toronto, Ontario, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker National Gallery of Canada and The Canadian Museum of Contemporary Photography, Ottawa, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists 2008 Art Gallery of Mississauga, Mississauga, Ontario, Kent Monkman and Frederick Hagan National Gallery of Canada, Ottawa, Ontario, Caught in the Act: The Viewer as Performer Art Gallery of Alberta, Edmonton, Alberta, Face the Nation 2008 National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World Saw Gallery, Ottawa, Ontario, Radical Drag, Transformative Performance 2007 Institute for Contemporary Culture, Royal Ontario Museum. Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker Carleton University Gallery, Ottawa, Ontario, Confluence: First Nations Art from John Cook’s Collection Saw Gallery, Ottawa, Ontario, Oil Spill: New Painting in Ontario Centre Internationale d’Art Contemporain de Montreal, Montreal, Quebec, Crack the Sky, Montreal Biennale 2006 Museum of Contemporary Canadian Art and Art Gallery of Hamilton at the Toronto International Art Fair, Toronto, Ontario Salon Indien Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again The Nordic Institute for Contemporary Art, Helsinki, Finland, Re-thinking Nordic Colonialism 2005 Ottawa Art Gallery, Ottawa, Ontario, Hot Mush and the Cold North Compton Verney, Warwickshire, England, The American West 2004 Musee d’art contemporain de Montreal, Montreal, Quebec, “We come in peace…”/Histories of the Americas Woodland Cultural Centre, Brantford, Ontario, First Nations Art 2004 2002 York Quay Gallery, Toronto, Ontario, Gridlock, Case Studies Museum London, London, Ontario, Between You And Me A Space Gallery, Toronto, Ontario, Thinskinned 1997 American Indian Community House Gallery, New York, New York, Our House to Your House Woodland Cultural Centre, Brantford, First Nations Art 97 1994 Workscene Gallery, Toronto, Ontario, Group show 1993 Woodland Cultural Centre, Brantford, Ontario, First Nations Art 93 1992 American Indian Community House Gallery, New York, New York, Native American Art 1992 American Indian Community House Gallery, New York, New York, Discovering Ourselves Not Columbus 1991 Lake Galleries, Toronto, Ontario, The Toronto Mask Show Performance 2013 Denver Art Museum, Denver, Colorado, Casualties of Modernity 2012National Museum of the American Indian (Smithsonian), Washington, DC, Justice of the Piece Scotiabank Nuit Blanche, Toronto, Ontario, Iskootao 2007Institute for Contemporary Culture, Royal Ontario Museum, Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers, Séance 2006 Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again, Gone With The Wind 2005Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model 2005 Compton Verney, Warwickshire, England, The American West, The Taxonomy of the European Male 2004 McMichael Canadian Art Collection, Kleinburg, Ontario, Group of Seven Inches Film / videography 2015 Sisters & Brothers, director, NFB archival footage, 02:52 minutes 2015 Casualties of Modernity, writer/director/producer/performer, HD 14:00 minutes 2013 Miss Chief: Justice of the Piece, writer/director/producer/performer, HD 31:00 minutes 2011 Mary, writer/director/producer/performer, HD ,3:18 minutes 2010 Dance to Miss Chief, writer/director/producer/performer, digital beta, 5:00 minutes 2008 Dance to the Berdashe, writer/director/producer/performer, 5 channel video installation, super 8mm and HD, 12:30 minutes 2006 Robin’s Hood, writer/co-director/producer/performer, super 8mm, 6:00 minutes Shooting Geronimo, writer/director/producer, super 8mm, 11:11 minutes Awards: Best short Drama 2007, imagineNATIVE Film and Media Arts Festival Toronto 2005 Group of Seven Inches, writer/co-director/producer/performer, super 8mm, 6:30 minutes Future Nation, writer/director/co-producer, mini dv, 16:27 minutes 2000 Blood River, writer/director, 16mm, 23 minutes Awards: Best Film, ImagineNative Film Festival 2000, Toronto Nominated for Best Live Short Subject, American Indian Motion Picture Awards, 2000 Broadcast: CBC Canadian Reflections, 2003 APTN, 2003 1996 A Nation is Coming, writer/director/producer, beta sp, 24 minutes Broadcast: Bravo, 1998 APTN, 1999, 2001 Awards: Best Experimental, The Alberta Motion Picture Industry Association, 1997 Best Craft (editing – non dramatic), The Alberta Motion Picture Industry Association, 1997 Best Experimental, The American Indian Film and Video Competition, 1997 Judges Choice Award, The American Indian Film and Video Competition, 1997 Selected film festivals and screenengs 2015 ImagineNATIVE (Toronto) Toronto International Film Festival 2011 ImagineNATIVE (Toronto) 2010 ImagineNATIVE (Toronto) 2009 Frameline Film Festival (San Francisco, California), Planet Indigenous (Toronto, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta) 2008 Berlinale (Berlin, Germany), Rhubarb Festival (Toronto, Ontario), Terres en Vues Land Insight (Montreal, Quebec), Seattle Art Museum (Seattle, Washington), Art Gallery of Windsor (Windsor, Ontario), Carleton University Art gallery (Ottawa, Ontario), Saw Video (Ottawa, Ontario) Reelout Queer film and video festival (Kingston, Ontario) Kamloops Art Gallery (Kamloops, British Columbia), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Outfest (Los Angeles, California) imagineNATIVE (Toronto, Ontario) 2007 Toronto International Film Festival, imagineNATIVE (Toronto, Ontario), Reelout, (Kingston, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta), Berlinale (Berlin, Germany), Dreamspeakers Film Festival (Edmonton) Sakewewak Artist’s Collective (Regina, Saskatchewan) Hemisperic Institute Encuentro (Buenos Aires, Brazil) 2006 Turin gay Film Festival (Turin, Italy), Fusion the Los Angeles LGBT People of Colour Film Festival (Los Angeles, California), 2006 Message Sticks Film Festival (Sydney, Australia), Terres en Vues Land Insight (Montreal, Quebec), NewFest: LGBT Film Festival, (New York, New York) Outfest (Los Angeles, California), Mestre Film Festival (Venice, Italy), Lisbon Gay and Lesbian Film Festival (Lisbon, Portugal), Ontario Association of Art Galleries Awards Presentation (National Gallery of Canada, Ottawa, Ontario), Vancouver Queer Film and Video Festival, (Vancouver British Columbia), Fairy Tales, (Calgary, Alberta), Redeye (Carleton University, Ottawa), Pink Film Days (Amsterdam, The Netherlands), Hong Kong Gay and Lesbian Film Festival (Hong Kong), Seattle Gay and Lesbian Film Festival (Seattle, Washington), Reel Affirmations (Washington, DC) ImageNation (Vancouver, British Columbia) 2005 Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Hemisperic Institute Encuentro (Belo Horizonte, Brazil) imagineNATIVE (Toronto, Ontario) 2004 Cine Las Americas (Austin, Texas) 2003 Riddu Riddu (Norway), Terres en Vues Land Insight (Montreal, Quebec), Heard Museum Indigenous Film Festival (Phoenix, Arizona) World Wide Short Film Festival (Toronto, Ontario), Native American Film and Video Festival (New York, New York) 2002 Queer City Cinema (Regina, Saskatchewan), Saskatchewan Film Pool (Regina, Saskatchewan), International Work Group for Indigenous People Culture Night (Copenhagen, Denmark) 2001 Local Heroes Film Festival (Winnipeg, Manitoba), Dawson City International Short Film Festival (Dawson City, Yukon), Reel World Film Festival (Toronto, Ontario), Video and Film Forum for Indigenous People (Basel, Switzerland), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Kinofilm Manchester International Short Film And Video Festival (Manchester, England), Optic Nerve Peterborough Moving Media Series (Peterborough, Ontario), Making Scenes Ottawa Gay and Lesbian Film Festival (Ottawa, Ontario), Beyond Tonto 11: Tribe Media (Saskatoon, Saskatchewan) Image Nation Film Festival (Vancouver, British Columbia) 2000 ImagineNATIVE Film Festival (Toronto, Ontario), American Indian Film Festival (San Francisco, California) 1997 The Sundance Film Festival (Park City, Utah), The Native American Film and Video Festival (New York, New York), The American Indian Film and Video Competition (Oklahoma City, Oklahoma), Dreamspeakers Film Festival (Edmonton, Alberta) 1996 The American Indian Film Festival (San Francisco, California), The Moving Pictures Festival (Toronto, Ontario) Residencies 2005 The Banff Centre, Banff, Alberta Aboriginal New Works Residency, Media and Visual Arts 2004 Smithsonian Institution, Washington D.C., Boston, Philadelphia, New York Visiting Artist in Residence McMichael Canadian Art Collection, Kleinburg, Ontario Artist in residence 2003 The Banff Centre, Banff, Alberta Communion and Other Conversations 1997 Sundance Institute, Los Angeles, California Native American Screenwriting Fellowship 1992 The Banff Centre, Banff, Alberta Theatre Design Public collections National Gallery of Canada, Montreal Museum of Fine Art, Art Gallery of Ontario, Museum London, Woodland Cultural Centre, The Glenbow Museum, Indian Art Centre, Robert McLaughlin Gallery, Mackenzie Art Gallery, Canada Council Art Bank, Smithsonian/National Museum of the American Indian, Vancouver Art Gallery, Maison Rouge Foundation, Rideau Hall, The Logan Catalogues Dance to the Berdashe Essay by Barry Ace, Urban Shaman Gallery, Winnipeg, Manitoba, 2009 The Triumph of Mischief Shirley Madill, David Liss, and David McIntosh, Art Gallery of Greater Victoria, Museum of Contemporary Canadian Art, 2008 Face the Nation, Catherine Crowston, Art Gallery of Alberta, 2008 Shapeshifters, Time Travellers and Storytellers Candace Hopkins and Kerry Swanson, Institute for Contemporary Culture, Royal Ontario Museum, 2008 Caught in the Act, the Viewer as Performer, Josee Brisebois-Drouin, Greg Hill, National Gallery of Canada, 2008 Explorers and Dandies, In an open letter to Canada Post Essays by Su Ying lee and Mark Kingwell, Art Gallery of Mississauga, 2008 Crack the Sky, La Biennale de montreal 2007 Wayne Baerwaldt, Centre d’art contemporain de Montreal, 2007 Native Identity in an Age of Hybridity Eleanor Heartney, Remix: New Modernities in a Post-Indian World, National Museum of the American Indian, the Smithsonian Institution, and the Heard Museum, 2007 The Double Entendre of Re-Enactment, Gerald McMaster, VTape, 2007 Kent Monkman, Théatre de Cristal, Erin Morton, Union Gallery, Queen’s University, 2007. The American West, Richard William Hill, Compton Verney, June 2005 Patricia Deadman, Museum London, 2005 “We come in peace…” History of the Americas Pierre Landry, Musée d’art contemporain de Montréal, May, 2004

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