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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Kent Monkman

Works


Galleries

Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com




Statement

Kent Monkman is an artist of Cree ancestry who works with a variety of mediums, including painting, film/video, performance, and installation. He has had solo exhibitions at numerous Canadian museums including the Montreal Museum of Fine Art, the Museum of Contemporary Canadian Art in Toronto, the Winnipeg Art Gallery, and the Art Gallery of Hamilton. He has participated in various international group exhibitions including: The American West, at Compton Verney, in Warwickshire, England, Remember Humanity at Witte de With, Rotterdam, the 2010 Sydney Biennale, and My Winnipeg at Maison Rouge, Paris.

Monkman has created site specific performances at the McMichael Canadian Art Collection, The Royal Ontario Museum, and at Compton Verney, and has also made super 8 film versions of these performances which he calls “Colonial Art Space Interventions.” His award-winning short film and video works have been screened at various national and international festivals, including the 2007 and 2008 Berlinale, and the 2007 Toronto International Film Festival.

His work is represented in numerous public and private collections including the National Gallery of Canada, Montreal Museum of Fine Arts, Museum London, The Glenbow Museum, The Museum of Contemporary Canadian Art, The Mackenzie Art Gallery, the Art Gallery of Ontario, and the Smithsonian’s National Museum of the American Indian and The Vancouver Art Gallery. He is represented by Pierre-Francois Ouellette Art Contemporaine in Montreal and Toronto, Galerie Florent Tosin in Berlin and Trepanier Baer Gallery in Calgary.


Biography

Education

1989
Sheridan College of Applied Arts, Brampton, Ontario. Illustration

Solo exhibitions

2015
Pierre-Francois Oulette Art Contemporain Toronto, Ontario, Kent Monkman: Expelling the Vices
Gardiner Museum Toronto, Ontario, The Rise and Fall of Civilization
Robert Langen Art Gallery Waterloo, Ontario, Urban Res Studies
BMO Project Room Toronto, Ontario, Casualties of Modernity

2014
Pierre-Francois Ouelette Art Contemporain Montreal, QC, Kent Monkman: Urban Res
Woodland Cultural Centre Brantford, Ontario, Kent Monkman
Musee d’art contemporain de Rochechouart, France, Kent Monkman: The Artist as Hunter
Sargent’s Daughters, New York City, New York, The Urban Res
McCord Museum Montreal, Quebec, Welcome to the Studio

2013
Glenbow Museum Calgary, Alberta, The Big Four

2012
Gallerie Florent Tosin, Berlin, Germany, Two Kindred Spirits
Pierre-Francois Ouellette Art Contemporain Montreal, Quebec Miss America
Centre Space (Pierre-Francois Ouellette Art Contemporain), Toronto, Ontario, Miss America
Rodman Hall, St. Catherines Ontario, Miss America

2011
Toronto International Art Fair, Toronto, Ontario, The Art Game
Pierre-Francois Ouellette Art Contemporain, Montreal, Quebec, L'Atelier
Leonard and Bina Ellen Gallery, Concordia University, Montreal, Quebec, My Treaty is With the Crown

2010
Galerie Florent Tosin, Berlin, Germany, Kent Monkman
Context Gallery, Derry, Ireland, Théâtre de Cristal
St. Mary's University Art Gallery, Halifax, Nova Scotia, The Triumph of Mischief
Art Gallery of Greater Victoria, Victoria, British Columbia, The Triumph of Mischief
Glenbow Museum, Calgary, Alberta, The Triumph of Mischief
Trepanier Baer Gallery, Calgary, Alberta ,Kent Monkman

2009
Montreal Museum of Fine Art, Montreal, Quebec, Dance to the Berdashe

2008
Stephen Friedman Gallery, London, England, Kent Monkman
Bailey Fine Arts, Toronto, Ontario, Dance to the Berdashe
Urban Shaman Gallery, Winnipeg, Manitoba, Dance to the Berdashe
Winnipeg Art Gallery, Winnipeg, Manitoba, The Triumph of Mischief

2007
The Union Gallery, Queen’s University, Kingston, Théâtre de Cristal
Art Gallery of Hamilton, Hamilton, Ontario, The Triumph of Mischief
Museum of Contemporary Canadian Art, Toronto, Ontario, The Triumph of Mischief
Pierre Francois Ouellette Art Contemporain, Montreal, Quebec, Hunting Scenes and Other Amusements from the Great North West

2006
Walter Phillips Gallery, Banff Alberta, Kent Monkman with Paul Chaat Smith

2005
The Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model

2001
The Indian Art Centre, Ottawa, Ontario, The Prayer Language

1997
Deleon White Gallery, Toronto, Ontario

1994
Discovery Gallery, Royal Ontario Museum, Toronto, Ontario, The Creative Process
Art Gallery of Hamilton, Hamilton, Ontario, Creation Wheel
Latitude 53, Edmonton, Alberta, The Museum Show
The New Gallery, Calgary, Alberta, The Museum Show

1993
Monte Clark Gallery, Vancouver, British Columbia

Selected group and two person exhibitions

2015
Wave Hill, New York City, USA, Wrath – Force of Nature
Peabody Essex Museum Salem, Massachusetts, USA, Native Fashion Now
McMaster Museum of Art, Hamilton, Ontario, Passions of the Eye: Exceptional Art from Hamilton and Region Private Collections
Âjagemô Ottawa, Ontario, Ontario in Âjagemô

2014
Galerie Sans Nom, Moncton, New Brunswick, Oh, Canada
Art Mur, Montreal, Quebec, Storytelling: The Contemporary Native Art Biennial 2nd edition
Megumi Ogita Gallery Tokyo, Japan, Landscape
McMaster Museum of Art Hamilton, ON, This is Me, This is Also Me
Mackenzie Art Gallery Regina, Saskatchewan, Beat Nation
SITE Santa Fe, Santa Fe, New Mexico, Unsettled Landscapes
University of Michigan Museum of Art, Ann Arbor, Michigan, Changing Hands: Art Without Reservation 3
Dalhousie Art Gallery and St. Mary’s University Art Gallery Halifax, Nova Scotia, Beat Nation
Chazen Museum of Art at the University of Wisconsin, Madison, Wisconsin, Changing Hands: Art Without Reservation 3

2013
Tweed Museum of Art Duluth, Minnesota, Blood Memoires
Esker Foundation Calgary, Alberta, Fiction/Non-fiction
Museum of Contemporary Native Arts, Santa Fe, New Mexico, Changing Hands: Art Without Reservation 3
Musee d’art contemporain de Montreal, Quebec, Beat Nation
North Dakota Museum of Art, Grand Forks, North Dakota, Dazzling Dancing Beads
The National Gallery of Canada, Ottawa, Ontario, Sakahan: International Indigenous Art
McMichael Gallery Kleinburg, Ontario, Changing Hands: Art Without Reservation 3
Memorial Art Gallery Rochester, New York, Changing Hands: Art Without Reservation 3
Leslie Lohman Museum New York, New York, Rare & Raw
La Galerie UQAM Montreal, Quebec, The Painting Project
Plug In ICA Winnipeg, Manitoba, My Winnipeg Project
The Power Plant, Toronto,Ontario, Beat Nation

2012
TIFF Bell Lightbox Toronto, Ontario, Home on Native Land
Art Gallery of Nova Scotia, Halifax, Nova Scotia, SKIN: The Seduction of Surface
Museum of Art and Design, New York, New York, Changing Hands Part 3
MASS MoCA, North Adams, Massachusetts, Oh, Canada
McMichael Gallery, Kleinburg, Ontario, Fashionality: Dress and Identity in Contemporary Canadian Art
Peabody Essex Museum, Salem, Massachusetts, Shapeshifting: Transformations in Native American Art
Vancouver Art Gallery, Vancouver, British Columbia, Beat Nation

2011
MIAM (Musee International des Arts Modestes), Sete, France, My Winnipeg
The McIntosh Gallery, London, Ontario, Barroco Nova: Neo Baroque Moves in Contemporary Art
Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre
Doris McCarthy Gallery, Toronto, Ontario, Purloined Stories
Art Gallery of Calgary, Calgary, Alberta, Calgary Collects
Vancouver Art Gallery, Vancouver, British Columbia, An Autobiography of Our Collection
Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre
Thunder Bay Art Gallery, Thunder Bay, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists
McMichael Canadian Art Collection, Kleinburg, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists
Maison Rouge Foundation, Paris, France, My Winnipeg
Galerie Michel Rein, Paris, France, Kent Monkman and Gerd Rohling
Plug In Institute of Contemporary Art, Winnipeg, Manitoba, Close Encounters

2010
Biennale of Sydney, Sydney, Australia, The Beauty of Distance
National Museum of the American Indian, Washington, DC, Vantage Point: The Contemporary Native Art Collection
James Kelly Contemporary, Santa Fe, New Mexico, Unbound Thoughts
Witte de With Centre for Contemporary Art, Rotterdam, The Netherlands, Remember Humanity

2009
Art Gallery of Ontario, Toronto, Ontario, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker
National Gallery of Canada and The Canadian Museum of Contemporary Photography, Ottawa, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists

2008
Art Gallery of Mississauga, Mississauga, Ontario, Kent Monkman and Frederick Hagan
National Gallery of Canada, Ottawa, Ontario, Caught in the Act: The Viewer as Performer
Art Gallery of Alberta, Edmonton, Alberta, Face the Nation

2008
National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World
Saw Gallery, Ottawa, Ontario, Radical Drag, Transformative Performance

2007
Institute for Contemporary Culture, Royal Ontario Museum. Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers
National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker
Carleton University Gallery, Ottawa, Ontario, Confluence: First Nations Art from John Cook’s Collection
Saw Gallery, Ottawa, Ontario, Oil Spill: New Painting in Ontario
Centre Internationale d’Art Contemporain de Montreal, Montreal, Quebec, Crack the Sky, Montreal Biennale

2006
Museum of Contemporary Canadian Art and Art Gallery of Hamilton at the Toronto International Art Fair, Toronto, Ontario Salon Indien
Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again
The Nordic Institute for Contemporary Art, Helsinki, Finland, Re-thinking Nordic Colonialism

2005
Ottawa Art Gallery, Ottawa, Ontario, Hot Mush and the Cold North
Compton Verney, Warwickshire, England, The American West

2004
Musee d’art contemporain de Montreal, Montreal, Quebec, “We come in peace…”/Histories of the Americas
Woodland Cultural Centre, Brantford, Ontario, First Nations Art 2004

2002
York Quay Gallery, Toronto, Ontario, Gridlock, Case Studies
Museum London, London, Ontario, Between You And Me
A Space Gallery, Toronto, Ontario, Thinskinned

1997
American Indian Community House Gallery, New York, New York, Our House to Your House
Woodland Cultural Centre, Brantford, First Nations Art 97

1994
Workscene Gallery, Toronto, Ontario, Group show

1993
Woodland Cultural Centre, Brantford, Ontario, First Nations Art 93

1992
American Indian Community House Gallery, New York, New York, Native American Art

1992
American Indian Community House Gallery, New York, New York, Discovering Ourselves Not Columbus

1991
Lake Galleries, Toronto, Ontario, The Toronto Mask Show

Performance

2013
Denver Art Museum, Denver, Colorado, Casualties of Modernity
2012
National Museum of the American Indian (Smithsonian), Washington, DC, Justice of the Piece
Scotiabank Nuit Blanche, Toronto, Ontario, Iskootao
2007
Institute for Contemporary Culture, Royal Ontario Museum, Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers, Séance
2006
Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again, Gone With The Wind
2005Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model
2005
Compton Verney, Warwickshire, England, The American West, The Taxonomy of the European Male
2004
McMichael Canadian Art Collection, Kleinburg, Ontario, Group of Seven Inches

Film / videography

2015
Sisters & Brothers, director, NFB archival footage, 02:52 minutes 2015
Casualties of Modernity, writer/director/producer/performer, HD 14:00 minutes 2013
Miss Chief: Justice of the Piece, writer/director/producer/performer, HD 31:00 minutes 2011
Mary, writer/director/producer/performer, HD ,3:18 minutes
2010
Dance to Miss Chief, writer/director/producer/performer, digital beta, 5:00 minutes
2008
Dance to the Berdashe, writer/director/producer/performer, 5 channel video installation, super 8mm and HD, 12:30 minutes
2006
Robin’s Hood, writer/co-director/producer/performer, super 8mm, 6:00 minutes
Shooting Geronimo, writer/director/producer, super 8mm, 11:11 minutes
Awards:
Best short Drama 2007, imagineNATIVE Film and Media Arts Festival Toronto
2005
Group of Seven Inches, writer/co-director/producer/performer, super 8mm, 6:30 minutes
Future Nation, writer/director/co-producer, mini dv, 16:27 minutes
2000
Blood River, writer/director, 16mm, 23 minutes
Awards:
Best Film, ImagineNative Film Festival 2000, Toronto
Nominated for Best Live Short Subject, American Indian Motion Picture Awards, 2000
Broadcast: CBC Canadian Reflections, 2003
APTN, 2003
1996
A Nation is Coming, writer/director/producer, beta sp, 24 minutes
Broadcast: Bravo, 1998
APTN, 1999, 2001
Awards:
Best Experimental, The Alberta Motion Picture Industry Association, 1997
Best Craft (editing – non dramatic), The Alberta Motion Picture Industry Association, 1997
Best Experimental, The American Indian Film and Video Competition, 1997
Judges Choice Award, The American Indian Film and Video Competition, 1997

Selected film festivals and screenengs

2015
ImagineNATIVE (Toronto)
Toronto International Film Festival
2011
ImagineNATIVE (Toronto)
2010
ImagineNATIVE (Toronto)
2009
Frameline Film Festival (San Francisco, California), Planet Indigenous (Toronto, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta)
2008
Berlinale (Berlin, Germany), Rhubarb Festival (Toronto, Ontario), Terres en Vues Land Insight (Montreal, Quebec), Seattle Art Museum
(Seattle, Washington), Art Gallery of Windsor (Windsor, Ontario), Carleton University Art gallery (Ottawa, Ontario), Saw Video (Ottawa, Ontario) Reelout Queer film and video festival (Kingston, Ontario) Kamloops Art Gallery (Kamloops, British Columbia), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Outfest (Los Angeles, California) imagineNATIVE (Toronto, Ontario)
2007
Toronto International Film Festival, imagineNATIVE (Toronto, Ontario), Reelout, (Kingston, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta), Berlinale (Berlin, Germany), Dreamspeakers Film Festival (Edmonton) Sakewewak Artist’s Collective (Regina, Saskatchewan) Hemisperic Institute Encuentro (Buenos Aires, Brazil)
2006
Turin gay Film Festival (Turin, Italy), Fusion the Los Angeles LGBT People of Colour Film Festival (Los Angeles, California), 2006 Message Sticks Film Festival (Sydney, Australia), Terres en Vues Land Insight (Montreal, Quebec), NewFest: LGBT Film Festival, (New York, New York) Outfest (Los Angeles, California), Mestre Film Festival (Venice, Italy), Lisbon Gay and Lesbian Film Festival (Lisbon, Portugal), Ontario Association of Art Galleries Awards Presentation (National Gallery of Canada, Ottawa, Ontario), Vancouver Queer Film and Video Festival, (Vancouver British Columbia), Fairy Tales, (Calgary, Alberta), Redeye (Carleton University, Ottawa), Pink Film Days
(Amsterdam, The Netherlands), Hong Kong Gay and Lesbian Film Festival (Hong Kong), Seattle Gay and Lesbian Film Festival (Seattle, Washington), Reel Affirmations (Washington, DC) ImageNation (Vancouver, British Columbia)
2005
Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Hemisperic Institute Encuentro (Belo Horizonte, Brazil) imagineNATIVE (Toronto, Ontario)
2004
Cine Las Americas (Austin, Texas)
2003
Riddu Riddu (Norway), Terres en Vues Land Insight (Montreal, Quebec), Heard Museum Indigenous Film Festival (Phoenix, Arizona) World Wide Short Film Festival (Toronto, Ontario), Native American Film and Video Festival (New York, New York)
2002
Queer City Cinema (Regina, Saskatchewan), Saskatchewan Film Pool (Regina, Saskatchewan), International Work Group for Indigenous People Culture Night (Copenhagen, Denmark)
2001
Local Heroes Film Festival (Winnipeg, Manitoba), Dawson City International Short Film Festival (Dawson City, Yukon), Reel World Film Festival (Toronto, Ontario), Video and Film Forum for Indigenous People (Basel, Switzerland), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Kinofilm Manchester International Short Film And Video Festival (Manchester, England), Optic Nerve Peterborough Moving Media Series (Peterborough, Ontario), Making Scenes Ottawa Gay and Lesbian Film Festival (Ottawa, Ontario), Beyond Tonto 11: Tribe Media (Saskatoon, Saskatchewan) Image Nation Film Festival (Vancouver, British Columbia)
2000
ImagineNATIVE Film Festival (Toronto, Ontario), American Indian Film Festival (San Francisco, California)
1997
The Sundance Film Festival (Park City, Utah), The Native American Film and Video Festival (New York, New York), The American Indian Film and Video Competition (Oklahoma City, Oklahoma), Dreamspeakers Film Festival (Edmonton, Alberta)
1996
The American Indian Film Festival (San Francisco, California), The Moving Pictures Festival (Toronto, Ontario)

Residencies

2005
The Banff Centre, Banff, Alberta
Aboriginal New Works Residency, Media and Visual Arts
2004
Smithsonian Institution, Washington D.C., Boston, Philadelphia, New York
Visiting Artist in Residence
McMichael Canadian Art Collection, Kleinburg, Ontario
Artist in residence
2003
The Banff Centre, Banff, Alberta
Communion and Other Conversations
1997
Sundance Institute, Los Angeles, California
Native American Screenwriting Fellowship
1992
The Banff Centre, Banff, Alberta
Theatre Design

Public collections

National Gallery of Canada, Montreal Museum of Fine Art, Art Gallery of Ontario, Museum London, Woodland Cultural Centre, The Glenbow Museum, Indian Art Centre, Robert McLaughlin Gallery, Mackenzie Art Gallery, Canada Council Art Bank, Smithsonian/National Museum of the American Indian, Vancouver Art Gallery, Maison Rouge Foundation, Rideau Hall, The Logan

Catalogues

Dance to the Berdashe
Essay by Barry Ace, Urban Shaman Gallery, Winnipeg, Manitoba, 2009
The Triumph of Mischief
Shirley Madill, David Liss, and David McIntosh, Art Gallery of Greater Victoria, Museum of Contemporary Canadian Art, 2008
Face the Nation,
Catherine Crowston, Art Gallery of Alberta, 2008
Shapeshifters, Time Travellers and Storytellers
Candace Hopkins and Kerry Swanson, Institute for Contemporary Culture, Royal Ontario Museum, 2008
Caught in the Act, the Viewer as Performer, Josee Brisebois-Drouin, Greg Hill, National Gallery of Canada, 2008
Explorers and Dandies, In an open letter to Canada Post
Essays by Su Ying lee and Mark Kingwell, Art Gallery of Mississauga, 2008
Crack the Sky, La Biennale de montreal 2007
Wayne Baerwaldt, Centre d’art contemporain de Montreal, 2007
Native Identity in an Age of Hybridity
Eleanor Heartney, Remix: New Modernities in a Post-Indian World, National Museum of the American Indian, the Smithsonian Institution, and the Heard Museum, 2007
The Double Entendre of Re-Enactment, Gerald McMaster, VTape, 2007
Kent Monkman, Théatre de Cristal, Erin Morton, Union Gallery, Queen’s University, 2007.
The American West, Richard William Hill, Compton Verney, June 2005
Patricia Deadman, Museum London, 2005
“We come in peace…” History of the Americas
Pierre Landry, Musée d’art contemporain de Montréal, May, 2004

Kent Monkman
Education 1989 Sheridan College of Applied Arts, Brampton, Ontario. Illustration Solo exhibitions 2015 Pierre-Francois Oulette Art Contemporain Toronto, Ontario, Kent Monkman: Expelling the Vices Gardiner Museum Toronto, Ontario, The Rise and Fall of Civilization Robert Langen Art Gallery Waterloo, Ontario, Urban Res Studies BMO Project Room Toronto, Ontario, Casualties of Modernity 2014 Pierre-Francois Ouelette Art Contemporain Montreal, QC, Kent Monkman: Urban Res Woodland Cultural Centre Brantford, Ontario, Kent Monkman Musee d’art contemporain de Rochechouart, France, Kent Monkman: The Artist as Hunter Sargent’s Daughters, New York City, New York, The Urban Res McCord Museum Montreal, Quebec, Welcome to the Studio 2013 Glenbow Museum Calgary, Alberta, The Big Four 2012 Gallerie Florent Tosin, Berlin, Germany, Two Kindred Spirits Pierre-Francois Ouellette Art Contemporain Montreal, Quebec Miss America Centre Space (Pierre-Francois Ouellette Art Contemporain), Toronto, Ontario, Miss America Rodman Hall, St. Catherines Ontario, Miss America 2011 Toronto International Art Fair, Toronto, Ontario, The Art Game Pierre-Francois Ouellette Art Contemporain, Montreal, Quebec, L'Atelier Leonard and Bina Ellen Gallery, Concordia University, Montreal, Quebec, My Treaty is With the Crown 2010 Galerie Florent Tosin, Berlin, Germany, Kent Monkman Context Gallery, Derry, Ireland, Théâtre de Cristal St. Mary's University Art Gallery, Halifax, Nova Scotia, The Triumph of Mischief Art Gallery of Greater Victoria, Victoria, British Columbia, The Triumph of Mischief Glenbow Museum, Calgary, Alberta, The Triumph of Mischief Trepanier Baer Gallery, Calgary, Alberta ,Kent Monkman 2009 Montreal Museum of Fine Art, Montreal, Quebec, Dance to the Berdashe 2008 Stephen Friedman Gallery, London, England, Kent Monkman Bailey Fine Arts, Toronto, Ontario, Dance to the Berdashe Urban Shaman Gallery, Winnipeg, Manitoba, Dance to the Berdashe Winnipeg Art Gallery, Winnipeg, Manitoba, The Triumph of Mischief 2007 The Union Gallery, Queen’s University, Kingston, Théâtre de Cristal Art Gallery of Hamilton, Hamilton, Ontario, The Triumph of Mischief Museum of Contemporary Canadian Art, Toronto, Ontario, The Triumph of Mischief Pierre Francois Ouellette Art Contemporain, Montreal, Quebec, Hunting Scenes and Other Amusements from the Great North West 2006 Walter Phillips Gallery, Banff Alberta, Kent Monkman with Paul Chaat Smith 2005 The Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model 2001 The Indian Art Centre, Ottawa, Ontario, The Prayer Language 1997 Deleon White Gallery, Toronto, Ontario 1994 Discovery Gallery, Royal Ontario Museum, Toronto, Ontario, The Creative Process Art Gallery of Hamilton, Hamilton, Ontario, Creation Wheel Latitude 53, Edmonton, Alberta, The Museum Show The New Gallery, Calgary, Alberta, The Museum Show 1993 Monte Clark Gallery, Vancouver, British Columbia Selected group and two person exhibitions 2015 Wave Hill, New York City, USA, Wrath – Force of Nature Peabody Essex Museum Salem, Massachusetts, USA, Native Fashion Now McMaster Museum of Art, Hamilton, Ontario, Passions of the Eye: Exceptional Art from Hamilton and Region Private Collections Âjagemô Ottawa, Ontario, Ontario in Âjagemô 2014 Galerie Sans Nom, Moncton, New Brunswick, Oh, Canada Art Mur, Montreal, Quebec, Storytelling: The Contemporary Native Art Biennial 2nd edition Megumi Ogita Gallery Tokyo, Japan, Landscape McMaster Museum of Art Hamilton, ON, This is Me, This is Also Me Mackenzie Art Gallery Regina, Saskatchewan, Beat Nation SITE Santa Fe, Santa Fe, New Mexico, Unsettled Landscapes University of Michigan Museum of Art, Ann Arbor, Michigan, Changing Hands: Art Without Reservation 3 Dalhousie Art Gallery and St. Mary’s University Art Gallery Halifax, Nova Scotia, Beat Nation Chazen Museum of Art at the University of Wisconsin, Madison, Wisconsin, Changing Hands: Art Without Reservation 3 2013 Tweed Museum of Art Duluth, Minnesota, Blood Memoires Esker Foundation Calgary, Alberta, Fiction/Non-fiction Museum of Contemporary Native Arts, Santa Fe, New Mexico, Changing Hands: Art Without Reservation 3 Musee d’art contemporain de Montreal, Quebec, Beat Nation North Dakota Museum of Art, Grand Forks, North Dakota, Dazzling Dancing Beads The National Gallery of Canada, Ottawa, Ontario, Sakahan: International Indigenous Art McMichael Gallery Kleinburg, Ontario, Changing Hands: Art Without Reservation 3 Memorial Art Gallery Rochester, New York, Changing Hands: Art Without Reservation 3 Leslie Lohman Museum New York, New York, Rare & Raw La Galerie UQAM Montreal, Quebec, The Painting Project Plug In ICA Winnipeg, Manitoba, My Winnipeg Project The Power Plant, Toronto,Ontario, Beat Nation 2012 TIFF Bell Lightbox Toronto, Ontario, Home on Native Land Art Gallery of Nova Scotia, Halifax, Nova Scotia, SKIN: The Seduction of Surface Museum of Art and Design, New York, New York, Changing Hands Part 3 MASS MoCA, North Adams, Massachusetts, Oh, Canada McMichael Gallery, Kleinburg, Ontario, Fashionality: Dress and Identity in Contemporary Canadian Art Peabody Essex Museum, Salem, Massachusetts, Shapeshifting: Transformations in Native American Art Vancouver Art Gallery, Vancouver, British Columbia, Beat Nation 2011 MIAM (Musee International des Arts Modestes), Sete, France, My Winnipeg The McIntosh Gallery, London, Ontario, Barroco Nova: Neo Baroque Moves in Contemporary Art Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre Doris McCarthy Gallery, Toronto, Ontario, Purloined Stories Art Gallery of Calgary, Calgary, Alberta, Calgary Collects Vancouver Art Gallery, Vancouver, British Columbia, An Autobiography of Our Collection Espace Virtuelle, Chicoutimi, Quebec, Se Renconnaitre Thunder Bay Art Gallery, Thunder Bay, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists McMichael Canadian Art Collection, Kleinburg, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists Maison Rouge Foundation, Paris, France, My Winnipeg Galerie Michel Rein, Paris, France, Kent Monkman and Gerd Rohling Plug In Institute of Contemporary Art, Winnipeg, Manitoba, Close Encounters 2010Biennale of Sydney, Sydney, Australia, The Beauty of Distance National Museum of the American Indian, Washington, DC, Vantage Point: The Contemporary Native Art Collection James Kelly Contemporary, Santa Fe, New Mexico, Unbound Thoughts Witte de With Centre for Contemporary Art, Rotterdam, The Netherlands, Remember Humanity 2009 Art Gallery of Ontario, Toronto, Ontario, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker National Gallery of Canada and The Canadian Museum of Contemporary Photography, Ottawa, Ontario, Steeling the Gaze: Portraits by Aboriginal Artists 2008 Art Gallery of Mississauga, Mississauga, Ontario, Kent Monkman and Frederick Hagan National Gallery of Canada, Ottawa, Ontario, Caught in the Act: The Viewer as Performer Art Gallery of Alberta, Edmonton, Alberta, Face the Nation 2008 National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World Saw Gallery, Ottawa, Ontario, Radical Drag, Transformative Performance 2007 Institute for Contemporary Culture, Royal Ontario Museum. Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers National Museum of the American Indian, New York, New York, Remix: New Modernities in a Post Indian World, Curated by Gerald McMaster and Joe Baker Carleton University Gallery, Ottawa, Ontario, Confluence: First Nations Art from John Cook’s Collection Saw Gallery, Ottawa, Ontario, Oil Spill: New Painting in Ontario Centre Internationale d’Art Contemporain de Montreal, Montreal, Quebec, Crack the Sky, Montreal Biennale 2006 Museum of Contemporary Canadian Art and Art Gallery of Hamilton at the Toronto International Art Fair, Toronto, Ontario Salon Indien Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again The Nordic Institute for Contemporary Art, Helsinki, Finland, Re-thinking Nordic Colonialism 2005 Ottawa Art Gallery, Ottawa, Ontario, Hot Mush and the Cold North Compton Verney, Warwickshire, England, The American West 2004 Musee d’art contemporain de Montreal, Montreal, Quebec, “We come in peace…”/Histories of the Americas Woodland Cultural Centre, Brantford, Ontario, First Nations Art 2004 2002 York Quay Gallery, Toronto, Ontario, Gridlock, Case Studies Museum London, London, Ontario, Between You And Me A Space Gallery, Toronto, Ontario, Thinskinned 1997 American Indian Community House Gallery, New York, New York, Our House to Your House Woodland Cultural Centre, Brantford, First Nations Art 97 1994 Workscene Gallery, Toronto, Ontario, Group show 1993 Woodland Cultural Centre, Brantford, Ontario, First Nations Art 93 1992 American Indian Community House Gallery, New York, New York, Native American Art 1992 American Indian Community House Gallery, New York, New York, Discovering Ourselves Not Columbus 1991 Lake Galleries, Toronto, Ontario, The Toronto Mask Show Performance 2013 Denver Art Museum, Denver, Colorado, Casualties of Modernity 2012National Museum of the American Indian (Smithsonian), Washington, DC, Justice of the Piece Scotiabank Nuit Blanche, Toronto, Ontario, Iskootao 2007Institute for Contemporary Culture, Royal Ontario Museum, Toronto, Ontario, Shapeshifters, Time Travelers and Storytellers, Séance 2006 Museum of Contemporary Canadian Art, Toronto, Ontario, Unholy Alliance: Art and Fashion Meet Again, Gone With The Wind 2005Drake Hotel, Toronto, Ontario, Share Eagle Testickle: Artist and Model 2005 Compton Verney, Warwickshire, England, The American West, The Taxonomy of the European Male 2004 McMichael Canadian Art Collection, Kleinburg, Ontario, Group of Seven Inches Film / videography 2015 Sisters & Brothers, director, NFB archival footage, 02:52 minutes 2015 Casualties of Modernity, writer/director/producer/performer, HD 14:00 minutes 2013 Miss Chief: Justice of the Piece, writer/director/producer/performer, HD 31:00 minutes 2011 Mary, writer/director/producer/performer, HD ,3:18 minutes 2010 Dance to Miss Chief, writer/director/producer/performer, digital beta, 5:00 minutes 2008 Dance to the Berdashe, writer/director/producer/performer, 5 channel video installation, super 8mm and HD, 12:30 minutes 2006 Robin’s Hood, writer/co-director/producer/performer, super 8mm, 6:00 minutes Shooting Geronimo, writer/director/producer, super 8mm, 11:11 minutes Awards: Best short Drama 2007, imagineNATIVE Film and Media Arts Festival Toronto 2005 Group of Seven Inches, writer/co-director/producer/performer, super 8mm, 6:30 minutes Future Nation, writer/director/co-producer, mini dv, 16:27 minutes 2000 Blood River, writer/director, 16mm, 23 minutes Awards: Best Film, ImagineNative Film Festival 2000, Toronto Nominated for Best Live Short Subject, American Indian Motion Picture Awards, 2000 Broadcast: CBC Canadian Reflections, 2003 APTN, 2003 1996 A Nation is Coming, writer/director/producer, beta sp, 24 minutes Broadcast: Bravo, 1998 APTN, 1999, 2001 Awards: Best Experimental, The Alberta Motion Picture Industry Association, 1997 Best Craft (editing – non dramatic), The Alberta Motion Picture Industry Association, 1997 Best Experimental, The American Indian Film and Video Competition, 1997 Judges Choice Award, The American Indian Film and Video Competition, 1997 Selected film festivals and screenengs 2015 ImagineNATIVE (Toronto) Toronto International Film Festival 2011 ImagineNATIVE (Toronto) 2010 ImagineNATIVE (Toronto) 2009 Frameline Film Festival (San Francisco, California), Planet Indigenous (Toronto, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta) 2008 Berlinale (Berlin, Germany), Rhubarb Festival (Toronto, Ontario), Terres en Vues Land Insight (Montreal, Quebec), Seattle Art Museum (Seattle, Washington), Art Gallery of Windsor (Windsor, Ontario), Carleton University Art gallery (Ottawa, Ontario), Saw Video (Ottawa, Ontario) Reelout Queer film and video festival (Kingston, Ontario) Kamloops Art Gallery (Kamloops, British Columbia), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Outfest (Los Angeles, California) imagineNATIVE (Toronto, Ontario) 2007 Toronto International Film Festival, imagineNATIVE (Toronto, Ontario), Reelout, (Kingston, Ontario), Fairy Tales International Gay and Lesbian Film Festival (Calgary, Alberta), Berlinale (Berlin, Germany), Dreamspeakers Film Festival (Edmonton) Sakewewak Artist’s Collective (Regina, Saskatchewan) Hemisperic Institute Encuentro (Buenos Aires, Brazil) 2006 Turin gay Film Festival (Turin, Italy), Fusion the Los Angeles LGBT People of Colour Film Festival (Los Angeles, California), 2006 Message Sticks Film Festival (Sydney, Australia), Terres en Vues Land Insight (Montreal, Quebec), NewFest: LGBT Film Festival, (New York, New York) Outfest (Los Angeles, California), Mestre Film Festival (Venice, Italy), Lisbon Gay and Lesbian Film Festival (Lisbon, Portugal), Ontario Association of Art Galleries Awards Presentation (National Gallery of Canada, Ottawa, Ontario), Vancouver Queer Film and Video Festival, (Vancouver British Columbia), Fairy Tales, (Calgary, Alberta), Redeye (Carleton University, Ottawa), Pink Film Days (Amsterdam, The Netherlands), Hong Kong Gay and Lesbian Film Festival (Hong Kong), Seattle Gay and Lesbian Film Festival (Seattle, Washington), Reel Affirmations (Washington, DC) ImageNation (Vancouver, British Columbia) 2005 Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Hemisperic Institute Encuentro (Belo Horizonte, Brazil) imagineNATIVE (Toronto, Ontario) 2004 Cine Las Americas (Austin, Texas) 2003 Riddu Riddu (Norway), Terres en Vues Land Insight (Montreal, Quebec), Heard Museum Indigenous Film Festival (Phoenix, Arizona) World Wide Short Film Festival (Toronto, Ontario), Native American Film and Video Festival (New York, New York) 2002 Queer City Cinema (Regina, Saskatchewan), Saskatchewan Film Pool (Regina, Saskatchewan), International Work Group for Indigenous People Culture Night (Copenhagen, Denmark) 2001 Local Heroes Film Festival (Winnipeg, Manitoba), Dawson City International Short Film Festival (Dawson City, Yukon), Reel World Film Festival (Toronto, Ontario), Video and Film Forum for Indigenous People (Basel, Switzerland), Inside Out Toronto Gay and Lesbian Film Festival (Toronto, Ontario), Out on Screen Vancouver Queer Film Festival (Vancouver, British Columbia), Kinofilm Manchester International Short Film And Video Festival (Manchester, England), Optic Nerve Peterborough Moving Media Series (Peterborough, Ontario), Making Scenes Ottawa Gay and Lesbian Film Festival (Ottawa, Ontario), Beyond Tonto 11: Tribe Media (Saskatoon, Saskatchewan) Image Nation Film Festival (Vancouver, British Columbia) 2000 ImagineNATIVE Film Festival (Toronto, Ontario), American Indian Film Festival (San Francisco, California) 1997 The Sundance Film Festival (Park City, Utah), The Native American Film and Video Festival (New York, New York), The American Indian Film and Video Competition (Oklahoma City, Oklahoma), Dreamspeakers Film Festival (Edmonton, Alberta) 1996 The American Indian Film Festival (San Francisco, California), The Moving Pictures Festival (Toronto, Ontario) Residencies 2005 The Banff Centre, Banff, Alberta Aboriginal New Works Residency, Media and Visual Arts 2004 Smithsonian Institution, Washington D.C., Boston, Philadelphia, New York Visiting Artist in Residence McMichael Canadian Art Collection, Kleinburg, Ontario Artist in residence 2003 The Banff Centre, Banff, Alberta Communion and Other Conversations 1997 Sundance Institute, Los Angeles, California Native American Screenwriting Fellowship 1992 The Banff Centre, Banff, Alberta Theatre Design Public collections National Gallery of Canada, Montreal Museum of Fine Art, Art Gallery of Ontario, Museum London, Woodland Cultural Centre, The Glenbow Museum, Indian Art Centre, Robert McLaughlin Gallery, Mackenzie Art Gallery, Canada Council Art Bank, Smithsonian/National Museum of the American Indian, Vancouver Art Gallery, Maison Rouge Foundation, Rideau Hall, The Logan Catalogues Dance to the Berdashe Essay by Barry Ace, Urban Shaman Gallery, Winnipeg, Manitoba, 2009 The Triumph of Mischief Shirley Madill, David Liss, and David McIntosh, Art Gallery of Greater Victoria, Museum of Contemporary Canadian Art, 2008 Face the Nation, Catherine Crowston, Art Gallery of Alberta, 2008 Shapeshifters, Time Travellers and Storytellers Candace Hopkins and Kerry Swanson, Institute for Contemporary Culture, Royal Ontario Museum, 2008 Caught in the Act, the Viewer as Performer, Josee Brisebois-Drouin, Greg Hill, National Gallery of Canada, 2008 Explorers and Dandies, In an open letter to Canada Post Essays by Su Ying lee and Mark Kingwell, Art Gallery of Mississauga, 2008 Crack the Sky, La Biennale de montreal 2007 Wayne Baerwaldt, Centre d’art contemporain de Montreal, 2007 Native Identity in an Age of Hybridity Eleanor Heartney, Remix: New Modernities in a Post-Indian World, National Museum of the American Indian, the Smithsonian Institution, and the Heard Museum, 2007 The Double Entendre of Re-Enactment, Gerald McMaster, VTape, 2007 Kent Monkman, Théatre de Cristal, Erin Morton, Union Gallery, Queen’s University, 2007. The American West, Richard William Hill, Compton Verney, June 2005 Patricia Deadman, Museum London, 2005 “We come in peace…” History of the Americas Pierre Landry, Musée d’art contemporain de Montréal, May, 2004

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