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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Karolina Bregula

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

born 1979 in Poland
lives and works in Warsaw

Education

2011 - doctoral studies, National Film Television and Theatre School, Łódź, Poland
2005 - 2010 National Film Television and Theatre School, Łódź, Poland
2002 - 2004 European Academy of Photography, Warsaw, Poland
2000 - 2002 Photography school GFU, Folkuniversitetet, Stockholm, Sweden

Solo exhibitions and events

2015
I don't Cry Over Sculptures, lokal_30 gallery, Warsaw, Poland (solo exhibition)
Stories, Polish Institute Gallery, Berlin, Germany (solo exhibition)

2014
The Soup, AC Institute, New York, USA (solo exhibition)
Progress, Eastwards Prospectus, Bucharest, Romania (solo exhibition)
The Tower, Warszaw Chamber Opera, Warszawa, Poland (opera performance)

2013
Leaving, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland (solo exhibition)
The Centre of Everything, Atlas Sztuki, Łódź, Poland (solo exhibition)
Uprooted, BWA, Katowice, Poland (solo exhibition)
Video screenings, Kolonia artystów, Gdańsk, Poland (solo exhibition)
Strange works, Zachęta National Gallery, Warsaw, Poland (performative lectures)

2012
Spacial forms in the face of the disaster, EL Gallery, Elbląg, Poland (performative science conference)
Runda med förklaring av offentliga utsmyckningar, Kalmar Konstmuseum, Sweden
Breakfast on the Grass, Euro Art, Łódź, Poland

2011
Corrective photographs - documentation, Galeria Archeologia Fotografii, Warsaw, Poland (solo exhibition)
Corrective photographs, Warsaw, Poland (public space installations)
Wschodnia Gallery Archive Reconstruction, Galeria Wschodnia, Łódź, Poland (solo exhibition)
Art Lover, Centre for Contemporary Art “Łaźnia”, Gdańsk, Poland (happening and a solo presentation of one work)
Useful Art: Richard Long - A line made by walking, No Women No Art public space art festival, Poznań, Poland
Explaining the Art Exhibition, 13 Muz Gallery, Zachęta Szczecin, Szczecin, Poland (performative gallery guiding)
Explaining the Art Exhibition, Centre for Contemporary Art „Ujazdowski Castle”, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Zachęta National Gallery, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Centre of Contemporary Art „Łaźnia”, Gdańsk, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Warsaw; BWA Warszawa, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Le Guern Gallery, Warsaw (performative gallery guiding)

2010
Good Neighbours, Halo Galeria, Olsztyn, Poland (solo exhibition)
Let them see us, Akademickie Centrum Kultury, Lublin, Poland (solo exhibition)
Good Neighbours, Galeria Szara, Cieszyn, Poland (solo exhibition)
Summer in the middle, Plac Konstytucji, Warszawa (installation in the public space)

2009
Good Neighbours, Watching tv, Grodno, Belarus (happening)
Good Neighbours, Borrowing salt and sugar, Kaliningrad, Russia (happening)

2008
Artistic emergency service, Galeria XS, Kielce, Poland (solo exhibition)
Artistic emergency service, Train station, Kielce, Poland (happening)
The married women (Karolina Breguła & Ola Buczkowska), Galeria znad Wisły, Vilnius, Lithuania (solo exhibition)
Lovebook, Galeria Pauza, Kraków, Poland (solo exhibition)
Good Neighbors, Shopping, Lviv, Ukraine (happening)
Good Neighbours, Waving hello, Cieszyn, Poland (happening)
Good Neighbours, Overhearing, Zlin, Slovakia (happening)

2007
Lovebook, Galeria 65, Warsaw, Poland (solo exhibition)
The married women (Karolina Breguła & Ola Buczkowska), Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition)
Video camera, Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition)
Good Neighbours, Watering flowers, Vilnius, Lithuania (happening)
Good Neighbours, Having coffee, Berlin, Germany (happening)

2006
All I see is the palace, Polish culture days, Uppsala, Sweden (solo exhibition)
All I see is the palace, Desigh Hu, Budapest, Hungary (solo exhibition)
The married women, (Karolina Breguła & Ola Buczkowska), Galeria Program, Warsaw, Poland (solo exhibition)
Warsaw, Galeria kawiarnia, Warsaw, Poland
The married women (Karolina Breguła & Ola Buczkowska), Galeria FF, Łódź, Poland (solo exhibition)
Let them see us, Fachhochschule, Potsdam, Germany (solo exhibition)
Let them see us, Main LIBS, Frankfurt, Germany (solo exhibition)

2005
All I see is the palace, Galeria Jubileuszowa Pałacu Kultury i Nauki, Warsaw, Poland (solo exhibition)
Let them see us, Neues Rathaus, Gottingen, Germany (solo exhibition)
Let them see us, Landtag, Stadt- und Landesbibliothek, Potsdam, Germany (solo exhibition)
All I see is the palace, Galeria traffic, Warsaw, Poland (solo exhibition)
Let them see us, Jugendzentrum Glad-House, Cottbus, Germany (solo exhibition)
Let them see us, Börgeramt Innerstadt, Köln, Germany (solo exhibition)

2004
An artist for sale (Karolina Breguła & Wojciech Rudzki), Jazzgot, Warsaw, Poland (solo exhibition)
Let them see us, Galeria „5”, Górnośląskie Centrum Kultury, Katowice, Poland (solo exhibition)
Let them see us, Galeria INTACTO, Katowice, Poland Let them see us, Goethe Institute, Bucharest, Romania (solo exhibition)
Let them see us, Atrium der ver.di Bundesverwaltung, Berlin, Germany (solo exhibition)

2003
Let them see us, Galeria Towarzystwa Sztuk Pięknych ”Pałacyk”, Warsaw, Poland (solo exhibition)
Let them see us, Galeria Burzym & Wolff, Cracow, Poland (solo exhibition)
Let them see us, CSW „Łaźnia”, Gdańsk, Poland (solo exhibition)
Let them see us, Zagłębiowski Instytut Sztuki, Sosnowiec, Poland (solo exhibition)
Let them see us, Galeria Czarna Łódź Podwodna, Wrocław, Poland (solo exhibition)

Screenings

2015
The Soup and Fire-Followers, Meet Factory, Prague, Czech Republic

2014
Fire-Followers, The Filmmaking Turn, Akbank Sanat Istanbul, Turkey
The Offence, Artists' Film Biennial, ICA, London, UK
The Soup, TR Warszawa, Warsaw, Poland
Fire-Followers, Hot Docs Film Festival, Toronto, Canada
Fire-Followers, Kino Piast, Cieszyn, Poland

2013
Fire-Followers, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Fire-Followers, New Horizons Film Festival, Wrocław, Poland
Fire-Followers, Alternativa, Wyspa Institute of Art, Gdańsk, Poland
Fire-Followers, National Museum, Cracow, Poland
Fire-Followers, Artist Village, Genk, Belgium
The Offence, Crosstalk Videoart Festival, Toldi, Budapest, Hungary
The Offence, Workshops of Culture, Lublin, Poland

Selected group shows

2015
Videonale, Kunstmuseum, Bonn, Germany
We are here, BWA, Zielona Góra, Poland
Learning to read, Stary Browar, Poznań, Poland

2014
Sights and Sounds, Jewish Museum, New York, USA
Raptures nad Convergences, Galeria Kuad, Stambuł, Turkey
Deliberations on Economics Cooked Up In the Back Room. 30 Years of Wschodnia Gallery, Museum of Arti, Łódź, Poland
GoEast, Wiesbaden, Germany

2013
The Views, Zachęta National Gallery, Warsaw, Poland
Reflection Centre for Suspended Histories. An Attempt, The Venice Biennale, The Romanian Institute for Culture and Humanistic Research, Venice, Italy
The Stranger, Alternative Space Loop, Seoul, South Korea
Present/Presence, Jan van Eyck Academie, Maastricht, Holland
Seoul, Seoul, Changdong Art Studio, Seoul, South Korea
Uncertain places, Knoll Gallery, Budapest, Hungary
Uncertain places, Knoll Gallery, Vienna, Austria
Workers of the Artworld Unite, Centre for Contemporary Ary Kronika, Bytom
Workers of the Artworld Unite, Galeria Szara, Cieszyn

2012
Artificiality, Archeology of Photography Gallery, Warsaw, Poland
It's time for Sneakers, Künstlerhaus, Dortmund, Germany
Enclave, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland

2011
Otulina, Kordegarda Gallery, Warsaw, Poland
Young Polish Artists on Tour, Uqbar Gallery, Berlin, Germany

2010
Brzuch Atlasa, Galeria Atlas, Łódź, Poland
Open City Festival, city space, Lublin, Poland
Homo Ars Erotica, National Museum, Warsaw, Poland
Failier in art, Galeria Emdes, Wrocław, Poland

2009
Kolekcja Zdarzeń – sztuka istnieje poza obrazem: pokaz kolekcji Dariusza Bieńkowskiego, Galeria Atlas, Łódź, Poland
Video Punkt, Galeria Studio, Warsaw, Poland

2008
Iluzja jako źródło cierpień, Galeria Bielska BWA, Bielsko Biała, Poland
Red Eye Effect, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Polsk kvinnodagbok, Konsert&Kongress, Uppsala, Sweden
Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland
Pętle czasu, Festiwal Józefa Robakowskiego, Łodź, Poland
Free Form Festiwal, Fabryka Trzciny, Warsaw, Poland
Samsung Art Master, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Versus, Fotospace, Wrocław, Poland

2007
Power, Museum of Cinematography, Łódź, Poland (presentation in the frames of a festival)

2006
Poza, Real Artways, Hartford, USA
Love and democracy, Centre for Contemporary Art Łaźnia, Gdańsk, Poland
Film School student exhibition, Galeria 65, Warsaw, Poland

2005
EAF diploma graduation exhibition, Galeria Wozownia Toruń, Poland
Festival of Photography in Łódź, Poland

2004
Wrocławnonstop, II Festiwal Młodej Sztuki, Wrocław, Poland
Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland
Love and democracy, Art Poznań, Poznań, Poland From Targowa to Złota, Warsaw, Poland

2002
Art Poznań Targi Sztuki, Poznań, Poland
House of Photography exhibition, Galeria Strefa, Warsaw, Poland

2001
Tretton, GFU diploma graduation exhibition, Galleri 5, Stckholm, Sweden

Prices and scholarships

2013
Views 2013 - 2nd prize
UNESCO scholarship
Młoda Polska Scholarship
Visegrad Fond Scholarship
2012
Ministry of Culture Scholarship
Nomination for Przeciąg 2012 Art Award
2009
The One Minutes Poland - 1st and 3rd prize
2008
Samsung Art Master - 3rd prize

Residencies

2015
Villa Romana, Florence, Italy
2014
KulturKuntakt, Vienna, Austria
2013
Residency Unlimited, New York, USA
Budapest Art Quarter, Budapest, Hungary
National Museum for Contemporary Art, Changdong Art Studio, Seul, S-Korea
2012
Objectifs, Centre for Photography and Filmmaking, Singapore
WARP Artist Village, Belgium

Karolina Bregula
born 1979 in Poland lives and works in Warsaw Education 2011 - doctoral studies, National Film Television and Theatre School, Łódź, Poland 2005 - 2010 National Film Television and Theatre School, Łódź, Poland 2002 - 2004 European Academy of Photography, Warsaw, Poland 2000 - 2002 Photography school GFU, Folkuniversitetet, Stockholm, Sweden Solo exhibitions and events 2015 I don't Cry Over Sculptures, lokal_30 gallery, Warsaw, Poland (solo exhibition) Stories, Polish Institute Gallery, Berlin, Germany (solo exhibition) 2014 The Soup, AC Institute, New York, USA (solo exhibition) Progress, Eastwards Prospectus, Bucharest, Romania (solo exhibition) The Tower, Warszaw Chamber Opera, Warszawa, Poland (opera performance) 2013 Leaving, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland (solo exhibition) The Centre of Everything, Atlas Sztuki, Łódź, Poland (solo exhibition) Uprooted, BWA, Katowice, Poland (solo exhibition) Video screenings, Kolonia artystów, Gdańsk, Poland (solo exhibition) Strange works, Zachęta National Gallery, Warsaw, Poland (performative lectures) 2012 Spacial forms in the face of the disaster, EL Gallery, Elbląg, Poland (performative science conference) Runda med förklaring av offentliga utsmyckningar, Kalmar Konstmuseum, Sweden Breakfast on the Grass, Euro Art, Łódź, Poland 2011 Corrective photographs - documentation, Galeria Archeologia Fotografii, Warsaw, Poland (solo exhibition) Corrective photographs, Warsaw, Poland (public space installations) Wschodnia Gallery Archive Reconstruction, Galeria Wschodnia, Łódź, Poland (solo exhibition) Art Lover, Centre for Contemporary Art “Łaźnia”, Gdańsk, Poland (happening and a solo presentation of one work) Useful Art: Richard Long - A line made by walking, No Women No Art public space art festival, Poznań, Poland Explaining the Art Exhibition, 13 Muz Gallery, Zachęta Szczecin, Szczecin, Poland (performative gallery guiding) Explaining the Art Exhibition, Centre for Contemporary Art „Ujazdowski Castle”, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Zachęta National Gallery, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Centre of Contemporary Art „Łaźnia”, Gdańsk, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Warsaw; BWA Warszawa, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Le Guern Gallery, Warsaw (performative gallery guiding) 2010 Good Neighbours, Halo Galeria, Olsztyn, Poland (solo exhibition) Let them see us, Akademickie Centrum Kultury, Lublin, Poland (solo exhibition) Good Neighbours, Galeria Szara, Cieszyn, Poland (solo exhibition) Summer in the middle, Plac Konstytucji, Warszawa (installation in the public space) 2009 Good Neighbours, Watching tv, Grodno, Belarus (happening) Good Neighbours, Borrowing salt and sugar, Kaliningrad, Russia (happening) 2008 Artistic emergency service, Galeria XS, Kielce, Poland (solo exhibition) Artistic emergency service, Train station, Kielce, Poland (happening) The married women (Karolina Breguła & Ola Buczkowska), Galeria znad Wisły, Vilnius, Lithuania (solo exhibition) Lovebook, Galeria Pauza, Kraków, Poland (solo exhibition) Good Neighbors, Shopping, Lviv, Ukraine (happening) Good Neighbours, Waving hello, Cieszyn, Poland (happening) Good Neighbours, Overhearing, Zlin, Slovakia (happening) 2007 Lovebook, Galeria 65, Warsaw, Poland (solo exhibition) The married women (Karolina Breguła & Ola Buczkowska), Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition) Video camera, Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition) Good Neighbours, Watering flowers, Vilnius, Lithuania (happening) Good Neighbours, Having coffee, Berlin, Germany (happening) 2006 All I see is the palace, Polish culture days, Uppsala, Sweden (solo exhibition) All I see is the palace, Desigh Hu, Budapest, Hungary (solo exhibition) The married women, (Karolina Breguła & Ola Buczkowska), Galeria Program, Warsaw, Poland (solo exhibition) Warsaw, Galeria kawiarnia, Warsaw, Poland The married women (Karolina Breguła & Ola Buczkowska), Galeria FF, Łódź, Poland (solo exhibition) Let them see us, Fachhochschule, Potsdam, Germany (solo exhibition) Let them see us, Main LIBS, Frankfurt, Germany (solo exhibition) 2005 All I see is the palace, Galeria Jubileuszowa Pałacu Kultury i Nauki, Warsaw, Poland (solo exhibition) Let them see us, Neues Rathaus, Gottingen, Germany (solo exhibition) Let them see us, Landtag, Stadt- und Landesbibliothek, Potsdam, Germany (solo exhibition) All I see is the palace, Galeria traffic, Warsaw, Poland (solo exhibition) Let them see us, Jugendzentrum Glad-House, Cottbus, Germany (solo exhibition) Let them see us, Börgeramt Innerstadt, Köln, Germany (solo exhibition) 2004 An artist for sale (Karolina Breguła & Wojciech Rudzki), Jazzgot, Warsaw, Poland (solo exhibition) Let them see us, Galeria „5”, Górnośląskie Centrum Kultury, Katowice, Poland (solo exhibition) Let them see us, Galeria INTACTO, Katowice, Poland Let them see us, Goethe Institute, Bucharest, Romania (solo exhibition) Let them see us, Atrium der ver.di Bundesverwaltung, Berlin, Germany (solo exhibition) 2003 Let them see us, Galeria Towarzystwa Sztuk Pięknych ”Pałacyk”, Warsaw, Poland (solo exhibition) Let them see us, Galeria Burzym & Wolff, Cracow, Poland (solo exhibition) Let them see us, CSW „Łaźnia”, Gdańsk, Poland (solo exhibition) Let them see us, Zagłębiowski Instytut Sztuki, Sosnowiec, Poland (solo exhibition) Let them see us, Galeria Czarna Łódź Podwodna, Wrocław, Poland (solo exhibition) Screenings 2015 The Soup and Fire-Followers, Meet Factory, Prague, Czech Republic 2014 Fire-Followers, The Filmmaking Turn, Akbank Sanat Istanbul, Turkey The Offence, Artists' Film Biennial, ICA, London, UK The Soup, TR Warszawa, Warsaw, Poland Fire-Followers, Hot Docs Film Festival, Toronto, Canada Fire-Followers, Kino Piast, Cieszyn, Poland 2013 Fire-Followers, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Fire-Followers, New Horizons Film Festival, Wrocław, Poland Fire-Followers, Alternativa, Wyspa Institute of Art, Gdańsk, Poland Fire-Followers, National Museum, Cracow, Poland Fire-Followers, Artist Village, Genk, Belgium The Offence, Crosstalk Videoart Festival, Toldi, Budapest, Hungary The Offence, Workshops of Culture, Lublin, Poland Selected group shows 2015 Videonale, Kunstmuseum, Bonn, Germany We are here, BWA, Zielona Góra, Poland Learning to read, Stary Browar, Poznań, Poland 2014 Sights and Sounds, Jewish Museum, New York, USA Raptures nad Convergences, Galeria Kuad, Stambuł, Turkey Deliberations on Economics Cooked Up In the Back Room. 30 Years of Wschodnia Gallery, Museum of Arti, Łódź, Poland GoEast, Wiesbaden, Germany 2013 The Views, Zachęta National Gallery, Warsaw, Poland Reflection Centre for Suspended Histories. An Attempt, The Venice Biennale, The Romanian Institute for Culture and Humanistic Research, Venice, Italy The Stranger, Alternative Space Loop, Seoul, South Korea Present/Presence, Jan van Eyck Academie, Maastricht, Holland Seoul, Seoul, Changdong Art Studio, Seoul, South Korea Uncertain places, Knoll Gallery, Budapest, Hungary Uncertain places, Knoll Gallery, Vienna, Austria Workers of the Artworld Unite, Centre for Contemporary Ary Kronika, Bytom Workers of the Artworld Unite, Galeria Szara, Cieszyn 2012 Artificiality, Archeology of Photography Gallery, Warsaw, Poland It's time for Sneakers, Künstlerhaus, Dortmund, Germany Enclave, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland 2011 Otulina, Kordegarda Gallery, Warsaw, Poland Young Polish Artists on Tour, Uqbar Gallery, Berlin, Germany 2010 Brzuch Atlasa, Galeria Atlas, Łódź, Poland Open City Festival, city space, Lublin, Poland Homo Ars Erotica, National Museum, Warsaw, Poland Failier in art, Galeria Emdes, Wrocław, Poland 2009 Kolekcja Zdarzeń – sztuka istnieje poza obrazem: pokaz kolekcji Dariusza Bieńkowskiego, Galeria Atlas, Łódź, Poland Video Punkt, Galeria Studio, Warsaw, Poland 2008 Iluzja jako źródło cierpień, Galeria Bielska BWA, Bielsko Biała, Poland Red Eye Effect, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Polsk kvinnodagbok, Konsert&Kongress, Uppsala, Sweden Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland Pętle czasu, Festiwal Józefa Robakowskiego, Łodź, Poland Free Form Festiwal, Fabryka Trzciny, Warsaw, Poland Samsung Art Master, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Versus, Fotospace, Wrocław, Poland 2007 Power, Museum of Cinematography, Łódź, Poland (presentation in the frames of a festival) 2006 Poza, Real Artways, Hartford, USA Love and democracy, Centre for Contemporary Art Łaźnia, Gdańsk, Poland Film School student exhibition, Galeria 65, Warsaw, Poland 2005 EAF diploma graduation exhibition, Galeria Wozownia Toruń, Poland Festival of Photography in Łódź, Poland 2004 Wrocławnonstop, II Festiwal Młodej Sztuki, Wrocław, Poland Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland Love and democracy, Art Poznań, Poznań, Poland From Targowa to Złota, Warsaw, Poland 2002 Art Poznań Targi Sztuki, Poznań, Poland House of Photography exhibition, Galeria Strefa, Warsaw, Poland 2001 Tretton, GFU diploma graduation exhibition, Galleri 5, Stckholm, Sweden Prices and scholarships 2013 Views 2013 - 2nd prize UNESCO scholarship Młoda Polska Scholarship Visegrad Fond Scholarship 2012 Ministry of Culture Scholarship Nomination for Przeciąg 2012 Art Award 2009 The One Minutes Poland - 1st and 3rd prize 2008 Samsung Art Master - 3rd prize Residencies 2015 Villa Romana, Florence, Italy 2014 KulturKuntakt, Vienna, Austria 2013 Residency Unlimited, New York, USA Budapest Art Quarter, Budapest, Hungary National Museum for Contemporary Art, Changdong Art Studio, Seul, S-Korea 2012 Objectifs, Centre for Photography and Filmmaking, Singapore WARP Artist Village, Belgium

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