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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

blinkvideo the platform for . . .

for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Karolina Bregula

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

born 1979 in Poland
lives and works in Warsaw

Education

2011 - doctoral studies, National Film Television and Theatre School, Łódź, Poland
2005 - 2010 National Film Television and Theatre School, Łódź, Poland
2002 - 2004 European Academy of Photography, Warsaw, Poland
2000 - 2002 Photography school GFU, Folkuniversitetet, Stockholm, Sweden

Solo exhibitions and events

2015
I don't Cry Over Sculptures, lokal_30 gallery, Warsaw, Poland (solo exhibition)
Stories, Polish Institute Gallery, Berlin, Germany (solo exhibition)

2014
The Soup, AC Institute, New York, USA (solo exhibition)
Progress, Eastwards Prospectus, Bucharest, Romania (solo exhibition)
The Tower, Warszaw Chamber Opera, Warszawa, Poland (opera performance)

2013
Leaving, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland (solo exhibition)
The Centre of Everything, Atlas Sztuki, Łódź, Poland (solo exhibition)
Uprooted, BWA, Katowice, Poland (solo exhibition)
Video screenings, Kolonia artystów, Gdańsk, Poland (solo exhibition)
Strange works, Zachęta National Gallery, Warsaw, Poland (performative lectures)

2012
Spacial forms in the face of the disaster, EL Gallery, Elbląg, Poland (performative science conference)
Runda med förklaring av offentliga utsmyckningar, Kalmar Konstmuseum, Sweden
Breakfast on the Grass, Euro Art, Łódź, Poland

2011
Corrective photographs - documentation, Galeria Archeologia Fotografii, Warsaw, Poland (solo exhibition)
Corrective photographs, Warsaw, Poland (public space installations)
Wschodnia Gallery Archive Reconstruction, Galeria Wschodnia, Łódź, Poland (solo exhibition)
Art Lover, Centre for Contemporary Art “Łaźnia”, Gdańsk, Poland (happening and a solo presentation of one work)
Useful Art: Richard Long - A line made by walking, No Women No Art public space art festival, Poznań, Poland
Explaining the Art Exhibition, 13 Muz Gallery, Zachęta Szczecin, Szczecin, Poland (performative gallery guiding)
Explaining the Art Exhibition, Centre for Contemporary Art „Ujazdowski Castle”, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Zachęta National Gallery, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Centre of Contemporary Art „Łaźnia”, Gdańsk, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Warsaw; BWA Warszawa, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Le Guern Gallery, Warsaw (performative gallery guiding)

2010
Good Neighbours, Halo Galeria, Olsztyn, Poland (solo exhibition)
Let them see us, Akademickie Centrum Kultury, Lublin, Poland (solo exhibition)
Good Neighbours, Galeria Szara, Cieszyn, Poland (solo exhibition)
Summer in the middle, Plac Konstytucji, Warszawa (installation in the public space)

2009
Good Neighbours, Watching tv, Grodno, Belarus (happening)
Good Neighbours, Borrowing salt and sugar, Kaliningrad, Russia (happening)

2008
Artistic emergency service, Galeria XS, Kielce, Poland (solo exhibition)
Artistic emergency service, Train station, Kielce, Poland (happening)
The married women (Karolina Breguła & Ola Buczkowska), Galeria znad Wisły, Vilnius, Lithuania (solo exhibition)
Lovebook, Galeria Pauza, Kraków, Poland (solo exhibition)
Good Neighbors, Shopping, Lviv, Ukraine (happening)
Good Neighbours, Waving hello, Cieszyn, Poland (happening)
Good Neighbours, Overhearing, Zlin, Slovakia (happening)

2007
Lovebook, Galeria 65, Warsaw, Poland (solo exhibition)
The married women (Karolina Breguła & Ola Buczkowska), Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition)
Video camera, Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition)
Good Neighbours, Watering flowers, Vilnius, Lithuania (happening)
Good Neighbours, Having coffee, Berlin, Germany (happening)

2006
All I see is the palace, Polish culture days, Uppsala, Sweden (solo exhibition)
All I see is the palace, Desigh Hu, Budapest, Hungary (solo exhibition)
The married women, (Karolina Breguła & Ola Buczkowska), Galeria Program, Warsaw, Poland (solo exhibition)
Warsaw, Galeria kawiarnia, Warsaw, Poland
The married women (Karolina Breguła & Ola Buczkowska), Galeria FF, Łódź, Poland (solo exhibition)
Let them see us, Fachhochschule, Potsdam, Germany (solo exhibition)
Let them see us, Main LIBS, Frankfurt, Germany (solo exhibition)

2005
All I see is the palace, Galeria Jubileuszowa Pałacu Kultury i Nauki, Warsaw, Poland (solo exhibition)
Let them see us, Neues Rathaus, Gottingen, Germany (solo exhibition)
Let them see us, Landtag, Stadt- und Landesbibliothek, Potsdam, Germany (solo exhibition)
All I see is the palace, Galeria traffic, Warsaw, Poland (solo exhibition)
Let them see us, Jugendzentrum Glad-House, Cottbus, Germany (solo exhibition)
Let them see us, Börgeramt Innerstadt, Köln, Germany (solo exhibition)

2004
An artist for sale (Karolina Breguła & Wojciech Rudzki), Jazzgot, Warsaw, Poland (solo exhibition)
Let them see us, Galeria „5”, Górnośląskie Centrum Kultury, Katowice, Poland (solo exhibition)
Let them see us, Galeria INTACTO, Katowice, Poland Let them see us, Goethe Institute, Bucharest, Romania (solo exhibition)
Let them see us, Atrium der ver.di Bundesverwaltung, Berlin, Germany (solo exhibition)

2003
Let them see us, Galeria Towarzystwa Sztuk Pięknych ”Pałacyk”, Warsaw, Poland (solo exhibition)
Let them see us, Galeria Burzym & Wolff, Cracow, Poland (solo exhibition)
Let them see us, CSW „Łaźnia”, Gdańsk, Poland (solo exhibition)
Let them see us, Zagłębiowski Instytut Sztuki, Sosnowiec, Poland (solo exhibition)
Let them see us, Galeria Czarna Łódź Podwodna, Wrocław, Poland (solo exhibition)

Screenings

2015
The Soup and Fire-Followers, Meet Factory, Prague, Czech Republic

2014
Fire-Followers, The Filmmaking Turn, Akbank Sanat Istanbul, Turkey
The Offence, Artists' Film Biennial, ICA, London, UK
The Soup, TR Warszawa, Warsaw, Poland
Fire-Followers, Hot Docs Film Festival, Toronto, Canada
Fire-Followers, Kino Piast, Cieszyn, Poland

2013
Fire-Followers, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Fire-Followers, New Horizons Film Festival, Wrocław, Poland
Fire-Followers, Alternativa, Wyspa Institute of Art, Gdańsk, Poland
Fire-Followers, National Museum, Cracow, Poland
Fire-Followers, Artist Village, Genk, Belgium
The Offence, Crosstalk Videoart Festival, Toldi, Budapest, Hungary
The Offence, Workshops of Culture, Lublin, Poland

Selected group shows

2015
Videonale, Kunstmuseum, Bonn, Germany
We are here, BWA, Zielona Góra, Poland
Learning to read, Stary Browar, Poznań, Poland

2014
Sights and Sounds, Jewish Museum, New York, USA
Raptures nad Convergences, Galeria Kuad, Stambuł, Turkey
Deliberations on Economics Cooked Up In the Back Room. 30 Years of Wschodnia Gallery, Museum of Arti, Łódź, Poland
GoEast, Wiesbaden, Germany

2013
The Views, Zachęta National Gallery, Warsaw, Poland
Reflection Centre for Suspended Histories. An Attempt, The Venice Biennale, The Romanian Institute for Culture and Humanistic Research, Venice, Italy
The Stranger, Alternative Space Loop, Seoul, South Korea
Present/Presence, Jan van Eyck Academie, Maastricht, Holland
Seoul, Seoul, Changdong Art Studio, Seoul, South Korea
Uncertain places, Knoll Gallery, Budapest, Hungary
Uncertain places, Knoll Gallery, Vienna, Austria
Workers of the Artworld Unite, Centre for Contemporary Ary Kronika, Bytom
Workers of the Artworld Unite, Galeria Szara, Cieszyn

2012
Artificiality, Archeology of Photography Gallery, Warsaw, Poland
It's time for Sneakers, Künstlerhaus, Dortmund, Germany
Enclave, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland

2011
Otulina, Kordegarda Gallery, Warsaw, Poland
Young Polish Artists on Tour, Uqbar Gallery, Berlin, Germany

2010
Brzuch Atlasa, Galeria Atlas, Łódź, Poland
Open City Festival, city space, Lublin, Poland
Homo Ars Erotica, National Museum, Warsaw, Poland
Failier in art, Galeria Emdes, Wrocław, Poland

2009
Kolekcja Zdarzeń – sztuka istnieje poza obrazem: pokaz kolekcji Dariusza Bieńkowskiego, Galeria Atlas, Łódź, Poland
Video Punkt, Galeria Studio, Warsaw, Poland

2008
Iluzja jako źródło cierpień, Galeria Bielska BWA, Bielsko Biała, Poland
Red Eye Effect, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Polsk kvinnodagbok, Konsert&Kongress, Uppsala, Sweden
Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland
Pętle czasu, Festiwal Józefa Robakowskiego, Łodź, Poland
Free Form Festiwal, Fabryka Trzciny, Warsaw, Poland
Samsung Art Master, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Versus, Fotospace, Wrocław, Poland

2007
Power, Museum of Cinematography, Łódź, Poland (presentation in the frames of a festival)

2006
Poza, Real Artways, Hartford, USA
Love and democracy, Centre for Contemporary Art Łaźnia, Gdańsk, Poland
Film School student exhibition, Galeria 65, Warsaw, Poland

2005
EAF diploma graduation exhibition, Galeria Wozownia Toruń, Poland
Festival of Photography in Łódź, Poland

2004
Wrocławnonstop, II Festiwal Młodej Sztuki, Wrocław, Poland
Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland
Love and democracy, Art Poznań, Poznań, Poland From Targowa to Złota, Warsaw, Poland

2002
Art Poznań Targi Sztuki, Poznań, Poland
House of Photography exhibition, Galeria Strefa, Warsaw, Poland

2001
Tretton, GFU diploma graduation exhibition, Galleri 5, Stckholm, Sweden

Prices and scholarships

2013
Views 2013 - 2nd prize
UNESCO scholarship
Młoda Polska Scholarship
Visegrad Fond Scholarship
2012
Ministry of Culture Scholarship
Nomination for Przeciąg 2012 Art Award
2009
The One Minutes Poland - 1st and 3rd prize
2008
Samsung Art Master - 3rd prize

Residencies

2015
Villa Romana, Florence, Italy
2014
KulturKuntakt, Vienna, Austria
2013
Residency Unlimited, New York, USA
Budapest Art Quarter, Budapest, Hungary
National Museum for Contemporary Art, Changdong Art Studio, Seul, S-Korea
2012
Objectifs, Centre for Photography and Filmmaking, Singapore
WARP Artist Village, Belgium

Karolina Bregula
born 1979 in Poland lives and works in Warsaw Education 2011 - doctoral studies, National Film Television and Theatre School, Łódź, Poland 2005 - 2010 National Film Television and Theatre School, Łódź, Poland 2002 - 2004 European Academy of Photography, Warsaw, Poland 2000 - 2002 Photography school GFU, Folkuniversitetet, Stockholm, Sweden Solo exhibitions and events 2015 I don't Cry Over Sculptures, lokal_30 gallery, Warsaw, Poland (solo exhibition) Stories, Polish Institute Gallery, Berlin, Germany (solo exhibition) 2014 The Soup, AC Institute, New York, USA (solo exhibition) Progress, Eastwards Prospectus, Bucharest, Romania (solo exhibition) The Tower, Warszaw Chamber Opera, Warszawa, Poland (opera performance) 2013 Leaving, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland (solo exhibition) The Centre of Everything, Atlas Sztuki, Łódź, Poland (solo exhibition) Uprooted, BWA, Katowice, Poland (solo exhibition) Video screenings, Kolonia artystów, Gdańsk, Poland (solo exhibition) Strange works, Zachęta National Gallery, Warsaw, Poland (performative lectures) 2012 Spacial forms in the face of the disaster, EL Gallery, Elbląg, Poland (performative science conference) Runda med förklaring av offentliga utsmyckningar, Kalmar Konstmuseum, Sweden Breakfast on the Grass, Euro Art, Łódź, Poland 2011 Corrective photographs - documentation, Galeria Archeologia Fotografii, Warsaw, Poland (solo exhibition) Corrective photographs, Warsaw, Poland (public space installations) Wschodnia Gallery Archive Reconstruction, Galeria Wschodnia, Łódź, Poland (solo exhibition) Art Lover, Centre for Contemporary Art “Łaźnia”, Gdańsk, Poland (happening and a solo presentation of one work) Useful Art: Richard Long - A line made by walking, No Women No Art public space art festival, Poznań, Poland Explaining the Art Exhibition, 13 Muz Gallery, Zachęta Szczecin, Szczecin, Poland (performative gallery guiding) Explaining the Art Exhibition, Centre for Contemporary Art „Ujazdowski Castle”, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Zachęta National Gallery, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Centre of Contemporary Art „Łaźnia”, Gdańsk, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Warsaw; BWA Warszawa, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Le Guern Gallery, Warsaw (performative gallery guiding) 2010 Good Neighbours, Halo Galeria, Olsztyn, Poland (solo exhibition) Let them see us, Akademickie Centrum Kultury, Lublin, Poland (solo exhibition) Good Neighbours, Galeria Szara, Cieszyn, Poland (solo exhibition) Summer in the middle, Plac Konstytucji, Warszawa (installation in the public space) 2009 Good Neighbours, Watching tv, Grodno, Belarus (happening) Good Neighbours, Borrowing salt and sugar, Kaliningrad, Russia (happening) 2008 Artistic emergency service, Galeria XS, Kielce, Poland (solo exhibition) Artistic emergency service, Train station, Kielce, Poland (happening) The married women (Karolina Breguła & Ola Buczkowska), Galeria znad Wisły, Vilnius, Lithuania (solo exhibition) Lovebook, Galeria Pauza, Kraków, Poland (solo exhibition) Good Neighbors, Shopping, Lviv, Ukraine (happening) Good Neighbours, Waving hello, Cieszyn, Poland (happening) Good Neighbours, Overhearing, Zlin, Slovakia (happening) 2007 Lovebook, Galeria 65, Warsaw, Poland (solo exhibition) The married women (Karolina Breguła & Ola Buczkowska), Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition) Video camera, Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition) Good Neighbours, Watering flowers, Vilnius, Lithuania (happening) Good Neighbours, Having coffee, Berlin, Germany (happening) 2006 All I see is the palace, Polish culture days, Uppsala, Sweden (solo exhibition) All I see is the palace, Desigh Hu, Budapest, Hungary (solo exhibition) The married women, (Karolina Breguła & Ola Buczkowska), Galeria Program, Warsaw, Poland (solo exhibition) Warsaw, Galeria kawiarnia, Warsaw, Poland The married women (Karolina Breguła & Ola Buczkowska), Galeria FF, Łódź, Poland (solo exhibition) Let them see us, Fachhochschule, Potsdam, Germany (solo exhibition) Let them see us, Main LIBS, Frankfurt, Germany (solo exhibition) 2005 All I see is the palace, Galeria Jubileuszowa Pałacu Kultury i Nauki, Warsaw, Poland (solo exhibition) Let them see us, Neues Rathaus, Gottingen, Germany (solo exhibition) Let them see us, Landtag, Stadt- und Landesbibliothek, Potsdam, Germany (solo exhibition) All I see is the palace, Galeria traffic, Warsaw, Poland (solo exhibition) Let them see us, Jugendzentrum Glad-House, Cottbus, Germany (solo exhibition) Let them see us, Börgeramt Innerstadt, Köln, Germany (solo exhibition) 2004 An artist for sale (Karolina Breguła & Wojciech Rudzki), Jazzgot, Warsaw, Poland (solo exhibition) Let them see us, Galeria „5”, Górnośląskie Centrum Kultury, Katowice, Poland (solo exhibition) Let them see us, Galeria INTACTO, Katowice, Poland Let them see us, Goethe Institute, Bucharest, Romania (solo exhibition) Let them see us, Atrium der ver.di Bundesverwaltung, Berlin, Germany (solo exhibition) 2003 Let them see us, Galeria Towarzystwa Sztuk Pięknych ”Pałacyk”, Warsaw, Poland (solo exhibition) Let them see us, Galeria Burzym & Wolff, Cracow, Poland (solo exhibition) Let them see us, CSW „Łaźnia”, Gdańsk, Poland (solo exhibition) Let them see us, Zagłębiowski Instytut Sztuki, Sosnowiec, Poland (solo exhibition) Let them see us, Galeria Czarna Łódź Podwodna, Wrocław, Poland (solo exhibition) Screenings 2015 The Soup and Fire-Followers, Meet Factory, Prague, Czech Republic 2014 Fire-Followers, The Filmmaking Turn, Akbank Sanat Istanbul, Turkey The Offence, Artists' Film Biennial, ICA, London, UK The Soup, TR Warszawa, Warsaw, Poland Fire-Followers, Hot Docs Film Festival, Toronto, Canada Fire-Followers, Kino Piast, Cieszyn, Poland 2013 Fire-Followers, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Fire-Followers, New Horizons Film Festival, Wrocław, Poland Fire-Followers, Alternativa, Wyspa Institute of Art, Gdańsk, Poland Fire-Followers, National Museum, Cracow, Poland Fire-Followers, Artist Village, Genk, Belgium The Offence, Crosstalk Videoart Festival, Toldi, Budapest, Hungary The Offence, Workshops of Culture, Lublin, Poland Selected group shows 2015 Videonale, Kunstmuseum, Bonn, Germany We are here, BWA, Zielona Góra, Poland Learning to read, Stary Browar, Poznań, Poland 2014 Sights and Sounds, Jewish Museum, New York, USA Raptures nad Convergences, Galeria Kuad, Stambuł, Turkey Deliberations on Economics Cooked Up In the Back Room. 30 Years of Wschodnia Gallery, Museum of Arti, Łódź, Poland GoEast, Wiesbaden, Germany 2013 The Views, Zachęta National Gallery, Warsaw, Poland Reflection Centre for Suspended Histories. An Attempt, The Venice Biennale, The Romanian Institute for Culture and Humanistic Research, Venice, Italy The Stranger, Alternative Space Loop, Seoul, South Korea Present/Presence, Jan van Eyck Academie, Maastricht, Holland Seoul, Seoul, Changdong Art Studio, Seoul, South Korea Uncertain places, Knoll Gallery, Budapest, Hungary Uncertain places, Knoll Gallery, Vienna, Austria Workers of the Artworld Unite, Centre for Contemporary Ary Kronika, Bytom Workers of the Artworld Unite, Galeria Szara, Cieszyn 2012 Artificiality, Archeology of Photography Gallery, Warsaw, Poland It's time for Sneakers, Künstlerhaus, Dortmund, Germany Enclave, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland 2011 Otulina, Kordegarda Gallery, Warsaw, Poland Young Polish Artists on Tour, Uqbar Gallery, Berlin, Germany 2010 Brzuch Atlasa, Galeria Atlas, Łódź, Poland Open City Festival, city space, Lublin, Poland Homo Ars Erotica, National Museum, Warsaw, Poland Failier in art, Galeria Emdes, Wrocław, Poland 2009 Kolekcja Zdarzeń – sztuka istnieje poza obrazem: pokaz kolekcji Dariusza Bieńkowskiego, Galeria Atlas, Łódź, Poland Video Punkt, Galeria Studio, Warsaw, Poland 2008 Iluzja jako źródło cierpień, Galeria Bielska BWA, Bielsko Biała, Poland Red Eye Effect, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Polsk kvinnodagbok, Konsert&Kongress, Uppsala, Sweden Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland Pętle czasu, Festiwal Józefa Robakowskiego, Łodź, Poland Free Form Festiwal, Fabryka Trzciny, Warsaw, Poland Samsung Art Master, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Versus, Fotospace, Wrocław, Poland 2007 Power, Museum of Cinematography, Łódź, Poland (presentation in the frames of a festival) 2006 Poza, Real Artways, Hartford, USA Love and democracy, Centre for Contemporary Art Łaźnia, Gdańsk, Poland Film School student exhibition, Galeria 65, Warsaw, Poland 2005 EAF diploma graduation exhibition, Galeria Wozownia Toruń, Poland Festival of Photography in Łódź, Poland 2004 Wrocławnonstop, II Festiwal Młodej Sztuki, Wrocław, Poland Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland Love and democracy, Art Poznań, Poznań, Poland From Targowa to Złota, Warsaw, Poland 2002 Art Poznań Targi Sztuki, Poznań, Poland House of Photography exhibition, Galeria Strefa, Warsaw, Poland 2001 Tretton, GFU diploma graduation exhibition, Galleri 5, Stckholm, Sweden Prices and scholarships 2013 Views 2013 - 2nd prize UNESCO scholarship Młoda Polska Scholarship Visegrad Fond Scholarship 2012 Ministry of Culture Scholarship Nomination for Przeciąg 2012 Art Award 2009 The One Minutes Poland - 1st and 3rd prize 2008 Samsung Art Master - 3rd prize Residencies 2015 Villa Romana, Florence, Italy 2014 KulturKuntakt, Vienna, Austria 2013 Residency Unlimited, New York, USA Budapest Art Quarter, Budapest, Hungary National Museum for Contemporary Art, Changdong Art Studio, Seul, S-Korea 2012 Objectifs, Centre for Photography and Filmmaking, Singapore WARP Artist Village, Belgium

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