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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Karolina Bregula

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

born 1979 in Poland
lives and works in Warsaw

Education

2011 - doctoral studies, National Film Television and Theatre School, Łódź, Poland
2005 - 2010 National Film Television and Theatre School, Łódź, Poland
2002 - 2004 European Academy of Photography, Warsaw, Poland
2000 - 2002 Photography school GFU, Folkuniversitetet, Stockholm, Sweden

Solo exhibitions and events

2015
I don't Cry Over Sculptures, lokal_30 gallery, Warsaw, Poland (solo exhibition)
Stories, Polish Institute Gallery, Berlin, Germany (solo exhibition)

2014
The Soup, AC Institute, New York, USA (solo exhibition)
Progress, Eastwards Prospectus, Bucharest, Romania (solo exhibition)
The Tower, Warszaw Chamber Opera, Warszawa, Poland (opera performance)

2013
Leaving, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland (solo exhibition)
The Centre of Everything, Atlas Sztuki, Łódź, Poland (solo exhibition)
Uprooted, BWA, Katowice, Poland (solo exhibition)
Video screenings, Kolonia artystów, Gdańsk, Poland (solo exhibition)
Strange works, Zachęta National Gallery, Warsaw, Poland (performative lectures)

2012
Spacial forms in the face of the disaster, EL Gallery, Elbląg, Poland (performative science conference)
Runda med förklaring av offentliga utsmyckningar, Kalmar Konstmuseum, Sweden
Breakfast on the Grass, Euro Art, Łódź, Poland

2011
Corrective photographs - documentation, Galeria Archeologia Fotografii, Warsaw, Poland (solo exhibition)
Corrective photographs, Warsaw, Poland (public space installations)
Wschodnia Gallery Archive Reconstruction, Galeria Wschodnia, Łódź, Poland (solo exhibition)
Art Lover, Centre for Contemporary Art “Łaźnia”, Gdańsk, Poland (happening and a solo presentation of one work)
Useful Art: Richard Long - A line made by walking, No Women No Art public space art festival, Poznań, Poland
Explaining the Art Exhibition, 13 Muz Gallery, Zachęta Szczecin, Szczecin, Poland (performative gallery guiding)
Explaining the Art Exhibition, Centre for Contemporary Art „Ujazdowski Castle”, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Zachęta National Gallery, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Centre of Contemporary Art „Łaźnia”, Gdańsk, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Warsaw; BWA Warszawa, Warsaw, Poland (performative gallery guiding)
Explaining the Art Exhibition, Le Guern Gallery, Warsaw (performative gallery guiding)

2010
Good Neighbours, Halo Galeria, Olsztyn, Poland (solo exhibition)
Let them see us, Akademickie Centrum Kultury, Lublin, Poland (solo exhibition)
Good Neighbours, Galeria Szara, Cieszyn, Poland (solo exhibition)
Summer in the middle, Plac Konstytucji, Warszawa (installation in the public space)

2009
Good Neighbours, Watching tv, Grodno, Belarus (happening)
Good Neighbours, Borrowing salt and sugar, Kaliningrad, Russia (happening)

2008
Artistic emergency service, Galeria XS, Kielce, Poland (solo exhibition)
Artistic emergency service, Train station, Kielce, Poland (happening)
The married women (Karolina Breguła & Ola Buczkowska), Galeria znad Wisły, Vilnius, Lithuania (solo exhibition)
Lovebook, Galeria Pauza, Kraków, Poland (solo exhibition)
Good Neighbors, Shopping, Lviv, Ukraine (happening)
Good Neighbours, Waving hello, Cieszyn, Poland (happening)
Good Neighbours, Overhearing, Zlin, Slovakia (happening)

2007
Lovebook, Galeria 65, Warsaw, Poland (solo exhibition)
The married women (Karolina Breguła & Ola Buczkowska), Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition)
Video camera, Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition)
Good Neighbours, Watering flowers, Vilnius, Lithuania (happening)
Good Neighbours, Having coffee, Berlin, Germany (happening)

2006
All I see is the palace, Polish culture days, Uppsala, Sweden (solo exhibition)
All I see is the palace, Desigh Hu, Budapest, Hungary (solo exhibition)
The married women, (Karolina Breguła & Ola Buczkowska), Galeria Program, Warsaw, Poland (solo exhibition)
Warsaw, Galeria kawiarnia, Warsaw, Poland
The married women (Karolina Breguła & Ola Buczkowska), Galeria FF, Łódź, Poland (solo exhibition)
Let them see us, Fachhochschule, Potsdam, Germany (solo exhibition)
Let them see us, Main LIBS, Frankfurt, Germany (solo exhibition)

2005
All I see is the palace, Galeria Jubileuszowa Pałacu Kultury i Nauki, Warsaw, Poland (solo exhibition)
Let them see us, Neues Rathaus, Gottingen, Germany (solo exhibition)
Let them see us, Landtag, Stadt- und Landesbibliothek, Potsdam, Germany (solo exhibition)
All I see is the palace, Galeria traffic, Warsaw, Poland (solo exhibition)
Let them see us, Jugendzentrum Glad-House, Cottbus, Germany (solo exhibition)
Let them see us, Börgeramt Innerstadt, Köln, Germany (solo exhibition)

2004
An artist for sale (Karolina Breguła & Wojciech Rudzki), Jazzgot, Warsaw, Poland (solo exhibition)
Let them see us, Galeria „5”, Górnośląskie Centrum Kultury, Katowice, Poland (solo exhibition)
Let them see us, Galeria INTACTO, Katowice, Poland Let them see us, Goethe Institute, Bucharest, Romania (solo exhibition)
Let them see us, Atrium der ver.di Bundesverwaltung, Berlin, Germany (solo exhibition)

2003
Let them see us, Galeria Towarzystwa Sztuk Pięknych ”Pałacyk”, Warsaw, Poland (solo exhibition)
Let them see us, Galeria Burzym & Wolff, Cracow, Poland (solo exhibition)
Let them see us, CSW „Łaźnia”, Gdańsk, Poland (solo exhibition)
Let them see us, Zagłębiowski Instytut Sztuki, Sosnowiec, Poland (solo exhibition)
Let them see us, Galeria Czarna Łódź Podwodna, Wrocław, Poland (solo exhibition)

Screenings

2015
The Soup and Fire-Followers, Meet Factory, Prague, Czech Republic

2014
Fire-Followers, The Filmmaking Turn, Akbank Sanat Istanbul, Turkey
The Offence, Artists' Film Biennial, ICA, London, UK
The Soup, TR Warszawa, Warsaw, Poland
Fire-Followers, Hot Docs Film Festival, Toronto, Canada
Fire-Followers, Kino Piast, Cieszyn, Poland

2013
Fire-Followers, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Fire-Followers, New Horizons Film Festival, Wrocław, Poland
Fire-Followers, Alternativa, Wyspa Institute of Art, Gdańsk, Poland
Fire-Followers, National Museum, Cracow, Poland
Fire-Followers, Artist Village, Genk, Belgium
The Offence, Crosstalk Videoart Festival, Toldi, Budapest, Hungary
The Offence, Workshops of Culture, Lublin, Poland

Selected group shows

2015
Videonale, Kunstmuseum, Bonn, Germany
We are here, BWA, Zielona Góra, Poland
Learning to read, Stary Browar, Poznań, Poland

2014
Sights and Sounds, Jewish Museum, New York, USA
Raptures nad Convergences, Galeria Kuad, Stambuł, Turkey
Deliberations on Economics Cooked Up In the Back Room. 30 Years of Wschodnia Gallery, Museum of Arti, Łódź, Poland
GoEast, Wiesbaden, Germany

2013
The Views, Zachęta National Gallery, Warsaw, Poland
Reflection Centre for Suspended Histories. An Attempt, The Venice Biennale, The Romanian Institute for Culture and Humanistic Research, Venice, Italy
The Stranger, Alternative Space Loop, Seoul, South Korea
Present/Presence, Jan van Eyck Academie, Maastricht, Holland
Seoul, Seoul, Changdong Art Studio, Seoul, South Korea
Uncertain places, Knoll Gallery, Budapest, Hungary
Uncertain places, Knoll Gallery, Vienna, Austria
Workers of the Artworld Unite, Centre for Contemporary Ary Kronika, Bytom
Workers of the Artworld Unite, Galeria Szara, Cieszyn

2012
Artificiality, Archeology of Photography Gallery, Warsaw, Poland
It's time for Sneakers, Künstlerhaus, Dortmund, Germany
Enclave, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland

2011
Otulina, Kordegarda Gallery, Warsaw, Poland
Young Polish Artists on Tour, Uqbar Gallery, Berlin, Germany

2010
Brzuch Atlasa, Galeria Atlas, Łódź, Poland
Open City Festival, city space, Lublin, Poland
Homo Ars Erotica, National Museum, Warsaw, Poland
Failier in art, Galeria Emdes, Wrocław, Poland

2009
Kolekcja Zdarzeń – sztuka istnieje poza obrazem: pokaz kolekcji Dariusza Bieńkowskiego, Galeria Atlas, Łódź, Poland
Video Punkt, Galeria Studio, Warsaw, Poland

2008
Iluzja jako źródło cierpień, Galeria Bielska BWA, Bielsko Biała, Poland
Red Eye Effect, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Polsk kvinnodagbok, Konsert&Kongress, Uppsala, Sweden
Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland
Pętle czasu, Festiwal Józefa Robakowskiego, Łodź, Poland
Free Form Festiwal, Fabryka Trzciny, Warsaw, Poland
Samsung Art Master, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
Versus, Fotospace, Wrocław, Poland

2007
Power, Museum of Cinematography, Łódź, Poland (presentation in the frames of a festival)

2006
Poza, Real Artways, Hartford, USA
Love and democracy, Centre for Contemporary Art Łaźnia, Gdańsk, Poland
Film School student exhibition, Galeria 65, Warsaw, Poland

2005
EAF diploma graduation exhibition, Galeria Wozownia Toruń, Poland
Festival of Photography in Łódź, Poland

2004
Wrocławnonstop, II Festiwal Młodej Sztuki, Wrocław, Poland
Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland
Love and democracy, Art Poznań, Poznań, Poland From Targowa to Złota, Warsaw, Poland

2002
Art Poznań Targi Sztuki, Poznań, Poland
House of Photography exhibition, Galeria Strefa, Warsaw, Poland

2001
Tretton, GFU diploma graduation exhibition, Galleri 5, Stckholm, Sweden

Prices and scholarships

2013
Views 2013 - 2nd prize
UNESCO scholarship
Młoda Polska Scholarship
Visegrad Fond Scholarship
2012
Ministry of Culture Scholarship
Nomination for Przeciąg 2012 Art Award
2009
The One Minutes Poland - 1st and 3rd prize
2008
Samsung Art Master - 3rd prize

Residencies

2015
Villa Romana, Florence, Italy
2014
KulturKuntakt, Vienna, Austria
2013
Residency Unlimited, New York, USA
Budapest Art Quarter, Budapest, Hungary
National Museum for Contemporary Art, Changdong Art Studio, Seul, S-Korea
2012
Objectifs, Centre for Photography and Filmmaking, Singapore
WARP Artist Village, Belgium

Karolina Bregula
born 1979 in Poland lives and works in Warsaw Education 2011 - doctoral studies, National Film Television and Theatre School, Łódź, Poland 2005 - 2010 National Film Television and Theatre School, Łódź, Poland 2002 - 2004 European Academy of Photography, Warsaw, Poland 2000 - 2002 Photography school GFU, Folkuniversitetet, Stockholm, Sweden Solo exhibitions and events 2015 I don't Cry Over Sculptures, lokal_30 gallery, Warsaw, Poland (solo exhibition) Stories, Polish Institute Gallery, Berlin, Germany (solo exhibition) 2014 The Soup, AC Institute, New York, USA (solo exhibition) Progress, Eastwards Prospectus, Bucharest, Romania (solo exhibition) The Tower, Warszaw Chamber Opera, Warszawa, Poland (opera performance) 2013 Leaving, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland (solo exhibition) The Centre of Everything, Atlas Sztuki, Łódź, Poland (solo exhibition) Uprooted, BWA, Katowice, Poland (solo exhibition) Video screenings, Kolonia artystów, Gdańsk, Poland (solo exhibition) Strange works, Zachęta National Gallery, Warsaw, Poland (performative lectures) 2012 Spacial forms in the face of the disaster, EL Gallery, Elbląg, Poland (performative science conference) Runda med förklaring av offentliga utsmyckningar, Kalmar Konstmuseum, Sweden Breakfast on the Grass, Euro Art, Łódź, Poland 2011 Corrective photographs - documentation, Galeria Archeologia Fotografii, Warsaw, Poland (solo exhibition) Corrective photographs, Warsaw, Poland (public space installations) Wschodnia Gallery Archive Reconstruction, Galeria Wschodnia, Łódź, Poland (solo exhibition) Art Lover, Centre for Contemporary Art “Łaźnia”, Gdańsk, Poland (happening and a solo presentation of one work) Useful Art: Richard Long - A line made by walking, No Women No Art public space art festival, Poznań, Poland Explaining the Art Exhibition, 13 Muz Gallery, Zachęta Szczecin, Szczecin, Poland (performative gallery guiding) Explaining the Art Exhibition, Centre for Contemporary Art „Ujazdowski Castle”, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Zachęta National Gallery, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Centre of Contemporary Art „Łaźnia”, Gdańsk, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Warsaw; BWA Warszawa, Warsaw, Poland (performative gallery guiding) Explaining the Art Exhibition, Le Guern Gallery, Warsaw (performative gallery guiding) 2010 Good Neighbours, Halo Galeria, Olsztyn, Poland (solo exhibition) Let them see us, Akademickie Centrum Kultury, Lublin, Poland (solo exhibition) Good Neighbours, Galeria Szara, Cieszyn, Poland (solo exhibition) Summer in the middle, Plac Konstytucji, Warszawa (installation in the public space) 2009 Good Neighbours, Watching tv, Grodno, Belarus (happening) Good Neighbours, Borrowing salt and sugar, Kaliningrad, Russia (happening) 2008 Artistic emergency service, Galeria XS, Kielce, Poland (solo exhibition) Artistic emergency service, Train station, Kielce, Poland (happening) The married women (Karolina Breguła & Ola Buczkowska), Galeria znad Wisły, Vilnius, Lithuania (solo exhibition) Lovebook, Galeria Pauza, Kraków, Poland (solo exhibition) Good Neighbors, Shopping, Lviv, Ukraine (happening) Good Neighbours, Waving hello, Cieszyn, Poland (happening) Good Neighbours, Overhearing, Zlin, Slovakia (happening) 2007 Lovebook, Galeria 65, Warsaw, Poland (solo exhibition) The married women (Karolina Breguła & Ola Buczkowska), Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition) Video camera, Galeria Nowych Mediów, Gorzów Wielkopolski, Poland (solo exhibition) Good Neighbours, Watering flowers, Vilnius, Lithuania (happening) Good Neighbours, Having coffee, Berlin, Germany (happening) 2006 All I see is the palace, Polish culture days, Uppsala, Sweden (solo exhibition) All I see is the palace, Desigh Hu, Budapest, Hungary (solo exhibition) The married women, (Karolina Breguła & Ola Buczkowska), Galeria Program, Warsaw, Poland (solo exhibition) Warsaw, Galeria kawiarnia, Warsaw, Poland The married women (Karolina Breguła & Ola Buczkowska), Galeria FF, Łódź, Poland (solo exhibition) Let them see us, Fachhochschule, Potsdam, Germany (solo exhibition) Let them see us, Main LIBS, Frankfurt, Germany (solo exhibition) 2005 All I see is the palace, Galeria Jubileuszowa Pałacu Kultury i Nauki, Warsaw, Poland (solo exhibition) Let them see us, Neues Rathaus, Gottingen, Germany (solo exhibition) Let them see us, Landtag, Stadt- und Landesbibliothek, Potsdam, Germany (solo exhibition) All I see is the palace, Galeria traffic, Warsaw, Poland (solo exhibition) Let them see us, Jugendzentrum Glad-House, Cottbus, Germany (solo exhibition) Let them see us, Börgeramt Innerstadt, Köln, Germany (solo exhibition) 2004 An artist for sale (Karolina Breguła & Wojciech Rudzki), Jazzgot, Warsaw, Poland (solo exhibition) Let them see us, Galeria „5”, Górnośląskie Centrum Kultury, Katowice, Poland (solo exhibition) Let them see us, Galeria INTACTO, Katowice, Poland Let them see us, Goethe Institute, Bucharest, Romania (solo exhibition) Let them see us, Atrium der ver.di Bundesverwaltung, Berlin, Germany (solo exhibition) 2003 Let them see us, Galeria Towarzystwa Sztuk Pięknych ”Pałacyk”, Warsaw, Poland (solo exhibition) Let them see us, Galeria Burzym & Wolff, Cracow, Poland (solo exhibition) Let them see us, CSW „Łaźnia”, Gdańsk, Poland (solo exhibition) Let them see us, Zagłębiowski Instytut Sztuki, Sosnowiec, Poland (solo exhibition) Let them see us, Galeria Czarna Łódź Podwodna, Wrocław, Poland (solo exhibition) Screenings 2015 The Soup and Fire-Followers, Meet Factory, Prague, Czech Republic 2014 Fire-Followers, The Filmmaking Turn, Akbank Sanat Istanbul, Turkey The Offence, Artists' Film Biennial, ICA, London, UK The Soup, TR Warszawa, Warsaw, Poland Fire-Followers, Hot Docs Film Festival, Toronto, Canada Fire-Followers, Kino Piast, Cieszyn, Poland 2013 Fire-Followers, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Fire-Followers, New Horizons Film Festival, Wrocław, Poland Fire-Followers, Alternativa, Wyspa Institute of Art, Gdańsk, Poland Fire-Followers, National Museum, Cracow, Poland Fire-Followers, Artist Village, Genk, Belgium The Offence, Crosstalk Videoart Festival, Toldi, Budapest, Hungary The Offence, Workshops of Culture, Lublin, Poland Selected group shows 2015 Videonale, Kunstmuseum, Bonn, Germany We are here, BWA, Zielona Góra, Poland Learning to read, Stary Browar, Poznań, Poland 2014 Sights and Sounds, Jewish Museum, New York, USA Raptures nad Convergences, Galeria Kuad, Stambuł, Turkey Deliberations on Economics Cooked Up In the Back Room. 30 Years of Wschodnia Gallery, Museum of Arti, Łódź, Poland GoEast, Wiesbaden, Germany 2013 The Views, Zachęta National Gallery, Warsaw, Poland Reflection Centre for Suspended Histories. An Attempt, The Venice Biennale, The Romanian Institute for Culture and Humanistic Research, Venice, Italy The Stranger, Alternative Space Loop, Seoul, South Korea Present/Presence, Jan van Eyck Academie, Maastricht, Holland Seoul, Seoul, Changdong Art Studio, Seoul, South Korea Uncertain places, Knoll Gallery, Budapest, Hungary Uncertain places, Knoll Gallery, Vienna, Austria Workers of the Artworld Unite, Centre for Contemporary Ary Kronika, Bytom Workers of the Artworld Unite, Galeria Szara, Cieszyn 2012 Artificiality, Archeology of Photography Gallery, Warsaw, Poland It's time for Sneakers, Künstlerhaus, Dortmund, Germany Enclave, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland 2011 Otulina, Kordegarda Gallery, Warsaw, Poland Young Polish Artists on Tour, Uqbar Gallery, Berlin, Germany 2010 Brzuch Atlasa, Galeria Atlas, Łódź, Poland Open City Festival, city space, Lublin, Poland Homo Ars Erotica, National Museum, Warsaw, Poland Failier in art, Galeria Emdes, Wrocław, Poland 2009 Kolekcja Zdarzeń – sztuka istnieje poza obrazem: pokaz kolekcji Dariusza Bieńkowskiego, Galeria Atlas, Łódź, Poland Video Punkt, Galeria Studio, Warsaw, Poland 2008 Iluzja jako źródło cierpień, Galeria Bielska BWA, Bielsko Biała, Poland Red Eye Effect, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Polsk kvinnodagbok, Konsert&Kongress, Uppsala, Sweden Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland Pętle czasu, Festiwal Józefa Robakowskiego, Łodź, Poland Free Form Festiwal, Fabryka Trzciny, Warsaw, Poland Samsung Art Master, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland Versus, Fotospace, Wrocław, Poland 2007 Power, Museum of Cinematography, Łódź, Poland (presentation in the frames of a festival) 2006 Poza, Real Artways, Hartford, USA Love and democracy, Centre for Contemporary Art Łaźnia, Gdańsk, Poland Film School student exhibition, Galeria 65, Warsaw, Poland 2005 EAF diploma graduation exhibition, Galeria Wozownia Toruń, Poland Festival of Photography in Łódź, Poland 2004 Wrocławnonstop, II Festiwal Młodej Sztuki, Wrocław, Poland Biennale of Young European Art Supermarket Sztuki, Warsaw, Poland Love and democracy, Art Poznań, Poznań, Poland From Targowa to Złota, Warsaw, Poland 2002 Art Poznań Targi Sztuki, Poznań, Poland House of Photography exhibition, Galeria Strefa, Warsaw, Poland 2001 Tretton, GFU diploma graduation exhibition, Galleri 5, Stckholm, Sweden Prices and scholarships 2013 Views 2013 - 2nd prize UNESCO scholarship Młoda Polska Scholarship Visegrad Fond Scholarship 2012 Ministry of Culture Scholarship Nomination for Przeciąg 2012 Art Award 2009 The One Minutes Poland - 1st and 3rd prize 2008 Samsung Art Master - 3rd prize Residencies 2015 Villa Romana, Florence, Italy 2014 KulturKuntakt, Vienna, Austria 2013 Residency Unlimited, New York, USA Budapest Art Quarter, Budapest, Hungary National Museum for Contemporary Art, Changdong Art Studio, Seul, S-Korea 2012 Objectifs, Centre for Photography and Filmmaking, Singapore WARP Artist Village, Belgium

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