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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Stéphanie Lagarde

Works


Biography

born 1982 in Toulouse, France
Lives and works in Paris

Studies

2015-2016 Jan van Eyck Academie, Maastricht, The Netherlands
2009 California College of the Arts, LVMH award, San Francisco, USA
2008 Ecole Nationale Supérieure des Arts Décoratifs de Paris, Art-Espace, M.F.A
2004 ENSAAMA Olivier de Serres, Paris, B.F.A Sculpture applied to composites materials

Selected exhibitions

2019
Videonale.17, Refracted realities, Kunstmuseum Bonn, Germany, by Lisa Bosbach
Are You Satisfied? Aktuelle Kunst und Revolution, Galerie im Körnerpark, Berlin, Germany, by Dorothee Bienert and Natalia Raaben

2018
Under Pressure – On Forms of Authority and Decision-Making Power, Frei_raum Q21
MuseumsQuartier Vienna, Autriche, by Sabine Winkler
Escales en vue, Maif Social Club, Paris, by Anne-Sophie Bérard
The State is Not A Work of Art, Tallinn Art Hall, Estonia, by Katerina Gregos and Taaniel Raudsepp
Unfair, Westergasfabriek, Amsterdam, the Netherlands, by Peter van der Es and Adam Nilissen
RATAFIA, Collectif 23, Paris, by Emmanuel Saulnier

2017
Movimenta biennale, Nice, France, Young video artist award, by Claire Migraine and Mathilde Roman
Collaboration with fashion designer Hagahi on the Spring/Summer 18 collection

2016
Cold-pressed, Low heat, Brno House of the Arts, Czech Republic, by Linda/Daniela Dostalkova
Le style c’est l’Homme, Cité Internationale Universitaire de Paris, France
A Matter of..., Ludwig Forum für Internationale Kunst, Aachen, Germany, by Holger Hotten and Lars Breuer
Van Eyck Open Studios, Maastricht, the Netherlands

2015
Lit from the Top, Centre for Contemporary Photography, Melbourne, Australia, by Sarah Wall and Laura Lantieri

2014
La légende des origines, galerie Maubert, Paris, by Léa Bismuth

Rancho Mirage, Galerie Perception Park, Paris

2013
AAA CC DD EE G H IIII J KK LLL M NN OOOO RRRR U, Produzentengalerie, Luzern, Switzerland, by Ray Hegelbach and Stéphanie Lagarde
Mais je ne sais quel oeil par accidents nouveaux, Pavillon de l’Indochine du Jardin d’agronomie tropicale du bois de Vincennes, by Sophie Lapalu
Meltem, Palais de Tokyo, by Daria de Beauvais and Catherine Strasser

2012
Zone Autonome Mutualisée, Le Vivarium, Rennes, by Ann Stouvenel
D’échec en échec sans perdre son enthousiasme, Ygrec, Paris, by Sophie Lapalu
Poppositions, Brussels Congrès Station, Belgium by Claire Migraine
Rose avec des étoiles vertes, Galerie du Rutebeuf, Clichy, by Charline Guibert

2011
3rd Sculpture Biennale, Propriété Caillebotte, Yerres, by Paul-Louis Rinuy
US 4th of July exhibition, People’s Gallery, San Francisco, USA, by Jana Blankenship/Nico Colon

2010
Relatives, Villa Cameline, Nice, by Claire Migraine and Nicolas H. Muller
Les Multiples Désirs, galerie Eponyme, Bordeaux

2009
Suspensions, galerie Alexandre Cadain, Paris, by Marianne Rapegno
Extra Lives, Swarm Gallery, Oakland, Californie
MyMementoVid, Markers Projects, 53rd Venice Biennale
Last Day of Magic, Gallery Extrana, Berkeley, USA
Visions Beyond Borders, CCA, San Francisco, USA

2008
Panorama de la jeune création, Bourges, France
Jeune Création, Halle de la Villette, Paris, France
53rd salon d’art contemporain de Montrouge, France

2007
Trans Geographical Visions, galerie Shilla, Daegu, South Korea
Paperworks, Soirée Nomade, Fondation Cartier, Paris, France

Awards, grants and residencies

2018
Phonurgia Nova Awards, Honorary mention of the Jury, Field Recording category
Residency at the Salzburger Kunstverein, Austria
2016
Grant for an artistic research, DRAC Ile-de-France
Fonderie Darling residency, Montréal, Québec
2015-2016
Jan van Eyck Academie, Maastricht, the Netherlands
2014
CNAP grant for an artistic research (Alaska, Canarias Islands, France)
2012
Prix Pierre Gautier-Delaye, residency at Cité des Arts
2011
CNAP Grant, France
Voyons Voir residency, Domaine de Grand Boise, Trets, France
2010
Residency at Manoir de Soisay, France
Residency at Kanaal 10, Amsterdam, the Netherlands
2009
LVMH Award: 5 month residency at California College of the Arts, San Francisco
2008
LVMH Award winner 2009

Film and video festival selections

2019
Dortmund | Cologne International Women’s Film Festival, Germany
Short Waves Festival, Poznàn, Poland
Transmediale, Haus der Kulturen der Weld (HKW), Berlin, Germany
2018
13th International Short Film Festival Zubroffka, Bialystok, Poland
Influx, Cinema Lumière, Maastricht, The Netherlands
56th Gijón Film Festival, There’s nothing left abstract program, Spain
November Film Festival, Close-Up Film Centre, Londres, U.K
35th Kassel DokFest, Allemagne
DOKLeipzig, Next Masters Awards, Leipzig, Germany

Stéphanie Lagarde
born 1982 in Toulouse, FranceLives and works in Paris Studies 2015-2016 Jan van Eyck Academie, Maastricht, The Netherlands2009 California College of the Arts, LVMH award, San Francisco, USA2008 Ecole Nationale Supérieure des Arts Décoratifs de Paris, Art-Espace, M.F.A2004 ENSAAMA Olivier de Serres, Paris, B.F.A Sculpture applied to composites materials Selected exhibitions 2019Videonale.17, Refracted realities, Kunstmuseum Bonn, Germany, by Lisa BosbachAre You Satisfied? Aktuelle Kunst und Revolution, Galerie im Körnerpark, Berlin, Germany, by Dorothee Bienert and Natalia Raaben 2018Under Pressure – On Forms of Authority and Decision-Making Power, Frei_raum Q21MuseumsQuartier Vienna, Autriche, by Sabine WinklerEscales en vue, Maif Social Club, Paris, by Anne-Sophie BérardThe State is Not A Work of Art, Tallinn Art Hall, Estonia, by Katerina Gregos and Taaniel RaudseppUnfair, Westergasfabriek, Amsterdam, the Netherlands, by Peter van der Es and Adam NilissenRATAFIA, Collectif 23, Paris, by Emmanuel Saulnier 2017Movimenta biennale, Nice, France, Young video artist award, by Claire Migraine and Mathilde RomanCollaboration with fashion designer Hagahi on the Spring/Summer 18 collection 2016Cold-pressed, Low heat, Brno House of the Arts, Czech Republic, by Linda/Daniela DostalkovaLe style c’est l’Homme, Cité Internationale Universitaire de Paris, FranceA Matter of..., Ludwig Forum für Internationale Kunst, Aachen, Germany, by Holger Hotten and Lars BreuerVan Eyck Open Studios, Maastricht, the Netherlands 2015Lit from the Top, Centre for Contemporary Photography, Melbourne, Australia, by Sarah Wall and Laura Lantieri 2014La légende des origines, galerie Maubert, Paris, by Léa Bismuth Rancho Mirage, Galerie Perception Park, Paris 2013AAA CC DD EE G H IIII J KK LLL M NN OOOO RRRR U, Produzentengalerie, Luzern, Switzerland, by Ray Hegelbach and Stéphanie LagardeMais je ne sais quel oeil par accidents nouveaux, Pavillon de l’Indochine du Jardin d’agronomie tropicale du bois de Vincennes, by Sophie LapaluMeltem, Palais de Tokyo, by Daria de Beauvais and Catherine Strasser 2012Zone Autonome Mutualisée, Le Vivarium, Rennes, by Ann StouvenelD’échec en échec sans perdre son enthousiasme, Ygrec, Paris, by Sophie LapaluPoppositions, Brussels Congrès Station, Belgium by Claire MigraineRose avec des étoiles vertes, Galerie du Rutebeuf, Clichy, by Charline Guibert 20113rd Sculpture Biennale, Propriété Caillebotte, Yerres, by Paul-Louis RinuyUS 4th of July exhibition, People’s Gallery, San Francisco, USA, by Jana Blankenship/Nico Colon 2010Relatives, Villa Cameline, Nice, by Claire Migraine and Nicolas H. MullerLes Multiples Désirs, galerie Eponyme, Bordeaux 2009Suspensions, galerie Alexandre Cadain, Paris, by Marianne RapegnoExtra Lives, Swarm Gallery, Oakland, CalifornieMyMementoVid, Markers Projects, 53rd Venice BiennaleLast Day of Magic, Gallery Extrana, Berkeley, USAVisions Beyond Borders, CCA, San Francisco, USA 2008Panorama de la jeune création, Bourges, FranceJeune Création, Halle de la Villette, Paris, France53rd salon d’art contemporain de Montrouge, France 2007Trans Geographical Visions, galerie Shilla, Daegu, South KoreaPaperworks, Soirée Nomade, Fondation Cartier, Paris, France Awards, grants and residencies 2018Phonurgia Nova Awards, Honorary mention of the Jury, Field Recording categoryResidency at the Salzburger Kunstverein, Austria2016Grant for an artistic research, DRAC Ile-de-FranceFonderie Darling residency, Montréal, Québec2015-2016Jan van Eyck Academie, Maastricht, the Netherlands2014CNAP grant for an artistic research (Alaska, Canarias Islands, France)2012Prix Pierre Gautier-Delaye, residency at Cité des Arts2011CNAP Grant, FranceVoyons Voir residency, Domaine de Grand Boise, Trets, France2010Residency at Manoir de Soisay, FranceResidency at Kanaal 10, Amsterdam, the Netherlands2009LVMH Award: 5 month residency at California College of the Arts, San Francisco2008LVMH Award winner 2009 Film and video festival selections 2019Dortmund | Cologne International Women’s Film Festival, GermanyShort Waves Festival, Poznàn, PolandTransmediale, Haus der Kulturen der Weld (HKW), Berlin, Germany201813th International Short Film Festival Zubroffka, Bialystok, PolandInflux, Cinema Lumière, Maastricht, The Netherlands56th Gijón Film Festival, There’s nothing left abstract program, SpainNovember Film Festival, Close-Up Film Centre, Londres, U.K35th Kassel DokFest, AllemagneDOKLeipzig, Next Masters Awards, Leipzig, Germany

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