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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Stacey Steers

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

Stacey Steers lives in Boulder, Colorado

Education

1989 BFA (with distinction), Fine Arts and Film, University of Colorado,
Boulder, CO
1983 Advanced Animation Certificate, Zagreb Film Studio, Zagreb, Croatia

Employment

1991–present Animation and Film Production instructor, Film Studies, The University of Colorado at Boulde

Solo exhibitions

2021
“Night Reels: The work of Stacey Steers”, Cinémathèque québécoise, Montreal, Quebec- upcoming 
“Night Reels: The Work of Stacey Steers”, George Eastman Museum, Rochester, NY- upcoming 

2020 
“Night Reels: The Work of Stacey Steers”, BMoCA, Boulder, CO

 2019
“Stacey Steers: Edge of Alchemy”, MCA, Denver, CO
“Stacey Steers: Night Hunter”, K Oss Contemporary Art, Detroit, MI 
“Stacey Steers: Edge of Alchemy”, gallery Bildraum07, Vienna, Austria
“Stacey Steers: Night Hunter” McIninch Art Gallery, Southern New Hampshire University, Manchester, NH 

2018
“Stacey Steers: Trilogy”, Schneider Museum, Ashland, OR

 2017
“Stacey Steers: Edge of Alchemy”, Catharine Clark Gallery, Paris Photo, Grand Palais, Paris, France
“Stacey Steers: Trilogy”, Robischon Gallery, Denver, CO
“Stacey Steers: Edge of Alchemy”, Catharine Clark Gallery, San Francisco, CA 

2016
“Stacey Steers: Phantom Canyon”, Kohler Art Center, Sheboygan, WI
“Stacey Steers: Night Hunter”, South Dakota Art Museum, South Dakota State University, Brookings, SD. 

2014
“Stacey Steers: Night Hunter”, Boise Museum of Art, Boise, ID

2013
Stacey Steers: Night Hunter, Catherine Clark Gallery in association with San Francisco Film Society, San Francisco, CAStacey Steers: Night Hunter, Tufts University Art Gallery, Somerville, MAStacey Steers: Night Hunter, Virginia Museum of Contemporary Art, Virginia Beach, VA2012
Stacey Steers: Night Hunter House, Hood Museum of Art, Dartmouth College, Hanover, NH
Stacey Steers: Night Hunter House, Jordan Schnitzer Art Museum, University of Oregon, Eugene, OR
Night Hunter Real Art Ways, Hartford, CT.

2011
Stacey Steers: Night Hunter, Denver Art Museum, Denver, CO

2009
Phantom Canyon, ClampArt, New York, NY

2008
Phantom Canyon, Media Room, The Decordova Museum,
Concord, MA

2007
Phantom Canyon, Lugar a Dudas Artspace, Cali, Colombia

2005
Flat Black Films and Stacey Steers, Scottsdale Museum of Contemporary Art,
Scottsdale, AZ

Selected group exhibitions

2015
“Showing Off: Recent Modern and Contemporary Acquisitions” Denver Art Museum, Denver, Colorado

2013 Haunted Home, Galerie West, Den Haag, Netherlands
Ink. Paper, Scissors, Kimball Art Center, Park City, UT
Experiments in Animation, Asheville Art Museum, Asheville, NC

2012
Harsh Realities, Rowan University Art Gallery, Glassboro, NJ
Found Footage: Cinema Exposed, Eye Institute, Amsterdam, Netherlands
Night Hunter, Houston Cinema Arts Festival, Houston, TX
Kinomuzeum, Museum of Modern Art, Warsaw, Poland

2011
Alive She Cried, Galerie Zink, Berlin, Germany
Blink! Light, Sound and the Moving Image, Denver Art Museum, Denver, Colorado
For Love Not Money, 15th Tallinn Print Triennial, Kumu Art Museum, Tallinn, Estonia

2010
Helios: Eadweard Muybridge in a Time of Change, Corcoran Gallery, Washington, D.C.
Entomologia, Observatory, Brooklyn, NY

2009
Pretty Tough, Aldrich Museum, Ridgefield, CT
Lucid Dreaming, Michener Museum, Doylestown, PA
Max Ernst - Une Semaine de Bonte - die Original collagen Hamburger Kunsthalle, Hamburg, Germany
Pure Pleasure, Boulder Museum of Contemporary Art, Boulder, CO

2008 Max Ernst Surrealismus, A l’interieur de la Vue, Kunsthalle Goppingen, Goppingen, Germany

Collections

Hamburger Kunsthalle, Hamburg, Germany
Denver Art Museum, Denver, CO
Johnson Art Museum, Cornell University, Ithaca, NY
Allen Art Museum, Oberlin College, Oberlin, OH
The Vicki and Kent Logan Collection, Vail, Colorado
The Hood Museum of Art, Dartmouth College
Deborah and Andy Rappaport Collection, San Francisco, CA

Filmography and selected screenings

Night Hunter ( 2011, 15:30, color, sound) Sundance Film Festival, Park City, UT (Official Selection) Rotterdam International Film Festival, Rotterdam, The Nederlands Telluride Film Festival, Telluride, CO (Official Selection) New Directors, New Films, Lincoln Center and MoMA, New York, NY (Official Selection) AFI Film Festival, Los Angeles, CA (Official Selection) Denver International Film Festival, Brakhage Vision Award Black Maria Film Festival, Juror’s Choice Award (First Prize) Hardacre Film Festival, Best Experimental Film Perth Revelation Film Festival, Perth Australia Punto de Vista Documentary Film Festival, Pamplona, Spain
Phantom Canyon (2006; 10:00, black and white, sound) Phantom Canyon screened at over 50 festivals worldwide Sundance Film Festival (Official Selection) New Directors, New Films, Lincoln Center and MoMA, New York, NY (Official Selection) Black Maria Film Festival (touring) (Jury’s Choice, First Prize) Humboldt International Film Festival, Humboldt, CA (Best Animated Film) Chicago Underground Film Festival (Best Animated Film) Animation Block Party, New York, NY (Best Experimental Animation) Arcipelago International Festival of Short Films and New Media, Rome (Special Jury Prize) Ann Arbor Film Festival (Honorable Mention) Animafest Zagreb, Zagreb, Croatia (Official Selection) San Francisco International Film Festival AFI Film Festival, Los Angeles, CA Hong Kong International Film Festival
Totem (1999; 11:00, color, sound) Anima Mundi, International Animation Festival, Rio de Janeiro and Sao Paolo (Official Selection) New York Animation Festival, New York, NY (Official Selection) Utah Short Film and Video Festival, Salt Lake City, UT (Best Animated Film) Rochester International Film Festival (Best of the Fest) Humboldt International Film Festival, Humboldt, CA (Special Jury Prize) South Beach Animation Festival, South Beach, FL (Honorable Mention) Black Maria Film and Video Festival (touring) (Honorable Mention) Brooklyn Art Center International Film Festival Ann Arbor Film Festival Margaret Mead Film Festival, New York, NY
Watunna (1990; 24:00, color, sound) Student Academy Award: Best Animated Film (1990) Atlanta Film and Video Festival (Best Animated Film) San Antonio Cinefest (Best Animated Film) Focus Awards, Los Angeles, CA (Best Animated Film) Women in Film Award, Los Angeles, CA (Best Film) New York Short Film Expo (cash award) Chicago International Film Festival (Certificate of Merit) Third Festival Latino Americano de Cine de Pueblos Indigenas, Caracas (Honorable Mention) Black Maria Film Festival (touring) (Director’s Choice Award) Sinking Creek Film Festival (cash award) Chicago International Children’s Film Festival (Intercultural Understanding Award) Margaret Mead Film Festival, New York, NY Ann Arbor Film Festival
The Black Sheep (1985; 7:00, color, sound) Aspen Film Festival (Honorable Mention) Student Academy Award (Finalist) Leipzig International Film Festival Denver International Film Festival Colorado Film Network

Retrospective and special screenings

2015 Tribute Retrospective, Annecy International Festival of Animation Annecy, France
2013 Exquisite Collage, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain
Heroines of Handcrafted Cinema, The BeBe Theater, Asheville, NC
2012 Brakhage Vision Award Retrospective Screening, Denver International Film Festival, Denver, Colorado
Stacey Steers Retrospective, Cali International Film Festival Cali, Colombia
First Person Cinema, University of Colorado, Boulder, Colorado
Stacey Steers Retrospective, Cinema Pacific Film Festival, Eugene Oregon
Cut and Paste: Contemporary Collage Animation, Anthology Film Archive, New York, NY
2011 Stacey Steers Retrospective, Denver Art Museum, Denver, CO.
2007 MacDowell Centennial Exhibition, MoMA, New York, NY
Film Center Denver, Denver, CO
First Person Cinema, University of Colorado at Boulder, Boulder, CO
2006 DIMAS, Cultural Foundation of Bahia, Brazil, Salvador, Bahia

Grants, awards, and recognition

2014 John Simon Guggenheim Fellowship in Film and Video
2012 Creative Capital Grant, Film and Video
Brakhage Vision Award, Denver International Film Festival
2007 Boulder Arts Commission Major Grant (also 2005, 2001)
2005 Puffin Foundation Project Grant
SCFD Project Grant
2002 Boulder County Arts Alliance Grant
1999 Arts and Humanities Assembly of Boulder Project Grant (also 1993, 1989)
1998 Boulder Arts Council Project Grant (also 1987, 1993)
1994 American Film Institute, Independent Filmmaker’s Grant
Colorado Council on the Arts Project Grant
1991 Rockefeller Foundation Fellowship in Media (nomination)
National Endowment for the Arts, Regional Media Arts Fellowship (also 1989, 1988, 1987, 1986)
1990 Colorado Council on the Arts Recognition Award
Women in Film Foundation Award
Student Academy Award — Best Animated Film
Focus Award - Best Animated Film
1989 Vice Chancellor’s Fund, University of Colorado
President’s Fund, University of Colorado
Colorado Endowment for the Humanities Project Grant

Residencies

2015 Artist Fellow, Brush Creek Foundation for the Arts, Saratoga, WY
2014 Artist Fellow, The Corporation of Yaddo, Saratoga Springs, NY
Artist Fellow, Djerassi Resident Artists Program, Woodside, CA
2013 Artist Fellow, The MacDowell Colony, Peterborough, NH
Artist Fellow, Brush Creek Ranch Foundation for the Arts, Saratoga, WY
2012 Visiting Artist, Kemper Museum of Art, Kansas City, KS
Visiting Artist, California State University, Fullerton, CA
Visiting Artist, University of Oregon, Eugene, OR
Visiting Artist, Dartmouth College, Dartmouth, NH
2011 Artist Fellow, Yaddo, Saratoga Springs, NY
Roman Witt Visiting Artist University of Michigan, Ann Arbor, MI
Visiting Artist, Rhode Island School of Design, Providence, RI
2010 Visiting Artist, Virginia Commonwealth University, Richmond, VA
Artist Fellow, Ucross Foundation, Clearmont, WY
Artist Fellow, The MacDowell Colony, Peterborough, NH
2008 Artist Fellow, The Bogliasco Foundation, Genoa, Italy
2007 Elodie Osborn Fellow, The MacDowell Colony, Peterborough, NH
2006 Artist Fellow, Sacatar Foundation, Brazil
2005 Artist Fellow, The MacDowell Colony, Peterborough, NH
2004 Artist Fellow, The MacDowell Colony, Peterborough, NH
2002 Artist in Residence, Harvard University

Publications

Cut! Stacey Steers Animates Old Hollywood, Faye Hirsch, Art in America,
July 27, 2011
The House of Our Nightmares: Night Hunter by Stacey Steers, Nancy Hightower,
Weird Fiction Review, August 7, 2012
Stacey Steers: A House Broken but Not Bound, Molly Glentzer, Houston Chronicle,
November 7, 2012
Night Hunter House, Juliette Bianco, Hood Museum of Art Quarterly,
Autumn 2012
Night Hunter, New Directors/New Films Critic’s Choice, Kurt Brokaw,
The Independent, March 17, 2011
2011 New Directors/New Films Shorts, Kim Adelman, indieWIRE, March 22, 2011
(Night Hunter review)
An Evocative, Eerie Montage at Denver Art Museum, Kyle MacMillan,
The Denver Post, August 12, 2011
Amazing Stories: Emotionally Charged Narrative in Pictures”, Benjamin Genocchio,
New York Times, September 13, 2009 (Phantom Canyon review)
Pretty Tough: Contemporary Story Telling, Flavorpill.com, August 9, 2009
Pure Pleasure, Kyle MacMillan, Denver Post, June 12, 2009 (Phantom Canyon review)
Stacey Steers: Phantom Canyon, Coolhunting.com, January 6, 2009
Stacey Steers: Possibly the Most Patient Artist on Earth, Flavorwire.com, January 7, 2009
Sundance Film Festival: The Future of Animation Is Now (Phantom Canyon review),
Mary Ann Skweres, Animation World Magazine, February 2007
Phantom Canyon, Rebecca Menzel, Style Magazine #82, Berlin, June 2005
MadCat Women’s Film Festival (Phantom Canyon review), Ingrid Hawkinson,
KQED Arts and Culture, San Francisco, September 2006
The Fine Art of Animation (Totem review), M.S. Mason, The Christian Science Monitor,
January 29, 1999
Cartunna (Watunna review), Richard Gehr, The Village Voice, August 18, 1992
“Watunna”, Jean-Paul Dumont, American Anthropologist, Volume 94, 1992
“Made in Colorado, Colorado Filmmakers at the Denver International Film
Festival”, (Watunna review), M.S. Mason, Muse, December 1989

Stacey Steers
Stacey Steers lives in Boulder, Colorado Education 1989 BFA (with distinction), Fine Arts and Film, University of Colorado, Boulder, CO 1983 Advanced Animation Certificate, Zagreb Film Studio, Zagreb, Croatia Employment 1991–present Animation and Film Production instructor, Film Studies, The University of Colorado at Boulde Solo exhibitions2021“Night Reels: The work of Stacey Steers”, Cinémathèque québécoise, Montreal, Quebec- upcoming “Night Reels: The Work of Stacey Steers”, George Eastman Museum, Rochester, NY- upcoming 2020 “Night Reels: The Work of Stacey Steers”, BMoCA, Boulder, CO 2019“Stacey Steers: Edge of Alchemy”, MCA, Denver, CO “Stacey Steers: Night Hunter”, K Oss Contemporary Art, Detroit, MI “Stacey Steers: Edge of Alchemy”, gallery Bildraum07, Vienna, Austria“Stacey Steers: Night Hunter” McIninch Art Gallery, Southern New Hampshire University, Manchester, NH 2018 “Stacey Steers: Trilogy”, Schneider Museum, Ashland, OR 2017 “Stacey Steers: Edge of Alchemy”, Catharine Clark Gallery, Paris Photo, Grand Palais, Paris, France “Stacey Steers: Trilogy”, Robischon Gallery, Denver, CO “Stacey Steers: Edge of Alchemy”, Catharine Clark Gallery, San Francisco, CA 2016 “Stacey Steers: Phantom Canyon”, Kohler Art Center, Sheboygan, WI “Stacey Steers: Night Hunter”, South Dakota Art Museum, South Dakota State University, Brookings, SD. 2014“Stacey Steers: Night Hunter”, Boise Museum of Art, Boise, ID2013Stacey Steers: Night Hunter, Catherine Clark Gallery in association with San Francisco Film Society, San Francisco, CAStacey Steers: Night Hunter, Tufts University Art Gallery, Somerville, MAStacey Steers: Night Hunter, Virginia Museum of Contemporary Art, Virginia Beach, VA2012Stacey Steers: Night Hunter House, Hood Museum of Art, Dartmouth College, Hanover, NHStacey Steers: Night Hunter House, Jordan Schnitzer Art Museum, University of Oregon, Eugene, ORNight Hunter Real Art Ways, Hartford, CT.2011 Stacey Steers: Night Hunter, Denver Art Museum, Denver, CO 2009 Phantom Canyon, ClampArt, New York, NY 2008 Phantom Canyon, Media Room, The Decordova Museum, Concord, MA 2007 Phantom Canyon, Lugar a Dudas Artspace, Cali, Colombia 2005 Flat Black Films and Stacey Steers, Scottsdale Museum of Contemporary Art, Scottsdale, AZ Selected group exhibitions 2015 “Showing Off: Recent Modern and Contemporary Acquisitions” Denver Art Museum, Denver, Colorado 2013 Haunted Home, Galerie West, Den Haag, Netherlands Ink. Paper, Scissors, Kimball Art Center, Park City, UT Experiments in Animation, Asheville Art Museum, Asheville, NC 2012 Harsh Realities, Rowan University Art Gallery, Glassboro, NJ Found Footage: Cinema Exposed, Eye Institute, Amsterdam, Netherlands Night Hunter, Houston Cinema Arts Festival, Houston, TX Kinomuzeum, Museum of Modern Art, Warsaw, Poland 2011 Alive She Cried, Galerie Zink, Berlin, Germany Blink! Light, Sound and the Moving Image, Denver Art Museum, Denver, Colorado For Love Not Money, 15th Tallinn Print Triennial, Kumu Art Museum, Tallinn, Estonia 2010 Helios: Eadweard Muybridge in a Time of Change, Corcoran Gallery, Washington, D.C. Entomologia, Observatory, Brooklyn, NY 2009 Pretty Tough, Aldrich Museum, Ridgefield, CT Lucid Dreaming, Michener Museum, Doylestown, PA Max Ernst - Une Semaine de Bonte - die Original collagen Hamburger Kunsthalle, Hamburg, Germany Pure Pleasure, Boulder Museum of Contemporary Art, Boulder, CO 2008 Max Ernst Surrealismus, A l’interieur de la Vue, Kunsthalle Goppingen, Goppingen, Germany Collections Hamburger Kunsthalle, Hamburg, Germany Denver Art Museum, Denver, CO Johnson Art Museum, Cornell University, Ithaca, NY Allen Art Museum, Oberlin College, Oberlin, OH The Vicki and Kent Logan Collection, Vail, Colorado The Hood Museum of Art, Dartmouth College Deborah and Andy Rappaport Collection, San Francisco, CA Filmography and selected screenings Night Hunter ( 2011, 15:30, color, sound) Sundance Film Festival, Park City, UT (Official Selection) Rotterdam International Film Festival, Rotterdam, The Nederlands Telluride Film Festival, Telluride, CO (Official Selection) New Directors, New Films, Lincoln Center and MoMA, New York, NY (Official Selection) AFI Film Festival, Los Angeles, CA (Official Selection) Denver International Film Festival, Brakhage Vision Award Black Maria Film Festival, Juror’s Choice Award (First Prize) Hardacre Film Festival, Best Experimental Film Perth Revelation Film Festival, Perth Australia Punto de Vista Documentary Film Festival, Pamplona, Spain Phantom Canyon (2006; 10:00, black and white, sound) Phantom Canyon screened at over 50 festivals worldwide Sundance Film Festival (Official Selection) New Directors, New Films, Lincoln Center and MoMA, New York, NY (Official Selection) Black Maria Film Festival (touring) (Jury’s Choice, First Prize) Humboldt International Film Festival, Humboldt, CA (Best Animated Film) Chicago Underground Film Festival (Best Animated Film) Animation Block Party, New York, NY (Best Experimental Animation) Arcipelago International Festival of Short Films and New Media, Rome (Special Jury Prize) Ann Arbor Film Festival (Honorable Mention) Animafest Zagreb, Zagreb, Croatia (Official Selection) San Francisco International Film Festival AFI Film Festival, Los Angeles, CA Hong Kong International Film Festival Totem (1999; 11:00, color, sound) Anima Mundi, International Animation Festival, Rio de Janeiro and Sao Paolo (Official Selection) New York Animation Festival, New York, NY (Official Selection) Utah Short Film and Video Festival, Salt Lake City, UT (Best Animated Film) Rochester International Film Festival (Best of the Fest) Humboldt International Film Festival, Humboldt, CA (Special Jury Prize) South Beach Animation Festival, South Beach, FL (Honorable Mention) Black Maria Film and Video Festival (touring) (Honorable Mention) Brooklyn Art Center International Film Festival Ann Arbor Film Festival Margaret Mead Film Festival, New York, NY Watunna (1990; 24:00, color, sound) Student Academy Award: Best Animated Film (1990) Atlanta Film and Video Festival (Best Animated Film) San Antonio Cinefest (Best Animated Film) Focus Awards, Los Angeles, CA (Best Animated Film) Women in Film Award, Los Angeles, CA (Best Film) New York Short Film Expo (cash award) Chicago International Film Festival (Certificate of Merit) Third Festival Latino Americano de Cine de Pueblos Indigenas, Caracas (Honorable Mention) Black Maria Film Festival (touring) (Director’s Choice Award) Sinking Creek Film Festival (cash award) Chicago International Children’s Film Festival (Intercultural Understanding Award) Margaret Mead Film Festival, New York, NY Ann Arbor Film Festival The Black Sheep (1985; 7:00, color, sound) Aspen Film Festival (Honorable Mention) Student Academy Award (Finalist) Leipzig International Film Festival Denver International Film Festival Colorado Film Network Retrospective and special screenings 2015 Tribute Retrospective, Annecy International Festival of Animation Annecy, France 2013 Exquisite Collage, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain Heroines of Handcrafted Cinema, The BeBe Theater, Asheville, NC 2012 Brakhage Vision Award Retrospective Screening, Denver International Film Festival, Denver, Colorado Stacey Steers Retrospective, Cali International Film Festival Cali, Colombia First Person Cinema, University of Colorado, Boulder, Colorado Stacey Steers Retrospective, Cinema Pacific Film Festival, Eugene Oregon Cut and Paste: Contemporary Collage Animation, Anthology Film Archive, New York, NY 2011 Stacey Steers Retrospective, Denver Art Museum, Denver, CO. 2007 MacDowell Centennial Exhibition, MoMA, New York, NY Film Center Denver, Denver, CO First Person Cinema, University of Colorado at Boulder, Boulder, CO 2006 DIMAS, Cultural Foundation of Bahia, Brazil, Salvador, Bahia Grants, awards, and recognition 2014 John Simon Guggenheim Fellowship in Film and Video 2012 Creative Capital Grant, Film and Video Brakhage Vision Award, Denver International Film Festival 2007 Boulder Arts Commission Major Grant (also 2005, 2001) 2005 Puffin Foundation Project Grant SCFD Project Grant 2002 Boulder County Arts Alliance Grant 1999 Arts and Humanities Assembly of Boulder Project Grant (also 1993, 1989) 1998 Boulder Arts Council Project Grant (also 1987, 1993) 1994 American Film Institute, Independent Filmmaker’s Grant Colorado Council on the Arts Project Grant 1991 Rockefeller Foundation Fellowship in Media (nomination) National Endowment for the Arts, Regional Media Arts Fellowship (also 1989, 1988, 1987, 1986) 1990 Colorado Council on the Arts Recognition Award Women in Film Foundation Award Student Academy Award — Best Animated Film Focus Award - Best Animated Film 1989 Vice Chancellor’s Fund, University of Colorado President’s Fund, University of Colorado Colorado Endowment for the Humanities Project Grant Residencies 2015 Artist Fellow, Brush Creek Foundation for the Arts, Saratoga, WY 2014 Artist Fellow, The Corporation of Yaddo, Saratoga Springs, NY Artist Fellow, Djerassi Resident Artists Program, Woodside, CA 2013 Artist Fellow, The MacDowell Colony, Peterborough, NH Artist Fellow, Brush Creek Ranch Foundation for the Arts, Saratoga, WY 2012 Visiting Artist, Kemper Museum of Art, Kansas City, KS Visiting Artist, California State University, Fullerton, CA Visiting Artist, University of Oregon, Eugene, OR Visiting Artist, Dartmouth College, Dartmouth, NH 2011 Artist Fellow, Yaddo, Saratoga Springs, NY Roman Witt Visiting Artist University of Michigan, Ann Arbor, MI Visiting Artist, Rhode Island School of Design, Providence, RI 2010 Visiting Artist, Virginia Commonwealth University, Richmond, VA Artist Fellow, Ucross Foundation, Clearmont, WY Artist Fellow, The MacDowell Colony, Peterborough, NH 2008 Artist Fellow, The Bogliasco Foundation, Genoa, Italy 2007 Elodie Osborn Fellow, The MacDowell Colony, Peterborough, NH 2006 Artist Fellow, Sacatar Foundation, Brazil 2005 Artist Fellow, The MacDowell Colony, Peterborough, NH 2004 Artist Fellow, The MacDowell Colony, Peterborough, NH 2002 Artist in Residence, Harvard University Publications Cut! Stacey Steers Animates Old Hollywood, Faye Hirsch, Art in America, July 27, 2011 The House of Our Nightmares: Night Hunter by Stacey Steers, Nancy Hightower, Weird Fiction Review, August 7, 2012 Stacey Steers: A House Broken but Not Bound, Molly Glentzer, Houston Chronicle, November 7, 2012 Night Hunter House, Juliette Bianco, Hood Museum of Art Quarterly, Autumn 2012 Night Hunter, New Directors/New Films Critic’s Choice, Kurt Brokaw, The Independent, March 17, 2011 2011 New Directors/New Films Shorts, Kim Adelman, indieWIRE, March 22, 2011 (Night Hunter review) An Evocative, Eerie Montage at Denver Art Museum, Kyle MacMillan, The Denver Post, August 12, 2011 Amazing Stories: Emotionally Charged Narrative in Pictures”, Benjamin Genocchio, New York Times, September 13, 2009 (Phantom Canyon review) Pretty Tough: Contemporary Story Telling, Flavorpill.com, August 9, 2009 Pure Pleasure, Kyle MacMillan, Denver Post, June 12, 2009 (Phantom Canyon review) Stacey Steers: Phantom Canyon, Coolhunting.com, January 6, 2009 Stacey Steers: Possibly the Most Patient Artist on Earth, Flavorwire.com, January 7, 2009 Sundance Film Festival: The Future of Animation Is Now (Phantom Canyon review), Mary Ann Skweres, Animation World Magazine, February 2007 Phantom Canyon, Rebecca Menzel, Style Magazine #82, Berlin, June 2005 MadCat Women’s Film Festival (Phantom Canyon review), Ingrid Hawkinson, KQED Arts and Culture, San Francisco, September 2006 The Fine Art of Animation (Totem review), M.S. Mason, The Christian Science Monitor, January 29, 1999 Cartunna (Watunna review), Richard Gehr, The Village Voice, August 18, 1992 “Watunna”, Jean-Paul Dumont, American Anthropologist, Volume 94, 1992 “Made in Colorado, Colorado Filmmakers at the Denver International Film Festival”, (Watunna review), M.S. Mason, Muse, December 1989

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