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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Hungary Special, curated by Eike Berg

Works

Hungary is a small country with a long tradition in media art - from Moholy-Nagy as a pioneer of photography over the Balázs Béla Film Studio to Gábor Body, initiator of the video art magazine Infermental. Also in contemporary video works experiments, a great sensuality for content and visuality have remained, with international success and still not know enough.

BLOCK 1 ANIMATIONEN

János Sugár: Typewriter of the Illiterates
2001, Video, 8'00"


born 1958 in Budapest, lives and works in Budapest

The oeuvre of János Sugár includes works ranging form complex installations to video, to sculpture, concept art, photo and drawing. His characteristic language of forms include abstract spatial and graphic constructions and symbols. His social and political sensitiveness is far from moralising, at the same time, it is one that reveals the true essence of phenomena ironically and analyses it systematically.

Already in the 1980s, Sugár was one of the most influential young artists. He was a member of the Indigó Group, and then one of the leaders of the Béla Balázs film studio. After the political transition in Eastern Europe, he was one of the founders of the Intermedia Department of the Hungarian Academy of Fine Arts, in 1992, and he participated in Documenta IX.

His most widely known video, the Typewriter of the Illiterate, consists of images cut from newspapers and magazines, with a Kalashnikov submachine-gun on each of them. The images are morphed into one another around the submachine-gun. The images add up to media analysis with a direct emotional effect.

www.videospace.c3.hu/artists/janossugar
http://geertlovink.org/interviews/interview-with-janos-sugar-2/


Eszter Szabó: 179,-
2009, Looped Video


born 1979 in Budapest, lives and works in Budapest

Eszter Szabó belongs to the young generation that started their artistic carrier after the fall of the Berlin Wall, using media art in a natural way as part of their studies and daily life.

Her art explores two main areas: painting, which is a recording of manual gestures, and moving images on screens. Strong and characterisic images emerge from the combination of these two media. The small watercolours are sensual and precise portraits: everyday people with shopping bags, big bellies, unfitting clothes, depicted with delicate but accurate lines.

In her animations like the series People or the video 179,- (stands for 179,- Hungarian Forint, about 40 Euro cent, with the sound of a special offer prize) Eszter Szabó combines traditional technique with digital language in a peculiar way. Szabó creates an accurate portrait of everyday people, she records short scenes on videos of painted images of everyday people - these works are the re-animations of archetypal figures.

www.videospace.c3.hu/artists/eszterszabo
Blog and video previews by Eszter Szabó: www.eszterszabo.hu

Hungary Special, curated by Eike Berg

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