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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Mark Raidpere

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born 1975 in Tallinn, Estonia
Lives and works in Tallinn.

Education

2000-2003 Tallinn Pedagogical University, film studies
1993-1994 Tallinn School of Communications

Solo exhibitions

*(catalogue)
2015
Short-Term. Vaba Lava, Tallinn, Estonia.
Fashion 100. Firm Frames. Architecture and Design Gallery, Tallinn, Estonia (together with professors of EAA Fashion Department)

2013
Damage (cur. Anders Härm, Eugenio Viola), Contemporary Art Museum of Estonia, Tallinn, Estonia*
I´ll Come Back Later (cur. Eugenio Viola), Galerie Michel Rein, Paris, France

2012
Napoli.ok (cur. Eugenio Viola), Fondazione Morra Greco, Naples, Italy

2009
Dedication, Art Agents Gallery, Hamburg, Germany.
Mark Raidpere, Espace Croisé, Roubaix, France*

2008
Sven Johne / Mark Raidpere, Fondazione Morra Greco, Naples, Italy
International, galerie Michel Rein, Paris
Andrey/ Andris, Galeria Potocka, Krakow, Poland
Alles, City Gallery Art Hall, Pärnu, Estonia

2006
Videos, Galerie Michel Rein, Paris, France
Videos, Tramway, Glasgow, Scotland
Videos, Platform Garanti, Istanbul, Turkey
Hansabank Art Award, Gallery Noass, Riga, Latvia; Contemporary Art Center, Vilnius, Lithuania; Kumu
Museum, Tallinn, Estonia

2005
Videos. City Gallery, Tallinn, Estonia
Ene-Liis Semper / Mark Raidpere. Temple Bar Gallery, Dublin (together with Ene-Liis Semper)
Isolator. Estonian exhibition at the 51st Venice Biennale, Palazzo Malipiero, Venice, Italy*

2002
Tallinn. House of the Blackheads´ Guild, Tallinn, Estonia

1998
Jeu a 4 mains. Rotermann Salt Storage, Tallinn (together with Ene-Liis Semper)
Portraits. Vaal Gallery, Tallinn, Estonia

1997
Io. Vaal Gallery, Tallinn, Estonia

Group exhibitions

*(catalogue)
2015
Plahvatusest tasandikule. Eesti kaasaegne foto 1991—2015, (cur. Anneli Porri), Tartu Art Museum, Estonia
XII Baltic Triennial, (cur. Virginija Januðkevièiûtë), CAC, Vilnius, Lithuania
Death and Beauty, (cur. Eha Komissarov & Kati Ilves), KUMU, Tallinn, Estonia

2014
Blue Times, (cur. Amira Gad & Nicolaus Schafhausen), Kunsthalle Vienna, Austria
Shifting Identities, (cur. Ludovico Pratesi), MACRO Testaccio, Rome, Italy*
White Tank Top (cur. Flo Kasearu), Tartu Art Museum, Estonia
Il/literacy. The 16th Tallinn Print Triennial, (cur. Maria Kjaer Themsen), KUMU, Estonia*

2012
Corporal Punishment, (cur. Marko Raat), Museum of Contemporary Art of Estonia, Tallinn, Estonia

2011
L'Engime du portrait, Neuflize collection, Musée d'art contemporain de Marseille, France
Bodily Choreography, Zacheta Gallery, Warsaw, Poland
Provocations and Confrontations. A Perspective on Contemporary Estonian Art, (cur. Eha Komissarov),
Warsaw National Museum, Poland

2010
Provocations and Confrontations. A Perspective on Contemporary Estonian Art, group show, Szczecin, Poland*
Kunst macht frei, group show, Modern Magyar Képt.r, Pecs, Hungary
L. o. nous sommes -oeuvres de la Collection Neuflize Vie, (cur. Régis Durand), Maison d'Art Bernard
Anthonioz, Nogent-sur-Marne, France
Screening 27th May auditorium of National Gallery of Art in Vilnius, Lituania
Remote Viewing (cur. Paul Young), group show, Arts Santa M.nica, Barcelona, Spain
Gender Check (cur. Bojana Pejic´), Zacheta National Gallery of Art, Warsaw, Poland
Encounters, For The Sake Of The Image, Jerwood Space, London
Berlin-Paris, Gallery Carlier Gebauer, Berlin, Germany
talk talk. Das interview als künstlerische praxis. galerie5020, Salzburg, Austria
Scapegoat Society. Guest Projects, Sunbury House, London, UK
Best of LOOP. MOCA Pacific Center Design Center, West Holywood, LA, USA

2009
Intimacy and desecration, CACT Centro d'Arte Contemporanea Ticino, Bellinzona, Switzerland
Morality-Act II : From Love to Legal, Witte de with, Rotterdam, Netherlands
Courtisane Festival, Gent, Belgium
Everywhere (cur. Juan Vicente Aliaga), Centro Galego de Arte Contempor.nea, Santiago de Compostela, Spain
Fleuves. Centre national de l'estampe et de l'art imprimé, Chatou, France
Gender Check-Rollenbilder in der Kunst Osteuropas. Museum Moderner Kunst Stiftung Ludwig -MUMOK , Vienna, Austria*
Zeichen von Respekt – Signs of Respect. Kubi Center, Hamburg, Germany
Windows Upon Oceans, 8th Baltic Biennial of Contemporary Art, The Museum of Contemporary Art, Szczecin, Poland
Invasion of Sound (cur. Fran.ois Quintin), Zacheta Gallery, Warsaw, Poland*
Ars Fennica 2008, Kumu, Tallin, Estonia
Effet Miroir, galerie Michel Rein, Paris

2008
record, record, Shift Festival, Basel, Switzerland
Ars Fennica 2008. Amos Anderson Art Museum, Helsinki, Sweden
Action Field Kodra, 8th visual arts festival, Kalamaria, Thessaloniki, Greece*
The Greenroom: Reconsidering the Documentary and Contemporary Art (Part I), CCS Bard Hessel
Museum, Annandale-on-Hudson, NY, USA
L´Homme Marveilleux, Ch.teau de Malbrouck, Manderen, France
Borderlives. Zeitgenössische Kunst aus Helsinki, St. Petersburg und Tallinn, Ludwig Forum für
Internationale Kunst, Aachen, Germany*
North by North-East: The Continental Unconscious, Kumu Art Museum, Tallinn, Estonia
The Space Between. Museum Anna Nordlander, Skellefteå, Sweden

2007
The body of evidence: imprisonment, CACT / Centro d'Arte Contemporanea Ticino, Switzerland
Ich war Hier -- Kuenstler aus estland, Haus Am Lützowplatz, Berlin
L'Europe en devenir, Centre Culturel Suisse, Paris (cur. Michel Ritter)
Prague Biennale 3, Czech Republic
Perspektive 07, Städtische Galerie im Lenbachhaus und Kunstbau, München, Germany
The Word and the Image, Russian Centre for Contemporary Arts, Moscow, Russia
Prison, Bloomberg SPACE, London, UK
Progressive Nostalgia, Centro Pecci, Prato, Italy (cur. Viktor Misiano)
Portraits, galerie Michel Rein, Paris
International Filmfestival Rotterdam, Rotterdam, The Netherlands

2006
Crime and punishment, Tallin Art Hall, Tallin, Estonia
Knowing me, knowing you. On complicity with images. Camera Austria, Graz, Austria
Carnets du sous-sol. galerie Michel Rein, Paris, France
1:1. PM Gallery, Zagreb, Croatia
Stage of Life -Rhetorics of Emotions. Städtische Galerie im Lenbachhaus, Munich, Germany
ARS 06. Kiasma, Helsinki, Finland
Don Quijote. Witte de With, Rotterdam, the Netherlands
Arte Furioso. Metaphysics of Youth. Ex Cofa, Pescara, Italy
Face the Unexpected. Museum am Ostwall, Dortmund, Germany
Scene : Estonia, Latvia, Lithuania in NRW. Video Art from the Baltic States. Kunstraum Düsseldorf, Atelier
am Eck, Düsseldorf, Germany
Oberhausen Film Festival. Oberhausen, Germany

2005
Home Sweet Home. Rotermann Salt Storage, Tallinn, Estonia
Identities. Annual exhibition of the Estonian Artists' Association, Tallinn Art Hall, Estonia
Pilot 2. Farmiloe Building, London, England
Generations. Vilnius, Lithuania

2004
Similar Spaces. House of Commons, London, England; European Commission, Brussels, Belgium
Emotion Eins. Frankfurter Kunstverein, Germany

2003
Kapital. The Art Museum of Estonia, Tallinn, Estonia
21 Minutes. Moscow Art Fair. Moscow, Russia
The Last Hero. Rotermann Salt Storage, Tallinn, Estonia
(un)dressed. Body in the Baltic Photo Art. Vol. 2. Giedre Bartelt Gallery, Berlin, Germany

2002
Closing the Distance. Gdansk, Poland

2001
goEurope. The Kaleidoscopic Eye. Braunschweig, Germany
Sybaris. Szczecin, Poland

2000
Red. House of the Blackheads´ Guild, Tallinn, Estonia

1999
M.O.O.D. Rotermann Salt Storage, Tallinn, Estonia
Together Again? Arhus, Denmark
Ars Baltica. Can You Hear Me. Kiel, Vilnius, etc.

1997
Persona. Rotermann Salt Storage, Tallinn, Estonia
l Works on stage l

2003
Opera, (piano: Rein Rannap), theatre "Estonia" concert hall, Tallinn, Estonia (video)
Mandragora. (dir. Jaanus Rohumaa), theatre "Linnateater", Tallinn, Estonia (video)
2002
Fluxus. (dir. Teet Kask), theatre "Vanemuine", Tartu, Estonia (video)

Awards

2013
Cultural Endowment of Estonia, annual award
2009
Ars Fennica Award
2008
Prix Gilles Dusein/Neuflize Vie, Paris, France
1st Prize, Loop Art Fair, Barcelona, Spain
2005
Hansabank, annual art award
1998
Cultural Endowment of Estonia, annual award

Public collections

Museu d'Art Contemporani de Barcelona (MACBA), Spain
La Gaia, Italy
Fonds National d'Art Contemporain, Paris, France
Domaine départemental de Chamarande, Essonne, France
Musée d'Art Moderne de la Ville de Paris, France
Art Museum, Tartu, Estonia
Art Museum of Estonia, Tallinn, Estonia
Städtischen Galerie im Lenbachhaus und Kunstbau, München, Germany
Fondation Neuflize Vie, France

Selected press & publication

2014 Eero Epner "Mina ja kunst", Vikerkaar, 4-5/2014
2013 Liina Siib "Kahjuarvestus"/"Damage Account" (interview with Mark Raidpere), Estonian Art, 2/2013
Eero Epner "Subjektsuse naasmine", Sirp, nr.33, 06.09.2013
"Damage", personal catalogue, Estonia
2010 "Mark Raidpere", Editions Espace Croisé, France
2008 Philippe Dagen, “Les vidéos familiales et politiques de Raidpere“, Le Monde, 13 septembre
“Mark Raidpere International“, ParisArt, septembre
Hanno Soans, “The Shifting Focus of Self-Portraits – Answers Re-Dubbed as Questions”, Artists of Estonia 3, pp. 46-55
Andreas Trossek, “5 questions for Mark Raidpere“, Border Lives, 2008, pp. 68-73
2007 Jörg Heiser, “Up close and Personal”, in Frieze, issue 107, May, pp. 146-151
Maren Lübbke-Tidow, “Nearness and distance”, Camera Austria, issue 97, pp. 9-20
Ahu Antmen, “Mark Raidpere. Platform Garanti”, FlashArt, n°252, January-February, p. 125
2005 Philippe Dagen, “La biennale de Venise dans une actualité cruelle”, in Le Monde, lundi 16 juin, p. 29

Mark Raidpere
Born 1975 in Tallinn, Estonia Lives and works in Tallinn. Education 2000-2003 Tallinn Pedagogical University, film studies 1993-1994 Tallinn School of Communications Solo exhibitions *(catalogue) 2015 Short-Term. Vaba Lava, Tallinn, Estonia. Fashion 100. Firm Frames. Architecture and Design Gallery, Tallinn, Estonia (together with professors of EAA Fashion Department) 2013 Damage (cur. Anders Härm, Eugenio Viola), Contemporary Art Museum of Estonia, Tallinn, Estonia* I´ll Come Back Later (cur. Eugenio Viola), Galerie Michel Rein, Paris, France 2012 Napoli.ok (cur. Eugenio Viola), Fondazione Morra Greco, Naples, Italy 2009 Dedication, Art Agents Gallery, Hamburg, Germany. Mark Raidpere, Espace Croisé, Roubaix, France* 2008 Sven Johne / Mark Raidpere, Fondazione Morra Greco, Naples, Italy International, galerie Michel Rein, Paris Andrey/ Andris, Galeria Potocka, Krakow, Poland Alles, City Gallery Art Hall, Pärnu, Estonia 2006 Videos, Galerie Michel Rein, Paris, France Videos, Tramway, Glasgow, Scotland Videos, Platform Garanti, Istanbul, Turkey Hansabank Art Award, Gallery Noass, Riga, Latvia; Contemporary Art Center, Vilnius, Lithuania; Kumu Museum, Tallinn, Estonia 2005 Videos. City Gallery, Tallinn, Estonia Ene-Liis Semper / Mark Raidpere. Temple Bar Gallery, Dublin (together with Ene-Liis Semper) Isolator. Estonian exhibition at the 51st Venice Biennale, Palazzo Malipiero, Venice, Italy* 2002 Tallinn. House of the Blackheads´ Guild, Tallinn, Estonia 1998 Jeu a 4 mains. Rotermann Salt Storage, Tallinn (together with Ene-Liis Semper) Portraits. Vaal Gallery, Tallinn, Estonia 1997 Io. Vaal Gallery, Tallinn, Estonia Group exhibitions *(catalogue) 2015 Plahvatusest tasandikule. Eesti kaasaegne foto 1991—2015, (cur. Anneli Porri), Tartu Art Museum, Estonia XII Baltic Triennial, (cur. Virginija Januðkevièiûtë), CAC, Vilnius, Lithuania Death and Beauty, (cur. Eha Komissarov & Kati Ilves), KUMU, Tallinn, Estonia 2014 Blue Times, (cur. Amira Gad & Nicolaus Schafhausen), Kunsthalle Vienna, Austria Shifting Identities, (cur. Ludovico Pratesi), MACRO Testaccio, Rome, Italy* White Tank Top (cur. Flo Kasearu), Tartu Art Museum, Estonia Il/literacy. The 16th Tallinn Print Triennial, (cur. Maria Kjaer Themsen), KUMU, Estonia* 2012 Corporal Punishment, (cur. Marko Raat), Museum of Contemporary Art of Estonia, Tallinn, Estonia 2011 L'Engime du portrait, Neuflize collection, Musée d'art contemporain de Marseille, France Bodily Choreography, Zacheta Gallery, Warsaw, Poland Provocations and Confrontations. A Perspective on Contemporary Estonian Art, (cur. Eha Komissarov), Warsaw National Museum, Poland 2010 Provocations and Confrontations. A Perspective on Contemporary Estonian Art, group show, Szczecin, Poland* Kunst macht frei, group show, Modern Magyar Képt.r, Pecs, Hungary L. o. nous sommes -oeuvres de la Collection Neuflize Vie, (cur. Régis Durand), Maison d'Art Bernard Anthonioz, Nogent-sur-Marne, France Screening 27th May auditorium of National Gallery of Art in Vilnius, Lituania Remote Viewing (cur. Paul Young), group show, Arts Santa M.nica, Barcelona, Spain Gender Check (cur. Bojana Pejic´), Zacheta National Gallery of Art, Warsaw, Poland Encounters, For The Sake Of The Image, Jerwood Space, London Berlin-Paris, Gallery Carlier Gebauer, Berlin, Germany talk talk. Das interview als künstlerische praxis. galerie5020, Salzburg, Austria Scapegoat Society. Guest Projects, Sunbury House, London, UK Best of LOOP. MOCA Pacific Center Design Center, West Holywood, LA, USA 2009 Intimacy and desecration, CACT Centro d'Arte Contemporanea Ticino, Bellinzona, Switzerland Morality-Act II : From Love to Legal, Witte de with, Rotterdam, Netherlands Courtisane Festival, Gent, Belgium Everywhere (cur. Juan Vicente Aliaga), Centro Galego de Arte Contempor.nea, Santiago de Compostela, Spain Fleuves. Centre national de l'estampe et de l'art imprimé, Chatou, France Gender Check-Rollenbilder in der Kunst Osteuropas. Museum Moderner Kunst Stiftung Ludwig -MUMOK , Vienna, Austria* Zeichen von Respekt – Signs of Respect. Kubi Center, Hamburg, Germany Windows Upon Oceans, 8th Baltic Biennial of Contemporary Art, The Museum of Contemporary Art, Szczecin, Poland Invasion of Sound (cur. Fran.ois Quintin), Zacheta Gallery, Warsaw, Poland* Ars Fennica 2008, Kumu, Tallin, Estonia Effet Miroir, galerie Michel Rein, Paris 2008 record, record, Shift Festival, Basel, Switzerland Ars Fennica 2008. Amos Anderson Art Museum, Helsinki, Sweden Action Field Kodra, 8th visual arts festival, Kalamaria, Thessaloniki, Greece* The Greenroom: Reconsidering the Documentary and Contemporary Art (Part I), CCS Bard Hessel Museum, Annandale-on-Hudson, NY, USA L´Homme Marveilleux, Ch.teau de Malbrouck, Manderen, France Borderlives. Zeitgenössische Kunst aus Helsinki, St. Petersburg und Tallinn, Ludwig Forum für Internationale Kunst, Aachen, Germany* North by North-East: The Continental Unconscious, Kumu Art Museum, Tallinn, Estonia The Space Between. Museum Anna Nordlander, Skellefteå, Sweden 2007 The body of evidence: imprisonment, CACT / Centro d'Arte Contemporanea Ticino, Switzerland Ich war Hier -- Kuenstler aus estland, Haus Am Lützowplatz, Berlin L'Europe en devenir, Centre Culturel Suisse, Paris (cur. Michel Ritter) Prague Biennale 3, Czech Republic Perspektive 07, Städtische Galerie im Lenbachhaus und Kunstbau, München, Germany The Word and the Image, Russian Centre for Contemporary Arts, Moscow, Russia Prison, Bloomberg SPACE, London, UK Progressive Nostalgia, Centro Pecci, Prato, Italy (cur. Viktor Misiano) Portraits, galerie Michel Rein, Paris International Filmfestival Rotterdam, Rotterdam, The Netherlands 2006 Crime and punishment, Tallin Art Hall, Tallin, Estonia Knowing me, knowing you. On complicity with images. Camera Austria, Graz, Austria Carnets du sous-sol. galerie Michel Rein, Paris, France 1:1. PM Gallery, Zagreb, Croatia Stage of Life -Rhetorics of Emotions. Städtische Galerie im Lenbachhaus, Munich, Germany ARS 06. Kiasma, Helsinki, Finland Don Quijote. Witte de With, Rotterdam, the Netherlands Arte Furioso. Metaphysics of Youth. Ex Cofa, Pescara, Italy Face the Unexpected. Museum am Ostwall, Dortmund, Germany Scene : Estonia, Latvia, Lithuania in NRW. Video Art from the Baltic States. Kunstraum Düsseldorf, Atelier am Eck, Düsseldorf, Germany Oberhausen Film Festival. Oberhausen, Germany 2005 Home Sweet Home. Rotermann Salt Storage, Tallinn, Estonia Identities. Annual exhibition of the Estonian Artists' Association, Tallinn Art Hall, Estonia Pilot 2. Farmiloe Building, London, England Generations. Vilnius, Lithuania 2004 Similar Spaces. House of Commons, London, England; European Commission, Brussels, Belgium Emotion Eins. Frankfurter Kunstverein, Germany 2003 Kapital. The Art Museum of Estonia, Tallinn, Estonia 21 Minutes. Moscow Art Fair. Moscow, Russia The Last Hero. Rotermann Salt Storage, Tallinn, Estonia (un)dressed. Body in the Baltic Photo Art. Vol. 2. Giedre Bartelt Gallery, Berlin, Germany 2002 Closing the Distance. Gdansk, Poland 2001 goEurope. The Kaleidoscopic Eye. Braunschweig, Germany Sybaris. Szczecin, Poland 2000 Red. House of the Blackheads´ Guild, Tallinn, Estonia 1999 M.O.O.D. Rotermann Salt Storage, Tallinn, Estonia Together Again? Arhus, Denmark Ars Baltica. Can You Hear Me. Kiel, Vilnius, etc. 1997 Persona. Rotermann Salt Storage, Tallinn, Estonia l Works on stage l 2003 Opera, (piano: Rein Rannap), theatre Estonia concert hall, Tallinn, Estonia (video) Mandragora. (dir. Jaanus Rohumaa), theatre Linnateater, Tallinn, Estonia (video) 2002 Fluxus. (dir. Teet Kask), theatre Vanemuine, Tartu, Estonia (video) Awards 2013 Cultural Endowment of Estonia, annual award 2009 Ars Fennica Award 2008 Prix Gilles Dusein/Neuflize Vie, Paris, France 1st Prize, Loop Art Fair, Barcelona, Spain 2005 Hansabank, annual art award 1998 Cultural Endowment of Estonia, annual award Public collections Museu d'Art Contemporani de Barcelona (MACBA), Spain La Gaia, Italy Fonds National d'Art Contemporain, Paris, France Domaine départemental de Chamarande, Essonne, France Musée d'Art Moderne de la Ville de Paris, France Art Museum, Tartu, Estonia Art Museum of Estonia, Tallinn, Estonia Städtischen Galerie im Lenbachhaus und Kunstbau, München, Germany Fondation Neuflize Vie, France Selected press & publication 2014 Eero Epner Mina ja kunst, Vikerkaar, 4-5/2014 2013 Liina Siib Kahjuarvestus/Damage Account (interview with Mark Raidpere), Estonian Art, 2/2013 Eero Epner Subjektsuse naasmine, Sirp, nr.33, 06.09.2013 Damage, personal catalogue, Estonia 2010 Mark Raidpere, Editions Espace Croisé, France 2008 Philippe Dagen, “Les vidéos familiales et politiques de Raidpere“, Le Monde, 13 septembre “Mark Raidpere International“, ParisArt, septembre Hanno Soans, “The Shifting Focus of Self-Portraits – Answers Re-Dubbed as Questions”, Artists of Estonia 3, pp. 46-55 Andreas Trossek, “5 questions for Mark Raidpere“, Border Lives, 2008, pp. 68-73 2007 Jörg Heiser, “Up close and Personal”, in Frieze, issue 107, May, pp. 146-151 Maren Lübbke-Tidow, “Nearness and distance”, Camera Austria, issue 97, pp. 9-20 Ahu Antmen, “Mark Raidpere. Platform Garanti”, FlashArt, n°252, January-February, p. 125 2005 Philippe Dagen, “La biennale de Venise dans une actualité cruelle”, in Le Monde, lundi 16 juin, p. 29

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