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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
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When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Mark Raidpere

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born 1975 in Tallinn, Estonia
Lives and works in Tallinn.

Education

2000-2003 Tallinn Pedagogical University, film studies
1993-1994 Tallinn School of Communications

Solo exhibitions

*(catalogue)
2015
Short-Term. Vaba Lava, Tallinn, Estonia.
Fashion 100. Firm Frames. Architecture and Design Gallery, Tallinn, Estonia (together with professors of EAA Fashion Department)

2013
Damage (cur. Anders Härm, Eugenio Viola), Contemporary Art Museum of Estonia, Tallinn, Estonia*
I´ll Come Back Later (cur. Eugenio Viola), Galerie Michel Rein, Paris, France

2012
Napoli.ok (cur. Eugenio Viola), Fondazione Morra Greco, Naples, Italy

2009
Dedication, Art Agents Gallery, Hamburg, Germany.
Mark Raidpere, Espace Croisé, Roubaix, France*

2008
Sven Johne / Mark Raidpere, Fondazione Morra Greco, Naples, Italy
International, galerie Michel Rein, Paris
Andrey/ Andris, Galeria Potocka, Krakow, Poland
Alles, City Gallery Art Hall, Pärnu, Estonia

2006
Videos, Galerie Michel Rein, Paris, France
Videos, Tramway, Glasgow, Scotland
Videos, Platform Garanti, Istanbul, Turkey
Hansabank Art Award, Gallery Noass, Riga, Latvia; Contemporary Art Center, Vilnius, Lithuania; Kumu
Museum, Tallinn, Estonia

2005
Videos. City Gallery, Tallinn, Estonia
Ene-Liis Semper / Mark Raidpere. Temple Bar Gallery, Dublin (together with Ene-Liis Semper)
Isolator. Estonian exhibition at the 51st Venice Biennale, Palazzo Malipiero, Venice, Italy*

2002
Tallinn. House of the Blackheads´ Guild, Tallinn, Estonia

1998
Jeu a 4 mains. Rotermann Salt Storage, Tallinn (together with Ene-Liis Semper)
Portraits. Vaal Gallery, Tallinn, Estonia

1997
Io. Vaal Gallery, Tallinn, Estonia

Group exhibitions

*(catalogue)
2015
Plahvatusest tasandikule. Eesti kaasaegne foto 1991—2015, (cur. Anneli Porri), Tartu Art Museum, Estonia
XII Baltic Triennial, (cur. Virginija Januðkevièiûtë), CAC, Vilnius, Lithuania
Death and Beauty, (cur. Eha Komissarov & Kati Ilves), KUMU, Tallinn, Estonia

2014
Blue Times, (cur. Amira Gad & Nicolaus Schafhausen), Kunsthalle Vienna, Austria
Shifting Identities, (cur. Ludovico Pratesi), MACRO Testaccio, Rome, Italy*
White Tank Top (cur. Flo Kasearu), Tartu Art Museum, Estonia
Il/literacy. The 16th Tallinn Print Triennial, (cur. Maria Kjaer Themsen), KUMU, Estonia*

2012
Corporal Punishment, (cur. Marko Raat), Museum of Contemporary Art of Estonia, Tallinn, Estonia

2011
L'Engime du portrait, Neuflize collection, Musée d'art contemporain de Marseille, France
Bodily Choreography, Zacheta Gallery, Warsaw, Poland
Provocations and Confrontations. A Perspective on Contemporary Estonian Art, (cur. Eha Komissarov),
Warsaw National Museum, Poland

2010
Provocations and Confrontations. A Perspective on Contemporary Estonian Art, group show, Szczecin, Poland*
Kunst macht frei, group show, Modern Magyar Képt.r, Pecs, Hungary
L. o. nous sommes -oeuvres de la Collection Neuflize Vie, (cur. Régis Durand), Maison d'Art Bernard
Anthonioz, Nogent-sur-Marne, France
Screening 27th May auditorium of National Gallery of Art in Vilnius, Lituania
Remote Viewing (cur. Paul Young), group show, Arts Santa M.nica, Barcelona, Spain
Gender Check (cur. Bojana Pejic´), Zacheta National Gallery of Art, Warsaw, Poland
Encounters, For The Sake Of The Image, Jerwood Space, London
Berlin-Paris, Gallery Carlier Gebauer, Berlin, Germany
talk talk. Das interview als künstlerische praxis. galerie5020, Salzburg, Austria
Scapegoat Society. Guest Projects, Sunbury House, London, UK
Best of LOOP. MOCA Pacific Center Design Center, West Holywood, LA, USA

2009
Intimacy and desecration, CACT Centro d'Arte Contemporanea Ticino, Bellinzona, Switzerland
Morality-Act II : From Love to Legal, Witte de with, Rotterdam, Netherlands
Courtisane Festival, Gent, Belgium
Everywhere (cur. Juan Vicente Aliaga), Centro Galego de Arte Contempor.nea, Santiago de Compostela, Spain
Fleuves. Centre national de l'estampe et de l'art imprimé, Chatou, France
Gender Check-Rollenbilder in der Kunst Osteuropas. Museum Moderner Kunst Stiftung Ludwig -MUMOK , Vienna, Austria*
Zeichen von Respekt – Signs of Respect. Kubi Center, Hamburg, Germany
Windows Upon Oceans, 8th Baltic Biennial of Contemporary Art, The Museum of Contemporary Art, Szczecin, Poland
Invasion of Sound (cur. Fran.ois Quintin), Zacheta Gallery, Warsaw, Poland*
Ars Fennica 2008, Kumu, Tallin, Estonia
Effet Miroir, galerie Michel Rein, Paris

2008
record, record, Shift Festival, Basel, Switzerland
Ars Fennica 2008. Amos Anderson Art Museum, Helsinki, Sweden
Action Field Kodra, 8th visual arts festival, Kalamaria, Thessaloniki, Greece*
The Greenroom: Reconsidering the Documentary and Contemporary Art (Part I), CCS Bard Hessel
Museum, Annandale-on-Hudson, NY, USA
L´Homme Marveilleux, Ch.teau de Malbrouck, Manderen, France
Borderlives. Zeitgenössische Kunst aus Helsinki, St. Petersburg und Tallinn, Ludwig Forum für
Internationale Kunst, Aachen, Germany*
North by North-East: The Continental Unconscious, Kumu Art Museum, Tallinn, Estonia
The Space Between. Museum Anna Nordlander, Skellefteå, Sweden

2007
The body of evidence: imprisonment, CACT / Centro d'Arte Contemporanea Ticino, Switzerland
Ich war Hier -- Kuenstler aus estland, Haus Am Lützowplatz, Berlin
L'Europe en devenir, Centre Culturel Suisse, Paris (cur. Michel Ritter)
Prague Biennale 3, Czech Republic
Perspektive 07, Städtische Galerie im Lenbachhaus und Kunstbau, München, Germany
The Word and the Image, Russian Centre for Contemporary Arts, Moscow, Russia
Prison, Bloomberg SPACE, London, UK
Progressive Nostalgia, Centro Pecci, Prato, Italy (cur. Viktor Misiano)
Portraits, galerie Michel Rein, Paris
International Filmfestival Rotterdam, Rotterdam, The Netherlands

2006
Crime and punishment, Tallin Art Hall, Tallin, Estonia
Knowing me, knowing you. On complicity with images. Camera Austria, Graz, Austria
Carnets du sous-sol. galerie Michel Rein, Paris, France
1:1. PM Gallery, Zagreb, Croatia
Stage of Life -Rhetorics of Emotions. Städtische Galerie im Lenbachhaus, Munich, Germany
ARS 06. Kiasma, Helsinki, Finland
Don Quijote. Witte de With, Rotterdam, the Netherlands
Arte Furioso. Metaphysics of Youth. Ex Cofa, Pescara, Italy
Face the Unexpected. Museum am Ostwall, Dortmund, Germany
Scene : Estonia, Latvia, Lithuania in NRW. Video Art from the Baltic States. Kunstraum Düsseldorf, Atelier
am Eck, Düsseldorf, Germany
Oberhausen Film Festival. Oberhausen, Germany

2005
Home Sweet Home. Rotermann Salt Storage, Tallinn, Estonia
Identities. Annual exhibition of the Estonian Artists' Association, Tallinn Art Hall, Estonia
Pilot 2. Farmiloe Building, London, England
Generations. Vilnius, Lithuania

2004
Similar Spaces. House of Commons, London, England; European Commission, Brussels, Belgium
Emotion Eins. Frankfurter Kunstverein, Germany

2003
Kapital. The Art Museum of Estonia, Tallinn, Estonia
21 Minutes. Moscow Art Fair. Moscow, Russia
The Last Hero. Rotermann Salt Storage, Tallinn, Estonia
(un)dressed. Body in the Baltic Photo Art. Vol. 2. Giedre Bartelt Gallery, Berlin, Germany

2002
Closing the Distance. Gdansk, Poland

2001
goEurope. The Kaleidoscopic Eye. Braunschweig, Germany
Sybaris. Szczecin, Poland

2000
Red. House of the Blackheads´ Guild, Tallinn, Estonia

1999
M.O.O.D. Rotermann Salt Storage, Tallinn, Estonia
Together Again? Arhus, Denmark
Ars Baltica. Can You Hear Me. Kiel, Vilnius, etc.

1997
Persona. Rotermann Salt Storage, Tallinn, Estonia
l Works on stage l

2003
Opera, (piano: Rein Rannap), theatre "Estonia" concert hall, Tallinn, Estonia (video)
Mandragora. (dir. Jaanus Rohumaa), theatre "Linnateater", Tallinn, Estonia (video)
2002
Fluxus. (dir. Teet Kask), theatre "Vanemuine", Tartu, Estonia (video)

Awards

2013
Cultural Endowment of Estonia, annual award
2009
Ars Fennica Award
2008
Prix Gilles Dusein/Neuflize Vie, Paris, France
1st Prize, Loop Art Fair, Barcelona, Spain
2005
Hansabank, annual art award
1998
Cultural Endowment of Estonia, annual award

Public collections

Museu d'Art Contemporani de Barcelona (MACBA), Spain
La Gaia, Italy
Fonds National d'Art Contemporain, Paris, France
Domaine départemental de Chamarande, Essonne, France
Musée d'Art Moderne de la Ville de Paris, France
Art Museum, Tartu, Estonia
Art Museum of Estonia, Tallinn, Estonia
Städtischen Galerie im Lenbachhaus und Kunstbau, München, Germany
Fondation Neuflize Vie, France

Selected press & publication

2014 Eero Epner "Mina ja kunst", Vikerkaar, 4-5/2014
2013 Liina Siib "Kahjuarvestus"/"Damage Account" (interview with Mark Raidpere), Estonian Art, 2/2013
Eero Epner "Subjektsuse naasmine", Sirp, nr.33, 06.09.2013
"Damage", personal catalogue, Estonia
2010 "Mark Raidpere", Editions Espace Croisé, France
2008 Philippe Dagen, “Les vidéos familiales et politiques de Raidpere“, Le Monde, 13 septembre
“Mark Raidpere International“, ParisArt, septembre
Hanno Soans, “The Shifting Focus of Self-Portraits – Answers Re-Dubbed as Questions”, Artists of Estonia 3, pp. 46-55
Andreas Trossek, “5 questions for Mark Raidpere“, Border Lives, 2008, pp. 68-73
2007 Jörg Heiser, “Up close and Personal”, in Frieze, issue 107, May, pp. 146-151
Maren Lübbke-Tidow, “Nearness and distance”, Camera Austria, issue 97, pp. 9-20
Ahu Antmen, “Mark Raidpere. Platform Garanti”, FlashArt, n°252, January-February, p. 125
2005 Philippe Dagen, “La biennale de Venise dans une actualité cruelle”, in Le Monde, lundi 16 juin, p. 29

Mark Raidpere
Born 1975 in Tallinn, Estonia Lives and works in Tallinn. Education 2000-2003 Tallinn Pedagogical University, film studies 1993-1994 Tallinn School of Communications Solo exhibitions *(catalogue) 2015 Short-Term. Vaba Lava, Tallinn, Estonia. Fashion 100. Firm Frames. Architecture and Design Gallery, Tallinn, Estonia (together with professors of EAA Fashion Department) 2013 Damage (cur. Anders Härm, Eugenio Viola), Contemporary Art Museum of Estonia, Tallinn, Estonia* I´ll Come Back Later (cur. Eugenio Viola), Galerie Michel Rein, Paris, France 2012 Napoli.ok (cur. Eugenio Viola), Fondazione Morra Greco, Naples, Italy 2009 Dedication, Art Agents Gallery, Hamburg, Germany. Mark Raidpere, Espace Croisé, Roubaix, France* 2008 Sven Johne / Mark Raidpere, Fondazione Morra Greco, Naples, Italy International, galerie Michel Rein, Paris Andrey/ Andris, Galeria Potocka, Krakow, Poland Alles, City Gallery Art Hall, Pärnu, Estonia 2006 Videos, Galerie Michel Rein, Paris, France Videos, Tramway, Glasgow, Scotland Videos, Platform Garanti, Istanbul, Turkey Hansabank Art Award, Gallery Noass, Riga, Latvia; Contemporary Art Center, Vilnius, Lithuania; Kumu Museum, Tallinn, Estonia 2005 Videos. City Gallery, Tallinn, Estonia Ene-Liis Semper / Mark Raidpere. Temple Bar Gallery, Dublin (together with Ene-Liis Semper) Isolator. Estonian exhibition at the 51st Venice Biennale, Palazzo Malipiero, Venice, Italy* 2002 Tallinn. House of the Blackheads´ Guild, Tallinn, Estonia 1998 Jeu a 4 mains. Rotermann Salt Storage, Tallinn (together with Ene-Liis Semper) Portraits. Vaal Gallery, Tallinn, Estonia 1997 Io. Vaal Gallery, Tallinn, Estonia Group exhibitions *(catalogue) 2015 Plahvatusest tasandikule. Eesti kaasaegne foto 1991—2015, (cur. Anneli Porri), Tartu Art Museum, Estonia XII Baltic Triennial, (cur. Virginija Januðkevièiûtë), CAC, Vilnius, Lithuania Death and Beauty, (cur. Eha Komissarov & Kati Ilves), KUMU, Tallinn, Estonia 2014 Blue Times, (cur. Amira Gad & Nicolaus Schafhausen), Kunsthalle Vienna, Austria Shifting Identities, (cur. Ludovico Pratesi), MACRO Testaccio, Rome, Italy* White Tank Top (cur. Flo Kasearu), Tartu Art Museum, Estonia Il/literacy. The 16th Tallinn Print Triennial, (cur. Maria Kjaer Themsen), KUMU, Estonia* 2012 Corporal Punishment, (cur. Marko Raat), Museum of Contemporary Art of Estonia, Tallinn, Estonia 2011 L'Engime du portrait, Neuflize collection, Musée d'art contemporain de Marseille, France Bodily Choreography, Zacheta Gallery, Warsaw, Poland Provocations and Confrontations. A Perspective on Contemporary Estonian Art, (cur. Eha Komissarov), Warsaw National Museum, Poland 2010 Provocations and Confrontations. A Perspective on Contemporary Estonian Art, group show, Szczecin, Poland* Kunst macht frei, group show, Modern Magyar Képt.r, Pecs, Hungary L. o. nous sommes -oeuvres de la Collection Neuflize Vie, (cur. Régis Durand), Maison d'Art Bernard Anthonioz, Nogent-sur-Marne, France Screening 27th May auditorium of National Gallery of Art in Vilnius, Lituania Remote Viewing (cur. Paul Young), group show, Arts Santa M.nica, Barcelona, Spain Gender Check (cur. Bojana Pejic´), Zacheta National Gallery of Art, Warsaw, Poland Encounters, For The Sake Of The Image, Jerwood Space, London Berlin-Paris, Gallery Carlier Gebauer, Berlin, Germany talk talk. Das interview als künstlerische praxis. galerie5020, Salzburg, Austria Scapegoat Society. Guest Projects, Sunbury House, London, UK Best of LOOP. MOCA Pacific Center Design Center, West Holywood, LA, USA 2009 Intimacy and desecration, CACT Centro d'Arte Contemporanea Ticino, Bellinzona, Switzerland Morality-Act II : From Love to Legal, Witte de with, Rotterdam, Netherlands Courtisane Festival, Gent, Belgium Everywhere (cur. Juan Vicente Aliaga), Centro Galego de Arte Contempor.nea, Santiago de Compostela, Spain Fleuves. Centre national de l'estampe et de l'art imprimé, Chatou, France Gender Check-Rollenbilder in der Kunst Osteuropas. Museum Moderner Kunst Stiftung Ludwig -MUMOK , Vienna, Austria* Zeichen von Respekt – Signs of Respect. Kubi Center, Hamburg, Germany Windows Upon Oceans, 8th Baltic Biennial of Contemporary Art, The Museum of Contemporary Art, Szczecin, Poland Invasion of Sound (cur. Fran.ois Quintin), Zacheta Gallery, Warsaw, Poland* Ars Fennica 2008, Kumu, Tallin, Estonia Effet Miroir, galerie Michel Rein, Paris 2008 record, record, Shift Festival, Basel, Switzerland Ars Fennica 2008. Amos Anderson Art Museum, Helsinki, Sweden Action Field Kodra, 8th visual arts festival, Kalamaria, Thessaloniki, Greece* The Greenroom: Reconsidering the Documentary and Contemporary Art (Part I), CCS Bard Hessel Museum, Annandale-on-Hudson, NY, USA L´Homme Marveilleux, Ch.teau de Malbrouck, Manderen, France Borderlives. Zeitgenössische Kunst aus Helsinki, St. Petersburg und Tallinn, Ludwig Forum für Internationale Kunst, Aachen, Germany* North by North-East: The Continental Unconscious, Kumu Art Museum, Tallinn, Estonia The Space Between. Museum Anna Nordlander, Skellefteå, Sweden 2007 The body of evidence: imprisonment, CACT / Centro d'Arte Contemporanea Ticino, Switzerland Ich war Hier -- Kuenstler aus estland, Haus Am Lützowplatz, Berlin L'Europe en devenir, Centre Culturel Suisse, Paris (cur. Michel Ritter) Prague Biennale 3, Czech Republic Perspektive 07, Städtische Galerie im Lenbachhaus und Kunstbau, München, Germany The Word and the Image, Russian Centre for Contemporary Arts, Moscow, Russia Prison, Bloomberg SPACE, London, UK Progressive Nostalgia, Centro Pecci, Prato, Italy (cur. Viktor Misiano) Portraits, galerie Michel Rein, Paris International Filmfestival Rotterdam, Rotterdam, The Netherlands 2006 Crime and punishment, Tallin Art Hall, Tallin, Estonia Knowing me, knowing you. On complicity with images. Camera Austria, Graz, Austria Carnets du sous-sol. galerie Michel Rein, Paris, France 1:1. PM Gallery, Zagreb, Croatia Stage of Life -Rhetorics of Emotions. Städtische Galerie im Lenbachhaus, Munich, Germany ARS 06. Kiasma, Helsinki, Finland Don Quijote. Witte de With, Rotterdam, the Netherlands Arte Furioso. Metaphysics of Youth. Ex Cofa, Pescara, Italy Face the Unexpected. Museum am Ostwall, Dortmund, Germany Scene : Estonia, Latvia, Lithuania in NRW. Video Art from the Baltic States. Kunstraum Düsseldorf, Atelier am Eck, Düsseldorf, Germany Oberhausen Film Festival. Oberhausen, Germany 2005 Home Sweet Home. Rotermann Salt Storage, Tallinn, Estonia Identities. Annual exhibition of the Estonian Artists' Association, Tallinn Art Hall, Estonia Pilot 2. Farmiloe Building, London, England Generations. Vilnius, Lithuania 2004 Similar Spaces. House of Commons, London, England; European Commission, Brussels, Belgium Emotion Eins. Frankfurter Kunstverein, Germany 2003 Kapital. The Art Museum of Estonia, Tallinn, Estonia 21 Minutes. Moscow Art Fair. Moscow, Russia The Last Hero. Rotermann Salt Storage, Tallinn, Estonia (un)dressed. Body in the Baltic Photo Art. Vol. 2. Giedre Bartelt Gallery, Berlin, Germany 2002 Closing the Distance. Gdansk, Poland 2001 goEurope. The Kaleidoscopic Eye. Braunschweig, Germany Sybaris. Szczecin, Poland 2000 Red. House of the Blackheads´ Guild, Tallinn, Estonia 1999 M.O.O.D. Rotermann Salt Storage, Tallinn, Estonia Together Again? Arhus, Denmark Ars Baltica. Can You Hear Me. Kiel, Vilnius, etc. 1997 Persona. Rotermann Salt Storage, Tallinn, Estonia l Works on stage l 2003 Opera, (piano: Rein Rannap), theatre Estonia concert hall, Tallinn, Estonia (video) Mandragora. (dir. Jaanus Rohumaa), theatre Linnateater, Tallinn, Estonia (video) 2002 Fluxus. (dir. Teet Kask), theatre Vanemuine, Tartu, Estonia (video) Awards 2013 Cultural Endowment of Estonia, annual award 2009 Ars Fennica Award 2008 Prix Gilles Dusein/Neuflize Vie, Paris, France 1st Prize, Loop Art Fair, Barcelona, Spain 2005 Hansabank, annual art award 1998 Cultural Endowment of Estonia, annual award Public collections Museu d'Art Contemporani de Barcelona (MACBA), Spain La Gaia, Italy Fonds National d'Art Contemporain, Paris, France Domaine départemental de Chamarande, Essonne, France Musée d'Art Moderne de la Ville de Paris, France Art Museum, Tartu, Estonia Art Museum of Estonia, Tallinn, Estonia Städtischen Galerie im Lenbachhaus und Kunstbau, München, Germany Fondation Neuflize Vie, France Selected press & publication 2014 Eero Epner Mina ja kunst, Vikerkaar, 4-5/2014 2013 Liina Siib Kahjuarvestus/Damage Account (interview with Mark Raidpere), Estonian Art, 2/2013 Eero Epner Subjektsuse naasmine, Sirp, nr.33, 06.09.2013 Damage, personal catalogue, Estonia 2010 Mark Raidpere, Editions Espace Croisé, France 2008 Philippe Dagen, “Les vidéos familiales et politiques de Raidpere“, Le Monde, 13 septembre “Mark Raidpere International“, ParisArt, septembre Hanno Soans, “The Shifting Focus of Self-Portraits – Answers Re-Dubbed as Questions”, Artists of Estonia 3, pp. 46-55 Andreas Trossek, “5 questions for Mark Raidpere“, Border Lives, 2008, pp. 68-73 2007 Jörg Heiser, “Up close and Personal”, in Frieze, issue 107, May, pp. 146-151 Maren Lübbke-Tidow, “Nearness and distance”, Camera Austria, issue 97, pp. 9-20 Ahu Antmen, “Mark Raidpere. Platform Garanti”, FlashArt, n°252, January-February, p. 125 2005 Philippe Dagen, “La biennale de Venise dans une actualité cruelle”, in Le Monde, lundi 16 juin, p. 29

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