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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Annika Kahrs

Works


Galleries

VETO e.V.
Friedensallee 122
22763 Hamburg
Germany

E-Mail: info@vetofilm.com




Statement

Annika Kahrs is an artist who primarily works with film, performance and installation. In her work she examines representation and interpretation; she is interested in both social and scientific constructs, as well as evolved organic relations such as those between humans and animals. Her films oscillate between obvious staging and documentary-like observation; she is curious – measuring the environment, adding and subtracting – and she never hides herself in the film, even if her presence is only revealed in a short glance from an actor to the director.

Kahrs videos are like composed choreographies. Music often plays a role in her films, not only presented pictorially or on the audio track, but converted into image; through her selection and the ensuing adjustments during the process of editing partitur turns to film, and, subsequently, this film as partitur can turn into another film in the viewer‘s mind.

Text: Andreas Reihse, Image Movement


Biography

Born 1984 in Achim/Germany
lives and works in Germany

Education

2005 – 2012
Studium der Freien Kunst an der Hochschule fu¨r bildende Künste Hamburg / academy of fine arts Hamburg, Germany & Akademie der bildenden Künste Wien (AT) / academy of fine arts vienna (AT) & Hochschule für Bildende Künste Braunschweig / Braunschweig University of Art, Germany

Exhibitions

2017
Cinéma, Kunsthalle Lingen
VG Award 2017, Kestner Gesellschaft, Hannover
Was wir sehen wollen, Kunstverein Grafschaft Bentheim

2016
Schule der Distanz, Berliner Festspiele, Martin-Gropius-Bau, Berlin
Paula Modersohn-Becker Kunstpreis 2016, Worpswede
Vögele Kultur Zentrum, Switzerland
Fragile Strength, Cité Internationale des Arts, Paris, France
Besser scheitern, Internationale Tage Ingelheim, Ingelheim am Rhein
the announcement, Performance, Hamburger Kunsthalle, Hamburg
Franz Marc Museum, Kochel am See

2015
Per4m, Artissima, Turin, Italy
Hybrid Art 2015, Moscow, Russia
5th Thessaloniki Biennale of Contemporary Art, Greece
Raumstationen, Kunstverein Hannover, Hannover
Galeria Joan Prats, Barcelona, Spain (solo)
Vom Verbergen, Museum Angewandte Kunst (MAK), Frankfurt
Kunsthal 44 Møen, Denmark
Home Work, Open Forum, Berlin
Und weg mit den Minuten, Hamburger Bahnhof, Museum fu¨r Gegenwart, Berlin
Höhenrausch, OK Offenes Kulturhaus im OÖKulturquartier, Linz, Austria
Dazwischentreten, Ku¨nstlerhaus Bremen, Bremen
Museum Weserburg, Bremen (solo)
Sound in Motion, Kunstmuseum Stuttgart, Stuttgart
Mao Se Dun Kai (Suddenly Enlightened), United Art Museum, Wuhan, China
lines, Kunsthalle Bremerhaven, Bremerhaven (solo)

2014
solid surface, with hills, valleys, craters and other topographic features, primarily made of ice, Produzentengalerie Hamburg, Hamburg (solo)
On The Road / En el camino, Santiago de Compostela, Spain
Im Fru¨hling, Darling, Hamburger Kunstverein, Hamburg
Weekender, Situations, Bristol, England (solo)
Artdate, The Blank: Bergamo Modern and Contemporary Art, BACO – Palazzo della Misericordia, Bergamo, Italy
Felix & Foam, Foam, Amsterdam, Netherlands
Art Cologne, New Positions, Cologne
Stipendiatenausstellung Arbeitsstipendium, Harburger Kunstverein, Hamburg
Playing to the Birds from Sunrise to Sunset, Peter Amby Gallery, Copenhagen, Denmark (solo)
One Night Stand #1, NOTE ON Krampfographien/ Crampographies at KW Institute for Contemporary Art, Berlin
Shift, Basurto, Mexico City, Mexico
Neue Kunst in Hamburg, Galerie Katharina Bittel, Hamburg (solo)

2013
Katja Aufleger, Annika Kahrs, ph-projects, Berlin
Solo presentation with Produzentengalerie Hamburg, abc - Art Berlin Contemporary, Berlin
Schwanengesang, Performance, Hebbel am Ufer HAU Theater, Berlin
The Unanswered Question, TANAS / Neuer Berliner Kunstverein NBK, Berlin
Bienal International de Curitiba 2013, Brasilien
Playing to the Birds, Kunstraum Mu¨nchen, Mu¨nchen (solo)
Besser scheitern, Hamburger Kunsthalle, Hamburg

2012
TANAS, George Maciunas Förderpreis, Berlin
one on one, Kunst-Werke Berlin - KW Institute for Contemporary Art, Berlin
Annika Kahrs – Strings, ph-projects, Berlin (solo)
+6|2012 – shortlist Columbus-Förderpreis fu¨r aktuelle Kunst, Kunsthalle Ravensburg

2011
Dialectical Routine, Galerie Sassa Tru¨lzsch, Berlin
20. Bundeskunstwettbewerb, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn
Boundary Line, Folgendes Galerie, Hamburg (solo)
In den Falten des Vorhangs, District Stiftung, Berlin
Goldsmiths, Department of Art, University of London, England
16. Karlsruher Kurzfilmnacht, Karlsruhe
Art School Alliance Studios, Hamburg
Kunst & Blumen, Golden Pudel Club, Hamburg (solo)

2010
Index Kunstpreis 2010, Kunsthaus Hamburg, Hamburg
Opening Ceremony # 1, Galerie der HfbK, Hamburg
La Velada de Santa Lucia - International encounter of contemporary art, Maracaibo, Venezuela

2009
Loop Videoart, International Festival & Fair for Videoart, Barcelona (Klasse Prof. Harun Farocki)
Kunstfru¨hling 2009 - spring!, Bremen
richtiger als falsch* - DARE Magazin, Galerie Conradi, Hamburg
Dreams that Money can’t buy, Westwerk, Hamburg

2008
Index 08, Kunsthaus Hamburg, Hamburg
11. Karlsruher Kurzfilmnacht, Karlsruhe
Schönheit ist unser Metier, Hochschule fu¨r bildende Ku¨nste, Hamburg
Denkmäler werden von Siegern erbaut, Hinterconti, Hamburg

2007
Aktzeichnen mit Freunden – die Klasse Immendorff stellt aus, Hochschule fu¨r bildende Ku¨nste, Hamburg
„…“ Galerie der HfbK, Hamburg

2006
Alles im Fluss, Altonaer Museum in Hamburg, Hamburg
Plattform # 3, Kunstverein Hannover, Hannover

2005
Family Affairs – Von der produktiven Unordnung der Generationen, Dominikanerkloster, Frankfurt

Awards & grants

2017 VG Award
2015/2016 Residency / Cité Internationale des Arts, Paris
2014 Award / Bremerhaven-Stipendium
2013 Scholarship / Arbeitsstipendium fu¨r bildende Kunst, Hamburg
2012/13 Travel grant / Reisestipendium – Neue Kunst in Hamburg e.V.
2012 Award / George Maciunas Förderpreis
2012 – 2014 Studio grant / Atelierstipendium GSM, Hamburg
2011 Award / Hauptpreis beim 20. Bundeskunstwettbewerb des Bundesministeriums fu¨r Bildung und Forschung »Kunststudentinnen und Kunststudenten stellen aus« in Bonn, 2011
2011 Scholarship / Jahresstipendium 2011 des Freundeskreises der HFBK e.V., Hamburg

Annika Kahrs
Born 1984 in Achim/Germany lives and works in Germany Education 2005 – 2012 Studium der Freien Kunst an der Hochschule fu¨r bildende Künste Hamburg / academy of fine arts Hamburg, Germany & Akademie der bildenden Künste Wien (AT) / academy of fine arts vienna (AT) & Hochschule für Bildende Künste Braunschweig / Braunschweig University of Art, Germany Exhibitions 2017 Cinéma, Kunsthalle Lingen VG Award 2017, Kestner Gesellschaft, Hannover Was wir sehen wollen, Kunstverein Grafschaft Bentheim 2016 Schule der Distanz, Berliner Festspiele, Martin-Gropius-Bau, Berlin Paula Modersohn-Becker Kunstpreis 2016, Worpswede Vögele Kultur Zentrum, Switzerland Fragile Strength, Cité Internationale des Arts, Paris, France Besser scheitern, Internationale Tage Ingelheim, Ingelheim am Rhein the announcement, Performance, Hamburger Kunsthalle, Hamburg Franz Marc Museum, Kochel am See 2015 Per4m, Artissima, Turin, Italy Hybrid Art 2015, Moscow, Russia 5th Thessaloniki Biennale of Contemporary Art, Greece Raumstationen, Kunstverein Hannover, Hannover Galeria Joan Prats, Barcelona, Spain (solo) Vom Verbergen, Museum Angewandte Kunst (MAK), Frankfurt Kunsthal 44 Møen, Denmark Home Work, Open Forum, Berlin Und weg mit den Minuten, Hamburger Bahnhof, Museum fu¨r Gegenwart, Berlin Höhenrausch, OK Offenes Kulturhaus im OÖKulturquartier, Linz, Austria Dazwischentreten, Ku¨nstlerhaus Bremen, Bremen Museum Weserburg, Bremen (solo) Sound in Motion, Kunstmuseum Stuttgart, Stuttgart Mao Se Dun Kai (Suddenly Enlightened), United Art Museum, Wuhan, China lines, Kunsthalle Bremerhaven, Bremerhaven (solo) 2014 solid surface, with hills, valleys, craters and other topographic features, primarily made of ice, Produzentengalerie Hamburg, Hamburg (solo) On The Road / En el camino, Santiago de Compostela, Spain Im Fru¨hling, Darling, Hamburger Kunstverein, Hamburg Weekender, Situations, Bristol, England (solo) Artdate, The Blank: Bergamo Modern and Contemporary Art, BACO – Palazzo della Misericordia, Bergamo, Italy Felix & Foam, Foam, Amsterdam, Netherlands Art Cologne, New Positions, Cologne Stipendiatenausstellung Arbeitsstipendium, Harburger Kunstverein, Hamburg Playing to the Birds from Sunrise to Sunset, Peter Amby Gallery, Copenhagen, Denmark (solo) One Night Stand #1, NOTE ON Krampfographien/ Crampographies at KW Institute for Contemporary Art, Berlin Shift, Basurto, Mexico City, Mexico Neue Kunst in Hamburg, Galerie Katharina Bittel, Hamburg (solo) 2013 Katja Aufleger, Annika Kahrs, ph-projects, Berlin Solo presentation with Produzentengalerie Hamburg, abc - Art Berlin Contemporary, Berlin Schwanengesang, Performance, Hebbel am Ufer HAU Theater, Berlin The Unanswered Question, TANAS / Neuer Berliner Kunstverein NBK, Berlin Bienal International de Curitiba 2013, Brasilien Playing to the Birds, Kunstraum Mu¨nchen, Mu¨nchen (solo) Besser scheitern, Hamburger Kunsthalle, Hamburg 2012 TANAS, George Maciunas Förderpreis, Berlin one on one, Kunst-Werke Berlin - KW Institute for Contemporary Art, Berlin Annika Kahrs – Strings, ph-projects, Berlin (solo) +6|2012 – shortlist Columbus-Förderpreis fu¨r aktuelle Kunst, Kunsthalle Ravensburg 2011 Dialectical Routine, Galerie Sassa Tru¨lzsch, Berlin 20. Bundeskunstwettbewerb, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn Boundary Line, Folgendes Galerie, Hamburg (solo) In den Falten des Vorhangs, District Stiftung, Berlin Goldsmiths, Department of Art, University of London, England 16. Karlsruher Kurzfilmnacht, Karlsruhe Art School Alliance Studios, Hamburg Kunst & Blumen, Golden Pudel Club, Hamburg (solo) 2010 Index Kunstpreis 2010, Kunsthaus Hamburg, Hamburg Opening Ceremony # 1, Galerie der HfbK, Hamburg La Velada de Santa Lucia - International encounter of contemporary art, Maracaibo, Venezuela 2009 Loop Videoart, International Festival & Fair for Videoart, Barcelona (Klasse Prof. Harun Farocki) Kunstfru¨hling 2009 - spring!, Bremen richtiger als falsch* - DARE Magazin, Galerie Conradi, Hamburg Dreams that Money can’t buy, Westwerk, Hamburg 2008 Index 08, Kunsthaus Hamburg, Hamburg 11. Karlsruher Kurzfilmnacht, Karlsruhe Schönheit ist unser Metier, Hochschule fu¨r bildende Ku¨nste, Hamburg Denkmäler werden von Siegern erbaut, Hinterconti, Hamburg 2007 Aktzeichnen mit Freunden – die Klasse Immendorff stellt aus, Hochschule fu¨r bildende Ku¨nste, Hamburg „…“ Galerie der HfbK, Hamburg 2006 Alles im Fluss, Altonaer Museum in Hamburg, Hamburg Plattform # 3, Kunstverein Hannover, Hannover 2005 Family Affairs – Von der produktiven Unordnung der Generationen, Dominikanerkloster, Frankfurt Awards & grants 2017 VG Award 2015/2016 Residency / Cité Internationale des Arts, Paris 2014 Award / Bremerhaven-Stipendium 2013 Scholarship / Arbeitsstipendium fu¨r bildende Kunst, Hamburg 2012/13 Travel grant / Reisestipendium – Neue Kunst in Hamburg e.V. 2012 Award / George Maciunas Förderpreis 2012 – 2014 Studio grant / Atelierstipendium GSM, Hamburg 2011 Award / Hauptpreis beim 20. Bundeskunstwettbewerb des Bundesministeriums fu¨r Bildung und Forschung »Kunststudentinnen und Kunststudenten stellen aus« in Bonn, 2011 2011 Scholarship / Jahresstipendium 2011 des Freundeskreises der HFBK e.V., Hamburg

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