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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Sven Johne

Works


Galleries

KLEMM'S
Sebastian Klemm, Silvia Bonsiepe
Prinzessinnenstr. 29
10969 Berlin
Germany

Phone: +49 (0) 30 40 50 49 53
E-Mail: info@klemms-berlin.com




Statement

Sven Johne cannot be pinned down to one artistic discipline. He is a photographer and video artist, but above all a storyteller, researcher and explorer. He uses a variety of media, including video, photography and prose. In his works—often based on research on site—he systematically deals with the relationship between what can be experienced and known and what can be shown and communicated about it. In the process, it becomes clear time and again that documentary images are not exclusively an element of the visible but that a fundamental dependence on words and knowledge is inscribed in them—that a shift in the status of the images, an uncertainty with regard to their possibilities of producing meaning is the result.


Biography


1976 born in Bergen (Rügen Island)
lives and works in Berlin, DE

Education

2004 Master of Fine Arts/ HGB Academy of Visual Arts Leipzig, DE, class of Prof. Rautert
2005 graduation as Meisterschüler of Prof. Timm Rautert’s class, HGB Leipzig, DE

Exhibitions (selection)

2017
Past is not Post, Edith-Russ-Haus für Medienkunst, Oldernburg, DE
Freiheit, die ich meine…Kunsthalle Memmingen, Memmingen, DE
Kapitalströmung, Kunsthalle Tübingen, Tübingen, DE (cat)
WeltenWanderer – zwischen den Kulturen, Kunstmuseum Mühlheim an der Ruhr, Mühlheim an der Ruhr, DE
Stories in Your Mind, Villa Merkel, Esslingen, DE
Sven Johne: Griechenland-Zyklus/Greece Series, Museum Villa Vauban, Luxembourg, LU (s, cat)
Fotografierte Ferne, Berlinische Galerie, Berlin, DE (cat)

2016
Greatest Show on Earth, Lab, Bielefeld, DE (s)
Anomalies of the Early 21st Century/Some Cases Studies, Galerie Klemm’s, Berlin, DE (s)
Von hier aus noch viel weiter, Kunstmuseum Kloster unserer lieben Frauen, Magdeburg, DE
Über die Unmöglichkeit des Seins, Kunsthalle Exnergasse, Vienna, AT
Der Raum zwischen den Personen kann die Decke tragen – Sammlung Ivo Wessel, Weserburg, Museum für moderne Kunst, Bremen, DE
Sven Johne: Window of the World (Video Art Program), Hiroshima Museum of Contemporary Art, Hiroshima, JP (s)
Ein Loch im Meer, Württembergischer Kunstverein, Stuttgart, DE
Damage & Loss, Alternativa-International Visual Arts Festival, Gdansk, PL
Reset. Outskirts / Randlagen, Pinakothek der Moderne, Munich, DE
Die Gabe, Bregenzer Kunstverein, Bregenz, AT
The end of the world as we know it, ist der Beginn einer Welt, die wir nicht kennen, f/stop
Fotofestival, Leipzig, DE
Cypher, Artist Unlimited Lab, Bielefeld, DE
Chip vs. Chemie, DZ Bank, Art Foyer, Frankfurt am Main, DE
Vom Wert der Kunst als Wert der Arbeit, Weltkunstzimmer, Düsseldorf, DE
Video works by Sven Johne from the Majerus collection, Casino Luxembourg, LU (s)
Lines / eyes on – Monat der Fotografie, Spenglerei, Vienna, AT
Migratsionnaya Karta, NCCA, Kaliningrad, RU

2015
‘Der Raum zwischen den Personen kann die Decke tragen’ Sammlung Ivo Wessel, Weserburg Museum für moderne Kunst, Bremen, DE
A Government of Times, Méthode room of the Rebuild Foundation, Chicago, US
TEXT:BILD / BILD:TEXT III, Fotogalerie Wien, Vienna, AT
Die Gabe (Teil I), Galerie der Deutschen Geseschaft für chsritliche Kunst, Munich, DE
Die Gabe (Teil II), Austellung in der Kirche St. Paul, Munich, DE
Dream Hotels / Lampedusa, Gorki Theater, Berlin, DE
Sven Johne: Jutta, Kunsthalle Bielefeld, DE (s)
History is a Warm Gun, Neuer Berliner Kunstverein (NBK), Berlin, DE
Creating Realities, Pinakothek der Moderne / Museum Brandhorst in Kooperation mit Sammlung Goetz, Munich, DE
elsewhere. observations on islands, Franz Josef Kai 3, Vienna, AT
5. Thessaloniki Biennale / Between the Pessimism of the Intellect and the Optimism of the Will, State Museum of Contemporary Art, Thessaloniki, GR
‚Jeden Morgen ein Lächeln’ – Anomalien des frühen 21. Jahrhunderts / Einige Fallbeispiele, Arbeiterkammer, Vienna, AT (s)
Object is Meditation and Poetry, Grassi Museum, Leipzig, DE
The doubt of the stage prompter, Edith-Russ-Haus, Oldenburg, DE (s)
Conception Now, Museum Morsbroich, Leverkusen, DE
Waterbound. Vom Leben mit dem Wasser, Neue Galerie Dachau; Kallmann-Museum Ismaning, DE
Welcome to the Jungle, KW Institue for Contemporary Art, Berlin, DE
Counterpoint, Kunsthalle Sparkasse Leipzig, Leipzig, DE
Gastfreundschaft, Kunstverein Braunschweig, Braunschweig, DE

2014
Sven Johne at White Space / The Mordes Collection, West Palm Beach, Florida, US (s)
Kunstpreis Böttcherstraße, Kunsthalle Bremen, Bremen, DE
Allegory of the Cave Painting, Extra City, Brussels, BE
Bielefeld Contemporary, Bielefelder Kunstverein, Bielefeld, DE
Seafaring Discoveries of our Time, JaLiMaCollection, Düsseldorf, DE (s)
Room service, Kunsthalle Baden-Baden , DE
Künstlertourist: Grenzgänger, Katrin Ströbel und Sven Johne, Galerie der Schader-Stiftung, Hessisches Landesmuseum, Darmstadt, DE
Blickwechsel, Ahrenshoop, Kunstmuseum Ahrenshoop, DE
A class of its own - photography as action space, Kunsthalle Lipsiusbau, Dresden , DE

2013
Utopien Vermeiden / Avoiding Utopias, Werkleitz Bienalle, Halle, DE
Taming the Narrative, B3 Biennale, Basis Frankfurt, Frankfurt am Main, DE
Sven Johne: Some Engels, Deichtorhallen, Hamburg, DE
Where the Sky is Darkest, the Stars are Brightest, Camera Austria, Graz, AT
Der Weg nach Eldorado, Klemm’s, Berlin, DE (s)
Sweet Bitter Symphony, Künstlerhaus, Bremen, DE
Weg aus der Krise, Museum für Photographie, Braunschwieg, DE
Nur hier. Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Ankäufe von 2007 bis 2011, Bundeskunsthalle, Bonn, DE
Fremd und Eeigen, Galerie im Taxipalais, Innsbruck, AT
Sven Johne, Camera Austria, Graz, AT (s)

2012
We notice no disturbances, Kunstverein Göttingen, Göttingen, DE
Bewegte Bilder. Sven Johne und Maix Mayer, Museum der Bildenden Künste, Leipzig, DE
Aneignung der Gegenwart, Galerie Für Zeitgenössische Kunst, Leipzig, DE
Le Prince des rayons, Galerie VidalCuglietta, Brussels, BE
Connected by Art, Staatliches Museum, Schwerin, DE
Doppelte Ökonomien, Halle 14, Leipzig; Centre de la Photographie, Geneva; ETH, Zurich, CH
Ray 2012, Museum für Moderne Kunst, Frankfurt am Main, DE
Made in Germany Two, Sprengel Museum, Hannover, DE
Berlin. Status (1), Künstlerhaus Bethanien, Berlin, DE
The History of Now, Fotografiefestival Leipzig, Halle 14, Leipzig, DE
Following the Circus, Galerie Christian Nagel, Antwerp, BE (s)
Karl-Schmitt-Rottluff Stipendium, Kunsthalle Düsseldorf, Düsseldorf, DE
Cantemus – choirs, the sublime and the exegesis of being, Argos center for art and media, Brussels, BE

2011
Greatest Show on Earth, KLEMM’S, Berlin, DE (s)
I’ve dreamt about, MUDAM, Luxembourg, LU
Wunder, Deichtorhallen, Hamburg, DE
Kritische Masse, Oktogon, Hfbk Dresden, Dresden, DE
Kleistners Archiv, Das Weisse Haus, Vienna, AT (s)
Farewell to Longing, Kunstraum NOE, Vienna, AT
Street Life and Home Stories, Villa Stuck, Munich, DE
Aschemünder/Sammlung Götz im Haus der Kunst, Haus der Kunst, Munich, DE
Belvedere - Warum ist die Landschaft so schön, Hans-Arp-Museum, Remagen, DE
Photographic and Video work, Goethe Institut, Hong Kong, CN (s)
Leipzig. Fotografie seit 1839, Museum für Bildende Künste, Leipzig, DE

2010
Der ideale Ort, um mit der Freiheit unter vier Augen zu sprechen, Künstlerhaus Bremen, DE
KunstFilmBiennale, Kunstwerke, Berlin, DE
Viewing Lounge - videos from the collection of contemporary art by the Federal State of Germany, Kunstmuseum Magdeburg, Magdeburg, DE
Sven Johne. Elmenhorst, 2006. Tears of the Eyewitness, 2009, Sprengel Museum, Hannover, DE (s)
Badende /Winter, Leopold-Hoesch-Museum, Günther-Peill-Stiftung, Düren, DE (s, cat.)
Reports from the crack of dawn, Frankfurter Kunstverein, Frankfurt, DE (s, cat.)
No Matter. Scheitern und Kunst, Kunstverein Hildesheim, Hildesheim, DE
The Library of Babel / In and Out of Place, 176/Zabludowicz Collection, London, GB (cat.)
Paradise Lost / Holidays in Hell, CCA, Andratx, Mallorca, ES
Squatting, Temporäre Kunsthalle Berlin Im Moment des Verdachts, Bielefelder Kunstverein, Bielefeld, DE
Brave New World, Musée d'Art Moderne Grand-Duc Jean, Luxembourg, LU
Traces, Cajasol Bank, Seville, ES

2009
Reconstructed ZONE, Kunstverein Wolfsburg, DE (cat.)
Coral Visual, Casa de la Cultura, Buenos Aires, AR
Amnesie, Kunstverein Leipzig, DE
Vilnius COOP: gaps, fictions and practices, The X Baltic Triennial of International Art, Vilnius, LT (cat.)
0.08014440536499023 °WL - 51.52841035161011 °NB,
4.895009994506836 °OL - 52.356377979185666 °NB,
ZINGERpresents, London, GB
Sven Johne, Galerie Christian Nagel, DE (s)
Traces, Foto Colectania Foundation, Barcelona; Centre for Photography, University of Salamanca; Exhibition hall of Caja Sol, Seville, ES (cat)
Ferne Nähe. Natur in der Kunst der Gegenwart, Kunstmuseum Bonn, DE (cat)
Tears of the Eyewitness, Wachturm am Schlesischen Busch, Berlin, DE (s)
Sven Johne, Goethe-Institut Hanoi, VT (s)
Nautilus - Künstlerische Erforschungen, Städtische Galerie Nordhorn, DE (cat)

2008
Zeitblicke. Ankäufe der Sammlung Zeitgenössischer Kunst der Bundesrepublik Deutschland 1998 – 2008, Martin-Gropius-Bau, Berlin, DE
Fondazione Maurizio Morra Greco, Naples, IT
52 glückliche Orte, KLEMM’S, Berlin, DE (s)
Behind, Monitor Gallery, Rom, IT
Friction and Conflict, Kalmar Konstmuseum, SE
The Flight of the Dodo, Project Arts Centre, Dublin, IE
Vertrautes Terrain - Aktuelle Kunst in/über Deutschland, ZKM – Museum für Neue Kunst, Karlsruhe, DE (cat)
Gescheiterte Hoffnung, Herbert-Gerisch-Stiftung, Neumünster, DE
Stalking Utopia.Tracking the City, Institute of Contemporary Art, Dunaújváros, HU
Lügen.nirgends - Zwischen Fiktion und Dokumentation, Ausstellungshalle f. zeitgen. Kunst Münster, DE (cat)
...5 minutes later, Kunstwerke, Berlin, DE

2007
Korrespondenzen – Kunst & Literatur, Enzyklopadien & Deklinationen, Galerie der Stadt Sindelfingen, DE
Wenn der Sonnentau..., Staatliche Kunstsammlungen, Residenzschloß Dresden, DE
Wir haben keine Probleme, Bergen Kunmsthall, NO
Beyond the country: Perspectives of the land in historic and contemporary art, Lewis Glucksman Gallery, Cork, IE
Diplopie, Kunstverein Göttingen, DE
Seestücke, Hamburger Kunsthalle, Hamburg, DE
Failed Hope. New Romaynticism in contemporary photography in Germany. Photo Month, Krakow, PL (cat.)
Dont‘t Worry - Be Curious! 4. Ars Baltica Triennale der Fotokunst, Stadtgalerie Kiel, DE;
KUMU Estonian Art Museum, Tallinn, Pori Art Museum, EE (cat.)
Arno Gisinger-Sven Johne-Liza Nguyen, La Filature, Mulhouse, FR
Sven Johne, Dortmunder Kunstverein, Dortmund, DE (s)
Rückkehr der Wölfe, CoalMine gallery im Volkart Haus, Winterthur, CH (s)
Bei den Riesen, Nassauischer Kunstverein, Wiesbaden, DE (s)

2006
Rückkehr der Wölfe, AMERIKA, Berlin, DE (s)
Montezuma‘s Revenge, Nicole Klagsbrun Gallery, New York, US
Vor aller Augen, bac Geneva CH (cat.)
See History 2006, Kunsthalle zu Kiel, DE (cat.)
Photo-Traffic, bâtiment d’art contemporain, Geneva, CH
Mercury in Retrograde, De Appel Foundation, Amsterdam, NL
Don Quijote, Witte De With, Rotterdam, NL
This land is my land, Kunsthalle Nürnberg und NGBK Berlin, DE (cat.)
Grossmeister der Täuschung, Galerie Christian Nagel, Cologne, DE (s)
The Leipzig Lens, Galerie Christian Nagel, Cologne, DE (s)

2005
Preisträger der Marion-Ermer-Stiftung, Oktogon der HfBK, Dresden, DE
The Leipzig Lens, Glasgow School of Art, German Embassy London GB
Tropical Island, mit Falk Haberkorn, Goethe Institut Paris, FR (s)
Tropical Island, mit Falk Haberkorn, AMERIKA, Berlin, DE (s)
Erzähl mal was, Kunstverein Langenhagen, Langenhagen, DE
A1, AMERIKA, Berlin, DE

2004
Sven Johne, La Filature, Mulhouse, FR (s)
Just good news for people who love bad news, Galerie Eigen + Art, Leipzig, DE
Wachwechsel, Galerie Kleindienst, Leipzig, DE (s)

2003
Kunststudenten stellen aus, Bundeskunsthalle Bonn, DE (cat.)
Silver & Gold, 20.21 Galerie Edition Kunsthandel, Essen; Kunstfonds des Freistaates Sachsen; Festspielhaus Hellerau, Dresden; Palais für Aktuelle Kunst; Kunstverein Glückstadt; Städtische Galerie Wolfsburg, DE (cat.)

Scholarships and awards

2016
Fine Art Prize of the Akademie der Küunste Berlin, DE
Working stipend by the Berliner Senat, Berlin, DE
2015
residency at National Centre for Contemporary Arts, Kaliningrad, RU
2013
Casa Baldi stipend of the German Academy/Villa Massimo, Rome, IT
2010
Karl Schmidt-Rottluff stipend, DE
Alfried Krupp von Bohlen und Halbach-Stiftung´s support prize "Catalogues for young artists", DE
2009
Stipend of Stiftung Kunstfonds Bonn, DE
Travel scholarship by Stiftung Gwin Zegal, Hanoi, VT
residency at Goethe Institute, Honkong, HK
2008
Incentive scholarship by the Günther-Peill-Stiftung, DE
Stipend at the ISCP New York, US
2007
Laureate of the sponsorship award for contemporary art by the Christian Karl Schmidt Foundation, DE
Stipend of the “Ars Baltica”- Fototriennial, Danzig, PL
2006
Working stipend of the state of Saxony, DE
2005
Award of the Marion-Ermer-Stiftung, DE
2004
Scholarship of the Alfried Krupp von Bohlen und Halbach-Stiftung für zeitgenössische Deutsche Fotografie (Alfried Krupp von Bohlen and Halbach Foundation for Contemporary German Photography), DE
residency scholarship La Filature, Mulhouse, FR
Scholarship Schloss Plüschow Land Mecklemburg-Western Pomerania, DE
2003
Award of the Institut für Buchkunst for the book Vinta (with Till Gathmann and Claudius Nießen), DE
DAAD Scholarship Nordatlantik and USA

Monographs

2015 Anomalies of the Early 21st Century. Some Case Studies / Anomalien des frühen 21.Jahrhunderts. Einige Fallbeispiele, Ed. Sebastian Orlac, Sven Johne and Spector Books,Leipzig
The Doubt of the Stage Prompter, Edith-Russ-Haus for Media Art, Oldenburg
2014 Fußnoten der Weltgeschichte 2. Januar – 10. November 1989 / Cuttings from the East German newspaper Neues Deutschland, Ed. Sven Johne, Berlin – limted and signed Risograph edition of 100
2013 Where the sky is darkest, the stars are brightest, Camera Austria Verlag, Graz, Austria
2012 Lampedus Hotels 2012, Sven Johne, Karl Schmidt-Rotluff Stipendium 2012
2010 Tales from the Crack of Dawn / Berichte zwischen Morgen und Grauen, Ed: Kunstverein Frankfurt, Revolver Verlag
Winter/ Badende – Winter/Bathers, Ed: Peill Stiftung, Nicolai Verlag, Berlin
2007 Leben und Sterben in Ostdeutschland und anderswo / Life and Death in East Germany and the rest of the world, Revolver Verlag, Frankfurt (Gestaltung: Till Gathmann)
2005 Vinta, Institut für Buchkunst Leipzig (text: Claudius Niessen, design: Till Gathmann)
Sven Johne, Marion Ermer Preis 2005, Marion Ermer Stiftung zur Förderung von Kunst und Kultur in Sachsen und Thüringen, Dresden

Sven Johne
1976 born in Bergen (Rügen Island) lives and works in Berlin, DE Education 2004 Master of Fine Arts/ HGB Academy of Visual Arts Leipzig, DE, class of Prof. Rautert 2005 graduation as Meisterschüler of Prof. Timm Rautert’s class, HGB Leipzig, DE Exhibitions (selection) 2017 Past is not Post, Edith-Russ-Haus für Medienkunst, Oldernburg, DE Freiheit, die ich meine…Kunsthalle Memmingen, Memmingen, DE Kapitalströmung, Kunsthalle Tübingen, Tübingen, DE (cat) WeltenWanderer – zwischen den Kulturen, Kunstmuseum Mühlheim an der Ruhr, Mühlheim an der Ruhr, DE Stories in Your Mind, Villa Merkel, Esslingen, DE Sven Johne: Griechenland-Zyklus/Greece Series, Museum Villa Vauban, Luxembourg, LU (s, cat) Fotografierte Ferne, Berlinische Galerie, Berlin, DE (cat) 2016 Greatest Show on Earth, Lab, Bielefeld, DE (s) Anomalies of the Early 21st Century/Some Cases Studies, Galerie Klemm’s, Berlin, DE (s) Von hier aus noch viel weiter, Kunstmuseum Kloster unserer lieben Frauen, Magdeburg, DE Über die Unmöglichkeit des Seins, Kunsthalle Exnergasse, Vienna, AT Der Raum zwischen den Personen kann die Decke tragen – Sammlung Ivo Wessel, Weserburg, Museum für moderne Kunst, Bremen, DE Sven Johne: Window of the World (Video Art Program), Hiroshima Museum of Contemporary Art, Hiroshima, JP (s) Ein Loch im Meer, Württembergischer Kunstverein, Stuttgart, DE Damage & Loss, Alternativa-International Visual Arts Festival, Gdansk, PL Reset. Outskirts / Randlagen, Pinakothek der Moderne, Munich, DE Die Gabe, Bregenzer Kunstverein, Bregenz, AT The end of the world as we know it, ist der Beginn einer Welt, die wir nicht kennen, f/stop Fotofestival, Leipzig, DE Cypher, Artist Unlimited Lab, Bielefeld, DE Chip vs. Chemie, DZ Bank, Art Foyer, Frankfurt am Main, DE Vom Wert der Kunst als Wert der Arbeit, Weltkunstzimmer, Düsseldorf, DE Video works by Sven Johne from the Majerus collection, Casino Luxembourg, LU (s) Lines / eyes on – Monat der Fotografie, Spenglerei, Vienna, AT Migratsionnaya Karta, NCCA, Kaliningrad, RU 2015 ‘Der Raum zwischen den Personen kann die Decke tragen’ Sammlung Ivo Wessel, Weserburg Museum für moderne Kunst, Bremen, DE A Government of Times, Méthode room of the Rebuild Foundation, Chicago, US TEXT:BILD / BILD:TEXT III, Fotogalerie Wien, Vienna, AT Die Gabe (Teil I), Galerie der Deutschen Geseschaft für chsritliche Kunst, Munich, DE Die Gabe (Teil II), Austellung in der Kirche St. Paul, Munich, DE Dream Hotels / Lampedusa, Gorki Theater, Berlin, DE Sven Johne: Jutta, Kunsthalle Bielefeld, DE (s) History is a Warm Gun, Neuer Berliner Kunstverein (NBK), Berlin, DE Creating Realities, Pinakothek der Moderne / Museum Brandhorst in Kooperation mit Sammlung Goetz, Munich, DE elsewhere. observations on islands, Franz Josef Kai 3, Vienna, AT 5. Thessaloniki Biennale / Between the Pessimism of the Intellect and the Optimism of the Will, State Museum of Contemporary Art, Thessaloniki, GR ‚Jeden Morgen ein Lächeln’ – Anomalien des frühen 21. Jahrhunderts / Einige Fallbeispiele, Arbeiterkammer, Vienna, AT (s) Object is Meditation and Poetry, Grassi Museum, Leipzig, DE The doubt of the stage prompter, Edith-Russ-Haus, Oldenburg, DE (s) Conception Now, Museum Morsbroich, Leverkusen, DE Waterbound. Vom Leben mit dem Wasser, Neue Galerie Dachau; Kallmann-Museum Ismaning, DE Welcome to the Jungle, KW Institue for Contemporary Art, Berlin, DE Counterpoint, Kunsthalle Sparkasse Leipzig, Leipzig, DE Gastfreundschaft, Kunstverein Braunschweig, Braunschweig, DE 2014 Sven Johne at White Space / The Mordes Collection, West Palm Beach, Florida, US (s) Kunstpreis Böttcherstraße, Kunsthalle Bremen, Bremen, DE Allegory of the Cave Painting, Extra City, Brussels, BE Bielefeld Contemporary, Bielefelder Kunstverein, Bielefeld, DE Seafaring Discoveries of our Time, JaLiMaCollection, Düsseldorf, DE (s) Room service, Kunsthalle Baden-Baden , DE Künstlertourist: Grenzgänger, Katrin Ströbel und Sven Johne, Galerie der Schader-Stiftung, Hessisches Landesmuseum, Darmstadt, DE Blickwechsel, Ahrenshoop, Kunstmuseum Ahrenshoop, DE A class of its own - photography as action space, Kunsthalle Lipsiusbau, Dresden , DE 2013 Utopien Vermeiden / Avoiding Utopias, Werkleitz Bienalle, Halle, DE Taming the Narrative, B3 Biennale, Basis Frankfurt, Frankfurt am Main, DE Sven Johne: Some Engels, Deichtorhallen, Hamburg, DE Where the Sky is Darkest, the Stars are Brightest, Camera Austria, Graz, AT Der Weg nach Eldorado, Klemm’s, Berlin, DE (s) Sweet Bitter Symphony, Künstlerhaus, Bremen, DE Weg aus der Krise, Museum für Photographie, Braunschwieg, DE Nur hier. Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Ankäufe von 2007 bis 2011, Bundeskunsthalle, Bonn, DE Fremd und Eeigen, Galerie im Taxipalais, Innsbruck, AT Sven Johne, Camera Austria, Graz, AT (s) 2012 We notice no disturbances, Kunstverein Göttingen, Göttingen, DE Bewegte Bilder. Sven Johne und Maix Mayer, Museum der Bildenden Künste, Leipzig, DE Aneignung der Gegenwart, Galerie Für Zeitgenössische Kunst, Leipzig, DE Le Prince des rayons, Galerie VidalCuglietta, Brussels, BE Connected by Art, Staatliches Museum, Schwerin, DE Doppelte Ökonomien, Halle 14, Leipzig; Centre de la Photographie, Geneva; ETH, Zurich, CH Ray 2012, Museum für Moderne Kunst, Frankfurt am Main, DE Made in Germany Two, Sprengel Museum, Hannover, DE Berlin. Status (1), Künstlerhaus Bethanien, Berlin, DE The History of Now, Fotografiefestival Leipzig, Halle 14, Leipzig, DE Following the Circus, Galerie Christian Nagel, Antwerp, BE (s) Karl-Schmitt-Rottluff Stipendium, Kunsthalle Düsseldorf, Düsseldorf, DE Cantemus – choirs, the sublime and the exegesis of being, Argos center for art and media, Brussels, BE 2011 Greatest Show on Earth, KLEMM’S, Berlin, DE (s) I’ve dreamt about, MUDAM, Luxembourg, LU Wunder, Deichtorhallen, Hamburg, DE Kritische Masse, Oktogon, Hfbk Dresden, Dresden, DE Kleistners Archiv, Das Weisse Haus, Vienna, AT (s) Farewell to Longing, Kunstraum NOE, Vienna, AT Street Life and Home Stories, Villa Stuck, Munich, DE Aschemünder/Sammlung Götz im Haus der Kunst, Haus der Kunst, Munich, DE Belvedere - Warum ist die Landschaft so schön, Hans-Arp-Museum, Remagen, DE Photographic and Video work, Goethe Institut, Hong Kong, CN (s) Leipzig. Fotografie seit 1839, Museum für Bildende Künste, Leipzig, DE 2010 Der ideale Ort, um mit der Freiheit unter vier Augen zu sprechen, Künstlerhaus Bremen, DE KunstFilmBiennale, Kunstwerke, Berlin, DE Viewing Lounge - videos from the collection of contemporary art by the Federal State of Germany, Kunstmuseum Magdeburg, Magdeburg, DE Sven Johne. Elmenhorst, 2006. Tears of the Eyewitness, 2009, Sprengel Museum, Hannover, DE (s) Badende /Winter, Leopold-Hoesch-Museum, Günther-Peill-Stiftung, Düren, DE (s, cat.) Reports from the crack of dawn, Frankfurter Kunstverein, Frankfurt, DE (s, cat.) No Matter. Scheitern und Kunst, Kunstverein Hildesheim, Hildesheim, DE The Library of Babel / In and Out of Place, 176/Zabludowicz Collection, London, GB (cat.) Paradise Lost / Holidays in Hell, CCA, Andratx, Mallorca, ES Squatting, Temporäre Kunsthalle Berlin Im Moment des Verdachts, Bielefelder Kunstverein, Bielefeld, DE Brave New World, Musée d'Art Moderne Grand-Duc Jean, Luxembourg, LU Traces, Cajasol Bank, Seville, ES 2009 Reconstructed ZONE, Kunstverein Wolfsburg, DE (cat.) Coral Visual, Casa de la Cultura, Buenos Aires, AR Amnesie, Kunstverein Leipzig, DE Vilnius COOP: gaps, fictions and practices, The X Baltic Triennial of International Art, Vilnius, LT (cat.) 0.08014440536499023 °WL - 51.52841035161011 °NB, 4.895009994506836 °OL - 52.356377979185666 °NB, ZINGERpresents, London, GB Sven Johne, Galerie Christian Nagel, DE (s) Traces, Foto Colectania Foundation, Barcelona; Centre for Photography, University of Salamanca; Exhibition hall of Caja Sol, Seville, ES (cat) Ferne Nähe. Natur in der Kunst der Gegenwart, Kunstmuseum Bonn, DE (cat) Tears of the Eyewitness, Wachturm am Schlesischen Busch, Berlin, DE (s) Sven Johne, Goethe-Institut Hanoi, VT (s) Nautilus - Künstlerische Erforschungen, Städtische Galerie Nordhorn, DE (cat) 2008 Zeitblicke. Ankäufe der Sammlung Zeitgenössischer Kunst der Bundesrepublik Deutschland 1998 – 2008, Martin-Gropius-Bau, Berlin, DE Fondazione Maurizio Morra Greco, Naples, IT 52 glückliche Orte, KLEMM’S, Berlin, DE (s) Behind, Monitor Gallery, Rom, IT Friction and Conflict, Kalmar Konstmuseum, SE The Flight of the Dodo, Project Arts Centre, Dublin, IE Vertrautes Terrain - Aktuelle Kunst in/über Deutschland, ZKM – Museum für Neue Kunst, Karlsruhe, DE (cat) Gescheiterte Hoffnung, Herbert-Gerisch-Stiftung, Neumünster, DE Stalking Utopia.Tracking the City, Institute of Contemporary Art, Dunaújváros, HU Lügen.nirgends - Zwischen Fiktion und Dokumentation, Ausstellungshalle f. zeitgen. Kunst Münster, DE (cat) ...5 minutes later, Kunstwerke, Berlin, DE 2007 Korrespondenzen – Kunst & Literatur, Enzyklopadien & Deklinationen, Galerie der Stadt Sindelfingen, DE Wenn der Sonnentau..., Staatliche Kunstsammlungen, Residenzschloß Dresden, DE Wir haben keine Probleme, Bergen Kunmsthall, NO Beyond the country: Perspectives of the land in historic and contemporary art, Lewis Glucksman Gallery, Cork, IE Diplopie, Kunstverein Göttingen, DE Seestücke, Hamburger Kunsthalle, Hamburg, DE Failed Hope. New Romaynticism in contemporary photography in Germany. Photo Month, Krakow, PL (cat.) Dont‘t Worry - Be Curious! 4. Ars Baltica Triennale der Fotokunst, Stadtgalerie Kiel, DE; KUMU Estonian Art Museum, Tallinn, Pori Art Museum, EE (cat.) Arno Gisinger-Sven Johne-Liza Nguyen, La Filature, Mulhouse, FR Sven Johne, Dortmunder Kunstverein, Dortmund, DE (s) Rückkehr der Wölfe, CoalMine gallery im Volkart Haus, Winterthur, CH (s) Bei den Riesen, Nassauischer Kunstverein, Wiesbaden, DE (s) 2006 Rückkehr der Wölfe, AMERIKA, Berlin, DE (s) Montezuma‘s Revenge, Nicole Klagsbrun Gallery, New York, US Vor aller Augen, bac Geneva CH (cat.) See History 2006, Kunsthalle zu Kiel, DE (cat.) Photo-Traffic, bâtiment d’art contemporain, Geneva, CH Mercury in Retrograde, De Appel Foundation, Amsterdam, NL Don Quijote, Witte De With, Rotterdam, NL This land is my land, Kunsthalle Nürnberg und NGBK Berlin, DE (cat.) Grossmeister der Täuschung, Galerie Christian Nagel, Cologne, DE (s) The Leipzig Lens, Galerie Christian Nagel, Cologne, DE (s) 2005 Preisträger der Marion-Ermer-Stiftung, Oktogon der HfBK, Dresden, DE The Leipzig Lens, Glasgow School of Art, German Embassy London GB Tropical Island, mit Falk Haberkorn, Goethe Institut Paris, FR (s) Tropical Island, mit Falk Haberkorn, AMERIKA, Berlin, DE (s) Erzähl mal was, Kunstverein Langenhagen, Langenhagen, DE A1, AMERIKA, Berlin, DE 2004 Sven Johne, La Filature, Mulhouse, FR (s) Just good news for people who love bad news, Galerie Eigen + Art, Leipzig, DE Wachwechsel, Galerie Kleindienst, Leipzig, DE (s) 2003 Kunststudenten stellen aus, Bundeskunsthalle Bonn, DE (cat.) Silver & Gold, 20.21 Galerie Edition Kunsthandel, Essen; Kunstfonds des Freistaates Sachsen; Festspielhaus Hellerau, Dresden; Palais für Aktuelle Kunst; Kunstverein Glückstadt; Städtische Galerie Wolfsburg, DE (cat.) Scholarships and awards 2016 Fine Art Prize of the Akademie der Küunste Berlin, DE Working stipend by the Berliner Senat, Berlin, DE 2015 residency at National Centre for Contemporary Arts, Kaliningrad, RU 2013 Casa Baldi stipend of the German Academy/Villa Massimo, Rome, IT 2010 Karl Schmidt-Rottluff stipend, DE Alfried Krupp von Bohlen und Halbach-Stiftung´s support prize Catalogues for young artists, DE 2009 Stipend of Stiftung Kunstfonds Bonn, DE Travel scholarship by Stiftung Gwin Zegal, Hanoi, VT residency at Goethe Institute, Honkong, HK 2008 Incentive scholarship by the Günther-Peill-Stiftung, DE Stipend at the ISCP New York, US 2007 Laureate of the sponsorship award for contemporary art by the Christian Karl Schmidt Foundation, DE Stipend of the “Ars Baltica”- Fototriennial, Danzig, PL 2006 Working stipend of the state of Saxony, DE 2005 Award of the Marion-Ermer-Stiftung, DE 2004 Scholarship of the Alfried Krupp von Bohlen und Halbach-Stiftung für zeitgenössische Deutsche Fotografie (Alfried Krupp von Bohlen and Halbach Foundation for Contemporary German Photography), DE residency scholarship La Filature, Mulhouse, FR Scholarship Schloss Plüschow Land Mecklemburg-Western Pomerania, DE 2003 Award of the Institut für Buchkunst for the book Vinta (with Till Gathmann and Claudius Nießen), DE DAAD Scholarship Nordatlantik and USA Monographs 2015 Anomalies of the Early 21st Century. Some Case Studies / Anomalien des frühen 21.Jahrhunderts. Einige Fallbeispiele, Ed. Sebastian Orlac, Sven Johne and Spector Books,Leipzig The Doubt of the Stage Prompter, Edith-Russ-Haus for Media Art, Oldenburg 2014 Fußnoten der Weltgeschichte 2. Januar – 10. November 1989 / Cuttings from the East German newspaper Neues Deutschland, Ed. Sven Johne, Berlin – limted and signed Risograph edition of 100 2013 Where the sky is darkest, the stars are brightest, Camera Austria Verlag, Graz, Austria 2012 Lampedus Hotels 2012, Sven Johne, Karl Schmidt-Rotluff Stipendium 2012 2010 Tales from the Crack of Dawn / Berichte zwischen Morgen und Grauen, Ed: Kunstverein Frankfurt, Revolver Verlag Winter/ Badende – Winter/Bathers, Ed: Peill Stiftung, Nicolai Verlag, Berlin 2007 Leben und Sterben in Ostdeutschland und anderswo / Life and Death in East Germany and the rest of the world, Revolver Verlag, Frankfurt (Gestaltung: Till Gathmann) 2005 Vinta, Institut für Buchkunst Leipzig (text: Claudius Niessen, design: Till Gathmann) Sven Johne, Marion Ermer Preis 2005, Marion Ermer Stiftung zur Förderung von Kunst und Kultur in Sachsen und Thüringen, Dresden

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