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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

64th International Short Film Festival Oberhausen 2018

In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events and in its 64th issue over 500 films were shown selected out of more than 7.000 films submitted.

Videoart at High Noon
Critics‘ Pick by Nicole Büsing and Heiko Klaas

Cologne/Brussels. How can video art be presented in a suitable way? While on “blinkvideo” you can enjoy watching video art comfortably from your couch, at your desk or on a train, viewing videos at art fairs often turns out to be quite a challenge. To concentrate on a work of moving pictures in the bustling atmosphere of an art fair requires maximum attention. And yet, this year’s Art Cologne and the simultaneous Art Brussels once more featured a number of intriguing video works, some of which we would like to present you here.

Christoph Faulhaber: Revolution & Architecture

Kunsthalle Osnabrück / June 15 to October 2, 2018
With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.

European Media Art Festival 2018

The various sections of the festival dealt primarily with one theme: the link between media art and journalism – under the heading “Report – Notes from Reality.” It was all about facebook data theft, interference in elections by secret services, the threat of trade war, and dubious arms exports.

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.

image: © Richard Mosse

Featured videos

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective. Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

image: Jesper Just, Servitudes (2015)

KINO DER KUNST

2017 a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

Anna Gaskell. Hide and Seek

Curated by Nadia Ismail

The Kunsthalle Gießen is pleased to present the first institutional solo-exhibition in Germany by the New York based artist Anna Gaskell (*1969 Des Moines/Iowa). The exhibition focuses on photographic and time-based works which have largely characterised the American artists Œuvre since 1996.

Duration: 27.01. - 08.04.2018

image: © Anna Gaskell and Light Manufacturing/Esto, Courtesy: Galerie Gisela Capitain, Köln

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Anna Zett

Works


Statement

The gap between the virtual and the physical world is a major driving force in my artistic practice. I keep returning to the basic idea, that both freedom and oppression, both trauma and possibility emerge from this gap. In my film making and writing I approach this ambivalence on a subjective as well as a political level. This quest often takes me to the natural sciences and the problem of objectivity. It also takes me to modernized archaic icons such as dinosaurs, heroes, ghosts and animal images of all kinds. The outcome tends to be a narrative or performative work that is engaged both in the tragedy of materiality and the comedy of knowledge.


Biography

Education

2012 M.A. (Magister) Humboldt University Berlin: Cultural Anthropology, Gender Studies, Philosophy
2010-2012 University of the Arts Berlin: Fine Art
2009-2010 Middlesex University London: Aesthetics and Art Theory, Moving Image

Shows + screenings

2015
Essay Film Dissidents, Echo Park Film Center, Los Angeles
Serpentine Cinema: Films by Rachel Rose and Anna Zett, curated by Serpentine Gallery, London
Lichter Art Award, Frankfurt am Main
Videonale.15, Festival for Contemporary Video Art, Bonn

2014
Kasseler Dokfest, Documentary Film and Video Festival, Kassel
Extinction Marathon, Serpentine and Sackler Gallery, London
We, animals. Meinblau Projektraum, Berlin

2012
NOW: A Copy in Motion. Kunstraum Kreuzberg, Berlin

2011
ANIMAMAMOMODERNE. 24 hour group show curated by Anna Zett and Hanna Bergfors, Kottishop Berlin
Studio. Screening of Artists Moving Image. Galerie Suvi Lettinen, Berlin

2009
Lange Nacht der Wissenschaften/ Science Lates, Humboldt University Berlin

Publications

2015
Fist to Brain, In: The New Inquiry, www.thenewinquiry.com
The Ghost of Participation. In: PALE Journal, #1, London
2014
Sleeping in Public, In: How to Sleep Faster Issue 5, Tom Clark, Rozsa Farkas (Eds). London: Arcadia Missa Publications
2013
Dinotasia, Dinotopia. Animationen ungreifbarer Tierkörper im Kino des Fortschritts. In: Chimaira AK (Eds.): Tiere_Bilder_Ökonomien. Bielefeld: Transkript
Verwende deine Nerven. In: Sarah Schönfeld – All you can feel. Bielefeld/ Berlin: Kerber
Back to the Now! And back again. In: Now! Extended. Berlin: AKV
2011
Transtier, Intertier. Tiermotive und die Überschreitung von Geschlechtergrenzen in den Filmen Transamerica und XXY. In: Sophia Könnemann, Anne Stähr (Eds): Das Geschlecht der Anderen. Figuren der Alterität: Kriminologie, Psychiatrie, Ethnologie und Zoologie. Bielefeld: Transkript
2009
In particular, infinity. In: Jorinde Voigt - Matrix/ Patric Catani & Chris Imler - Lemniscate. Bielefeld/ Leipzig: Kepler
2007
Verflechtung, Zitation, Variation und Erfindung. In: Jorinde Voigt – Konglomerat. Köln: Galerie Christian Lethert

Performances

2015
After the Eclipse, reading series, Atelierhaus am Flutgraben, Berlin
PALE Journal #1, book launch, SPACE, London
2014
Gespensterfunk. Radio Performance at Tieranatomisches Theater in collaboration with Joshua Wicke and Émission de l'Art Visionnaire
2013
Rundfunkorakel. Performance with the group Remote Control, symposion Offensiv Experimentell, HfbK Hamburg
The Air is Alchemical: Paracettamor. Participatory Performance in collaboration with Ancelle Beauchamp, Voin de Voin, Stephanie Ballantine, at Mindpirates, Berlin.
Performance at the group show True Colors, Kotti Shop, Berlin
Now! (Compressed) book launch, KunstWerke, Berlin
2012
Dada/ Danet. Performance in collaboration with Ancelle Beauchamp et al. at the Performance Night Manisensations. Leap, Berlin

Lectures + panels

2014 Alternative Film/Video Research Forum, Belgrade
Archeologies of Media and Film. Bradford University
2013 Marginal Modernities: On Queer Materiality. Panel with Jesse Darling, Jaako Pallasvuo, Maja Cule. The White Building, London
Tiere_Bilder_Ökonomien. Lecture series, Institute of Cultural Studies. Humboldt University, Berlin
2010 Grenzgänger_innen in den Lateinamerikas, Symposion, HKW/ House of World Cultures, Berlin
2009 Das Geschlecht der Anderen/ The Gender of Others. International conference, University of Humboldt, Berlin.

Anna Zett
Education 2012 M.A. (Magister) Humboldt University Berlin: Cultural Anthropology, Gender Studies, Philosophy 2010-2012 University of the Arts Berlin: Fine Art 2009-2010 Middlesex University London: Aesthetics and Art Theory, Moving Image Shows + screenings 2015 Essay Film Dissidents, Echo Park Film Center, Los Angeles Serpentine Cinema: Films by Rachel Rose and Anna Zett, curated by Serpentine Gallery, London Lichter Art Award, Frankfurt am Main Videonale.15, Festival for Contemporary Video Art, Bonn 2014 Kasseler Dokfest, Documentary Film and Video Festival, Kassel Extinction Marathon, Serpentine and Sackler Gallery, London We, animals. Meinblau Projektraum, Berlin 2012 NOW: A Copy in Motion. Kunstraum Kreuzberg, Berlin 2011 ANIMAMAMOMODERNE. 24 hour group show curated by Anna Zett and Hanna Bergfors, Kottishop Berlin Studio. Screening of Artists Moving Image. Galerie Suvi Lettinen, Berlin 2009 Lange Nacht der Wissenschaften/ Science Lates, Humboldt University Berlin Publications 2015 Fist to Brain, In: The New Inquiry, www.thenewinquiry.com The Ghost of Participation. In: PALE Journal, #1, London 2014 Sleeping in Public, In: How to Sleep Faster Issue 5, Tom Clark, Rozsa Farkas (Eds). London: Arcadia Missa Publications 2013 Dinotasia, Dinotopia. Animationen ungreifbarer Tierkörper im Kino des Fortschritts. In: Chimaira AK (Eds.): Tiere_Bilder_Ökonomien. Bielefeld: Transkript Verwende deine Nerven. In: Sarah Schönfeld – All you can feel. Bielefeld/ Berlin: Kerber Back to the Now! And back again. In: Now! Extended. Berlin: AKV 2011 Transtier, Intertier. Tiermotive und die Überschreitung von Geschlechtergrenzen in den Filmen Transamerica und XXY. In: Sophia Könnemann, Anne Stähr (Eds): Das Geschlecht der Anderen. Figuren der Alterität: Kriminologie, Psychiatrie, Ethnologie und Zoologie. Bielefeld: Transkript 2009 In particular, infinity. In: Jorinde Voigt - Matrix/ Patric Catani & Chris Imler - Lemniscate. Bielefeld/ Leipzig: Kepler 2007 Verflechtung, Zitation, Variation und Erfindung. In: Jorinde Voigt – Konglomerat. Köln: Galerie Christian Lethert Performances 2015 After the Eclipse, reading series, Atelierhaus am Flutgraben, Berlin PALE Journal #1, book launch, SPACE, London 2014 Gespensterfunk. Radio Performance at Tieranatomisches Theater in collaboration with Joshua Wicke and Émission de l'Art Visionnaire 2013 Rundfunkorakel. Performance with the group Remote Control, symposion Offensiv Experimentell, HfbK Hamburg The Air is Alchemical: Paracettamor. Participatory Performance in collaboration with Ancelle Beauchamp, Voin de Voin, Stephanie Ballantine, at Mindpirates, Berlin. Performance at the group show True Colors, Kotti Shop, Berlin Now! (Compressed) book launch, KunstWerke, Berlin 2012 Dada/ Danet. Performance in collaboration with Ancelle Beauchamp et al. at the Performance Night Manisensations. Leap, Berlin Lectures + panels 2014 Alternative Film/Video Research Forum, Belgrade Archeologies of Media and Film. Bradford University 2013 Marginal Modernities: On Queer Materiality. Panel with Jesse Darling, Jaako Pallasvuo, Maja Cule. The White Building, London Tiere_Bilder_Ökonomien. Lecture series, Institute of Cultural Studies. Humboldt University, Berlin 2010 Grenzgänger_innen in den Lateinamerikas, Symposion, HKW/ House of World Cultures, Berlin 2009 Das Geschlecht der Anderen/ The Gender of Others. International conference, University of Humboldt, Berlin.

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