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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Maya Zack

Works


Galleries

KINO DER KUNST
Birkerstrasse 22
80636 München
Germany

Phone: +49 89 130 14 30 0
E-Mail: info@kinoderkunst.de




Biography

born 1976 in Israel
Works in Tel Aviv

Education

2008-2012 Tel Aviv University, Arts faculty, Interdisciplinary Arts Program.
1996-2000 B.F.A Bezalel, Academy of Art and Design, Fine Art Department, Jerusalem. Magna Cum Laude.
2000 Kunsthochschule Berlin-Weissensee, Student Exchange Program

Teaching positions

Bezalel Academy of Art and Design Jerusalem. Since 2008
Shenkar College of Engineering and Design, Ramat-Gan. since 2013
Tel Aviv University Department of Film & Television. 2005-2008

Solo exhibitions

2016
Counterlight, Tel Aviv Museum
Galleria Marie-Laure Fleisch, Rome, Italy

2014
Outlined Absence, Manifesta 10's parallel projects, Taiga Space, St. Petersburg
The Mystical Shabbat, Alon Segev gallery, Tel Aviv

2013
The Shabbat Room, a permanent installation at The Jewish Museum Vienna
Maya Zack : Videos, at Moving Image Art fair, London. With Galleria Marie-Laure Fleisch.

2012
Made to Measure, Galleria Marie-Laure Fleisch, Rome, Italy

2011
Living Room, The Jewish Museum, New York, U.S.A. Curator: Aviva Weintraub.
Camera Obscura, Galerie Natalie Seroussi, Paris. Curator: Marie Shek.

2010
Mother Economy - video and drawings, CUC Gallery, Berlin. Curator: Avi Feldman
Living Room, Alon Segev Gallery, Tel Aviv
Black and White Rule – Open Set, Yaffo 23, Bezalel Gallery Jerusalem.

2009
Reading Room, Bialik House Museum, Tel Aviv. Curator: Marie Shek.

2008
Mother Economy, The Jewish Museum, Media Center Gallery, New York. Curator: Andrew Ingall.
Nalbishech Salmat Beton Vamelet, Be’eri gallery, Kibutz be’eri. Curator: Ziva Yelin. (with Raya Bruckenthal)

2005
Videos + drawings, Alon Gallery, Ramat Hasharon

2004
Concrete and Cement, Noga Gallery, Tel Aviv (with Raya Bruckenthal)
Mockument, Alon Gallery, Ramat Hasharon

2002
The Baron E.T. von Home, Artists Studios Gallery, Tel Aviv (with Raya Bruckenthal)

2001
Hier seid Ihr zusammen, Kav 16 Gallery, Tel Aviv.

Selected group exhibition

2015
Bibliology, Petach Tikva Museum of Art
The Negev Museum of Art, Be'er Sheba

2014
Back to Berlin, Herzliya Museum of Contemporary Art. Curator: Aya Lurie
International Photography Festival, Israel
The Double Exposure Project, The Shpilman Institute, Tel Aviv. Curator: Aya Lurie
The Drawingroom, Galerie im Taxispalais, Innsbruck, Austria. curator: Peter Weiermair

2013
The Drawingroom, Ursula Blickle foundation, Kraichtal, Germany curator: Peter Weiermair
MiArt, Milan art fair, with Galleria Marie-Laure Fleisch

2012
Private/Corporate, Daimler Art Collection, Berlin, curator: Renate Wiehager.
Pluriel - Regards sur l'art contemporain israélien, Villa Emerige, Paris. Curators: Nathalie Mamane- Cohen, Nathalie Zaquin-Boulakia
In Action, from the Charim Collection, Salon Dahlman, Berlin. Curators: Heike Fuhlbrügge, Joëlle Romba and Ute Weingarten.
The 3rd Moscow International Biennale for Young Art, Curator: Kathrin Becker
Recipients of 'Idud Hayetzira' Award by the Israeli Ministry of Culture, Petach Tikva Museum of Art

2011
Magic Lantern: Recent Acquisitions in Contemporary Art, Israel Museum, Jerusalem. Curators: Suzanne Landau, Amitai Mendelsohn.
Heimatkunde (How German is it? 30 Artists' Notion of Home). Jewish Museum, Berlin Germany.

2010
Neo-Barbarism, Rothschild 69, Tel Aviv. curators: Naomi Aviv, Noam Segal - Rupture & Repair, Adi Prize for Jewish Expression in Art and Design. Artists House Jerusalem. Curator: Emily Bilski, Aviva Kat-Manor
Ark, Mani House, Leumi Gallery, curator: Ido Barel
Suspended Spaces #1, Maison de la culture, Amiens, France.

2009
Childhood Stories, whiteBOX e.V., Kultfabrik Gallery, Munich, Curator: Yael Katz Ben Shalom.
Art TLV, The Tel Aviv Art Biennale, curator: Edna Moshensohn.
Drama of Identities, Curator: Irena Gordon, Beth Hatefutsoth Museum, Tel Aviv.
Seafaring-route. Tel Aviv. Berlin. Beirut. Artneuland Berlin, Curator: Yael Katz Ben Shalom.
Paper Works, The Israel Museum, Anna Ticho House, Jerusalem. Curator: Ronit Sorek.
Reel Mothers, California Center for the Arts Museum, Escondido. Curator: Andrea Liss.
Tel Aviv Mon Amour, The Office Gallery, TLV. Curator: Galit Semel.
Shirat Ha'beton, Eretz Israel Museum, Tel Aviv. Curator: Yehudit Mezkel.

2008
Invideo, International Exhibition of Video Art and Cinema Beyond. Milan, Italy.
From Punk To Pink, Moti Hasson Gellry, NY, USA.
Figge von Rosen Galerie – Cologne, Germany
Merma(i)d, Inga Gallery, Tel Aviv, Israel. with Raya Bruckenthal.
Rishon Le’zion Biannale, Rishon Le’zion, Israel.
Celeste Kunstpreis Finalists, At the former “Patzenhofer Brauerei-Friedrichshöhe, Berlin.
Dead End, Rosenfeld Gallery, Tel Aviv. Curator: Diana Dallal.
Goyim, The new Gallery, Teddy Stadium, Jerusalem.

2007
Guilt & Gelt, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom.

2006
Videoland, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom.
Recipients of The Ministry of Culture Award, The Israel Museum, Jerusalem. Curator: Amitai Mendelsohn.

2005
Not Alone, The Haifa University Gallery. Curator: Ruti Director.
The Drawing Biennale, The Jerusalem Artists House. Curator: Dror Burstein

2004
A Homage to Hanoch Levin, The Haifa Museum of Art. Curator: Daniella Talmor.

2002
Positive Discrimination, The Tel Aviv Museum of Art. Curator: Ellen Ginton.
Something Local, The Israeli Center for Digital Art, Holon

2001
The Armoury Show, The Tel Aviv Museum of Art. Curator: Ellen Ginton.

Selected video-art and film festivals screenings

2013
Kino Der Kunst, film festival, Munich, Germany.

2012
VIP 13, Ticho House, Israel Museum, Jerusalem.
25th Stuttgarter Filmwinter, Festival of Expended Media

2011
Ourense International Film Festival , Aurense, Galiza, Spain
The 13th Intonational Film Festival, Patras city, Greece
Women Make Waves Film Festival, Taipei, Taiwan
BUSHO - Budapest Short Film Festival, Hungary
International Film Festival Jerusalem, Israel
Emegensee media arts festival, Berlin, Germany.
Geschichte(n) in Bewegung, Das Filmforum der HBK, Braunschweig Germany.
5 artists 5 films, Pécsi Galéria és Vizuális Muvészeti Muhely, Pécs, Hungary.

2010
LACE -Los Angeles Contemporary Exhibitions, LA, U.S.
Werkleitz Festival, Halle, Germany. Curator: Brent Klinkum

2009
“Dreams and Disasters" Top Kino, Vienna, Austria
POV, Israeli Photography Festival, Tel Aviv, Israel
100% Tel Aviv, White Night, Paris, Curator: Marie Schek.
45th Pesaro Film Festival, Pesaro, Italy
Cologne Cinematheque, Keolner Filmhaus, Germany
Hull Short film Festival, Hull, England
Transart, Rennes, France, Curator: Brent Klinkum

2008
Winterthur Short film Festival, Winterthur, Switzerland
Invideo, Exhibition for video Art and film beyond, Milan, Italy
Freewaves, LA 11th festival of new media arts, “Holly-Would”, Los Angeles, USA
Busho, Budapest Short film Festival, Hungary
Figge von Rosen Galerie, Cologne, Germany
Imaginaria International Film Festival, Conversano, Italy
Hamburg International Short Film Festival
International Experimental Film and Video Festival, Egilssta›ir, Iceland
“KinoLevchyk”, International Festival of Video Art. leviv Ukraine.

2007
Trunk, The Nordic Video-Art Festival, Östersund, Sweden
Izmir International Short Film Festival, Turkey
Haifa Cinematheque, Israel
Szemletek Visionaudial Film Festival – Pec's, Hungary
Haifa International Film Festival, Israel
Artneuland Gallery, Berlin

Artist grants and awards

2015
Israel Lottery Council Grant For Culture and Arts
2013
The Shpilman institute for Photography, Tel Aviv
2012
Israel Lottery Council Grant For Culture and Arts
2011
'Idud Hayetzira' Award, The Israeli Ministry of Culture
Isracard and Tel Aviv Museum of Art Prize
Artis Grant
2010
Adi Prize for Jewish Expression in Art and Design, by Adi Foundation and Israel Museum in Jerusalem.
2009
The New Israeli Foundation for Cinema and Television
2008
Israel Lottery Council Grant For Culture and Arts
Celeste Kunstpreis, Art Prize Berlin, 1st prize Artist Category
2007
Israel Lottery Council Grant For The Arts
The New Israeli Foundation For Cinema and Television
2005
The Center of Contemporary Art Fund for Video
The Young Artist Award, The Israeli Ministry of Culture
2002
The Center of Contemporary Art Fund for Video
Tel Aviv Municipality, The Arts Department
2000
Excellence Award, Bezalel, Academy of Art and Design, Fine Arts Department, Jerusalem

Videography

Counter-Light (work in progress), Black and White Rule 2011 / Mother Economy 2007 / Concrete and Cement 2: Door to Door 2005 / Meme 2. / The Units 2004 / Meme 1 2003 / Concrete and Cement 1: Preparations for the Resembling People Ceremony 2003 / Hier Seid Ihr Zusammen 2000.

Collections

Public, corporate and private collections include: Israel Museum Jerusalem / Jewish Museum Berlin / Tel Aviv Museum of Art / Jewish Museum Vienna / Beth Hatefutsoth Museum, Tel Aviv. / Daimler Art Collection, Stuttgart/Berlin / ORS Doron Sebbag / SIP-The Shpilman Institute for Photography Tel Aviv / Tiroche Deleon Collection among others.

Maya Zack
born 1976 in Israel Works in Tel Aviv Education 2008-2012 Tel Aviv University, Arts faculty, Interdisciplinary Arts Program. 1996-2000 B.F.A Bezalel, Academy of Art and Design, Fine Art Department, Jerusalem. Magna Cum Laude. 2000 Kunsthochschule Berlin-Weissensee, Student Exchange Program Teaching positions Bezalel Academy of Art and Design Jerusalem. Since 2008 Shenkar College of Engineering and Design, Ramat-Gan. since 2013 Tel Aviv University Department of Film & Television. 2005-2008 Solo exhibitions 2016 Counterlight, Tel Aviv Museum Galleria Marie-Laure Fleisch, Rome, Italy 2014 Outlined Absence, Manifesta 10's parallel projects, Taiga Space, St. Petersburg The Mystical Shabbat, Alon Segev gallery, Tel Aviv 2013 The Shabbat Room, a permanent installation at The Jewish Museum Vienna Maya Zack : Videos, at Moving Image Art fair, London. With Galleria Marie-Laure Fleisch. 2012 Made to Measure, Galleria Marie-Laure Fleisch, Rome, Italy 2011 Living Room, The Jewish Museum, New York, U.S.A. Curator: Aviva Weintraub. Camera Obscura, Galerie Natalie Seroussi, Paris. Curator: Marie Shek. 2010 Mother Economy - video and drawings, CUC Gallery, Berlin. Curator: Avi Feldman Living Room, Alon Segev Gallery, Tel Aviv Black and White Rule – Open Set, Yaffo 23, Bezalel Gallery Jerusalem. 2009 Reading Room, Bialik House Museum, Tel Aviv. Curator: Marie Shek. 2008 Mother Economy, The Jewish Museum, Media Center Gallery, New York. Curator: Andrew Ingall. Nalbishech Salmat Beton Vamelet, Be’eri gallery, Kibutz be’eri. Curator: Ziva Yelin. (with Raya Bruckenthal) 2005 Videos + drawings, Alon Gallery, Ramat Hasharon 2004 Concrete and Cement, Noga Gallery, Tel Aviv (with Raya Bruckenthal) Mockument, Alon Gallery, Ramat Hasharon 2002 The Baron E.T. von Home, Artists Studios Gallery, Tel Aviv (with Raya Bruckenthal) 2001 Hier seid Ihr zusammen, Kav 16 Gallery, Tel Aviv. Selected group exhibition 2015 Bibliology, Petach Tikva Museum of Art The Negev Museum of Art, Be'er Sheba 2014 Back to Berlin, Herzliya Museum of Contemporary Art. Curator: Aya Lurie International Photography Festival, Israel The Double Exposure Project, The Shpilman Institute, Tel Aviv. Curator: Aya Lurie The Drawingroom, Galerie im Taxispalais, Innsbruck, Austria. curator: Peter Weiermair 2013 The Drawingroom, Ursula Blickle foundation, Kraichtal, Germany curator: Peter Weiermair MiArt, Milan art fair, with Galleria Marie-Laure Fleisch 2012 Private/Corporate, Daimler Art Collection, Berlin, curator: Renate Wiehager. Pluriel - Regards sur l'art contemporain israélien, Villa Emerige, Paris. Curators: Nathalie Mamane- Cohen, Nathalie Zaquin-Boulakia In Action, from the Charim Collection, Salon Dahlman, Berlin. Curators: Heike Fuhlbrügge, Joëlle Romba and Ute Weingarten. The 3rd Moscow International Biennale for Young Art, Curator: Kathrin Becker Recipients of 'Idud Hayetzira' Award by the Israeli Ministry of Culture, Petach Tikva Museum of Art 2011 Magic Lantern: Recent Acquisitions in Contemporary Art, Israel Museum, Jerusalem. Curators: Suzanne Landau, Amitai Mendelsohn. Heimatkunde (How German is it? 30 Artists' Notion of Home). Jewish Museum, Berlin Germany. 2010 Neo-Barbarism, Rothschild 69, Tel Aviv. curators: Naomi Aviv, Noam Segal - Rupture & Repair, Adi Prize for Jewish Expression in Art and Design. Artists House Jerusalem. Curator: Emily Bilski, Aviva Kat-Manor Ark, Mani House, Leumi Gallery, curator: Ido Barel Suspended Spaces #1, Maison de la culture, Amiens, France. 2009 Childhood Stories, whiteBOX e.V., Kultfabrik Gallery, Munich, Curator: Yael Katz Ben Shalom. Art TLV, The Tel Aviv Art Biennale, curator: Edna Moshensohn. Drama of Identities, Curator: Irena Gordon, Beth Hatefutsoth Museum, Tel Aviv. Seafaring-route. Tel Aviv. Berlin. Beirut. Artneuland Berlin, Curator: Yael Katz Ben Shalom. Paper Works, The Israel Museum, Anna Ticho House, Jerusalem. Curator: Ronit Sorek. Reel Mothers, California Center for the Arts Museum, Escondido. Curator: Andrea Liss. Tel Aviv Mon Amour, The Office Gallery, TLV. Curator: Galit Semel. Shirat Ha'beton, Eretz Israel Museum, Tel Aviv. Curator: Yehudit Mezkel. 2008 Invideo, International Exhibition of Video Art and Cinema Beyond. Milan, Italy. From Punk To Pink, Moti Hasson Gellry, NY, USA. Figge von Rosen Galerie – Cologne, Germany Merma(i)d, Inga Gallery, Tel Aviv, Israel. with Raya Bruckenthal. Rishon Le’zion Biannale, Rishon Le’zion, Israel. Celeste Kunstpreis Finalists, At the former “Patzenhofer Brauerei-Friedrichshöhe, Berlin. Dead End, Rosenfeld Gallery, Tel Aviv. Curator: Diana Dallal. Goyim, The new Gallery, Teddy Stadium, Jerusalem. 2007 Guilt & Gelt, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom. 2006 Videoland, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom. Recipients of The Ministry of Culture Award, The Israel Museum, Jerusalem. Curator: Amitai Mendelsohn. 2005 Not Alone, The Haifa University Gallery. Curator: Ruti Director. The Drawing Biennale, The Jerusalem Artists House. Curator: Dror Burstein 2004 A Homage to Hanoch Levin, The Haifa Museum of Art. Curator: Daniella Talmor. 2002 Positive Discrimination, The Tel Aviv Museum of Art. Curator: Ellen Ginton. Something Local, The Israeli Center for Digital Art, Holon 2001 The Armoury Show, The Tel Aviv Museum of Art. Curator: Ellen Ginton. Selected video-art and film festivals screenings 2013 Kino Der Kunst, film festival, Munich, Germany. 2012 VIP 13, Ticho House, Israel Museum, Jerusalem. 25th Stuttgarter Filmwinter, Festival of Expended Media 2011 Ourense International Film Festival , Aurense, Galiza, Spain The 13th Intonational Film Festival, Patras city, Greece Women Make Waves Film Festival, Taipei, Taiwan BUSHO - Budapest Short Film Festival, Hungary International Film Festival Jerusalem, Israel Emegensee media arts festival, Berlin, Germany. Geschichte(n) in Bewegung, Das Filmforum der HBK, Braunschweig Germany. 5 artists 5 films, Pécsi Galéria és Vizuális Muvészeti Muhely, Pécs, Hungary. 2010 LACE -Los Angeles Contemporary Exhibitions, LA, U.S. Werkleitz Festival, Halle, Germany. Curator: Brent Klinkum 2009 “Dreams and Disasters Top Kino, Vienna, Austria POV, Israeli Photography Festival, Tel Aviv, Israel 100% Tel Aviv, White Night, Paris, Curator: Marie Schek. 45th Pesaro Film Festival, Pesaro, Italy Cologne Cinematheque, Keolner Filmhaus, Germany Hull Short film Festival, Hull, England Transart, Rennes, France, Curator: Brent Klinkum 2008 Winterthur Short film Festival, Winterthur, Switzerland Invideo, Exhibition for video Art and film beyond, Milan, Italy Freewaves, LA 11th festival of new media arts, “Holly-Would”, Los Angeles, USA Busho, Budapest Short film Festival, Hungary Figge von Rosen Galerie, Cologne, Germany Imaginaria International Film Festival, Conversano, Italy Hamburg International Short Film Festival International Experimental Film and Video Festival, Egilssta›ir, Iceland “KinoLevchyk”, International Festival of Video Art. leviv Ukraine. 2007 Trunk, The Nordic Video-Art Festival, Östersund, Sweden Izmir International Short Film Festival, Turkey Haifa Cinematheque, Israel Szemletek Visionaudial Film Festival – Pec's, Hungary Haifa International Film Festival, Israel Artneuland Gallery, Berlin Artist grants and awards 2015 Israel Lottery Council Grant For Culture and Arts 2013 The Shpilman institute for Photography, Tel Aviv 2012 Israel Lottery Council Grant For Culture and Arts 2011 'Idud Hayetzira' Award, The Israeli Ministry of Culture Isracard and Tel Aviv Museum of Art Prize Artis Grant 2010 Adi Prize for Jewish Expression in Art and Design, by Adi Foundation and Israel Museum in Jerusalem. 2009 The New Israeli Foundation for Cinema and Television 2008 Israel Lottery Council Grant For Culture and Arts Celeste Kunstpreis, Art Prize Berlin, 1st prize Artist Category 2007 Israel Lottery Council Grant For The Arts The New Israeli Foundation For Cinema and Television 2005 The Center of Contemporary Art Fund for Video The Young Artist Award, The Israeli Ministry of Culture 2002 The Center of Contemporary Art Fund for Video Tel Aviv Municipality, The Arts Department 2000 Excellence Award, Bezalel, Academy of Art and Design, Fine Arts Department, Jerusalem Videography Counter-Light (work in progress), Black and White Rule 2011 / Mother Economy 2007 / Concrete and Cement 2: Door to Door 2005 / Meme 2. / The Units 2004 / Meme 1 2003 / Concrete and Cement 1: Preparations for the Resembling People Ceremony 2003 / Hier Seid Ihr Zusammen 2000. Collections Public, corporate and private collections include: Israel Museum Jerusalem / Jewish Museum Berlin / Tel Aviv Museum of Art / Jewish Museum Vienna / Beth Hatefutsoth Museum, Tel Aviv. / Daimler Art Collection, Stuttgart/Berlin / ORS Doron Sebbag / SIP-The Shpilman Institute for Photography Tel Aviv / Tiroche Deleon Collection among others.

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