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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Maya Zack

Works


Galleries

KINO DER KUNST
Birkerstrasse 22
80636 München
Germany

Phone: +49 89 130 14 30 0
E-Mail: info@kinoderkunst.de




Biography

born 1976 in Israel
Works in Tel Aviv

Education

2008-2012 Tel Aviv University, Arts faculty, Interdisciplinary Arts Program.
1996-2000 B.F.A Bezalel, Academy of Art and Design, Fine Art Department, Jerusalem. Magna Cum Laude.
2000 Kunsthochschule Berlin-Weissensee, Student Exchange Program

Teaching positions

Bezalel Academy of Art and Design Jerusalem. Since 2008
Shenkar College of Engineering and Design, Ramat-Gan. since 2013
Tel Aviv University Department of Film & Television. 2005-2008

Solo exhibitions

2016
Counterlight, Tel Aviv Museum
Galleria Marie-Laure Fleisch, Rome, Italy

2014
Outlined Absence, Manifesta 10's parallel projects, Taiga Space, St. Petersburg
The Mystical Shabbat, Alon Segev gallery, Tel Aviv

2013
The Shabbat Room, a permanent installation at The Jewish Museum Vienna
Maya Zack : Videos, at Moving Image Art fair, London. With Galleria Marie-Laure Fleisch.

2012
Made to Measure, Galleria Marie-Laure Fleisch, Rome, Italy

2011
Living Room, The Jewish Museum, New York, U.S.A. Curator: Aviva Weintraub.
Camera Obscura, Galerie Natalie Seroussi, Paris. Curator: Marie Shek.

2010
Mother Economy - video and drawings, CUC Gallery, Berlin. Curator: Avi Feldman
Living Room, Alon Segev Gallery, Tel Aviv
Black and White Rule – Open Set, Yaffo 23, Bezalel Gallery Jerusalem.

2009
Reading Room, Bialik House Museum, Tel Aviv. Curator: Marie Shek.

2008
Mother Economy, The Jewish Museum, Media Center Gallery, New York. Curator: Andrew Ingall.
Nalbishech Salmat Beton Vamelet, Be’eri gallery, Kibutz be’eri. Curator: Ziva Yelin. (with Raya Bruckenthal)

2005
Videos + drawings, Alon Gallery, Ramat Hasharon

2004
Concrete and Cement, Noga Gallery, Tel Aviv (with Raya Bruckenthal)
Mockument, Alon Gallery, Ramat Hasharon

2002
The Baron E.T. von Home, Artists Studios Gallery, Tel Aviv (with Raya Bruckenthal)

2001
Hier seid Ihr zusammen, Kav 16 Gallery, Tel Aviv.

Selected group exhibition

2015
Bibliology, Petach Tikva Museum of Art
The Negev Museum of Art, Be'er Sheba

2014
Back to Berlin, Herzliya Museum of Contemporary Art. Curator: Aya Lurie
International Photography Festival, Israel
The Double Exposure Project, The Shpilman Institute, Tel Aviv. Curator: Aya Lurie
The Drawingroom, Galerie im Taxispalais, Innsbruck, Austria. curator: Peter Weiermair

2013
The Drawingroom, Ursula Blickle foundation, Kraichtal, Germany curator: Peter Weiermair
MiArt, Milan art fair, with Galleria Marie-Laure Fleisch

2012
Private/Corporate, Daimler Art Collection, Berlin, curator: Renate Wiehager.
Pluriel - Regards sur l'art contemporain israélien, Villa Emerige, Paris. Curators: Nathalie Mamane- Cohen, Nathalie Zaquin-Boulakia
In Action, from the Charim Collection, Salon Dahlman, Berlin. Curators: Heike Fuhlbrügge, Joëlle Romba and Ute Weingarten.
The 3rd Moscow International Biennale for Young Art, Curator: Kathrin Becker
Recipients of 'Idud Hayetzira' Award by the Israeli Ministry of Culture, Petach Tikva Museum of Art

2011
Magic Lantern: Recent Acquisitions in Contemporary Art, Israel Museum, Jerusalem. Curators: Suzanne Landau, Amitai Mendelsohn.
Heimatkunde (How German is it? 30 Artists' Notion of Home). Jewish Museum, Berlin Germany.

2010
Neo-Barbarism, Rothschild 69, Tel Aviv. curators: Naomi Aviv, Noam Segal - Rupture & Repair, Adi Prize for Jewish Expression in Art and Design. Artists House Jerusalem. Curator: Emily Bilski, Aviva Kat-Manor
Ark, Mani House, Leumi Gallery, curator: Ido Barel
Suspended Spaces #1, Maison de la culture, Amiens, France.

2009
Childhood Stories, whiteBOX e.V., Kultfabrik Gallery, Munich, Curator: Yael Katz Ben Shalom.
Art TLV, The Tel Aviv Art Biennale, curator: Edna Moshensohn.
Drama of Identities, Curator: Irena Gordon, Beth Hatefutsoth Museum, Tel Aviv.
Seafaring-route. Tel Aviv. Berlin. Beirut. Artneuland Berlin, Curator: Yael Katz Ben Shalom.
Paper Works, The Israel Museum, Anna Ticho House, Jerusalem. Curator: Ronit Sorek.
Reel Mothers, California Center for the Arts Museum, Escondido. Curator: Andrea Liss.
Tel Aviv Mon Amour, The Office Gallery, TLV. Curator: Galit Semel.
Shirat Ha'beton, Eretz Israel Museum, Tel Aviv. Curator: Yehudit Mezkel.

2008
Invideo, International Exhibition of Video Art and Cinema Beyond. Milan, Italy.
From Punk To Pink, Moti Hasson Gellry, NY, USA.
Figge von Rosen Galerie – Cologne, Germany
Merma(i)d, Inga Gallery, Tel Aviv, Israel. with Raya Bruckenthal.
Rishon Le’zion Biannale, Rishon Le’zion, Israel.
Celeste Kunstpreis Finalists, At the former “Patzenhofer Brauerei-Friedrichshöhe, Berlin.
Dead End, Rosenfeld Gallery, Tel Aviv. Curator: Diana Dallal.
Goyim, The new Gallery, Teddy Stadium, Jerusalem.

2007
Guilt & Gelt, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom.

2006
Videoland, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom.
Recipients of The Ministry of Culture Award, The Israel Museum, Jerusalem. Curator: Amitai Mendelsohn.

2005
Not Alone, The Haifa University Gallery. Curator: Ruti Director.
The Drawing Biennale, The Jerusalem Artists House. Curator: Dror Burstein

2004
A Homage to Hanoch Levin, The Haifa Museum of Art. Curator: Daniella Talmor.

2002
Positive Discrimination, The Tel Aviv Museum of Art. Curator: Ellen Ginton.
Something Local, The Israeli Center for Digital Art, Holon

2001
The Armoury Show, The Tel Aviv Museum of Art. Curator: Ellen Ginton.

Selected video-art and film festivals screenings

2013
Kino Der Kunst, film festival, Munich, Germany.

2012
VIP 13, Ticho House, Israel Museum, Jerusalem.
25th Stuttgarter Filmwinter, Festival of Expended Media

2011
Ourense International Film Festival , Aurense, Galiza, Spain
The 13th Intonational Film Festival, Patras city, Greece
Women Make Waves Film Festival, Taipei, Taiwan
BUSHO - Budapest Short Film Festival, Hungary
International Film Festival Jerusalem, Israel
Emegensee media arts festival, Berlin, Germany.
Geschichte(n) in Bewegung, Das Filmforum der HBK, Braunschweig Germany.
5 artists 5 films, Pécsi Galéria és Vizuális Muvészeti Muhely, Pécs, Hungary.

2010
LACE -Los Angeles Contemporary Exhibitions, LA, U.S.
Werkleitz Festival, Halle, Germany. Curator: Brent Klinkum

2009
“Dreams and Disasters" Top Kino, Vienna, Austria
POV, Israeli Photography Festival, Tel Aviv, Israel
100% Tel Aviv, White Night, Paris, Curator: Marie Schek.
45th Pesaro Film Festival, Pesaro, Italy
Cologne Cinematheque, Keolner Filmhaus, Germany
Hull Short film Festival, Hull, England
Transart, Rennes, France, Curator: Brent Klinkum

2008
Winterthur Short film Festival, Winterthur, Switzerland
Invideo, Exhibition for video Art and film beyond, Milan, Italy
Freewaves, LA 11th festival of new media arts, “Holly-Would”, Los Angeles, USA
Busho, Budapest Short film Festival, Hungary
Figge von Rosen Galerie, Cologne, Germany
Imaginaria International Film Festival, Conversano, Italy
Hamburg International Short Film Festival
International Experimental Film and Video Festival, Egilssta›ir, Iceland
“KinoLevchyk”, International Festival of Video Art. leviv Ukraine.

2007
Trunk, The Nordic Video-Art Festival, Östersund, Sweden
Izmir International Short Film Festival, Turkey
Haifa Cinematheque, Israel
Szemletek Visionaudial Film Festival – Pec's, Hungary
Haifa International Film Festival, Israel
Artneuland Gallery, Berlin

Artist grants and awards

2015
Israel Lottery Council Grant For Culture and Arts
2013
The Shpilman institute for Photography, Tel Aviv
2012
Israel Lottery Council Grant For Culture and Arts
2011
'Idud Hayetzira' Award, The Israeli Ministry of Culture
Isracard and Tel Aviv Museum of Art Prize
Artis Grant
2010
Adi Prize for Jewish Expression in Art and Design, by Adi Foundation and Israel Museum in Jerusalem.
2009
The New Israeli Foundation for Cinema and Television
2008
Israel Lottery Council Grant For Culture and Arts
Celeste Kunstpreis, Art Prize Berlin, 1st prize Artist Category
2007
Israel Lottery Council Grant For The Arts
The New Israeli Foundation For Cinema and Television
2005
The Center of Contemporary Art Fund for Video
The Young Artist Award, The Israeli Ministry of Culture
2002
The Center of Contemporary Art Fund for Video
Tel Aviv Municipality, The Arts Department
2000
Excellence Award, Bezalel, Academy of Art and Design, Fine Arts Department, Jerusalem

Videography

Counter-Light (work in progress), Black and White Rule 2011 / Mother Economy 2007 / Concrete and Cement 2: Door to Door 2005 / Meme 2. / The Units 2004 / Meme 1 2003 / Concrete and Cement 1: Preparations for the Resembling People Ceremony 2003 / Hier Seid Ihr Zusammen 2000.

Collections

Public, corporate and private collections include: Israel Museum Jerusalem / Jewish Museum Berlin / Tel Aviv Museum of Art / Jewish Museum Vienna / Beth Hatefutsoth Museum, Tel Aviv. / Daimler Art Collection, Stuttgart/Berlin / ORS Doron Sebbag / SIP-The Shpilman Institute for Photography Tel Aviv / Tiroche Deleon Collection among others.

Maya Zack
born 1976 in Israel Works in Tel Aviv Education 2008-2012 Tel Aviv University, Arts faculty, Interdisciplinary Arts Program. 1996-2000 B.F.A Bezalel, Academy of Art and Design, Fine Art Department, Jerusalem. Magna Cum Laude. 2000 Kunsthochschule Berlin-Weissensee, Student Exchange Program Teaching positions Bezalel Academy of Art and Design Jerusalem. Since 2008 Shenkar College of Engineering and Design, Ramat-Gan. since 2013 Tel Aviv University Department of Film & Television. 2005-2008 Solo exhibitions 2016 Counterlight, Tel Aviv Museum Galleria Marie-Laure Fleisch, Rome, Italy 2014 Outlined Absence, Manifesta 10's parallel projects, Taiga Space, St. Petersburg The Mystical Shabbat, Alon Segev gallery, Tel Aviv 2013 The Shabbat Room, a permanent installation at The Jewish Museum Vienna Maya Zack : Videos, at Moving Image Art fair, London. With Galleria Marie-Laure Fleisch. 2012 Made to Measure, Galleria Marie-Laure Fleisch, Rome, Italy 2011 Living Room, The Jewish Museum, New York, U.S.A. Curator: Aviva Weintraub. Camera Obscura, Galerie Natalie Seroussi, Paris. Curator: Marie Shek. 2010 Mother Economy - video and drawings, CUC Gallery, Berlin. Curator: Avi Feldman Living Room, Alon Segev Gallery, Tel Aviv Black and White Rule – Open Set, Yaffo 23, Bezalel Gallery Jerusalem. 2009 Reading Room, Bialik House Museum, Tel Aviv. Curator: Marie Shek. 2008 Mother Economy, The Jewish Museum, Media Center Gallery, New York. Curator: Andrew Ingall. Nalbishech Salmat Beton Vamelet, Be’eri gallery, Kibutz be’eri. Curator: Ziva Yelin. (with Raya Bruckenthal) 2005 Videos + drawings, Alon Gallery, Ramat Hasharon 2004 Concrete and Cement, Noga Gallery, Tel Aviv (with Raya Bruckenthal) Mockument, Alon Gallery, Ramat Hasharon 2002 The Baron E.T. von Home, Artists Studios Gallery, Tel Aviv (with Raya Bruckenthal) 2001 Hier seid Ihr zusammen, Kav 16 Gallery, Tel Aviv. Selected group exhibition 2015 Bibliology, Petach Tikva Museum of Art The Negev Museum of Art, Be'er Sheba 2014 Back to Berlin, Herzliya Museum of Contemporary Art. Curator: Aya Lurie International Photography Festival, Israel The Double Exposure Project, The Shpilman Institute, Tel Aviv. Curator: Aya Lurie The Drawingroom, Galerie im Taxispalais, Innsbruck, Austria. curator: Peter Weiermair 2013 The Drawingroom, Ursula Blickle foundation, Kraichtal, Germany curator: Peter Weiermair MiArt, Milan art fair, with Galleria Marie-Laure Fleisch 2012 Private/Corporate, Daimler Art Collection, Berlin, curator: Renate Wiehager. Pluriel - Regards sur l'art contemporain israélien, Villa Emerige, Paris. Curators: Nathalie Mamane- Cohen, Nathalie Zaquin-Boulakia In Action, from the Charim Collection, Salon Dahlman, Berlin. Curators: Heike Fuhlbrügge, Joëlle Romba and Ute Weingarten. The 3rd Moscow International Biennale for Young Art, Curator: Kathrin Becker Recipients of 'Idud Hayetzira' Award by the Israeli Ministry of Culture, Petach Tikva Museum of Art 2011 Magic Lantern: Recent Acquisitions in Contemporary Art, Israel Museum, Jerusalem. Curators: Suzanne Landau, Amitai Mendelsohn. Heimatkunde (How German is it? 30 Artists' Notion of Home). Jewish Museum, Berlin Germany. 2010 Neo-Barbarism, Rothschild 69, Tel Aviv. curators: Naomi Aviv, Noam Segal - Rupture & Repair, Adi Prize for Jewish Expression in Art and Design. Artists House Jerusalem. Curator: Emily Bilski, Aviva Kat-Manor Ark, Mani House, Leumi Gallery, curator: Ido Barel Suspended Spaces #1, Maison de la culture, Amiens, France. 2009 Childhood Stories, whiteBOX e.V., Kultfabrik Gallery, Munich, Curator: Yael Katz Ben Shalom. Art TLV, The Tel Aviv Art Biennale, curator: Edna Moshensohn. Drama of Identities, Curator: Irena Gordon, Beth Hatefutsoth Museum, Tel Aviv. Seafaring-route. Tel Aviv. Berlin. Beirut. Artneuland Berlin, Curator: Yael Katz Ben Shalom. Paper Works, The Israel Museum, Anna Ticho House, Jerusalem. Curator: Ronit Sorek. Reel Mothers, California Center for the Arts Museum, Escondido. Curator: Andrea Liss. Tel Aviv Mon Amour, The Office Gallery, TLV. Curator: Galit Semel. Shirat Ha'beton, Eretz Israel Museum, Tel Aviv. Curator: Yehudit Mezkel. 2008 Invideo, International Exhibition of Video Art and Cinema Beyond. Milan, Italy. From Punk To Pink, Moti Hasson Gellry, NY, USA. Figge von Rosen Galerie – Cologne, Germany Merma(i)d, Inga Gallery, Tel Aviv, Israel. with Raya Bruckenthal. Rishon Le’zion Biannale, Rishon Le’zion, Israel. Celeste Kunstpreis Finalists, At the former “Patzenhofer Brauerei-Friedrichshöhe, Berlin. Dead End, Rosenfeld Gallery, Tel Aviv. Curator: Diana Dallal. Goyim, The new Gallery, Teddy Stadium, Jerusalem. 2007 Guilt & Gelt, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom. 2006 Videoland, Artneuland Gallery Berlin, Curator: Yael Katz Ben Shalom. Recipients of The Ministry of Culture Award, The Israel Museum, Jerusalem. Curator: Amitai Mendelsohn. 2005 Not Alone, The Haifa University Gallery. Curator: Ruti Director. The Drawing Biennale, The Jerusalem Artists House. Curator: Dror Burstein 2004 A Homage to Hanoch Levin, The Haifa Museum of Art. Curator: Daniella Talmor. 2002 Positive Discrimination, The Tel Aviv Museum of Art. Curator: Ellen Ginton. Something Local, The Israeli Center for Digital Art, Holon 2001 The Armoury Show, The Tel Aviv Museum of Art. Curator: Ellen Ginton. Selected video-art and film festivals screenings 2013 Kino Der Kunst, film festival, Munich, Germany. 2012 VIP 13, Ticho House, Israel Museum, Jerusalem. 25th Stuttgarter Filmwinter, Festival of Expended Media 2011 Ourense International Film Festival , Aurense, Galiza, Spain The 13th Intonational Film Festival, Patras city, Greece Women Make Waves Film Festival, Taipei, Taiwan BUSHO - Budapest Short Film Festival, Hungary International Film Festival Jerusalem, Israel Emegensee media arts festival, Berlin, Germany. Geschichte(n) in Bewegung, Das Filmforum der HBK, Braunschweig Germany. 5 artists 5 films, Pécsi Galéria és Vizuális Muvészeti Muhely, Pécs, Hungary. 2010 LACE -Los Angeles Contemporary Exhibitions, LA, U.S. Werkleitz Festival, Halle, Germany. Curator: Brent Klinkum 2009 “Dreams and Disasters Top Kino, Vienna, Austria POV, Israeli Photography Festival, Tel Aviv, Israel 100% Tel Aviv, White Night, Paris, Curator: Marie Schek. 45th Pesaro Film Festival, Pesaro, Italy Cologne Cinematheque, Keolner Filmhaus, Germany Hull Short film Festival, Hull, England Transart, Rennes, France, Curator: Brent Klinkum 2008 Winterthur Short film Festival, Winterthur, Switzerland Invideo, Exhibition for video Art and film beyond, Milan, Italy Freewaves, LA 11th festival of new media arts, “Holly-Would”, Los Angeles, USA Busho, Budapest Short film Festival, Hungary Figge von Rosen Galerie, Cologne, Germany Imaginaria International Film Festival, Conversano, Italy Hamburg International Short Film Festival International Experimental Film and Video Festival, Egilssta›ir, Iceland “KinoLevchyk”, International Festival of Video Art. leviv Ukraine. 2007 Trunk, The Nordic Video-Art Festival, Östersund, Sweden Izmir International Short Film Festival, Turkey Haifa Cinematheque, Israel Szemletek Visionaudial Film Festival – Pec's, Hungary Haifa International Film Festival, Israel Artneuland Gallery, Berlin Artist grants and awards 2015 Israel Lottery Council Grant For Culture and Arts 2013 The Shpilman institute for Photography, Tel Aviv 2012 Israel Lottery Council Grant For Culture and Arts 2011 'Idud Hayetzira' Award, The Israeli Ministry of Culture Isracard and Tel Aviv Museum of Art Prize Artis Grant 2010 Adi Prize for Jewish Expression in Art and Design, by Adi Foundation and Israel Museum in Jerusalem. 2009 The New Israeli Foundation for Cinema and Television 2008 Israel Lottery Council Grant For Culture and Arts Celeste Kunstpreis, Art Prize Berlin, 1st prize Artist Category 2007 Israel Lottery Council Grant For The Arts The New Israeli Foundation For Cinema and Television 2005 The Center of Contemporary Art Fund for Video The Young Artist Award, The Israeli Ministry of Culture 2002 The Center of Contemporary Art Fund for Video Tel Aviv Municipality, The Arts Department 2000 Excellence Award, Bezalel, Academy of Art and Design, Fine Arts Department, Jerusalem Videography Counter-Light (work in progress), Black and White Rule 2011 / Mother Economy 2007 / Concrete and Cement 2: Door to Door 2005 / Meme 2. / The Units 2004 / Meme 1 2003 / Concrete and Cement 1: Preparations for the Resembling People Ceremony 2003 / Hier Seid Ihr Zusammen 2000. Collections Public, corporate and private collections include: Israel Museum Jerusalem / Jewish Museum Berlin / Tel Aviv Museum of Art / Jewish Museum Vienna / Beth Hatefutsoth Museum, Tel Aviv. / Daimler Art Collection, Stuttgart/Berlin / ORS Doron Sebbag / SIP-The Shpilman Institute for Photography Tel Aviv / Tiroche Deleon Collection among others.

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